Tag Archives: David Bowie

Album Cover Artist And Art News Summary And Preview For October/November, 2017

ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF OCTOBER,WITH PREVIEWS FOR NOVEMBER, 2017.

 

 

BY MIKE GOLDSTEIN, ALBUMCOVERHALLOFFAME.COM

Greetings once again to you all on this post-Halloween sunny-but-crisp early November day, 2017. The month of October proved to be a VERY busy one with regards to articles you’ll want to read that reveal new information about those active in the world of album cover art and packaging and, in the summaries I’ve written and via the links provided, you’ll learn more about the latest efforts – as found in exhibitions, via new books and products and featured in interviews in profiles and other related reporting – of some of the most-talented album cover art creators and promoters that I’ve found in my reviews of stories from around the world.

Of course, nothing could be more important than the work going on right now to select the nominees and, after close consideration, voting on a new class of inductees, for the Album Cover Hall of Fame. Over 200 people are being considered for this year’s Class (2017), with the winning names revealed to an eagerly-awaiting public just prior to Thanksgiving (which takes place here in the U.S. this year on November 23rd), so watch this space closely as I’m sure you’ll want to know who “made the cut” this year…

As always, I ask that you please share this info with everyone you know who are fans of great album cover-related talent and, of course, your comments and feedback are quite welcome.

1) Upcoming, recently-launched/currently running and just-closed show/exhibitions –

a) As a follow-up to the article I posted last month about Malcolm Garrett and the Design Manchester show he organized (which included a panel on his work along with a special exhibition devoted to displaying the results of a Buzzcocks Orgasm Addict-related challenge he posed to scores of artists – i.e., according to the info posted by writer Aimee McLaughlin in her review on the Design Week site, “to ‘fuck up’ his original artwork and create “reframed” versions of the record sleeve. Designers that have taken part include established names such as Craig Oldham and Michael C Place, along with young and up-and-coming talent”
Another favorite display at the show was another one focused on Garrett’s entire portfolio of work for the Buzzcocks called Fizzing At The Terminals. While the show ended its run on October 22nd, you can get a decent feel for what was on display at https://www.designweek.co.uk/issues/16-22-october-2017/design-manchester-2017-favourite-exhibitions/

b) Another follow-up to a previously-reported item – you’ll recall that photographer and gallery owner Guido Harari has been working with fellow shooter Frank Stefanko to help publish and promote his new limited-edition book (Bruce Springsteen: Further Up The Road, set to be published on November 1st) and related art prints. Well, the two talented artists have also announced a tour and exhibition that will have stops both in the U.S. – November 1st at the Morrison Hotel Gallery at the Sunset Marquis Hotel in Los Angeles, then on to Morrison Hotel’s gallery in the SoHo area of New York City for an opening on November 9th – and in Italy at Harari’s Wall Of Sound Gallery in Alba, where they’ll be for an afternoon (3PM local time) opening on Saturday, November 18th.

According to Guido’s promo emails, the show at his gallery will be the only one in Europe in 2017, but there will be several other scheduled book signings and Q&A/presentations, including one later in the day (5:30PM local time) on November 18th at the nearby Coro della Maddalena, via Vittorio Emanuele 19 (as part of the “In Poetica” festival) followed by a similar event the next day at 6PM at the Circolo dei Lettori, via Bogino 9, in Turin, Italy, (produced in collaboration with Libreria Luxemburg).
More details at http://www.wallofsoundgallery.com/en/bruce-springsteen/

c) Artist Roger Dean and his chums at the U.K.’s Trading Boundaries gallery have announced the launching of a new exhibition that fans of Dean’s mind-bending imagery will most-certainly enjoy. According to the gallery, the “2017 Breaking Cover Exhibition”, which premieres at 7PM on Friday, November 3rd at the beautiful Sheffield Arms development (Sheffield Green – Nr Fletching – TN22 3RB), “This will be a wonderful opportunity to see a number of new paintings never before exhibited, and an amazing collection of Fine Art Watercolours and Sketches that are rarely shown in public.”

Making the evening extra-special – besides having the chance to meet one of the album art world’s most-respected artists – will be the official launch of a new limited-edition print of Dean’s 1973 artwork for Badger (with its winter motif just perfect for this time of year!). More info on this event and its setting can be found via these links – https://therogerdeangallery.smugmug.com/Exhibition-Dates and https://www.tradingboundaries.com/pages/roger-dean-gallery. As a bonus, there’s a short video on the second page in which Dean talks about his first commercial assignment as a designer (doing the interiors for the famed Ronnie Scott’s jazz club in London) and then his first album art commission for a band called The Gun in 1967 (you might recall their hit song “Race With The Devil”).

Last-minute update – Just announced, Prog Rock fans – get ready for a great opportunity to meet Mr. Dean and one of his most-famous clients – guitarist Steve Hackett – at a special event that will be held at Trading Boundaries on November 18th. Per their announcement – “we are excited to announce a world first… an evening with Roger Dean in conversation with guitarist Steve Hackett discussing the creative process. This is a rare opportunity to witness two legends of both music and art coming together for an evening where anything could happen!” Choose between tickets just for the conversation or, for just a few pounds more, enjoy a special 2-course dinner along with the presentation – ticket info at – https://www.tradingboundaries.com/collections/tickets/products/steve-hackett-roger-dean?

d) While not exactly an album art-specific show, the people who are putting on the upcoming Making Vinyl trade show in Detroit are folks with a lot of history in the area, and the fact that they’re both featuring a number of album packaging experts on panels and the re-launch of the ALEX Awards, which includes prizes for album cover-related projects, leads me to share the details of the show with you this month.

Keynote and panel speakers include a number of names well-known to folks like you who are paying keen attention to developments in the music-related art world, including Jack White (musician and owner of Third Man Records), Jack Stoughton (President of Stoughton Printing), Gail Marowitz (Grammy-winning album art director), Jennifer Freund (CEO of Dorado Packaging), Craig Braun (famed album art director and host of this year’s Alex Awards show), 344 Design’s Stefan Bucher and many others. The Alex Award presentation ceremonies will take place on Monday, November 6th at 7PM local time at the Westin Book Cadillac in Detroit. With hundreds of designs submitted for review this year, it’ll be interesting to see who comes out on top – of course, the information will be announced here on the ACHOF site as it’s made available.

Basic show info and a line-up of events can be found at https://makingvinyl.com/ , while specific info on the Alex Awards has been posted here – https://makingvinyl.com/alex-awards/

e) The Grammy Museum at L.A. Live recently launched a new show that presents an impressive collection of exhibits that present a career retrospective of the seminal LA punk/rockabilly band X and its trend-setting members – Exene Cervenka, John Doe, Billy Zoom, and DJ Bonebrake. With a career that began back in 1977 (with their first, Ray Manzarek-produced album Los Angeles released in 1980) and, after break-ups and reunions, still tours on occasion today, the band both represented and influenced the local music scene via both their music/lyrics and visuals – in fact, Cervenka was such an accomplished mixed-media artist that the Santa Monica Museum of Art assembled a solo exhibition of her work (titled America The Beautiful) back in 2005.

According to the Museum, the show (which will be on display until next March) will put on display original instruments and gear played by the band, original concert flyers, photographs, clothing and personal items, handwritten lyrics from Exene and John Doe and a collection of Exene’s photographs and artwork. They’ll also be showing the 1986 documentary film X: The Unheard Music, which includes a number of interviews as well as studio and live performance footage.

More info on this show is available at http://www.grammymuseum.org/exhibits/current-exhibits/x

I seem to remember that the burning X cover on the band’s debut LP Los Angeles was credited to “J. Ruby Productions” – so very punk, no?

f) The David Bowie Is exhibition continues on its successful world tour with a stop at the Brooklyn Art Museum in NY early next year (opening March 2nd and running through July 5th). This slightly-premature article by Andrew Chow for the New York Times was posted in mid-October on the paper’s web site, so if you’re looking to take a special trip into the city and need something special to build it around, here’s a nice intro to the show about everyone’s favorite musician/actor/art collector – https://www.nytimes.com/2017/10/04/arts/design/david-bowie-exhibition-brooklyn-museum.html

g) If you hurry on over to the Lucy Bell Gallery (on Normans Road, in St Leonards on Sea) before November 4th, you’ll still be able to catch what sounds like a really-intriguing exhibition of “rare and iconic” photos of Pink Floyd. Working with the auite-accomplished rock photographer – and owner of the Rockarchive gallery – Jill Furmanovsky and her crew, this show (titled Shine On) includes the works of a number of respected music-industry shooters, including Tony Collins, Colin Prime, Storm Thorgerson, Andrew Whittuck and, of course, Ms. Furmanovsky herself.

According to the gallery’s press release, the show will include images from the “band’s earliest photo shoots in Ruskin Park & Hampstead, to the recording studio at Abbey Road and on the road during the Dark Side of The Moon Tour.. the exhibition includes these and other classic images that capture Pink Floyd’s energy and unique, eclectic style both on and off stage.” Also on display will be several of the late, great Mr. Thorgerson’s alternative takes on album cover art for the band.

https://www.lucy-bell.com/exhibition/pink-floyd

g) While the 12th annual Best Art Vinyl Awards won’t be handed out until after the New Year, it requires the public’s vote to determine the winner and, in order to allow the public to see examples of the nominated covers up close, a show is being staged at The Civic in Barnsley (U.K.) beginning on the 11th of November called “12 Years On 12 Inches” that not only allows attendees that opportunity, but also to participate in several related events, including a “make your own record cover-based linocut workshop”!

With the Barnsley show curated by Jason White, the show will also be duplicated in two other European cities starting with the letter “B” – Bologna and Budapest – thus allowing album art fans from all over the Continent the chance to review the works and then go online to cast their votes for their favorites. Mr. White is also going to be staging a related display at the multi-media event center that will be called “Best Art Vinyl Barnsley” and will show off the album packaging talents of local musical acts and album art producers.

To read more about these exciting happenings, visit – http://www.barnsleycivic.co.uk/events/best-art-vinyl-barnsley and http://www.barnsleycivic.co.uk/events/best-art-vinyl-12-years-on-12-inches

For more information on how to participate in the album art workshop on Saturday, November 11th, please click on over to – http://www.barnsleycivic.co.uk/events/record-cover-lino-cut-workshop

This isn’t the first album cover show staged at The Civic. After a re-development project was finished in early 2009, an album art show called “Gatefold to Download” drew large crowds to the new space, with contributors to the show including Malcolm Garrett (Buzzcocks, Duran Duran, etc.), Mark Farrow (Pet Shop Boys, Spiritualized, etc.) and Rob O’Connor/Stylorouge (Blur, George Michael and others).

h) In late October in Lagos, Nigeria, a career-spanning show built around the 26 album covers designer/illustrator Lemi Ghariokwu crafted for Afro-Beat superstar and human rights activist Fela Kuti before Kuti’s untimely death in 1997 was staged, with Lemi on hand to speak to attendees about his art and his friendship with the beloved and mystical entertainer (when you get a million people showing up at your funeral, I think you can say that you were “beloved”. Lemi was the principal artist for Polygram in Africa for 11 years, also creating stunning packages for stars including Lucky Dube, Miriam Makeba and Bob Marley.

You can read more about the man, his art, his friend Fela and more on the 360nobs.com web site – https://www.360nobs.com/2017/10/lemi-gharioku-temple-management-presents-afro-artbeat-exhibition/

2) Artist interviews/profile articles –

a) It’s nice to have friends in the business…As is so often the case, many musicians have had advanced training in design and the other visual arts, so when the popular band The National wanted to prepare a host of goodies to go along with the release of their latest record (Sleep Well Beast), they turned to friends to help them conceive and then produce not only “the regular stuff” (i.e., album art, t-shirts, posters, etc.) but also a host of other goodies and promotional materials – including billboards and video shorts – that would bear the record’s logo, color scheme and other design cues. Turns out that the band’s bassist, Scott Devendorf, had worked for the noted NYC design firm Pentagram, and so a collaboration with one of that firm’s partners – designer Luke Heyman – was bound to create something unique and impressive.

Via this link, you can take a look at the results of this partnership via this nice article by contributor Gunseli Yalcinkaya on the Dezeen.com site –
https://www.dezeen.com/2017/09/08/pentagram-designs-corporate-visual-identity-national-sleep-well-beast-album-cover/

3) Sales/Auctions –

a) John Lennon’s personal copy of a prototype – complete with Lennon-drawn artwork on the back – of the infamous The Beatles Yesterday And Today “Butcher Cover” is just one of the several album art-related items up for bid as part of the Heritage Auction house’s November 11th Entertainment Auction – https://entertainment.ha.com/c/auction-home.zx?saleNo=7164&ic=breadcrumb-entertainment-071515-interior

In addition to that rarity (which, incidentally, had an opening asking bid of $100,000), there’s an alternative shot – a 12” x 15” B&W, fully-autographed print – taken by photographer Robert Whitaker in late 1964 from the album cover photo session for The Beatles ’65 (opening bid of $10,000). There are several other album cover-related items being offered, including one item that brought back memories. Remember, back in the 70s, the popular custom of taking a gatefold album cover and lining it with aluminum foil for use as a cheat towards a quick sun tan (i.e., those of you who weren’t using the same cover to separate the sticks and seeds from your favorite smoking materials)? Well, Elvis Presley selected his favorite Seals & Crofts LP – Summer Breeze – from his collection to make his own reflector, and for a starting bid of $750, you can works towards making it your own!
Happy bidding, everyone!

4) New Print/Book/Product RELEASES –

a) Noted design authority Steven Heller and writer Greg D’Onofrio have just published a new book on mid-century design masters, including some that worked in the album art field, such as Saul Bass Robert Brownjohn, Neil Fujuita, Reid Miles and the man credited as “the father of the album cover”, Alex Steinweiss (all members of the ACHOF list of “Original Influencers”)

Titled The Moderns: Midcentury American Graphic Design, the 336-page, profusely-illustrated book introduces the reader to the people that created and molded “modern” graphic design beginning in the middle part of the 20th century, bringing their unique takes to designs for print publications, advertising and other forms of promotion, typography and packaging of products of all types. According to the publisher’s (Abrams Books) web site, the book “is the first comprehensive survey of this phenomenon that shaped our visual environment, presenting the work and lives of sixty-three graphic designers. Some were émigrés (including five Bauhaus students and faculty) who brought the gospel of Modernism to America from its sources in Europe. Others were homegrown talents who encountered Modernism in schools and offices at home and abroad. Together, they formed a multigenerational community, learning from one another and forging their individual practices through rigorous engagement with the esthetics of the movement.”

