Tag Archives: Mick Rock

Album Cover News Recap for May, 2016

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ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF MAY, 2016

It’s the first day of June, 2016 and perhaps you’re just noticing and saying to yourself  “you know, it’s been a while since I’ve seen a monthly summary on the Album Cover Hall of Fame site”. Well, in truth, it has been a while – yours truly was away from the office for a period of a couple of weeks in late April/early May and, unbelievably for an American, I chose NOT to work through my trip and, instead, chose to relax (“how dare you!”). At the same time, I decided to modify both the form and frequency of my album cover news summaries, the result of which you’ve seen the past few weeks and hope that you’ve enjoyed. Rather than daily missives, you’re getting a summary once a week (on Fridays, with the occasional timely updates inserted as needed), with each week’s news broken into several categories (the human mind loves to categorize, so I’m just giving you a head start in that effort). With this month’s summary, I am going to introduce a format chance that more closely follows the weekly updates, with news stories divided up into those same categories, making it easier for you to focus on the topics that might be more interesting to you than others. I am hoping that these changes increase your enjoyment of the monthly summaries – of course, if you have any concerns or suggestions, I do hope that you’ll contact me (curator@albumcoverhalloffame.com) and let me know how I might better deliver the ongoing supply of album art/artist-related content I’m dedicated to providing you on an ongoing basis.

So much has happened since we last chatted – even with the media circus that dominates our daily news feeds (#1 – “It hurts when I watch this.” #2 – “So don’t watch this!”), the people that make our favorite album imagery continue to draw interest from fans and the press, so there’s been an ongoing stream of articles, interviews and the like on a wide range of related topics:

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Album Cover News Recap – September, 2015

Album Cover Hall of Fame’s Album Cover News Recap – September, 2015

It’s October 2015 and we’ve been rewarded for our having withstood a wild Summer with an amazing “SuperMoon” display recently. Some of the larger local fires are now under control, but the album art world continues to burn up the news wires, with September stories featuring a steady stream of interviews, features, book releases and gallery/museum show items finding their way into our news feeds. In the following paragraphs, I’ll try and provide you with some highlights and updates, but it’ll be up to you at that point to complete your review of this impressive list sure to please album art fans everywhere.

There were interviews galore  – in print and on video – with the talented men and women who’ve enriched our lives by creating memorable  album cover art, including principals from the FUEL Design Group, photographers Mick Rock, Henry Diltz, Pattie Boyd and Bob Gruen, Sir Peter Blake discussing his new Dazzle art mash-up app and a group of designers who share their favorite Rolling Stones covers and how they’ve influenced their own works.

In the fine art book category, artists and their publishers enticed us with new releases, with monographs featuring the works of Mick Rock (photos of early-stage David Bowie & Friends), Ringo Starr (with a new book of Beatles photos), Jazz Record greats, Brian Griffin (taking on a very thought-provoking subject) and punk/grunge-era designer Art Chantry, who warns prospective design students about the dangers of working in the music business.

There were a large number of exhibitions and shows built around rock-related imagery that premiered during September, with museum curators and gallery owners around the world displaying collections that show a broad range of album art and related imagery. You’ll find the details about current and just-completed exhibits such as Mick Rock’s photos of David Bowie at the Taschen Gallery in LA, Baron Wolman’s photos on display in a Louisville, KY distillery, David McClister’s photos at the Bluebird Cafe in Nashville, an upcoming display in Hoboken, NJ to commemorate the 100th birthday of Frank Sinatra, Michael Miller’s display of West Coast Hip-Hop/Rap icons in Orange County, CA, Robert Knight & Maryanne Bilham’s photos in Las Vegas, Henry Diltz & Pattie Boyd’s multi-city photo show, Michael McCartney’s photos in Liverpool (where else?), a collection of photos of Bruce Springsteen up at Monmouth College and a show of Albert Watson’s fascinating collection of shots taken with a Polaroid camera.

Other stories included Rachael Stevens’ monthly record sleeve overview in the Creative Review, several “making of” articles by James Stafford and others (Pantera, The Offspring and Machine Gun Kelley), the release of a turntable/vinyl/book package for young record collectors, a look at an audiophile turntable featuring Queen graphics, Eric Arthurs video presentations of the “Worst Album Covers Ever”, a display of NFL football logos re-imagined as album covers, auctions with art by Andy Warhol, Lee Conklin, Klaus Voorman and the London Features photo syndicate and a teacher who styles his classroom and course materials around the art and music of Kanye West. Of course, I don’t have room to include everything in this summary, so please take a moment to dig through the rest of what’s below – I’m sure you’ll find something that stimulates your interest!

As always, I’m hoping that you were able to take a look at the several new biographies posted on the ACHOF site during the month. I’m prepping to provide as much new info as I can to the expert panel that make up the voters of the ACHOF, with our next class set to be inducted in late November, 2015. And while I know that with all of the distractions caused by global politics, celebrity clothing mishaps and clients that never seem to pay their invoices on time might keep you from checking in with us every day, I’m going to do what I can to help you in your efforts to catch up on news you may have missed while you were forced to do what’s needed to live/work/enjoy yourselves. As I continue to say (every month!), regardless of how hectic your lives may be, there’s no reason that you should go without getting yourselves up-to-date info on one of your favorite topics, so you can be sure that we’ll continue to work every day (except weekends) to prove to you that there’s always something new to see and learn in the world of album cover art, and you know that you’ll find it all here on the ACHOF site (keep your eye on our News Feed for the latest updates).

September 30th – End-of-the-month mish-mash of items for you:

1) In a new “And Justice For Art” posting by Ramon Martos Garcia on the MetalUnderground.com site, you’ll learn more about what must be the ultimate commitment to album cover art – having full-color covers tattooed across your back! In the nicely-illustrated article, you’ll find fans of Metallica, Iron Maiden, Slayer, KISS and others proudly displaying their cover art recreations. Whether they insisted on pixel-perfect duplications or allowed themselves some creative freedom and added/modified the originals to be more to their own tastes, you must admit that these fans have paid tribute to their favorite groups in a way that few other fans would dare – http://www.metalunderground.com/news/details.cfm?newsid=116741

Have any of you gone down this same path?

2) The promo team at the Girls Rock Camp organization has come up with a unique way to raise funds for their efforts – selling prints of re-creations of classic album covers starring some of their own campers. The “Record Remake Project” page shows nicely-rendered images of their takes on record covers originally produced for musical acts including David Bowie, U2, Katy Perry, Kendrick Lamar and several others. My hands-down favorite is their take on Blondie’s Parallel Lines record – little “Debbie Harry” is just so cute! Photo credits are given to Carli Davidson, Melanie Aron, Holly Andres, and Shelby Duncan and print prices begin at $50, with the proceeds go towards the group’s ongoing mentoring efforts –

http://www.girlsrockcampfoundation.org/store/

3) Copper & Kings American Brandy Distillery in Louisville, KY has put together a wonderful rock photo show now running as part of the Louisville Photo Biennial. Launched last Friday (and running through November 27th),  “The Art of Rock: Transcending Sound” features a nice selection of photos by the talented Baron Wolman, along with prints produced by several local photographers. The exhibit was curated by Mary Yates, who collaborated with local photo gallery owner Paul Paletti and several others to procure all of the images now on display in the distillery’s 2nd floor gallery. More info on this show is available in this article by Sara Havens on the Insider Louisville site – http://insiderlouisville.com/lifestyle_culture/copper-kings-joins-louisville-photo-biennial-art-rock-transcending-sound/

BONUS CONTENT – Fans of graphic imagery from the 1990s will get a kick out of this new music video produced by top branding agency Pentagram’s London office for Jesse Hackett’s first single titled “The Dump Run”. Hackett had found a discarded electronic keyboard near a dumpster which inspired him with both its retro sound stylings and the graphics used on its case and keyboard. The Pentagram team took a decidedly early Flash-animation approach to the video, fitting the overall attitude of the cut quite nicely. It caught the attention of the folks over at Fast Company, who introduce it to us via this recent article – http://www.fastcodesign.com/3051400/pentagrams-new-music-video-is-an-ode-to-90s-graphic-design

Oh how I miss those days of Macromedia Director/Shockwave on an Amiga…

September 29th –  1) This past weekend, at the DiMattio Gallery in Rechnitz Hall at New Jersey’s Monmouth University, a new photo show debuted featuring an intriguing collection of photographs of NJ music legend Bruce Springsteen shot by photographers Danny Clinch, Ed Gallucci, Eric Meola, Barry Schneier, Pamela Springsteen and Frank Stefanko. Curated by the Grammy Museum, the 45 photos on display work to show The Boss at all stages of his 40+ year career in music-making, from shots of his famed May, 1974 show in Harvard Square thru photos taken for his most-recent release titled High Hopes. To provide a more-intimate experiece for visitors, there are video interviews (produced by the Grammy Museum) of each of the photographers talking about their experiences working with Springsteen. The show, titled Bruce Springsteen: A Photographic Journey, runs through December 22nd, with more info available on the gallery’s site at http://www.monmouth.edu/templates/EventDetail.aspx?id=40802203509

2) Multiple award-winning photographer Albert Watson, the man responsible for a long list of great album cover images over the past 40+ years (you’ll recall his covers for Carly Simon, Sade, P.M. Dawn, L.L. Cool J and many others), is the subject of a new show that focuses on a select grouping derived from over 100,000 Polaroid photos he’s taken of a huge range of subjects. On display now through October 24th at the Christophe Guye Gallery in Zurich, Switzerland, ‘Roids! shows Watson’s process as he first used the inexpensive instant camera to help him set up shots he’d envisioned to later using scanning technology to take the medium’s unique image qualities to an even-higher level via a series of large-format prints he’s created. You can read more about the man and this show via this recent article in L’Oeil de la Photographie magazine – http://www.loeildelaphotographie.com/2015/09/21/exhibition/29726/zurich-roids-by-albert-watson-at-christophe-guye-gallery
Of course, I’m hoping that the show’s title is a clever play on words and not one of those situations where the English gets lost in translation…

3) “Why did the Dalek cross the road”, you ask? You’ll have to talk to the Doctor who, in this case, is Doctor Who. It seems that the good Doctor and his BBC compadres have stimulated a lot of conversation with their re-creation of the often-imitated Abbey Road album cover, with this one featuring the Doctor, Clara Oswald and two of the show’s mechanical stars. With Clara in Paul M’s position in the image (barefoot, of course), does this mean bad things for her character? Conspiracy theorists have piped in with scores of explanations, so feel free to add one of your own after you’ve seen the image on Jonathan Holmes‘ article on the Radio Times site – http://www.radiotimes.com/news/2015-09-19/doctor-who-does-the-beatles–but-does-this-picture-prove-clara-oswald-will-die
Actress Jenna Coleman (Clara) announced that she’ll be leaving the show, so things are looking grim, wouldn’t you agree?

September 28th – Two interesting auctions and a thought-provoking interview:

1) Fans of psychedelic album art have always cherished illustrator Lee Conklin’s pen and ink “lion” cover for Santana’s debut record, so it’s fun to see a large collection of his poster work up for bidding on the Psychedelic Art Exchange as part of their larger anniversary auction, running now through 9PM EST on October 8th. You’ll see examples of Conklin’s work for Filmore Auditorium gigs by bands including Cream, Buffalo Springfield, Jefferson Airplane, Iron Butterfly and many others – each one a mind-blowing psychedelic masterpiece. Happy bidding!

http://auctions.concertpostergallery.com/catalog.aspx?auctionid=52&searchvalue=conklin&searchby=3

2) As part of their September 29th Rock & Pop auction, the folks at Sotheby’s in London offered a Lot (#105) that included the 58 albums designed by Pop artist Andy Warhol between 1949 – 1987. Two of the examples included in this rare collection – 1967’s Velvet Underground & Nico and The Rolling Stones’ Sticky Fingers from 1971 – are signed by the artist. The lot also included a hand-pulled silkscreen print, nine books, some 7″ single covers and an example of the last cover Warhol was working on (one for MTV’s High Priority album) when he died in 1987 (the design was completed by his studio staff). The pre-auction estimate ranged from $46,700 to $78,000, and fans of Warhol art can still get a closer look via the electronic catalog (“turn” to page 82) – http://www.sothebys.com/pdf/2015/L15414/index.html

Update – the lot detailed above did not sell at this auction, but another lot that featured the contract that The Beatles signed with their manager Brian Epstein did sell for approx. $554,000, a bit above its pre-auction estimate.

