Tag Archives: The Beatles

Album Cover Artist And Art News Summary And Preview For October/November, 2017

ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF OCTOBER,WITH PREVIEWS FOR NOVEMBER, 2017.

 

 

BY MIKE GOLDSTEIN, ALBUMCOVERHALLOFFAME.COM

Greetings once again to you all on this post-Halloween sunny-but-crisp early November day, 2017. The month of October proved to be a VERY busy one with regards to articles you’ll want to read that reveal new information about those active in the world of album cover art and packaging and, in the summaries I’ve written and via the links provided, you’ll learn more about the latest efforts – as found in exhibitions, via new books and products and featured in interviews in profiles and other related reporting – of some of the most-talented album cover art creators and promoters that I’ve found in my reviews of stories from around the world.

Of course, nothing could be more important than the work going on right now to select the nominees and, after close consideration, voting on a new class of inductees, for the Album Cover Hall of Fame. Over 200 people are being considered for this year’s Class (2017), with the winning names revealed to an eagerly-awaiting public just prior to Thanksgiving (which takes place here in the U.S. this year on November 23rd), so watch this space closely as I’m sure you’ll want to know who “made the cut” this year…

As always, I ask that you please share this info with everyone you know who are fans of great album cover-related talent and, of course, your comments and feedback are quite welcome.

1) Upcoming, recently-launched/currently running and just-closed show/exhibitions –

a) As a follow-up to the article I posted last month about Malcolm Garrett and the Design Manchester show he organized (which included a panel on his work along with a special exhibition devoted to displaying the results of a Buzzcocks Orgasm Addict-related challenge he posed to scores of artists – i.e., according to the info posted by writer Aimee McLaughlin in her review on the Design Week site, “to ‘fuck up’ his original artwork and create “reframed” versions of the record sleeve. Designers that have taken part include established names such as Craig Oldham and Michael C Place, along with young and up-and-coming talent”
Another favorite display at the show was another one focused on Garrett’s entire portfolio of work for the Buzzcocks called Fizzing At The Terminals. While the show ended its run on October 22nd, you can get a decent feel for what was on display at https://www.designweek.co.uk/issues/16-22-october-2017/design-manchester-2017-favourite-exhibitions/

b) Another follow-up to a previously-reported item – you’ll recall that photographer and gallery owner Guido Harari has been working with fellow shooter Frank Stefanko to help publish and promote his new limited-edition book (Bruce Springsteen: Further Up The Road, set to be published on November 1st) and related art prints. Well, the two talented artists have also announced a tour and exhibition that will have stops both in the U.S. – November 1st at the Morrison Hotel Gallery at the Sunset Marquis Hotel in Los Angeles, then on to Morrison Hotel’s gallery in the SoHo area of New York City for an opening on November 9th – and in Italy at Harari’s Wall Of Sound Gallery in Alba, where they’ll be for an afternoon (3PM local time) opening on Saturday, November 18th.

According to Guido’s promo emails, the show at his gallery will be the only one in Europe in 2017, but there will be several other scheduled book signings and Q&A/presentations, including one later in the day (5:30PM local time) on November 18th at the nearby Coro della Maddalena, via Vittorio Emanuele 19 (as part of the “In Poetica” festival) followed by a similar event the next day at 6PM at the Circolo dei Lettori, via Bogino 9, in Turin, Italy, (produced in collaboration with Libreria Luxemburg).
More details at http://www.wallofsoundgallery.com/en/bruce-springsteen/

c) Artist Roger Dean and his chums at the U.K.’s Trading Boundaries gallery have announced the launching of a new exhibition that fans of Dean’s mind-bending imagery will most-certainly enjoy. According to the gallery, the “2017 Breaking Cover Exhibition”, which premieres at 7PM on Friday, November 3rd at the beautiful Sheffield Arms development (Sheffield Green – Nr Fletching – TN22 3RB), “This will be a wonderful opportunity to see a number of new paintings never before exhibited, and an amazing collection of Fine Art Watercolours and Sketches that are rarely shown in public.”

Making the evening extra-special – besides having the chance to meet one of the album art world’s most-respected artists – will be the official launch of a new limited-edition print of Dean’s 1973 artwork for Badger (with its winter motif just perfect for this time of year!). More info on this event and its setting can be found via these links – https://therogerdeangallery.smugmug.com/Exhibition-Dates and https://www.tradingboundaries.com/pages/roger-dean-gallery. As a bonus, there’s a short video on the second page in which Dean talks about his first commercial assignment as a designer (doing the interiors for the famed Ronnie Scott’s jazz club in London) and then his first album art commission for a band called The Gun in 1967 (you might recall their hit song “Race With The Devil”).

Last-minute update – Just announced, Prog Rock fans – get ready for a great opportunity to meet Mr. Dean and one of his most-famous clients – guitarist Steve Hackett – at a special event that will be held at Trading Boundaries on November 18th. Per their announcement – “we are excited to announce a world first… an evening with Roger Dean in conversation with guitarist Steve Hackett discussing the creative process. This is a rare opportunity to witness two legends of both music and art coming together for an evening where anything could happen!” Choose between tickets just for the conversation or, for just a few pounds more, enjoy a special 2-course dinner along with the presentation – ticket info at – https://www.tradingboundaries.com/collections/tickets/products/steve-hackett-roger-dean?

d) While not exactly an album art-specific show, the people who are putting on the upcoming Making Vinyl trade show in Detroit are folks with a lot of history in the area, and the fact that they’re both featuring a number of album packaging experts on panels and the re-launch of the ALEX Awards, which includes prizes for album cover-related projects, leads me to share the details of the show with you this month.

Keynote and panel speakers include a number of names well-known to folks like you who are paying keen attention to developments in the music-related art world, including Jack White (musician and owner of Third Man Records), Jack Stoughton (President of Stoughton Printing), Gail Marowitz (Grammy-winning album art director), Jennifer Freund (CEO of Dorado Packaging), Craig Braun (famed album art director and host of this year’s Alex Awards show), 344 Design’s Stefan Bucher and many others. The Alex Award presentation ceremonies will take place on Monday, November 6th at 7PM local time at the Westin Book Cadillac in Detroit. With hundreds of designs submitted for review this year, it’ll be interesting to see who comes out on top – of course, the information will be announced here on the ACHOF site as it’s made available.

Basic show info and a line-up of events can be found at https://makingvinyl.com/ , while specific info on the Alex Awards has been posted here – https://makingvinyl.com/alex-awards/

e) The Grammy Museum at L.A. Live recently launched a new show that presents an impressive collection of exhibits that present a career retrospective of the seminal LA punk/rockabilly band X and its trend-setting members – Exene Cervenka, John Doe, Billy Zoom, and DJ Bonebrake. With a career that began back in 1977 (with their first, Ray Manzarek-produced album Los Angeles released in 1980) and, after break-ups and reunions, still tours on occasion today, the band both represented and influenced the local music scene via both their music/lyrics and visuals – in fact, Cervenka was such an accomplished mixed-media artist that the Santa Monica Museum of Art assembled a solo exhibition of her work (titled America The Beautiful) back in 2005.

According to the Museum, the show (which will be on display until next March) will put on display original instruments and gear played by the band, original concert flyers, photographs, clothing and personal items, handwritten lyrics from Exene and John Doe and a collection of Exene’s photographs and artwork. They’ll also be showing the 1986 documentary film X: The Unheard Music, which includes a number of interviews as well as studio and live performance footage.

More info on this show is available at http://www.grammymuseum.org/exhibits/current-exhibits/x

I seem to remember that the burning X cover on the band’s debut LP Los Angeles was credited to “J. Ruby Productions” – so very punk, no?

f) The David Bowie Is exhibition continues on its successful world tour with a stop at the Brooklyn Art Museum in NY early next year (opening March 2nd and running through July 5th). This slightly-premature article by Andrew Chow for the New York Times was posted in mid-October on the paper’s web site, so if you’re looking to take a special trip into the city and need something special to build it around, here’s a nice intro to the show about everyone’s favorite musician/actor/art collector – https://www.nytimes.com/2017/10/04/arts/design/david-bowie-exhibition-brooklyn-museum.html

g) If you hurry on over to the Lucy Bell Gallery (on Normans Road, in St Leonards on Sea) before November 4th, you’ll still be able to catch what sounds like a really-intriguing exhibition of “rare and iconic” photos of Pink Floyd. Working with the auite-accomplished rock photographer – and owner of the Rockarchive gallery – Jill Furmanovsky and her crew, this show (titled Shine On) includes the works of a number of respected music-industry shooters, including Tony Collins, Colin Prime, Storm Thorgerson, Andrew Whittuck and, of course, Ms. Furmanovsky herself.

According to the gallery’s press release, the show will include images from the “band’s earliest photo shoots in Ruskin Park & Hampstead, to the recording studio at Abbey Road and on the road during the Dark Side of The Moon Tour.. the exhibition includes these and other classic images that capture Pink Floyd’s energy and unique, eclectic style both on and off stage.” Also on display will be several of the late, great Mr. Thorgerson’s alternative takes on album cover art for the band.

https://www.lucy-bell.com/exhibition/pink-floyd

g) While the 12th annual Best Art Vinyl Awards won’t be handed out until after the New Year, it requires the public’s vote to determine the winner and, in order to allow the public to see examples of the nominated covers up close, a show is being staged at The Civic in Barnsley (U.K.) beginning on the 11th of November called “12 Years On 12 Inches” that not only allows attendees that opportunity, but also to participate in several related events, including a “make your own record cover-based linocut workshop”!

With the Barnsley show curated by Jason White, the show will also be duplicated in two other European cities starting with the letter “B” – Bologna and Budapest – thus allowing album art fans from all over the Continent the chance to review the works and then go online to cast their votes for their favorites. Mr. White is also going to be staging a related display at the multi-media event center that will be called “Best Art Vinyl Barnsley” and will show off the album packaging talents of local musical acts and album art producers.

To read more about these exciting happenings, visit – http://www.barnsleycivic.co.uk/events/best-art-vinyl-barnsley and http://www.barnsleycivic.co.uk/events/best-art-vinyl-12-years-on-12-inches

For more information on how to participate in the album art workshop on Saturday, November 11th, please click on over to – http://www.barnsleycivic.co.uk/events/record-cover-lino-cut-workshop

This isn’t the first album cover show staged at The Civic. After a re-development project was finished in early 2009, an album art show called “Gatefold to Download” drew large crowds to the new space, with contributors to the show including Malcolm Garrett (Buzzcocks, Duran Duran, etc.), Mark Farrow (Pet Shop Boys, Spiritualized, etc.) and Rob O’Connor/Stylorouge (Blur, George Michael and others).

h) In late October in Lagos, Nigeria, a career-spanning show built around the 26 album covers designer/illustrator Lemi Ghariokwu crafted for Afro-Beat superstar and human rights activist Fela Kuti before Kuti’s untimely death in 1997 was staged, with Lemi on hand to speak to attendees about his art and his friendship with the beloved and mystical entertainer (when you get a million people showing up at your funeral, I think you can say that you were “beloved”. Lemi was the principal artist for Polygram in Africa for 11 years, also creating stunning packages for stars including Lucky Dube, Miriam Makeba and Bob Marley.

You can read more about the man, his art, his friend Fela and more on the 360nobs.com web site – https://www.360nobs.com/2017/10/lemi-gharioku-temple-management-presents-afro-artbeat-exhibition/

2) Artist interviews/profile articles –

a) It’s nice to have friends in the business…As is so often the case, many musicians have had advanced training in design and the other visual arts, so when the popular band The National wanted to prepare a host of goodies to go along with the release of their latest record (Sleep Well Beast), they turned to friends to help them conceive and then produce not only “the regular stuff” (i.e., album art, t-shirts, posters, etc.) but also a host of other goodies and promotional materials – including billboards and video shorts – that would bear the record’s logo, color scheme and other design cues. Turns out that the band’s bassist, Scott Devendorf, had worked for the noted NYC design firm Pentagram, and so a collaboration with one of that firm’s partners – designer Luke Heyman – was bound to create something unique and impressive.

Via this link, you can take a look at the results of this partnership via this nice article by contributor Gunseli Yalcinkaya on the Dezeen.com site –
https://www.dezeen.com/2017/09/08/pentagram-designs-corporate-visual-identity-national-sleep-well-beast-album-cover/

3) Sales/Auctions –

a) John Lennon’s personal copy of a prototype – complete with Lennon-drawn artwork on the back – of the infamous The Beatles Yesterday And Today “Butcher Cover” is just one of the several album art-related items up for bid as part of the Heritage Auction house’s November 11th Entertainment Auction – https://entertainment.ha.com/c/auction-home.zx?saleNo=7164&ic=breadcrumb-entertainment-071515-interior

In addition to that rarity (which, incidentally, had an opening asking bid of $100,000), there’s an alternative shot – a 12” x 15” B&W, fully-autographed print – taken by photographer Robert Whitaker in late 1964 from the album cover photo session for The Beatles ’65 (opening bid of $10,000). There are several other album cover-related items being offered, including one item that brought back memories. Remember, back in the 70s, the popular custom of taking a gatefold album cover and lining it with aluminum foil for use as a cheat towards a quick sun tan (i.e., those of you who weren’t using the same cover to separate the sticks and seeds from your favorite smoking materials)? Well, Elvis Presley selected his favorite Seals & Crofts LP – Summer Breeze – from his collection to make his own reflector, and for a starting bid of $750, you can works towards making it your own!
Happy bidding, everyone!

4) New Print/Book/Product RELEASES –

a) Noted design authority Steven Heller and writer Greg D’Onofrio have just published a new book on mid-century design masters, including some that worked in the album art field, such as Saul Bass Robert Brownjohn, Neil Fujuita, Reid Miles and the man credited as “the father of the album cover”, Alex Steinweiss (all members of the ACHOF list of “Original Influencers”)

Titled The Moderns: Midcentury American Graphic Design, the 336-page, profusely-illustrated book introduces the reader to the people that created and molded “modern” graphic design beginning in the middle part of the 20th century, bringing their unique takes to designs for print publications, advertising and other forms of promotion, typography and packaging of products of all types. According to the publisher’s (Abrams Books) web site, the book “is the first comprehensive survey of this phenomenon that shaped our visual environment, presenting the work and lives of sixty-three graphic designers. Some were émigrés (including five Bauhaus students and faculty) who brought the gospel of Modernism to America from its sources in Europe. Others were homegrown talents who encountered Modernism in schools and offices at home and abroad. Together, they formed a multigenerational community, learning from one another and forging their individual practices through rigorous engagement with the esthetics of the movement.”

See who’s included – https://themodernsbook.com/ and, to read a review offered up by Theo Inglis on The Creative Review (UK) site, click on over to – https://www.creativereview.co.uk/making-moderns-midcentury-american-graphic-design/

b) Photographer Brian Griffin’s long-awaited music industry career-covering book, titled POP, was finally (and gratefully) released on October 26th, with a special release party and exhibition of over 30 of Brian’s best-loved images being staged both at, and to coincide with, the 2017 Soundedit Festival (for music producers and sound designers) that ran from the 26th through the 29th in Lodz, Poland.

Brian’s been a long-time supporter of this festival (in fact, in 2014, he presented John Cale with the event’s “Man With The Golden Ear” award) and is excited to be able to begin delivery of this book, which features essays by acclaimed music writers Terry Rawlings and Paul Gorman and comes to life after a successful Kickstarter campaign earlier this year. Limited to 1000 copies, the 392 pages contain many of Brian’s best-known album cover images for acts including Depeche Mode, Echo & The Bunnymen, Elvis Costello, Iggy Pop and many others. Learn more about the book via the publisher’s web site at http://gostbooks.com/books/69/pop

…with those of us unable to make it to the event being able to read nicely-illustrated articles about the book via these links – https://genesisimaging.co.uk/brian-griffin-pop-book-launch-exhibition-soundedit-2017/

https://www.newyorker.com/culture/photo-booth/the-stories-behind-brian-griffins-portraits-of-seventies-and-eighties-rock-stars

http://www.heraldscotland.com/arts_ents/15624052.The_Look_of_Love__Brian_Griffin_on_shooting_the_stars_of_1980s_Pop/

c) Speaking of crowd-funded art projects, there’s a new endeavor on Kickstarter that’s looking for support that I thought you might want to learn more about as it includes opportunities not only to receive a specially-produced collection of music as a reward but also to take home one of several very-unique works of art by famed designer Cey Adams. The Smithsonian Anthology of Hip Hop & Rap is, according to the site, “a landmark collection of music, stunning visuals, and powerful stories collected in a 300-page book and 9 CDs.”

With packaging designed by Adams, the founding Creative Director of Def Jam Records, it’s certain to be an eye-and-ear-pleasing package, with special promo items including a limited-edition (one of just 5) fine art print of an alternate album cover from Public Enemy’s Fear of a Black Planet, signed and numbered by artists B.E. Johnson and Adams, as well and PE’s Chuck D himself (at the $5000 level). Already sold out (at the $1500 support level) was a prize package (5 total were made) that included a pair of Adidas sneakers that had been hand-painted (no two alike!) by Adams. The goal is to raise $250,000 before the Nov. 16th cut-off date for funding. As of this date, over 1300 supporters have pledged over $165K, so they look to be on their way to a successful funding effort.

Reserve yours today at https://www.kickstarter.com/projects/smithsonian/smithsonian-anthology-of-hip-hop-and-rap

Here’s a recent ArtDaily article on this project as well – http://artdaily.com/news/99623/Smithsonian-launches-drive-for-major-hip-hop-anthology

d) Also in late October, I received an email with a reminder that there was to be a big book launch party in London for author/historian/all-around nice person Jennifer Otter Bickerdike’s new book (previously described in my news feed) titled Why Vinyl Matters. It all took place at the Rough Trade East record shop in Brick Lane, with Jen bringing some friends along to liven up the launch party, including Julia Ruzicka of Future of the Left and Terry Hall of The Specials and Fun Boy Three. A great time was had by all, and you can take a look at what’s inside Jen’s new book via the following link – https://www.roughtrade.com/us/books/why-vinyl-matters

e) My alert feed brought two items on the Absolute Sound site regarding album cover art books to my attention – one we’ve covered (Art Record Covers by Francesco Spaminato and Julius Wiedemann, published by Taschen – read my March, 2017 interview with Mr. Wiedemann on the ACHOF site at https://albumcoverhalloffame.wordpress.com/2017/03/08/interview-with-taschens-julius-wiedemann-about-his-newest-book-art-record-covers/ ) and one we have not, Visual Vinyl, produced by Heerlen, Netherland’s Schunk Museum and published this past May by Verlag Kettler (and ACC Publishing here in North America), that documents the 2015-16 show at the Museum curated by Harry Prenger built around the collection of vinyl record fan and design guru Jan Van Toorn (AKA “JvT”).

According to the museum’s promotional materials, Visual Vinyl was “a major exhibition devoted to record cover art. This unique collection of LPs, singles and other vinyl rarities will be exhibited at SCHUNCK* from November 2015 onwards. The records form part of the collection of vinyl aficionado and collector, Jan van Toorn, and have never been on public display before…Records and sleeves spanning four decades, with designs representing the work of over a thousand visual artists (with or without the collaboration of “pop” musicians) will be on show.”

This exhibition included many examples of album covers and packages that were created by well known names from the fine art world, including Andy Warhol, Jean-Michel Basquiat, Salvador Dali, Damien Hirst, Shepard Fairey, Banksy, Mark Ryden, Raymond Pettibon and Jeff Koons, among others.
http://www.theabsolutesound.com/articles/where-art-meets-music/
http://schunck.nl/agenda/visual-vinyl/

f) LA-based photographer Afshin Shahidi has released a new book titled Prince: A Private View, created after plowing through his portfolio of exclusive photographs of the late rock star – shot in his home, studio and on stage – with many of the pictures never seen before their inclusion in this book. Shahidi is credited for his work on the covers/packages of Prince records including One Nite Alone…Live!, Live At The Aladdin Las Vegas, Planet Earth, Musicology and 3121 (and has shot covers and/or directed music videos for acts including Nas, Rob Thomas, Herb Alpert, The Afghan Whigs and Bare Naked Ladies), but it was his long-standing relationship with Prince that enabled him to capture the musician in a host of intimate and candid photos.

According to Shahidi, as he explained to the folks at ABC News in a feature they recently produced on Afshin and his book, “The album covers for me … are what I was most proud of,” Shahidi said. “I still, to this day, when I see the album cover, I think, ‘Wow … I took that picture.’ Makes me really happy.” “For me, each time I was with Prince, I was still, like, ‘Wow, I’m standing here with Prince!’”

http://abcnews.go.com/Entertainment/princes-private-photographer-shares-images-late-singer/story?id=50651065

Writing for The Source site, J. Quinones provides us with a bit more detail about the book and the relationship that it was built upon – http://thesource.com/2017/10/24/414889/, and the photographer also adds to the conversation via a special site that’s been set up to let fans review the book and its contents – https://princeaprivateview.com/

5) Other articles of interest –

a) Every once in a while, we’re all given the opportunity to show off just how much we know about famous album cover art and the musical acts that support it, so I was eager to test my chops on NME’s most-recent album cover quiz – one that’s differentiated from many others by the fact that they’re showing “less popular” bits of these covers’ overall image. Well, I got 17 out of 30, which is shameful, but I admit that I don’t know a lot about some of the newer international acts included in the survey. I can only hope and assume that many of you will do much better than this old(ish) man.
http://www.nme.com/blogs/nme-blogs/album-detail-quiz-2146415

One bone to pick with the quiz’s creators – I do really wish that they would have showed the entire album cover when the answer was revealed – how am I supposed to have learned anything from this exercise (beside that I was wrong nearly half the time)? Turn it into a “teachable moment” next time, people…

b) So while we’re carefully perusing covers from now on for “the less popular bits”, will we also be on the lookout for all of the hidden messages and clues that are built in to the works of art? Purple Clover’s Kevin Hayes will be, that’s for sure, as he seems to see things where others might not. Recently, he posted an article that presents 14 album covers in which he asserts there’s more than meets the eye, such as Paul McCartney’s hand-lettered message of love to his wife Linda found on the cover of his 1971 solo release Ram, the multiple faces and a hula skirt that are found in artist Lee Conklin’s “Lion” drawing done for Santana’s 1969 debut album and, one of my favorites, Mouse & Kelley’s really hard-to-see “We Are Acid” sub-text found in the lettering for the Grateful Dead’s 1969 release titled Aoxomoxoa.
Bring your Visine and take the tour at – http://www.purpleclover.com/entertainment/8048-album-covers-hidden-message/

c) Not one but two detailed “making of” articles about Rolling Stones album covers hit the web recently, with staffers from the UK’s Far Out Magazine site digging deep to provide the straight poop about how the cover for the band’s The Satanic Majesties Request (which offered us a 3-D “lenticular” image shot by Sgt. Pepper’s photographer Michael Cooper) – http://faroutmagazine.co.uk/the-cover-uncovered-their-satanic-majesties-request-the-rolling-stones/ , while over on the LA Weekly site, writer Matt Wake interviews two of the most-respected album cover contributors of all time – designer John Van Hamersveld and photographer Norman Seeff – about what it took to produce the highly-detailed gatefold cover for Exile On Main Street, which also included a back cover shot taken in downtown Los Angeles (on Main Street, of course) by famed photographer Robert Frank.
http://www.laweekly.com/music/how-the-rolling-stones-exile-on-main-st-was-finished-in-los-angeles-at-sunset-sound-8594714

d) Appearing this month to provide the keynote address at this year’s Society for News Design (SND) conference in London will be a designer who’s left lasting impressions on all aspects of the graphic design business – designer, creative director, typographer and currently the Dean of the School of Communication at the Royal College of Art (UK), Neville Brody. Album art fans will instantly recall Brody’s work on album covers for the Stiff Records label and others – The Slits – Return of the Giant Slits; Cabaret Voltaire – Red Mecca, 2X45, Johnny YesNo and The Original Sound of Sheffield 83/87; 23 Skidoo – Seven Songs, The Culling is Coming, Urban Gamelan and Just Like Everybody; Depeche Mode – Singles Box, Vol. 1 and Throbbing Gristle’s Five Albums, among others.

His impressive bio includes stints as the art director for magazines such as The Face and Arena, with his more recent work managed via his role as the principal of his design firm brody associates including projects for clients in many industries world-wide, including media companies such as the BBC, D&AD, The Guardian, MTV Europe, Paramount Studios, The Times (London) and Wallpaper* Magazine, venues such as Parco (Japan), The Barbican (London) and the Institute of Contemporary Arts (London) and retail product firms including Apple, Asics, Bentley, Bonfire Snowboarding, Chloe, Deutsche Bank, Dom Perignon, Homechoice, Microsoft, Nike, Salomon, Sony Playstation, YSL and many others. Fans of print newspapers will most-likely know Brody from the fact that he developed Times Modern for The Times of London newspaper, the first new font for the publication since Times New Roman was introduced in 1932.

Brody’s keynote takes place on November 3rd, with more information about the conference and its related displays and events available at – https://www.snd.org/2017/10/neville-brody-is-keynote-speaker-at-snd-london-2017/

e) The licensing world continues to show the love to The Beatles (just goes to show you – spend a little bit up front on great art for your music products and it could reward you over and over) as you’ll read in this recent Business Insider “Insider Picks” feature about the new socks sets from Swedish socks company Happy Socks bearing some of the artwork used in the making of the band’s 1968 animated psychedelic film Yellow Submarine. http://www.businessinsider.com/happy-socks-the-beatles-yellow-submarine-collection-2017-10/#happy-socks-x-the-beatles-collector-box-set-1

For only $84 for the set (slightly cheaper on Amazon.com), fans of the Fab Four who must own everything ever made featuring likenesses of the band can satiate that hunger and own a customized, LP-sized/shaped box containing six pairs of “limited-edition”, colorfully-decorated, Pepperland-themed socks. While, for $14 per pair, you can purchase four of the six total designs – blue Glove, “monsters”, Pepperland and Chief Blue Meanie/Jeremy – buying the set of six gets you an Apple pair and a Yellow Submarine pair as well, with the box thrown in for free (such a deal!).
https://www.happysocks.com/us/thebeatles/

The company also has assembled a line of socks and boxer shorts featuring designs that came from a collaboration with electronic music star/record producer Steve Aoki… https://www.happysocks.com/us/steveaoki/

f) Having recently watched a new animated Halloween TV special built around Michael Jackson-related music, imagery and unique world view (titled Michael Jackson’s Halloween – not sure if it’ll become a classic, but we’ll see…), it’s clear that the Jackson estate is eager to continue to push into uncharted production territory, as is evidenced by the new Michael Jackson SCREAM AR “augmented reality package” included as part of his recently-released compilation by the same name. A joint-production of Jackson’s team along with Sony and Shazam, customers will be treated to a unique experience when they use the music discover app’s camera feature to unlock hidden content when its pointed at the poster included in the package. Read more about it in Gil Kaufman’s coverage of the product on the Billboard Magazine web site – http://www.billboard.com/articles/columns/pop/7981733/michael-jackson-scream-compilation-augmented-reality

Personally, I’m going to be happy waiting for the chance to see the Michael Jackson ONE show in Las Vegas someday – no devices (other than my eyes and ears) required.

g) Finally, I wanted to give you an update on “Flying Pigs In Front Of Trump Tower in Chicago” project I reported on a while back. While the installation had been scheduled to be up before the end of the Summer, the organizers ran into a snag or two and, while it has delayed our chance to enjoy some Pink Floyd-inspired (and Roger Waters-approved) shenanigans here in the Windy City, it is giving the organizers some time to raise some additional funds that they’d need to do this properly – https://archpaper.com/2017/07/trump-sign-flying-pigs-delayed/

The inflatable pig icon that was used by Hipgnosis in their efforts to fly one over the Battersea Power Station to create something special for the cover shot for Animals has reappeared many times since its 1977 premiere, at concerts for both Pink Floyd and Roger Waters as well as in the background in several movies, Danny Boyle’s 2012 film shot for the Olympics and even an episode of The Simpsons, so this particular use is not without precedent and would certainly make my day…

That’s all for now – be on the lookout for timely news alerts on our news feed – https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back early next month with another monthly summary for you.

All text and images included in this article are Copyright 2017 Mike Goldstein and AlbumCoverHallofFame.com – All Rights Reserved. All of trade names mentioned in these summaries are the properties of their respective owners and are used for reference only.

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Album Cover Artist and Art News Summary and Preview for the Months of June and July, 2017

ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF JUNE, 2017, WITH PREVIEWS FOR JULY, 2017.

BY MIKE GOLDSTEIN, ALBUMCOVERHALLOFFAME.COM

Greetings to you all on this last day of June, 2017. Hope you’ve all had a nice Spring-to-Summer transition and that your plans for the next month include time to take advantage of some of the best of what the world has to offer – trips to the shore, family visits, attending a game or two of your favorite sport, eating great food and stopping by your favorite gallery or museum to see what’s on display there. I’m happy to provide you with the details of what’s showing in the Shows/Exhibitions summary that follows.