See who’s included – https://themodernsbook.com/ and, to read a review offered up by Theo Inglis on The Creative Review (UK) site, click on over to – https://www.creativereview.co.uk/making-moderns-midcentury-american-graphic-design/

b) Photographer Brian Griffin’s long-awaited music industry career-covering book, titled POP, was finally (and gratefully) released on October 26th, with a special release party and exhibition of over 30 of Brian’s best-loved images being staged both at, and to coincide with, the 2017 Soundedit Festival (for music producers and sound designers) that ran from the 26th through the 29th in Lodz, Poland.

Brian’s been a long-time supporter of this festival (in fact, in 2014, he presented John Cale with the event’s “Man With The Golden Ear” award) and is excited to be able to begin delivery of this book, which features essays by acclaimed music writers Terry Rawlings and Paul Gorman and comes to life after a successful Kickstarter campaign earlier this year. Limited to 1000 copies, the 392 pages contain many of Brian’s best-known album cover images for acts including Depeche Mode, Echo & The Bunnymen, Elvis Costello, Iggy Pop and many others. Learn more about the book via the publisher’s web site at http://gostbooks.com/books/69/pop

…with those of us unable to make it to the event being able to read nicely-illustrated articles about the book via these links – https://genesisimaging.co.uk/brian-griffin-pop-book-launch-exhibition-soundedit-2017/

https://www.newyorker.com/culture/photo-booth/the-stories-behind-brian-griffins-portraits-of-seventies-and-eighties-rock-stars

http://www.heraldscotland.com/arts_ents/15624052.The_Look_of_Love__Brian_Griffin_on_shooting_the_stars_of_1980s_Pop/

c) Speaking of crowd-funded art projects, there’s a new endeavor on Kickstarter that’s looking for support that I thought you might want to learn more about as it includes opportunities not only to receive a specially-produced collection of music as a reward but also to take home one of several very-unique works of art by famed designer Cey Adams. The Smithsonian Anthology of Hip Hop & Rap is, according to the site, “a landmark collection of music, stunning visuals, and powerful stories collected in a 300-page book and 9 CDs.”

With packaging designed by Adams, the founding Creative Director of Def Jam Records, it’s certain to be an eye-and-ear-pleasing package, with special promo items including a limited-edition (one of just 5) fine art print of an alternate album cover from Public Enemy’s Fear of a Black Planet, signed and numbered by artists B.E. Johnson and Adams, as well and PE’s Chuck D himself (at the $5000 level). Already sold out (at the $1500 support level) was a prize package (5 total were made) that included a pair of Adidas sneakers that had been hand-painted (no two alike!) by Adams. The goal is to raise $250,000 before the Nov. 16th cut-off date for funding. As of this date, over 1300 supporters have pledged over $165K, so they look to be on their way to a successful funding effort.

Reserve yours today at https://www.kickstarter.com/projects/smithsonian/smithsonian-anthology-of-hip-hop-and-rap

Here’s a recent ArtDaily article on this project as well – http://artdaily.com/news/99623/Smithsonian-launches-drive-for-major-hip-hop-anthology

d) Also in late October, I received an email with a reminder that there was to be a big book launch party in London for author/historian/all-around nice person Jennifer Otter Bickerdike’s new book (previously described in my news feed) titled Why Vinyl Matters. It all took place at the Rough Trade East record shop in Brick Lane, with Jen bringing some friends along to liven up the launch party, including Julia Ruzicka of Future of the Left and Terry Hall of The Specials and Fun Boy Three. A great time was had by all, and you can take a look at what’s inside Jen’s new book via the following link – https://www.roughtrade.com/us/books/why-vinyl-matters

e) My alert feed brought two items on the Absolute Sound site regarding album cover art books to my attention – one we’ve covered (Art Record Covers by Francesco Spaminato and Julius Wiedemann, published by Taschen – read my March, 2017 interview with Mr. Wiedemann on the ACHOF site at https://albumcoverhalloffame.wordpress.com/2017/03/08/interview-with-taschens-julius-wiedemann-about-his-newest-book-art-record-covers/ ) and one we have not, Visual Vinyl, produced by Heerlen, Netherland’s Schunk Museum and published this past May by Verlag Kettler (and ACC Publishing here in North America), that documents the 2015-16 show at the Museum curated by Harry Prenger built around the collection of vinyl record fan and design guru Jan Van Toorn (AKA “JvT”).

According to the museum’s promotional materials, Visual Vinyl was “a major exhibition devoted to record cover art. This unique collection of LPs, singles and other vinyl rarities will be exhibited at SCHUNCK* from November 2015 onwards. The records form part of the collection of vinyl aficionado and collector, Jan van Toorn, and have never been on public display before…Records and sleeves spanning four decades, with designs representing the work of over a thousand visual artists (with or without the collaboration of “pop” musicians) will be on show.”

This exhibition included many examples of album covers and packages that were created by well known names from the fine art world, including Andy Warhol, Jean-Michel Basquiat, Salvador Dali, Damien Hirst, Shepard Fairey, Banksy, Mark Ryden, Raymond Pettibon and Jeff Koons, among others.
http://www.theabsolutesound.com/articles/where-art-meets-music/
http://schunck.nl/agenda/visual-vinyl/

f) LA-based photographer Afshin Shahidi has released a new book titled Prince: A Private View, created after plowing through his portfolio of exclusive photographs of the late rock star – shot in his home, studio and on stage – with many of the pictures never seen before their inclusion in this book. Shahidi is credited for his work on the covers/packages of Prince records including One Nite Alone…Live!, Live At The Aladdin Las Vegas, Planet Earth, Musicology and 3121 (and has shot covers and/or directed music videos for acts including Nas, Rob Thomas, Herb Alpert, The Afghan Whigs and Bare Naked Ladies), but it was his long-standing relationship with Prince that enabled him to capture the musician in a host of intimate and candid photos.

According to Shahidi, as he explained to the folks at ABC News in a feature they recently produced on Afshin and his book, “The album covers for me … are what I was most proud of,” Shahidi said. “I still, to this day, when I see the album cover, I think, ‘Wow … I took that picture.’ Makes me really happy.” “For me, each time I was with Prince, I was still, like, ‘Wow, I’m standing here with Prince!’”

http://abcnews.go.com/Entertainment/princes-private-photographer-shares-images-late-singer/story?id=50651065

Writing for The Source site, J. Quinones provides us with a bit more detail about the book and the relationship that it was built upon – http://thesource.com/2017/10/24/414889/, and the photographer also adds to the conversation via a special site that’s been set up to let fans review the book and its contents – https://princeaprivateview.com/

5) Other articles of interest –

a) Every once in a while, we’re all given the opportunity to show off just how much we know about famous album cover art and the musical acts that support it, so I was eager to test my chops on NME’s most-recent album cover quiz – one that’s differentiated from many others by the fact that they’re showing “less popular” bits of these covers’ overall image. Well, I got 17 out of 30, which is shameful, but I admit that I don’t know a lot about some of the newer international acts included in the survey. I can only hope and assume that many of you will do much better than this old(ish) man.
http://www.nme.com/blogs/nme-blogs/album-detail-quiz-2146415

One bone to pick with the quiz’s creators – I do really wish that they would have showed the entire album cover when the answer was revealed – how am I supposed to have learned anything from this exercise (beside that I was wrong nearly half the time)? Turn it into a “teachable moment” next time, people…

b) So while we’re carefully perusing covers from now on for “the less popular bits”, will we also be on the lookout for all of the hidden messages and clues that are built in to the works of art? Purple Clover’s Kevin Hayes will be, that’s for sure, as he seems to see things where others might not. Recently, he posted an article that presents 14 album covers in which he asserts there’s more than meets the eye, such as Paul McCartney’s hand-lettered message of love to his wife Linda found on the cover of his 1971 solo release Ram, the multiple faces and a hula skirt that are found in artist Lee Conklin’s “Lion” drawing done for Santana’s 1969 debut album and, one of my favorites, Mouse & Kelley’s really hard-to-see “We Are Acid” sub-text found in the lettering for the Grateful Dead’s 1969 release titled Aoxomoxoa.
Bring your Visine and take the tour at – http://www.purpleclover.com/entertainment/8048-album-covers-hidden-message/

c) Not one but two detailed “making of” articles about Rolling Stones album covers hit the web recently, with staffers from the UK’s Far Out Magazine site digging deep to provide the straight poop about how the cover for the band’s The Satanic Majesties Request (which offered us a 3-D “lenticular” image shot by Sgt. Pepper’s photographer Michael Cooper) – http://faroutmagazine.co.uk/the-cover-uncovered-their-satanic-majesties-request-the-rolling-stones/ , while over on the LA Weekly site, writer Matt Wake interviews two of the most-respected album cover contributors of all time – designer John Van Hamersveld and photographer Norman Seeff – about what it took to produce the highly-detailed gatefold cover for Exile On Main Street, which also included a back cover shot taken in downtown Los Angeles (on Main Street, of course) by famed photographer Robert Frank.
http://www.laweekly.com/music/how-the-rolling-stones-exile-on-main-st-was-finished-in-los-angeles-at-sunset-sound-8594714

d) Appearing this month to provide the keynote address at this year’s Society for News Design (SND) conference in London will be a designer who’s left lasting impressions on all aspects of the graphic design business – designer, creative director, typographer and currently the Dean of the School of Communication at the Royal College of Art (UK), Neville Brody. Album art fans will instantly recall Brody’s work on album covers for the Stiff Records label and others – The Slits – Return of the Giant Slits; Cabaret Voltaire – Red Mecca, 2X45, Johnny YesNo and The Original Sound of Sheffield 83/87; 23 Skidoo – Seven Songs, The Culling is Coming, Urban Gamelan and Just Like Everybody; Depeche Mode – Singles Box, Vol. 1 and Throbbing Gristle’s Five Albums, among others.

His impressive bio includes stints as the art director for magazines such as The Face and Arena, with his more recent work managed via his role as the principal of his design firm brody associates including projects for clients in many industries world-wide, including media companies such as the BBC, D&AD, The Guardian, MTV Europe, Paramount Studios, The Times (London) and Wallpaper* Magazine, venues such as Parco (Japan), The Barbican (London) and the Institute of Contemporary Arts (London) and retail product firms including Apple, Asics, Bentley, Bonfire Snowboarding, Chloe, Deutsche Bank, Dom Perignon, Homechoice, Microsoft, Nike, Salomon, Sony Playstation, YSL and many others. Fans of print newspapers will most-likely know Brody from the fact that he developed Times Modern for The Times of London newspaper, the first new font for the publication since Times New Roman was introduced in 1932.

Brody’s keynote takes place on November 3rd, with more information about the conference and its related displays and events available at – https://www.snd.org/2017/10/neville-brody-is-keynote-speaker-at-snd-london-2017/

e) The licensing world continues to show the love to The Beatles (just goes to show you – spend a little bit up front on great art for your music products and it could reward you over and over) as you’ll read in this recent Business Insider “Insider Picks” feature about the new socks sets from Swedish socks company Happy Socks bearing some of the artwork used in the making of the band’s 1968 animated psychedelic film Yellow Submarine. http://www.businessinsider.com/happy-socks-the-beatles-yellow-submarine-collection-2017-10/#happy-socks-x-the-beatles-collector-box-set-1

For only $84 for the set (slightly cheaper on Amazon.com), fans of the Fab Four who must own everything ever made featuring likenesses of the band can satiate that hunger and own a customized, LP-sized/shaped box containing six pairs of “limited-edition”, colorfully-decorated, Pepperland-themed socks. While, for $14 per pair, you can purchase four of the six total designs – blue Glove, “monsters”, Pepperland and Chief Blue Meanie/Jeremy – buying the set of six gets you an Apple pair and a Yellow Submarine pair as well, with the box thrown in for free (such a deal!).
https://www.happysocks.com/us/thebeatles/

The company also has assembled a line of socks and boxer shorts featuring designs that came from a collaboration with electronic music star/record producer Steve Aoki… https://www.happysocks.com/us/steveaoki/

f) Having recently watched a new animated Halloween TV special built around Michael Jackson-related music, imagery and unique world view (titled Michael Jackson’s Halloween – not sure if it’ll become a classic, but we’ll see…), it’s clear that the Jackson estate is eager to continue to push into uncharted production territory, as is evidenced by the new Michael Jackson SCREAM AR “augmented reality package” included as part of his recently-released compilation by the same name. A joint-production of Jackson’s team along with Sony and Shazam, customers will be treated to a unique experience when they use the music discover app’s camera feature to unlock hidden content when its pointed at the poster included in the package. Read more about it in Gil Kaufman’s coverage of the product on the Billboard Magazine web site – http://www.billboard.com/articles/columns/pop/7981733/michael-jackson-scream-compilation-augmented-reality

Personally, I’m going to be happy waiting for the chance to see the Michael Jackson ONE show in Las Vegas someday – no devices (other than my eyes and ears) required.

g) Finally, I wanted to give you an update on “Flying Pigs In Front Of Trump Tower in Chicago” project I reported on a while back. While the installation had been scheduled to be up before the end of the Summer, the organizers ran into a snag or two and, while it has delayed our chance to enjoy some Pink Floyd-inspired (and Roger Waters-approved) shenanigans here in the Windy City, it is giving the organizers some time to raise some additional funds that they’d need to do this properly – https://archpaper.com/2017/07/trump-sign-flying-pigs-delayed/

The inflatable pig icon that was used by Hipgnosis in their efforts to fly one over the Battersea Power Station to create something special for the cover shot for Animals has reappeared many times since its 1977 premiere, at concerts for both Pink Floyd and Roger Waters as well as in the background in several movies, Danny Boyle’s 2012 film shot for the Olympics and even an episode of The Simpsons, so this particular use is not without precedent and would certainly make my day…

That’s all for now – be on the lookout for timely news alerts on our news feed – https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back early next month with another monthly summary for you.

All text and images included in this article are Copyright 2017 Mike Goldstein and AlbumCoverHallofFame.com – All Rights Reserved. All of trade names mentioned in these summaries are the properties of their respective owners and are used for reference only.

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Album Cover Artist and Art News Summary and Preview for August/September, 2017

ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF AUGUST, 2017, WITH PREVIEWS FOR SEPTEMBER, 2017.

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BY MIKE GOLDSTEIN, ALBUMCOVERHALLOFFAME.COM

Greetings once again to you all on this first day of September, 2017. Since we last spoke, there’s been both a major astronomical event (the 8/21 total solar eclipse) and a major – i.e., catastrophic – meteorological event (Hurricane Harvey) along with a very disturbing display in Virginia of how some folks here in the U.S. just can’t seem to bring themselves to fully share the advantages and opportunities afforded to us here so, when you look at how those events have impacted people in very real ways, I have to ask myself why I’m spending my time reporting on album art/artist-related news versus focusing my efforts on activities that might somehow change/improve the world and the lives of folks just trying to enjoy the little time we’re given here on Earth.