3) Designers Damon Murray and Stephen Sorrell teamed to launch the FUEL design group in 1991 and, since then, have established a sterling reputation for their work for clients in the book publishing, TV/print advertising, music and film worlds but, as you’ll read in Andy Butler’s recent illustrated interview with the pair on the Designboom site, you can trace the earliest inspirations back to – guess where – album cover design. They met at design school (Central St. Martin’s college in the U.K.) in the late 1980s and first worked together to produce a magazine titled FUEL as “a vehicle to express ourselves in content and form, a means of reaching a broad audience, not just within graphic design”. I think that you’ll agree that they’ve done a good job of maintaining that approach to doing great work, with their motto being “bad taste is designing with good taste in mind”. Perfect.

http://www.designboom.com/design/fuel-design-group-interview-09-20-2015/ 

September 25th – 1) Major branding alert! The very British rock band Queen has teamed up with very British turntable (what’s that? they ask) manufacturer Rega to create a very unique hardware/content package that is available to collectors and audiophiles as of today (in the U.K.; early October for U.S. customers). The “Queen By Rega” turntable ($650 list), according to the manufacturer, is “a brand new limited edition official turntable to coincide with the release of the re-mastered coloured vinyl multi disc box set.” The design of this unique custom deck includes reproductions of classic Queen logos, including the Freddie Mercury-designed “Queen’s Crest” logos on the platter and the lid bridge. It’s available only thru authorized Rega dealers (not online – more details at http://www.queenonlinestore.com/Queen/Queen-Studio-Collection/Queen-by-Rega-Turntable/4REF056O071), while the “Studio Collection Vinyl Box Set”, which contains remastered versions of all 15 studio albums on 180 gram vinyl and a beautifully-illustrated 108-page book, is selling for $445. http://www.queenonlinestore.com/Queen/Music/Queen-The-Studio-Collection-Coloured-Vinyl-Box-Set/4O1C032M071    Oh, won’t you take me home tonight?

2) One of the highlights of the 4th annual Beatles Festival – held for the first time this year on September 26th in the Strawberry Fields near the junction of the 605 and 60 Freeways near Southern California’s San Gabriel River – was a 3pm (PST) interview featuring the designer of the band’s Magical Mystery Tour album, artist John Van Hamersveld. JVH was there to talk about his designs and also had autographed MMT covers for sale (along with his books on design). The fest also had other art and memorabilia installations, including several 10-foot tall recreations of classic Beatles album art. More on this at the event’s web site – http://www.beatlestributefest.com/schedule.html

3) The works of celebrated photographer David McClister are the subject of a display launched recently in conjunction with the Americana Music Festival in Nashville, TN and hosted by one of the music industry’s best-known intimate music venues, The Bluebird Cafe, a place quite familiar to fans of the hit ABC TV series Nashville. The 32 photo prints on display will include shots of many of the best-known artists who’ve recorded and played in this music capitol such as Willie Nelson, Patty Griffin, Robert Plant, Ryan Adams (whose debut solo LP featured a cover shot by McClister) and many others. The show will be up for several months, and in Dylan Aycock‘s article on The Tennessean web site, you’ll get to meet the man whose 15+ years of photo imagery has made him a respected local asset – http://www.tennessean.com/story/entertainment/music/2015/09/19/americana-photography-exhibit-opening-bluebird-cafe/72471354/ More details also available at the venue’s site –
http://bluebirdcafe.com/viewArticle.cfm?id=158

BONUS  CONTENT – You all know photographer Bob Gruen‘s work – his photos of John Lennon, KISS, The Raspberries and many others are icons in the album cover world – but were you aware that he traveled with The Sex Pistols while they were on their “farewell” tour here in the U.S.? There to witness the break-up of the influential band, Bob’s photos (and the stories behind them) are the subject of a short video titled “Bob Gruen: On The Road With The Sex Pistols” just posted on the Artdaily.org site – http://artdaily.com/?date=09/24/2015#video Hear how Bob lucked in to getting the last seat on the tour bus and what he witnessed while the band worked hard to antagonize audiences all through the South – classic!

September 24th – 1) The folks at Backstage Auctions staged a new auction the weekend of September 24th that enticed collectors of rock/album art imagery. London-based photo agency London Features amassed a huge collection of rock ‘n’ roll photos starting in the 1960s and over 20,000 of these images will be put up for sale – many with full rights of ownership – in an auction of 425 assorted lots. I found 2 lots that album art fans might want to pay special attention to: Lot 1044 contains a selection of photos, slides and negatives of the members of the band Blind Faith taken by Bob Seidemann in 1969 and includes one photo that was used both as the back cover photo on the package with the controversial cover (i.e., the one with the naked young girl holding the shiny airship) and as the “alternative” front cover for markets too upset by the official cover – http://www.backstageauctions.com/catalog/1044-blind-faith-1969-lot-of-29-bw-candid-posed-negatives-/ai/0/22656/

while Lot 1135 is a collection of 108 photo negatives of Beggar’s Banquet-era Rolling Stones taken by 10 different shooters and included is an alt version of the cover image taken during that record’s photo shoot – http://www.backstageauctions.com/catalog/1135-the-rolling-stones-1964—1968-lot-of-108-bw-candid-outtake-negatives-with-full-rights/ai/0/22747/

The auction ends on October 4th – All it takes is money (and a winning bid) – best of luck!

2) A recent article by Kim Goggins on the Muskoka Region (Canada) site highlights the career of long-time rock photographer John Rowlands, who staged a fund-raising show/lecture about his work and career on the evening of September 25th at the Gravenhurst Opera House. The two-part fundraiser (another similar event was held on the 26th as well) is for a four-year-old local boy named Mason Anderson who has cerebral palsy. Anderson needs to travel to the U.S. for an operation called a “Selective Dorsal Rhizotomy” that the Ontario government won’t fund. Fundraising efforts since February 2015 have raised about $90,000 towards the $100,000-plus surgery. Event attendees will get to see many examples of Rowlands’ images of popular musicians, from mid-1960s Rolling Stones to Lady Gaga and Iggy Azalea. The show and silent auction began at 6:30pm local time, with more details via the link at http://m.muskokaregion.com/news-story/5914534-rock-n-roll-photographer-will-share-his-stories

3) Classic design is ALWAYS classic design, as is evidenced by Tonight Show host Jimmy Fallon’s realization that the recent issue of Billboard Magazine he was featured on “looks like a Clash album cover”, referring to the cover created by the late designer Ray Lowry (featuring Pennie Smith’s iconic photograph) in 1979 for the band’s 1980 release London Calling. Music geek Fallon should also know that Lowry’s 35-year-old design actually paid homage to the original design featured on Elvis Presley’s debut record, and again in 1995 for Mick Jones’/Big Audio Dynamite’s release P-Funk. Joe Lynch gives us the details on the Billboard.com site – http://www.billboard.com/articles/news/6700453/jimmy-fallon-billboard-cover-clash-album-tonight-show

Sept. 23rd – Three “making ofs” and an opportunity for YOU to become a rich and famous album cover designer…

1) While I spend most of my time researching and writing about “classic” album cover artists and their art, I do, on occasion, run across a new work of art that inspires me to learn more about the folks behind it and share that with you. This is the case today as I ask you to click on over to Troy Smith’s article on the Cleveland.com site about Tyler Nikkel’s fascinating cover image for Machine Gun Kelley’s upcoming new album titled General Admission (due out October 16th). Nikkel, who is a graphic designer based in Kansas, had been sending the rapper samples of his “fan art” via social media that ultimately convinced MGK to commission him for this new work. The two collaborated on a design that has a bit of a classic Roger Dean-style feel to it and including a lot of specific and hidden references to the architecture and culture of the city of Cleveland as well as to each of the songs on the new record. Nice job, I think – http://www.cleveland.com/entertainment/index.ssf/2015/09/the_story_behind_machine_gun_k.html

2) Writer James Stafford provides us with two new “Cover Stories” – over on the Loudwire.com site, you’ll learn more about Dean Kerr’s work (and re-work) on the cover shot for Pantera’s 1994 record Far Beyond Driven featuring an image that would prove popular both to the band’s fans and those who might spend a lot of time in the Hand Tools aisle at the local Home Depot. Interestingly enough, the original art Kerr produced made him a pain in the ass at the record label, while his fix simply gave them a headache – http://loudwire.com/cover-stories-pantera-far-beyond-driven/ Over on the Diffuser.fm site, Stafford gives us the details behind album cover and poster designer Frank Kozik’s illustration for the mega-selling 1998 record Americana by The Offspring. You want to know why there’s a little kid with a leg brace swinging while holding a huge bug? Click on over for a most-enlightening answer – http://diffuser.fm/cover-stories-the-offspring-americana/ Just don’t hate me when you’re done.

3) The headline reads “Young Thug Wants YOU To Design His Slime Season Mixtape Cover“, and while there’s no official release date announced yet, nor is there much incentive provided in the accompanying article’s details (posted by Trevor Smith on the Hot New Hip Hop site), once can only assume that all of your hard work will be rewarded with a lifetime work contract and a huge percentage of the profits made via your design (isn’t that always the case, designers?) – http://www.hotnewhiphop.com/young-thug-wants-you-to-design-his-slime-season-mixtape-cover-news.17619.html

Sept. 21st –  1) Here’s a nice profile article on a Denver-based design agency called The Made Shop that grew from a way for a husband and wife creative team to share their love for design and music (and make some extra money on the side) to a full-time gig that lets them explore many different production and delivery methods while making memorable imagery for their clients. Now in business for over 12 years, Marke & Kimberly Johnson have created some wonderful album art for musical acts including The Fray and Son Lux (their cover for the band’s We Are Rising record features 28 exploding colored smoke bombs) while taking on projects for clients in the film, TV and print publishing worlds, with more behind the scenes details revealed in Rachael Steven‘s recent article on the Creative Review site – http://www.creativereview.co.uk/cr-blog/2015/september/handcrafted-designs-from-denver-studio-the-made-shop-2/

2) More album art inspiration is on display in this rather-cool new exhibition at the Wolveschildren Art Space in Ballarat, VIC, Australia titled “Cover Versions” that features re-interpretations of a number of well-known album covers by more than a dozen local illustrators. While most designers and artists rely on digital tools to create album cover imagery these days, the works on display in this show have been created via “a range of mediums from pen, brush, ink, paint, sculpture and digital”. The exhibit is up until October 10th, with more details available in Dellaram Vreeland’s article on The Courier site – http://www.thecourier.com.au/story/3353553/interpreting-record-covers/

You can see more pix of the show on the Art Space’s Facebook page at https://www.facebook.com/wolveschildren

3) Some of you may have seen these videos in the past, but I just recently discovered 3 short videos made by Eric Arthur that bring viewers dozens and dozens of horrible album covers, synchronized to classical music scores. Eric is a musician who plays piano in New Orleans-style blues band Bucucrasu & The Slimline Shufflers and has also established himself as an expert in Bad Album Art (you know it when you see it), so if you’re looking to test your tolerance (you can always close your eyes and just enjoy the score), start with Part One of his Worst Album Covers Ever video series and build calluses on your brain from there – http://ericarthur.co.uk/bad-lp-covers/

Sept. 18th –  1) Would like to see you all visit Bruce Jenkins‘ Vinyl Connection site to read a couple of his recent postings having to do with album covers featuring hands. It seems that a number of art-obsessed genres – Prog, Metal, New Age, Jazz, etc. – use images of hands as a central design theme. Many seem to show hands palms up in an effort to invite you in to the recording (or, in some cases, as a way to show us what’s growing in their palms), and most are done close-up, perhaps to allow the palm readers in the audience to determine the length of the models’ Life and Love lines… In any case, Bruce found enough examples (22) to bring us two detailed articles – http://vinylconnection.com.au/2015/09/01/10-handy-album-covers/ and http://vinylconnection.com.au/2015/09/15/12-more-handy-album-covers/ with the second collection containing what is my favorite example, that being the cover of Jerry Garcia’s Studio Sessions record (classic Garcia humor)…

2) The Entertainment & Musical Memorabilia Signature Auction hosted by Heritage Auction house recently showcased examples of classic graphic design – including a set of Richard Avedon psychedelic Beatles posters done for Stern magazine in 1968 (you’ll know them when you see them) – and something really unique done by artist/musician/part-time Beatle Klaus Voorman, that being a 1990’s reworking of his iconic cover art for the band’s Revolver LP. Voorman takes an original Revolver LP cover, lays a 12″ x 12″ piece of acetate on top of it, and then paints on new graphics that depict the band in their colorful Sgt. Pepper regalia. It’s an impressive work, and one that, in my estimation, will sell well-above the $2500 opening bid (no reserve, though!).
http://entertainment.ha.com/itm/entertainment-and-music/klaus-voormann-original-beatles-artwork-sgt-revolver-germany-1990s-/a/7149-89117.s?ic4=GalleryView-Thumbnail-071515

Update – the Voorman artwork sold for $3250, while the Avedon prints sold for $4000 for the set…

3) Rock photography fans in the NYC area  were given the chance to hoof it on over to the “Photoville” pop-up photo show through Sunday the 20th to see some amazing shots on display from a number of the music industry’s best-known photographers, on display in a gallery made up of dozens of re-purposed shipping containers! The show – set up in Brooklyn Bridge Park’s Pier 5 Uplands area – was not limited solely to rock photography, but those with a keen eye will find works on display by Danny Clinch, Roberta Bayley, Janette Beckman (who also curated this part of the exhibit), Jill Furmanovsky, Barrie Wentzel and others. Writing for the Noisey Music By Vice site, Kim Taylor Bennett shares some examples of items you’ll see at the show and offers up some nice quotes from Ms. Beckman about several of her personal favorites. http://noisey.vice.com/blog/photoville-2015
Sept. 17th – 1) Well, Ringo’s not the only one with a new book and photo exhibition (see Sept. 16th entry)! Photographer Mick Rock spent a lot of time in the early 1970s with David Bowie who, at that time so early in his career, was enjoying an impressive creative and productive run, releasing several albums, going out on successful tours and even producing a record for Lou Reed (Transformer, which featured a great cover photo also by Mr. Rock). Mick amassed an amazing portfolio of Bowie photos during that period which now serve as the basis for a new book titled The Rise of David Bowie: 1972-1973, just published by Taschen Books. While Rock went on to produce memorable photos and video of many of the rising stars of the era – Iggy Pop, Lou Reed, Queen and others – it was his work featuring Bowie that established his bona fides in the music industry. In this article by Drew Millard for the Vice.com site, you’ll learn more about the book and the stories that make it all the more impressive as a chronicle of a very exciting time in pop music – http://www.vice.com/read/mick-rock-documented-ziggy-stardusts-takeover-of-the-universe-taschen-909