Of course, I’d have hoped that the last month’s schedule would have allowed me to make great progress on my book, but Life sometimes steps in and decides that your time is best spent in some other fashion (those of you involved in the care of an elderly person know what I’m talking about), so while I didn’t get 85% of the things done which I’d planned, I did get some additional content for the book from notables including photographer/designer/chef/man in a van Ed Caraeff, designer James Faulkner and author/historian/educator Dr. Jennifer Otter Bickerdike, among others, so if I ever get this book done, I know that album art/artist fans will most-surely enjoy what’s included.

In this month’s summary, you’ll find both a helpful recap of last month’s stories about the designers, artists, photographers and others who continue to produce great visuals for clients in the music business along with previews of what’s going to be on display and in-stores next month. As always. you’ll find that the galleries, publishers, curators, etc. who support and promote these works continue on with their quests unabated, and it continues to be my pleasure to be able to share the details about what they do with you and whoever you choose to share this information with. In the summary and via the links provided, you’ll learn more about the escapades and triumphs of your favorite (and soon-to-be-favorite) examples of album cover art/artistry that I’ve found in the daily news cycle, featuring stories of great interest and fascination delivered via the articles, interviews, museum and gallery show information you’ll find written on a wide range of related topics.

Once again, I urge you to please share this info with everyone you know who are fans of great album cover-related talent and, of course, your comments and feedback are quite welcome.

1) Upcoming, recently-launched/CuRRENTLY-RUNNING and just-closed show/exhibitions –

a) Here’s a reminder about the Gered Mankowitz/Rolling Stones photo show in Paris up now through the 22nd of July at the Photo12 Galerie on Rue des Jardins Saint-Paul. It’s called “Gered Mankowitz, The Rolling Stones Backstage” and, according to the gallery’s press, the images included in this show were “taken at the height of their early British fame and during their fourth American tour, the exhibition and book feature a combination of iconic material and previously unpublished images.

Gered was with the band constantly between ’65-’67 and this unique collection of photographs offers an intimate insight into the personalities of the Rolling Stones as they became world famous. He became part of the Stones’ inner circle and was treated as another member of the band. This gave him complete and unrestricted access to their on and offstage life.”

Album art images that are included in the show include the covers for Out of Our Heads and Between the Buttons. Some of the many covers credited to Gered also include – The Nice – Ars Longa…; Ultravox – Ultravox!; ABC – Lexicon of Love and Jimi Hendrix – The Ultimate Experience.

As you might hope, there’s a corresponding, limited-edition exhibition catalog/book also available, highlighting these shots (including many never-before-published) taken early on and also during  their 4th tour of America. The 96-page photo album is beautifully printed and comes in a slip case with photos front and back.

I’d invite you to first read an Intro article by the editors of L’Oeil de la Photographie –http://www.loeildelaphotographie.com/en/2017/06/01/article/159953880/lintimite-des-rolling-stones-par-gered-mankowitz/  and then head on over to the gallery’s site for more – http://www.galerie-photo12.com

b) I rarely get to report on album art shows in the Asia/Pacific part of the world but, due to the availability of an article by Yukari Tanaka on the Japan Times site and the miracle that is Google Translate, I can now share some information about such a show now on display in Japan – KIT: Popular Music Collection — Exhibition of Album Art is currently on display (now through July 23rd) at the Kanazawa Institute of Technology, Grand Front Osaka, Knowledge Capital Event Lab.

According to the Museum’s introduction to this exhibition (unedited, so do your best) – “We will hold an exhibition entitled “Record Exhibition that Changed the World” this time. Following the history of “popular music” from the collection of 240 thousand records held by Kanazawa Institute of Technology will reconsider how the 20th century was creative. Please enjoy the unexpected dream trip that will lead to the future. In this exhibition, you can see about 5,000 record jackets… In addition, seven <installation booth> which close up important events in the history of popular music, you can experience the moment that changed the world.”

In other words, based on the photos of the show, it looks like they have set up a 50 meter-long chronology of world events and super-imposed important album art images to help illustrate what was happening in the world when these albums were released.

In Japanese, with English section titles – http://www.kanazawa-it.ac.jp/record/

Article on the Japan Times site – http://www.japantimes.co.jp/culture/2017/06/27/arts/openings-outside-tokyo/kit-popular-music-collection-exhibition-album-art/

c) Part of the Manchester (UK) International Festival that’s kicking off today is an art exhibition titled True Faith that’s been built around the images of – and those inspired by – the talented artists who created the trend-setting album cover and promo imagery for Factory Records, lead by the iconic works done by designer Peter Saville, of which 14 images are included in this display.

Here’s a link to the recent Intro article in The Guardian featuring comments from show co-curator Jon Savage, who selects some of his favorites – https://www.theguardian.com/artanddesign/2017/jun/27/factory-outlet-the-art-inspired-by-joy-division-and-new-order-ian-curtis

Saville’s favorite, as he relates in this interview by reporter Lucy Lovell found on the Manchester Evening News site, is Power, Corruption and Lies, the cover he produced in 1983 for New Order that’s based on French artist Ignace Henri Fantin-Latour’s 1890 oil painting titled A Basket of Roses after purchasing a postcard of the painting during a visit to The National Gallery… http://www.manchestereveningnews.co.uk/whats-on/iconic-joy-division-new-order-13206204

More info on the exhibition and other MIF events can be found at http://mif.co.uk/mif17-events/true-faith/

d) South Africa’s oldest newspaper, The Herald, just published an article about a recently-ended (but extended a short while in another location) album cover art show featuring over 60 years worth of cover artwork for musical acts from the region. A group of local designers and collectors curated the show, titled “SA Musical Graphics & Collectibles” and, according to the article, “this exhibition of 150 CD and album covers will take you on a nostalgic stroll down musical memory lane, from Arthur to Zonke, from Juluka to Savuka, from Springbok Hit Parade to the Springbok Nude Girls and plenty more in between.”

http://www.heraldlive.co.za/my-heraldlive/2017/06/08/alliance-francaise-soulful-exhibition-album-covers/

While I personally have next to no knowledge about the South African music/design scenes (although I have seen Ladysmith Black Mambazo in concert 5-6 times – thanks, Paul Simon), I’m sure that this would have been an interesting show to see and learn more from.

e) As fate would have it, now that I no longer live in Portland, OR, one of the most-talented PDX-based designers was the subject of a new show that was held there recently and, as such, I wasn’t able to attend it in person but, according to the artist, the smart collectors back there swooped in and bought everything that was not nailed down, so while the show was scheduled to be running through early August, it’s now just a whisp of a memory…. The gallery that’s part of the East Side’s ultra-hip Jupiter Hotel complex was the temporary home of the aforementioned show by “the thinking man’s artist” and rock poster/album artist extraordinaire Emek, the Israeli-born artist and guy responsible for the surrealistic covers for records by artists including Erykah Badu, Neil Young, Bad Religion, Blue Cheer, Los Lonely Boys, Henry Rollins and many others.

https://jupiterhotel.com/artist-emek-first-friday-june-2/ for a recap and https://emek.net/ for the latest on this talented man’s career.

f) Genesis Publishing, responsible for some of the most-bautiful music art/photo-related collectible books made available to collectors, recently staged a gallery show in Soho, London to celebrate the release of their 100th edition. From Friday, June 16th to Sunday the 18th (including a reception on the 17th), company staffers moved in to the Elms Lesters Painting Rooms to set up an impressive exhibition of “prints, books, and rarities spanning our four decades of publishing.  Running across two floors, the show will include many of our authors and artists, including: Jeff Beck, Mick Fleetwood, George Harrison, Sir George Martin, Yoko Ono, Jimmy Page, Lou Reed, Ringo Starr, Sir Jackie Stewart, Klaus Voormann, Paul Weller, Ronnie Wood and many more.”

Audiophile Man Paul Rigby just published an overview of exhibit on his site that gives you all of the details – http://theaudiophileman.com/george-exh/

g) It’s not often that I can share images I’ve taken of a show, but now that I live “in the big city” (Chicago) and one that has several world-class art establishments, I’m pleased to include some shots I took at the Takashi Murakami Exhibition at MOCA in Chicago, including several of the original works of art that were used in the packaging of Kanye West’s Graduation I was really taken by the scope of the artist’s work, but my day was made when I entered a room to find the “Dropout Bear” sculpture and the several oil paintings used on Graduation‘s packaging. As someone whose career included a stint in the animation business, it’s always fun to see the works of an artist whose own works reflect the cartoon world’s impact on his/her own creativity… Writing for the Chicago Tribune, reporter Audrey Gorden takes a look at the show and provides a lot of background into the relationship between two distinctive creative personalities and how they worked together (for nearly 3 years!) to achieve a milestone in contemporary album cover packaging – http://www.chicagotribune.com/redeye/culture/ct-redeye-murakami-exhibit-mca-chicago-20170605-story.html

 

 

 

 

 

 

 

Dropout Bear Sculpture (AKA “Kanye Bear, 2009”)

 

 

 

 

 

 

Graduation Cover Painting (2009)

h) Given the opportunity to showcase 25 of your favorite rock music-related images in a gallery setting, which ones would you choose? In a show called “The Music Seen: Beyond the Stage” now running in the St. Louis, MO area through July 14th, an admitted “photography addict” – Jeff Appel – has given visitors a lot of great imagery to absorb. According to Robert Bullivant, proprietor of the gallery where the 25 photos – most in B&W and sized at 11″ x 14″ – are currently on display, the show is “a unique opportunity to show some of the best-known musical artists in both their onstage as well as offstage moments, as captured in a documentative style by some very talented photographers – a combination of performance art and visual art, if you will, but also considering the human side, meaning sure, these were famous musicians, but they’re people, too.”

Here’s a show intro as provided in the local Ladue Newshttp://www.laduenews.com/arts-and-culture/features/new-bullivant-gallery-exhibit-showcases-years-of-musicians/article_d59eb885-4c20-5a43-bd1d-7828073d608b.html

i) Writing for the Kent Online site, Angela Cole gives us the details of a recent show at the Chappell Contemporary Art Gallery featuring the works of local and international art legend Sir Peter Blake, one of the noted designers whose work helped create some of the lasting images from 1967’s Summer of Love. In addition to the show, visitors to the area were given the opportunity to ride a Blake-decorated double-decker “art bus” – http://www.kentonline.co.uk/whats-on/news/dartford-born-sgt-pepper-album-cover-godfather-exhibits-in-whitstable-127036/

j) Another reminder to folks travelling through scenic Italy this summer – be sure to stop in at the Wall of Sound Gallery in Alba to look through the two exhibitions photographer/gallerist Guido Harari has up for your enjoyment – Stone Free, an exhibition of mid-1960s psychedelic posters, featuring the best-known practitioners of the form at the time, including Mouse & Kelley, Rick Griffin, Martin Sharp, John Van Hamersveld, Wes Wilson, Milton Glaser and many, many others. You’ll also see these artists’ works on album art for The Beatles, the Rolling Stones, Cream, Santana, Jimi Hendrix, Janis Joplin, Frank Zappa and more. Available for viewing through September 10th, Stone Free also includes a photo show with works by Ed Caraeff, Herb Greene, Art Kane, Jim Marshall and Bob Seidemann, with an illustrated catalog available to take home as well.

Also on display at the Fondazione Bottari Lattes in nearby Monforte d’Alba is Harari’s Wall of Sound 10 tenth anniversary exhibition that’s been built around fine art portraits – some in blue, on aluminum – of some of the many famed musical acts Guido has had the privilege to photograph over the years, including David Bowie, Bob Dylan, Peter Gabriel, Kate Bush, Bob Marley and dozens of others. This show will be available for viewing now through September 2nd before moving on to Spazio Don Chisciotte, in Turin, Italy from October 26th to December 24th.  More info on these shows is available at http://www.wallofsoundgallery.com/en/exhibitions.php

k) Proud Gallery (UK) is soon launching a show of photos by Michael Joseph that were taken during the 1968 photo sessions for the Rolling Stones’ controversial Beggar’s Banquet. Most of us will remeber the outrage seen when the record was ultimately released in December of that year (after being initially rejected by the record company and banned in some areas) with a cover shot by Barry Feinstein (design by Tom Wilkes) that featured a graffiti-covered bathroom wall. According to this recent release on PhotographyBlog.com, these photos – used on the inside of the gatefold sleeve – were ”shot on location at the Gothic studio of Sarum Chase, Hampstead and the derelict ruins of Swarkestone in Derbyshire.” These atmospheric images, elaborately staged and including real animals and the band participating in a Medieval feast (were any animals harmed in the making of these shots?), completed the package, and you’ll find a number of photos from these sessions on display (and for sale) during this show, which runs through the end of July.

http://www.photographyblog.com/news/beggars_banquet_photographs_by_michael_joseph/

More info on the show is available on the gallery’s site – https://www.proudonline.co.uk/exhibitions

l) The Fine Arts division of the UTA talent agency, launched in 2015, is participating in its first art fair by putting on a display of “rebel artists of the past 30 years”, lead by art by the late Nirvana songwriter/guitarist Kurt Cobain. Paintings by Cobain, including one used for the album cover for the band’s Insecticide collection, along with other works by Mike Kelley, Raymond Pettibon and others, will be shown during next month’s (Aug. 3rd thru 6th) Seattle Art Fair, with details on the upcoming show and, perhaps, a larger exhibition to come, covered in this recent article Eileen Kinsella on the ArtNet News site – https://news.artnet.com/market/kurt-cobain-artwork-to-get-star-treatment-at-seattle-art-fair-1009391?

2) Artist interviews/profile articles –

a) Over on The Undefeated site, Miss Rosen brings us an interesting interview with photographer Michael Lavine about his photo shoot in January, 1997, which resulted in the cover for Biggie Smalls/Notorious B.I.G.’s 1997 record Life After Deathhttps://theundefeated.com/features/notorious-big-life-after-death-album-cover/

I always hesitate using the word “shot” when talking about a photo session and, in this case, it’s particularly germane as the subject of the photo was, in fact, shot to death a short time after the photo, which certainly seems prescient in hindsight, was taken at the Cypress Hills Cemetery in Brooklyn, NY. Lavine’s story about the entire project is an interesting-but-eerie read.

b) Century City News Pop Music and Film reporter Keith Chagall shares a recent interview with Henry Diltz re: the making of a number of different record covers, including those for Crosby, Stills & Nash, the Eagles, The Monkees, James Taylor and Mama Cass Elliott, who Diltz refers to fondly as the “Gertrude Stein of Laurel Canyon” – http://centurycityview.org/celluloid-picasso-of-laurel-canyon-p852-176.htm

c) While not specifically an article about an album artist, designer and partner in the well-respected Pentagram design agency Angus Hyland is featured in this recent video interview on the Design Week web site during which he shares the fact that his love of the work people did on the album covers he was exposed to during his childhood ultimately inspired his choice of careers – https://www.designweek.co.uk/issues/15-21-may-2017/angus-hyland-record-sleeves-reason-ended-graphic-design/

The interview is presented as a part of the publication’s “Design Week at 30” series and was conducted by Aimée McLaughlin

d) While Sepultura’s guitarist Andreas Kisser was scouring the Web for inspiration for the band’s most-recent album release – a record titled Machine Massiah – he came across the work of Filipina visual artist Camille dela Rosa, whose paintings seemed to perfectly reflect the album’s concepts. Kisser then reached out through a representative of San Miguel Corporation (which sponsored the band’s show in Manila last year) and, as though it was Kismet, a deal was struck for the band to use dela Rosa’s painting (titled “Deux ex Machina” and inspired by her love and respect of the work of the late surrealist H.R. Giger) on the record’s cover. A former singer herself, Camille was known to local audiences after she had appeared on the long-running Ang TV youth-oriented variety series on ABS-CBN Filipino TV) before switching her career path to painting.

A recent article on the ABS-CBN site by Rick Olivares shares the exciting story of how this match made in Heaven all came about –

http://news.abs-cbn.com/life/05/16/17/ex-ang-tv-star-creates-album-cover-for-metal-band-sepultura

3) Sales/Auctions –

a) The most-recent Heritage Entertainment Auction (held in mid-June) included the original artwork presented by artist Alton Kelley as an alternate scheme for the 1970 Big Brother & The Holding Company Be A Brother LP, the band’s first record after singer Janis Joplin left for a solo career. The 14″ square item, made from a photo of the band placed on a board, with Kelley adding his signature design flourishes and lettering, was not sold during the auction and, if you hurry, you can still buy it for $500. https://entertainment.ha.com/itm/entertainment-and-music/big-brother-and-the-holding-company-alternate-original-artwork-by-alton-kelley-for-be-a-brother-columbia-c-30222/a/7161-89422.s?ic4=GalleryView-ShortDescription-071515

4) New Print/Book RELEASES –

Here are some quickie intros to several books hitting the market that should be of interest to album art fans –

a) The Austin, TX-based limited-edition art and music company Mondo has just released an interesting new package created in cooperation with the Z2 Comics company based on the score(composed by Dan Auerbach of The Black Keys) to the “musical noir graphic novel” Murder Ballads which comes complete with music, graphic novel and art prints – now THAT’s how to sell something unique and desirable to your fans! The set includes music (on colored vinyl), a 160-page book and three exclusive prints by artist Tyler Boss. Packaged in a clamshell box decorated with artwork by Jon Langford of The Mekons (did EVERY great musician go to Art School?), it is available for viewing (and purchasing – $200) on the Mondo site via this link – https://mondotees.com/products/murder-ballads-deluxe-graphic-novel-10-ep-mondo-exclusive

b) Photographer and art show curator Raj Prem is releasing a new career retrospective photo book, with the details available in this PR release I discovered on a site called Military Technologies.net (??) – http://www.military-technologies.net/2017/05/20/raj-prem-announces-he-will-publish-new-book-documenting-career-in-music-photography/

c) Malaysian artist Mustaffa Ahmad Hidzir, who goes by the name “Tapa”, has released a new book that contains 200 of his album cover projects in full color and showing again how works by world-renowned album artists such as Roger Dean and the team at Hipgnosis have influenced sleeve design all over the world. Titled 12 x 12, the book’s been published by Institut Terjemahan dan Buku Negara (ITBN). There had been a related exhibition in Kuala Lumpur which ended in early June, but you can read more about Tapa’s work via this article on the Star2.com site (an entertainment and lifestyle portal based in Malaysia) http://www.star2.com/culture/arts/2017/05/23/tapa-album-art-book/

d) While I don’t have a specific category for non-print/book releases, this will do – two new sets of sculptures being released by the talented artists at KnuckleBonz now allow fans to purchase statues of the members of KISS as they appeared in two of the best-known album cover images – KISS ALIVE! and Hotter Than Hell – Check out the product shots and details via the links – https://knucklebonz.com/product/kiss-alive-bundle/
KISS ALIVE! Rock Iconz Set

https://knucklebonz.com/product/kiss-hotter-than-hell-bundle/
KISS Hotter Than Hell Rock Iconz Set

Like all other products offered by the company, there are only 3000 of each statue made and are available as a set or individually. Each hand-painted statue is numbered and comes with a certificate of authenticity on the base.

Clear off your bookshelves – KISS is coming….

5) Other articles of interest –

a) In support of their ongoing celebration of the 50th Anniversary of the release of the seminal Beatles album, the web team at Goldmine Magazine has posted an interactive Sgt. Pepper’s cover collage image that give you the details of every character on that cover – http://www.goldminemag.com/sgtpepper50/

b) Writing for The Guardian, music reporter Christina Lee offers up an article titled From Midnight Marauders to cute and cuddly: how rap cover art softened up where she presents her arguments that many of today’s hip-hop stars, including Lil’ Yachty, Big Baby DRAM and Drake, are chosing to toss the gun-toting, bitch-slapping “hyper-masculine” imagery so commonly found on the genre’s record covers and, instead, present us with pix of their kids, their puppies and their friends of all colors and lifestyles (which the author calls “cute and cuddly”). While there certainly are those who still feel the need to present fans with the more-traditional album art elements, it can’t be denied that there are many fans that welcome these occasional variations on the theme – https://amp.theguardian.com/music/2017/may/26/rap-cover-art-softened-lil-yachty

c) Sales of tattoo maven-turned-lifestyle brand Kat Von D’s line of makeup are being promoted by videos that re-create several attitude-filled album covers to help sell makeup – http://www.nylon.com/articles/nylon-album-covers-kat-von-d-june-july-2017 (includes video)

d) Here’s an important and interesting read for those of you who are working in the album cover art field and would like to know a bit more about how to protect yourself/your work (AKA “intellectual property”). Just like song compositions, album art can also be registered with the U.S. Library of Congress (AKA “the Copyright Office). And, just like song compositions, creators can retain the rights and license the work for use on record packaging (and merch). Yes, even if you do it for your best friend’s record.

http://www.ipwatchdog.com/2017/05/29/musicians-protect-music-intellectual-property/id=83619/

e) The design work done by the design team at FilthyMedia for British DJ Audio’s new record called Beastmode is featured in Sarah Dawood’s recent article on the Design Week site – https://www.designweek.co.uk/inspiration/beastmode-album-cover-filthymedia/

f) For the History Channel’s web site, reporter Christopher Klein writes about five people who were supposed to be on the cover of Sgt. Pepper’s who were, for a variety of reasons, removed from the final product – http://www.history.com/news/history-lists/5-historical-figures-erased-from-the-sgt-pepper-cover

No surprise – Adolf Hitler. But why no Elvis or Ghandi or Jesus Christ or actor Leo Gorcey (HooTF is Leo Gorcey)? You’ll just have to read it to find out…

g) Speaking of cut-outs (sorry, clever play on words unavoidable) – Tony Curtis’ cut-out included in the famous collage by Sir Peter Blake and friends was put up for auction at the June 17th Heritage Entertainment gathering and had expected to bring around $60K. It went unsold, but you can read more about that item and its history in Tom Derbyshire’s recent article on the Antiques Trade Gazette – https://www.antiquestradegazette.com/news/2017/tony-curtis-cut-out-from-sgt-peppers-album-cover-up-at-auction/

h) As we’ve seen in the press recently, there are factions within our society that thrive on conspiracy theories (“Bigfoot surgically removed my congressman’s frontal lobes”), so it only makes sense that there have been a series of Album Cover Art-based conspiracies over the years (“Paul Is Dead” and “Breakfast In America predicted 9/11” are the ones I remembered quickly). But wait, there are more, shared by Rachel Sharer (?) on the Listverse site – https://listverse.com/2017/06/13/top-10-bizarre-conspiracy-theories-about-album-cover-art/

i) Grammy Award-winning rapper 2 Chainz recently took album cover “re-creationing” to a whole new level via his purchase of a house on Howell Mill Road in Atlanta, GA, which he subsequently painted pink and tagged it with the word “TRAP”, creating a new neighborhood landmark that looks somewhat like the album cover art for his Pretty Girls Like Trap Music recording, released on Def Jam Records in June of this year.

Following up an earlier marketing stunt in which a local nail salon was redecorated in a similar fashion and where fans could get 2 Chainz song-themed nail treatments for free, this latest moved has been earning reactions in the press and from local businesses that range everywhere from kudos along the lines of “this was an act of marketing genius” to complaints from the neighbors about excessive traffic and loitering. Personally, I like anything that builds upon a record’s visuals and gives fans a chance to participate…read more about it in this article by Najja Parker on the Statesman.com site – http://www.statesman.com/news/national/chainz-creates-atlanta-latest-landmark/DsuAuVLVwlVuzgnYhqPC2O/

Over 500 people have posted photos of their visit to the TRAP house on the project’s Instagram site – https://www.instagram.com/thepinktraphouse/

j) Lastly but not leastly, here’s an article that I’m sure will make you toss your 4th of July cookies – we all know that there are celebrities that are famous merely due to their ability to market themselves, and not for any specific talents or displays of creativity, and nowhere is this more evident than in this sad display of Kendall and Kylie Jenner’s usurping other peoples’ album cover imagery and, after adding their own why do we see them so many times faces, putting the results on some t-shirts they’re trying to hawk. The Twitterverse has responded unkindly but, I’m certain we’ll see, that won’t stop adoring fans from snapping these products up (perhaps a copyright infringement suit will accomplish just that – go get ’em Tupac and Biggie!).

And this is “making America great again”, circa 2017. Sad.

http://ew.com/music/2017/06/29/kendall-kylie-jenner-music-t-shirts/

That’s all for now – be on the lookout for timely news alerts on our news feed –https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back early next month with another monthly summary for you.

All text and images included in this article are Copyright 2017 Mike Goldstein and AlbumCoverHallofFame.com – All Rights Reserved. All of trade names mentioned in these summaries are the properties of their respective owners and are used for reference only.

Album Cover Art and Artist News Summary for the month of November, 2016

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ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF NOVEMBER, 2016

 

By Mike Goldstein, Curator/Editor, AlbumCoverHallofFame.com

It’s early December, 2016, and WOW! has a lot happened since we last communicated. Of course, the results of the U.S. elections early in the month have either demoralized or energized half the population here, with only the news of the Chicago Cubs breaking their 108-year World Series drought bringing everyone together in peace and harmony, if only for a short while…With all of the uncertainty remaining as to what’s in store for us here, you’d think that there’d have been a brief slow-down in the output of news relating to the art and music scenes but, no, creative people continue to do what comes naturally and, therefore, other people with related businesses and interests (galleries, publishers, collectors, etc.) continue to do what they do to share what they do with the rest of us. As you’ll find in this most-recent summary of news from the world of album cover artists and the wonderful products they’re creating for us fans and collectors of the genre, I believe that we’ll all find enough inspiration to see us through whatever comes our way.

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Album Cover Art And Artist News Summary For The Month Of September, 2016

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ALBUM COVER HALL OF FAME’S ALBUM COVER ART AND ARTIST NEWS RECAP FOR THE MONTH OF SEPTEMBER, 2016

It’s the beginning of October, 2016, with the Fall season in full force here in Chicago – leaves changing colors, the humidity taking a back seat to crisp evening temps and, for those of us new (again) to the area, the famously-frigid Winter weather looming in front of us, with only the thoughts of a hot deep-dish pizza making the prospects tolerable. If you’re either a hearty soul or someone living in warmer climes, I hope that all you’re thinking about right now is a) “how will I survive this Election season?” (don’t forget to VOTE!) and b) “what the heck is going on in the album art/artist world these day, to which I’d like to propose that you now spend a few minutes catching up on your album cover art/artist-related news which, as you all know by now, you’ll find summarized in both my weekly and monthly recaps.

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Album Cover News Summary For August, 2016

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ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF August, 2016

It’s the beginning of September, 2016, with Labor Day upon us, marking the “official” end of this year’s Summer season. If you’re done packing your kids off to school and find yourself with a little extra “me-time” during the day, I’d like to propose that you spend a little time catching up on your album cover art/artist-related news which, as you all know by now, you’ll find nicely-summarized in my weekly and monthly recaps.

In this month’s summary – continuing on in the much-appreciated “less talk, more info” format I launched several months back – the people that make our favorite album imagery continue to make news with their ongoing contributions to the field of album art/packaging, contributing to the ongoing stream of articles, interviews, info on museum and gallery shows and the like on a wide range of related topics. Enjoy the read and let me know if you have any questions or comments:

1) Upcoming, recently-launched and just-closed show/exhibitions –

a) Launching September 1st at the San Pedro (CA) First Thursday Art Walk is an exhibition at the huZ Gallery featuring a selection of the photo portraits taken over the past 40+ years by photographer Peter Figen, a man who has produced stunning promo images of top talent including George Harrison, Bonnie Raitt, Doc Watson, Townes Van Zandt along with album package photos for David Grisman, Robert Earl Keen, Chris Hillman, Carl Verheyen and many others. With a career that was jump-started while shooting at an early 1970s Hot Rise show in California and being spotted by the art director for Frets Magazine, who asked him to submit his shots after the show, Figen has used his passion for folk/roots music to create confidence in his abilities as a photographer in his well-known subjects, with the results now on display during this gallery show. Writer Kathy Leonardo posted this profile on the artist recently on the Huffington Post site – http://www.huffingtonpost.com/kathy-leonardo-/music-and-photography-sha_b_11298832.html – while those interested in seeing and learning more about this new print collection can click on over to the gallery’s site at http://www.huzgalleries.com/ . The gallery has also teased visitors with the fact that they’ll also be unveiling several new photo prints of a ready-to-be-discovered young musician named Elvis Presley taken by an Air Force photographer during a performance in Lubbock, TX in 1955…

b) Running now through September 10th at the Gabba Gallery on Beverly Boulevard in West Hollywood is a show featuring over 80 real and not-so-real album cover works created by a whole host of well-known and soon-to-be-well-known artists that’s called Cratedigger: The Lost Art of Album Cover Art. According to the gallery’s press, the exhibition “celebrates one of the twentieth century’s most influential art forms – the record sleeve cover. Curated by (gallery owner and accomplished artist in his own right) Jason Ostro, the exhibition showcases the work of 85 local and international artists. Each artist has imagined a cover design for a real or fictional album. Just like classic record covers, every piece in the show is 12” x 12”…

The gallery also shows music-related works by artists including Joey Feldman, Jules Muck and photographer Jeff Kravitz, so there will surely be a lot to take in during your visit. More info on the album art show is available on the gallery’s site – http://www.gabbagallery.com/cratedigger

c) Photographer Gerald Fearnley cemented his place in rock and roll album art history with the shot he provided for the cover of David Bowie’s debut record, but the folks at the Snap Gallery in London didn’t stop with just that image when they organized a show built around a recently-unearth cache of ’66 – ’67-era photos of the soon-to-be-recognized creative force that was Mr. Bowie. Fearnley was introduced early on to Bowie through his brother, bassist Derek Fearnley, who played in Bowie’s early backing band The Buzz, and used that access to arrange for a series of photo shoots that produced what looks to be a fascinating collection for fans of the era’s music and fashion. You can read an intro on the show – which runs through September 24th – via Tom Pinnock’s quicky posting on the Uncut site – http://www.uncut.co.uk/news/david-bowie-exhibition-feature-unpublished-photographs-86903 and get further details directly from the Gallery via this link – https://www.snapgalleries.com/exhibitions/bowie-photographs-by-gerald-fearnley/

d) The Buddy Holly Center in Lubbock, TX is where you’ll find a major collection of photos of rock’s best-known female stars taken by shooter (that takes on a new meaning in TX, no?) Anastasia Pantsios, an artist who’s been busy taking great photos for rock music clients including AC/DC, Journey, Eric Clapton, Michael Stanley and many others over the past 40+ years. Titled ” “Girls on Film, 40 Years of Women in Rock”, the show was originally organized several years ago and has been updated to include both some of Pantsios’s earliest works (e.g., Grace Slick with Jefferson Airplane in 1969, Deborah Harry in Blondie and mid-70s Patti Smith) and later examples including Gwen Stefani, Nelly Furtado and Shirley Manson of Garbage. While no longer working with clients in the music business (what, you want to get PAID to do your work?), Anastasia can look back proudly on her contributions to several Cleveland, OH-area publications including The Plain Dealer (where she also contributed as a writer) and alt weeklies including The Free Times and Cleveland Scene. More info on this show, running now through September 11th, via this article on the LubbockOnline.com site – http://lubbockonline.com/filed-online/2016-07-30/kerns-buddy-holly-center-displays-photo-exhibit-influential-women-rock#

e) What a combination – a prime collection of wonderful paintings and prints of worlds beyond our own put on display in a museum located on a mystical island! From now until the 19th of November, visitors to the Manx Museum – a National Heritage organization on the U.K.’s Isle of Man – can tour a collection of works by the impressively-talented Roger Dean, best-known to album cover art fans for his contributions to the visuals for bands including YES, Uriah Heep, Asia, Osibisa and many others.