I wish I had a good answer for you, but I don’t.

I know that art and music can combine to make our lives better in so many ways, and I also know how much I appreciate the talents of the people who work to bring these bits of joy and beauty to us, so in spite of the fact that my writing and reporting will most-probably disappear into the Ether over time, the positive notes and responses I get from my readers continue to provide me with some incentive to continue on in this overall-trivial-but-sometimes-rewarding effort. However, if you want to REALLY do something that will help your fellow man in need in the best possible way, I would invite you to do as I’ve done and click on over to the American Red Cross site, where you can send a donation in support of those most in need right now – https://www.redcross.org/donate/hurricane-harvey

I’m hoping that you were able to read the article I posted in mid-August about my visit to the Bill Graham and the Rock & Roll Revolution exhibition currently running at the Illinois Holocaust Museum & Education Center in Skokie, IL because, as you’ll see below, I’m adding some additional info and photos on the Baron Wolman photo event that took place there recently as well. I also had the chance to tour the Rolling Stones’ Exhibitionism extravaganza here right before it closed and would highly recommend it to anyone interested in seeing an amazing collection of Stones-related memorabilia and artwork (e.g., comps, alt takes and bits and pieces from “the making of” album covers including Exile On Main Street, Tattoo You and many others – very cool).

This month I also received the exciting news that the ALEX Awards show (named for the Godfather of album packaging and design, the late Alex Steinweiss) – a packaging industry awards show that’s been on hiatus for a number of years now – is being resurrected and will become part of a new show/symposium dedicated to all things vinyl record called “Making Vinyl” set for early November (Nov. 6-7) at the Westin Book Cadillac Hotel in Detroit, MI. Album cover creators will have the chance to submit examples of their recent work to a panel of esteemed judges (including well-respected designers and other music industry notables such as Spencer Drate, Judith Salavetz, Stefan Bucher, Gail Marowitz, Sean Mosher Smith, Sylvia Reed and Julian Alexander) for their review beginning September 1st and I’ll be posting more information very soon, so keep your eyes peeled…Online submission forms can be found at http://makingvinyl.com/alex-awards/

With regards to my book project, I am happy to be able to report that I have been able to gather some great new content from several new sources, including the highly-lauded design and writing team of Spencer Drate and Juditz Salavetz and a guy responsible for creating the what many consider to be “the templates” for in-your-face rap music album cover art, Shawn Brauch of Pen & Pixel fame. Of course, this only means that the project is getting even bigger/more time-consuming, so I’ll just leave it at that for now and will let you all know when things move forward on the design/publishing front…

For now, I’m just happy to be able to deliver the details of what’s going on in the lives and careers of the designers, artists, photographers and others who continue to produce great visuals for clients in the music business along with previews of what’s going to be on display and available for sale at your favorite gallery or museum next month. In the summary and via the links provided, you’ll learn more about the latest efforts of your favorite (and soon-to-be-favorite) album cover art creators and promoters that I’ve found in the daily news cycle, featuring fascinating and interesting stories on a wide range of related topics.

As always, I ask that you please share this info with everyone you know who are fans of great album cover-related talent and, of course, your comments and feedback are quite welcome.

1) Upcoming, recently-launched/currently running and just-closed show/exhibitions –

a)Earlier in August, I had the chance to tour the “Bill Graham and the Rock & Roll Revolution” event at the Illinois Holocaust Museum in Skokie, IL, with my full coverage (loaded with photos) posted on the ACHOF site at https://albumcoverhalloffame.wordpress.com/2017/08/04/achof-exhibition-tour-bill-graham-and-the-rock-roll-revolution/  As part of the ongoing series of events and other activities that the museum is putting on in support of their show, on Thursday, August 17th, they staged a special event that, as both a fan of rock and roll photography and a regular reader of Rolling Stone Magazine over the past 50 years (!!), was truly a special opportunity and something I just had to attend – a presentation by Baron Wolman, the magazine’s first photographer and a man who has captured scores of photos that have helped illustrate Rock’s “golden ages”.

The evening’s opening discussion was lead by Jason Marck, a local radio personality, who provided the photographer’s introduction and an occasional question during Wolman’s hour-long slide presentation. Even though Baron was suffering a bit from a sore throat caused by the after-effects of recent throat surgery, it did little to curb his enthusiasm to share some of the stories behind a nice selection of his best-known photographs and more info on his own personal story, including his early career as a photographer in the military (BTW, the first photo he sold was of the Berlin Wall while stationed in Germany) and, after returning to the States and landing in the San Francisco Bay area, his introductions to both Jann Wenner at the fledgling Rolling Stone publication and rock impresario Bill Graham, the man who provided Wolman with nearly un-fettered access to his venues and the acts that played there (including Janis Joplin, Jimi Hendrix, Quicksilver Messenger Service, Bob Dylan & The Band, Santana and, of course, the Grateful Dead).

With influences including the great photographers Richard Avedon and Irving Penn, it was Wolman’s own keen eye and keen interest in all of the goings on behind the scenes of the events and personalities he covered (his fascination with 1960s-era “groupies” was shared later in a critically-acclaimed photo book of his on the subject) that keeps music/art fans yearning to add selections from Wolman’s fine art print portfolio to their own collections. There were number of those fans in the audience that night, and they streamed out after the final Q&A session to both meet the photographer at the book-signing table and, perhaps, grab a photo or two with their hero. The museum was offering those in attendance the opportunity to take home, as a bonus for joining/extending their memberships, a specially-created book featuring items from the Graham exhibition and I’m quite certain that a number of those books went home with their new owners featuring the signature of the man of the hour, the talented Mr. Wolman.

Just as a reminder, the Bill Graham exhibition is on display at the Illinois Holocaust Museum through November 12th, with more information available via the link – https://www.ilholocaustmuseum.org/billgraham/

b) Are YOU Experienced? Until you’ve seen the trippy photos taken by Karl Ferris for the cover of the Jimi Hendrix Experience record by that name up close and personal, you can’t really say that you are. Remember friends, this was way before computer-aided design and graphics, so in order to achieve the psychedelic final image, analog tools – fish eye lenses, infra-red film, etc. – had to be masterfully employed and, as you were able to see at two recent shows at the Morrison Hotel Galleries in NYC and Los Angeles (8/23 in NYC, 8/24 in LA), those now-50-year-old pix still grab you and blow your mind.

Karl also shot the photos used on the covers for two more Hendrix records – AXIS: Bold As Love and Electric Ladyland (replacing the image found on the UK version that Jimi really despised) and Hendrix once told Karl that he did with his camera what Jimi tried to do with his guitar, so how’s that for evidence of a good client relationship?

The photos featured in the Karl Ferris Psychedelic Experience were part of a larger show celebrating 50 years of mind-expanding imagery, including fine art works by Gered Mankowitz, Amalie Rothschild, Henry Diltz and several others –
https://www.morrisonhotelgallery.com/blog/5BfROu/Celebrating-iARE-YOU-EXPERIENCEDi

I also found a 2nd article, on Art Daily site, that gives readers a bit more of the background of these shows – http://artdaily.com/news/98318/Morrison-Hotel-Gallery-celebrates-the-era-of-psychedelia-with-an-exhibition-and-sale

The full show is up in the NYC gallery through September 6th, so if you’re in the area and have some ‘shrooms handy, experience the whole thing before it disappears in a puff of pink smoke…

c) Also on display from now through September 7th at the Mr. Musichead Gallery in Los Angeles is a 30th anniversary exhibition of images taken by photographer Chris Cuffaro – well-known to album cover fans for his contributions to the packaging of records by acts including Bad English, Suicidal Tendencies, Bush, Nick Cave and many others – taken during the making of a music video for a single by a band called Martini Ranch that was directed by the not-yet-quite-so-popular film-maker James Cameron.

Martini Ranch was a short-lived, semi-serious side project built around the talents of several musicians (including some members of bands such as DEVO, Frank Zappa’s band and film composer Mark Isham), and some people from the movie business, including the late actor Bill Paxton, who’d go on to star in a number of popular films. They released one album – 1988’s Holy Cow, which featured quirky cover art by the acclaimed artist Lou Beach – and to make the video for the song “Reach”, the group brought in a bunch of friendlies from the music and film world, including Judge Reinhold, Paul Reiser and Cameron’s soon-to-be-wife, fellow director Kathryn Bigelow.

Given free rein to shoot the entire cast and crew while this video was being made, you’ll get to see a lot of people having a lot of fun for two days out at the Veluzat Motion Picture Ranch in Saugus, California.
https://www.mrmusichead.com/events/2017/8/30/chris-cuffaro-greatest-hits-martini-ranch

d) With the voting for this year’s Best Art Vinyl Awards almost upon us (beginning in November, with the winners announced next January), in anticipation of the presentation of this year’s nominees and subsequent voting, the folks behind this annual event will be staging presentations of recent winners and nominees in three locations in Europe (is the U.K. still “Europe” – please explain) all starting with the letter “B” – Barnsley (UK), Bologna (Italy) and Budapest (Hungary) later this year. Best Art Vinyl: 12 Years on 12 Inches will put the works of many talented album cover artists on display, including last year’s winner – illustrator/designer Matthew Cooper’s cover for The Last Shadow Puppets’ long-awaited 2nd album Everything You’ve Come to Expect.
The writers at Digital Arts Online provide us with a preview of the upcoming displays and voting –
http://www.digitalartsonline.co.uk/news/illustration/best-album-art-2017-nominees-past-winners-of-best-art-vinyl-awards-be-exhibited/

e) Now on display at the Museum of Pop Culture (formerly, the EMP) in Seattle is a photo exhibition of 65 images selected by British shooter Mick Rock from the over 5000 he took of David Bowie from March 1972 to November of 1973 as he morphed into his Ziggy Stardust personality and helped establish the bona fides of the “glam rock” movement. Gillian G. Gaar’s coverage of the show, as featured in Goldmine Magazinehttp://www.goldminemag.com/articles/photographer-mick-rock-exhibits-bowie – provides us with a good intro to this long-lasting relationship between rock star and his friend/artist Rock, with more info on the details of the show available on the MOPOP site at https://www.mopop.org/exhibits/current-exhibits/bowie-by-mick-rock/
Later on in this summary, in Section 5, you’ll also find a related article about the premiere of the documentary film about Rock…

f) Genesis Publication’s Genesis House Gallery will be hosting a very special reception on September 9th featuring famed Beatles designer/bassist Klaus Voorman as they honor the release of his brand new collage created to help celebrate the 50th anniversary of the band’s seminal record, Revolver.
According to the gallery’s press release, “We will have an installation of Klaus’s latest work, the Revolver 50 collage series, alongside his earlier Hamburg Days prints and other artworks. The occasion also marks 50 years since Klaus won the Grammy Award for the Revolver album design, so we will be joined by some special guests to celebrate this achievement, and hope you will be able to join us.” I’d love to, of course, but there’s some water in the way…
http://www.genesis-publications.com/revolver-50-the-collage-series-by-klaus-voormann/default.htm?

g) Now I know that I’m getting old – 40 years, really? Yes, friends, it’s been 40 years since we first had our terminals fizzed by Manchester-area punkers The Buzzcocks and our eyes burned to cinders by Malcolm Garrett’s subversive designs for the band (remember the cover for the single “Orgasm Addict” with the iron-headed reclining nude?). Garrett went on to design memorable covers for musical acts including Peter Gabriel, Simple Minds, Duran Duran and many others, and has shared his love of design with clients (via his in-demand agency, IMAGES & Co.) and students of design via his participation in industry events, showcases and committees such as the BAFTA Interactive Entertainment Committee, the Royal Designers for Industry (RDI) Executive Committee, the i-Design interactive media conference held at the London Design Festival and as co-curator of the annual Design Manchester festival.

To commemorate the 40th anniversary of the release of the first designs for the influential band, Garrett will be leading a presentation/discussion at this year’s Design Manchester event, described here on the festival’s web site – http://designmcr.com/events/fizzing-at-the-terminals-malcolm-garretts-buzzcocks-designs-1977-2017 and, if you’re in the area, something I’d invite you to sign up for…

What really makes me wonder is that you can buy t-shirt with these early and then-controversial designs at Wal-Mart now…OMG!

2) Artist interviews/profile articles –

a) While artist Sir Peter Blake, one of the UK’s best-known talents, might be most-recognized for his work on the cover for what’s often considered one of the best album covers ever created – the collage found on the package for 1967’s Sgt. Pepper’s Lonely Hearts Club Band by The Beatles – it doesn’t take a lot of work to see that that cover was just one of a huge portfolio of images he’s created over the 85 years he’s been on the planet. His paintings and other works have long been considered amongst the very best in the fine art world but, as you’ll see in this nicely-written profile by Abigail Cain found recently on the Artsy.com site, interviews and conversations about and with the artist inevitably hearken back to his work for The Beatles.
https://www.artsy.net/article/artsy-editorial-beatles-helped-british-artist-perfect-work-pop-art

Today’s young artists have, fortunately, taken the time to look at and learn from Blake’s long list of important works of art, so he seems content to know that he’ll be remembered not just for the work that he and his team (artist Jann Haworth and photographer Michael Cooper) were given the amazingly meager sum of £200 (not including flowers and wax/cutout figures) to create…

b) Writing for VICE, Clara Mokri interviews photographer Brad Elterman as he looks back on his career as a young rock photographer via the discovery and purchase (thanks, eBay!) of a trove of long-lost photos taken early on in his career. Parlaying the sale of his candid shots of David Bowie to Creem Magazine back in the early 1970s into a career that’s brought us scores of great photos of rockers such as Joan Jett, Peter Frampton, Talking Heads, KISS, The Who (and shots that have been included in packages for AC/DC. Alice Cooper and the Eagles) and others, Brad shares the story about how his archive was lost-then-found and the emotions he feels taking a long look at his work all these years later.
https://www.vice.com/en_us/article/zmepp8/this-teen-took-candid-photos-of-the-70s-biggest-rock-stars

c) You all know Ron Pownall’s work – covers for albums by Ted Nugent, Boston, Aerosmith, Molly Hatchet and dozens more – but how often do you get a chance to take a tour through an accomplished photographer’s studio? Luckily, reporter Emily Cassell was able to snag such a tour, sharing it with us on the Scout Somerville (MA) website – http://scoutsomerville.com/ron-pownall/

Beginning his photo career as a young shooter for the Chicago Tribune newspaper in the late 1960s, he went from covering protests of the Vietnam War to concert events at local venues and, when he relocated from the Windy City to Boston in the early 1970s, his abilities brought him assignments to document the visits of bands including Boston, Queen and others and it was “off to the races”…

d) On NZ’s Stuff Entertainment site, Mike Alexander delivers a profile of Barry Beswick and his Indium Design company, perhaps best-known for his dozens of covers (the last 37 of them, as a matter of fact) created for the seemingly-never-ending series of top hits packages known as “Now That’s What I Call Music.”
https://www.stuff.co.nz/entertainment/95241857/now-thats-what-i-call-album-artwork
Now, that’s what you call a GREAT commission!

e) Parlaying his love of music – exemplified by his collection of bootleg recordings – and his desire to improve the visuals usually associated with those illicit products into a career as an illustrator for the Trademark of Quality label and then, later on for legit label Rhino Records (where he designed their mascot/logo), cartoonist William Stout would then go on to greater fame as a designer of movie posters, film and TV productions and, more recently, a series of music-related books/graphic novels.
And he had me at Little Annie Fanny
Fans should take the time to read Joshua Stone’s profile of the prolific and talented illustrator in a recent issue of Bleeding Coolhttps://www.bleedingcool.com/2017/07/22/william-stout-career-envy/

f) As he’s going to be a speaker at the upcoming 2017 AIGA Design Conference in Minneapolis, MN (October 12-14), the folks behind the event have just posted an interview with artist Michael Cina, someone who is no stranger to us album art fans as he’s credited with dozens of designs for Pop, Rock and Electronic acts including Jacaszek, Matrixxman, Shigeto, Arthur Beatrice and many others – http://designconference.aiga.org/#!/article/michael-cina-discusses-his-career-journey

As both a freelancer and, since 2010, the principal at Cina Associates, Michael has done work – design, art direction, typography and web work – for a who’s who of happy clients including Pepsi, Coca-Cola, Disney, Fox Sports, RedBull and many others.