In support of this new book, Taschen has put together a very impressive exhibit of photos from the book which is now on display at their gallery on Beverly Blvd. in Los Angeles (until October 11th). TItled “Mick Rock: Shooting for Stardust -The Rise of David Bowie & Co.”, the display will most-certainly tease collectors into thumbing through the 310-page, $700 limited-edition book (signed by both Rock and Bowie) of which only 1972 copies will be printed. Of those 1972 copies, 200 will be offered as “Art Editions” that will include one of two signed pigment prints. More details on the book are available at
http://www.taschen.com/pages/en/catalogue/film_music/all/03136/facts.mick_rock_the_rise_of_david_bowie_19721973.htm
While more info on the show – including a very nice photo gallery – can be found via the following link –
http://www.taschen.com/pages/en/company/blog/661.mick_rock_shooting_for_stardust.htm

Bonus content – 5 years ago – Rock collaborated with director Barney Clay to create a short film based on footage (and other tidbits) Rock had in his archives from the video shoot of Bowie’s wonderful music video for the song “Life On Mars”. Done on behalf of the Creator’s Project creative collective, the resulting film is only shown in galleries and museums (per Bowie’s request), but you’ll enjoy learning more about “the making of” this film and seeing the joy on Mr. Rock’s face when he sees a sample of the work in progress (you’ll also like seeing an interview shot in the now-defunct Mars Bar…
http://thecreatorsproject.vice.com/blog/barney-clay-gives-mick-rocks-david-bowie-footage-a-new-life

2) Even rabid sports fans can’t help but enjoy this one – a designer in Holland named Maans D. has used his graphic design talents to offer us his take on logos from professional football teams here in the U.S., recreated as album cover art. To makr the start of the season (Go Bears?), five of them are highlighted by writer Jason Alsher in this article on The Cheat Sheet site – http://www.cheatsheet.com/sports/nfl-5-team-logos-redesigned-as-vinyl-album-covers.html/?a=viewall
and, if you’re so intrigued, you can see the balance of the designer’s efforts on his Behance site – https://www.behance.net/gallery/22799719/NFL-Vinyl-Collection
I think that you’ll agree that the logo for the Washington Redskins is a bit more palatable than the team’s current offering (I would love to resurrect the Senators name, but they might never agree to play another game).

Sept. 16th – New book, exhibition and auction items from one of the best-known rockers of all time – Ringo Starr

By now, many of you will have heard about the once-in-a-lifetime auction that will be taking place at Julien’s Auctions at the end of November featuring items from the personal collection of drummer Ringo Starr and his wife Barbara. When most of us “down-size”, it means selling off our old sofas, framed art we don’t like any longer, etc., but when Ringo & Co. work to reduce their possessions, you can only imagine what’s going to be on offer! You can start to fantasize by reading the press release about the auction – which will include some amazing items for album art fans, including Ringo’s personal copy of “the butcher cover”, White Album serial number 1, a Peter Blake “Love Me Do” painting and several of Ringo’s own works – http://www.juliensauctions.com/press/2015/ringo-starr-barbara-bach.html

At the same time, there is an extraordinary photo collection on display at the National Portrait Gallery in London that features photos Ringo had collected over the years and which had been stored away until he found them while digging through his storage not too long ago. A selection of his favorite shots has been assembled into a new book titled Photograph By Ringo Starr, with the first limited-edition copies (produced by Genesis Publishing) selling off in record time (see a gallery of images from the book via this link – http://www.genesis-publications.com/photograph-by-ringo-starr-the-signed-limited-edition/default.htm). On September 21st, a new open-edition of the book – which includes Ringo’s original 15,000+ word manuscript – was released at a price of £35.00, with orders being taken now on the NPG web site – http://www.npg.org.uk/shop/shop-list.php?showProductDetails=8665

Writing for The Guardian, art correspondent Mark Brown gives us a look at “the making of” this new book, which features a cover photo Starr took of himself in a mirror (an early “selfie”, it seems) – http://www.theguardian.com/music/2015/sep/09/ringo-photos-beatles-national-portrait-gallery-launch-book-exhibition
One tantalizing thought – Ringo is asking the surviving Beatle family members to dig through their own homes for photo books as he’s pretty certain that his other 3 band-mates would have similar troves of photos waiting to see the light of day….

Sept. 15th – 1) Joaquim Paolo and Julius Wiedemann have just published a new, multi-lingual edition of their well-regarded Jazz Covers book, originally released (in super-deluxe editions) in 2012 but now made more-accessible and affordable! As you all know, many great designers, photographers and illustrators have displayed their talents for lovers of music in many genres, but I think that the closest ties are between innovations and trends shared between designs for jazz and rock/pop music, which is why you’ll find so many practitioners of album cover design doing great work for clients in both genres. The new hardcover – all 672 pages of it – is available now for less than $20 from booksellers everywhere, or direct from the publisher at http://www.taschen.com/pages/en/catalogue/film_music/all/45452/facts.jazz_covers.htm where you will find a nicely-illustrated intro to the book as well.

2) You can never get them started too young….Seattle-based record retailer/publisher Light In The Attic has teamed up with Jack White’s Third Man Records to release a “starter package” for young vinyl collectors – titled This Record Belongs To______ – that includes both a ready-to-run record player package and a specially-produced LP featuring music for kids by a host of top musicians – Carole King, Shel Silverstein, Harry Nilsson, Nina Simone and Kermit The Frog, to name several – as well as a custom cover and a story book by acclaimed artist Jess Rotter. The package retails for $95 complete, so with the Holidays not too far off in the future, click on over to http://lightintheattic.net/releases/1822-this-record-belongs-to__________ to take a look and pre-order this item (shipping in early November).

3) In another enviable example of an artist following his heart to settle in a place that gives him the best of everything he’s looking for, here’s an article about top rock photographer Steve Emberton‘s gradual (30+ year) transition from a U.S.-based shooter busy with hundreds of music industry assignments – having photographed many of the top 70s-80s acts both in the States and the U.K. – to a new life photographing his surroundings in the tranquil coastal town of Amble in England. You’ve seen his work – memorable photos of Bob Marley, the Sex Pistols, The Clash and album cover shots for acts including The Tubes, Lurkers and Gilbert O’Sullivan, among others – so it is intriguing to learn more about what motivated a guy used to the swingin’ scene in London to venture out to find a new life in Northumberland. Read the details in Barbara Hodgson‘s recent article on the Chronicle Live site – http://www.chroniclelive.co.uk/news/north-east-news/america-amble-how-rock-roll-10014482

Sept. 15th #2 –  1) I wrote recently about Henry Diltz and Pattie Boyd‘s photo show (curated by Mr. Diltz’s gallery, Morrison Hotel) and was intrigued to see a new show, which launched September 18th at the Hilton|Asmus Foto Gallery in Chicago that combines their work with that of another high-quality shooter – Carintha West – with the results called “Visions of a Magic Time”. Rock photo fans in Chicago had the opportunity to meet all three players at a reception that Friday from 5:30pm – 9pm local time and chat with them as they took visitors through their respective collections. The show will be up until the end of October, with more details provided by writer Thomas Connors in Michigan Avenue magazine – http://www.hiltonasmusfoto.com/visions-of-a-magic-time—michigan-avenue-magazine.html

2) Always the trend-setter, famed Pop artist (and Sgt. Pepper’s cover art creator) Sir Peter Blake has fully-embraced the tools of the digital age in creating and promoting his latest works, as is evidenced by the art “mash-up” app featuring his imagery that’s detailed in this BBC News article by entertainment/arts writer Kev Geoghegan. Using what’s called the Dazzle It application, users can remix and re-imagine some of Sir Peter’s works to create something unique and personal. The article includes an interview with the always-creative designer about how technology has been both an influence and a tool throughout his career – read and learn from a true master of the media – http://www.bbc.com/news/entertainment-arts-34151804

3) We work hard to promote as many of the music industry award shows that honor album cover design, so here’s a new posting about the winner – musical act Enter-Tribal for their Hitting The Trail record – in the “Best Album Cover Design” of this year’s Indigenous Music Awards held last week in Winnipeg, Canada. Other nominees included:
BEATRICE DEER – Fox
BLACKSTONE – Kaskite Asiniy
FLORENT VOLLANT – Puamuna
HELLNBACK – #FOE=Family Over Everything

To read about all of the winners in the rest of the categories, click on the link to this article on the CBC News site – http://www.cbc.ca/news/aboriginal/indigenous-music-awards-1.3224505

Congratulations to the winners!

Sept. 11th – 1) Yes, we all agree that the album cover images for the rock band Iron Maiden are typically quite spooky, but can we agree on which version is the most terrifying display of Eddie we’ve seen? In this recent article on the topic by John Hugar on the Uproxx.com site – done to commemorate the recent release of the group’s 16th studio album, this one titled The Book of Souls, with artwork by British illustrator Mark Wilkinson, who has also created covers for Judas Priest, Marillion and Fish (along with two earlier IM records) – you’ll find the author’s take on each record’s cover, from least-scary (1998’s Virtual XI) to number-one-most scary (not gonna tell you).
http://uproxx.com/music/2015/09/iron-maiden-book-of-souls-album-covers-ranked/
While I strongly disagree with the #1 choice (shoulda been swapped with #3, IMHO), I am (as always) duly impressed with the 35-year run that this character has enjoyed – now THAT’s “iconic”.

2) Famed rock photographer Brian Griffin’s new book of photos he’s taken of the pathways (i.e., train tracks) that lead to the various Nazi death camps in WW2-era Poland has been released and, rightly so, for the haunting quality of each image, been met with much critical acclaim. Titled Himmelstrasse (“Heaven Street” – a term the Nazis used with sick irony), Griffin’s book was released last week with a gallery show at The Photographer’s Gallery in London, which was followed with an appearance and signing during NYC’s Art Book Fair the next week. The book was inspired by Brian’s train trips in Poland, journeys that lead him to learn more about the rail system’s disturbing history…More on this in Jonathan Bell‘s recent article on the Wallpaper.com site – http://www.wallpaper.com/lifestyle/road-to-hell-a-new-book-by-brian-griffin-reveals-polands-dark-rail-networks

3) Folks in the Hoboken, NJ area now have the opportunity to immerse themselves into all things Frank Sinatra by visiting the Hoboken Historical Museum’s special exhibition – curated by the Grammy Museum and Sinatra’s family – that marks the 100th anniversary of late crooner’s birthday (this coming December 12th). “Frank Sinatra: The Man, the Voice, and the Fans,” is a must-visit for serious fans of Old Blue Eyes, as it features (according to the museum’s site) ” interactive displays and videos, period-appropriate listening stations, and cherished fan photographs and artifacts to illustrate the singer/actor’s formative years in Hoboken, highlights from his remarkable 60-year career, and memories from legions of fans. The exhibit will be accompanied by packed schedule of singers, films and authors, and a big birthday bash on Dec. 12, 2015.” Be sure to use the last vestiges of the “Summer Wind” and rub shoulders with other “Strangers In The Night” – “I’m Going Out of My Head” that it’s 3000 miles away.. https://www.hobokenmuseum.org/exhibitions/main-gallery/current-exhibition 

Sept. 10th – 1) Now this I like – Phil Collins is re-releasing re-mastered versions of his solo catalog and, in the process, replacing the original Trevor Key close-up photos with those taken more-recently (i.e., 30+ years later). The new records are part of his “Take A Look At Me Now” campaign, with the first two releases (Face Value and Both Sides) due out in November. Michael Roffman gives us the details on the Consequence of Sound site – http://consequenceofsound.net/2015/09/phil-collins-is-reissuing-his-solo-catalogue-and-remaking-each-album-cover/

The extreme close-up approach to album cover imagery is one that has been used many times throughout rock record history. In fact, there’s even an entire AMIRIGHT site page titled “Face Close-Up Themed Album Covers“, where you’ll find examples from pop (Adele, Alanis Morissette, Britney Spears, etc.), hard rock (Alice Cooper, David Lee Roth, KISS, etc.) and most other genres. Bob Marley, Frank Zappa, Joe Cocker and several others showed their faces in great detail in multiple albums while, in some cases (you’ll see what I mean), it might have been wise to use a little make-up – http://www.amiright.com/album-cover-themes/face-close-ups/

My favorite – Iggy Pop’s Lust For Life

Yours?