With a portfolio that includes not only album cover imagery but (both alone and working with his talented brother Martyn) stage designs, architecture, calendars and a wide variety of merchandise, Dean’s work continues to impress and astound fans with its ability to take you to the farthest reaches of your imagination. You’ll find works in many media, including several models of designs he’s done for living spaces you can only dream you’d be able to live in. An article on the Isle of Man web site provides an intro – http://www.isleofman.com/News/details/80357/islands-and-bridges-the-art-of-roger-dean  while additional details are available on the museum’s site – http://www.manxnationalheritage.im/whats-on/detail/islands-and-bridges-the-art-of-roger-dean/

f) Since the time of the Woodstock Festival at the end of the 1960s, the exhibition of fine art with music has gone hand in hand, with everyone from poster/merch designers, painters, fabric artists and many other disciplines plying their wares and providing the visual backdrop for attendees at these festivals. One of the latest examples of this was on display recently during the Panorama festival held on Randall’s Island in New York City (as seen via the AFP-penned article that appeared on the ArtDaily.com site – http://artdaily.com/news/88984/For-New-York-s-new-festival–an-immersion-in-art).

Organized by the same team that puts on the popular Coachella festival (i.e., Goldenvoice), the festival features an area called The Lab which, according to the promoters, is an “interactive experience which features installations that combine technology, artistry, and design, created exclusively by New York-based artists for display only at PANORAMA.” Inside The Lab is “The Dome”, which is a huge dome that accommodates up to 400 people at a time and provides a 3D Virtual Reality display using music, animation and other forms of “immersive media”. The works of 11 studios combined to make this experience a fun and fascinating one, providing festival-goers with a place to take a break from the performances by acts including the Alabama Shakes, Arcade Fire, Kendrick Lamar, LCD Soundsystem and the act which has produced a number of very interesting album covers the past couple of years, FKA Twigs.

g) Friend of ACHOF Emily Smeaton of the UK’s Hypergallery was kind enough to share the details of an upcoming event that should be of great interest to anyone interested in both seeing a superb collection of album art prints and hearing from two of the most-respected designers in the field. Beginning on September 26th in lovely Henly-On-Thames outside of London, our chums at Hypergallery will host a pop-up exhibition called “The Art of the Album Cover” that will feature ” prints by Literary Festival speakers, from the days when all music was vinyl, and album covers became an art form of their own.” On the last day of the event – Sunday, October 2nd, at 5pm local time, in the Town Hall venue – two of rock music’s design greats – Aubrey (Po) Powell, the co-founder of the celebrated design studio Hipgnosis (best known for their covers for Pink Floyd, Led Zeppelin, Black Sabbath, Peter Gabriel/Genesis and many others, and author of a book on his studio’s work titled Hipgnosis Portraits) will be joined by Richard Evans (who, in addition to his many well-known album art credits both with the team at Hipgnosis and on his own, was author of The Art of the Album Cover book) where, according to Emily’s note, “the two artists will be sharing anecdotes from the time they spent at the epicenter of the rock and roll tornado of the late 1960s and 1970s.” After the event, Hypergallery will host a book signing and exhibition of the authors’ design work in their print room, just across from the Town Hall. You’ll be able to meet the authors, have a drink or two and view the great collection of works that will be on hand.

Advanced tickets for the event are now on sale via the link – http://tiny.cc/hlf_artofthealbum  and you can visit the gallery’s site at https://www.hypergallery.com/event_hlf/  for more details. Of course, I will work to get hold of any photos, transcripts or videos that emerge from this event, so stay tuned. I am, of course, immediately jealous of anyone who’ll be able to attend this event…

h) Having just celebrated his 75th birthday (Happy Birthday, John!), graphic design superstar John Van Hamersveld marked the occasion with the launch of a new exhibition (running now thru October 16th, at the Manhattan Beach Art Center in Manhattan Beach, CA) titled Contemporary Post Future! The Dichotomy of Design and Art – John Van Hamersveld which, according to the gallery’s PR, ” presents past and present artworks where John Van Hamersveld explores the connection between art, design and commerce.” The centerpiece of the display is a 47-panel modular black and creme-colored collage/mural JVH created that surrounds the building with his talents. Inside, two galleries showcase a number of examples of both his commercial design work and his striking and imaginative fine art designs, so if you’re in the area or need a destination for an art-filled excursion, I’d suggest a trip on over to see this show, with details available via the link at http://www.citymb.info/city-officials/parks-and-recreation/cultural-arts/exhibition/creative-arts-center-exhibitions#ad-image-1

i) Just as a tease, the folks at the V&A Museum in the U.K. just announced that they’re going to stage a new exhibition beginning in May 13th, 2017 built around the imagery of one of Britain’s most-valuable exports – that being the rock band Pink Floyd. According to the press (as exemplified in this BBC Entertainment & Arts section article recently published – http://www.bbc.com/news/entertainment-arts-372284960 ) the show – to be titled “The Pink Floyd Exhibition: Their Mortal Remains” – promises to offer “an immersive, multi-sensory and theatrical journey through Pink Floyd’s extraordinary world which will chronicle the music, iconic visuals and staging of the band, from the underground psychedelic scene in 1960s London to the present day”. With over 350 examples of Floyd-related visual imagery, including a whole host of album cover artwork created over the years by Storm, Po and the team at Hipgnosis, there will certainly be a lot to take in. Advance tickets are now on sale on the Museum’s website at https://www.vam.ac.uk/exhibitions/pink-floyd

2) Artist interviews/profile articles –

a) When a long-time fan of a musical act – in this case, South Carolina-based artist Dave Beard – has the opportunity to provide design services for that act – in this case, the Beach Boys – great joy ensues, as is evidenced by this recent article by Andrew Stark for the Fort Mill Times (as shared with the HeraldOnline.com site). The article tracks Beard’s path from fan to fanzine editor/designer to Dean Torrence (of Jan & Dean fame) design cohort to a 2014 commission by the Beach Boys to create what Beach Boy Mike Love called “In the 54 years of touring and (a) multitude of concerts and concert programs, the new Beach Boys’ 2015 Official Tour Program is far and away the best I’ve ever seen.”

Wouldn’t it be nice to learn more about this story? Don’t worry, baby – here’s the link – http://www.heraldonline.com/news/local/community/fort-mill-times/article91728932.html

b) Fine artist Filipe Molina has been showing his works in top-notch galleries throughout his career, but when he was contacted by the folks at Capitol Records in 2014 to come up with artwork for the Counting Crow’s then-upcoming record titled Going Under Wonderland, he saw it as an opportunity to be able to share his work with potentially millions of the band’s fans and proposed that he create a unique work for each song on the album, greatly multiplying the “collection” each record’s owner would acquire. He then went on to create a really nicely-done multi-media light show that the band used during their 2015 World Tour. As I’m working on adding Molina’s bio to the ACHOF site, Felipe shared a link to a 25 minute video on YouTube that gives you an overview to the artist and the wonderful images he created for this record package – https://www.youtube.com/watch?v=xz-Gj33Kg0g

To see more of the artist’s works, you can also visit his website at http://www.molinaart.com. Once there, you’ll find more about some of his other projects, including a “Wine Art Music” project (inc. custom labels for proprietary blends released by Standing Sun Winery) and The Outlaw Roadshows (indie rock music festival staged in Nashville and NYC) where Felipe both exhibits his artwork and is one of the event’s five producers.

c) Fascinating article by writer Anna Buksowicz for the British Journal of Photography on art director Samuel Burgess-Johnson that focuses on his most-recent work for the latest record by The 1975, with neon signs placed in unusual locations that are used to illustrate each of the album’s 10 song titles. It’s certainly a testament to the value of a proper budget for stunning album cover work, but I wonder if they paid whoever was hired to come up with the record’s title by the word – I Like It When You Sleep, For You Are So Beautiful Yet So Unaware Of It.

Burgess-Johnson also spends a fair amount of time sharing his feelings about what makes for a good album cover and why it’s still an important part of any new record release, so if you’d like to read more of the insights of one of the busier art directors working in the music business these days, click on over to http://www.bjp-online.com/2016/08/how-samuel-burgess-johnson-snapshots-music-through-art-direction/

d) I’ve written previously about the mega-exhibition (“Exhibitionism“) currently in London featuring a heaping helping of Rolling Stones art, photography, music and memorabilia, but fans of notable album cover imagery are in for a treat if you bop on over to this interview article posted on the Clash Music site featuring the wonderfully-talented photographer Gered Mankowitz, someone with several shots included in the show, including his cover photo for Between The Buttons and a portrait of the band’s metronome, drummer Charlie Watts.

While the interview provides an in-depth look at Gered’s relationship with the band, their management/record label and then touches on his other well-known subjects, including Jimi Hendrix (the iconic “Smoking” shot) and newer acts such as Oasis, Mankowitz does go on record with the lament that the first album package image he took of the band – the artsy alleyway shot used on their Out of Our Heads record back in 1965 – was NOT included in the show. “This will be the last time” (or, based on the total control the band has over its image, maybe not)….  http://www.clashmusic.com/features/gered-mankowitz-shooting-the-stones

e) While most album artist profile articles are cobbled together by writers (such as yours truly) asking the subject questions about themselves and their work, today I’d like to point you to one that presents an artist profile that’s been provided by one of the (late) artist’s better-known clients, by whom I mean guitarist Steve Miller, sharing his recollections of working with the famed art director/photographer Storm Thorgerson. One of Storm’s last record cover commissions was for Miller’s 2010 release titled Bingo, with the photo impressing Austin Chronicle writer Raoul Hernandez so greatly that he tracked down Mr. Miller to get his take on the collaboration with Thorgerson that produced such a memorable image.

Armed with a list of what he needed (logo, cover and a new take on a “Space Cowboy” image) and a rather nice budget for these elements, Miller got all he wanted and more and was left with what I’m sure you’ll agree was a long-lasting impression of what it was like to work with a talent such as Storm, even late in his career and having faced a stroke and cancer as obstacles. Really quite the talent…

http://www.austinchronicle.com/daily/music/2016-07-29/adult-play-storm-thorgerson-by-steve-miller/

3) Sales/Auctions –

a) The folks at the WA-based Visual Gallery have announced a sale on a select grouping of limited-edition album art prints that I thought you might want to check out. You’ll find promo pricing on prints including Cream’s Disraeli Gears (a Martin Sharp masterpiece), Sgt. Pepper’s Lonely Hearts Club Band by The Beatles, a Charlie Watts-signed Bridges To Babylon print and others. They’re also offering some nice deals on posters by Ioannis, Bob Masse and others, so click on over to see what’s on sale before it’s too late – http://www.visualgallery.com/

b) Works by the late artist Frank Frazetta have fed the fantasies of many a young science fiction/adventure fan as well as musical acts including Molly Hatchett, Nazareth, Yngwie Malmsteen and Wolfmother (who chose to use Frazetta paintings on the covers of several of their record albums), so it was interesting and exciting to see that one of the artist’s best-known paintings – titled At The Earth’s Core and used on the cover of the 1978 paperback release for famed writer Edgar Rice Burrough’s first Pellucidar novel – sell for over a million dollars during a recent Heritage Auction event in Dallas, TX (the actual selling price was $1.075 million, the most ever paid for a Frazetta work). You can click on over to this recent article on the Fine Books & Collections Magazine site in which the details are shared about both this impressive purchase, along with other big-ticket illustration art items that found new homes post-auction – https://www.finebooksmagazine.com/press/2016/08/world-record-for-frank-frazettas-painting-used-as-paperback-cover-art.phtml

c) Kanye West‘s design company – DONDA Design – pulled out all of the stops when they created an animatronic sculpture featuring 12 of the era’s most-recognized celebrities lying naked in a large bed, a prop then used in one of the musician’s latest music videos. Now, Mr. West has entrusted the Los Angeles-based gallery Blum & Poe to find a collector who’d be willing to spend $4 million to take the sculpture – complete with platform bed, bed linens and batteries – home for their very own. Made from silicon (a substance most-widely used for other purposes in today’s entertainment business), the work shows life-like models of Pop Culture icons such as Taylor Swift, Anna Wintour, Donald Trump, George W. Bush, Bill Cosby and others all asleep, lying alongside West and two of his family members – wife Kim and Caitlyn Jenner. The gallery held a brief showing recently and is actively seeking a buyer among its contact list of well-heeled collectors and museums, so we’ll keep an eye out to see if/when/where it lands. For more details on the work, you can read NY Times writer Adam Popescu’s late-breaking story via the link – http://www.nytimes.com/2016/09/01/arts/design/gallery-hopes-to-sell-kanye-wests-famous-sculpture-for-4-million.html? or see more on the gallery’s site at http://www.blumandpoe.com/exhibitions/kanye-west

4) New Print/Book Publishing –

a) If you were impressed with the 50+ “variant covers” that Marvel produced last year which were creatively-reworked versions of well-known examples of hip-hop album cover art, you’ll be happy to read the details of a new series scheduled for this year, with the details provided to us in an article by Fuse‘s Zach Dione. Characters who’ll be featured in the first of this new series include Black Panther, Doctor Strange and Mosaic, built around designs originally found on records by King Mez, Infinite Mind War and Earl Sweatshirt. Keep ’em coming, folks!

http://www.fuse.tv/2016/07/marvel-hip-hop-variant-comic-book-covers-second-wave

b) While I’ve been working hard gathering and organizing the materials for my own book, I look on with great envy as author Ramon Martos Garcia shares the details of his latest release – a thoroughly-revised edition of his critically-acclaimed book on Heavy Metal album art/artists that’s titled And Justice For Art: Stories About Heavy Metal Album Covers (Vol.2). The book, in a signed, limited-edition release (only 270 copies will be produced), is now available for pre-order ($39.99 plus shipping), with shipping set to commence next week.

According to the author, ” This new revised edition has many, many changes—some of them more significant than others, but equally important. Although the new book has the same number of pages (264) and a similar layout, I added a few new images that weren’t available at the time I published the first edition and exchanged some artworks for similar ones with much better quality.

Some parts of the text have also changed, in some cases dramatically. It’s not something you will notice at first sight, but once you go deeper, there are things that are unequivocally different. There are also new comments or interviews with bands and artists I interviewed after the first edition came out. Also, the color reproduction is richer and closer to how the original artworks look like. It took a lot of time and effort.”

If you, like me, are a fan of the many styles of art found on your favorite metal music recordings and you haven’t seen this book before, I’d suggest visiting the publisher’s site now to see more and order your own copy. Here is the pre-order link – http://andjusticeforart.bigcartel.com/product/and-justice-for-art-stories-about-heavy-metal-album-covers

c) The folks at UK print publisher The Flood Gallery recently emailed with some info and imagery about the latest in their series of releases featuring album cover fine art prints of designer/photographer Carl Glover‘s cover images for Marillion’s 2006 LP titled Marbles. In addition to the provocative cover shot, prints of the equally mind-bending graphics that were featured on the record label, CD and inner sleeve are also being offered, with collectors able to preview and purchase any/all of these memorable works via the link – http://www.thefloodgallery.com/search?q=marillion Fans can also check out the prints available for two more Glover-produced Marillion covers – Somewhere Else and Radiation – the latter image being a crafty combination of two photos taken 14 years apart!

5) Other articles of interest –

a) Writing for the DJ Booth site, writer Yoh has put together an interesting look at album cover designs that don’t show the musical acts on the cover. Its an interesting thing to see young writers looking at this as if it were something unusual, considering the number of covers that have been produced over the years that didn’t show the acts or, as evidenced very early on, were hesitant to show the acts for a variety of reasons (e.g., not showing black artists for fear of losing sales to predominantly white audiences or, in the case of some early American acts looking to hop on the British Rock invasion, adopting English names and clothing styles).

In the hip-hop world, where it tends to be important to look tough/rich/street-smart/etc., fans will typically find their favorite musical acts pictured prominently on the cover, so it seems that usually only the well-establish artists (Kanye, Jay-Z, etc.) are the ones willing to take a chance and show off their graphic design inspirations. Here’s hoping for more…  http://djbooth.net/news/entry/2016-07-22-album-covers-no-face

b) For an article posted recently on the Austin Chronicle‘s web site titled “Adult Audio Coloring Book Sampler”, several of the publication’s writers were asked to pick their favorite illustrated album covers and album cover artists and let readers know why they feel these examples were stand-outs in their field. The people and images selected represent a very broad range of talent, including artists such as Roger Dean (YES, Uriah Heep, Asia, etc.), H.R. Giger (best-known for ELP’s Brain Salad Surgery, Debbie Harry’s cheek-pierced Koo Koo and the monsters in the Alien films) and Daniel Johnston, among others with works created for musical acts including Pink Floyd, Ramones, Miles Davis, The Beatles and Chance The Rapper. Whether you’re a fan of the hyper-realistic artwork of Mati Klarwein or the trippy, comic-inspired R. Crumb cover created for Big Brother & The Holding Company’s Cheap Thrills, you’ll find a hand-drawn example you’re sure to appreciate.

http://www.austinchronicle.com/music/2016-07-29/adult-audio-coloring-book-sampler/

c) Washington Post columnist John Kelly recently posted a profile of Ken Orth, a retired urban planner/Beatles fan extraordinaire who travels the Beatles-related gatherings circuit putting on display selections from his 2000+ item collection of spoofs of Beatles record covers. Orth has been collecting these works of art since the early 1980s, and included in his collection are examples of well-known parody covers such as Frank Zappa & The Mothers’ We’re Only In It For The Money (a satirical take on the collage found on the Sgt Pepper’s LP) alongside lesser-known items such as Floyd Domino’s take on the Abbey Road street crossing scene, re-staged using four toddlers in diapers.

The entire parody sub-set of album art collecting is an interesting one, with a number of collectors doing a great amount of researching and Ebay purchasing in order to find prime examples of imagery inspired by classic album art. Ken’s working on gathering the nitty-gritty information on every original Beatles album cover so, with any luck, I hope to be able to share some of that with you when its made available. In the meantime, click on over to https://www.washingtonpost.com/local/beatles-album-parody-art-he-loves-it-yeah-yeah-yeah-yeah-/2016/08/09/b90e66fc-5dcb-11e6-8e45-477372e89d78_story.html  to read more about Ken and his most-interesting of album art collections.

Related content – if you’re really wanting to see a broad selection of parody covers – including hundreds of examples of “re-imagined” covers inspired by designs for the packages of records from the soundtrack for The Sound of Music to The Who’s Live At Leeds, you must pick up a copy of the 2011 book compiled and written by Jan Bellekens and ACHOF chum Simon Robinson titled Covered. The gall of some musical acts is truly mind-blowing (and, most-often, quite hilarious) – https://www.amazon.com/gp/product/095614392X/ref=as_li_ss_tl?

d) Leave it to the writing team on the Ultimate Classic Rock site to treat us to album art-related stories with a twist (or, in this case, with a piss). Author Nick Deriso recounts the story told by photographer Ethan Russell about “the making of” the cover image for one of The Who’s best-remembered records – 1971’s Who’s Next – which, you’ll recall, features a shot of the band having seemingly just relieving themselves on a concrete tower found along the motorway in Sheffield. In fact, only one of the stains resulted from a much-needed pit stop, with the others craftily created by the photographer, so if you’d like to get to the bottom of this story, click on over and the truth will be revealed – http://ultimateclassicrock.com/whos-next-album-cover/

That’s all for now – look for updates every week (usually, on Friday) on our news feed –https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back early next month with another summary for you.

All text Copyright 2016 Mike Goldstein and AlbumCoverHallofFame.com – All Rights Reserved.

Album Cover News Summary for July, 2016

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ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF JULY, 2016

By Mike Goldstein, AlbumCoverHallofFame.com

It’s the first day of August, 2016. What’s new, you might ask. Well, assuming that you’re not outdoors (too much sun) or aren’t taking shelter from freak storms (or from the gusts of hot air emanating from your TV sets these days), I’m thinking that you’re enjoying the summer overall and are sharing your love of whatever drives your passions with your friends and family. All of us lovers of album cover imagery are a bit of a family, wouldn’t you agree (albeit a sometimes-dysfunctional one, with yours truly as your “arty” Uncle Mike (and NOT your Wicked Uncle Ernie – apologies to all un-wicked Ernies).

In this month’s summary – continuing on in the new and much-appreciated “less talk, more info” format – the people that make our favorite album imagery continue to impress us fans, critics and other observers of the art form with their collective output, contributing to the ongoing stream of articles, interviews, info on museum and gallery shows and the like on a wide range of related topics:

1) Upcoming, recently-launched and just-closed show/exhibitions –

a) While the extremely-well-attended Ramones-centered art/memorabilia show at the Queens Museum may have closed this past weekend (July 31st), the kind folks at local public TV network WLIW/Channel 13 have posted a 7 minute video presentation on their Metrofocus web site – http://www.thirteen.org/metrofocus/2016/07/ramones-exhibit-rocks-queens/ – that includes a brief tour through the show, where you’ll see photos by George DuBose, Roberta Bayley and others (including various iterations of Arturo Vega’s iconic presidential seal-like logo for the band) along with interviews with Joey’s brother Mickey Leigh, Johnny’s widow Linda, the band’s former tour manager Monte Melnick and the exhibition’s curator, Marc Miller, a fellow with a long history of producing punk-based art/music shows. Hey ho, if you can’t go, watch the video…

b) Up for a brief run (mid-July through July 30th) at the Paul W. Zuccaire Gallery on the campus of Stony Brook University on Long Island, NY was an album art show featuring over 1000 record covers on loan from local collectors and the archives of the school’s own radio station (WUSB).

ON THE RECORD: ALBUM COVER ART was presented in conjunction with the Stony Brook Film Festival at the Staller Center for the Arts at Stony Brook University, a venue that has also hosted performances by many of the musical acts (including local talent such as Bob Dylan, Blue Oyster Cult, Cyndi Lauper, Lou Reed and others) whose record albums are on display in this show.

One of the people that curated the exhibition – Karen Levitov, the gallery’s Director – was kind enough to share some additional background info, exhibit details and some photos of the display with me, which I’ll now share with you – “Last summer we had a Vintage Film Poster show during the Film Festival that got a terrific response, so we wanted something just as fun and appealing this summer. Our campus radio station, WUSB 90.1 FM was relocating and packing up its vinyl archive, so we decided to collaborate with them to put this show together. The gallery has a playlist of songs from the albums in the gallery and a documentary video on album cover art…We have over 1000 albums:  811 album covers on the walls and in display cases, plus over 200 playable vinyl records in our listening lounge and children’s area.

Album cover artists represented in the show include famous graphic designers, photographers and artists including Andy Warhol, Shusei Nagaoka, Robert Rauschenberg, Damien Hirst, Brian Duffy, Irving Penn, Robert Mapplethorpe, Jean-Michel Basquiat, Kehinde Wiley, Banksy and many more. Rare and unique albums include The Beatles’ Yesterday and Today with the original cover known as the “butcher cover”; The Rolling Stones’ Their Satanic Majesties Request (with its 3D cover); John Lennon and Yoko Ono’s Two Virgins nude cover and The Rolling Stones’ Sticky Fingers cover by Andy Warhol  – with a real zipper!”

The festivities were kicked off with a special Q&A session with one of the founding members of Blue Oyster Cult, drummer Albert Bouchard, so if you missed the show, you can still learn more about it on the gallery’s site at http://zuccairegallery.stonybrook.edu/2016/07/on-the-record-album-cover-art/   

c) London’s Somerset House gallery is hosting an exhibition of art – both well-known and newly-created just for this show – inspired by the films of director Stanley Kubrick (from now until August 24th, sponsored by Canon). Included in the show’s display catalog are several works and work-related materials produced by airbrush artist Philip Castle, creator of memorable imagery for album covers and promotional efforts for artists including David Bowie, Pulp, Sir Paul McCartney, Metronomy and The Cars (see the item in Section 2, below, regarding a profile on the artist and his work). More info on the show is available online at http://www.somersethouse.org.uk/visual-arts/daydreaming-with-stanley-kubrick

d) In late 1950s – early 1960s London, three upstart young photographers – Brian Duffy, David Bailey and Terence Donovan – were on hand to both document and participate first hand in the rapidly-modernizing changes in the fashion and entertainment scenes. In addition to capturing memorable portraits of stars who arose from within the scene – actors, designers, artists and musicians (you’ll recall Duffy’s shots of David Bowie, including the famous cover for his Aladdin Sane LP, along with Bailey’s psychedelic cover image for the Rolling Stones’ Goats Head Soup), it was arguably Donovan who presented the broadest portfolio of artistically-crafted photos (and, later on, videos), including some that served to help launch the careers of his subjects.

While Bailey and Duffy have had a number of books and museum/gallery shows chronicling their careers, it wasn’t until now that Donovan’s contributions have been given the honor of a major retrospective. Now running at the Photographers’ Gallery in London is a show presented in association with camera manufacturer Ricoh (running through September 25th) titled Terence Donovan: Speed of Light that will include, in addition to a stunning collection of photos, a nice collection of related materials, including contact sheets, notes, diaries, sketchbooks and many previously-unseen items.

The Telegraph‘s Robin Muir gives us a preview of the show, along with some background on the photographer whose subjects have included everyone from Twiggy to Yassir Arafat.

http://www.telegraph.co.uk/photography/what-to-see/terence-donovan-the-man-who-launched-a-thousand-stars/

Find out more about the show at the gallery’s site – http://thephotographersgallery.org.uk/terence-donovan-speed-of-light-2

On a related note, being published immediately after this show closes is a new book of Donovan’s most-beautiful portraits titled, quite appropriately, Terence Donovan Portraits. The book’s authored by Philippe Garner, a Director and International Head of Photographs and of 20th Century Decorative Art & Design at the Christie’s  auction house. Released this month in Europe (and due to hit the streets in the U.S. on September 27th), the 176-page book is being published by Damiani, with more details available on the company’s web site – https://www.damianieditore.com/en-US/product/579

e) Just a reminder that the “Fine Art of Rock” exhibition – featuring the album cover works of Ernie Cefalu, Joe Garnett, Ingrid Haenke, Drew Struzan and the other talented artists that made up the roster of famed album art design studio Pacific Eye & Ear – launched in July at the Memphis Rock & Soul Museum for a run that will continue there through November 20th. On display will be original illustrations, paintings and working materials created for records by bands including Black Sabbath, Iron Butterfly, The Doors, Aerosmith, Grand Funk Railroad and many others. There’s a nice preview article by writer Bob Mehr that’s been posted on The Commercial Appeal: Memphis that also includes comments by Ernie – http://www.commercialappeal.com/entertainment/music/features/the-fine-art-of-rock-pays-tribute-to-album-cover-images-at-memphis-rock-n-soul-museum-376179b5-0e8b–386706541.html and for more info about the venue, click on over to their web site at http://memphisrocknsoul.org/

On a related note – The folks at the Memphis Rock & Soul Museum recently alerted me about a selection of photos posted on the Facebook page of classic rock aficionado John Gable taken during his visit to the Fine Art of Rock exhibition currently on display at the museum, so if you’d like to take a brief tour of some of the notable album art on display there, click on over to John’s gallery at https://www.facebook.com/photo.php?fbid=10206818128717266&set=pcb.10206818132277355&type=3&theater

f) Designer/blogger extraordinaire Simon Robinson recently posted an article on his ST33 site that introduces readers to a new exhibition which launched on the 14th of July that includes a display of over 500 album covers created for musical acts of the Jewish faith – in a wide variety of musical styles – that is currently on display at the Jewish Museum in London, UK. According to the museum’s site, the show – titled “Jukebox, Jewkbox! A Century on Shellac and Vinyl” (gotta love the name, no?) celebrates “the history of Jewish inventors, musicians, composers, music producers and songwriters.”