Looking through the list of speakers lined up for this conference, I also wanted you to know that two other well-regarded album art designers – Pentagram’s Paula Scher and Draplin Design Co’s Aaron Draplin (go, Portland!) – will be on hand to share their innermost thoughts and feelings about design with an audience thirsting for their knowledge…

3) Sales/Auctions –

Nothing exciting to report at this point….

4) New Print/Book RELEASES –

a) Rock N Roll Cultural Historian and Fandom Expert Dr. Jennifer Otter Bickerdike (@JenOtterBickerd) has a new book out (September 1st in the UK – https://www.amazon.co.uk/Why-Vinyl-Matters-Manifesto-Musicians/dp/185149863X) that looks to be required reading for anyone who is a lover of recorded music delivered on vinyl records (an ever-growing population of you, it seems!) and it includes, as I’ve heard from Jen, a fair amount of content that should be of interest specifically to us album art fans as well.

The book’s titled Why Vinyl Matters: A Manifesto From Musicians and Fans and, according to the accompanying press info, it is “a bold declaration of love for pre-digital music technology – part history, part future forecasting, part nostalgia and all celebration. A collection of more than 25 interviews, all illustrated with photos, sidebars, quotes, album covers, outtakes and much more” and includes discussions with musicians Lars Ulrich (Metallica), Henry Rollins (Black Flag and his own band), Mike Ness (Social Distortion), Steve Hackett (Genesis) and many others, along with several with top album cover designers including Peter Saville, Steve Park and Alison Fielding.

An academic, writer and historian now based in the U.K. and who has written several other books on the topics of music and Pop Culture (Joy Devotion: The Importance of Ian Curtis and Fan Culture (2016), The Secular Religion of Fandom: Pop Culture Pilgrim (2015) and 2014’s Fandom, Image and Authenticity (Pop Music, Culture and Identity), Jennifer “remains enthralled by vinyl, and has embarked on a journey to share her passion – and the passion of like-minded stars – with the world.”

Bonus Content – I asked Jen if she’d be willing to share some quotes from the album cover artists with me (and you) and she was kind enough to provide the following:
“I have Peter Saville and Steve Park. Peter has done TONS AND TONS of covers and Steve is most famous for Prince’s Graffiti Bridge (he was Prince’s creative director for years, and a super cool dude too)! Oh, and Alison Fielding, who does all of the creative for Beggars Banquet! “

Just as a teaser, here’s a quote she sent from her interview with Peter Saville – “There is no problem associated with a record cover other than the principle artist liking it. It doesn’t matter: what is on a record cover does not matter. Unlike any other form of packaging or communication. Nobody has NOT bought a record they wanted because they did not like the cover. They may sometimes be influenced to buy a record that they are indecisive about because they like the cover. But if there is a song, a track – something you like – you have never not bought it because of the cover. So, therefore, it does not really matter. But one thing does matter. The principle artist. Because if Bryan, Brett, Madonna, George is not happy – then the release is delayed. And it has got to happen quickly. It is always late. It is always left to the last minute; there are always last minute changes… It always goes to the wire. And at the 11th hour, management, record companies, cave in and say, ‘You know, we don’t fucking care. Just get it approved.’ And the person it has to be approved by is the principle ego. That is how it works.”

b) Back in June/July, I told you about a show featuring photographer Markus Klinko’s beautiful shots of the late David Bowie (“Bowie Unseen”, on display as part of the HeadOn Photo Festival in Sydney, Australia), but I’m now happy to report that those of us stranded here in the U.S. now have a place to find (and buy) many of the same photos featured in that exhibition – Modern Rocks Gallery in Austin, TX. If you follow the link – https://www.modernrocksgallery.com/markus-klinko-photographer – you’ll get a chance to see what’s available, including Klinko’s cover shots for Heathen – the record where Bowie works with Klinko to craft a photo where the subject (Bowie) is quite obviously blind.

c) Going back a bit – i.e., to the beginning – of Mr. Bowie’s career, you’ll learn that it was Gerald Fearnley, brother of Dek Fearnley (one of Bowie’s bandmates at the time), who shot the cover photo used for Bowie’s debut album in 1967 (David Bowie). Digging into that archive, Mr. Fearnley has now put together a new book of those photos also titled Bowie Unseen (?), published by ACC Editions – https://www.accpublishinggroup.com/uk/store/pv/9781851498642/bowie-unseen/gerald-fearnley/

After capturing the eye of the folks at CNN Style, you can now see a bit more about this new book and what’s included – http://www.cnn.com/2017/07/31/arts/unseen-david-bowie-portraits/index.html

5) Other articles of interest –

a) Flying saucer-leaning music lovers will have a lot to celebrate soon when, on Friday, September 29th, a very special 40th anniversary vinyl picture disc package (featuring Kosh’s original artwork) of ELO’s 2-LP set Out of The Blue is being released by Sony Music’s Legacy Recordings. Two LPs = four different designs, and, for the approx. $35 they’ll pay, customers will also receive the music in digital download form – https://www.legacyrecordings.com/2017/07/27/legacy-recordings-release-first-time-ever-picture-disc-edition-elos-blue/

Pre-orders now being accepted – https://store-us.jefflynneselo.com/products/out-of-the-blue-picture-disc-2lp

Believe me now, sweet is the night – even if I’m standing in the rain in the summer and lightning – that this package arrives on my doorstep…

b) Later on in this month’s summary, you’ll read my rant about “best of/worst of” lists (I don’t particularly like them) but, from time to time, someone will come up with a novel take on the topic and, although it disturbs me to my very core, I’ll pass it on to you, my readers. Recently, Dan Caffrey and the staffers of the Consequence of Sound site put their heads together to come up with a somewhat different approach to a “Top 50” listing – the 50 “most outrageous” album covers ever made –
https://consequenceofsound.net/2017/07/the-50-most-outrageous-album-covers/

According to the article, rather than focusing on the good or the bad, the writers “simplified the criteria: It should be something that makes you scratch your head and say, ‘Huh?’” The article also begins with a warning – “Some of these you won’t be able to ‘unsee,’ so proceed with caution” and, after paging through several of them (starting off with Queen’s disturbing cover for The Miracle in which the band members’ faces are grafted together to make one quite-large head), it’s probably a warning well-heeded (although some of the selections are merely from the psychedelic era and, therefore, just images you can trip on)…

c) Lots of Bowie and Mick Rock this issue, no? Take an interesting and iconoclastic photographer/partier and introduce him to several rock & rollers eager to test out their new-found fame and wealth (and mix in examples of said photographer’s famous imagery and voila!, you have the beginnings of an interesting documentary film. Now available for viewing is the new Mick Rock bio-pic – Shot! – and The Guardian (UK)’s film reviewer Leslie Felperin provides us with a first look at it – https://www.theguardian.com/film/2017/jul/21/shot-the-psycho-spiritual-mantra-of-rock-review-mick-rock-photography

d) I’m very happy to have been able to tour through Takashi Murakami’s latest show (The Octopus Eats Its Own Leg, on now through September 24th at the Museum of Contemporary Art here in Chicago) because, while I might not be Kanye’s biggest fan, I do appreciate his selection of Murakami as his album cover artist back in 2008 for his Graduation record and it was fun to see the original cover art included in the show.

In a recent posting on the Uproxx.com site, reporter Corbin Reiff shared a scoop that hints at the possibility that another Kanye friend/collaborator – Kid Kudi – might be looking for a Murakami-designed cover for his new project.
love fest – http://uproxx.com/realtalk/kanye-west-graduation-bear-kid-cudi-japan-new-album-speculation/

e) Any serious student of the album cover arts knows and appreciates the impact that the team from the Hipgnosis design studio has had since they began applying their talents to packages for Pink Floyd, Led Zeppelin, Genesis, Black Sabbath and scores of others since the late 1960s. And while I might not be so willing as to declare all great album art as either being “before Hipgnosis” or “after Hipgnosis” (let’s see – Revolver, Sgt. Pepper’s, Disraeli Gears, Are You Experienced?, etc. all came before…) as writer Nick DeRiso has stated in an article called “32 Weird Facts About Hipgnosis’ Most Famous Rock Album Covers,” I do want to reward the guy for doing a bit of research and then presenting these fun facts in a highly-entertaining fashion. Did YOU know that the cover for Pink Floyd’s Saucer Full of Secrets was made with 13 layers of imagery (pre-Photoshop, mind you) and that this cover project was only the second time in EMI’s history that they allowed the work to be contributed by an outside agency (the first being Peter Blake’s work for the aforementioned Sgt. Pepper’s cover)? Well, neither did I – http://ultimateclassicrock.com/hipgnosis-album-covers/

f) Haters gotta hate hate hate – While some of us worry that album cover design is often over-looked and under-appreciated in today’s fast-paced, digitally-distributed world, when you’re a mega-star like Taylor Swift and you tease your fanbase with album art for your upcoming release (titled Reputation) that reminds some people of that decoupage project you did at Summer Camp in 7th grade, you have to expect that some folks aren’t going to respond positively (as detailed recently in Brian Koerber’s article on the Mashable site) – http://mashable.com/2017/08/23/taylor-swift-album-cover-graphic-design/
Perhaps she should call up her buddy Kanye and get a meeting with Murakami?

g) With the national pastime for “connected” folks seemingly now being freely telling the world just how much you hate someone/something, it only makes sense that some writers feel that it is their duty to share their until-now-repressed feelings with their readership, so why not highlight what are, according to reporter Joseph Earp on the Tonedeaf.com site, the “worst album covers of all time”?

Why do people do these articles? While no one was killed in the making of these images, it seems as though they did upset his little tummy.
http://tonedeaf.com.au/7-worst-album-covers-of-all-time/

Stop with the “worst of all time” lists, everyone, OK?

Bonus – With Pen & Pixel’s design for Big Bear’s Doin’ Thangs leading the list (with the author commenting “it is without a doubt one of the most hideous things I have seen in the last few years”), I felt that I should get designer Shawn Brauch’s take on this award. Based on his reply, this is obviously not the first time he’s been dissed by the press but, like any controversial artist, he takes it in stride – “Mike – Oh that one is RICH! LOL! Got to love the artwork, even when it’s criticized, they still love to hate it. The great thing is, when the ‘critics’ start to take a long detailed look at the craftsmanship…they always applaud that aspect…what more can we say? LOL! I’ve read past posts about have God-awful the artwork was, in the same sentence touting the number of records sold with the same artwork…like there is no correlation between the two. I’m laughing my A** off!”

That’s all for now – be on the lookout for timely news alerts on our news feed –https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back early next month with another monthly summary for you.

All text and images included in this article are Copyright 2017 Mike Goldstein and AlbumCoverHallofFame.com – All Rights Reserved. All of trade names mentioned in these summaries are the properties of their respective owners and are used for reference only.

Album Cover Artist and Art News Summary and Preview for the Months of May and June, 2017

ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF MAY, 2017, WITH PREVIEWS FOR JUNE, 2017.

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BY MIKE GOLDSTEIN, ALBUMCOVERHALLOFFAME.COM

Greetings to you all on this first day of June, 2017.

I’d like to first let you know about an important change I’m making in the delivery schedule for my album cover artist/art news bulletins. For the next several months, I’ll be reducing the frequency from weekly to monthly (plus timely news alerts) in order to be able to focus my almost-complete attention on my book project. As it was my plan to have the book completely written prior to the launch of my fund-raising efforts – with final design and editing to come based on the success of that fund-raising (i.e., the more $$ raised, the more pages I can include in the book) – it finally occurred to me that I was getting further and further behind and, at this point, I’m nearly a year past when I’d hoped to put this out.

This is simply unacceptable to me. I’d promised all of the fine people who’d contributed to the book’s content that I’d have it in my readers’ hands ASAP, so now, even if it means trimming my news coverage, I’m going to do everything I can to live up to those previous commitments.

Such is the life of a one-man operation.

I do appreciate all the support I’ve been given and continue to get from both contributors and my readers, and I will work hard to finish this project and get back to the important work of updating the ACHOF’s bio section, adding more interviews and producing a regular series of news updates.

And so, In this month’s summary, you’ll find both a robust recap of last month’s stories about the talented people working to produce great visuals for clients in the music business as well as several previews of what’s going to be on display/hitting the shelves next month. As always. you’ll find that the galleries, publishers, curators, etc. who support and promote these works continue on with their good work, and it’s my pleasure to be able to share the details about what they do with you and whoever you choose to share this information with. There continues to be an impressive number of items about album cover art/artists in the daily news cycle, adding stories of great interest and fascination to the month’s recap of the articles, interviews, museum and gallery show information you’ll find on a wide range of related topics.

Please share this info with everyone you know who are fans of great album cover-related talent and, of course, your comments and feedback are quite welcome.