2) Rock photographer Michael Miller has given us memorable cover photos for a wide range of musical acts, from Stan Getz to Lynyrd Skynyrd to Soul Asylum and over 50 rap/hip-hop acts, so it is not surprising to find his work featured in a new gallery show that focuses on the portfolio he produced of scenes and people related to the West Coast hip-hop scene of the 1990s. Writing for the OC Weekly, reporter Aimee Murillo gives us a look at this exhibition – titled “Love West Coast” – now on display (thru October 10th) at the DAX Gallery in Costa Mesa, CA that includes candid portraits of major music players including Tupac, Easy-E, N.W.A., Coolio and many others. Miller shares the stories behind several of his photo shoots, with pictures taken in areas and under circumstances that had the photographer more than a bit worried about his health, never knowing whether the residents of the neighborhoods they decided to stop in would appreciate the attention or exposure… for more info on the show, please visit – http://blogs.ocweekly.com/heardmentality/2015/09/mike_millers_and_west_coast_hip_hop_at_dax_gallery.php

3) It’s always nice when your alma mater’s college paper runs a story about one of your achievements, so photographer Eric Poppleton should be extra-proud of the coverage he received in Daniel Grady and Dara Metcalfe‘s recent article in The Ball State Daily about the now-famous photo he took that was featured on the cover of the now-even-more-famous N.W.A. record Straight Outta Compton. In the story, you’ll learn more about Eric, his mentor at Ball State (Muncie, Indiana) who encouraged him to consider a career in photography and how a kid from a very white part of the country ended up on his back in LA, looking up at a group of armed and fairly-menacing black men…read the details via the link at http://www.ballstatedaily.com/article/2015/09/straight-outta-muncie

Sept. 9th – 1) Rock art comes in all shapes, sizes and via many different forms of inspiration…Recently, artist Scott McPherson – who works using the moniker “Sink Shower” – was asked to apply his talents to help decorate a record store in Los Angeles called Vacation Vinyl. While on the surface that might not sound very interesting, Sink Shower’s best-known for a logo he designed for his own death-metal band, which he paints over and over again (with slight variations) to create a final image. What started as an art project back in Kansas has now taken on much larger proportions, with reporter J. Bennett working to help us understand the artist’s motivation and plans for the future in this article on the Noisy/Vice site – http://noisey.vice.com/blog/sink-shower

2) Way over on the other side of the country (Palm Beach, FL), the curators at the Holden Luntz Gallery have put together a show called “Let The Good Times Roll” that features 40 photos – dating from 1905 to 2010 – chosen to give show viewers an extended summer vacation, illustrating “the good life” in its many forms. Included in the show is a grouping of photos taken by famed rock photographer Norman Seeff (who has done well-known covers for Ray Charles, Joni Mitchell, James Taylor, Rickie Lee Jones and many others) and featuring an image of young lovers Patti Smith and Robert Mapplethorpe taken in NYC in 1969. Jan Sjostrum shares the details (and a photo gallery) with us in her coverage for The Palm Beach Daily News – http://www.palmbeachdailynews.com/news/news/local/lifes-joyous-moments-on-view-at-holden-luntz-galle/nnSnX/

3) J.D. Cronise, front man for Austin, TX-based hard rockers The Sword, was so impressed with a gallery show by artist Jetter Green that he decided right then that he’d want to commission Green to do the art for the band’s next album. Knowing that “a good album cover always compliments a good record”, the pair worked together to produce the image that is now featured on High Country, just released on Razor & Tie Records. Read more about this successful collaboration in Scott Munro‘s article for Classic Rock (you’ll also find a podcast there with an interview with Cronise about “the making of” this new album) – http://classicrock.teamrock.com/news/2015-08-25/the-sword-praise-high-country-artwork

Sept. 8th – 1) Showing how art can both reflect and help better a lifestyle, this recent story by Andrew Edwards in the Long Beach Press-Telegram brings us news about artist Joe Cool (AKA Darryl Daniel, cousin of rapper Snoop Dogg and the guy that created the cover art for Dogg’s huge-selling Doggystyle album) and the unveiling of a new work of his (titled “Safe Refuge”) that he hopes will move those with substance abuse issues to consider – as he has – avoiding a life that’s been harmed by addiction. Today, after 12 years of sobriety, Joe Cool has teamed with local drug rehab organizations to bring both his art and his story to audiences that will hopefully appreciate both – http://www.presstelegram.com/arts-and-entertainment/20150827/doggystyle-artist-joe-cool-of-long-beach-has-new-art-and-new-lifestyle

2) Detroit, MI-based musician and album cover artist Niagara – having enjoyed some recent success for her stylish cover for Kid Rock’s latest record – has just released the artwork that will be used on a poster to promote the upcoming “Dally in the Alley” music/art event taking place this weekend in the city’s “Cass Corridor” neighborhood (former home of Creem Magazine and where The White Stripes played their first gig). Done in the instantly-recognizable “Niagara Style”, the poster’s subject asks you whether you’d like “to Dally in the Alley” and, as is usually the case when you see Niagara’s artwork, you find yourself wondering whether this would be safe to do (not because it is in Detroit – rather, because her femme fatales always look as though they might want to kill you rather than bother with you much longer!)…Read more in Lee DeVito’s feature on the Detroit Metro Times site – http://www.metrotimes.com/Blogs/archives/2015/08/28/niagara-designed-this-years-dally-in-the-alley-poster

3) Lastly, a slightly-belated R.I.P. message to fans of Sympathy For The Record illustrator “The Pizz”, who died recently at the young age of 57. Stephen Pizzuro has long been a well-loved and respected “lowbrow” artist, producing posters, fine art prints, Rat Fink comics and album covers for recording acts including Bad Religion, The Creamers, Ron Asheton’s Empty Set and others and his work has been featured in many rock poster books. I once had the pleasure of paging through his own book Atavistic Avatar and seeing his work on display at the La Luz De Jesus gallery in LA a number of years ago, so I will most certainly miss seeing any new output from someone who always brought a bit of outlandishness – and a ton of talent – to his work. Read David Peskovitz’s tribute on the Boing Boing site – https://boingboing.net/2015/09/01/lowbrow-artist-the-pizz-rip.html

Sept. 7th – 1) You might recall a recent posting about next year’s Rolling Stones-themed extravaganza at the Saatchi Gallery in London – 50 years of memorable iconography, including lips, tongues, steel wheels, goats heads, etc.. In anticipation of that show, which will be touring the world after its premiere in the U.K., The Drum‘s Thomas O’Neill recently posted his interviews with several leaders in the design world – including record cover designers Stefan Sagmeister, Carin Goldberg, Caroline Robert and Tom Genower – and asked them to note which examples of the Stones’ album art have had the most influence on their own careers. You’ll read stories about Exile, Sticky Fingers, Beggar’s Banquet and even a life-size poster of Brian Jones – http://www.thedrum.com/news/2015/08/28/stone-cold-classics-unconventional-iconography-rolling-stones

2) Here’s an interesting example of album art inspiring an even more creative approach to teaching today’s media-obsessed youth – 4th grade teacher Adrian Perez has decorated his Mendota, CA classroom with artwork from Kanye West album covers (including the amazingly-popular Murakami teddy bear found on the rapper’s hit 2007 record Graduation) and used these images and the titles of West tracks as the bases for a number of his classes – “Math Monsters”, “Touch The Sky With ELA”, etc. – and to highlight the progress of his kids throughout the year (“I’m Amazing”, “Power Readers” and others). On the whole, parents seemed to be encouraged, but I’d like to see whether his students’ overall performance (in areas besides rhyming) improves via this unique teaching method…More on this in Eliza Murphy’s article on the ABC News web site – http://abcnews.go.com/beta/Entertainment/teachers-kanye-west-themed-classroom-welcomes-students-good/story?id=33391494

3) It’s been 10 years since the release of Wolfmother’s self-titled debut album, which initially caused a bit of a stir in the loins of certain record retailers who objected to the record’s use of a beautiful-but-bare-bosomed Frank Frazetta painting (titled “The Sea Witch”) on the cover (in addition to several other examples of the fantasy artist’s work for covers of some of the popular record’s singles). Well, the band is re-releasing the record later this month (Sept. 25th) in a special collector’s edition that will include more music (demos, live performances. etc.) and will be available – original artwork in tact – on 180-gram vinyl. If you’re a fan of this band and/or style of artwork, I’d strongly suggest clicking on over to this recent article by Mike “DJ” Pizzo on the Medium/Cuepoint site – quite the eyeful, I must say! https://medium.com/cuepoint/wolfmother-10-years-deep-5f7235d9b1c6

Sept. 4th – Three new shows for you to visit…
1) If you’re headed to Las Vegas any time soon, be sure to stop by the Delano Hotel to see Robert Knight and Maryanne Bilham‘s excellent new photo show there. In the new show, titled “Defiantly Inspired”, you’ll find portraits of many of your favorite rock artists – both classic and “up-and-coming” – including Santana, Led Zeppelin, Stevie Ray Vaughan, Jimi Hendrix, Slash, LORDE and many others. They’ve also recorded “making of” descriptions for the images on display that you can listen to live via a downloadable app (how totally modern!). The show runs through the end of the month, and you can read more about it in this feature on the Vegas News site – http://www.vegasnews.com/140574/delano-las-vegas-unveils-rock-n-roll-photography-exhibit-defiantly-inspired-featuring-local-artists.html

2) When you’re done with your trip to Vegas, head a few hours West to see the premiere of a travelling exhibit curated by the Morrison Hotel Gallery featuring selections from the extensive portfolios of rock photographers Henry Diltz and Pattie Boyd. The show’s called “Behind The Lens”, and both photographers were on hand to kick off the tour September 10th at Largo on La Cienega in Los Angeles. Both of these photographers were integral parts of the scenes they shot – Diltz as a member of the Modern Folk Quartet (and a Laurel Canyon resident) and Boyd as a top fashion model and muse/wife to both Georege Harrison and Eric Clapton – so their portraits have always benefited from this intimacy with their subjects. Writing for Goldmine MagazineChris M. Junior had the chance to interview both of them just before they left for their tour (which also had stops in Nashville, Chicago, NYC and the final one in Falls River, MA on Sept. 23rd), so click on over to learn more – http://www.goldminemag.com/article/diltz-boyd-behind-lens-tour?

3) The works of Paul McCartney’s younger brother Michael – a talented song-writer, musician and photographer himself – are at the center of a new photography exhibition that opened in early September in (where else?) Liverpool, England in a new gallery in the never-before-opened catacombs under St, George’s Hall. Titled “McCartney Luvs St. George’s Hall”, the show is built around a collection of 60 photos McCartney has taken of this beloved local landmark. McCartney’s photos of rock and entertainment royalty have been shown in exhibitions all over the world (including several in the permanent collection of the National Portrait Gallery) and published in magazines, newspapers, etc. – even meeting the Queen herself during her Majesty’s historic visit to the Liverpool Museum when the city celebrated being a Cultural Capital a few years back. The show runs through October 18th, with details and more available via this article on the Broadway World site – http://www.broadwayworld.com/bwwart/article/New-Photography-Exhibition-by-Mike-McCartney-to-Open-at-St-Georges-Hall-20150619

Sept. 3rdArt Chantry at Powell’s Books, Portland, OR – Tuesday, September 1, 2015 at 7:30pm 

By Mike Goldstein, AlbumCoverHallofFame.com

Don’t call Art Chantry an “artist” – he’s a “graphic designer” and, although he’s quite adamant about the fact that most of the practitioners working in graphic design today are uninspired and simply willing to do anything for their corporate clients just so that they can put the billable hours on their timesheets, the thing that seems to bother him the most is that they are his unworthy competition. And you know, after watching the presentation he made before a good-sized crowd at Powell’s Books here in downtown Portland, OR last Monday night, I find myself agreeing with him, on the most part.

Art was in town to promote the release of his latest book on the field of graphic design titled Art Chantry Speaks: A Heretic’s History Of 20th Century Graphic Design (published by Feral House books, with a cover design by Crap Hound’s Sean Tejaratchi and John Hubbard) and, as someone with an album cover credit list that includes images for Soundgarden, The Rev. Horton Heat, Presidents of the U.S.A, Pigeonhed, Pussy Galore, Love Battery, The Beatles (yup, look it up) and many, many others, I knew that I had to be there to meet the man who, as 4X Art Director for the influential Seattle/Portland-area newspaper The Rocket (now deceased) and the foremost proponent of the “when you have no budget, you can do about anything, by hand and with salvaged materials” approach to memorable design, is most-credited for the U.S. punk and grunge-era aesthetic of the past 40 years.

Using his trusty Kodak Carousel 750H slide projector (via a 12-foot wired “clicker”), Chantry took the audience through a career retrospective that began with his first punk rock poster for a Bellingham, WA appearance of Penelope Houston’s The Avengers, which also turned out to be the first poster Art did that was torn off of most of the telephone poles in the area by folks who were less-than-happy with the print’s appearance. It was then that, according to the artist, “I learned that ugly can be a tool in controlling the viewer’s responses and emotions”. He used his early seat-of-the-pants experience to its next logical application as the art director for start-up Seattle-area entertainment rag called The Rocket, with that publication earning national attention for bringing a great sense of design and market-perfect editorial to readers looking for the news delivered to them in a language (visual and verbal) that was theirs alone.

A music review column called “Sub Pop” (written by Bruce Pavitt) was added to The Rocket in 1983 and, a few years later when Pavitt launched a new record label by the same name, he asked Chantry to provide the necessary graphics to package their new music products. Chantry recalled that one of the things that annoyed him the most about providing sleeve designs for his music industry clients was that the inside of the CD – the booklet, the insert graphics and the images printed on the CD itself – were usually very boring (and often obscured by the damage suffered by cracks and smudges in the jewel case), so he spent as much time as he could making sure that the insides would be as compelling as the cover images. Examples of this for clients including the Mono Men, Love Battery, Pigeonhed, The Thrown Ups and others helped those of us in attendance get a good idea of how important this effort really was.