In addition to being able to view examples of early phonographs and gramophone (which, by the way, was invented and patented, along with the first phonograph record, in 1887 by Emil Berliner, a German-Jewish immigrant to the USA), visitors can track the growth of recorded music through the 20th Century to the present, “from Jewish folk music to Yiddish theatre songs, from Broadway musicals to rock‘n’roll via the rebels of punk and psychedelic rock. Hear personal stories from artists, musicians and collectors. Explore the art of the record sleeve and enjoy a display of 500 records including iconic sleeves from Amy Winehouse, the Ramones, Bob Dylan, and Barbara Streisand.” The show runs through October 16th.

Read Simon’s intro to this interesting, historic display on his site at https://st33.wordpress.com/

More info on the show is also available on the museum’s site at http://www.jewishmuseum.org.uk/jukebox

g) Billboard Magazine contributor Gail Mitchell just posted an intro article about the newest exhibition that just launched at the Grammy Museum in Los Angeles that should be a treat for Beatles fans. This show, curated by the Grammy Museum and Fab Four Exhibits, has been entertaining audiences all across the US since it opened up in NYC in 2014 (setting attendance records wherever it stopped), has now “come home” to the LA-based museum and will be appearing there through September 5th.

According to the museum’s press, “Ladies and Gentlemen…The Beatles!” brings us back to the early ‘60s when rock & roll was re-energized–some say saved–by four lads from Liverpool. The exhibit covers the period from early 1964 through mid-1966—the years Beatlemania ran rampant in America. During this time the band affected nearly every aspect of pop culture, including fashion, art, advertising, media, and, of course, music. On display are many Beatles-related pop culture artifacts from the period, as well as correspondence, instruments, posters, photographs, interviews, interactive displays, and an oral history booth in which visitors can leave their own impressions of The Beatles. Screenings and a series of talks reveal the continuing impact of the Beatles.”

Based on the show’s description and photos, there will be a lot of items on display that will be of interest to record art fans. Related events include one that vinyl lovers will have enjoyed – a specially-produced “Record Theater” event on July 18th which featured the music from the band’s 1966 release Revolver – the record featuring Klaus Voorman’s fantastic psychedelic ink drawing on the cover.

To read Gail’s article online, click on over to the Billboard site – http://www.billboard.com/articles/columns/pop/7431018/beatles-exhibit-grammy-museum

and, for more information on the show and all the related screenings, discussions and events, visit the museum site at

http://www.grammymuseum.org/exhibits/traveling-exhibits/ladies-and-gentlementhe-beatles

h) As part of the kick off festivities surrounding the “Chunk of Punk” photo exhibition which launched July 8th at the High Street Gallery at the Uncorked Wine Bar in Akron, OH (featuring the works of Jill Furmanovsky, album cover contributor extra-ordinaire), the Akron Art Museum hosted a special talk about the local rock music scene that featured both Ms. Furmanovsky and local music legend Chrissie Hynde of The Pretenders. Chunk of Punk was part of Punk Week in Akron, which celebrates the genre via a series of events including concerts, film screenings and related displays of artistry. More on this event can be found on the Museum’s web site at

https://akronartmuseum.org/calendar/artist-talk-jill-furmanovsky-with-chrissie-hynde/10486

Up-to-the-minute updates of this exhibitions can be found on the gallery’s Facebook page – https://www.facebook.com/22HighStreetGallery/

i) The Panopticon Gallery in Boston, MA has a new group photography show running now through September 13th that they’re calling Music To Our Ears and which features a fine collection of photographs – portraits, concert photography, etc. – by a dozen respected shooters including Charlie Sawyer, Roger Farrington, Marc Lacatell, Rowland Scherman and others, as well as shots from Ron Pownall, the man responsible for album package shots for a number of renowned musical acts including Joe Perry, Rick Derringer, Aerosmith, Ted Nugent, Rainbow and many others.

According to the gallery’s site, the exhibition will also include “some music posters courtesy of our friends at the International Poster Gallery and some new guitars by Booches Custom Guitars.”

Prior to the launching of this event, Pownall was interviewed by Jody Feinberg for the Abington Wicked Local web site – http://abington.wickedlocal.com/entertainment/20160610/rock-n-roll-photography-on-display-at-cohasset-arts-event    There, you’ll learn about highlights from Ron’s career, including a photo taken in 1976 capturing the then 19-year-old Charlie Baker – now the Governor of Massachusetts – at an Aerosmith concert in Providence…

2) Artist interviews/profile articles –

a) 20 years ago, a young photographer named Jonathan Mannion was hired by Rocafella Records to shoot a photo for the cover of the debut record (titled Reasonable Doubt) by a rapper named Shawn Carter who was looking for someone who’d present him to new audiences as someone who’d already established himself as the best in his profession. Shawn Carter went on to become music mogul Jay-Z and, as part of the festivities held to celebrate the record’s 20th anniversary, Mannion’s intimate photos from that session were presented in a “pop-up” exhibition called, quite reasonably, “PROPHECY”. A total of 22 images were shown at the private event – Vibe‘s Josias Valdez was on the guest list, talked to Mannion about how everything came together then and what’s next in this nicely-crafted illustrated interview – http://www.vibe.com/2016/07/jonathan-mannion-interview/

Just received an email from Mr. Mannion in which he details some of the latest things he’s been working on, including album covers for 2 Chains (College Grove), Dj Khaled (Major Key) and Gucci Mane (GUWOP). He’s also just teamed with  retailer PINTRILL to release a series of pins based on album art images Mannion’s done for Jay-Z, including some that celebrate the anniversary of their working together on Reasonable Doubthttp://www.pintrill.com/products/mannion-pin-pack?variant=21301575300

b) Houston-based artist Kevin Peterson received a call from someone on April Fool’s Day saying that they wanted to use a painting of his on the upcoming Red Hot Chili Peppers’ record The Getaway. Of course he thought it was a joke…that was, until he was assured that front man Anthony Keidis had seen the work – an ultra-realistic painting titled “Coalition II” of a young girl strolling down a graffiti-marked street along with a bear, a raccoon, a fox and a black bird – and felt that it would perfectly-represent (according to Patrick Flanary’s interview with Peterson recently posted on the Billboard.com web site – http://www.billboard.com/articles/news/7408793/red-hot-chili-peppers-album-cover-choice) “the strength that it takes growing up in the world today, those traumas that it takes to get through it, and to survive and thrive.” Like Keidis, Peterson is a recovering drug user himself who found a new beginning in the Arts, so there’s some poetic justice in how the two found each other for this project.

c) After meeting artist Andy Warhol in the late 1950s while he worked as a waiter in a NYC restaurant (to supplement his starving artist career at the time), the two formed a tight bond that ultimately led to both a romantic and creative relationship that would last 10 years and out of which would spring “The Factory”, a place where strange and wonderful things took place. That person – Billy Name (originally, William Linich, Jr. ), one of the last few of the original cast of characters who called The Factory home, died recently at the age of 76.

While he spent the rest of his life post-Factory as a poet, Name’s photographs were included on the famous packaging for The Velvet Underground and Nico (the band’s  Warhol-produced debut album, as well as their self-titled third record, where he’s also a character who knows right from wrong (“…But, Billy said, both those words are dead”) in the group’s  song from that record called “That’s the Story of My Life”.

You can read Name’s obituary in The Guardian via the link – https://www.theguardian.com/artanddesign/2016/jul/18/billy-name-andy-warhol-factory-photographer-dies-76

d) Man Booker Prize-winning author Marlon James – best-known for his 2015 novel A Brief History of Seven Killings – is featured in a recent interview with Jason Parham on TheFader.com site in which he recounts his earlier career as Creative Director (and album art producer) for top-selling Jamaican musician/recording artist Sean Paul. The two attended the same college in Jamaica before meeting professionally via Sean Paul’s manager in 1999 (while James worked as an independent writer/designer for commercial clients) to collaborate on the musician’s Stage One record. In the interview, you’ll learn more about James’ influences (Bjork and Pen & Pixel – quite the range!) and some additional details on several of the other covers he created for his famed fellow alum –

http://www.thefader.com/2016/07/12/sean-paul-album-covers-marlon-james

e) See item in Section 4 about a recent interview in The Guardian with acclaimed artist/musician Klaus Voorman’s regarding his just-released graphic novel about his time with The Beatles.

f) Interesting profile of artist Philip Castle in a recent posting on The Guardian‘s site by reporter Jonathan Jones. Album art fans will recall Castle’s contribution to the cover art featuring Brian Duffy’s memorable photo of David Bowie found on the Aladdin Sane LP (Castle created the silver teardrop found on Bowie’s shoulder, while film poster fans will recall his campy artwork crafted for Tim Burton’s Mars Attacks. While both of those efforts earned Castle many fans in the entertainment world, it was his artwork for Stanley Kubrick’s 1971 futuristic crime masterpiece A Clockwork Orange – now included in a show at London’s Somerset House gallery called “Daydreaming with Stanley Kubrick” – that cemented his place in Pop Culture history. Kubrick’s very hands-on, detail-oriented work ethic had him send Castle art and sculptures used in the film for use in his prep for the poster work (leaving him with great souvenirs!), and Castle would go on to work with Kubrick again on the art for his celebrated war feature Full Metal Jacket. Read all the details via the link at https://www.theguardian.com/artanddesign/2016/jul/07/stanley-kubrick-and-me-designing-clockwork-orange-poster

For some additional insight into this artist and, in particular, his album cover artwork, you might also want to spend a few minutes watching this 2011 video interview with London-based photographer Steve Mepsted posted on YouTube – https://www.youtube.com/watch?v=KbEAb2HoLVc

g) Another “local boy done good” feature was recently posted on the Somerset Live (UK) site that reminds us of the great talent of fantasy artist Rodney Matthews, who recently licensed one of his works for use on the cover of the latest compilation record by the Rolling Stones (Another Time, Another Place II). Matthews’ art has been featured on scores of books, posters and a number of album covers, including those for Asia, Hawkwind, Barclay James Harvest, Nazareth, The Scorpions, Thin Lizzy, Uriah Heep and Rick Wakeman, but in this case, it was an image he’d done 40+ years ago while working for the famed Big O poster house – one that had caught the eyes of the Stones’ production team and, miraculously, ended up being used – without Matthews’ consent – on a U.S. tour poster for the band that the new record’s publisher requested be used on the recent release – this time, with credit and, I’m assuming, some compensation. Good work always wins out in the end…

http://www.somersetlive.co.uk/8203-paulton-artist-designsthe-rolling-stones-album-cover/story-29453182-detail/story.html

h) When two collaborators in music both hold degrees from Boston’s School of the Museum of Fine Arts, you’d have to think that they’d be looking for just the right images to grace the covers of their records and, in the case of the band Quilt and co-founding members Shane Butler and Anna Fox Rochinski, you’d be right! For the cover of their 2016 release Plaza, after they came upon an image of a 1992 illustration by the late artist Ken Price (who also provided the cover art for The Paperhead’s 2014 release titled Africa Avenue) and realized that the artwork would be perfect for their upcoming record, they contacted the artist’s estate (managed by his son Jackson), made an impassioned plea for a license, and were rewarded with the permission they sought.

In Katherine Turman’s recent article for The Village Voice, you’ll meet these two talented young people and learn more about their ongoing efforts to “stitch together music and visual art”, much to the pleasure of their fans – http://www.villagevoice.com/music/perfect-cover-for-their-latest-album-quilt-stitch-together-music-and-visual-art-8768833

i) The works of legendary hip-hop photo specialist Ernie Paniccioli were featured recently in a rather-cool new project launched in Edmonton, Canada called the “Knowledge is Pow Wow” (which according to the project’s site, “will explore religious pluralism and social justice through inclusive conversation and creative expression …young adults from Edmonton’s downtown communities will hear from leaders representing Indigenous, Catholic, Jewish and Muslim faiths and culture.”). Paniccioli, a Cree Native American who grew up in Brooklyn, NY, got his start in photography in the streets of his neighborhood, capturing images of the graffiti culture that reigned in the 1970s. His images got him a lot of attention, particularly from the artists in the emerging hip-hop/rap music scenes there and he was asked by a number of the soon-to-be-stars of the time – Queen Latifah, Public Enemy, Snoop Dogg, Jay-Z and many others – to provide them with shots for their album packages and promotions.

For an interview with Ernie done prior to the exhibition that was posted recently on the CBC News web site, click on over to http://www.cbc.ca/news/canada/edmonton/famed-cree-hip-hop-photographer-s-work-on-display-in-edmonton-1.3652907

j) One of the design groups most-responsible for the over-the-top, bling-filled covers found on many of the rap genre’s best-known acts of the 1990s – 2000s was a Houston-based firm called Pen & Pixel, founded by two brothers (Aaron and Shaun Brauch) and whose work was featured on three-quarters of a billion albums, including 38 gold and 12 platinum-selling discs. The firm grew quickly and expanded their client list to include mainstream musical acts including Cher, Destiny’s Child, Lyle Lovett, Chris Rock and ZZ Top only to become victims of the many changes that rocked the music business, with the brothers leaving to start other careers – Aaron as a serial entrepreneur and business development consultant while Shaun continued on as an executive/creative director for several creative services companies.

New York Times contributor Will Stephenson recently posted a “Letter Of Recommendation” article that chronicles the firm’s rise and fall and how their designs established – at least for a while – the design guide for the proper proportions of cars, jewelry, money and scantily-clad women that should appear on any self-respecting rapper’s latest release.  http://www.nytimes.com/2016/07/10/magazine/letter-of-recommendation-pen-pixel.html?

k) Not sure how I missed this when it aired a couple of months back, but Rene Montagne of NPR Radio’s “Morning Edition” did a very nice interview with one of the best-known artists to work in the Bay Area since the mid-1960s – that being, Wes Wilson, the guy credited with crafting the trippy, balloon-y fonts that became a mainstay of gig poster designs from that era (he’s also applied his talents to album art of the day, most-notably on the cover for Cream’s Disraeli Gears LP). Samples of Wilson’s posters were included in the grand re-opening exhibitions staged when the San Francisco Museum of Modern Art threw open its doors after a major renovation and there are more examples of his work in the museum’s permanent collection – https://www.sfmoma.org/artist/Wes_Wilson

Listen to Wilson as he recalls how and why he got into the field, what motivated and shaped his work and how he hoped that his works would show, during the time when the war in Vietnam was raging, that “things are going to get better”. http://www.npr.org/2016/05/13/477900499/psychedelic-font-how-wes-wilson-turned-hippie-era-turmoil-into-art?

l) One of the most-impressive gallery collections of rock music-related fine art prints I’ve had the pleasure of seeing was on display at the San Francisco Art Exchange and, during my last visit, I had the pleasure of meeting the staff there, including the co-owner, Theron Kabrich. For those who haven’t seen the gallery’s collection (available online on their site at www.sfae.com), you’ll find editioned prints by many of the masters of album cover imagery, including designers Roger Dean and Storm Thorgerson and photographers Joel Brodsky, Elliott Landy, Gered Mankowitz, Mick Rock and others – usually presented in collections that will appeal to lovers of the imagery of rock’s foremost musical acts.

In his most-recent “Art Dealer Show” audio interview/podcast, art world veteran Danny Stern (who got his first gallery job at SFAE) talks to his mentor Kabrich about his start in the business – having transitioned from a career in the fields of psychology and mental health to his career in the art world after, according to his site bio ” he had traveled throughout Australia, New Zealand, Southeast Asia, Nepal and India, collecting art and objects along the way. This set a new chapter in motion from a career in clinical psychology to one as a fine art dealer.” Today, along with his co-owner Jim Hartley, Kabrich presents his gallery’s clients with fine examples of the works of the people that have produced many of the world’s best-known images from the world of Popular Culture, so it’s a rare opportunity to be able to listen to him discuss a whole range of topics with his learned cohort.

The 67-minute-long podcast is available via streaming/download, etc. – http://artdealer.show/004-theron-kabrich/

m) Ask six designers about their favorite/most-inspirational album cover designs and, of course, you get six completely-different stories, but in this recent article on The Guardian (UK) site built around interviews by Kathryn Bromwich, Imogen Carter and Katie Forster, I was particularly-intrigued by the appearance of several “classic” record covers in the answers proffered by some of these young-but-talented design pros. Included in the list of influential designs are covers by bands such as Sparks (their 1975 record Indiscreet is a favorite of Bedwyr Williams), The Human League (Inspiration, their 1979 record which profoundly impressed Julie Verhoeven) and Pink Floyd, whose 1969 record Ummagumma suggests the compositions of the Dutch Masters to Alice Anderson.

Always interesting to learn more about what goes on in the heads of today’s most-creative designers, I think…

https://www.theguardian.com/music/2016/jun/26/art-on-your-sleeve-artists-album-covers-juergen-teller-lynette-yiadom-boakye

n) Orange County, CA has produced a staggering number of talented people who’ve left their marks on the entertainment business – Steve Martin, Bob Deal (AKA Mick Mars) of Motley Crew and Gwen Stefani are just a few we can mention – but few have contributed as influential and long-lasting an item as the logo design created by Westminster High School graduate Gerard Huerta – that being the AC/DC lettering and logo that has graced the covers, sleeves, t-shirts, tattoos, posters and other memorabilia purchased by millions of fans since its introduction in 1976. Huerta began his career at CBS Records in New York designing album covers and creating letterforms for Boston (see the article on this cover later on in this posting), AC/DC, Ted Nugent, Blue Oyster Cult, Stephen Stills and Foreigner. He started Gerard Huerta Design in 1976 and has been drawing custom letters and logos ever since.

OC Register staff writer Peter Larsen recently posted a profile on the ever-busy artist at http://www.ocregister.com/articles/huerta-720158-westminster-lettering.html

I had the pleasure of interviewing Gerard several years back about his work on that iconic logo and so I invite you to take a gander at that article on my old archive site –

http://rockpopgallery.typepad.com/rockpop_gallery_news/2007/07/cover-story—a.html

o) Record covers have always reflected the fashions of the day, so leave it to the writers from Vogue Magazine to track down and interview a person that many of us classic album art fans know, but only from the waist down to his knees! Of course, I’m talking about Corey Grant Tippin – make-up artist, model, actor and Andy Warhol muse/chum, whose mid-section was featured prominently on the un-zippable album cover created for the Rolling Stones’ Sticky Fingers record, released in 1971.

In this article by Laird Borrelli-Persson that serves to introduce the relationship between Tippin and famed 70s illustrator Antonio Lopez (whose works are the subject of a new show on display at the new El Museo del Barrio “Antonio Lopez: Future Funk Fashion”), the interviewer questions Tippin about Lopez, his career as an in-demand make-up artist and working with Warhol and the team that created the acclaimed and controversial record cover –

http://www.vogue.com/13448063/corey-grant-tippin-interview-antonio-lopez-andy-warhol-sticky-fingers/

p) Writer Vikki Tobak’s new interview series for the Mass Appeal web site launches with an interview with one of the best-known photographers who has covered emerging music scenes over the past several decades – Janette Beckman. Ms. Beckman’s credits in the album art world include cover shots for The Police (Outlandos D’Amour, Reggatta De Blanc, Zenyatta Mondatta and Every Breath You Take: The Singles); Squeeze (Six Of One); Gang Starr (No More Mr. Nice Guy); Grandmaster Flash & The Furious Five (On The Strength) and Salt-n-Pepa’s A Salt With A Deadly Pepa and Push It, among others, as well as the subject of this recent interview – an iconic image taken of British rapper Slick Rick during a Def Jam press shoot in NYC for The Great Adventures of Slick Rick album in 1989.

The interview dives into “the making of” this and other shots from her career and provides camera nerds with the details of the equipment she employed to make the magic happen – http://massappeal.com/contact-high-the-stories-behind-hip-hops-most-iconic-photographs/

3) Sales/Auctions –

a) St. Paul’s Gallery, one of the premiere publishers/galleries that specialize in album cover art prints, just informed me of a sale they’re running in conjunction of the recent opening of the world-traveling “Bowie Is” exhibition at the MAMbo – Museo d’Arte Moderna di Bologna – in Spain (see http://davidbowieis.it/en/ for more details). From now until this Friday, August 5th, the nice people at St. Paul’s are offering a 10% discount (via the promo code LIDNI231 entered at check-out) on any of the fine Bowie-related art prints they have available, including prints (some of which have copies also on display as part of the Bowie Is show, organized by the V&A Museum) by acclaimed artists/photographers such as John Rowlands, Celia Philo & Philip Castle, Terry Pastor and others. Some of the prints were co-signed by Mr. Bowie prior to his sad death this past January, making them all the more collectible. To see the entire offering (prints, limited-edition books, posters, sculpture, etc.), follow the link to the gallery’s site – http://www.stpaulsgallery.com/prodtype.asp?strParents=&CAT_ID=264&numRecordPosition=1

b) The team at Gotta Have It Rock & Roll auction house have just released a summary of the prices paid for items that were included their recently-held auction, with bidding closed on Saturday, July 30th. Fans of unique, album art-related items will find several examples of items that found new homes with collectors who participated in the “Rock and Pop Culture Auction – July 2016” event, including several groups of photos of the late artist formerly known as Prince (each of the three sets sold for a mere $100) and an abstract painting done by singer Alanis Morissette, which sold for $5363, well above the $4000 top pre-auction estimate.

Collectors seemed to be holding on tight to their purses/wallets as many items went unsold, including a set of photo proofs/negatives done for records by Steven Van Zant, artwork for Journey’s Time 3 box set (autographed by singer Steve Perry), a pair of photos offered up by the estate of Herb Worthington that were used on covers for Fleetwood Mac and Lita Ford (although, a Worthington-owned RIAA Platinum LP plaque for Stevie Nicks’ Bella Donna did sell for $587, near the top of the estimated value range) and an art board featuring a 16 x 20″ Neal Preston photo shot for the cover of Bruce Springsteen’s Live 75 – 85 record album. If you’d like to see more of the results, click on over to https://www.gottahaverockandroll.com/Category/Artwork-206.html   Congratulations to all who found something nice to add to their personal collections.

c) Lovers of the artwork of the late Rick Griffin were in for a treat this past month with the announcement of a special auction of his works hosted by the Psychedelic Art Exchange. Griffin, who created the now-famous artwork for the cover of the Grateful Dead’s trippy 1969 album AOXOMOXOA, along with covers for musical acts including Kerry Livgren, Cold Blood, MAN, The Packards, Darrell Mansfield and others, was also a celebrated poster artist, creating hundreds of designs for acts playing at Bay-area venues. In the late 1960s, Griffin teamed up with several other celebrated local artists, including Alton Kelley, Stanley Mouse, Victor Moscoso and Wes Wilson to start an agency specializing in psychedelic posters called Berkeley Bonaparte and, in the list of over 100 posters that were included in this auction, you’d have found wonderful examples of this work, along with images he created for his other loves, such as surfing, comic books and religion.

Take a look at what curator Glen Trosch has put together for you to look at in this month’s new auction and, if you’re so inclined, add to your collections, via the link – http://auctions.concertpostergallery.com

4) New Print/Book Publishing –

a) There’s a new Klaus Voorman book (a graphic novel) that tells the story of his relationship with The Beatles beginning with his first encounter with the group in 1960 in a Hamburg, Germany bar. Birth of an Icon: Revolver 50 includes the story about his Grammy-winning illustrations done for the cover of Revolver for The Beatles. In a recent interview with Robin Stummer for The Guardian web site, Voorman shares some of his recollections (“I created the Revolver cover. It was on the third floor of a house, in a little attic apartment, it was in the kitchen. Parliament Hill, Hampstead. I was staying there. I went back there recently, the building is exactly the same.”) which remain quite vivid even after all these years.

Trained as both a graphic artist and a musician, Voormann and his girlfriend, the photographer Astrid Kirchherr, met the band early in their career (the Pete Best/Stu Sutcliffe days) and inspired their looks at the time (black clothes, leathers and low-cut bangs). Astrid spent hours shooting the band (some of her best-known shots were used on the album packages for the band and several solo LPs, including George Harrison’s Wonderwall Music and John Lennon’s Signature Box compilation). Voormann went on to spend much of the 60s and 70s alternating stints on the pop and rock circuit, playing bass with Manfred Mann, George Harrison and John Lennon – including on Lennon’s Imagine – with his work in graphic design and fine art. Did covers for the Bee Gees (Bee Gees 1st and Idea, more for Beatles-related projects (inc. 1995’s Anthology compilation and Ringo’s Ringo), his own 2009 solo album A Sideman’s Journey (featuring guest appearances by former Beatles Paul McCartney and Ringo Starr, Yusuf Islam, Jim Keltner, Joe Walsh and others) and, more recently, a quite-Revolver-like illustration for the cover of Japanese rockers Glay’s 2014 release titled Music Life.

https://www.theguardian.com/music/2016/jul/23/beatles-revolver-cover-klaus-voormann

Book info on Voorman’s site (set for an early August release) – http://www.voormann.com/shop/birth_of_an_icon_revolver_50

b) The works of one of the “Early Influencers” of record album artwork – artist David Stone Martin – have always intrigued fans of album art with their simple-yet-compelling lines and colors – just ask any fan of the many (over 400!) covers he created for records by acts including Count Basie, Charlie Parker, Joe Pass, Dizzy Gillespie, Billie Holiday and others who appeared on the several labels headed by the great jazz promoter Norman Granz (Asch, Clef and others) during the 1940s-50s. While some of the covers have been available previously as fine art prints, there’s a new, much-larger collection that’s being offered at the Modern Rocks Gallery in Austin, TX that comes from publisher Audioframe as the result of their pain-staking efforts to restore vintage plates and recreate the excitement of the original designs. Each print is hand-numbered and is stamped by DSM’s archive. There are 4 sizes available, in editions from 200 for the 14″ square prints, offered at $380, to just 25 prints in the huge 44″ square versions, priced at $1995. To see the entire collection, visit the Modern Rocks site at http://www.modernrocksgallery.com/buy-david-stone-martin-prints/

c) Tom Sheehan’s photos have been featured on hundreds of album covers and packages throughout the years (inc. those for the Flamin’ Groovies, Ian Dury, Aztec Camera, The Charlatans UK and others), but it is his photos of Robert Smith and his mates in The Cure – taken beginning in 1982 while he worked as the principal photographer for Melody Maker magazine – that are probably his best-known works, so it’s exciting to see a hand-picked selection of them taken over a 23-year period (thru 2005) compiled and offered in a soon-to-be-published new book. In Between Days. The Cure in photographs 1982 – 2005 is scheduled to be released this coming November in two beautiful editions – the Deluxe (2500 copies) and the Super Deluxe (just 700 copies) – each with 240 pages of photos and text, with the Super Deluxe version including a signed COA, a deluxe slipcover and an envelope containing three 5×7″ photos, suitable for framing. The Price for the Deluxe version is £48.00, while the Super Deluxe is available for £70.00, with pre-orders now being accepted on The Flood Gallery’s site at http://www.thefloodgallery.com/collections/the-cure-in-between-days?

d) The late Nirvana guitarist/songwriter Kurt Cobain showed a love for the visual arts by contributing album images for his band’s In Utero and Incesticide records, some of which will be on display as part of the recently-announced touring show of his art, organized by his family and Jampol Artist Management – https://news.artnet.com/art-world/kurt-cobain-art-exhibition-522386. Kurt’s visual arts genes live on in the artwork now being produced by his only child, the now 23-year-old Frances Bean Cobain, who has begun offering prints of her humorous-but-slightly-macabre artwork via the Depop online art store (https://www.depop.com/en-us/space_witch666). Ranging in price from $150 to $400 per print, the nine different images include, according to this recent article on the ArtNet site by Sarah Cascone, several works that were included in her first series released back in 2010 and illustrate that the young Ms. Cobain shares some of her Dad’s slightly-strange, dark humor…learn more via the link – https://news.artnet.com/art-world/frances-bean-cobain-art-for-sale-355262

e) Another reason to have braved the crowds at last month’s Comic-Con in San Diego is presented in this article by Ethan Anderton on the Slashfilm.com site about two sets of limited-edition items – one set of special-edition vinyl recordings and another set of related album cover art prints – featuring your favorite characters from one of last year’s most-successful animated films – Pixar Animation’s Inside Out. While supplies lasted at the show, festival goers were able to purchase 7″ vinyl copies of music taken from Michael Giacchino’s score for the film (not previously released on vinyl) that will be produced by specialty supplier Mondo in small batches (2500 copies in each) that feature both colored discs and artwork focused on one of the movie’s main characters (Joy, Sadness, Fear, Disgust, Anger and Riley). Also at the show, the first group of limited-edition (200 each out of 420 total per image) 18″ x 24″ prints of the albums’ different covers (done by the Toronto, Canada-based Phantom City Creative team, the same group that produced the stunning album art for Mondo’s soundtrack album for the Hannibal film soundtrack) were offered up by the folks at Cyclops Print Works, with the rest being made available by the publisher after the show.