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Album Cover Art and Artist News Summary for the Month of March, 2017

ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF MARCH, 2017

Greetings once again from Chicagoland. Winter is slowly turning into Spring and, I have to tell you, this past Winter wasn’t anything like the ones I remember as a kid growing up here 50+ years ago. In fact, it was almost like a Portland winter (rain, one big snow, lots of mild days) and it has confused the heck out of me (and the plants and trees and people who shovel snow for a living), but I’ll take it any day over -30 degree wind chills, snow up to here and icy sidewalks. Too bad that we had to ruin the planet to make for a nice winter in Chicago, but that’s another column for another publication…

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Album Cover Art and Artist News Summary for the month of November, 2016

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ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF NOVEMBER, 2016

 

By Mike Goldstein, Curator/Editor, AlbumCoverHallofFame.com

It’s early December, 2016, and WOW! has a lot happened since we last communicated. Of course, the results of the U.S. elections early in the month have either demoralized or energized half the population here, with only the news of the Chicago Cubs breaking their 108-year World Series drought bringing everyone together in peace and harmony, if only for a short while…With all of the uncertainty remaining as to what’s in store for us here, you’d think that there’d have been a brief slow-down in the output of news relating to the art and music scenes but, no, creative people continue to do what comes naturally and, therefore, other people with related businesses and interests (galleries, publishers, collectors, etc.) continue to do what they do to share what they do with the rest of us. As you’ll find in this most-recent summary of news from the world of album cover artists and the wonderful products they’re creating for us fans and collectors of the genre, I believe that we’ll all find enough inspiration to see us through whatever comes our way.

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Album Cover Art And Artist News Summary For The Month Of September, 2016

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ALBUM COVER HALL OF FAME’S ALBUM COVER ART AND ARTIST NEWS RECAP FOR THE MONTH OF SEPTEMBER, 2016

It’s the beginning of October, 2016, with the Fall season in full force here in Chicago – leaves changing colors, the humidity taking a back seat to crisp evening temps and, for those of us new (again) to the area, the famously-frigid Winter weather looming in front of us, with only the thoughts of a hot deep-dish pizza making the prospects tolerable. If you’re either a hearty soul or someone living in warmer climes, I hope that all you’re thinking about right now is a) “how will I survive this Election season?” (don’t forget to VOTE!) and b) “what the heck is going on in the album art/artist world these day, to which I’d like to propose that you now spend a few minutes catching up on your album cover art/artist-related news which, as you all know by now, you’ll find summarized in both my weekly and monthly recaps.

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Album Cover News Summary for July, 2016

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ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF JULY, 2016

By Mike Goldstein, AlbumCoverHallofFame.com

It’s the first day of August, 2016. What’s new, you might ask. Well, assuming that you’re not outdoors (too much sun) or aren’t taking shelter from freak storms (or from the gusts of hot air emanating from your TV sets these days), I’m thinking that you’re enjoying the summer overall and are sharing your love of whatever drives your passions with your friends and family. All of us lovers of album cover imagery are a bit of a family, wouldn’t you agree (albeit a sometimes-dysfunctional one, with yours truly as your “arty” Uncle Mike (and NOT your Wicked Uncle Ernie – apologies to all un-wicked Ernies).

In this month’s summary – continuing on in the new and much-appreciated “less talk, more info” format – the people that make our favorite album imagery continue to impress us fans, critics and other observers of the art form with their collective output, contributing to the ongoing stream of articles, interviews, info on museum and gallery shows and the like on a wide range of related topics:

1) Upcoming, recently-launched and just-closed show/exhibitions –

a) While the extremely-well-attended Ramones-centered art/memorabilia show at the Queens Museum may have closed this past weekend (July 31st), the kind folks at local public TV network WLIW/Channel 13 have posted a 7 minute video presentation on their Metrofocus web site – http://www.thirteen.org/metrofocus/2016/07/ramones-exhibit-rocks-queens/ – that includes a brief tour through the show, where you’ll see photos by George DuBose, Roberta Bayley and others (including various iterations of Arturo Vega’s iconic presidential seal-like logo for the band) along with interviews with Joey’s brother Mickey Leigh, Johnny’s widow Linda, the band’s former tour manager Monte Melnick and the exhibition’s curator, Marc Miller, a fellow with a long history of producing punk-based art/music shows. Hey ho, if you can’t go, watch the video…

b) Up for a brief run (mid-July through July 30th) at the Paul W. Zuccaire Gallery on the campus of Stony Brook University on Long Island, NY was an album art show featuring over 1000 record covers on loan from local collectors and the archives of the school’s own radio station (WUSB).

ON THE RECORD: ALBUM COVER ART was presented in conjunction with the Stony Brook Film Festival at the Staller Center for the Arts at Stony Brook University, a venue that has also hosted performances by many of the musical acts (including local talent such as Bob Dylan, Blue Oyster Cult, Cyndi Lauper, Lou Reed and others) whose record albums are on display in this show.

One of the people that curated the exhibition – Karen Levitov, the gallery’s Director – was kind enough to share some additional background info, exhibit details and some photos of the display with me, which I’ll now share with you – “Last summer we had a Vintage Film Poster show during the Film Festival that got a terrific response, so we wanted something just as fun and appealing this summer. Our campus radio station, WUSB 90.1 FM was relocating and packing up its vinyl archive, so we decided to collaborate with them to put this show together. The gallery has a playlist of songs from the albums in the gallery and a documentary video on album cover art…We have over 1000 albums:  811 album covers on the walls and in display cases, plus over 200 playable vinyl records in our listening lounge and children’s area.

Album cover artists represented in the show include famous graphic designers, photographers and artists including Andy Warhol, Shusei Nagaoka, Robert Rauschenberg, Damien Hirst, Brian Duffy, Irving Penn, Robert Mapplethorpe, Jean-Michel Basquiat, Kehinde Wiley, Banksy and many more. Rare and unique albums include The Beatles’ Yesterday and Today with the original cover known as the “butcher cover”; The Rolling Stones’ Their Satanic Majesties Request (with its 3D cover); John Lennon and Yoko Ono’s Two Virgins nude cover and The Rolling Stones’ Sticky Fingers cover by Andy Warhol  – with a real zipper!”

The festivities were kicked off with a special Q&A session with one of the founding members of Blue Oyster Cult, drummer Albert Bouchard, so if you missed the show, you can still learn more about it on the gallery’s site at http://zuccairegallery.stonybrook.edu/2016/07/on-the-record-album-cover-art/   

c) London’s Somerset House gallery is hosting an exhibition of art – both well-known and newly-created just for this show – inspired by the films of director Stanley Kubrick (from now until August 24th, sponsored by Canon). Included in the show’s display catalog are several works and work-related materials produced by airbrush artist Philip Castle, creator of memorable imagery for album covers and promotional efforts for artists including David Bowie, Pulp, Sir Paul McCartney, Metronomy and The Cars (see the item in Section 2, below, regarding a profile on the artist and his work). More info on the show is available online at http://www.somersethouse.org.uk/visual-arts/daydreaming-with-stanley-kubrick

d) In late 1950s – early 1960s London, three upstart young photographers – Brian Duffy, David Bailey and Terence Donovan – were on hand to both document and participate first hand in the rapidly-modernizing changes in the fashion and entertainment scenes. In addition to capturing memorable portraits of stars who arose from within the scene – actors, designers, artists and musicians (you’ll recall Duffy’s shots of David Bowie, including the famous cover for his Aladdin Sane LP, along with Bailey’s psychedelic cover image for the Rolling Stones’ Goats Head Soup), it was arguably Donovan who presented the broadest portfolio of artistically-crafted photos (and, later on, videos), including some that served to help launch the careers of his subjects.

While Bailey and Duffy have had a number of books and museum/gallery shows chronicling their careers, it wasn’t until now that Donovan’s contributions have been given the honor of a major retrospective. Now running at the Photographers’ Gallery in London is a show presented in association with camera manufacturer Ricoh (running through September 25th) titled Terence Donovan: Speed of Light that will include, in addition to a stunning collection of photos, a nice collection of related materials, including contact sheets, notes, diaries, sketchbooks and many previously-unseen items.

The Telegraph‘s Robin Muir gives us a preview of the show, along with some background on the photographer whose subjects have included everyone from Twiggy to Yassir Arafat.

http://www.telegraph.co.uk/photography/what-to-see/terence-donovan-the-man-who-launched-a-thousand-stars/

Find out more about the show at the gallery’s site – http://thephotographersgallery.org.uk/terence-donovan-speed-of-light-2

On a related note, being published immediately after this show closes is a new book of Donovan’s most-beautiful portraits titled, quite appropriately, Terence Donovan Portraits. The book’s authored by Philippe Garner, a Director and International Head of Photographs and of 20th Century Decorative Art & Design at the Christie’s  auction house. Released this month in Europe (and due to hit the streets in the U.S. on September 27th), the 176-page book is being published by Damiani, with more details available on the company’s web site – https://www.damianieditore.com/en-US/product/579

e) Just a reminder that the “Fine Art of Rock” exhibition – featuring the album cover works of Ernie Cefalu, Joe Garnett, Ingrid Haenke, Drew Struzan and the other talented artists that made up the roster of famed album art design studio Pacific Eye & Ear – launched in July at the Memphis Rock & Soul Museum for a run that will continue there through November 20th. On display will be original illustrations, paintings and working materials created for records by bands including Black Sabbath, Iron Butterfly, The Doors, Aerosmith, Grand Funk Railroad and many others. There’s a nice preview article by writer Bob Mehr that’s been posted on The Commercial Appeal: Memphis that also includes comments by Ernie – http://www.commercialappeal.com/entertainment/music/features/the-fine-art-of-rock-pays-tribute-to-album-cover-images-at-memphis-rock-n-soul-museum-376179b5-0e8b–386706541.html and for more info about the venue, click on over to their web site at http://memphisrocknsoul.org/

On a related note – The folks at the Memphis Rock & Soul Museum recently alerted me about a selection of photos posted on the Facebook page of classic rock aficionado John Gable taken during his visit to the Fine Art of Rock exhibition currently on display at the museum, so if you’d like to take a brief tour of some of the notable album art on display there, click on over to John’s gallery at https://www.facebook.com/photo.php?fbid=10206818128717266&set=pcb.10206818132277355&type=3&theater

f) Designer/blogger extraordinaire Simon Robinson recently posted an article on his ST33 site that introduces readers to a new exhibition which launched on the 14th of July that includes a display of over 500 album covers created for musical acts of the Jewish faith – in a wide variety of musical styles – that is currently on display at the Jewish Museum in London, UK. According to the museum’s site, the show – titled “Jukebox, Jewkbox! A Century on Shellac and Vinyl” (gotta love the name, no?) celebrates “the history of Jewish inventors, musicians, composers, music producers and songwriters.”

In addition to being able to view examples of early phonographs and gramophone (which, by the way, was invented and patented, along with the first phonograph record, in 1887 by Emil Berliner, a German-Jewish immigrant to the USA), visitors can track the growth of recorded music through the 20th Century to the present, “from Jewish folk music to Yiddish theatre songs, from Broadway musicals to rock‘n’roll via the rebels of punk and psychedelic rock. Hear personal stories from artists, musicians and collectors. Explore the art of the record sleeve and enjoy a display of 500 records including iconic sleeves from Amy Winehouse, the Ramones, Bob Dylan, and Barbara Streisand.” The show runs through October 16th.

Read Simon’s intro to this interesting, historic display on his site at https://st33.wordpress.com/

More info on the show is also available on the museum’s site at http://www.jewishmuseum.org.uk/jukebox

g) Billboard Magazine contributor Gail Mitchell just posted an intro article about the newest exhibition that just launched at the Grammy Museum in Los Angeles that should be a treat for Beatles fans. This show, curated by the Grammy Museum and Fab Four Exhibits, has been entertaining audiences all across the US since it opened up in NYC in 2014 (setting attendance records wherever it stopped), has now “come home” to the LA-based museum and will be appearing there through September 5th.

According to the museum’s press, “Ladies and Gentlemen…The Beatles!” brings us back to the early ‘60s when rock & roll was re-energized–some say saved–by four lads from Liverpool. The exhibit covers the period from early 1964 through mid-1966—the years Beatlemania ran rampant in America. During this time the band affected nearly every aspect of pop culture, including fashion, art, advertising, media, and, of course, music. On display are many Beatles-related pop culture artifacts from the period, as well as correspondence, instruments, posters, photographs, interviews, interactive displays, and an oral history booth in which visitors can leave their own impressions of The Beatles. Screenings and a series of talks reveal the continuing impact of the Beatles.”

Based on the show’s description and photos, there will be a lot of items on display that will be of interest to record art fans. Related events include one that vinyl lovers will have enjoyed – a specially-produced “Record Theater” event on July 18th which featured the music from the band’s 1966 release Revolver – the record featuring Klaus Voorman’s fantastic psychedelic ink drawing on the cover.

To read Gail’s article online, click on over to the Billboard site – http://www.billboard.com/articles/columns/pop/7431018/beatles-exhibit-grammy-museum

and, for more information on the show and all the related screenings, discussions and events, visit the museum site at

http://www.grammymuseum.org/exhibits/traveling-exhibits/ladies-and-gentlementhe-beatles

h) As part of the kick off festivities surrounding the “Chunk of Punk” photo exhibition which launched July 8th at the High Street Gallery at the Uncorked Wine Bar in Akron, OH (featuring the works of Jill Furmanovsky, album cover contributor extra-ordinaire), the Akron Art Museum hosted a special talk about the local rock music scene that featured both Ms. Furmanovsky and local music legend Chrissie Hynde of The Pretenders. Chunk of Punk was part of Punk Week in Akron, which celebrates the genre via a series of events including concerts, film screenings and related displays of artistry. More on this event can be found on the Museum’s web site at

https://akronartmuseum.org/calendar/artist-talk-jill-furmanovsky-with-chrissie-hynde/10486

Up-to-the-minute updates of this exhibitions can be found on the gallery’s Facebook page – https://www.facebook.com/22HighStreetGallery/

i) The Panopticon Gallery in Boston, MA has a new group photography show running now through September 13th that they’re calling Music To Our Ears and which features a fine collection of photographs – portraits, concert photography, etc. – by a dozen respected shooters including Charlie Sawyer, Roger Farrington, Marc Lacatell, Rowland Scherman and others, as well as shots from Ron Pownall, the man responsible for album package shots for a number of renowned musical acts including Joe Perry, Rick Derringer, Aerosmith, Ted Nugent, Rainbow and many others.

According to the gallery’s site, the exhibition will also include “some music posters courtesy of our friends at the International Poster Gallery and some new guitars by Booches Custom Guitars.”