Chantry did spend a lot of time presenting his case as to why working for music industry and other corporate clients has gone from a reliable source of pride and income to something that he’s telling up-and-coming graphic designers to strongly consider before choosing to work in this field. As he put it, “These days, everyone in America speaks and understands graphic design. We agree to the basic rules – the color green means “go”, red means “stop”, etc. – so the only way I can change someone’s mind about what those standard symbols mean is to f*ck with their mind. I work this way so that I can compete with and beat out a kid who just bought a computer and some software 2 weeks ago – they can’t do what I do on their computer”, meaning that great ideas don’t happen simply when someone takes a photograph and hits the “optimize” button.

Acknowledging that he realizes that he’s started something that, to the uneducated, can (on the surface, without the humor or the insight) be replicated by almost anyone with the tools, he admitted that “what I was doing worked too damn well and just about put me out of business”. These days, he realizes that he’s often being hired to “create an Art Chantry” – i.e., one that looks like what he’s done before, with his name on it – and while he might need to resort to accepting commissions like those to pay the bills, this is not where a famous designer should be at this point in his career. He also wants people to know that 20th Century design has been influenced by many talented and experimental designers, many who have gone uncredited and unacknowledged for years, so it is with this sense of purpose (and a desire to sell some books) that he’s published this new book.

I hope that you’ll find a copy (I’m going through mine right now) and take the time to learn what Chantry’s wanting us to know. As someone who is also working now on a new book that, when published, looks to bring music/art fans closer to the sources of their favorite album cover images, it was really quite the treat to be able to meet and learn from one of the greats.

You’ll find his book via the link – http://feralhouse.com/art-chantry-speaks/

Thanks again to Powell’s Books for hosting this (and so many other) author appearances! http://www.powells.com/calendar/

That’s all for now – look for updates every week day on our news feed –https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back early next month with another summary for you.

Album Cover News Recap – July, 2015

Album Cover Hall of Fame’s Album Cover News Recap – July, 2015

By Mike Goldstein – Curator/Editor, AlbumCoverHallofFame.com

It’s 104 degrees outside as I write this – what the heck?! I suppose that I should feel fortunate that my writing keeps me inside (as I watch the construction crews working on a new apartment building next door – hope that they stay hydrated!). While I’m not sure whether the world will be here for next month’s summary (or if we’ll all be participating in a true-to-life Mad Max movie), I will stay steadfast in my efforts to bring you the most up-to-date album cover art and artist-related news. To that end, I’m pleased to report that there were a number of interesting stories we shared with our daily readers during the month of July, with an impressive  tally of interviews, features, book releases and gallery/museum show items finding their way into our news feed. In the following paragraphs, I’ll highlight several of them, with the rest following in greater detail.

Interviewers were busy posting new articles with album cover producers in every creative category, including titans of album package design such as Ernie Cefalu (Alice Cooper, Black Sabbath), Bob Gruen (on his work with John Lennon), Hugh Syme (about 40 years of covers for Rush), Stanley Mouse (Grateful Dead, Journey, etc.), Denise Burt (many classical/jazz covers), pop art icon Peter Max (various covers) along with a double interview with Greg Burke and Jeff Kleinsmith about the role technology plays in album art design these days.

In the ever-expanding fine art book category, artists and their publishers were promoting their new releases, with monographs featuring art and photos from artists including photographer Mick Rock (with a new book on the early years of David Bowie), artist/designer Hugh Syme (with a huge new book on Rush), a career retrospective of the wonderful illustrations by Al Hirschfeld, Stanley Mouse’s new tome on his memorable designs for the Grateful Dead) and the upcoming series of comics from Marvel featuring their characters inserted in classic hip-hop covers (!!).

July continued to be a busy month for exhibitions and shows built around rock-related imagery, with museum curators and gallery owners in several locations around the world displaying collections that show a broad range of album art and related works. Large-scale shows were launched in Oslo, Norway (“Vinyl Revival”), Arles, France (“Total Records”) and “The Art of Vinyl” in Louisiana. A group of 42 artists contributed to a group show in the NYC area, while solo shows featured the work of Wes Freed, Godlis, Tim Cantor and Gary Taxali.

I was also happy to announce the publication (in the “Resources” section on the ACHOF web site) of an article I wrote tracing the history of album/vinyl record art-related exhibitions, noting the details of significant show staged around the world over the past 40+ years as well as milestones in the world of record packaging. I think you’ll find this information helpful and a compelling support to the argument that album art is truly fine art, worthy of inclusion in museums, galleries and the collections of fans of art and music.

Other stories included profile features on album art-inspired sneakers (AKA “gym shoes”, “kicks”, etc.),  several “when is early too early” attempts at “Best Album Art of 2015” lists (some good research, though), the list of winners of this year’s IMA Awards for best record packaging, displays of animated and “re-imagined” album cover work in a variety of genres and a group in New Zealand that worked with the local homeless population to add degrees of humanity, humor and compassion to re-makes of classic record designs.

As always, I’m hoping that you were able to take a look at the several new biographies posted on the ACHOF site during the month. I’m prepping to provide as much new info as I can to the expert panel that make up the voters of the ACHOF, with our next class set to be inducted in late November, 2015. And while I know that Summer’s here and there are many distractions that might keep you from checking in with us every day, I’m going to do what I can to help you in your efforts to catch up on news you may have missed while you were forced to do what’s needed to live/work/enjoy yourselves. As I’ve said many times (almost every month!), regardless of how hectic your lives may be, there’s no reason that you should go without getting yourselves up-to-date info on one of your favorite topics, so you can be sure that we’ll continue to work every day (except weekends and a few days in August when I’ll be on the road) to prove to you that there’s always something new to see and learn in the world of album cover art, and you know that you’ll find it all here on the ACHOF site (keep your eye on our News Feed for the latest updates).

July 31st – Three stories about exhibitions in all shapes and sizes:

1) Running now through August 14th at the Jacksonville Center for the Arts In Lloyd, VA is an exhibition built around the works of long-time Drive-by-Truckers album cover artist Wes Freed. Freed took the knowledge he absorbed working to earn his degree in printmaking and painting from Virginia Commonwealth University and applied it liberally to his work for a number of local bands (including his own), comic books and fans of his unique art stylings. He met the DBTs when his band toured with them and, after they saw the work he did in 1998 for Cracker (Gentlemen’s Blues), they asked him to apply his talents to their next record (Southern Rock Opera) and have worked together since. More on this show via the gallery’s site at

http://jacksonvillecenter.org/gallery/drive-by-truckers-album-and-poster-artist-wes-freed-exhibition-at-the-jax/

2) When writer John Cameron (in an article for The Portsmouth News, UK) was invited to tour the private collection of artist Paul Brady at his house in Southampton, he wasn’t quite sure what to expect. He knew that Brady was a close friend of the late artist John Davies and his past relationship with members of The Who (he’d done artwork for the band’s 1974 book titled A Decade of The Who) but, when he arrived, he found a motherlode of memorabilia – amazing examples of art and objects used in the making of two Who-centric movies – Tommy and Quadrophenia! A scooter rider himself, Cameron was most-impressed with the tricked-out Lambretta replicas and some of the other items Brady inherited from his friend. Read about the entire exciting trip via the link – http://www.portsmouth.co.uk/opinion/an-inspiring-exhibition-visit-1-6869167 

3) There have been a number of albums that have featured places of great natural beauty as backdrops for their cover images, but few have achieved as much fame as the Joshua Tree National Monument, the site of Anton Corbijn’s memorable cover shot for U2’s Joshua Tree record. However, as you’ll learn more of when you read Daniel Strasberger’s recent article on the High Desert Star:News site, this park has also hosted a number of famed music performances, such as Rita Coolidge, Chris Hillman and many others and, as such, landed the park in the Top 10 of a recent list of Best Musical Attractions in the World, crafted by USA Today and the 10Best team. You can read more of Daniel’s article via the link – http://www.hidesertstar.com/news/article_542bb628-326a-11e5-9422-63c8cac9f82e.html   and see the entire list of the music meccas at http://www.10best.com/awards/travel/best-musical-attraction/

July 30th –  Two more examples of album cover-influenced creativity and a “can you guess the album cover” quiz that I failed miserably…

1) Combining two popular symbols of pop culture creativity – album cover art and sneaker design – a designer based in Copenhagen has produced a series of “mash-ups” that, if they were ever brought to market, might go far in bridging the gap between the generations. While I recall that the now-Nike-owned Converse released a series of album art-decorated Chuck Taylor last year, designer Patso Dimitrov has taken a subtler approach to his designs, capturing the essences of classic covers from Pink Floyd, Joy Division, Daft Punk and several others and integrating that imagery into the unique styles of these Nike kicks. The nice folks on the Designboom site have provided us with a nice overview of these items – not quite sure how to frame them, but…http://www.designboom.com/art/nike-basketball-album-covers-patso-dimitrov-07-21-2015/

2) A group of 42 NYC-area artists recently got together and formed a collective called The CCD Art & Supply Co. and, as part of their efforts to introduce their talents and offer affordable, collectible art, staged a one-day event where they showed off re-interpretations of classic album covers. At the July 25th kick-off event in Bushwick, the 12 x 12 canvases were the centerpieces of a party that included “DJs, vendors and drink specials”, according to the article Bill Roundy posted on The Brooklyn Paper site. While the exhibition was up only for that evening, prints of the artwork are available on the group’s site, with both links provided below – http://www.brooklynpaper.com/stories/38/30/24-record-collection-art-2015-07-24-bk.html and http://the-ccd-art-supply-co.myshopify.com/
I personally was impressed by several of the works, including Ant Picone’s re-do of Bowie’s Scary Monsters and Christina Maldonado’s take on Back To Black by Amy Winehouse…

3) It’s a fact – I don’t know ANYTHING about country music album covers, but maybe you do. I actually missed all ten in this recent quiz on the Taste Of Country web site, hope that you do a bit better. Included are covers by today’s top country acts, so while I might appreciate the art, I guess that I need to bone up a bit on the music (what, no Johnny Cash covers included?) – http://tasteofcountry.com/guess-the-country-album-cover/

July 29th –  1) You may recall an article I posted a while back about the work of talented animated-GIF artist Juan Betancourt...well, he’s ba-a-ck…the folks at the Diffuser.fm site seem to like his work as well, as you’ll see in this latest posting titled the “11 Greatest Animated Punk Rock Album Covers” and featuring JB’s efforts that bring to life covers from NOFX, Rancid, Green Day and several others. I’m always curious as to what goes through an artist’s mind when he/she looks to bring one or more aspects of an album’s cover image to life, and Juan seems to be able to pick “just the right thing” most all of the time – http://diffuser.fm/greatest-animated-punk-rock-album-covers/

2) Enjoying a spike in news coverage after his successful participation in the Revolutions 2 album cover show at the museum at Forest Lawn in Los Angeles, artist Ernie Cefalu is now the subject of an in-depth interview article just posted by Ivor Levene on the LA Beat site. In the first part of “Behind The Art Behind The Music”, the two discuss the role of the Creative Director in a design project, his relationship with artist Drew Struzan and just what the two were thinking when they came up with the cover designs for Sabbath Bloody Sabbath…Looking forward to the next segment – enjoy the first – http://thelosangelesbeat.com/2015/07/behind-the-art-behind-the-music-conversations-with-ernie-cefalu-part-i/

3) The work of photographer Godlis is the subject of a new exhibition titled “Picture This: Photos By Godlis” that’s part of the new Sound + Vision music film/live performance festivities staged by the Film Society at Lincoln Center in NYC, running today through August 7th. As an integral part of the downtown punk club scene in the 1970s-1980s, Godlis was there to document the bands, the clubs and the fans that fed the scene with their energy and intensity, so if you’d like to get a look at what things were like during that period, you owe yourself a visit. More details at the very bottom (long, scrolling page) of this posting about the festival by Michael Odmark –  http://www.filmlinc.org/daily/sound-vision-music-documentary-julien-temple-rocky-horror-picture-show/

July 28th –  Very happy to share a couple of items suggested by ACHOF regulars Mark Kellogg and Lee Barry (plus one I forgot to share from a couple of days back)….