To see all of the aforementioned art that’s available, link on over to the Slashfilm article now – http://www.slashfilm.com/inside-out-vinyl/

Visit the Cyclops Print Works site to get your own copy of one or more of these new collectibles – https://www.cyclopsprintworks.com/

You’ll find another Mondo-based article down in Section 5 that I’m sure you’ll enjoy as well…

f) Please see the article in Section 1 of this recap about the new book coming out featuring portrait photos by the great Terence Donovan – https://www.damianieditore.com/en-US/product/579

g) Photographer Drew Carolan, well-known for his compelling album cover photos featuring musical acts including Ziggy Marley, Eric B. & Rakim, Living Colour and many others, shared with me some information about a book he’s going to release this fall that should be of great interest to fans of the early 80s music scene as it transitioned from punk to the more hardcore styles. Over a two year period – from 1983 to 1985 – Drew set up shop near famed rock club CBGBs in the Bowery section of New York City to document – in an effort called the “Matinee Project” – the people who participated in the scene and attended the hardcore/metalcore events that were held nearby. Partnering with Radio Raheem Records (home of bands including Agnostic Front, Charred Remains, The Androids and other hardcore stalwarts), the deluxe hardcover book – titled Matinee: All Ages – On The Bowery NYC 1983 – 1985 is sure to please fans and those interested in seeing shots from this most-fascinating musical/pop culture era. Several years ago, Carolan created a video that highlights the time he spent creating this series which should serve as a great intro to his project – https://www.youtube.com/watch?v=6jN46nf0nl0

To sign up for updates on the availability of this book, please visit http://www.radioraheemrecords.com/matineebook

h) While not easily falling in to this category’s basics (i.e., new prints, books and other arty collectibles), this item is of enough import that I felt it should be mentioned as it does involve collectibles of another type – i.e., postage stamps. On July 7th, the U.K.’s Royal Mail released a series of stamps that feature images connected to one of the nation’s best-known treasures, that being the rock band Pink Floyd. The collection of 10 different images gracing the new stamps include several of the band’s iconic album covers including early releases such as The Piper At The Gates Of Dawn, Atom Heart Mother, The Dark Side Of The Moon, Wish You Were Here and Animals, up to the group’s final 2014 release The Endless River. Four additional stamps feature photos of the band performing live on tour, including shots from concerts at London’s UFO Club in 1966, the Dark Side of the Moon tour in 1973, 1981’s The Wall tour and 1994’s The Division Bell tour.

Besides the stamps, there are a number of related items that are being promoted by the mail service, including souvenir sheets and presentation packs, framed collections, two cover collections, including one commemorating the 10th anniversary of the death of group founder Syd Barrett and a special numbered limited-edition item called a “Moon Maxi Sheet” that presents 10 of the Dark Side of the Moon stamps on top of a 9 x 7 replica of the renowned prismatic cover art.

As you might imagine, there has been a fair amount of coverage about this new collection, so if you’d like to learn more, click on over to this article on the BBC site – http://www.bbc.com/news/entertainment-arts-36382247

or another example on the Belfast Telegraph site at http://www.belfasttelegraph.co.uk/entertainment/music/news/pink-floyd-stamps-to-feature-innovative-album-covers-34747737.html

To see and buy these new items, pop on over to the Royal Mail site at http://www.royalmail.com/pinkfloydstamps

i) Comic book publisher Storm Entertainment has released a new comic novel that presents the life and times of the late artist Prince. Titled Tribute: Prince and penned by writer Michael L. Frizell, the comic book features artwork by Ernesto Lovera and Vincenzo Sansone. Lovera has previous credits doing artwork for tribute comics on other famous subjects, including Britain’s Royal Family, pin-up model Bettie Page and an earlier (2013) book on Prince titled Fame, while Sansone has done work on books about John Wayne and Pope Francis. Writer Frizell’s past comic book work covers famous figures in popular culture, politics and music, including books on Hillary Clinton, Jeb Bush, Nancy Reagan, Bono, Miley Cyrus, The Osbournes, Jerry Garcia and Amy Winehouse. Over the years, Storm Entertainment, formerly known as Blue Water Comics, has released a number of tribute comic book biographies, including ones on David Bowie, Kurt Cobain, Michael Jackson, John Lennon and many others.

Rolling Stone Magazine contributor Althea Legaspi provides us with additional details and comments from the creators of this 24-page tribute to another artist who has left this planet way too soon –  http://www.rollingstone.com/music/news/tribute-prince-new-comic-book-released-20160609#

5) Other articles of interest –

a) Some of you might recall a posting some time back about a new “Floating Record” turntable I’d bought via a Kickstarter project in support of a Chicago company called Grammovox. As a Grammovox owner/supporter, I’ve been the recipient of a regular email newsletter in which they share info on new products (including a retro-style Bluetooth speaker) and on vinyl record products that, when mounted to be played on the vertically-oriented turntable, look extra cool – picture discs, colored vinyl and, in the case I’m sharing with you today, a series of records made by an artist named Curtis Godino that are filled with various liquids. Very lava-lamp visuals, you’d have to figure. Two notable commissions for Godino include “blood-filled” records for clients including Waxwork Records’ Friday The 13th soundtrack and Mondo’s soundtrack for the blood-drenched film ALIENS.

Grammovox staffers recently interviewed the Brooklyn, NY-based artist about the wide range of liquid disc projects – for both musical and fine art clients – for their blog titled The Reverb, which you can reach via the link at https://www.gramovox.com/blogs/posts/interview-with-curtis-godino?

b) Today’s second story about record releases with interesting delivery options shows us a new album titled Ecume on the AntiVJ label by Belgian record producer Thomas Vaquie’, who collaborated with the appropriately-named (for an album package designer) artist Yannick Jacquet (!!) to create a sleeve made of concrete cast resin that’s been inscribed with 3D representations of the waveforms of some of the album’s music. Writing for the Stoneyroads.com dance music web site, Joseph Smith gives us an overview of the limited-edition (25 sets) offering – priced at €90 (not including shipping!) – http://stoneyroads.com/2016/07/artist-creates-concrete-record-sleeve-for-album

c) Levi’s 505C jeans – whether you know it or not – have been featured on two of rock’s most-iconic album covers – Sticky Fingers by the Rolling Stones and the debut record by NY punk legends Ramones, and with retro styling having a bit of a comeback, the clothing company has decided to re-issue this series in order to fulfill the desires of punkers and Factory-wannabes of all ages to dress as their heroes did.

http://www.gq.com/story/levis-505c-new-style-archives-denim-jeans

d) R.I.P. cartoonist and illustrator Jack Davis, one of the founding editors of Mad Magazine, who died Wednesday at the age of 91. Over his long career, Davis gave us memorable images for a variety of book, magazine and commercial advertising clients (e.g., he designed the original bug that screamed “RAID!” on the bug spray commercials), but besides his great cartoons for Mad, I remember him best for his poster for the 1963 film (then DVD) It’s A Mad, Mad, Mad Mad World and his album cover for Johnny Cash’s 1966 record Everybody Loves A Nut.

His colleagues at Mad posted a tribute to him that gives you a nice retrospective of his career – http://www.madmagazine.com/blog/2016/07/27/mad-remembers-jack-davis-artist

Truly a great – sad to see him go.

e) Being that we find ourselves – both here in the U.S. and abroad – in the midst of a fair amount of political news-making (elections, party overthrows, military coups, etc.), we’d be disappointed if somebody didn’t use the opportunity to create a series of album cover-influenced images featuring a selection of those folks making the headlines. Well, no reason to be disappointed – the team of reporter Graeme Demianyk and picture editor Tahira Mirza of the U.K. edition of the Huffington Post have crafted a selection of 10 covers that insert politicians including former PM David Cameron, past London mayor Boris Johnson and ex-Labour Party leader Ed Miliband into familiar album art scenes from musical acts including the Beach Boys, Sting, Johnny Cash and Madonna, among others. The creators’ reasoning for this work was stated quite simply – “Sometimes politicians look like they’d rather have been in a band. We’ve tried to make it happen”. I wonder if any of the politicians featured in the grouping would have rather been in the theater? I could definitely see Nigel Farage playing Aaron Burr on a poster for Hamilton http://www.huffingtonpost.co.uk/entry/album-covers-politicians_uk_57754d63e4b0b9c0dc08ce37

f) They keep trying to get away with this crap…blame it on the “if it’s on the Internet, it must be free” approach to art/photo license management…Photographer Glen Craig, whose portraits and performance photos of many of rock music’s best-known acts (Rolling Stones, James Brown, Miles Davis, The Beatles, Jimi Hendrix, Johnny Cash and many, many others) have been seen in hundreds of magazines, newspapers and books over the years and, along the way, he’s had special relationships with many of the musical acts he’s taken photos of. Blues guitarist B.B. King was one of those acts, with Craig’s photos of the “King of the Blues” gracing the covers and inside pages of top music magazines of the day including Cashbox, Hullaballoo, Guitar Player, Downbeat and others, so you know that it was a pretty well-known fact that the two were connected.

This seems to have escaped the fact of those responsible for putting together the cover art for several more-recent Universal Music releases of performances by Mr. King, including 2012’s Ladies & Gentlemen…Mr. B.B. King, whose cover shot is one from Mr. Craig’s archives and was not licensed for this use. Not too happy to have found this out by happenstance, Mr. Craig recently sued the label and Mr. King’s estate to recoup royalties he should have earned from a proper license, with the details of the lawsuit and its outcome still pending. The folks on the TMZ.com site recently posted a startling expose of this atrocity, which you can review via the link at http://www.tmz.com/2016/07/11/b-b-king-universal-music-sued-album-photos/   (right next to the link to the article titled “Gigi Hadid’s HUGE Breasts Spill Out…WOW!). Love them TMZers, don’t you?

g) And I thought that I held grudges for too-long a time…It seems that, back in 2013, a spat was ignited between singer/songwriter Sufjan Stevens and Jehnny Beth of the UK-based punk band The Savages after Stevens posted a critique of the typography that The Savages used on their Silence Yourself debut record. While the band didn’t respond at the time (Stevens did say that he liked the music), Jehnny showed us that the wound remained deeply ingrained in her psyche when she asked the radio jock she was being interviewed by to not play a Stevens song during the show because “…he wrote a quite funny blog post about how much he hated our album cover.” Stereogum’s James Rettig gives us the details in this recent posting – http://www.stereogum.com/1886227/savages-jehnny-beth-responds-to-sufjan-stevens-critique-of-their-album-cover/news/ All I can say, in the vernacular common for an earlier time, is “take a lude, dude”…

h) If you have a story or personal recollection about the late artist/illustrator Richard Amsel (well known for his film poster and album cover work), the guy that is making a documentary film about the artist is looking for your help. As part of his effort to gather materials for his film, Adam McDaniel was at the upcoming San Diego Comic-Con gathering, camera in hand, ready to capture your stories for posterity. In particular, he was looking for other artists who might have worked with Amsel sometime during his career, so if you missed each other during your trip to this huge pop culture extravaganza and have a story you’d like to share, please contact Adam via email at cinemalad5@aol.com. For more information on this film project, please visit their site at http://cinemalad5.wix.com/richardamselmovie

i) While not an article on album cover art per se, I did discover an article about a new book that’ll be hitting the shelves later this year that covers and highlights the work of people – illustrators, graphic designers and industrial designers who, according to a quote from the book’s author,” in many ways, have been left out of design history.” Sound familiar?

The new book, titled The Art of Atari, was written by Tim Lapetino, executive director of the Museum of Video Game Art (playmova.org) and, according to writer Colin Campbell’s recent article for the Polygon web site, “celebrates the packaging and games that were part and parcel of the late-1970s and early-1980s era of console gaming.” Reading through this article, there were many parallels between the perceived roles that designers played in this burgeoning industry – creating eye-catching packaging, marketing materials, advertising, etc. – while in the shadows of the “stars” of the genre (i.e., the video game programmers) with their counterparts in the music business, who typically are the record label execs, band managers and the musical acts themselves that I am pleased to find out that there are others like me (and you, my readers) who have realized just how important it is to provide greater visibility and praise for the “unsung heroes” of these entertainment areas.  I hope to reach out to Tim to find out more about his work and his new online museum but, in the meantime, I hope you’ll take a look at this preview – http://www.polygon.com/features/2016/7/4/12083190/inside-the-art-of-atari

j) In the annals of rock music album art history, few band logos/images have been more memorable than Boston’s Spaceship Guitar, the Roger Huyssen-produced illustration (featuring Gerard Huerta’s lettering) which was found on the cover of the band’s 1976 debut record and which went on to sell over 25 million copies world-wide, becoming the second best-selling debut record of all time.

This year, for their 40th Anniversary tour, the group asked the folks at Seattle-based design/animation shop Straightface Studios to expand upon that original design to create an impressive 3-D animation that provides the backdrop to the band’s live concert production. The two-month project produced thousands of hi-res frames used to create the video, with the awe-inspiring results available for viewing as part of writer Kurt Schlosser’s recent article on the Geek Wire site – http://www.geekwire.com/2016/boston-concert-seattle-straightface/

I have more than a feeling that you’ll like what you see (sorry, I just had to do it).

k) We’re often inspired by the images we find on the covers of our favorite record albums, but this is the first time that I’ve read an article where a noted design/innovation consultant has been able to extract the DNA from classic album cover art and apply it to the exploration of how effective teams of people work together to innovate in the workplace (wow – I haven’t written a sentence like that since leaving the Corporate world 10 years ago, and it still stings a bit…).

In this recent article in the Huffington Post by Geoff Tuff (who heads up the Doblin group within Deloitte) titled “Innovation Lessons from the Dark Side“, the author describes how, after deep deliberation, the Hipgnosis-designed cover art for Pink Floyd’s Dark Side of the Moon presented to him “a reflection on how innovation teams can serve as a prism to play two essential roles for their business: dispersion and re-composition.” By “dispersion”, Tuff means feeding a core business in on one side of a prism and having it come out – through the application of a number of innovative ideas – refracted into a myriad of colorful results. “Re-composition” hopes that truly-capable teams are able to look at the many different ways innovation takes place in the “outside world” and then focus on what’s best for their own efforts going forward.

We’ve all noticed that the titles of the songs on the album – “Time”, “Us & Them”, “Money” and others – all relate quite clearly to

http://www.huffingtonpost.com/geoff-tuff/innovation-lessons-from-t_b_10364740.html

l) The things some artists will do in order to achieve just the “right” look for their album cover photo! While I typically will not send my readers to gossip sites, this recent article on the Perez Hilton site includes a video of heart-throb Nick Jonas standing still while a sheet of glass is broken over his head, with the results captured via high-speed photography and used on the cover of his latest release titled Last Year Was Complicated. Photography by Yu Tsai, with design and art direction by Kyle Goen (AKA Kyledidthis), the guy responsible for recent album covers for pop artists including Babyface, Ariana Grande, Kid CuDi and Erykah Badu. I’m impressed that Kyle was able to convince the musician (and his management) that this was the best way to produce this image – it harkens back to the days (prior to computer graphics) when art directors had to use their imaginations and available resources to create images like this one…

http://perezhilton.com/2016-06-08-nick-jonas-album-cover-art-last-year-was-complicated-broken-glass-head#

m) Attention all album packaging designers – it’s that time of year again to submit your entries to the annual A Design Awards international design competition. If you’re unfamiliar with these awards, here’s a little more of an intro as provided by the organization’s PR folks – “The A’ Design Award & Competition has been established to promote and recognize the best design works in all countries and in all creative disciplines. The primary aim of the A’ Design Award & Competition is to create a global awareness and understanding for good design practices and principles by highlighting the best designs in all countries and in all industrial fields. The ultimate aim of the A’ Design Awards is to push designers, companies and brands worldwide to create superior products and projects that benefit the society.

The A’ Design Award & Competition has a philanthropic goal to advance society by pushing the frontiers of science, design, creativity and technology forward by creating incentives for innovators to come up with better ideas. The A’ Design Competition aims to create incentives that ignite and reward creativity, original ideas and concept generation in all industrial sectors.”

To those of you who work for clients in the music/entertainment industries, there’s an award category called “GRAPHICS AND VISUAL COMMUNICATION DESIGN AWARD” that focuses on marketing/promo design – posters, flyers, logos, consumer/trade ads, etc. – with more details on that category available via this link – https://competition.adesignaward.com/competitions/graphicsandadvertisingdesign.html

Packaging designers can find out the details of submissions in the “PACKAGING DESIGN” award category via this link – https://competition.adesignaward.com/competitions/packagingdesign.html

Regular submissions will be accepted until September 15th, with the actual judging/award announcements coming out next April, so watch this space for any updates and for information on the winners in these categories. Best of luck to all who enter!

That’s all for now – look for updates every week (usually on Friday) on our news feed –https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back early next month (after the move to our new home near Chicago!) with another summary for you.

All text Copyright 2016 Mike Goldstein and AlbumCoverHallofFame.com – All Rights Reserved.

Album Cover News Recap For February, 2016

Album Cover Hall of Fame’s Album Cover News Recap for the month of February, 2016

It’s early March 2016, and what a month we’ve just had, what with the Superbowl, the Grammy Awards, the Academy Awards, the Portland International Film Festival (gotta plug the local events, right?) and the ongoing media circus surrounding (and feeding) the upcoming  2016 election season. While there has been plenty to distract us from fully-engaging in the things we’re most passionate about, the album art world has continued to deliver a lot for us to see and learn about, with the ACHOF news feed showcasing the many exhibitions, lectures, award shows and other such activities we reported on during the last 29 days. Even with a short month, our news feed has been chock-full of stories on the many interviews, features, artist profiles, new gallery/museum shows and other similar items of interest, I’ll now spend just a few paragraphs giving you a summary of these highlights and updates. After that,  it’ll be your responsibility to visit our site to complete your ingestion of these items of interest by reading and (re)viewing these items at your leisure… Continue reading

Album Cover News Recap for December, 2015

Album Cover Hall of Fame’S Album Cover News Recap for December, 2015

It’s early January 2016 here in the Pacific NW and, I don’t know about you all, but I could surely use some sunshine, having been treated to the first extended stretches of Winter weather, making for great skiing in the nearby mountains while creating a ghost-like pallor on our skin. On the plus side, we (i.e., the city of Portland, OR) were recently rated #1 best food city in a major East Coast publication, so life here’s not all that bad.

Our collective recuperations from the past Holiday season and the Winter blahs have done little to stem the tide of album art-related news, though, with the ACHOF news feed showcasing the many exhibitions, books and other such activities we reported on during the last 30 days. With stories on the interviews, features, book releases, gallery/museum shows and annual  “best and worst” lists adding to the endless sources of excitement and inspiration found in our news feed, I’ll spend a few paragraphs giving you a summary of these highlights and updates but, after that,  it’ll be up to you  to visit our site to complete your re-reading of these items of interest on this list by reading/viewing these items at your leisure…

Lots of interesting interviews this past month – both in print and on video – with album artists, rock photographers and others involved in the record packaging world, including designers Vaughan Oliver, Sir Peter Blake, Brian Cannon and others and photographers Gary Heery and Anton Corbijn who, most interestingly, is taking a leave from the music industry to focus on topics of his own interest. Continue reading

Album Cover News Recap for November, 2015

Album Cover News Recap for November, 2015

It’s early December 2015 and, here in the Pacific NW, we’ve already been treated to the first blasts of Winter air – great skiing on Mt. Hood and sleeping-with-the-windows-open weather – with the last bits of Fall’s colors reminding us why we moved here. The craziness we all seem to suffer from at the end of the year has done nothing to stunt the flow of album art-related news, though, with the ACHOF news feed including many exhibitions, books and the like we reported on during the last 30 days. With stories featuring new interviews, features, book releases, gallery/museum shows and the first “best and worst” lists adding to the endless source of joy and inspiration found in our news feeds, I’ll spend a few paragraphs giving you a summary of these highlights and updates but, after that,  it’ll be up to you  to visit our site to complete your re-reading of these items of interest on this list by reading/viewing these items at your leisure…

Lots of interesting interviews this past month – both in print and on video – with album artists, rock photographers and others involved in the record packaging world, including art directors Gary Burden, John Van Hamersveld, Kosh, Dean Torrence (of Jan & Dean fame) and Tupac’s designer Riskie; photographers Dan Corrigan, Dave Drebin and Brian Cooke, as well as artist/illustrator Tommie Phillips (AKA “Tommie Molecule”).

In the fine art book category, there was news of new and upcoming book releases from photographer Jay Blakesberg (about the Grateful Dead’s farewell shows), designer/illustrator James Marsh (on his work for Talk Talk), author David Hamsley (with a comprehensive book on Disco-era covers), a GWAR photo retrospective and Taschen’s extensive homage to “the father of album covers”, Alex Steinweiss.

World-wide, there were a large number of exhibitions and shows in museums and galleries built around rock-related imagery that premiered during November, with collections on display that show a broad range of album art and related imagery. You’ll read more about current and just-completed exhibits such as Beatle-daughter Mary McCartney’s show of both her/her mother’s family portraits, painter/professor Don Munson’s latest works, a show centered on the art made during So. California’s punk era, cartoonist Jamie Hewlett’s (of Gorillaz fame) latest works, musician/artist Andy Votel’s cassette mix-tape cover designs, White Zombie’s Sean Yseult’s highly-personal artwork and photo shows featuring the works of Dan Fong, Tony Mott, Ken Davidoff and Masayoshi Sukita.

Other interesting articles appeared on subjects including the many new examples of album art-inspired merchandise (something to keep in mind at Holiday time!), a profile of rock star clothier Manuel Cuevas, new record packages where music is delivered via chip-embedded picture cards, a look at the art of design house/record label Mondo, several items listing the “best” and “worst” covers in genres including heavy metal and hip-hop and a look at how photographer Jon Smith creates cover images based on high-speed shots of bullets penetrating various solid objects.

As it typically the case, I don’t have the time/space to include everything in this summary, so please take a moment to dig through the rest of what’s below – I’m sure you’ll find something that stimulates your interest!

One final noteWe’ve just completed this year’s annual nominating/final voting polls for the ACHOF and, as part of that effort, I’ve added  several new biographies to the Artist Bios section on the ACHOF site during the month. You’ll now find the list of this year’s inductees on the ACHOF via this link – https://albumcoverhalloffame.wordpress.com/achof-class-of-2015-inductee-intro-page/ – where I’m sure you’ll find some of your favorite album art producers added to our growing list of honorees.

With all of the year-end distractions now upon us , I’m doing my part to help you in your efforts to catch up on recent news you may have missed but,  as I repeat (incessantly, I know) every month, regardless of how hectic your lives may be, there’s no reason that you should go without getting yourselves up-to-date info on one of your favorite topics – it’s my Holiday gift to you!  You can be sure that I’ll continue to work every day (except weekends) to prove to you that there’s always something new to see and learn in the world of album cover art, and you know that you’ll find it all here on the ACHOF site (keep your eye on our News Feed for the latest updates). Enjoy your Holidays!

November 30th –  1) So, you’ve collected years of rock and roll memorabilia, photos and memories of rock music events and are looking for a way to share it all with the world at large? Of course, you could always do something silly – like launch a blog or web site – but, beginning on December 1st, the curators at The Smithsonian want you to share with other fans via a new site they’ve launched because, according to their press release, “we want rock’n’roll as seen through your eyes: at clubs, concerts, festivals, and beyond.” With one of the ultimate goals of this project being the publication of a book of crowd-sourced images (in the Fall of 2017), the new site (rockandroll.si.edu) will work to be ground central for amateur archivists from around the world. I hope to find out more about the details of this project and will share them with you soon but, in the meantime, you can learn more about how you can help our National Museum become one of the world’s most-complete storehouses of rock music imagery via the link – http://www.prnewswire.com/news-releases/the-smithsonian-wants-you-to-hit-them-with-your-best-shot-300182334.html

2) Holiday time is the time where rock imagery fans scour the world trying to find never-before-sent gifts to their fellow collectors and, each year, I’m always impressed with some of the unique items I find and am able to share with you. While I’m working on a more-comprehensive article for later in the month, I did want to show you one example I found recently – a collection of cozy blankets and tapestries adorned with well-know album cover and rock portrait designs. Writing for Fast Company‘s design site, Joe Berkowitz introduces us to products sold by a company called society6 that include several well-known album covers nicely-rendered in fabric – you’ll find art for musical acts including Talking Heads, Frank Zappa, Primal Scream, Seal and many others. Lots to choose from, so if you’re stymied for an idea for something new and exciting, take a look – http://www.fastcocreate.com/3053856/wrap-yourself-up-in-music-with-blankets-patterned-after-your-favorite-album-covers#2

November 27th –  1) The talents of the accomplished graphic artist/album cover designer James Marsh are now available in gift-giving form via the new, just-released paperback version of the sold-out 2012 book called “The Spirit of Talk Talk. He kicked the book’s promo off a couple of days ago at a star-studded, musically-intriguing party (featuring The Spirit of Talk Talk Band) at the Clapham Grand in London and, based on the coverage of the event, a great time was had by all who attended. James’ newly-revised book adds pages of new content (artwork, interviews and more) and is a must-have for fans of the artist’s amazingly life-like (and yet surrealistic) illustrations. You can find out more about the book via the Spirit of Talk Talk site – http://spiritoftalktalk.com/ and see pics and video of the recent promo party at https://www.facebook.com/SpiritOfTalkTalk/?fref=photo

Congratulations, James – nice work!