Prior to the launching of this event, Pownall was interviewed by Jody Feinberg for the Abington Wicked Local web site – http://abington.wickedlocal.com/entertainment/20160610/rock-n-roll-photography-on-display-at-cohasset-arts-event    There, you’ll learn about highlights from Ron’s career, including a photo taken in 1976 capturing the then 19-year-old Charlie Baker – now the Governor of Massachusetts – at an Aerosmith concert in Providence…

2) Artist interviews/profile articles –

a) 20 years ago, a young photographer named Jonathan Mannion was hired by Rocafella Records to shoot a photo for the cover of the debut record (titled Reasonable Doubt) by a rapper named Shawn Carter who was looking for someone who’d present him to new audiences as someone who’d already established himself as the best in his profession. Shawn Carter went on to become music mogul Jay-Z and, as part of the festivities held to celebrate the record’s 20th anniversary, Mannion’s intimate photos from that session were presented in a “pop-up” exhibition called, quite reasonably, “PROPHECY”. A total of 22 images were shown at the private event – Vibe‘s Josias Valdez was on the guest list, talked to Mannion about how everything came together then and what’s next in this nicely-crafted illustrated interview – http://www.vibe.com/2016/07/jonathan-mannion-interview/

Just received an email from Mr. Mannion in which he details some of the latest things he’s been working on, including album covers for 2 Chains (College Grove), Dj Khaled (Major Key) and Gucci Mane (GUWOP). He’s also just teamed with  retailer PINTRILL to release a series of pins based on album art images Mannion’s done for Jay-Z, including some that celebrate the anniversary of their working together on Reasonable Doubthttp://www.pintrill.com/products/mannion-pin-pack?variant=21301575300

b) Houston-based artist Kevin Peterson received a call from someone on April Fool’s Day saying that they wanted to use a painting of his on the upcoming Red Hot Chili Peppers’ record The Getaway. Of course he thought it was a joke…that was, until he was assured that front man Anthony Keidis had seen the work – an ultra-realistic painting titled “Coalition II” of a young girl strolling down a graffiti-marked street along with a bear, a raccoon, a fox and a black bird – and felt that it would perfectly-represent (according to Patrick Flanary’s interview with Peterson recently posted on the Billboard.com web site – http://www.billboard.com/articles/news/7408793/red-hot-chili-peppers-album-cover-choice) “the strength that it takes growing up in the world today, those traumas that it takes to get through it, and to survive and thrive.” Like Keidis, Peterson is a recovering drug user himself who found a new beginning in the Arts, so there’s some poetic justice in how the two found each other for this project.

c) After meeting artist Andy Warhol in the late 1950s while he worked as a waiter in a NYC restaurant (to supplement his starving artist career at the time), the two formed a tight bond that ultimately led to both a romantic and creative relationship that would last 10 years and out of which would spring “The Factory”, a place where strange and wonderful things took place. That person – Billy Name (originally, William Linich, Jr. ), one of the last few of the original cast of characters who called The Factory home, died recently at the age of 76.

While he spent the rest of his life post-Factory as a poet, Name’s photographs were included on the famous packaging for The Velvet Underground and Nico (the band’s  Warhol-produced debut album, as well as their self-titled third record, where he’s also a character who knows right from wrong (“…But, Billy said, both those words are dead”) in the group’s  song from that record called “That’s the Story of My Life”.

You can read Name’s obituary in The Guardian via the link – https://www.theguardian.com/artanddesign/2016/jul/18/billy-name-andy-warhol-factory-photographer-dies-76

d) Man Booker Prize-winning author Marlon James – best-known for his 2015 novel A Brief History of Seven Killings – is featured in a recent interview with Jason Parham on TheFader.com site in which he recounts his earlier career as Creative Director (and album art producer) for top-selling Jamaican musician/recording artist Sean Paul. The two attended the same college in Jamaica before meeting professionally via Sean Paul’s manager in 1999 (while James worked as an independent writer/designer for commercial clients) to collaborate on the musician’s Stage One record. In the interview, you’ll learn more about James’ influences (Bjork and Pen & Pixel – quite the range!) and some additional details on several of the other covers he created for his famed fellow alum –

http://www.thefader.com/2016/07/12/sean-paul-album-covers-marlon-james

e) See item in Section 4 about a recent interview in The Guardian with acclaimed artist/musician Klaus Voorman’s regarding his just-released graphic novel about his time with The Beatles.

f) Interesting profile of artist Philip Castle in a recent posting on The Guardian‘s site by reporter Jonathan Jones. Album art fans will recall Castle’s contribution to the cover art featuring Brian Duffy’s memorable photo of David Bowie found on the Aladdin Sane LP (Castle created the silver teardrop found on Bowie’s shoulder, while film poster fans will recall his campy artwork crafted for Tim Burton’s Mars Attacks. While both of those efforts earned Castle many fans in the entertainment world, it was his artwork for Stanley Kubrick’s 1971 futuristic crime masterpiece A Clockwork Orange – now included in a show at London’s Somerset House gallery called “Daydreaming with Stanley Kubrick” – that cemented his place in Pop Culture history. Kubrick’s very hands-on, detail-oriented work ethic had him send Castle art and sculptures used in the film for use in his prep for the poster work (leaving him with great souvenirs!), and Castle would go on to work with Kubrick again on the art for his celebrated war feature Full Metal Jacket. Read all the details via the link at https://www.theguardian.com/artanddesign/2016/jul/07/stanley-kubrick-and-me-designing-clockwork-orange-poster

For some additional insight into this artist and, in particular, his album cover artwork, you might also want to spend a few minutes watching this 2011 video interview with London-based photographer Steve Mepsted posted on YouTube – https://www.youtube.com/watch?v=KbEAb2HoLVc

g) Another “local boy done good” feature was recently posted on the Somerset Live (UK) site that reminds us of the great talent of fantasy artist Rodney Matthews, who recently licensed one of his works for use on the cover of the latest compilation record by the Rolling Stones (Another Time, Another Place II). Matthews’ art has been featured on scores of books, posters and a number of album covers, including those for Asia, Hawkwind, Barclay James Harvest, Nazareth, The Scorpions, Thin Lizzy, Uriah Heep and Rick Wakeman, but in this case, it was an image he’d done 40+ years ago while working for the famed Big O poster house – one that had caught the eyes of the Stones’ production team and, miraculously, ended up being used – without Matthews’ consent – on a U.S. tour poster for the band that the new record’s publisher requested be used on the recent release – this time, with credit and, I’m assuming, some compensation. Good work always wins out in the end…

http://www.somersetlive.co.uk/8203-paulton-artist-designsthe-rolling-stones-album-cover/story-29453182-detail/story.html

h) When two collaborators in music both hold degrees from Boston’s School of the Museum of Fine Arts, you’d have to think that they’d be looking for just the right images to grace the covers of their records and, in the case of the band Quilt and co-founding members Shane Butler and Anna Fox Rochinski, you’d be right! For the cover of their 2016 release Plaza, after they came upon an image of a 1992 illustration by the late artist Ken Price (who also provided the cover art for The Paperhead’s 2014 release titled Africa Avenue) and realized that the artwork would be perfect for their upcoming record, they contacted the artist’s estate (managed by his son Jackson), made an impassioned plea for a license, and were rewarded with the permission they sought.

In Katherine Turman’s recent article for The Village Voice, you’ll meet these two talented young people and learn more about their ongoing efforts to “stitch together music and visual art”, much to the pleasure of their fans – http://www.villagevoice.com/music/perfect-cover-for-their-latest-album-quilt-stitch-together-music-and-visual-art-8768833

i) The works of legendary hip-hop photo specialist Ernie Paniccioli were featured recently in a rather-cool new project launched in Edmonton, Canada called the “Knowledge is Pow Wow” (which according to the project’s site, “will explore religious pluralism and social justice through inclusive conversation and creative expression …young adults from Edmonton’s downtown communities will hear from leaders representing Indigenous, Catholic, Jewish and Muslim faiths and culture.”). Paniccioli, a Cree Native American who grew up in Brooklyn, NY, got his start in photography in the streets of his neighborhood, capturing images of the graffiti culture that reigned in the 1970s. His images got him a lot of attention, particularly from the artists in the emerging hip-hop/rap music scenes there and he was asked by a number of the soon-to-be-stars of the time – Queen Latifah, Public Enemy, Snoop Dogg, Jay-Z and many others – to provide them with shots for their album packages and promotions.

For an interview with Ernie done prior to the exhibition that was posted recently on the CBC News web site, click on over to http://www.cbc.ca/news/canada/edmonton/famed-cree-hip-hop-photographer-s-work-on-display-in-edmonton-1.3652907

j) One of the design groups most-responsible for the over-the-top, bling-filled covers found on many of the rap genre’s best-known acts of the 1990s – 2000s was a Houston-based firm called Pen & Pixel, founded by two brothers (Aaron and Shaun Brauch) and whose work was featured on three-quarters of a billion albums, including 38 gold and 12 platinum-selling discs. The firm grew quickly and expanded their client list to include mainstream musical acts including Cher, Destiny’s Child, Lyle Lovett, Chris Rock and ZZ Top only to become victims of the many changes that rocked the music business, with the brothers leaving to start other careers – Aaron as a serial entrepreneur and business development consultant while Shaun continued on as an executive/creative director for several creative services companies.

New York Times contributor Will Stephenson recently posted a “Letter Of Recommendation” article that chronicles the firm’s rise and fall and how their designs established – at least for a while – the design guide for the proper proportions of cars, jewelry, money and scantily-clad women that should appear on any self-respecting rapper’s latest release.  http://www.nytimes.com/2016/07/10/magazine/letter-of-recommendation-pen-pixel.html?

k) Not sure how I missed this when it aired a couple of months back, but Rene Montagne of NPR Radio’s “Morning Edition” did a very nice interview with one of the best-known artists to work in the Bay Area since the mid-1960s – that being, Wes Wilson, the guy credited with crafting the trippy, balloon-y fonts that became a mainstay of gig poster designs from that era (he’s also applied his talents to album art of the day, most-notably on the cover for Cream’s Disraeli Gears LP). Samples of Wilson’s posters were included in the grand re-opening exhibitions staged when the San Francisco Museum of Modern Art threw open its doors after a major renovation and there are more examples of his work in the museum’s permanent collection – https://www.sfmoma.org/artist/Wes_Wilson

Listen to Wilson as he recalls how and why he got into the field, what motivated and shaped his work and how he hoped that his works would show, during the time when the war in Vietnam was raging, that “things are going to get better”. http://www.npr.org/2016/05/13/477900499/psychedelic-font-how-wes-wilson-turned-hippie-era-turmoil-into-art?

l) One of the most-impressive gallery collections of rock music-related fine art prints I’ve had the pleasure of seeing was on display at the San Francisco Art Exchange and, during my last visit, I had the pleasure of meeting the staff there, including the co-owner, Theron Kabrich. For those who haven’t seen the gallery’s collection (available online on their site at www.sfae.com), you’ll find editioned prints by many of the masters of album cover imagery, including designers Roger Dean and Storm Thorgerson and photographers Joel Brodsky, Elliott Landy, Gered Mankowitz, Mick Rock and others – usually presented in collections that will appeal to lovers of the imagery of rock’s foremost musical acts.

In his most-recent “Art Dealer Show” audio interview/podcast, art world veteran Danny Stern (who got his first gallery job at SFAE) talks to his mentor Kabrich about his start in the business – having transitioned from a career in the fields of psychology and mental health to his career in the art world after, according to his site bio ” he had traveled throughout Australia, New Zealand, Southeast Asia, Nepal and India, collecting art and objects along the way. This set a new chapter in motion from a career in clinical psychology to one as a fine art dealer.” Today, along with his co-owner Jim Hartley, Kabrich presents his gallery’s clients with fine examples of the works of the people that have produced many of the world’s best-known images from the world of Popular Culture, so it’s a rare opportunity to be able to listen to him discuss a whole range of topics with his learned cohort.

The 67-minute-long podcast is available via streaming/download, etc. – http://artdealer.show/004-theron-kabrich/

m) Ask six designers about their favorite/most-inspirational album cover designs and, of course, you get six completely-different stories, but in this recent article on The Guardian (UK) site built around interviews by Kathryn Bromwich, Imogen Carter and Katie Forster, I was particularly-intrigued by the appearance of several “classic” record covers in the answers proffered by some of these young-but-talented design pros. Included in the list of influential designs are covers by bands such as Sparks (their 1975 record Indiscreet is a favorite of Bedwyr Williams), The Human League (Inspiration, their 1979 record which profoundly impressed Julie Verhoeven) and Pink Floyd, whose 1969 record Ummagumma suggests the compositions of the Dutch Masters to Alice Anderson.

Always interesting to learn more about what goes on in the heads of today’s most-creative designers, I think…

https://www.theguardian.com/music/2016/jun/26/art-on-your-sleeve-artists-album-covers-juergen-teller-lynette-yiadom-boakye

n) Orange County, CA has produced a staggering number of talented people who’ve left their marks on the entertainment business – Steve Martin, Bob Deal (AKA Mick Mars) of Motley Crew and Gwen Stefani are just a few we can mention – but few have contributed as influential and long-lasting an item as the logo design created by Westminster High School graduate Gerard Huerta – that being the AC/DC lettering and logo that has graced the covers, sleeves, t-shirts, tattoos, posters and other memorabilia purchased by millions of fans since its introduction in 1976. Huerta began his career at CBS Records in New York designing album covers and creating letterforms for Boston (see the article on this cover later on in this posting), AC/DC, Ted Nugent, Blue Oyster Cult, Stephen Stills and Foreigner. He started Gerard Huerta Design in 1976 and has been drawing custom letters and logos ever since.

OC Register staff writer Peter Larsen recently posted a profile on the ever-busy artist at http://www.ocregister.com/articles/huerta-720158-westminster-lettering.html

I had the pleasure of interviewing Gerard several years back about his work on that iconic logo and so I invite you to take a gander at that article on my old archive site –

http://rockpopgallery.typepad.com/rockpop_gallery_news/2007/07/cover-story—a.html

o) Record covers have always reflected the fashions of the day, so leave it to the writers from Vogue Magazine to track down and interview a person that many of us classic album art fans know, but only from the waist down to his knees! Of course, I’m talking about Corey Grant Tippin – make-up artist, model, actor and Andy Warhol muse/chum, whose mid-section was featured prominently on the un-zippable album cover created for the Rolling Stones’ Sticky Fingers record, released in 1971.