1) Mark sent a link to an extremely well-done posting on the NPR site in the “Look At This” section. A true multi-media piece by Tom Huizenga profiling album cover designer Denise Burt, whose specialty is covers for classical music artists, in which she provides the details about her inspirations and sources for the cover images for the records she’s worked on. What’s interesting is that she had little knowledge of classical music, so she just immersed herself in it and let the sounds take her and her art places she’s never been…What do YOU think music looks like? Please take the time to click through this – you won’t be disappointed (and “thanks, Mr. Kellogg”) – http://apps.npr.org/lookatthis/posts/album-art/

2) When acts re-release their music, they not only bring us back sonically, but visually as well and, in doing so, often re-kindle discussions about things that probably puzzled us in the past and, as you’ll see when you follow the link to the Democratic Underground site that Lee Barry provided, continue to make some of us ponder. In this case, when the re-mastered version of Led Zeppelin’s Presence came out – still sporting the Hipgnosis-created cover of the family sitting around a table with “that black thing” in the middle – it once again asked us to ponder “just what is that thing”? As for me, I always thought that you’d find a small tribe of ancient humanoids at the bottom throwing bones in the sky but, hey, that just shows my sci-fi past. What’s your take? http://www.democraticunderground.com/discuss/duboard.php?az=view_all&address=105×5445793

3) How do you spell the word “Odyssey”? Don’t ask Terry Quirk, the guy responsible for the psychedelic painting used on the cover of The Zombies’ 1967 release Odessey & Oracle and who now, all these years later, is working on a new cover for the band’s upcoming record titled Still Got That Hunger. Mr. Argent and company are out on the road prepping fans for the new release (as you’ll see in this recent posting by Joe Lynch on the Billboard.com site), so it’ll be with great anticipation that we await to see if anything is mis-spelled on the new record –  http://www.billboard.com/articles/news/6640854/zombies-odessey-oracle-terry-quirk-still-got-that-hunger

July 27th –  1) Here we go again…it’s half-way through the year and someone is already going out on a “best of” limb….Writing for Paste MagazineKendra Kamp and Emily Ray have put together their list of “The 30 Best Album Covers of 2015 (So Far)“, so while I’m surprised that they were able to put together such a list this early in the game, it does give me a good feeling that, at least according to this widely-read Pop Culture site, there are so many examples of good cover design that they felt the need to detail them now. You will find several designs associated with the site’s “Best Albums So Far” list, along with those that, while their music didn’t make the list, their attention to producing memorable imagery for the fans did not go un-noticed. Excellent examples abound of fine design, illustration and photography – anyone care to share their favorites? http://www.pastemagazine.com/articles/2015/07/the-30-best-album-covers-of-2015-so-far.html

2) Thought that I’d share this recent posting by Brian Boone on the “Funny or Die” site titled “What 12 Classic Albums Should Be Called Based On Their Iconic Covers”. It’s kinda cute and includes covers for Michael Jackson, Pink Floyd, Springsteen and others. I do agree with their assessment regarding the name for Supertramp’s Grammy-winning entry (art by Mick Haggerty) – what do you think? http://www.funnyordie.com/slideshows/6fff0b0296/what-12-classic-albums-should-be-called-based-on-their-iconic-covers

July 24th –  1) Talk about a tight integration of music and art! While the Imagine Dragons are out on the road, their Smoke & Mirrors album cover artist – San Diego-based painter Tim Cantor – is on tour with them, setting up an exhibition of his works at each stop. If you’ve seen the album, you know that Cantor also produced a unique image for each song on the album, so fans attending the show can walk up to the display and, via the headphones they’ll find there, can listen to the track that matches the painting there. The band liked his work so much that they also used his images as the bases for both the music video for Shots and their stage designs. Not bad for a rookie (to the album art arena)…Read more about this fruitful relationship in Kara Coleman‘s article on The Daily Herald (Columbia, TN) web site – http://columbiadailyherald.com/lifestyles/celebrations/art-music-collide-traveling-gallery

2) Gary Taxali‘s retro-inspired artwork has been the favorite of fans from many different areas of interest – magazine illustrations (as seen in Rolling Stone and Time magazines), concert posters and other commercial work – and his work for the cover of singer Aimee Mann’s @#%&*! Smilers record was nominated for a Grammy Award back in 2009 – so it is exciting to see the artist’s catalog of work featured in a new exhibition running now through September 20th at the Idea Exchange’s Design at Riverside space in Cambridge, Ontarion, Canada. According to Brent Davis‘ article on the Guelph Mercury site, this is the Canadian artist’s first major retrospective show and will include “rare toy prototypes, custom posters and a salon-style, floor-to-ceiling wall of about 300 notebook-sized original drawings, and the short documentary film titled “Gary Taxali: The Art of Whimsy” will also be shown. Pop art fans should be sure to stop by – http://www.guelphmercury.com/whatson-story/5739503-the-delightfully-different-world-of-gary-taxali/

3) Yes, was just inducted into the Baseball Hall of Fame for the passion he put into his pitching career with the Arizona Diamondbacks, but another talent found in 6’10” “Big Unit” Randy Johnson – that being his ability to capture great concert photos behind the lenses of his trusty cameras – is also being recognized with praise from many of his subjects, including members of Rush, U2, Pearl Jam and Metallica (among many others). His stature as an athlete opened doors for him at major venues, but it is the quality of his work that keeps impressing big-league musical acts, who have been requesting him to shoot their shows whenever possible. Since then, his photos have appeared in major music publications such as Rolling Stone and Spin Magazine so, even after the applause honoring his records for strike-outs, Cy Young awards and perfect games die down, Johnson should continue to receive cheers for his artistic talents as well. More on this in Daniel Brown’s article on the San Jose Mercury News site – http://www.mercurynews.com/athletics/ci_28507883/randy-johnson-shoots-second-career

July 23rd –  1) Album art holds a place in the hearts of folks with all kinds of backgrounds. You might remember that we posted something a while back about Mensa members selecting the best album covers of all time – well, now the Geeks (as represented by K. Thor Jensen on the Geek.com site) have piped in with “the 11 geekiest album covers of all time”. Of course, to qualify for the list, a cover must include some aspects of computer technology, video games, robots, Middle Earth and, in most cases, extra-large weaponry, so you’ll find examples from most every genre, from classic rock, electronic music, metal, fusion and hip-hop (what, no country geeks?). To see the list and get the reasons why each cover was included, click on over to this article at http://www.geek.com/news/the-11-geekiest-album-covers-1628091/
Of course, a real geek would use some voice-actuated method of doing this…

2) Those of you who read my article last week about album art shows might recall one mentioned that was staged in Scandinavia called Vinyl Revival. Well, the show has moved on to a new location and, in this article on the National Museum (or, in Norwegian, the Nasjonalmuseet, in Oslo, Norway) site, you can find out more about taking a guided tour – in English, every Sunday in July and August at 1pm local time – of the exhibit, which is running now through the 13th of September. You can preview the exhibit via the link – http://www.nasjonalmuseet.no/en/exhibitions_and_events/exhibitions/museum_of_decorative_arts_and_design/Album+Covers.+Vinyl+revival.b7C_wlfU29.ips
Not a bad-looking tour guide, I think you’ll agree…

July 22nd –  More examples showing the influence of album art on pop culture, and a new book about the work of a great illustrator:

1) A new exhibition running through August 21 in the gallery at Bowen House (one of the buildings that house New Zealand’s Parliament in Wellington) is built around images of students with disabilities re-creating well-known album covers. Working with an agency called “The Cube”, organizers of the show – titled “Re-Imagine” – hoped to be able to show off the creative talents found in people who you might not, initially, think would be capable of such impressive work. Included in the show are re-makes of covers by The Beatles, the Rolling Stones, Lorde, Queen and many others, with more details and a statement by Minister for Disability Issues, the Hon. Nicky Wagner about why she brought the show to Parliament are found in this article on the Stuff/Dominion-Post site at
http://www.stuff.co.nz/dominion-post/capital-life/capital-day/70255811/famous-album-covers-given-a-kiwi-twist-by-young-disabled-new-zealanders

2) It’s a popular project this year, it seems – A crew from Australia’s Channel 9 news team are in London to cover the second Ashes Test (something cricket-related, it seems, for those of us unfamiliar with the sport!) and, during a break in the action, brought a video crew out to the famous crossing in front of EMI/Abbey Road Studios to film their own re-creation of the Abbey Road album cover for The Beatles. Mark Nicholas took the position of John Lennon, followed by Ian Healy as Ringo Starr, Brett Lee as Paul McCartney (properly walking out-of-step with the others) and Mark Taylor at the back in guitarist George Harrison’s spot. Watch the complete video on the 9News site at http://www.9news.com.au/world/2015/07/19/23/13/channel-nine-commentary-team-recreate-the-beatles-abbey-road-cover

3) Publisher Knopf has just released a new book on the life and work of famed illustrator Al Hirschfeld, known world-wide for his pen-and-ink illustrations of celebrities from the world of entertainment, sport and politics and to Aerosmith fans world-wide for his cover for their 1977 album titled Draw The LineThe Hirschfeld Century: Portrait of an Artist and His Age was written by Hirschfeld and edited by David Leopold, his long-time archivist, and delves deep into the artist’s love of the theater, his friendships with both the celebrities he drew and the head honchos of the media enterprises he drew for, and comes very nicely illustrated, so if you’d like to read a bit more about this new “self-portrait” (it even includes one he drew of himself at the age of 99), click on over to Jeff Simon‘s posting on the Buffalo News site –
http://www.buffalonews.com/life-arts/book-reviews/the-20th-centurys-greatest-american-illustrator-20150719

July 21st –  Two important updates and something kinda goofy:

1) Rec’d an update from film-maker Roddy Bogawa about his film about the life and work of the late Storm Thorgerson and wanted to share the details with you ASAP – “Hi Mike – I launched a new film website:  www.takenbystormfilm.com. The film’s final picture edit was locked for a MoMA screening in 2013 and, since then, it has gone through some color grading as well as a sound re-mix. It will have it’s east coast theatrical release at the Museum of Modern Art in NYC Oct. 2-8 and it also was purchased for their permanent collection. Other screenings are starting to be scheduled – London, Los Angeles, etc., but mainly gearing up for DVD and VOD release in October of this year.

On the film website, you can pre-order the DVD and the DVD digipak as well as a special-edition dvd + print package The print is a copy of an original image that Storm made for the cover of the book on my work coming out soon (BTW, Storm also designed the book and it maybe the last design he did before he passed away). A portion of the proceeds from this pre-sale (the dvds, etc. will be available in october) will go towards a scholarship for design set up in Storm’s name at the Royal College of Art, where he was a student..

The DVD will feature extras including film outtakes of David Gilmour and Storm talking about the infamous blinking LED packaging for the release of Pink Floyd’s PULSE, Robert Plant discussing the eight variations of the cover for Led Zeppelin’s IN THROUGH THE OUT DOOR, two of Storm’s 16mm student films, a video taxi ride with Storm through London, a 1994 phone message from Storm to Paul Rappaport about his demands for the quality of printing for Pink Floyd’s THE DIVISION BELL cover, and various “failed” optical ideas from the film that were unused.
Hope this helps. Let me know if there’s anything else you might need. appreciate all the support and promo. Cheers, Roddy

2) Ernie Cefalu of Pacific Eye & Ear fame also forwarded a list of special-and-limited-edition items that he’s now making available to fans of such musical acts as Iron Butterfly, Alice Cooper, the Rolling Stones, etc., as well as the rock musical Jesus Christ Superstar. You’ll also find exhibition posters, tapestries and “static clings” featuring the work of Ernie and his PE&E cohorts (Drew Struzan, Joe Garnett and others). Based on what I saw and the prices he’s charging for these items – with most everything below $100 – they should get snapped up in a hurry, so if you’d like to get a current list of what’s available, please contact Ernie via the email/links listed on his site – http://originalalbumcoverart.com/contact.php
Please save a Lips & Tongue print for me, OK?

3) Bad Freddie Mercury impersonator Kanye West has famously focused a lot of attention and resources on the visual aspects of his career – particularly, his album cover graphics – but now he’s displayed his ongoing quest for uniqueness by investing $50,000 in a new font for his exclusive use. The font, titled “Yeezy Display”, is a bold, ALL-CAPS type-style created by designer Tyler Finck and will be used on West’s upcoming record called Swish. Read more and see samples of the font in Matt Korman’s coverage of the topic on The 405 web site – http://www.thefourohfive.com/music/article/kanye-west-had-a-50-000-font-designed-just-for-him-143

July 20th –  1) Wanted to let you all know about a research project that I have been working on that has now been turned into an article that I’ve posted in the “Resources” section of the ACHOF site. You all know that I’ve worked hard to promote the works of album cover artists as “fine art” and, over the years, a number of other museums and galleries have staged exhibitions that expanded on that premise. I was interested in finding out when and where these shows have taken place, as well as who it was that provided the incentive to stages these displays and, after a couple months of digging, I think that I’ve put together a fairly-comprehensive timetable of the most-significant (IMHO) examples staged over the past 60+ years. In order to provide readers with some info about some of the major steps taking place in the packaging of retail music products, I have also included several milestone events, such as the introduction of picture discs, cassettes, CDs, etc..In any case, I hope you enjoy this summary and will share it with anyone you know who geeks out about this subject as much as several of us do – https://albumcoverhalloffame.wordpress.com/achof-resources-record-art-as-fine-art-major-museum-gallery-shows/

2) The work of 5X Grammy nominated photographer Norman Seeff is the subject of a new display hanging on the walls of retailer Ron Robinson’s newest store in Santa Monica, CA. Staged by the knowledgeable folks at the Fahey/Klein Gallery, the long-time L.A. area resident (and former creative head at United Artists Records) has many album cover shots to his credit, with a host of them – including iconic images of Carly Simon, Joni Mitchell, James Taylor and others – included in the show, along with well-known portraits of several other celebrities from the worlds of entertainment, politics and pop culture. Fans of rock photography in the LA area should be sure to stop by and see the show, which closes at the end of August, with more details available via this handy article on the LATF USA site – http://www.latfusa.com/view_article.php?id=7624