2) In a newly-launched exhibition at NYC’s Gagosian Gallery (available for viewing from now until December 19th), you’ll find an impressive display of photographs that highlight the fact that talent can certainly be inherited. Viewers of “Linda McCartney|Mary McCartney – Mother Daughter” will find a selection of intimate family portraits – some never shown in public – as well as photos well-known to fans of Sir Paul and his family, such as Linda’s shot of her husband and then-baby Mary featured on the cover of the 1970 solo record McCartney. In Sue Williamson‘s interview article on the W Magazine website, you’ll learn more about how this exhibition came together and a bit about how young Ms. McCartney thought it would show how influential her mother’s talents as a photographer turned out to be – http://www.wmagazine.com/culture/art-and-design/2015/11/mary-mccartney-gagosian/photos/

3) While some music fans might be intimidated by the prospect of exploring the cultural themes of rap and hip-hop music, album art fans will be greatly-rewarded by a thorough exploration of the development of the genre’s visuals over the years, with many records serving as stunning examples of both visual artistry and social commentary. In an article written and compiled by Dominique Zonyee for The Boombox site titled “25 Striking Hip-Hop Album Covers That Will Make You Appreciate a Rapper’s Creative Side“, you’ll find a photo gallery showing off examples of memorable cover art for 20+ years of musical acts including Wu-Tang Clan, Geto Boys, Tupac, Kendrick Lamar, DMX, Kanye West, Jay-Z, Drake and many others. Some are cliche’, some are disturbing and some show an impressive degree of knowledge of the technical and historical influences that simply make for great art – enjoy – http://theboombox.com/25-hip-hop-album-covers-rappers-creative-side/

November 26th –  1) As I’m a fan of artists who’ve excelled in the two disciplines of cartoon animation and album cover art, on the rare occasion that one person achieves fame in BOTH arenas, I’m even more impressed. Such is the case with Jamie Hewlett, the guy responsible for Gorillaz – the “make believe” band that featured music videos (and album covers) built around band members that sprung from the crafty fingers of Mr. Hewlett and who achieved a great deal of success several years ago and whose last record (2010’s Plastic Beach) included the talents of Lou Reed, Snoop Dogg and singer Bobby Womack. While Gorillaz will be staging a comeback soon, Hewlett’s talent as a fine artist was the subject of an exhibition (titled “The Suggestionists”) that was on display through December 2nd at the Saatchi Gallery in London. Read more about the artist’s latest efforts in Holly Williams‘ recent interview article on The Independent (UK) site – http://www.independent.co.uk/arts-entertainment/music/jamie-hewlett-on-the-return-of-the-gorillaz-and-fine-art-saatchi-gallery-exhibition-a6733491.html

2) Fans of famed photographer Masayoshi Sukita – perhaps best-known for the photo he snapped of glam-rocker David Bowie in 1977 that was used on the cover of his Heroes LP (and re-purposed in 2013 on the cover of the singer’s popular record titled The Next Day) – can hoof it on over to the Morrison Hotel Gallery in NYC (until Nov. 30th, moving to the gallery’s booth at Art Basel in Miami the following week) to view a retrospective they’ve assembled titled “Sukita: David Bowie”. In this article on Time Magazine‘s site by Kenneth Bachor, you’ll read more about the artist and his 40+year relationship with the rocker who’s called Sukita “a brilliant artist” – see if you don’t agree… http://time.com/4117090/sukita-david-bowie-photos/

3) Colorado Public Radio’s reporting team of Michael D. Yoanna and Nathan Heffel has posted an audio interview with photographer Dan Fong, a shooter with a resume and portfolio that includes portraits of nearly every major musical act that toured through the Denver area in the 1960s-70s (The Who, Van Morrison, Tommy Bolin and others), a series of album cover images for The Doobie Brothers and, based on his further talents as a chef, cooking for a dinner party for The Rolling Stones. A new exhibition of Fong’s photos from the era are also now on display (titled Legends of Rock) from now through January 2nd at the Robert Anderson Gallery in Denver. Sharing the interview with Fong is security guru to the stars, Jerry McKim, who shares tales of his duty keeping fans from killing themselves and the bands that played the local venues – good times, for sure.

https://www.cpr.org/news/story/denvers-rock-heyday-through-eyes-photographer-and-security-man

November 24th –  1) One of the most-creative labels behind the resurgence in the sales of vinyl records is Austin, TX-based Mondo, founded by a saloon owner named Tim League who grew his business to include concerts, merchandise (both their own and from major licensors) and, ultimately, a record label that produces and distributes smartly-packaged music. Their specialty is custom-produced movie soundtrack albums, and the 50+ records they’ve released includes compilations from films such as Star Wars, Shaun of the Dead, Guardians of the Galaxy and many others. Their products have featured art work done by several highly-collected fine artists (including Olly Moss and Tyler Stout, among othes) and, in this recent article by Zack Ruskin on the Consequence of Sound site, you’ll learn more about the company’s past and plans for the future, straight from the principals – http://consequenceofsound.net/2015/11/merch-madness-inside-the-world-of-mondo/

2) While 1969’s International Palm Beach Music & Arts Festival held at the area Speedway didn’t move the Pop Culture needle the same way that Woodstock did that year, the fact that key period bands such as The Byrds, Grand Funk Railroad, Janis Joplin and the Rolling Stones (as well as many others) played before the 50,000 or so ticket-holders over the three days of the festival gave local photographers such as Ken Davidoff a chance to capture memorable images of these bands for posterity. All these years later, Davidoff is now earning a living licensing shots from his portfolio – including images from the previously-mentioned shows – via his OldRockPhoto.com site and displayed a selection of them in a show that ran thru Nov. 30th at the Palm Beach County History Museum, 300 N. Dixie Highway, West Palm Beach, FL. You can learn more about the photographer and his career (including time spent with John Lennon) in Leslie Gray Streeter‘s recent article for the Palm Beach Post – http://www.mypalmbeachpost.com/news/entertainment/arock-n-roll-backstage-pass-classic-rock-photos-by/npN3B/

3) One of the best-known Elvis records – titled 50,000,000 Elvis Fans Can’t Be Wrong – featured Elvis in a custom-designed gold lame suit created by famed clothing designer Manuel Cuevas, who also supplied iconic clothing for Johnny Cash, The Rolling Stones, Bob Dylan and the stars featured in over 100 films and TV shows. Still tailoring-away in his eighties, in this interview article by Freunde von Freunden for The Creators Project, you’ll learn all about the designer’s time spent as a youngster studying from the great Nudie and then stepping out on his own to help design important aspects of many a star’s public and on-screen personnas – http://thecreatorsproject.vice.com/blog/meet-the-man-who-made-elvis-signature-gold-suit

Any guy who has helped cement our fondest remembrances of Raquel Welch and Marilyn Monroe is a friend of mine…

November 23rd –  1) Very nice article on one of the world’s best-known and prolific album cover artists – Kosh, the man responsible for cover images you love including Hotel California for the Eagles, Abbey Road for The Beatles, Who’s Next for The Who and many, many others. I wrote a while back about the fact that Kosh is now selling a line of prints that include some very well-done “mash-ups” of some of his famous works – how about “Abbey Hotel”, where the Fab Four are now crossing the street in front of the iconic So. CA. hotel (!!). In writer Laura Huntt Foti’s feature on the Best Classic Bands site, the designer gives us some delightful tidbits on the stories behind several of his images, available via the link at http://bestclassicbands.com/kosh-creates-unforgettable-lp-covers-11-17-15/

2) Designer/photographer Brian Cooke has contributed a number of memorable images for fans of rock and roll since starting in the business in the 1960s. Since then, working as both an in-house producer for Island Records and as a freelancer doing work for other labels including Chrysalis and Virgin Records (where he produced over 150 sleeve images), Cooke has worked to introduce us to many now-classic acts in the worlds of rock, punk, New Wave and beyond, including Bryan Ferry/Roxy Music, Steve Winwood/Traffic, Robert Palmer, the Sex Pistols, Mott The Hoople and many more. Writer Sharon Dale, reporting for The Yorkshire Post, talks to Cooke about his career and his two recent efforts – a blog and a retail web store – to share highlights of his experiences (his “adventures”) with fans world-wide – http://www.yorkshirepost.co.uk/yorkshire-living/arts/art/sleeve-notes-my-adventures-in-rock-n-roll-1-7561323

3) The packaging and distribution of retail music products continues to evolve with the times and technology, as you’ll see in this recent article by Brooke Roberts-Islam in the Huffington Post about musician Beatie Wolfe and how she’s chosen to sell her music product to fans – via a specially-produced deck of cards that include NFC technology that allows properly-app’d smart-phones to instantly play her songs, accompanied with lyrics, artwork and other proprietary content. It’s a pretty cool combination of digital and physical, I think you’ll agree – http://www.huffingtonpost.co.uk/brooke-robertsislam/beatie-wolfe_b_8503290.html

Has anyone actually seen or played with anything like this? Please share, if you have…

November 20th –  1) If you find yourself anywhere near Napa, CA, you owe it to yourself to drive on over to the gallery at sparkling wine maker Mumm Napa to see a showing of photos, taken by Jim Marshall and curated by both Carlos Santana and the folks at the San Francisco Art Exchange gallery. According to the press release for “Jim Marshall Seen Through The Eyes Of Carlos Santana”, the show serves to both allow the winery to introduce their new, limited-release sparkler called “Santana Savor” and for the award-winning guitarist “to show Jim Marshall’s genius as a photographer, a chronicler of history and portraitist of no equal.” The two first met in 1965 when a mutual friend of theirs introduced them and asked Jim to shoot some publicity photos of what was then known as the Santana Blues Band, and their friendship endures to this day (even after Jim’s death in 2010). The show runs through May of next year, and details can be found via the link – https://www.mummnapa.com/visitmummnapa/events/jim-marshall-seen-through-the-eyes-of-carlos-santana

2) Designer Gary Burden‘s work in the album art field is legendary, so it’s nice to be able to learn a bit more about “the making of” his “10 Most-Memorable Album Covers” in this recent article/photo gallery put together by Melody Lau on the CBC Music blog – http://music.cbc.ca/#!/blogs/2015/11/From-Neil-Young-to-Joni-Mitchell-artist-Gary-Burden-on-10-of-his-most-famous-album-covers   If you’re in Toronto anytime between now and next February, you can also tour a new gallery show of Burden’s (and his wife, Jenice Heo’s) creative output called The Neil Young Series on display at the STRUCK Contemporary gallery on Adelaide Street East. The display includes a number of new mixed-media works the duo recently produced that attempt to express their feelings about the musician and his music. You’ll recall that Burden created the album cover for Young’s 1970 album titled After The Gold Rush, as well as those for On The Beach and several CSN&Y albums, including Deja Vu and 4-Way Street. 

3) Andy Votel is truly a multi-talented guy – artist, musician, producer, record label owner – and so it seems natural that he’d apply his gifts to music-and-art-related projects for himself and his stablemates. A true indie at heart, he’s also decided to “buck the system” and, rather than create new music/art for more-traditional retail distribution, Andy has decided to offer fans a series of cassette mixtapes that sport the artist’s colorful cover imagery. Working with the Manchester (U.K.)-based gallery Electrik, you’ll be able (through December 3rd) to see an exhibition of his latest works that include “tape covers – ranging from Bollywood horror themes to Tokyo pop via music made entirely on home made instruments.” Writing for TheQuietus site, John Doran has posted an interview with Votel during which he discusses his anti-establishment approach to delivering music and art via a medium most consider being from a bygone era – http://thequietus.com/articles/19215-andy-votel-turn-on-tape-in-tab-out-exhibition-preview

November 19th –  1) Here’s a great interview article with a great interview article subject – graphic artist John Van Hamersveld, a guy that has so many impressive credits that it’s difficult to begin to summarize them. The Endless Summer poster? That’s him. The Fatburger logo? John again. The covers for Magical Mystery Tour, Exile On Main Street and Hotter Than Hell for KISS, along with posters, prints and, most-recently, a huge, classic Japanese art-inspired mural in Hermosa Beach, CA – all show this artist’s impact on Pop Culture over the past 50 years – so it’s with great pleasure that I point you towards writer Thomas Harlander‘s article as it appeared recently on the Los Angeles Magazine site – http://www.lamag.com/citythinkblog/the-artist-behind-the-endless-summer-poster-on-his-work-then-and-now/   Surfers world-wide owe JVH an eternal debt of gratitude!

2) While the cover collage for The Beatles’ Sgt. Pepper’s and the photo of the same band’s members crossing the street featured on the cover of Abbey Road must surely be the most-copied frameworks for spoof covers, the folks behind seminal British rock band Queen – in celebration of the 40th anniversary of the release of Queen II and “Bohemian Rhapsody” – have worked to raise money for the BBC’s “Children In Need” charity by sponsoring a contest where fans were able to stop by a spot in London where a recreation of Wayne’s World‘s 1978 AMC Pacer was set up so that participants could record a re-make of the band’s classic tune. In addition, a number of U.K. rock stars participated in another fund-raiser, posing to re-create Mick Rock’s famous “floating head” photo that ultimately served as both the cover for the record and the basis for the memorable music video for the song. Writer Duncan Lindsay, on the Metro U.K. web site – has just posted a quiz that asks you to identify the substitutes in a series of these photo re-creations – I hope that you did better than I did on this (I really need to bone up on my UK pop stars!) – http://metro.co.uk/2015/11/11/quiz-can-you-name-these-stars-who-have-recreated-the-queen-bohemian-rhapsody-pose-5495218/

3) The Boston Globe‘s Mark Feeney recently posted his review on the newly-launched show at the Wadsworth Atheneum in Hartford (running now through January 24) featuring over 100 works by both Andy Warhol and Robert Mapplethorpe that explore their takes on sexual identity and gender. Titled “Warhol & Mapplethorpe: Guise & Dolls,” the show consists of “mostly photographs, but also silkscreens, books, album covers, and several videos..(that) range in date from 1973 to 1988, a year after Warhol’s death — and a year before Mapplethorpe’s.” You’ll recall one such example in Mapplethorpe’s 1975 photo of Patti Smith, used on the cover of her record titled Horses, showing Ms. Smith posed in a man’s suit, but many other lesser-known but equally-impactful images are on hand to exemplify the many ways these two artists sought to address the topic. More info via the link – https://www.bostonglobe.com/arts/theater-art/2015/11/12/warhol-and-mapplethorpe-hartford/cPeQAHuF65XLucOIv35R6M/story.html

November 18th –  1) Some of you may recall the “Featured Fan Portfolio” feature that I did late last year with photographer/writer David Hamsley regarding gatefold record covers. At the time, David was getting materials together for a book about disco records (with a special focus on the visuals that helped create the era’s unforgettable look and feel), and I’m happy to announce that he’s published his book – titled To Disco, With Love: The Records That Defined An Era (it began shipping on Nov. 24th) – and that it was selected by Amazon.com to be included in their “Editor’s Picks for Unique and Unusual Gift Books” section this Holiday Season. http://www.amazon.com/To-Disco-Love-Records-Defined/dp/1250068452

Congratulations, David! Here’s to a successful, Quiana and thumping bass-filled Holiday sales season! If you’d like to revisit my interview with the author, just follow the link –  https://albumcoverhalloffame.wordpress.com/2014/12/18/featured-fan-portfolio-david-hamsleys-favorite-gatefold-covers/

2) One of the best-known music industry shooters from “Down Under” is Tony Mott who, for over 30 years, has provided us fans with many memorable images of bands for both record packages (Concrete Blonde, Icehouse, Sarah McLachlan and others) and news features in major entertainment pubs. With over 30,000 photos published over the years, I can only imagine the difficulty curators faced when trying to pick just a few to feature in a new exhibition titled What A Life! (running now through next February 6th) in the Mitchell & Dixson Galleries at the State Library/New South Wales in Sydney. Writing for the ABC Arts site, Edwina Storie interviews Mr. Mott, who tracks his career from his first big break (a photo of The Divinyls’ lead singer Chrissy Amphlett) through to sessions with Johnny Rotten, the Rolling Stones and Midnight Oil. Read the interview at http://www.abc.net.au/news/2015-11-11/tony-mott-reflects-on-the-golden-age-of-music-photography/6931716 and learn more about the exhibition at  http://www.sl.nsw.gov.au/events/exhibitions/2015/what_a_life/

3) Album Artist on The Late Show! How cool is that? Shepard Fairey, the graphic artist best-known for his Andre The Giant “OBEY” graffiti and his Obama “HOPE” poster, also sports a long list of album art credits, including covers for Led Zeppelin, Stone Temple Pilots, Bad Brains and many others. Earlier this week, Fairey appeared with host Stephen Colbert to promote his new book and talk about his past and future plans and his willingness to die (or, at least, go to jail) for his art. Here’s a link to the clip of his appearance on the CBS/Late Show web site – http://www.cbs.com/shows/the-late-show-with-stephen-colbert/video/330F4113-B7DD-ADFC-BDAD-13BA13743D68/shepard-fairey-talks-hope-obey-art/

November 17th –  1) After his singing partner Jan Berry was badly injured in a car crash back in 1966, Dean Torrence continued to work on a new record and, at the same time, reached back to his earlier training as a graphic artist to start his own design studio – Kittyhawk Graphics – to make sure that the album art featured on his own records was to his satisfaction. He soon offered his services to other music industry friends and clients (including the Nitty Gritty Dirt Band and Chicago) and, in 1973, he won a Grammy Award for Best Album Cover for his work on Pollution (the record/band, not the environment). While he’s not doing album covers any more, Torrence still performs on occasion and, as you’ll read in this recent interview with Frank Mastropolo on the Rock Cellar Magazine site, you’ll learn more about his career, the trail that lead from do-wop music to “the California Sound” and his relationship with friend/competitor Brian Wilson – http://www.rockcellarmagazine.com/2015/11/06/dean-torrence-interview-jan-and-dean-beach-boys-brian-wilson-jan-berry/

2) Happy to share Bruce Jenkins’ recent article on the Vinyl Connection site about the re-release of one of rock music’s most-intriguing (and perfectly round) album packages – that of the Small Faces’ 1968 release Ogden’s Nut Gone Flake. So much art in a fascinating package, with artwork by keyboardist Ian Mclagan’s art school chums Pete Brown and Nick Tweddell. Now, if they could only figure out how to stop the package from rolling off the shelf.. http://vinylconnection.com.au/2015/11/17/multi-colour-of-the-rainbold/

3) Now on display (thru 12/31) at the Sacred Gallery in New York City is an exhibition by another musician-turned-fine-artist Sean Yseult, best-known for her time spent as the bassist for the popular metal band White Zombie. Trained as a graphic artist at the Parsons School of Design in NYC (where she met and then befriended Rob Zombie), since the band’s first break-up in 1998 Sean has worked hard to develop her career as a fine artist, crafting critically-acclaimed mixed media works which have been on display in galleries in the U.S. and Europe. This new show – titled Sean Yseult: Retrospective – includes a variety of works from various times during her career as an artist, including items from a 2004 show centered on her love of her adopted home of New Orleans and three newer collections – SEX & DEATH & ROCKNROLL (2012), MISSISSIPPI MERMAIDS (2013) and her most-recent show SOIRÉE D’EVOLUTION: TABLEAUX VIVANTS ET NATURE MORTES. You can learn more about the artist and her new show on the gallery’s site, via the link – http://www.sacredgallerynyc.com/now-exhibit-sean-yseult-retrospective

November 16th –  1) While not exactly album cover art-related, I did feel as though I could share this brief intro to the graphic artist who created an image that, like so many great examples of well-considered graphics, will certainly stand the test of time. A 32-year-old French artist living in London named Jean Jullien is responsible for the peace-symbol-turned-Eiffel Tower image that has circulated world-wide since it appeared shortly after Friday’s mind-numbing terror attack in Paris, and you can learn a little more about him and the graphic he created – based on an anti-nuclear war emblem that originated in the 1950s – in this AFP article found on the ArtDaily site – http://artdaily.com/news/82919/-Peace-for-Paris–symbol-by-32-year-old-French-graphic-artist-Jean-Jullien-goes-viral

2) Photographer Dan Corrigan‘s 30+-year portfolio of music clients in the Minneapolis, MN area includes a number of well-known album covers, including the shot featured on the package for The Replacements’ 1984 release Let It Be (along with others for a wide range of acts including The Jayhawks, Uncle Tupelo, The Proclaimers…even comedian Lewis Black!). In the latest installment of the Pitchfork TV series titled Pitchfork Unsung which, as you might figure, focuses on folks working in the music business who don’t receive all of the recognition they might deserve (what a concept!), you’ll meet Dan and watch as he takes you through the highlights of his career, including his efforts to keep alive one venerable local nightclub – First Avenue – so that future generations can enjoy the vibe there as much as he has over the years…http://pitchfork.com/news/61941-photographer-dan-corrigan-the-replacements-let-it-be-featured-in-pitchforktvs-pitchfork-unsung/

3) Part of the team that produced the Grammy-nominated cover for jazz-rock hit-makers Chicago (for Chicago VI), Donald E. Munson was the subject of an exhibit that ran through November 28th at the Storr’s Library in Longmeadow, MA as part of their 2nd annual Local Artist Spotlight. “Evolution: Don Munson – Fifty Years of Painting” is sponsored by the town’s Cultural Council, with the exhibit including 50 examples of Munson’s work from 1965 to the present. Munson has worked in a number of roles in the arts during his illustrious career, including time as an award-winning Art Director at Random House and a professor at Westfield State University and continues to paint while operating his Red Stair Studio from his home in Longmeadow. You can see more of Munson’s colorful work and learn more about him in this illustrated interview by Christine White on the MassLive.com site –  http://www.masslive.com/living/index.ssf/2015/11/longmeadow_artist_donald_munson_marks_five_decades_of_life_on_canvas.html

November 13th – 1) High-speed photography has produced some fascinating images over the years, so it only makes sense that it would find its way into album cover imagery and, in this recent article/interview with former chemist-turned-photographer Jon Smith (written by Mark Ambrogi for the Current In Fishers site), you’ll learn more about his transition from corporate scientist to producer of pictures of frozen destruction for media clients, including popular party band Umphrey’s McGee, who featured one of Jon’s photos on the cover of their recent record titled The London Session: A Day At Abbey Road Studios – http://currentinfishers.com/aiming-for-art-fishers-photographer-jon-smith-turns-exploding-light-bulbs-into-creative-displays/

You can find more examples of Smith’s work – including the UM record cover, on his site – http://wideeyedilluminations.com/portfolio/umphreys-mcgee-album/

2) Early prog rock fans will remember the mid-60s ensemble The Syn, which featured a pre-YES Chris Squire and Peter Banks and drummer-turned-rock-photographer Martyn Adelman (among others). Although the band broke up in the late 60s, some of the key players reunited in 2004 and have continued to record and perform. A fan of their early music – Denver, CO-area graphic artist Tommie Phillips (AKA Tommie Molecule), was looking to interview the band for a fan-zine he produced at the time called The Lost Chord and, during their correspondence, band-members were so impressed with the drawings Tommie shared with them that they asked him to design and illustrate the cover for their upcoming release titled The Syn: Live Rosfest, which he happily and ably did. In this article by writer Oakland L. Childers for Westword magazine, you’ll meet Phillips and learn more about his past (including stints as a photo-retoucher and pre-press artist for a local newspaper), his entry into the album art world and his desire to help keep great album cover imagery alive (here, here!) – http://www.westword.com/music/tommie-phillips-creates-album-art-from-the-heart-for-the-syn-7308758

3) Oh, and it makes me wonder…why do so many musical acts accept less-than-good artwork for the covers of their albums? You wouldn’t think that this would be the case – particularly in the graphics-heavy world of Metal Music – but as you’ll see in Joe DeVita‘s recent article on the Loudwire site titled “50 Awful Metal Album Covers”, it seems to have been a pretty-regular occurrence throughout modern metal music history. It’s a painful-but-fascinating read/viewing (where “the hits keep on coming”). Enjoy (?) – http://loudwire.com/awful-metal-album-covers/Metalucifer’s Heavy Metal Chainsaw and Heavy Metal Drill made me snort my soda through my nose (not a very metal thing to do – I know)…

November 12th – 1) Elliott Landy‘s photos have graced the covers of records by The Band, Bob Dylan, Van Morrison and others, but the scope of his career has also included (among other things) stints as a photo-journalist covering the anti-war movement in the 1960s and an event photographer at the Woodstock Arts & Music Festival. On Wednesday, November 18th at the Martin E. Segal Theatre at the CUNY Graduate Center in mid-town Manhattan (NYC), Mr. Landy was on hand to present a career retrospective titled “An Evening with 60’s Rock Legend Photographer, Elliott Landy” that will include a number of images of some of the era’s top music talent at home and in performance. Although the event time has passed, you can still see and learn more when you click on over to the event’s promo page at https://www.eventbrite.com/e/an-evening-with-60s-rock-legend-photographer-elliott-landy-59-tickets-18937067278

In case you were wondering, Elliott was a 1959 CUNY graduate…

2) Moving from New York in the 60s to New York in the 1970s, fans of the work of photographer Allan Tannenbaum can click on over to the Mr. Musichead site to see a special “artist of the month” feature on his work that includes a nice photo album and an interview (by Ellice Ruiz) with the esteemed shooter himself. With a career as a photographer that began in the 1960s and included subjects such as Jimi Hendrix, John Lennon & Yoko Ono, Debbie Harry & Blondie, jazz great Charles Mingus, the Bee Gees and many others, he’s established himself as one of the top portrait photographers in the city, but it was his post 9-11 photo show (which he took to galleries in France and Italy) that cemented his place in the pantheon of NYC-based photojournalists, IMHO… Portfolio at http://mrmusichead.com/portfolio-items/allan-tannenbaum/, with the interview at http://mrmusichead.com/featured-artist-allan-tannenbaum/

November 11th –  1) Ghostly International began 16 years ago as an indie record label, and while the successful expansion of Sam Valenti IV’s brand into other leading-edge lifestyle products might have caused some companies to lose focus on the ideals that brought them to market, Ghostly continues to put creativity front and center in the packaging of their music products. In Ben Sisario’s recent article for the New York Times, you’ll have a chance to learn more about Valenti and his company and see some of the unique ways that they’re offering customers limited-edition music and related products, including art prints of Michael Cina’s album art paintings and a 60-pound marble record box – “a D.J.’s standard-issue record crate re-imagined as an ancient ruin”. Cool. http://www.nytimes.com/2015/10/30/business/media/ghostly-transcends-its-record-label-roots-to-sell-an-ethos.html

2) It’s “Record Sleeves of the Month” time again – Rachael Steven, writing for the U.K.’s Creative Review, shows us examples of the latest in album cover packaging, with art featured this month for records by Santigold (artist as shrink-wrapped merchandise, with photo by Haruhiku Kawaguchi), Co La (type samples as album art), Joanna Newsom (landscape in a fish tank) and many others. Olga Bell’s latest is particularly-impressive: a limited-run package with a holographic package and marbleized vinyl disc by Alex Trochut – https://www.creativereview.co.uk/cr-blog/2015/november/record-sleeves-of-the-month/

3) There’s a new writer who has just posted an interesting album cover article on The 405 site titled “Album Cover Dissection” (don’t worry – no album covers were harmed in the making of this article). Sam Quinton gives us a summary of recent record cover images that he (she?) has found intriguing, including those for musical acts such as Battles, Adele, Empress Of and others. Of course, the so-spooky-you’ve-gotta-look cover for a new release by FKA twigs – whose 2014 release titled LP1 was last year’s most-talked-about album cover – looks as though it will be a feature on this year’s list as well… http://www.thefourohfive.com/music/article/monthly-column-about-artwork-144

November 10th –  1) Nineteen years ago, artist Ronald “Riskie” Brent was trying to build a reputation in his Compton, CA neighborhood for the artwork he sold on t-shirts at a local flea market/swap meet, while at the same time selling drugs on his block just to get by. Rap record producer Suge Knight (who lived nearby) had brought Tupac Shakur and a crew to the area to make a music video and, waiting patiently, Riskie stepped forward to show his work to his neighbor, who was so impressed that, ultimately, he was offered a job at Death Row Records and ended up creating the album art for Tupac’s The Don Killuminati: The 7 Day Theory, the record that was finished and released 2 months after the rapper was murdered. In this story by Michael Namikas on the HipHopDX siteRiskie shares more of the details of his career as one of rap’s best-known graphic artists –  http://hiphopdx.com/interviews/id.2807/title.makaveli-riskie-a-conversation-with-death-row-graphic-artist-ronald-riskie-brent 

2) I wrote not long ago about a new gallery/photo publisher (House of Roulx) I’d found whose chosen mix of subjects and artists (including images from both photographer George DuBose’s archive and that of the late magician Harry Houdini) certainly qualifies them as an important player in the rock fine art photo-selling world, but in this recent interview with the company’s founders – brothers Trevor and Jared Gendron – done by Shawn Setaro for Forbes Magazine, you’ll learn more about their backgrounds (one is a former record label/distributor art director while the other is a successful memorabilia collector and reseller) and how they came to represent the archive of a late photographer who shot the final live performance of singer Janis Joplin – http://www.forbes.com/sites/shawnsetaro/2015/11/03/house-of-roulx-from-hip-hop-to-houdini/

November 9th –  1) The exploits of – and mythology behind – “the world’s only openly-extraterrestrial” art/thrash-metal music collective known as GWAR – are the subjects of both a new book on the topic and an illustrated feature in the December 2015 issue of Juxtapoz Magazine. The book – titled Let There Be GWAR and put together by the duo of Bob Gorman and Roger Gastman, featuring a forward by Kurt Loder and published by Gingko Press – was reviewed by Pitchfork.com‘s Shawna Kenney in September as “a high-end tribute for a band known for spewing fake bodily fluids from effigies like OJ Simpson, Ronald Reagan, Pope John Paul II, and Justin Bieber, just to name a few. The text mixes oral history and narrative from the band’s early art collective days through Grammy nominations, tabloid TV appearances, an ACLU-backed lawsuit, the deaths of members Cory Smoot and Dave Brockie, the Gwar-B-Ques and beyond…” Juxtapoz’s in-depth feature will focus on the band’s visual history, so if you’re a fan (or an adoring slave) of all things “bloody and grotesque”, click on over to the preview at http://www.juxtapoz.com/current/issue-preview-december-2015-with-gwar

2) Following up on their earlier efforts in which they used Google Maps/Street View to find and display the actual locations of several well-known rap/hip-hop record covers, the team at Mass Appeal (per this recent article by Tasia Princejust released Part 2 of their series, showing fans of acts both “classic” and new – including Grandmaster Flash & The Furious Five, Eminem, Jay-Z, Kool Moe Dee, Fabolous, T.I. and others – exactly where the cover images were taken. You’ll travel to Oakland, Los Angeles, Atlanta, Detroit and several locations in the NYC area (sounds like the basis of a “bucket list” tour for fans of the subject, no?). http://massappeal.com/iconic-hip-hop-albums-in-google-maps-street-view-part-2/?view-all=1

3) As I’ve been doing research for my new book and collecting the comments of a number of creative/production people working in the music business, I have to admit that I have heard a fair amount of exasperation from folks who don’t feel that consumers of media these days can differentiate between the works produced by trained professionals and those done by amateurs with their phone cameras. A recent example of this frustration can be found in this interview with the very talented (and in-demand) photographer David Drebin posted by Shinan Govani on The Toronto Star site where he admits that, these days, he’s embarrassed to let folks know that he’s a photographer because “everybody is a photographer these days”. A graduate of the Parsons/New School in NYC and with his works selling for sizable sums in major gallery shows, I know that there is an appreciation of his work but, in this selfie-driven society, it’s hard not to agree that its harder to get people to stop and appreciate artistry of any type these days – http://www.thestar.com/entertainment/visualarts/2015/11/01/photographer-david-drebin-clicks-dont-like-on-the-selfie-epidemic.html

November 6th –  1) It’s time to let your opinions be known about who’ll be the cream of the latest crop of album covers…Our chums at Art Vinyl have posted the nominees for this year’s “Best Art Vinyl” voting, and in this nice introductory article by Rachael Steven on the Creative Review site, you’ll learn more about a number of the fascinating works that were created for this past year’s hottest music – https://www.creativereview.co.uk/cr-blog/2015/november/art-vinyls-record-sleeves-of-the-year/  Once you’ve had a chance to look through the 50 nominated covers, click on over to the Voting Page on the Art Vinyl site to select the three you’d like to support for the title of “Best Art Vinyl 2015” – http://www.artvinyl.com/vote/  Winners will be announced in early January and will be featured in a multi-city art show. Best of luck to all the nominees – nice work!