In this article by Laird Borrelli-Persson that serves to introduce the relationship between Tippin and famed 70s illustrator Antonio Lopez (whose works are the subject of a new show on display at the new El Museo del Barrio “Antonio Lopez: Future Funk Fashion”), the interviewer questions Tippin about Lopez, his career as an in-demand make-up artist and working with Warhol and the team that created the acclaimed and controversial record cover –

http://www.vogue.com/13448063/corey-grant-tippin-interview-antonio-lopez-andy-warhol-sticky-fingers/

p) Writer Vikki Tobak’s new interview series for the Mass Appeal web site launches with an interview with one of the best-known photographers who has covered emerging music scenes over the past several decades – Janette Beckman. Ms. Beckman’s credits in the album art world include cover shots for The Police (Outlandos D’Amour, Reggatta De Blanc, Zenyatta Mondatta and Every Breath You Take: The Singles); Squeeze (Six Of One); Gang Starr (No More Mr. Nice Guy); Grandmaster Flash & The Furious Five (On The Strength) and Salt-n-Pepa’s A Salt With A Deadly Pepa and Push It, among others, as well as the subject of this recent interview – an iconic image taken of British rapper Slick Rick during a Def Jam press shoot in NYC for The Great Adventures of Slick Rick album in 1989.

The interview dives into “the making of” this and other shots from her career and provides camera nerds with the details of the equipment she employed to make the magic happen – http://massappeal.com/contact-high-the-stories-behind-hip-hops-most-iconic-photographs/

3) Sales/Auctions –

a) St. Paul’s Gallery, one of the premiere publishers/galleries that specialize in album cover art prints, just informed me of a sale they’re running in conjunction of the recent opening of the world-traveling “Bowie Is” exhibition at the MAMbo – Museo d’Arte Moderna di Bologna – in Spain (see http://davidbowieis.it/en/ for more details). From now until this Friday, August 5th, the nice people at St. Paul’s are offering a 10% discount (via the promo code LIDNI231 entered at check-out) on any of the fine Bowie-related art prints they have available, including prints (some of which have copies also on display as part of the Bowie Is show, organized by the V&A Museum) by acclaimed artists/photographers such as John Rowlands, Celia Philo & Philip Castle, Terry Pastor and others. Some of the prints were co-signed by Mr. Bowie prior to his sad death this past January, making them all the more collectible. To see the entire offering (prints, limited-edition books, posters, sculpture, etc.), follow the link to the gallery’s site – http://www.stpaulsgallery.com/prodtype.asp?strParents=&CAT_ID=264&numRecordPosition=1

b) The team at Gotta Have It Rock & Roll auction house have just released a summary of the prices paid for items that were included their recently-held auction, with bidding closed on Saturday, July 30th. Fans of unique, album art-related items will find several examples of items that found new homes with collectors who participated in the “Rock and Pop Culture Auction – July 2016” event, including several groups of photos of the late artist formerly known as Prince (each of the three sets sold for a mere $100) and an abstract painting done by singer Alanis Morissette, which sold for $5363, well above the $4000 top pre-auction estimate.

Collectors seemed to be holding on tight to their purses/wallets as many items went unsold, including a set of photo proofs/negatives done for records by Steven Van Zant, artwork for Journey’s Time 3 box set (autographed by singer Steve Perry), a pair of photos offered up by the estate of Herb Worthington that were used on covers for Fleetwood Mac and Lita Ford (although, a Worthington-owned RIAA Platinum LP plaque for Stevie Nicks’ Bella Donna did sell for $587, near the top of the estimated value range) and an art board featuring a 16 x 20″ Neal Preston photo shot for the cover of Bruce Springsteen’s Live 75 – 85 record album. If you’d like to see more of the results, click on over to https://www.gottahaverockandroll.com/Category/Artwork-206.html   Congratulations to all who found something nice to add to their personal collections.

c) Lovers of the artwork of the late Rick Griffin were in for a treat this past month with the announcement of a special auction of his works hosted by the Psychedelic Art Exchange. Griffin, who created the now-famous artwork for the cover of the Grateful Dead’s trippy 1969 album AOXOMOXOA, along with covers for musical acts including Kerry Livgren, Cold Blood, MAN, The Packards, Darrell Mansfield and others, was also a celebrated poster artist, creating hundreds of designs for acts playing at Bay-area venues. In the late 1960s, Griffin teamed up with several other celebrated local artists, including Alton Kelley, Stanley Mouse, Victor Moscoso and Wes Wilson to start an agency specializing in psychedelic posters called Berkeley Bonaparte and, in the list of over 100 posters that were included in this auction, you’d have found wonderful examples of this work, along with images he created for his other loves, such as surfing, comic books and religion.

Take a look at what curator Glen Trosch has put together for you to look at in this month’s new auction and, if you’re so inclined, add to your collections, via the link – http://auctions.concertpostergallery.com

4) New Print/Book Publishing –

a) There’s a new Klaus Voorman book (a graphic novel) that tells the story of his relationship with The Beatles beginning with his first encounter with the group in 1960 in a Hamburg, Germany bar. Birth of an Icon: Revolver 50 includes the story about his Grammy-winning illustrations done for the cover of Revolver for The Beatles. In a recent interview with Robin Stummer for The Guardian web site, Voorman shares some of his recollections (“I created the Revolver cover. It was on the third floor of a house, in a little attic apartment, it was in the kitchen. Parliament Hill, Hampstead. I was staying there. I went back there recently, the building is exactly the same.”) which remain quite vivid even after all these years.

Trained as both a graphic artist and a musician, Voormann and his girlfriend, the photographer Astrid Kirchherr, met the band early in their career (the Pete Best/Stu Sutcliffe days) and inspired their looks at the time (black clothes, leathers and low-cut bangs). Astrid spent hours shooting the band (some of her best-known shots were used on the album packages for the band and several solo LPs, including George Harrison’s Wonderwall Music and John Lennon’s Signature Box compilation). Voormann went on to spend much of the 60s and 70s alternating stints on the pop and rock circuit, playing bass with Manfred Mann, George Harrison and John Lennon – including on Lennon’s Imagine – with his work in graphic design and fine art. Did covers for the Bee Gees (Bee Gees 1st and Idea, more for Beatles-related projects (inc. 1995’s Anthology compilation and Ringo’s Ringo), his own 2009 solo album A Sideman’s Journey (featuring guest appearances by former Beatles Paul McCartney and Ringo Starr, Yusuf Islam, Jim Keltner, Joe Walsh and others) and, more recently, a quite-Revolver-like illustration for the cover of Japanese rockers Glay’s 2014 release titled Music Life.

https://www.theguardian.com/music/2016/jul/23/beatles-revolver-cover-klaus-voormann

Book info on Voorman’s site (set for an early August release) – http://www.voormann.com/shop/birth_of_an_icon_revolver_50

b) The works of one of the “Early Influencers” of record album artwork – artist David Stone Martin – have always intrigued fans of album art with their simple-yet-compelling lines and colors – just ask any fan of the many (over 400!) covers he created for records by acts including Count Basie, Charlie Parker, Joe Pass, Dizzy Gillespie, Billie Holiday and others who appeared on the several labels headed by the great jazz promoter Norman Granz (Asch, Clef and others) during the 1940s-50s. While some of the covers have been available previously as fine art prints, there’s a new, much-larger collection that’s being offered at the Modern Rocks Gallery in Austin, TX that comes from publisher Audioframe as the result of their pain-staking efforts to restore vintage plates and recreate the excitement of the original designs. Each print is hand-numbered and is stamped by DSM’s archive. There are 4 sizes available, in editions from 200 for the 14″ square prints, offered at $380, to just 25 prints in the huge 44″ square versions, priced at $1995. To see the entire collection, visit the Modern Rocks site at http://www.modernrocksgallery.com/buy-david-stone-martin-prints/

c) Tom Sheehan’s photos have been featured on hundreds of album covers and packages throughout the years (inc. those for the Flamin’ Groovies, Ian Dury, Aztec Camera, The Charlatans UK and others), but it is his photos of Robert Smith and his mates in The Cure – taken beginning in 1982 while he worked as the principal photographer for Melody Maker magazine – that are probably his best-known works, so it’s exciting to see a hand-picked selection of them taken over a 23-year period (thru 2005) compiled and offered in a soon-to-be-published new book. In Between Days. The Cure in photographs 1982 – 2005 is scheduled to be released this coming November in two beautiful editions – the Deluxe (2500 copies) and the Super Deluxe (just 700 copies) – each with 240 pages of photos and text, with the Super Deluxe version including a signed COA, a deluxe slipcover and an envelope containing three 5×7″ photos, suitable for framing. The Price for the Deluxe version is £48.00, while the Super Deluxe is available for £70.00, with pre-orders now being accepted on The Flood Gallery’s site at http://www.thefloodgallery.com/collections/the-cure-in-between-days?

d) The late Nirvana guitarist/songwriter Kurt Cobain showed a love for the visual arts by contributing album images for his band’s In Utero and Incesticide records, some of which will be on display as part of the recently-announced touring show of his art, organized by his family and Jampol Artist Management – https://news.artnet.com/art-world/kurt-cobain-art-exhibition-522386. Kurt’s visual arts genes live on in the artwork now being produced by his only child, the now 23-year-old Frances Bean Cobain, who has begun offering prints of her humorous-but-slightly-macabre artwork via the Depop online art store (https://www.depop.com/en-us/space_witch666). Ranging in price from $150 to $400 per print, the nine different images include, according to this recent article on the ArtNet site by Sarah Cascone, several works that were included in her first series released back in 2010 and illustrate that the young Ms. Cobain shares some of her Dad’s slightly-strange, dark humor…learn more via the link – https://news.artnet.com/art-world/frances-bean-cobain-art-for-sale-355262

e) Another reason to have braved the crowds at last month’s Comic-Con in San Diego is presented in this article by Ethan Anderton on the Slashfilm.com site about two sets of limited-edition items – one set of special-edition vinyl recordings and another set of related album cover art prints – featuring your favorite characters from one of last year’s most-successful animated films – Pixar Animation’s Inside Out. While supplies lasted at the show, festival goers were able to purchase 7″ vinyl copies of music taken from Michael Giacchino’s score for the film (not previously released on vinyl) that will be produced by specialty supplier Mondo in small batches (2500 copies in each) that feature both colored discs and artwork focused on one of the movie’s main characters (Joy, Sadness, Fear, Disgust, Anger and Riley). Also at the show, the first group of limited-edition (200 each out of 420 total per image) 18″ x 24″ prints of the albums’ different covers (done by the Toronto, Canada-based Phantom City Creative team, the same group that produced the stunning album art for Mondo’s soundtrack album for the Hannibal film soundtrack) were offered up by the folks at Cyclops Print Works, with the rest being made available by the publisher after the show.

To see all of the aforementioned art that’s available, link on over to the Slashfilm article now – http://www.slashfilm.com/inside-out-vinyl/

Visit the Cyclops Print Works site to get your own copy of one or more of these new collectibles – https://www.cyclopsprintworks.com/

You’ll find another Mondo-based article down in Section 5 that I’m sure you’ll enjoy as well…

f) Please see the article in Section 1 of this recap about the new book coming out featuring portrait photos by the great Terence Donovan – https://www.damianieditore.com/en-US/product/579

g) Photographer Drew Carolan, well-known for his compelling album cover photos featuring musical acts including Ziggy Marley, Eric B. & Rakim, Living Colour and many others, shared with me some information about a book he’s going to release this fall that should be of great interest to fans of the early 80s music scene as it transitioned from punk to the more hardcore styles. Over a two year period – from 1983 to 1985 – Drew set up shop near famed rock club CBGBs in the Bowery section of New York City to document – in an effort called the “Matinee Project” – the people who participated in the scene and attended the hardcore/metalcore events that were held nearby. Partnering with Radio Raheem Records (home of bands including Agnostic Front, Charred Remains, The Androids and other hardcore stalwarts), the deluxe hardcover book – titled Matinee: All Ages – On The Bowery NYC 1983 – 1985 is sure to please fans and those interested in seeing shots from this most-fascinating musical/pop culture era. Several years ago, Carolan created a video that highlights the time he spent creating this series which should serve as a great intro to his project – https://www.youtube.com/watch?v=6jN46nf0nl0

To sign up for updates on the availability of this book, please visit http://www.radioraheemrecords.com/matineebook

h) While not easily falling in to this category’s basics (i.e., new prints, books and other arty collectibles), this item is of enough import that I felt it should be mentioned as it does involve collectibles of another type – i.e., postage stamps. On July 7th, the U.K.’s Royal Mail released a series of stamps that feature images connected to one of the nation’s best-known treasures, that being the rock band Pink Floyd. The collection of 10 different images gracing the new stamps include several of the band’s iconic album covers including early releases such as The Piper At The Gates Of Dawn, Atom Heart Mother, The Dark Side Of The Moon, Wish You Were Here and Animals, up to the group’s final 2014 release The Endless River. Four additional stamps feature photos of the band performing live on tour, including shots from concerts at London’s UFO Club in 1966, the Dark Side of the Moon tour in 1973, 1981’s The Wall tour and 1994’s The Division Bell tour.

Besides the stamps, there are a number of related items that are being promoted by the mail service, including souvenir sheets and presentation packs, framed collections, two cover collections, including one commemorating the 10th anniversary of the death of group founder Syd Barrett and a special numbered limited-edition item called a “Moon Maxi Sheet” that presents 10 of the Dark Side of the Moon stamps on top of a 9 x 7 replica of the renowned prismatic cover art.

As you might imagine, there has been a fair amount of coverage about this new collection, so if you’d like to learn more, click on over to this article on the BBC site – http://www.bbc.com/news/entertainment-arts-36382247

or another example on the Belfast Telegraph site at http://www.belfasttelegraph.co.uk/entertainment/music/news/pink-floyd-stamps-to-feature-innovative-album-covers-34747737.html

To see and buy these new items, pop on over to the Royal Mail site at http://www.royalmail.com/pinkfloydstamps

i) Comic book publisher Storm Entertainment has released a new comic novel that presents the life and times of the late artist Prince. Titled Tribute: Prince and penned by writer Michael L. Frizell, the comic book features artwork by Ernesto Lovera and Vincenzo Sansone. Lovera has previous credits doing artwork for tribute comics on other famous subjects, including Britain’s Royal Family, pin-up model Bettie Page and an earlier (2013) book on Prince titled Fame, while Sansone has done work on books about John Wayne and Pope Francis. Writer Frizell’s past comic book work covers famous figures in popular culture, politics and music, including books on Hillary Clinton, Jeb Bush, Nancy Reagan, Bono, Miley Cyrus, The Osbournes, Jerry Garcia and Amy Winehouse. Over the years, Storm Entertainment, formerly known as Blue Water Comics, has released a number of tribute comic book biographies, including ones on David Bowie, Kurt Cobain, Michael Jackson, John Lennon and many others.