3) James Stafford recently posted another in-depth look behind the scenes of the making of a well-known album cover, with this one providing the gory(ish) details of Neon Park’s great cover for Frank Zappa & The Mothers’ 1970 release Weasels Ripped My Flesh. Always one to stoke a controversy, Zappa found a like-minded partner in Park, who was more than happy to come up with something disturbing and, of course, quite memorable for fans of the recently-disbanded group. I was somewhat familiar with the story, but was intrigued to see the “alt-version” used by the label’s German distributor, who believed that a picture of a bleeding baby in a mousetrap was less-bothersome than the Zappa-approved version…Plenty of details and photos included in Stafford’s article on the Diffuser.fm site – http://diffuser.fm/cover-stories-weasels-ripped-my-flesh/

July 17th –  1) Running now through October 25th in the East Gallery of the Carle Museum of Picture Book Art in Amhurst, MA is a show focused on the work of a true Renaissance man, designer/artist Fred Marcellino, who applied his skills to great success in the fields of editorial illustration, book covers (making a big splash in the children’s book arena, including his Caldecott Award winning art for Puss In Boots) and, of interest to ACHOF fans, album covers. You’ll recall his covers for Tommy (the film), Jukin’ for The Manhattan Transfer, Live At Carnegie Hall for Renaissance and others for Mandrill, Jay & The Americans, Lou Reed and The Osmonds, so any fan of illustration – particularly, those done in watercolors – should take the time to see the show, titled (here comes that word again) “Renaissance Man: The Art of Fred Marcellino”, with exhibit information available via the link – http://www.carlemuseum.org/content/art-fred-marcellino-press-release

2) In town for The Open and wondering what else to do when not out on the links? Only 50 miles South down the coast, launching July 18th at the Scottish National Gallery in Edinburgh, Scotland is a new exhibition titled “Bailey’s Stardust”, a major retrospective of the 50+ year career of photographer David Bailey. Known internationally for his portraits of celebrities in the world of fashion, sports and entertainment, this winner of the Royal Photographic Society’s Centenary Medal has taken viewers all over the world through his work, fans of album art will best-know him for his covers for albums including Goat’s Head Soup and Get Yer Ya-Ya’s Out for the Rolling Stones, Sweets From A Stranger for Squeeze and The Way We Were for Ms. Barbra Streisand. Part of the annual Edinburgh Art Festival, the show will be on display until October 18th, with more info on this impressive display available via the link at https://www.nationalgalleries.org/whatson/exhibitions/baileys-stardust/

3) As I’ve written previously, album cover projects are often times true collaborations between the musical acts that need them and the team of creatives charged with the task, and this is often due to the fact that many musicians are also quite talented in the visual arts. While some have openly admitted that they went to art school to enjoy the benefits of the bohemian lifestyle (i.e., sex and drugs), others took their time in school very seriously, as is evidenced by the details in this recent article by Dan Hyman on The Village Voice web site titled “TEN MUSICIANS WHO PAINT AS HARD AS THEY ROCK”. As you’ll read and see, several well-known musicians have had gallery and museum shows dedicated to their paintings/illustrations/photographs, with lyricist Bernie Taupin currently staging a show in Bridgehampton on Long Island, NY featuring his latest creations. From headliners in jazz and many genres of rock & roll, the article will show you a different side of some of your favorite musical acts – http://www.villagevoice.com/music/ten-musicians-who-paint-as-hard-as-they-rock-7352009

July 16th –  1) The winners of this year’s Independent Music Awards (AKA “The IMAs”) in the album art/packaging categories were announced today and the two winners represent two very different genres in the indie music arena. They are:
a) In the “Album Art/Photography” category, the winner was artist Eleanor Crane for the wonderful and mysterious painting she created for the cover of Patrick Joseph’s Moon King record, and
b) In the “Album Packaging” category, the award went to artist Qing-Yang Xiao for his design work for Song Zu Ying’s The Epic of Love. The designer was nominated twice this year for his work and won this award previously two years ago.
To read about the winners in all 80 categories in this year’s awards (the 14th annual), click on over via the link – http://www.independentmusicawards.com/ima/2015/the-14th-annual-independent-music-awards-winners-announced/

2) Writing in “The Smoking Section” on the Uproxx web site, reporter Tom Mantzouranis shares some of the advance details about a series of new Marvel comics that will be called Hip-Hop Variants and will feature covers that pay homage to many classic Hip-Hop records. As you’ll see by the numerous images included in the article, Marvel artists have taken records such as 3 Feet High and Rising by De La Soul and 50 Cent’s Get Rich or Die Tryin’ and re-worked them to feature characters including the X-Men and Iron Man. We’re told that over 50 covers will be redone in this fashion, with the first books coming out in October. To see more examples, follow the link – http://uproxx.com/smokingsection/2015/07/marvel-hip-hop-variants-album-covers/7/
Throughout the years, a number of comic artists have taken on album cover assignments, but this is the first time I’ve seen such a nice cross-over. Looking forward to seeing the others as they’re released.

3) Now that it seems as if Rolling Stone magazine has completely lost its mind (Kim K. on the cover – really?), it only makes sense that they recently ran an article on “The 10 Most Famous Rock & Roll Tongues”. Two of these top vote-getting licking implements were found on the covers of well-known records, so I felt it necessary to share this important information with you ASAP.
#7 on the list was the tongue featured on mythical creature (what exactly WAS she?) shown on the cover of Poison’s 5X platinum selling record Open Up And Say…Ahh!, while #3 was the iconic Lips & Tongue image that has been a standard feature on all things Rolling Stone-related since it’s first appearance on their Sticky Fingers LP.
Of course, the best tongue award went to Gene Simmons.
See the rest of the top ten tongue list here in Gavin Edward’s article – http://www.rollingstone.com/music/lists/10-most-famous-rock-roll-tongues-20150710/danny-brown-20150710

July 15th –  1) Some of you might recall a previous posting about the “Revolutions 2: The Art of Music” album cover art show now on display at the museum at Forest Lawn in the LA area and, as a follow up, I’d like to report on a special event that took place recently that featured another collection – this one being of a nice group of PEOPLE that created a number of your favorite covers, all of them appearing on a panel discussion titled “Record Breakers: Artists Who Revolutionized Visual Music Culture,” As you’ll see in this article by Michael Dooley on the PRINT magazine site, panel moderator Shana Nys Dambrot lead a discussion with folks including Ernie Cefalu, Hugh Brown, David Edward Byrd and others, with each of them sharing their stories and opinions of the past and future states of the album cover art genre. A nicely-illustrated article, well worth a read – http://www.printmag.com/graphic-design/art-of-music-culture-design/
PS – On a related note – Ernie Cefalu (of the famed Pacific Eye & Ear design studio) has announced the availability of some new limited editions of his work and I’ll be posting on this soon (waiting for some add’l info for y’all…).

2) As part of this year’s Les Recontres d’Arles international photo exhibition in Arles, France, there is a good-sized album art exhibition running now through September 20th at the Atelier Des Forges titled “TOTAL RECORDS:THE GREAT ADVENTURE OF ALBUM COVER PHOTOGRAPHY” which works to show the broad range of photographic imagery that’s been used to create some truly-memorable record packages over the years. Works by Guy Bourdain, Linda McCartney and many others are included, as is a display of fan-created “Sleevefaces” that combine album images with real people and places. Now in its 55th year, you can read more about this show and another exhibit featuring music art, photography and video work collected by the aptly-named LP Company via this link – http://www.rencontres-arles.com/C.aspx?VP3=CMS3&VF=ARLAR1_213_VForm&FRM=Frame%3AARLAR1_223

July 14th – 1) With all the excitement being generated at Comic-Con about the upcoming Star Wars film (due out late this year), I was happy to spot this article by Anthony Domanico on the CNET web site about the work being done by the (geek) team at U.K. home entertainment retailer Superfi in offering us their interpretations of a selection of well-known album covers done “Star Wars-style”. You’ll find records by musical acts old and new – from ABBA and the Rolling Stones to One Direction and Lady Gaga – redone using the characters, places and terminology made famous in the long-running sci-fi/fantasy series. Are these clever, blasphemous or somewhere in between, only you can say, but I can say that I got a kick out of the word play in almost every case (“Taylor Sith” – gotta love it!) –http://www.cnet.com/news/popular-music-album-covers-get-a-star-wars-makeover

2) The Summer 2015 issue of Resource Magazine (a must-read for the working photographer) has hit the stands (well, at least the ones in photo supply stores!) and includes several articles tailor-made for fans of all aspects of rock & roll photography. Contributors to “The Rock Issue” include regular album art contributors Danny Clinch and Charles Peterson, The Kills guitarist Jamie Hince shares a volume of behind-the-scenes shots from his life on tour and Koury Angelo provides some useful pointers about how to get the best-possible shots at a rock concert. There’s also an article on the impact of the music video featuring interviews with several directors who’ve kept the genre fed successfully for years…
http://resourcemagonline.com/2015/07/resource-rock-and-roll/55636/

3) In his regular gig as a busy music industry photographer, Nigel Skeet has certainly had to massage fragile egos in order to coax just the right look or pose from his subjects, but what if the people he’s featuring were those with virtually nothing – not even a home? In this article by Bibbi Abruzzini in the Arts & Culture section of the Huffington Post, you’ll learn and see more about this project/labor of love that has a master shooter bring out the most-rocking aspects of several dozen people he met via a local homeless shelter. Photographing them in their street duds (with hair and makeup applied by professionals), Skeet brought out the best in each participant’s personality, building a unique story for each one via interviews and his photography. The results are quite moving and fascinating, showing once again that all of us should have the opportunity to live with at least a bit of dignity – http://www.huffingtonpost.com/bibbi-abruzzini/heres-how-photographer-ni_b_7739738.html

July 13th –  Since ‘rebellious” and “revolutionary” are two terms getting a lot of use in today’s national news headlines, I thought that I’d take advantage by giving you all some album art-related stories built on those themes….

1) Back in the early 1990s, a company called NuSouth decided to re-work the Confederate into something of a symbol of pride for black Southerners, changing the colors of the stars and bars to red, black and green, the same colors used in Marcus Garvey’s “pan-African” flag. The design was originally done for use as an album cover for a Charleston-based hip-hop act called “Da Phlayva“, who printed the artwork (done by a local artist named Colin Quashie) onto t-shirts sold at their concerts. Local black teens then chose to wear the shirts – as symbols of protest – to their schools which, as you might figure, bothered the local authorities (and their classmates who wore their “traditional” rebel flag clothing to school without incident). Melvin Backman gives us the rest of the details about this company and what happened to it then and since in this recent post on the Quartz web site – http://qz.com/446005/these-guys-protested-the-confederate-flag-20-years-ago-and-all-they-got-was-this-defunct-t-shirt-company/

2) This Summer marks the 45th anniversary of the Recontres d’Arles international photo festival in Arles, France and, as part of this esteemed gathering, visitors can tour through an exhibition titled “Total Records: The Great Adventure of Album Cover Photography” which, according to the show’s promotional literature, provides “a history of photography through the prism of the vinyl record. Both media, which left their mark on the 20th century, were combined in all their forms, from artwork to illustration, figuration to experimentation. The show is based on this diversity of intentions and propositions.” Many examples of images made by fine art photographers including William Eggleston, Richard Avedon, Lee Friedlander, Weegee and many others are included, as are covers that featured classic images borrowed from shots used in the news, film and other media. You’ll also find examples of “banned” images and a mock-up of a cover for the Rolling Stones’ Exile On Main Street created, but never used, around shots by Man Ray. The Guardian‘s Sean O’Hagan provides us with an overview of this show, which runs through September 20 – http://www.theguardian.com/artanddesign/2015/jul/10/the-photographers-revolutionised-pop-album-artwork

July 10th –  1) The Norwegian band a-ha hit it a number of years ago with a single off of their Hunting High And Low record – “Take On Me” – that impressed audiences both with the vocal range of the lead singer and the extremely-cool music video (directed by Steve Barron) that exposed mass audiences to a modern application of rotoscoped pencil animation combined with live film, so you’d think that with all of that experience with bringing art and music together, they’d avoid situations like the one that’s detailed in this recent posting on Norway’s “The Local” site – http://www.thelocal.no/20150708/a-ha-comeback
As you can see by the accompanying imagery, the U.S.-based art team responsible for the cover art for the band’s comeback single – “Under The Makeup” – had neglected to see that the very same piece of stock art had been recently used on the cover for a single released by Italian R&B singer Victor Chissano (oops).
To my eyes, its another successful “borrowing” of a Roger Dean “Floating Island” motif, but hey, that’s just me…

2) Collectors of album art are always looking for something unique to add to their collections, so if you find yourselves feeling the urge to include something a bit different in your own mix, you might want to bop on over to review what was offered for Gotta Have Rock & Roll’s July 15th “Rock & Pop Culture Auction” where you will find prints listed for several alternative and out-take images from some of your favorite records. Included in the offerings are three Annie Leibovitz photo prints of Bruce Springsteen, a Henry Diltz shot taken during the Morrison Hotel photo shoot for The Doors and a set of two alternate Robert Whitaker cover shots taken during the “butcher cover” session for The Beatles’ Yesterday & Today album. You can take a look at these and other photos included in the auction via the link –
http://www.gottahaverockandroll.com/Category/Photographs-110.html