2) Over the years, I’ve had the pleasure of meeting/interviewing several album cover artists whose principal clients are bands from “the Dark Side” of the music business – that is, metal music makers in all sub-categories (heavy, Nordic, death, thrash, speed, etc.). As you may know, some of these bands prefer to include cover art that many of you might consider to be anywhere from “gory” to “disgusting” but, as it has been shown throughout the centuries, many “fine artists” have decided to focus on the topics that have resulted in works that are just as disturbing (to illustrate my contention, I invite you to check out some of the works done by masters such as Goya, William Blake, Francis Bacon and, everyone’s favorite, Hieronymus Bosch).Writing for Diffuser.fmJames Stafford has dug deep into the album art archives to share with us his “31 Most Disturbing (Non-Heavy Metal) Album Covers Ever”, opening up the investigation about the reasons why any musical act chooses to catch your eye with imagery that is meant to disturb – http://diffuser.fm/most-disturbing-album-covers/

3) Lastly – it seems that every year we get to see examples of album art that aren’t wholly original. Some are parodies, some homages and, in the case detailed in David Renshaw’s recent article on the NME.com site, some seem to be the results of either laziness or obliviousness…In the article, you’ll read about the upset that Coldplay has caused the members of a band called Bring Me The Horizon simply because the album artwork they’re going to feature on their newest release looks an awful lot like the artwork that BMTH featured on their 2013 release titled Sempiternal. I’m guessing that there will be some modification to Coldplay’s promo materials before the new record (titled A Head Full of Dreams) is released this month – http://www.nme.com/news/bring-me-the-horizon/89392

November 5th –  1) Many of us have fond memories of the simply-but-colorfully-drawn, trippy 2-D original animation featured in the original 1968 Beatles film Yellow Submarine. With today’s often over-the-top, computer-generated 3-D visuals that dominate film screens, you had to think that, at some point, some fan with the talent and the wherewithal ultimately had to show us what the film might have looked like if the today’s advanced animation tools were available back then. Enter famed comic book illustrator Alex Ross, well-known in that arena for his super-realistic renderings of characters including Batman, Superman, The Avengers and many others. Back in July, with the approval of the Beatles’ organization, he released several illustrations featuring re-done scenes from Yellow Submarine and, just recently (as you’ll see in this interview with Robin Burks on the Tech Times site), he’s expanded his Fab Four-related catalog to include some amazingly-realistic, limited-edition portraits of each of the band’s members. http://www.techtimes.com/articles/100645/20151029/interview-artist-alex-ross-discusses-drawing-the-beatles.htm 

WWABHD? (“what would Al Brodax have done”?)

2) Fans in the Huntington Beach, CA area had until the 22nd of November to visit the Rainwater Gallery on Main Street to walk through an exhibit of punk music-inspired artwork from the likes of Winston Smith, John Bilhooley and several others titled “AnARTchy” (“I am an AnARTchist”). The punk scene was very active in So. California, with bands including T.S.O.L., Black Flag and many others inciting intense moshing in clubs all along the coastline, so the hosting of such a display of art, posters, photos and other memorabilia in a Surf City gallery only makes sense. Read more about the show in Brittany Woolsey’s feature on it in the Los Angeles Times – http://www.latimes.com/socal/hb-independent/entertainment/tn-hbi-et-1029-anartchy-20151029-story.html and check out the gallery’s Facebook page – https://www.facebook.com/RainwaterGallery/ for details of the several related events they held during the show’s run.

3) “The Grateful Dead are dead, and they’re grateful” John Belushi once said…but are they REALLY dead? I think not, and even though the title of photographer Jay Blakesberg’s upcoming book on the band’s farewell tour – Fare The Well: Celebrating The 50th Anniversary Of The Grateful Dead (published by Rock Out Books), hitting the bookshelves on December 1st – might indicate the band’s demise, their art and merchandising (and roylaties) will thrive forever or, as Gary Lambert writes in an essay from the book, “… after fifty years, it can’t be denied that the Dead’s art became a tradition unto itself…” Read more about it on the Grateful Web site – http://www.gratefulweb.com/articles/fare-thee-well-celebrating-50th-anniversary-grateful-dead

November 4th –   2X Annie Leibovitz and 1X Alex Steinweiss – not a bad day!

1.1) On November 3rd, the now-being-remodeled San Francisco Museum of Modern Art bestowed its inaugural “Contemporary Vision Award” upon photographer extraordinaire Annie Leibovitz for, as they state, ” the extraordinary achievements of global leaders—creators, innovators and change-makers—whose work foregrounds contemporary art as a vital and meaningful part of public life.” One look at her memorable album cover photos for Bruce Springsteen, Cyndi Lauper, Peter Tosh, Tony Bennett and others brings great truth to that description, no? While originally from Connecticut, Ms. Leibovitz received her schooling at the the San Francisco Art Institute and went to work in 1970 as a photographer for Rolling Stone Magazine. https://www.sfmoma.org/press/release/inaugural-sfmoma-contemporary-vision-award-to-hono/

Here’s a link to a photo from that night’s event, tweeted by a staffer at the Style section of the San Francisco Chronicle –
https://twitter.com/SFC_Style/status/661765970604658688

1.2) Leibovitz also announced that she’ll be bringing a gallery show based on her successful photo project titled Women to 10 countries, beginning in London in January, 2016 and subsequently moving around the world with shows in Tokyo, San Francisco, Hong Kong, Singapore, Mexico City, Istanbul, Frankfurt, New York, and Zurich. This project began years ago with the prompting of her then-partner Susan Sontag, became a popular photo book in 1999 and, since, has expanded to include portraits of many notable women, with recent examples including Amy Schumer, Venus & Serena Williams and Caitlyn Jenner (you’ll recall Annie’s first photos of Ms. Jenner for Vanity Fair magazine earlier this past summer). Writing for the ArtNet Daily site, Amah-Rose Abrams gives us more of the details –
https://news.artnet.com/people/annie-leibovitz-reveals-new-women-subjects-349697

2) Anya Tchoupakov from The Creators Project recently posted an overview of a new book by the Taschen publishing house – collected and edited by art directors Kevin Reagan (formerly with Geffen Records) and Steven Heller (formerly with The New York Times) – that provides album art fans with a comprehensive look at the life and work of the man considered to be “the father of the album cover”, Alex Steinweiss. Appropriately titled Alex Steinweiss: The Inventor of the Modern Album Cover, the 550+ page book includes hundreds of images made by the man that, 75 years ago, convinced a skeptical employer – Columbia Records – to consider the idea that an attractively-packaged record would appeal to consumers and, therefore, increase the likelihood that they’d buy it (what a concept!). Steinweiss would then go on to establish the “standards” regarding imagery, type-styles, etc., that would soon be copied and employed by record labels globally. Anyone interested in the history of this art form should both read this article and then add this book to their collection – http://thecreatorsproject.vice.com/blog/the-father-of-album-covers

That’s all for now – look for updates every week day on our news feed –https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back early next month with another summary for you.

Copyright 2015, Mike Goldstein and AlbumCoverHallofFame.com – All Rights Reserved

 

Album Cover News Recap – April, 2015

Album Cover Hall of Fame’s Album Cover News Recap – April 2015

By Mike Goldstein – Curator/Editor, AlbumCoverHallofFame.com

With Spring finally coming to our readers who’ve suffered through a most-impressive Winter, album art fans are slowly-but-surely emerging from their various states of hibernation and joining like-minded individuals from all over the U.S., U.K. and elsewhere on the globe in search of the latest news about album art and the artists that create it. To that end, I’m sure that you’ll agree that there were a number of interesting headlines we at the ACHOF posted throughout the month of April and that the sheer number of interviews, features and gallery/museum show items found in our news feed (several of which I’ll highlight now with the rest, in greater detail, following the intro paragraphs) continues to amaze and impress.

In the area of interviews, fans had the chance to get into the heads and hearts of talented cover image producers and promoters including  UAE-based DJ and vinyl retailer Shadi Megallaa, designers Carin Goldberg and Steve Keene, photographer Henry Diltz and illustrator Dave McKean,  along with my own interview with this year’s Grammy-winning designer (in the box/special-edition category) Susan Archie and a special Record Store Day interview with this year’s “special ambassador”, Foo Fighter Dave Grohl.

In the ever-expanding fine art book category, publishers were busy promoting their new releases, with monographs featuring art and photos related to musical acts including Pink Floyd, Rush and, for fans of the fantastic art often found gracing the covers of heavy metal music records, Ramon “Oscuro” Martos’s newest book titled And Justice for Art: Stories About Heavy Metal Album Covers . For those of us who spent hours custom-packaging our favorite music on cassettes, there’s also a new book on the subject of “mixtape artwork” titled Damn Son Where Did You Find This?: A Book About U.S. Hip-Hop Mixtape Cover Art by authors Tobias Hansson and Michael Thorsby.

It was an exceptionally-busy month for exhibitions and shows built around rock-related imagery, with curators and gallery owners displaying collections that included the works of Raymond Pettibon, Frank Frazetta and photographers Joel Brodsky, Jim Marshall, Jimmy Steinfeldt, Anton Corbijn, Neal Preston, Michael Halsband, Brian Duffy and a group show in NYC featuring several well-known shooters that covered the early rap/hip-hop scene.

Other stories included features on the role of logo art in music marketing, using Google Maps to locate and view the current state of the places where famous album cover photos were taken and one artist/musician (Natalie Sharp) and her ongoing efforts to re-create the cover art of albums she likes on her face using paints and make-up.  News continued with  the announcement of the judging for this year’s D&AD Awards for album cover art/packaging, the premiere of a line of music t-shirts with built-in music downloads as well as several more “best ofs”, “Most Fashionable” and other such “Top 10” lists. The excitement continued with a story about the auction and sale of a cardboard garden gnome that was one of the characters included in the cover collage on The Beatles’ Sgt. Pepper’s LP and another on one artist’s work to re-imagine a number of well-known covers with key characters replaced with comic book super-heroes.  I was also happy to provide an update on Kevin Hosmann’s ongoing efforts to finish up production on his new documentary film that will feature interviews with 50 album cover art producers, record label execs and others who’ve contributed to the growth of the medium (and who will share their opinions on the past and future role that this art has/will play in the marketing of music products. Finally, there was info on how the sale of album art prints can serve to raise money in support of scholarships for the next generation of album cover creative/production talent.

As always, I’m hoping that you were able to take a look at the new interview articles, along with the many new biographies posted on the ACHOF site during the month. I’m still on a quest to update those already there with new information and to add another 50 or so new ones before taking a break to work on a book-related project (more to come on this later). In the meantime, here’s your chance to catch up on news you may have missed while you were forced to do what’s needed to live/work/enjoy yourselves but, as I’ve said many times (almost every month!), regardless of how hectic your lives may be, there’s no reason that you should go without getting yourselves up-to-date info on one of your favorite topics, so you can be sure that we’ll continue to work (nearly) every day (even when it’s beautiful outside and I REALLY want to play hooky) to prove to you that there’s always something new to see and learn in the world of album cover art, and you know that you’ll find it all here on the ACHOF site (keep your eye on our News Feed for the latest updates).

August 30th – 1) A reminder to our friends in the LA area – don’t miss the opportunity to take part in the opening night festivities for the new “A Lad Insane by Brian Duffy” photo exhibition at the recently-relocated Mr. Musichead gallery in Hollywood. The reception takes place Friday, May 1, and begins at 7pm. According to the gallery, there “will be photos from Brian Duffy’s five different photographic shoots with David Bowie. These groundbreaking sessions not only documented Bowie’s career and pioneering reinvention, but illustrate Duffy’s special relationship with him.

(The late photographer’s son) Chris Duffy will be present to talk about his father’s working relationship with David Bowie.  Copies of his book  ‘Duffy Bowie : Five Sessions’  will be available for purchase and signing on the evening. The evening’s co-hosts will be Martin and Mary Samuel. An award-winning hair stylist, Martin worked with Bowie on the set of “The Man Who Fell to Earth”.

For more info, visit the gallery’s site at http://mrmusichead.com/?p=13357

2) The UK’s National Portrait Gallery has just added another album cover image to their collection – Dav Stewart’s photograph for Tempest’s album Everybody Down – and will be including it in an exhibition called “Picture The Poet” that will begin its tour of exhibition spaces on Friday, May 1, at The Collection Museum of Art & Archaeology in Lincolnshire. The Portrait Gallery’s collection also includes Mischa Richter’s photo portrait of Amy Winehouse used on the cover for her 2006 record Back to Black and the Mario Testino shot used on Madonna’s 1998 album Ray of Light. The Guardian (UK) gives us the details in this recent article on their site –

http://www.theguardian.com/stage/2015/apr/27/kate-tempest-album-cover-added-to-national-portrait-gallery-collection

3) As part of the prestigious design publication D&AD‘s annual Judging Week prior to the awarding of their coveted D&AD Awards, the President of the professional group behind the awards – Mark Bonner – has posted an article that gives us the details on several of his personal favorites. Included in the list is an album package for New Zealand alt-rock band Shihad’s latest record, titled FVEY (with artwork done by the Alt Group) which features a VERY cool skull sculpture. The record is available in several different packages, including several limited-edition versions that include a poster of the skull image, and Mr. Bonner is hoping that someone will take the hint and create a collectible version of that skull (watch out, Damien Hirst!). More about this on the Campaign web site – http://www.campaignlive.co.uk/news/1343547/

April 29th – 1) Several years ago, I interviewed several people involved with creating logos for their musical clients and, in nearly every case, these “works for hire” (i.e., projects where they were paid a flat fee, or where they received limited licensing credits) went on to earn their clients millions of dollars via their uses on album covers, merchandise and other related money-makers. While they are just part of an act’s overall identity, great band and label logos can stand alone and, as you’ll see in the linked article written by Tom Hutchins for the Noisey Music By Vice site, have done great things in building tighter relationships between acts/labels and their fans. You’ll also see examples of where things didn’t work out quite as their owners expected… http://noisey.vice.com/blog/the-art-of-the-record-label-logo

2) Blogger Bruce Jenkins – the super-fan that runs the popular Vinyl Connection  site from his base “down under” – has just celebrated the 2nd anniversary of his site’s launch and, as part of the festivities, has introduced a new take on a cover-vs-cover competition that he’s calling the “Cover Art Portrait Playoff”. He’s organized 16 pairs of album covers and is asking fans to pipe in with their “whose better” selections beginning next week. To get folks in the mood today, he’s just posted a nice article on a selection of covers that followed very similar approaches to their covers – in this case, covers that look like they are “ripped from the headlines” – take a look and be sure to check back to cast your votes soon – http://vinylconnection.com.au/2015/04/28/who-wants-yesterdays-papers/

3) Last-minute album art panel discussion announcement as a bonus item related to the ongoing “Pick Me Up” event now running at the Somerset House in London, the folks that run the “Cover Club” series there announced a show Thursday night (April 30) at “The Studio” space featuring graphic designer Ian Anderson, one of the founders of the renowned Designers Republic studio (Warp Records fans know/love his work). Joining Ian on the panel is Kevin King, the music marketing exec that launched the “Secret 7” music/art campaign that has raised lots of money for charities in the U.K. via the sale of specially-produced record cover artwork created by many of the world’s better-known designers. More info on this event is available via the link at https://www.somersethouse.org.uk/visual-arts/pick-me-up-2015/platform

April 28th –  1) There’s a new entry in the “Sgt. Pepper’s album cover tribute” category, and this one is a doozy! You’ll never guess who did it – that’s right, Who did it (sorry, couldn’t resist)! The cover for the new record titled Doctor Who Symphonic Spectacular (a tour playing in several cities in the U.K. and featuring a host of BBC musicians playing music familiar to the TV series’ fans) takes on the familiar collage motif found in Sir Peter Blake’s original design for The Beatles, with this version featuring a collection of characters seen in the show – Daleks, Cybermen and Weeping Angels included! Not sure who is responsible for the art, but hope to find out. In the meantime, you can take a look at the work reporter Marcus for the Doctor Who News fan-site gives up a look at the image via the link – http://www.doctorwhonews.net/2015/04/symphonic-spectacular-homage-album-over.html

2) The folks at the Mass Appeal web site have taken inspiration from several other sites (including The Guardian) to use the handy Google Maps application to seek out and display the locations where a number of well-known hip-hop album cover photos were taken. I’m quite appreciative of the fact that they also provided readers with a bit more information (and proper credits) on each of the featured images (yes, working people actually did create the original images, thank you!). If you’ve always wanted to see where the covers of albums including Ice Cube’s Ameriikkka’s Most Wanted, Jurassic 5’s Quality Control, MC Lyte’s Eyes On This and Beastie Boys’ Check Your Head (along with another 10 or so) were first photographed, click on over to the article via the link – http://massappeal.com/iconic-hip-hop-albums-in-google-street-view/section/nas—illmatic

3) Vinyl records have always held a special place in the hearts of music fans, but it is rare to find such love and commitment in societies that, under most circumstances, work to keep such examples of Western decadence away from the local populace. In this article on The National‘s site (an English-language publication headquartered in Abu Dhabi), you’ll meet Shadi Megallaa, a DJ, record label and soon-to-be record retailer in the UAE and learn more about his plans to turn his personal collection into a record store that he hopes will appeal to the audio purists he knows in his home town. After moving recently from New York City to Abu Dhabi, this entrepreneur is working hard to make sure that this effort – which will be called “Flipside” (which I love, as it was the name of a popular record chain in the Midwest that I spent many hours in as a youth) – succeeds in spite of both industry forces and the social mores that exist in that part of the world. Let’s all wish him luck – http://www.thenational.ae/arts-lifestyle/music/a-look-at-the-growing-vinyl-record-scene-in-the-uae#full

April 27th – Special Fashion Edition…

1) Whether you believe that album cover art reflects the styles/fashions of the day or, in many cases, helps set those standards, you must admit that there have been many album cover images that are “stylin'”, featuring musical acts such as Grace Jones, Joni Mitchell, Madonna and others who, in addition to being reviewed as musicians, were also always in the headlines for their sense of fashion (good or bad). In this recent article by writer Austen Rosenfeld for the Style.com site, you’ll find 14 examples of memorable record covers that the author considers to be “the most fashionable of all time”. If, after looking at the list, you care to comment or add some examples of your own, I/we would love to see what you think…I’ll start – conspicuous in its absence is the cover for Saturday Night Fever…your turn…
http://www.style.com/culture/entertainment/2015/fashionable-album-covers

2) Just prior to becoming a fashion icon herself (i.e., before Like A Virgin and the film Desperately Seeking Susan), young Madonna Ciccone was another in a long line of struggling musicians/performers trying to make a name for herself in the music business, so when Warner Bros. Records hired freelance designer Carin Goldberg to work with their new one-name act, her first thought was “God, it’s going to be one of those” but, as time would tell, this turned out to be the start of something big. Ms. Goldberg would go on to do covers for a number of other pop/jazz/classical acts, and the photographer, Gary Heery, would shoot covers for acts including Roy Orbison, Paul Simon, Joe Cocker and others, but as you’ll read in this interview by NYMag.com’s Erica Schwiegershausen, this one cover portrait will continue to cement this team’s place in classic album cover history. http://nymag.com/thecut/2015/04/making-of-madonnas-first-album-cover.html

April 24th – 1) The folks on Public Radio’s “here & Now” show have posted a multi-media extravaganza (i.e., an audio interview with a series of photos you’ll reference while you listen to the interview) featuring host Robin Young’s recent conversation with album cover photo great Henry Diltz. The eleven-minute interview includes Mr. Diltz’s recollections about a number of his earlier works, including his escapades with Crosby, Stills & Nash, Joni Mitchell, Neil Young, Paul & Linda McCartney, Richard Pryor, The Doors and several other legendary performers. Henry went on to launch one of the best-known galleries dedicated to rock photography – the Morrison Hotel outposts – and has always impressed me with the detailed memories he has of his time spent with early rock royalty, so I hope you’ll take a break from your weekend to listen to this (and the nice soundtrack that accompanies it) – http://hereandnow.wbur.org/2015/04/23/henry-diltz-music-photography

2) New works by artist Raymond Pettibon, well-known for his covers and illustrations for early punk/alt rock pioneers such as Black Flag, Minutemen and Sonic Youth, are the subject of a new exhibition at the Regen Projects gallery in West Los Angeles running now until May 30th. Titled “From my bumbling attempt to write a disastrous musical, these illustrations muyst suffice”, the new show, according to the gallery’s PR, puts on display “a broad spectrum of influences ranging from Southern California surf culture, punk rock aesthetics, baseball, and film noir to popular culture, world history and politics.” Included art works of pen and ink on paper, gouaches and several collages, all done with the artist’s unique perspective on pop culture gloriously on display. I just want a print of the cover he did for Sonic Youth’s Goo but, hey, that’s just the collector in me talking…More on this on the ArtDaily.com web site – http://artdaily.com/news/78110/Exhibition-of-new-work-by-Raymond-Pettibon-opens-at-Regen-Projects-in-Los-Angeles

3) The estate of the late photographer Jim Marshall has teamed with UC-Berkeley’s Graduate School of Journalism to spearhead and help endow a new fellowship program for students of the craft which, quite rightly, will be called the “Jim Marshall Fellowships In Photography”. There’s an exhibition currently running on campus through the end of May called “The Haight: Love, Rock and Revolution” (accompanied by a photo book by the same name) that includes Marshall’s imagery from that San Francisco neighborhood featuring the stars of that time (late 1960s) and place including The Grateful Dead, Janis Joplin, Jimi Hendrix and others (read more about this show on the school’s info page at http://newscenter.berkeley.edu/2015/01/29/love-rock-revolution-exhibit-features-work-of-legendary-music-photographer-jim-marshall/ ), with more of the details about the Fellowship, its funding and ways you can donate to it, available via the link – http://journalism.berkeley.edu/news/2015/feb/02/jim-marshalls-the-haight/

April 23rd –  1) Rock & Roll fine art and photography can do a world of good for more than just the collectors and fans of the art-form…As you’ll read in this recent article on the ETNow web site, proceeds from the sale of art prints featured in photographer Neal Prestons recent exhibition at the Musikmesse industry event (in Frankfurt, Germany) were totaled up and a check for $50,000 was given to the “Behind The Scenes” charity, a group that provides disabled or injured industry professionals with grants to help them better-manage their day-to-day living expense. Preston’s show, titled In the Eye of the Rock ‘n’ Roll Hurricane, was done with the support of Lightpower, the German-based distributor of lighting products and put over 60 of his best-known photos of rock royalty (Led Zeppelin, Queen, Bruce Springsteen and many others) up for viewing in a series of super-sized prints.
Read more about this donation at http://www.etnow.com/news/2015/4/lightpower-donates-50-000-to-behind-the-scenes-from-the-neal-preston-rock-n-roll-photo-exhibition
and, to see more of the exhibition, click on over to the Musikmesse site at http://musik.messefrankfurt.com/frankfurt/en/besucher/events/neal-preston.html

2) In Ramon Marcos Garcia’s (AKA Oscuro) recent posting on the Metal Underground site, the author presents a number of album covers that have been based on classic/historical imagery. Fans of art history have long-admired the works of artists from centuries past such as Hieronymus Bosch (the 15th Century Dutch painter best-known for the fantastic “Garden of Earthly Delights”), Jean Delville (the Belgian “Idealist” from the late 1800 – early 1900s) and John Martin (the 19th Century British painter who helped us visualize “Paradise Lost”), so it is fascinating to see works from these and other artists both inspiring today’s album cover illustrators and, in cases like those featured in this article, being “borrowed from” quite freely. You’ll find covers from bands including Morbid Angel, Celtic Frost, Candlemass and others featured in this article, along with the stories about how these historical images found new life on the covers of some of today’s most-progressive musical acts. http://www.metalunderground.com/news/details.cfm?newsid=112500

3) I was browsing through the aisles of the Portland book-selling institution Powell’s when I came across a book that I hadn’t seen previously and, in my ongoing effort to provide album cover art fans with as many resources as possible of information that might help them better-understand the scope of the talent that has produced memorable album art over the years, I wanted to bring this book to your attention.

Published in 1977 by Collier Books and written by the team of Brad Benedict and Linda Barton (both of whom now have credits for scores of books on the arts), Phonographics: Contemporary Album Cover Art & Design is a nice collection of works (over 150 included) of album art produced during the late 60s – early-mid 70s, a period that finds the industry in its “Golden Years”, with regards to the innovations being employed and the importance the recording industry attributed (at the time) to the overall success of recorded music products.

The book’s introduction, though, serves as a painful reminder that, back then, the visuals brought to the packaging of music products were integral parts of their labels’ production/marketing plans, only to have been reduced in importance over the years since this book’s publication – much to the detriment of fans and the talent that worked so hard to deliver such great art and imagery. To those still working on these works today – keep up the good work!

April 22nd –  1) Had a very nice catch-up conversation a few days ago with designer-now-user-experience guru Kevin Hosmann about the status of his labor-of-love project – a documentary film about album cover designers titled “The Album“. Kevin has been working diligently to capture the stories of 50 people who’ve worked in various capacities within the album packaging world – designers, art directors, photographers and other printing/production experts active from 1965 thru today – to chronicle their efforts and. at the same time, the evolution of the music industry.

As a former record cover designer himself, with credits for designs for musical acts including MC Hammer, the Beastie Boys, N.W.A., Tupac, Stone Temple Pilots and others, Kevin is hoping to share his and his former cohorts’ experiences as creatives in an industry that has undergone many changes over the past 20 years, with many of those changes making it difficult for design/visual talent to earn a respectable living (“I need an album cover by tomorrow – here’s $100”). He’s posing a number of questions to his subjects about how they’ve adjusted their approaches to their album art projects and will craft his film from their responses and anecdotes about the people and projects they’ve worked on.

In the meantime, fans can take a look at his rough footage on a Vimeo site he’s set up (https://vimeo.com/user9960212) and, for more info and a nice collection of “back in the day” photos, you can bop on over to his Facebook page – https://www.facebook.com/pages/The-Album/1514923212059261
I hope to keep in touch with him as time goes on and eagerly await the time he’s ready to share the film with fans (like me!) of album cover art and artistry.

2) Once again, some brave (or foolish – you decide) soul has published a “Top 10 Best” list of album covers but, in this case, the author (Josh Pellis, writing for the FDRMX.com site) works to provide enough detail to help substantiate his rankings of the “Top 10 Most Artistic Album Covers of All Time” so, whether you agree with him or not, at least you can give him credit for a somewhat-scientific approach to the topic.

The list does include records released over a time period that takes into account many changes in the music world, beginning in the mid-1960s with albums by The Beatles and Hendrix, proceeding thru the 70s, 80s and 90s with records by Pink Floyd, Korn, Dr. Dre and others and including more-recent records by Red Hot Chili Peppers and Calle 13. To read the writer’s complete rundown, click on the link at http://fdrmx.com/top-10-most-artistic-album-covers-of-all-time/ and then let me know what you think…

April 21st –  1) Just finished reading a nicely-done interview with illustrator Dave McKean, a talented guy with many credits in both the book and record cover worlds and the artist behind one of my own personal favorite album covers, that being Fear Factory’s Demanufacture – a classic “man vs. machine” (or is it “man as machine”?) image. McKean has done work for many other metal/hard rock bands as well as supplying covers for books by authors such as Grant Morrison and Neil Gaiman and has always shown how today’s digital imaging tools can be put to good (i.e., artistic) use when assignments call for something “other-worldly”. Read Dan Franklin’s in-depth article on The Quietus web site – http://thequietus.com/articles/17626-dave-mckean-interview

2) In Phil Miller’s recent interview article on The Herald (Scotland) site, artist and writer John Byrne talks about returning to the album cover art world recently to take on an assignment for the 25th anniversary recording for Scottish band Shooglenifty. While he’s mostly spent his time lately writing and taking on the occasional art commission, it’s been a while since he’s done record covers. His past work for The Beatles, Stockholm Syndrome and Gerry Rafferty garned him much praise, so it’s nice to see him at work again in this area –
http://www.heraldscotland.com/news/home-news/byrne-designs-album-cover-for-folk-band.122978964

3) Next week, seminal rock band Journey will be releasing a new record and, in addition to the new music from this best-selling group, fans will be given the opportunity to purchase a limited-edition, 9-color 36″ x 12″ screen print – signed and numbered by the artist, Mark Englert, for only $60. The band has long been a supporter of great album art, beginning early on with works by Stanley Mouse and Alton Kelley and with several other talented artists following those esteemed names, so it is no wonder that they’re continuing the tradition of offering fine art along with their fine music – click on the link to see the new cover art – pre-orders were to be accepted beginning April 23 – http://store.iam8bit.com/collections/journey/products/journey-limited-edition-print-by-mark-englert

April 20th – Record Store Day follow-up items:

1) Looks as though this year’s RSD was very well-attended world-wide, with over 3,000 indie stores participating, offering specially-produced packages and lots of in-store appearances by musical acts of all types and degrees of popularity. RSD is one of those times where big-name acts come down from their heavenly mounts and mingle with their fans, so you’ll get to see and hear them in some very intimate settings. Quite the treat!

