Album Cover Hall of Fame News Update and Link Summary for January, 2023

Album Cover Hall of Fame’s News Update and Link Summary for January, 2023

Posted New Year’s Day, January 1, 2023 by Mike Goldstein, AlbumCoverHallofFame.com

Greetings to you all, and a Happy New Year 2023 to you and yours!

Hope that you all enjoyed your Holidays and have much to look forward to this upcoming year. While we were all involved with our celebratory efforts, efforts continued on several fronts to help determine everyone’s favorite album cover/packaging work of the past 12 months, with voting taking place in several name-brand competitions. The results of those contests will be released in ceremonies taking place in January and February and you can be sure that they’ll be highlighted here on the ACHOF site.

2023 will also be one of change here on the ACHOF site. As you know, for the past 10+ years, we’ve involved both our readers and our anonymous panel of experts in our own nominating/voting efforts in order to select people – i.e., the designers, photographers, art directors, etc. working in the music business and creating retail album packaging – for special honors, and while those efforts have produced lists of artists who’ve all built impressive portfolios of work in their respective areas, it has been an effort that – at least to me, this site’s principal – has distracted me from the main focus of the site, that being to give my readers in-depth interviews, information and ongoing coverage of the output of these talented individuals and design teams. With that said, I am announcing that, going forward, I’ll be working on creating a new site where the general, artist-specific info (bios, interviews and news) will go, with the “hall of fame”-related materials remaining on the albumcoverhalloffame.com site. More details on that effort will be announced soon, but I thought it important to share my intentions with you now with the hope that you’ll provide me with some feedback and suggestions as to how best to move forward.

Anyway, this month’s newsletter is a simple summary of the news in all of the main topic areas, with updates and info about several museum/gallery exhibitions, new auctions and sales results from previous ones and a large number of art and artist-related articles, so I’d like to once again say “thanks” for your help, your support and your patience while I work to get this site set on its new track in the long and short-term. Let’s get started with some updates on the award shows currently in progress:

Album Cover Hall of Fame News Update and Link Summary for December, 2022

Posted December 1, 2022 by Mike Goldstein, AlbumCoverHallofFame.com

Greeting to you all – nice to see you all again!

Once again, I have to apologize for leaving you without an update for the month of November, but my wife and I decided to brave the travel scene to complete a vacation trip we’d started in late 2019 that had to be truncated a) by a death in the family and b) that crazy COVID-19 thing that shut things down a bit for a year or two. This journey, which took us to NYC and then over to the U.K. and Ireland, was quite restorative and, I must admit, was timed so that we’d be out of the country on November 8^th so we’d be able to have some distance between us and the pre-and-post-election media madness for a while. Of course, there was no escaping the news, but at least it was offset by all of the excitement that took place in the UK’s government while we were there, and we enjoyed the scenery/people/food there so much that it kept us in the right frame of mind, allowing us to return after a month with some degree of sanity and appreciation of life’s better things in tact.

Of course, during our travels we came across a number of album/music art-related things that added to the overall enjoyment of the experience, including a visit to the site of the new (set to open in its entirety in 2024) Universal Hip-Hop Museum in the Bronx Marketplace (NYC), with a tour provided by the museum’s director, Rocky Bucano; a visit to Liverpool, England (our first) that included an escorted overview provided by designer/author/all around great guy Andrew Dinely (of the Soft Octopus design studio there) that also included a stop at the British Music Experience – an “immersive exhibition” that takes attendees through an illustrated (via memorabilia, videos, etc.) review of the immense and diverse pop music scene in the U.K., from its beginnings in the 1950s through the most-recent BRIT Award-winning artists, and several other finds along the way (such as a memorial sculpture dedicated to the late Irish rock guitarist Rory Gallagher). I’ll be including brief articles about that as I unpack the info gathers and photos taken over the course of the next month or so.

Of course, while I was away, the first ACHOF Reader’s Poll took place, and the results of the voting will be shared a bit later in this newsletter. At the same time, another major album art-related poll – Art Vinyl’s Best Art Vinyl Awards – began gathering votes on its site (see more on this a little later as well) and the Recording Academy here in the U.S. released the names of the nominees for their upcoming Grammy Awards voting, with results to be announced early next year. Lots of great art and artistry on display, so it’ll be interesting to see how the voters/voting public responds to the announcements of the top vote-getters in all of these competitions.

A Rare Candid-Yet-Effusive Art Book Overview By ACHOF’s Mike Goldstein

Serious Play 2-book set by Larry Vigon

posted February 24, 2022 by Mike Goldstein

I’m not a critic. In my mind, to be a critic, you need to know a lot about a topic and, to make your criticisms more believable, you should also have some first-hand experience and/or expertise in the creation of some things similar to what you might be expressing your opinions about. While the word “critic” is first defined (on dictionary.com) as “a person who judges, evaluates, or criticizes” (with the definition then expanded to “a person who judges, evaluates, or analyzes literary or artistic works, dramatic or musical performances, or the like, especially for a newspaper or magazine”), it’s the third definition that’s given – “a person who tends too readily to make captious, trivial, or harsh judgments” or a “faultfinder” that seems to better-define many of today’s professional critics in the arts and, for that reason, I’ve stayed away from really ever saying anything critical about the work of the people I cover on the ACHOF site.

Of course, it can be said that I do make value judgements when deciding what to include on the site or in my monthly news postings, and I really can’t argue with that. Editors and writers are critics by default, since we’re choosing to present a story (or a character in that story) from our own unique viewpoints, but I’d like to think that I’m presenting people and their stories in such a way that you as the readers are given enough basic information so that you then can make up your minds as to whether a story has been worth your time and/or has left you with some sense of satisfaction having learned something new and exciting (even when the subjects might have been well-covered previously). I’ve made one example of this – any article I find in which has been headlined something along the lines of “the Top 10” or “the 25 best album covers of all time – a running joke in my writing over the years, as I’m sure some of you have noticed. Yes, people are entitled to their opinions but, in most cases, scant thought or evidence of any specific method of how these “best” things are determined is ever presented and so, in those cases, I’ll either present them to you with a short-but-snarky intro or, perhaps more often lately, I’ll leave them for you to stumble across in some other fashion.

ACHOF Featured Album Cover Artist Portfolio and Interview with Art Director Larry Vigon

Album cover hall of fame’s Featured Album Cover Artist Portfolio and Interview with Art Director Larry Vigon

By Mike Goldstein, AlbumCoverHallofFame.com

Posted February, 2020

In my wife’s list of “all-time favorite albums”, Fleetwood Mac’s smash hit Rumours is certainly in the Top 5, up there with great records by Carole King, Linda Ronstadt, David Bowie and Queen (I did confirm this list with her, correcting it as needed but, after 40+ years of togetherness, I’m happy that I initially got most of the list right). Even a prog rocker like me found much to appreciate in the band’s music (how can you not like Lindsay Buckingham’s wailing guitar solo at the tail end of “The Chain”?) and, after sales of over 40 million copies world-wide (over 20 million in the U.S. alone) since its 1977 release, it must also be considered as having one of the most-seen album cover images of all time. Of course, most of us will recall the arresting Herbie Worthington photo of the very tall Mick Fleetwood, with foot raised on a small stool (and what exactly were those balls seen dangling between his legs?) standing next to the mysterious, black-veiled form of one of the group’s two new members, Stevie Nicks. Those of us, though, who appreciate fine design were just as taken by the beautifully scripted logo/title found on the cover, which I later found was done BY HAND by Larry Vigon, one of this year’s inductees into the Album Cover Hall of Fame in the Art Director category.