July 9th –  1) The folks at the Taschen publishing house are preparing a new rock music-related book that should be of interest to fans of the talented photographer Mick Rock and trend-setting musician David Bowie. The Rise of David Bowie, 1972-1973, gives us access to Rock’s archives of the shots he took of Bowie beginning in mid-1972 while in the midst of his Ziggy Stardust tour, during which Rock has unprecedented access to the musician and his band both onstage and behind-the-scenes. As is the case in the many recent books from this publisher (we’ve chronicled the ones about the Rolling Stones and John Lennon/Yoko Ono), there will be three different editions of this book. Of the 1972 books that will be printed overall, #s 1-100 will be in an “Art Edition” packed with a signed Mick Rock Bowie print, while #s 101-200 will offer a different print, with the rest being in the “Collector’s Edition”. The basic book will be signed by both Rock and Bowie and will retail for $700, while the Art Editions will set you back $1800. Pre-orders now being accepted, and if you want to read more about Mr. Rock and his Thin White Friend, click on over to Andrew Purcell‘s nice interview article on the subject posted on the SMH site (Australia) –
http://www.smh.com.au/entertainment/the-man-who-shot-david-bowie-mick-rock-in-focus-20150615-ghmpd8.html

2) ACHOF friend Lee Barry beat me to the punch in his posting of this recent album cover-related article featuring the words and opinions of sole-surviving Hipgnosis original partner Aubrey Powell, but I want to make sure that everyone has had a chance to review and digest what the graphic designer-turned film-maker says about the future of “iconic” album art, using the enormously-popular cover of Pink Floyd’s Dark Side of the Moon as the benchmark. While I might not agree with his conclusions (I have seen many creatives who’ve expanded their capabilities and client bases adopt his point of view), you can’t deny that his input and experiences have done much to propel the field and provide inspiration to the next generations of producers to create memorable imagery for their music industry clientele, regardless of the delivery platform used to share them with fans. Medium‘s Anna Horan shares her conversations with him in this recent posting –
https://medium.com/cuepoint/why-we-ll-never-have-an-iconic-record-cover-like-dark-side-of-the-moon-again-957480dcb692

July 8th –  1) And the Dead train keeps on a-rollin’….The works of the talented artist Stanley Mouse are the subject of a new art book hitting the shelves titled California Dreams: The Art of Stanley Mouse, with a career retrospective of both his solo projects and his work with the late Alton Kelley being staged at the San Francisco Art Exchange gallery (running thru August 8th). Best-known for the hugely-popular Skeleton & Roses logo and posters, Mouse also created album covers for the band and other Bay Area-based groups including Steve Miller and Journey, so it is only fitting that his career is (finally) being chronicled in this way. The book’s text was written by long-time historian and writer of all things Dead-related, Blair Jackson. Read Sam Whiting‘s feature article and interview with Mouse on the sfgate.com site – http://www.sfgate.com/art/article/Book-retrospective-give-Grateful-Dead-artist-6364197.php

2) Another psychedelic art stalwart – Peter Max – is the subject of a new posting by Joan Baum on the site for the go-to paper in The Hamptons, Dan’s Papers. Mr. Max, a regular on Long Island’s East End, created a special 4th of July cover for the paper and spoke with the reporter about a new show of works he’s done recently to commemorate what would have been the 100th birthday of a New York icon…no, not the Statue of Liberty (although Max has done many of those over the years) but, rather, Old Blue Eyes, Frank Sinatra. The first in this series was unveiled in March at Max’s studio (with Nancy Sinatra in attendance) and the show, titled “Sinatra, An American Icon”, is now on display at the New York Public Library for the Performing Arts at Lincoln Center, where it will be up through September 4, before moving to the Grammy Museum of Los Angeles. MAx has done album covers for musical acts including Badfinger, The Band, YES and Clint Black, so these new musician-themed works continue on in that tradition – http://www.danspapers.com/2015/07/talking-with-dans-papers-cover-artist-peter-max/

July 7th – 1) You may recall that I posted about Hugh Syme‘s book about the album art he’s created over the years for Canadian super-rockers RUSH, but in this interview with Gary Graff on the Billboard.com site, you’ll get to read more about the talented art director and his 40+ year relationship with the band, as well as several stories about some of the album covers he’s created along the way. As a bonus, you’ll get to read a forward contributed to the book by drummer extraordinaire Neil Peart about how the two met (Syme was playing in another band and had done some impressive visuals for his group that Peart had seen and been impressed with) and what it means to be partners in creativity over the years. A good read will be had by all – http://www.billboard.com/articles/columns/rock/6613236/rush-hugh-syme-art-of-rush-book-album-covers-neil-peart-foreword-exclusive?page=0%2C0

2) After the Rolling Stones played a recent show in the Raleigh, NC area, they were treated to some very familiar-looking cakes as part of the dessert table laid out post-concert. Students at the local Art Institute’s culinary school were hired to produce nearly a thousand small cakes and pies and chose to do them in the shape of the iconic Stones “Lips & Tongue” and, as you’ll see by the photos accompanying the article by Aden Hizkias on the local Herald Sun site, I think they did quite a nice job. In addition to the cakes and pies, the student bakers delivered trays of cookies done in the shapes of record albums and musical notes…http://www.heraldsun.com/news/showcase/x399474256/AI-chefs-lay-some-sugar-on-The-Rolling-Stones

3) One more Stones-related item – not to be outdone by the Thin White Duke’s travelling art show (David Bowie Is), Mick, Keith & Co. will be co-curating a show based on a collection of over 500 items, hoping to launch the first show in the series – to be titled Exhibitionism – at London’s Saatchi Gallery in April 2016. More details to follow but, according to the press release, the multi-media events will include “will include backstage paraphernalia, unheard audio tracks, unseen video footage, iconic costumes, personal diaries, album cover artwork, original posters and one-of-a-kind cinematic representations”. Looking forward to learning more soon but, in the meantime, here’s a link to the release – http://www.ifreepress.com/entertainment/1307-rolling-stones-to-stage-major-career-exhibit-at-london-gallery

July 6th – 1) Those of your finding yourselves in the Durham, NC area on Tuesday, July 7th might want to make a beeline over to the city’s Main Library at 7pm local time to listen to a discussion about the creative/production processes behind making a memorable album cover. The panel will consist of two people with lots of experience on the subject – Merge Records’ co-founder (and guitarist for NC-based indie pioneers Superchunk) Mac McCaughan and the label’s creative director, Maggie Frost – more info on this presentation is available in writer Allison Hussey’s recent posting on the local Indy Week site –
http://www.indyweek.com/music/archives/2015/07/01/durham-main-library-merge-records-to-present-a-program-on-album-art

2) Down Louisiana way, album art fans can get their fix by touring the new exhibition now on display at the Manship Theater gallery at the Shaw Center for the Arts in Baton Rouge titled “The Art of Vinyl”. Running through August 2nd, the show was put together with the help of several local collectors and the gallery’s director, Liz Goad, who also enlisted the talents of several local artists, who created new works of art – inspired by the record art on display – that are also included in the show. You’ll find examples of record covers from every genre of music, going back to the 1950s and including classics in every category. According to reporter Robin Miller‘s account of the show on the local The Advocate news site, the director has been working hard on organizing this show for quite some time…“We’ve been talking about the idea of a vinyl album show for awhile. We loved the idea of an exhibition celebrating this art in pop culture.” http://theadvocate.com/features/12418180-123/the-art-of-vinyl

3) Now that the Grateful Dead are dead (or, at least not performing as the Grateful Dead any longer), it is time for fans to look for other ways to ingest more Dead-related programming and the folks at Chicago’s near-West-side NYCH Art Gallery are more than happy to respond to that need, having launched a new show of photographer Roberto Rabanne’s trippy 3D images featuring the band. The show includes many rare photos taken since 1967 and, to take the presentation to even greater extremes, each photo is presented in a frame that has also been embellished with well-known Dead iconography (skeletons, roses, etc.). More info on this show is available via this article on the Art Daily web site –
http://artdaily.com/news/79792/Roberto-Rabanne-s–Synesthesia–A-Further-Photographic-Trip-with-the-Grateful-Dead–on-view-in-Chicago

July 3rd – 1) From the “when you want things done right, do them yourself” file – Public Image Ltd singer John “Rotten” Lydon wanted something wacky on the cover of his band’s upcoming album titled What The World Needs Now, and so he chose to provide his own illustration of a wacky-looking Hopi Indian Kachina doll – which to Lydon represents Man’s efforts to breed hate – rather than uniqueness – from our cultural and religious differences. The Hopi religion – being passive and inclusive – provides us with symbols of a culture that is based on problem-solving rather than, as Lydon puts it, “problem-giving”, and so it seems fitting that it provides the iconography for the bands new record, due out September 4th. In this recent Kory Grow posting on the Rolling Stone Magazine site, you’ll learn more about this new work, John’s often-thought-provoking takes on the people that shaped his past (Malcolm McLaren, Vivien Westwood, etc.) and news about a U.S. tour this Fall – http://www.rollingstone.com/music/news/john-lydon-unveils-antireligious-art-for-new-public-image-ltd-album-20150622

2) Jim Stafford is back with a new entry in his Cover Stories series on the Diffuser.fm site, with this week’s article providiing us with the back-story to one of hip-hop’s seminal records – License To Ill by the Beastie Boys, with artwork created by the talented team of Steve Byram (design) and World B. Omes (illustration). The cover depicts a Rick Rubin fantasy – his new band having their own jet, just like to one he saw in a book about Led Zeppelin! Of course, not all flights taken by rock icons end up well (just ask Buddy Holly, Lynyrd Skynyrd or SRV, as examples) – http://diffuser.fm/cover-stories-beastie-boys-licensed-to-ill/

3) Writing for the National Post, writer Rebecca Tucker interviewed photographer Bob Gruen about his relationship with late Beatle John Lennon (in anticipation of a new show of his work, running currently at the Liss Gallery in Toronto, Canada) and the stories behind two of his best-known shots of Lennon. Rather than present a more-traditional interview article, she teamed up with artist Brice Hall to give us one done in the style of a graphic novel. Very cool. If more of history were depicted in this fashion, we’d all know a lot more about the important things… http://news.nationalpost.com/arts/when-life-hands-you-lennon-how-bob-gruen-captured-one-of-the-most-iconic-rock-n-roll-photos-of-all-time

July 2nd – 1) Writing for the Fusion web site, writer Kelsey McKinney has put together a nice article – including interviews with album cover artists including Greg Burke and Jeff Kleinsmith – about technology’s long-term effects on the design and relevance of album cover images. The article discussed how changes in music delivery formats – from LP to CD to digital downloads and streaming services – has forced changes in the size, style and overall visual impact of album covers, and as we learn from the discussions with the previously-mentioned art directors, we get to know more about how these images are handled as part of both the branding of musical acts and the various ways that visuals are included in the strategies to deliver fan-friendly products.
Examples of how this has applied to packaging strategies for both classic (Pink Floyd, Sex Pistols, Carly Simon and others) and more up-to-date acts (Drake, Nicki Minaj, CeLo Green and more) are included, and the question “do we remember album covers because the music was memorable, or vice versa” leaves us to think about which side of the argument we each fall on – http://fusion.net/story/155616/album-covers-technology/

2) Over on the Diffuser.fm site, Jim Stafford presents a new installment of his Cover Stories serial, this one featuring the Elvis-influenced cover of London Calling by The Clash, with cover photo by Pennie Smith and text by Ray Lowry. The image proved to be so iconic that it was included in the Royal Mail’s recent series of album cover-based postage stamps. Get the whole background behind the making of this memorable cover via the link – http://diffuser.fm/cover-stories-london-calling/ P.S, – so important was the Elvis influence that Mick Jones attempted the patented Elvis sneer on the cover of Big Audio Dynamite’s P-Funk record – nice try, Mick!

3) Keeping Elvis front and center, here’s the announcement of the latest entry in the US Postal Service’s Rock Icons series of “Forever” postage stamps, this one featuring – c’mon, just guess – Elvis Presley! Based on photographer William Speer’s 1995 photo of The King, this is the second time that a Presley image has been the basis for a postage stamp here in the U.S., the first time being back in 1993 (when postage stamps were 29 cents). In conjunction with the release of this new stamp, RCA/Legacy Recordings will be releasing a new CD titled Elvis Forever. Both the stamp and the CD will be at your post office on August 12. Bob Mehr‘s story on the Commercial Appeal site gives you the details – http://www.commercialappeal.com/go-memphis/elvis/elvis-stamp-image-previewed

July 1st – I just read (on photographer Mike Salisbury’s Facebook feed) that the esteemed Japanese illustrator Shusei Nagaoka died in late June of a heart attack at the age of 78. My condolences to the family and friends of the artist whose colorful, fantastic works for musical acts including E.L.O. (Out of the Blue), Pure Prairie League (Can’t Hold Back), Jefferson Starship (Spitfire) and Earth, Wind & Fire (Gratitude, The Best.. of and several others) helped define record cover imagery in the late 1970s. Fans of the artist can read more about him via this recent article on the Japan Times web site –  http://www.japantimes.co.jp/news/2015/06/27/national/nagaoka-illustrator-for-earth-wind-fire-other-bands-dies-at-78

That’s all for now – look for updates every week day on our news feed –https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back next month with another summary for you.