As reported by Shaun Tandon on the ArtDaily web site, the popularity of vinyl continues to grow, brought about by the hand-crafted nature of many of the unique, limited-edition products being offered (you might call them “artisanally-produced music products”) and the depth of information that typically accompanies these packages. Of course, based on the fact that the most-popular vinyl record being sold these days – Abbey Road by The Beatles – you can perhaps correlate it’s sales with the always-in-the-Top-5 rating of its album cover…just sayin’..
http://artdaily.com/news/77984/3-000-independent-stores-have-big-turnout-on-Record-Store-Day-shows-rebirth-of-vinyl

2) About a year ago, I reported on the Record Store Day-related antics of musician Natalie Sharp – AKA “The Lone Taxidermist” – when she released a series of photos of herself sporting face make-up that re-created several well-known album covers (Joy Division, Kraftwerk and others). This year, she’s worked to expand her portfolio of cover-based facepaint, adding covers from Nirvana, Talk Talk, Aphex Twin, Bjork and others (even Mike Oldfield’s classic Tubular Bells!). You can learn a bit more about her ongoing exploits in this Ann Lee-penned article on the MetroUK web site – http://metro.co.uk/2015/04/18/musician-paints-face-to-resemble-famous-album-covers-and-she-looks-awesome-5156220/

April 17th – 1) Every day, I learn a little bit more about the various ways that talented people work to add visuals to their music…In this article by New York Times writer Jon Caramanica about a new book on the subject of mixtape artwork (titled Damn Son Where Did You Find This?: A Book About U.S. Hip-Hop Mixtape Cover Art by authors Tobias Hansson and Michael Thorsby) that features in-depth interview with five graphic artists that have specialized in the field, you’ll learn more about their approaches to the projects they work on and what they do to differentiate their work from what’s typically found on these products. Knowing that they must compete with mainstream products (and the mainstream mindset of many of their clients), they all strive to bring their unique backgrounds and talents to bear when creating some very impressive imagery – http://www.nytimes.com/2015/04/16/arts/music/celebrating-the-fast-moving-bug-eyed-wily-world-of-hip-hop-mixtape-covers.html?_r=0

2) Writing for Esquire Magazine, Dan Hyman has posted an interview with artist Steve Keene, the guy responsible for some memorable covers for musical acts such as Apples In Stereo, Silver Jews and, most-notably, Pavement, with this particular article focused on his cover for Pavement’s 1995 record Wowee Zowee (which is celebrating the 20th anniversary of its release). For an artist well-known for his enormous output, the interview provides some keen insight into how he approached projects that required a bit more attention in order to please his indie icon clients.

http://www.esquire.com/entertainment/music/a34283/steve-keene-pavement-interview/

3) Over the past many years, Todd Rundgren has shown us his many talents as a musician and producer, but with the release of his new record titled Global (and to help promote his world tour in support of his record), Mr. Runt shows off his chops as a visual artist by both creating the cover image for his new album and by sponsoring a contest in which some lucky fans will win their portraits painted by the man himself. To enter the contest, you must show off your own creativity by submitting some evidence – a video, a collection of ticket stubs, pix of your Nazz memorabilia, etc. – that proves that you’re the “Ultimate Todd Rundgren Fan”. You can find all of the details on how to enter in this posting on the GOLDMINE site – http://www.goldminemag.com/features/win-signed-portrait-created-todd-rundgren Good luck!

Bonus Record Store Day posting!

1) My chum Terry at our town’s most-significant temple to all things recorded – Music Millennium – was kind enough to share some info with me about some of the amazing limited-edition special releases that were available starting April 18th, and so I wanted to forward that info on to you with the hopes that you’ll find some time tomorrow to go and see what’s new and exciting and, if so motivated, support your local record retailers at the same time with a purchase or two.

Here’s a link to a handy listing of many of the unique items that are be available (over 500 of them, at this point), with many of them sporting custom covers, colored vinyl and/or bonus items, including posters, art prints, beer cozies, and more!
http://www.recordstoreday.com/SpecialReleases

A quick scan of the list shows me some very cool items including a David Bowie “Changes” picture disc, a Miles Davis 10″ vinyl box set, a vinyl re-release of The Doors’ Strange Days that features a cardboard sleeve/insert made at the same factory that printed the original in 1967 and, to plug a local recording, Blitzen Trapper’s live recording (recorded at the Doug Fir Lounge here in PDX) of their take on Neil Young’s Harvest LP which sports a smartly-done remake of the original cover image as well. I also saw that, at Terry’s store, anyone who buys a copy of the new Best of the Grateful Dead 2-CD set will also take home a limited-edition print of the Skeleton & Roses cover art – just one of the many examples that should motivate us all to make a beeline to the record store this weekend.

2) Foo Fighters front man Dave Grohl is this year’s ambassador for Record Store Day, and he’s pitching in with a special edition 4-song 10″ vinyl record called Songs From The Laundry RoomUSA Today reporter Patrick Ryan has posted an interview with Mr. Grohl in which he spouts off about his love for all things vinyl, sharing info on the first record he ever purchased, time that he spent at record stores growing up and why he thinks that today’s youth has become enamored with vinyl (hint – besides the music, it has something to do with ALBUM COVERS!). Enjoy the entire interview via the link – http://www.usatoday.com/story/life/music/2015/04/15/dave-grohl-foo-fighters-record-store-day-2015/25749947/

April 16th – For those fans of album art from the “heavier” side of the aisle…

1) The fantastic art of Frank Frazetta is featured in a new exhibition that opened April 17 at the Metropolis Gallery in NYC. This is the first such showing of the late artist’s work in the area and is the centerpiece of the gallery’s grand opening activities. Comic book fans have long-known about the gallery’s parent company – Metropolis Collectibles – as the largest vintage comic dealer/auctioneer, so with the opening of this retail gallery and the showing of Frazetta’s work, fans of comics, fantasy fiction and album covers will all have something great to see. The show is in good hands as the gallery’s curator is Rob Pistella, who was Frazetta’s business manager until the artist’s death five years ago. One of the paintings on display will be his iconic “Death Dealer“, an image best-known by classic rock fans for its use on the cover of Molly Hatchet’s 1978 debut album. More details on this show are available on the PR Underground site – http://www.prunderground.com/frazetta-exhibit-at-metropolis-gallery-in-new-york/0056240/

2) Billboard’s Christa Titus gives us a nice overview of the new book by Tampa, FL-based writer Ramon “Oscuro” Martos (well-regarded for his ongoing MetalUnderground.com series about the album art featured on heavy metal music recordings) titled And Justice for Art: Stories About Heavy Metal Album Covers, just released by publisher Dark Canvas/Handshake Inc.. The book includes the stories behind over 50 memorable metal covers and explores the wide range of styles and subject material featured in these images. While blood, fire and decay are prominently featured, there have been some beautifully-disturbing covers as well, so it is nice to be able to better-understand – in the words of the people who produced these works – their underpinnings and back stories. Whatever you might think of the subject material, there’s no denying the artistry often on display…

http://www.billboard.com/articles/columns/rock/6524434/and-justice-for-art-book-metal-albums

April 15th – A pretty interesting day in album cover news, I think…

1) German illustrator Uwe De Witt has two passions – comic book art and music – and it was with great pleasure that I discovered this article on his recent efforts to re-imagine classic album covers, this time substituting comic book heroes and villains for the characters found on the original covers. I think that he’s done a fantastic job in both selecting the covers he wanted to do and then producing the remakes in an entirely believable fashion. In Ben Kaye’s article on the Consequence of Sound (COS) site, you’ll see examples of records for Aerosmith, Gorillaz, Lou Reed, Nikki Minaj and others. I was particularly impressed with his take on the cover for the West Side Story soundtrack, originally by Saul Bass, but now featuring Daredevil! See the rest at http://consequenceofsound.net/2015/04/artist-reimagines-classic-album-covers-with-comic-book-heroes-and-villains/

2) In another story where an artist has been motivated by dual passions (this time, hip-hop music and professional basketball), you’ll find the details of Jesse Nunez’s recent efforts to re-do well-known rap/hip-hop album covers, replacing the original people featured on the cover with images of NBA stars including James Harden, Russell Westbrook, Carmelo Anthony, Derrick Rose and others. Laker fans will either love or hate what he’s done with putting the (nearly-expired – sorry, Mark) Kobe Bryant on the cover of a memorable Notorious B.I.G. album…see the rest of Nunez’s work on his Behance site – https://www.behance.net/gallery/25007927/Album-Art-Recreated

3) The annual Florida Music Festival in and around Orlando was enhanced by a new exhibition of the work of photographer Jim Leatherman that launched on Thursday, April 16 at the City Arts Factory, running through May 15th. Leatherman’s photos have been featured in many articles, books and several album covers, with a lot of his best-known work chronicling the 1980s indie-rock scene (Sonic Youth, Red Hot Chili Peppers, Archers of Loaf and others), and it was the support from his many fans (via a recent GoFundMe campaign) that provided the incentive for the staging of this show. Ashley Berlanger’s article in the Orlando Weekly gives you the details – http://www.orlandoweekly.com/Blogs/archives/2015/03/06/gritty-stunning-underground-rock-photographer-jim-leatherman-finally-gets-a-gallery-exhibit

April 14th –  1) With all of the attention the media has been giving to Hillary C. lately, it is also important to note the role that women have played in the making of famous album covers and, with the help of Mike McPadden and the crew at VH-1, they’ve made that easier to do by publishing an article titled “True Stories of Women On Classic Album Covers”. The article tells us the stories about some of the women that have been featured on records by a wide range of musical acts, from Bob Dylan to Black Sabbath, Blink-182 to Roxy Music and many others. You’ll find photos and illustrations of girlfriends, models, porn stars, etc. but, surprisingly, not one politician! Learn more about the ladies that have been featured in some of the most-memorable covers in rock ‘n’ roll history via the link – http://www.vh1.com/music/tuner/2015-04-06/women-on-classic-rock-album-covers-true-stories/

2) The Trocadero Art Space in Sydney, Australia hosted a show that ran through April 25th in their  Galleries 1&2 (guest-curated by photographer Brendan Lee) called “Turn Up Your Radio” that featured artworks created by musicians. As you know, many musical performers have also displayed their chops as visual artists, and this collection of images – which is accompanied by a playlist also created by the participants – gives visitors a chance to see how 15 of the country’s most-talented (i.e., multi-talented) artists have chosen to express their feelings visually about pop/contemporary culture today. More info is available at http://www.trocaderoartspace.com.au/uncategorized/gallery-12-apr-11-24-turn-up-your-radio-by-guest-curator-brendan-lee/

3) For his 60th birthday, photographer Anton Corbijn received a fine gift – that of an exhibition of his photos of U2, Nirvana, the Rolling Stones and many others that is featured in not one but two museums in The Hague, in Corbijn’s native country of Holland. The retrospectives – titled “Hollands Deep” and “1-2-3-4” – run until June 21 at The Hague Museum of Photography and Gemeentemuseum. While the 1-2-3-4 show is a more-traditional showing of his celebrity photography, Holland’s Deep is unique in that it features photos of Corbijn himself – dressed as some of his favorite musicians, including Elvis, Hendrix, Cobain and others – all taken in his home town of Strijen. You can read more about both shows in this recent ArtDaily article – http://artdaily.com/news/77713/Dutch-master-lensman-Anton-Corbijn-toasts-60-with-new-expos-at-the-Gemeente-Museum-in-The-Hague

April 13th – 1) The works of three well-known photographers who documented the emergence of the rap/hip-hop scene in NYC are featured in a new exhibition now running at the Museum of the City of New York. Titled Hip-Hop Revolution: Photographs by Janette Beckman, Joe Conzo, and Martha Cooper and curated by Sean Corcoran, who produced the exhibition as Curator of Prints & Photographs for the Museum, the show (which runs through September 13th) includes over 80 photos taken between 1977 and 1990 and features images of many of the people that led the way for hip-hop’s birth and ultimate adoption as an integral part of Pop Culture. You’ll find photos of “Afrika Bambaata, Kool Herc, and Cold Crush Brothers, breakers like Rock Steady Crew, and breakout acts such as Run DMC and the Beastie Boys”, among many others. Beckman was also responsible for memorable cover images for The Police, Squeeze and other New Wave artists before “crossing the Pond” to cover the excitement in late 1970s New York City – more about this in this ArtDaily article –
http://artdaily.com/news/77613/Exhibition-presents-historic-early-days-of-hip-hop-culture-and-music

2) Read a fascinating article on the PopMatters site by Elodie A. Roy titled “The Curious Art of Wrapping Music” that takes us through an early history of music product packaging before taking us on a tour of modern approaches to the subject including – which was new to me – a DIY Album Art scene that grew in the U.S. and Europe after the days of punk. The author believes that there’s a section of modern music buyers that will respond very positively to the availability of physical products, particularly those that are packaged attractively. With the rise in popularity of both vinyl records and hand-published “zines” (with some being packaged with CDs of music that accompanies and/or complements the editorial), she presents a compelling argument, don’t you think? http://www.popmatters.com/column/191453-the-curious-art-of-wrapping-music/

3) Finally, in a nice example of an album art creator’s willingness to do just about anything to work with a music industry client to produce a memorable cover image, here’s a link to Ryan Middleton’s story on the Music Times site about photographer Sandy Kim and her recent efforts to work with rapper Young Thug on a cover image for his new release titled Carter 6. He had ideas, she had ideas; she wanted him naked on the cover – guess what he wanted? Follow this through to it’s interesting end via the link at

http://www.musictimes.com/articles/34932/20150408/young-thug-carter-6-cover-photographer-naked.htm

April 10th – 1) Designer/artist James Marsh, well-known for the beautiful and beguiling illustrations for Talk Talk, Steeleye Span and others, has just released a collection of new (and affordable) limited-edition prints in a series that he calls, smartly, “Small Edition Prints”. There are 15 new images in the series, with designs that run the gamut from geometrics and Vasarely-like forms along with Marsh’s well-regarded blends of fantasy and realism. In signed/numbered editions of 10 8″ x 8.5″ prints of each design, collectors can own these for less than $100 each (£62), including postage. To see these new items, along with his other collections, hop on over to his site at http://www.jamesmarsh.com/fine-art/small-edition-prints/

2) If you were anywhere near the Meadowlands Expo Center in New Jersey on Saturday, April 12 at 4pm EST, you had the chance to meet and hear a presentation by one of rock music’s most-respected designers – John Van Hamersveld. Mr. Van Hamersveld – the designer responsible for the covers for Magical Mystery Tour by The Beatles, Eat To The Beat by Blondie and Exile On Main Street for the Rolling Stones (among others) was at the East Coast ComicCon and was interviewed by Cliff Galbraith in a session titled “John Van Hamersveld : Album Covers and Posters That Rocked The World”. John’s contributions to rock & roll imagery are truly notable, as is his perhaps best-known “Endless Summer” poster, a must-have for any fan of surfing..Get the details on the convention’s site at http://eastcoastcomicon.com/panels

3) To follow-up an earlier post about upcoming auctions that feature rock music imagery, I would be remiss to leave out one that took place April 18 in Los Angeles that featured an image well-known to Beatles fans – yes, for the right price, you could have become the new owner of the cardboard garden gnome that is standing next to George Harrison on the cover of the Sgt. Pepper’s album! A possession of one of photographer Michael Cooper’s assistants, the Sir Peter Blake-designed gnome stands about 20″ tall and has been signed by all four Beatles. You’ll find this item amongst the many being offered in the ’ Entertainment and Music Memorabilia Signature® Auction hosted by Heritage Auctions in Beverly Hills. Pre-auction online bidding was at around $14,000 at the time I posted this news (with a pre-auction estimate of $25,000), so it was interesting to see what fans were willing to cough up to own the very unique bit of album cover history (see results in the update, below). More on this in writer Jamie Bowmans article on the Liverpool Echo site – http://www.liverpoolecho.co.uk/news/showbiz-news/cardboard-garden-gnome-signed-beatles-9013670

Beatles Sgt. Pepper’s Album Cover Garden Gnome auction update – some lucky (and, luckily, wealthy) Beatle fan was the winner of a recent auction for this rare bit of Fab Four memorabilia, with the final price paid going well over the pre-auction estimate of approx $16,000 (£11,000). The final price paid – $43,000 (£29,000) – and for that money, the new owner gets a group-signed item designed by leading British Pop artist Sir Peter Blake. I’m hoping that the cardboard cut-out of Edgar Allen Poe comes up for sale at some point but, until then, I’ll just congratulate Mr. or Ms. Anonymous Auction Bidder. Read the rest of the details in Callum Paton’s article on the Daily Mail online site – http://www.dailymail.co.uk/news/article-3049171/Garden-gnome-featured-Beatles-iconic-Sergeant-Pepper-s-album-cover-sells-29-000.html

April 9th –  1) An album cover “newbie” is responsible for the artwork for The Prodigy’s latest release titled The Day Is My Enemy. When frontman Liam Howlett saw a book by designer Nick McFarlane while touring an art gallery, one look was all it took and Howlett contacted McFarlane at the Auckland, NZ ad agency he works at to ask him to collaborate on the album’s cover image. 166 comps later (!!), the final design was agreed upon and, since its introduction, it’s been getting a lot of attention. The image of a fox looking for shelter in an urban wasteland was so strong that the band staged an event in early April where they projected the cover image on another well-known album cover icon – i.e., the Battersea Power Station in London (featured on Pink Floyd’s Animals) at a promo event there. You can read an interview with the designer in this article on the New Zealand Herald‘s web site – http://www.nzherald.co.nz/entertainment/news/article.cfm?c_id=1501119&objectid=11426537 and see images of the cover projection event on the NME site via this link – http://www.nme.com/news/the-prodigy/84194

2) Over the weekend  of April 11 & 12, fans of art and music had a unique opportunity to add one of over 700 Grateful Dead-related items to their personal collections from the selections being offered at Donley Auction Service’s “Grateful Dead Family Jubilee Auctions, Parts 1 & 2”. Album and poster art fans were particularly happy to see a number of items offered featuring the works of artists including Stanley Mouse, Alton Kelley, Phil Garris and Rick Griffin. With so many items to sell, the auction was divided into two collections, with each day’s catalog packed with items such as:

Saturday, Part 1 – Rick Griffin’s preliminary artwork for the image he created for the band’s 1981 album Reckoning (opening bid $4500 – sold for $4500); a Stanley Mouse oil painting titled “Whiskey Skeleton & Guitar” for a project that was never published (pre-event estimate $25,000 – sold for the bargain price of only $4500) and Phil Garris Blues For Allah and Play Dead prints ($400 opening bid for the pair, which was also the final sale price), plus others…

Sunday, Part 2 – Two Mouse watercolors of the artwork for Workingman’s Dead – one large, one small – with online bids currently at $1100 and $500 (ultimately selling for $1900 and $1200 respectively) and two Griffin AOXOMOXOA prints, including a very rare 1st edition which had an opening bid of $3750, a pre-auction estimate of $8-10,000 and, unfortunately, was left unsold).

Pop on over to the auction’s Proxibid site to see the results of both days worth of fascinating Dead memorabilia – Day 1 – https://www.proxibid.com/asp/Catalog.asp?aid=91369 and Day 2 – https://www.proxibid.com/asp/Catalog.asp?aid=93716

3) Bringing me back to the days of Windows 3.0 (with multi-media extensions) and CD-ROM-based entertainment, there’s a new “interactive video” up to help promote the release of the re-mastered Led Zeppelin catalog that features a clickable Physical Graffiti cover image and the music from an updated version of “Trampled Under Foot” called “Brandy & Coke”. Clicking on each of the windows unveils a media clip – images, animations, videos, etc.. Now, if they only let you walk down the building’s hallways in very slow 3-D fashion, they might have the makings of a new-style “Myst For Boomers” 😉 More on this on Fast Company‘s design site at http://www.fastcodesign.com/3044616/interactive-led-zeppelin-ice-medusa-azealia-banks-the-weeks-best-music-videos

April 8th –  Three for the rock photography fans in the audience:

1) A 30-year retrospective showing (titled “Rock ‘N’ Roll Lens”) of the work of photographer Jimmy Steinfeldt  opened Thursday, April 9th at 7PM with an artist’s reception at the Mr. Musichead gallery in Los Angeles. Steinfeldt’s credits include shots for the album packages for a long list of noted musical acts, including The Replacements, Kim Wilson, Dee Dee Ramone, Vince Neil, LA Guns, Bob Mould and a host of others. His live-action and editorial work has been seen in Rolling Stone, SPIN and other publications, so if you’re in the area and want to see more of the work by one of rock’s better-known shooters, bop on over to this Hollywood institution – more details at http://mrmusichead.com/?p=13384

2) The growing music scene in Manchester, England in the mid-1980s was dominated by the presence of several hot bands including The Fall, New Order and Mr. Morrissey’s band The Smiths, and with the addition of new clubs and a concerted effort to establish the local cultural scene, some folks felt that the city’s uniqueness was being threatened. With a new album – to be titled The Queen Is Dead – ready for release, the band hooked up with photographer Stephen “Steve” Wright in an effort to come up with some imagery that would show “the real Manchester” and, as a result, one of rock’s most-enduring photos was created. Writing for The Quietus site, Mick Middles talks to Mr. Wright about the inspiration and effort behind the making of this well-regarded image – http://thequietus.com/articles/17532-salford-lads-club-the-smiths-photo

3) The career of photographer Michael Halsband, perhaps best-known for his photo of Andy Warhol and Jean-Michel Basquiat looking as though they were ready for some serious boxing, is the subject of a new show that was on display until April 25th at the National Arts Club gallery in NYC. Born, raised and trained in New York, since the 1970s Halsband has been commissioned by publications such as GQ, Interview, Rolling Stone, Vogue and others to provide memorable portraits of celebrities in the worlds of entertainment, politics and fashion, with album cover credits in his portfolio for artists including INXS, Iggy Pop, Klaus Nomi and Northern State. Read more about the artist and the show in this article on the Art Daily site – http://artdaily.com/news/77611/Survey-of-portraiture-by-American-photographer-Michael-Halsband-on-view-at-The-National-Arts-Club

April 7th – 1) Just received updated news on a new album cover art-related product line I reported on last year. Designer Astrella and her husband Jason have released the first group of “Musical T’s” – i.e., deluxe t-shirts featuring licensed designs of your favorite covers that come with an ingenious new bonus – embedded technology called “Activation Tech” that gives buyers exclusive access to related digital downloads! The shirts will first hit the shelves at selected Bloomingdale’s stores in the U.S. in May and, according to an email I received from Jason, the initial releases will include:
Queen – News of the World
The Who – A Quick One
Elton John –The Diving Board
The Spencer Davis Group – Funky
Slightly Stoopid – Best Of
The Vandals – Peace Through Vandalism
Drake Bell – Ready Steady Go
Miles Davis – Blue Moods
John Coltrane – Lush Life
John Lee Hooker – The Country Blues
Thelonious Monk – The Unique Thelonious Monk
If you’d like to learn more about this new line and the people behind it, Matt Hamblins recent article on the ComputerWorld site provides a nice intro – http://www.computerworld.com/article/2905301/musical-ts-combine-album-art-with-a-one-time-download.html
Jason also forwarded a link to an ABC news story about the product from Fashion Week –
http://www.kesq.com/all-star-band-performs-at-fashion-week-el-paseo/31988608
With celebrities from all across the music spectrum – including Matt Sorum, Carmen Rizzo, Tommy Flanagan and NSYNC’s Lance Bass – modeling the shirts, these are bound to find themselves into a lot of rock and roll wardrobes, don’t you think?

2) The nice people from the U.K.’s “Cover Club” asked me to announce that their third installment in their album cover designer interview event series took place at 8pm on Thursday, April 9th at the Ace Hotel in London’s Shoreditch area. The featured guest speaker was designer Lewis Heriz, best-known for his role in (according to their release) “forging the reputation of Soundway Records as one of the most forward-thinking re-issue labels in the world.” A DJ will be on-hand at this free event and will be playing selections from albums that feature Mr. Heriz’s handiwork, including tracks from Drum Talk’s latest.
http://blog.lewisheriz.com/post/113447620077/cover-club9th-april-8pm-ace-hotel-100-shoreditch
Cover Club’s producers also announced that cover designer Ian Anderson – founder of the Designer’s Republic studio and one of the people responsible for the visual aspects of the Warp Records catalog (Cabaret Voltaire, Pop Will Eat Itself, etc.) – would be the featured speaker at a special-edition Cover Club event that took place in late April (as late as May 1) at the Pick Me Up design and illustration festival at London’s famed Somerset House arts & culture center. More info on this as it is made available…

April 6th – 1) Just got a newsletter from the talented team at Storm Studios in which they were promoting a new edition of a book that features more info on the work that the late Mr. Thorgerson and Company had done for one of their best-known clients – Pink Floyd – so I thought that I’d share the details with you. The newest edition of Mind Over Matter: The Images of Pink Floyd is a nearly 300-page book that gives you a very-detailed (and beautifully-illustrated) look behind the scenes of the making of the album covers we all know and love – I’m also impressed with the new cover image they created for the book, featuring FIVE of the famous DSOTM prisms! Published by Omnibus Press, it’s available through all of the major book-sellers – http://www.omnibuspress.com/Product.aspx?ProductId=1105659

2) Almost as well-known to album cover aficionados is the work that artist Hugh Syme has done for Canadian rockers Rush, and so it is with much excitement that I’m pleased to be able to let you know that you can now pre-order your copy of a soon-to-be-released, 272-page coffee table book (with text and interviews by journalist Stephen Humphries) titled The Art of Rush. Working together for 40 years, the band and Mr. Syme have created many a memorable album image, with much of the pre-Photoshop imagery leaving fans amazed and impressed (and other designers asking “how the heck did he do that?”). The reporters at Blabbermouth.net give us a preview on this much-anticipated tome – http://www.blabbermouth.net/news/the-art-of-rush-book-coming-soon/

3) Growing up in Chicago, my radio was pinned to WXRT, so it was with great pleasure that I read a recent article by one of the young staffers “stoking the flames” of classic rock there (Molly Olsem) titled “10 Of The Most Iconic Album Covers & Their Back Stories”. Molly has put together a nice selection of covers old (The Beatles’ Rubber Soul and Warhol’s famous “banana cover” for The Velvets & Nico, for example) and newer (covers for Radiohead, Beck and Wilco are included) and gives us a bit of info about each was made, so let’s support Molly’s efforts to keep her audience in the know about classic cover imagery by clicking on over to her story on the station’s web site at http://wxrt.cbslocal.com/2015/03/26/10-of-the-most-iconic-album-covers-and-their-backstories/

April 3rd – 1) Fans of rock photography had a chance to see (and own) a display of examples of some of the best-known photo images in rock and roll history at the Joel Brodsky exhibition at the Morrison Hotel Gallery in NYC that was on display until April 14th. Although Brodsky passed away in 2007, his widow Valerie has worked hard to produce a series of art prints of some of his best-known works, including what is perhaps his best-known photo – that of The Doors’ lead singer Jim Morrison in what has become known as the “American Poet” pose that was included on the cover for the band’s debut album in 1967. With over 400 album cover images to his name, it is no wonder that writer Chris Sommerfeldt (in an article written recently for the Resource Online site) was impressed when he found himself surrounded by some of the most amazing examples of rock photography ever put on display – http://resourcemagonline.com/2015/03/fire-lower-east-side-joel-brodsky/50200/

2) Designer Paula Scher’s portfolio of well-known album cover images is truly impressive but, with hundreds of covers to her credit, even she admits that there were some projects that were better-done than others. It is surprising to find out, though, that one of rock music’s best-known cover images – that being the fleet of flying guitar-shaped ships found on the illustration Ms. Scher and Roger Huyssen developed for Boston’s debut LP – is, in her opinion, “a mediocre piece of work” (!!). Writing for The Atlantic‘s web site, art/music historian Steven Heller gives us the story about how this work was created and, regardless of its creator’s feelings about it, continues to be (39 years later) an important icon of the band and the era they launched their careers in – http://www.theatlantic.com/entertainment/archive/2015/03/the-immortality-of-the-more-than-a-feeling-cover/388739/

3) While we in the Western World are typically free to view – and then respond to – the works of art featured on our favorite music recordings, that is not the case in some countries around the world and, in James Gordon’s recent piece written for the U.K.’s Daily Mail site, we’re given a chance to see how the covers for recent releases by some of the most-popular musical acts in the world have been made “more palatable” for consumers in the Middle East and parts of Asia. You’ll find examples of before/after artwork for Christina Aguilera, Mariah Carey, Lady Gaga, Madonna, Kylie Minogue and Katy Perry and learn about the efforts by local censors to save the sensitive eyeballs of their local constituents from burning in wherever they go locally to burn – http://www.dailymail.co.uk/femail/article-3011459/Record-companies-censor-sexy-album-covers-sold-Middle-East-not-offend-religious-beliefs.html

April 2nd – Happy to (finally!) be announcing the publication of my newest interview featuring Susan Archie, one of this year’s Grammy winners in the packaging categories. If you haven’t yet seen the product package that Susan and her fellow team members produced for The Rise & Fall Of Paramount Records, Volume One (1917-27), released by Third Man Records/Revenant Records, “you ain’t seen nothing yet!” This was most-certainly a labor of love for everyone that participated in the project – how else can you explain the amazing details and information you get in the set (which comes packaged in a hand-tooled walnut case!)?

I’d like to thank Susan for her time and patience as we worked together to provide music packaging/cover art fans with a most-compelling tale about an effort to bring collectors a box set unlike any you’ve ever seen – enjoy the story and, if you feel like sharing, please do…

https://albumcoverhalloffame.wordpress.com/2015/04/02/interview-with-susan-archie-2015-grammy-award-winning-designer/

That’s all for now – look for updates every week day on our news feed – https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back next month with another summary for you.