Rolling Stone Magazine contributor Althea Legaspi provides us with additional details and comments from the creators of this 24-page tribute to another artist who has left this planet way too soon –  http://www.rollingstone.com/music/news/tribute-prince-new-comic-book-released-20160609#

5) Other articles of interest –

a) Some of you might recall a posting some time back about a new “Floating Record” turntable I’d bought via a Kickstarter project in support of a Chicago company called Grammovox. As a Grammovox owner/supporter, I’ve been the recipient of a regular email newsletter in which they share info on new products (including a retro-style Bluetooth speaker) and on vinyl record products that, when mounted to be played on the vertically-oriented turntable, look extra cool – picture discs, colored vinyl and, in the case I’m sharing with you today, a series of records made by an artist named Curtis Godino that are filled with various liquids. Very lava-lamp visuals, you’d have to figure. Two notable commissions for Godino include “blood-filled” records for clients including Waxwork Records’ Friday The 13th soundtrack and Mondo’s soundtrack for the blood-drenched film ALIENS.

Grammovox staffers recently interviewed the Brooklyn, NY-based artist about the wide range of liquid disc projects – for both musical and fine art clients – for their blog titled The Reverb, which you can reach via the link at https://www.gramovox.com/blogs/posts/interview-with-curtis-godino?

b) Today’s second story about record releases with interesting delivery options shows us a new album titled Ecume on the AntiVJ label by Belgian record producer Thomas Vaquie’, who collaborated with the appropriately-named (for an album package designer) artist Yannick Jacquet (!!) to create a sleeve made of concrete cast resin that’s been inscribed with 3D representations of the waveforms of some of the album’s music. Writing for the Stoneyroads.com dance music web site, Joseph Smith gives us an overview of the limited-edition (25 sets) offering – priced at €90 (not including shipping!) – http://stoneyroads.com/2016/07/artist-creates-concrete-record-sleeve-for-album

c) Levi’s 505C jeans – whether you know it or not – have been featured on two of rock’s most-iconic album covers – Sticky Fingers by the Rolling Stones and the debut record by NY punk legends Ramones, and with retro styling having a bit of a comeback, the clothing company has decided to re-issue this series in order to fulfill the desires of punkers and Factory-wannabes of all ages to dress as their heroes did.

http://www.gq.com/story/levis-505c-new-style-archives-denim-jeans

d) R.I.P. cartoonist and illustrator Jack Davis, one of the founding editors of Mad Magazine, who died Wednesday at the age of 91. Over his long career, Davis gave us memorable images for a variety of book, magazine and commercial advertising clients (e.g., he designed the original bug that screamed “RAID!” on the bug spray commercials), but besides his great cartoons for Mad, I remember him best for his poster for the 1963 film (then DVD) It’s A Mad, Mad, Mad Mad World and his album cover for Johnny Cash’s 1966 record Everybody Loves A Nut.

His colleagues at Mad posted a tribute to him that gives you a nice retrospective of his career – http://www.madmagazine.com/blog/2016/07/27/mad-remembers-jack-davis-artist

Truly a great – sad to see him go.

e) Being that we find ourselves – both here in the U.S. and abroad – in the midst of a fair amount of political news-making (elections, party overthrows, military coups, etc.), we’d be disappointed if somebody didn’t use the opportunity to create a series of album cover-influenced images featuring a selection of those folks making the headlines. Well, no reason to be disappointed – the team of reporter Graeme Demianyk and picture editor Tahira Mirza of the U.K. edition of the Huffington Post have crafted a selection of 10 covers that insert politicians including former PM David Cameron, past London mayor Boris Johnson and ex-Labour Party leader Ed Miliband into familiar album art scenes from musical acts including the Beach Boys, Sting, Johnny Cash and Madonna, among others. The creators’ reasoning for this work was stated quite simply – “Sometimes politicians look like they’d rather have been in a band. We’ve tried to make it happen”. I wonder if any of the politicians featured in the grouping would have rather been in the theater? I could definitely see Nigel Farage playing Aaron Burr on a poster for Hamilton http://www.huffingtonpost.co.uk/entry/album-covers-politicians_uk_57754d63e4b0b9c0dc08ce37

f) They keep trying to get away with this crap…blame it on the “if it’s on the Internet, it must be free” approach to art/photo license management…Photographer Glen Craig, whose portraits and performance photos of many of rock music’s best-known acts (Rolling Stones, James Brown, Miles Davis, The Beatles, Jimi Hendrix, Johnny Cash and many, many others) have been seen in hundreds of magazines, newspapers and books over the years and, along the way, he’s had special relationships with many of the musical acts he’s taken photos of. Blues guitarist B.B. King was one of those acts, with Craig’s photos of the “King of the Blues” gracing the covers and inside pages of top music magazines of the day including Cashbox, Hullaballoo, Guitar Player, Downbeat and others, so you know that it was a pretty well-known fact that the two were connected.

This seems to have escaped the fact of those responsible for putting together the cover art for several more-recent Universal Music releases of performances by Mr. King, including 2012’s Ladies & Gentlemen…Mr. B.B. King, whose cover shot is one from Mr. Craig’s archives and was not licensed for this use. Not too happy to have found this out by happenstance, Mr. Craig recently sued the label and Mr. King’s estate to recoup royalties he should have earned from a proper license, with the details of the lawsuit and its outcome still pending. The folks on the TMZ.com site recently posted a startling expose of this atrocity, which you can review via the link at http://www.tmz.com/2016/07/11/b-b-king-universal-music-sued-album-photos/   (right next to the link to the article titled “Gigi Hadid’s HUGE Breasts Spill Out…WOW!). Love them TMZers, don’t you?

g) And I thought that I held grudges for too-long a time…It seems that, back in 2013, a spat was ignited between singer/songwriter Sufjan Stevens and Jehnny Beth of the UK-based punk band The Savages after Stevens posted a critique of the typography that The Savages used on their Silence Yourself debut record. While the band didn’t respond at the time (Stevens did say that he liked the music), Jehnny showed us that the wound remained deeply ingrained in her psyche when she asked the radio jock she was being interviewed by to not play a Stevens song during the show because “…he wrote a quite funny blog post about how much he hated our album cover.” Stereogum’s James Rettig gives us the details in this recent posting – http://www.stereogum.com/1886227/savages-jehnny-beth-responds-to-sufjan-stevens-critique-of-their-album-cover/news/ All I can say, in the vernacular common for an earlier time, is “take a lude, dude”…

h) If you have a story or personal recollection about the late artist/illustrator Richard Amsel (well known for his film poster and album cover work), the guy that is making a documentary film about the artist is looking for your help. As part of his effort to gather materials for his film, Adam McDaniel was at the upcoming San Diego Comic-Con gathering, camera in hand, ready to capture your stories for posterity. In particular, he was looking for other artists who might have worked with Amsel sometime during his career, so if you missed each other during your trip to this huge pop culture extravaganza and have a story you’d like to share, please contact Adam via email at cinemalad5@aol.com. For more information on this film project, please visit their site at http://cinemalad5.wix.com/richardamselmovie

i) While not an article on album cover art per se, I did discover an article about a new book that’ll be hitting the shelves later this year that covers and highlights the work of people – illustrators, graphic designers and industrial designers who, according to a quote from the book’s author,” in many ways, have been left out of design history.” Sound familiar?

The new book, titled The Art of Atari, was written by Tim Lapetino, executive director of the Museum of Video Game Art (playmova.org) and, according to writer Colin Campbell’s recent article for the Polygon web site, “celebrates the packaging and games that were part and parcel of the late-1970s and early-1980s era of console gaming.” Reading through this article, there were many parallels between the perceived roles that designers played in this burgeoning industry – creating eye-catching packaging, marketing materials, advertising, etc. – while in the shadows of the “stars” of the genre (i.e., the video game programmers) with their counterparts in the music business, who typically are the record label execs, band managers and the musical acts themselves that I am pleased to find out that there are others like me (and you, my readers) who have realized just how important it is to provide greater visibility and praise for the “unsung heroes” of these entertainment areas.  I hope to reach out to Tim to find out more about his work and his new online museum but, in the meantime, I hope you’ll take a look at this preview – http://www.polygon.com/features/2016/7/4/12083190/inside-the-art-of-atari

j) In the annals of rock music album art history, few band logos/images have been more memorable than Boston’s Spaceship Guitar, the Roger Huyssen-produced illustration (featuring Gerard Huerta’s lettering) which was found on the cover of the band’s 1976 debut record and which went on to sell over 25 million copies world-wide, becoming the second best-selling debut record of all time.

This year, for their 40th Anniversary tour, the group asked the folks at Seattle-based design/animation shop Straightface Studios to expand upon that original design to create an impressive 3-D animation that provides the backdrop to the band’s live concert production. The two-month project produced thousands of hi-res frames used to create the video, with the awe-inspiring results available for viewing as part of writer Kurt Schlosser’s recent article on the Geek Wire site – http://www.geekwire.com/2016/boston-concert-seattle-straightface/

I have more than a feeling that you’ll like what you see (sorry, I just had to do it).

k) We’re often inspired by the images we find on the covers of our favorite record albums, but this is the first time that I’ve read an article where a noted design/innovation consultant has been able to extract the DNA from classic album cover art and apply it to the exploration of how effective teams of people work together to innovate in the workplace (wow – I haven’t written a sentence like that since leaving the Corporate world 10 years ago, and it still stings a bit…).

In this recent article in the Huffington Post by Geoff Tuff (who heads up the Doblin group within Deloitte) titled “Innovation Lessons from the Dark Side“, the author describes how, after deep deliberation, the Hipgnosis-designed cover art for Pink Floyd’s Dark Side of the Moon presented to him “a reflection on how innovation teams can serve as a prism to play two essential roles for their business: dispersion and re-composition.” By “dispersion”, Tuff means feeding a core business in on one side of a prism and having it come out – through the application of a number of innovative ideas – refracted into a myriad of colorful results. “Re-composition” hopes that truly-capable teams are able to look at the many different ways innovation takes place in the “outside world” and then focus on what’s best for their own efforts going forward.

We’ve all noticed that the titles of the songs on the album – “Time”, “Us & Them”, “Money” and others – all relate quite clearly to

http://www.huffingtonpost.com/geoff-tuff/innovation-lessons-from-t_b_10364740.html

l) The things some artists will do in order to achieve just the “right” look for their album cover photo! While I typically will not send my readers to gossip sites, this recent article on the Perez Hilton site includes a video of heart-throb Nick Jonas standing still while a sheet of glass is broken over his head, with the results captured via high-speed photography and used on the cover of his latest release titled Last Year Was Complicated. Photography by Yu Tsai, with design and art direction by Kyle Goen (AKA Kyledidthis), the guy responsible for recent album covers for pop artists including Babyface, Ariana Grande, Kid CuDi and Erykah Badu. I’m impressed that Kyle was able to convince the musician (and his management) that this was the best way to produce this image – it harkens back to the days (prior to computer graphics) when art directors had to use their imaginations and available resources to create images like this one…

http://perezhilton.com/2016-06-08-nick-jonas-album-cover-art-last-year-was-complicated-broken-glass-head#

m) Attention all album packaging designers – it’s that time of year again to submit your entries to the annual A Design Awards international design competition. If you’re unfamiliar with these awards, here’s a little more of an intro as provided by the organization’s PR folks – “The A’ Design Award & Competition has been established to promote and recognize the best design works in all countries and in all creative disciplines. The primary aim of the A’ Design Award & Competition is to create a global awareness and understanding for good design practices and principles by highlighting the best designs in all countries and in all industrial fields. The ultimate aim of the A’ Design Awards is to push designers, companies and brands worldwide to create superior products and projects that benefit the society.

The A’ Design Award & Competition has a philanthropic goal to advance society by pushing the frontiers of science, design, creativity and technology forward by creating incentives for innovators to come up with better ideas. The A’ Design Competition aims to create incentives that ignite and reward creativity, original ideas and concept generation in all industrial sectors.”

To those of you who work for clients in the music/entertainment industries, there’s an award category called “GRAPHICS AND VISUAL COMMUNICATION DESIGN AWARD” that focuses on marketing/promo design – posters, flyers, logos, consumer/trade ads, etc. – with more details on that category available via this link – https://competition.adesignaward.com/competitions/graphicsandadvertisingdesign.html

Packaging designers can find out the details of submissions in the “PACKAGING DESIGN” award category via this link – https://competition.adesignaward.com/competitions/packagingdesign.html

Regular submissions will be accepted until September 15th, with the actual judging/award announcements coming out next April, so watch this space for any updates and for information on the winners in these categories. Best of luck to all who enter!

That’s all for now – look for updates every week (usually on Friday) on our news feed –https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back early next month (after the move to our new home near Chicago!) with another summary for you.

All text Copyright 2016 Mike Goldstein and AlbumCoverHallofFame.com – All Rights Reserved.

Album Cover News Recap For February, 2016

Album Cover Hall of Fame’s Album Cover News Recap for the month of February, 2016

It’s early March 2016, and what a month we’ve just had, what with the Superbowl, the Grammy Awards, the Academy Awards, the Portland International Film Festival (gotta plug the local events, right?) and the ongoing media circus surrounding (and feeding) the upcoming  2016 election season. While there has been plenty to distract us from fully-engaging in the things we’re most passionate about, the album art world has continued to deliver a lot for us to see and learn about, with the ACHOF news feed showcasing the many exhibitions, lectures, award shows and other such activities we reported on during the last 29 days. Even with a short month, our news feed has been chock-full of stories on the many interviews, features, artist profiles, new gallery/museum shows and other similar items of interest, I’ll now spend just a few paragraphs giving you a summary of these highlights and updates. After that,  it’ll be your responsibility to visit our site to complete your ingestion of these items of interest by reading and (re)viewing these items at your leisure… Continue reading

Album Cover News Recap for January, 2016

Album Cover Hall of Fame’s Album Cover News Recap for the month of January, 2016

It’s early February 2016 and, while we here in the Pacific NW continue to endure a mostly-dreary Winter season (sun lamps are hot sellers here), we must consider ourselves lucky considering the bashing that many other areas of the country have been getting. And, while the circus sideshow we call “politics” continues to grab much of our attention these days, your Curator (hey, that’s me!) has been fortunate enough to tour art exhibitions in Los Angeles, Palm Springs and here in Portland, where the 2016 Print Fair was held this past weekend at the Portland Art Museum – lots of great art was seen and appreciated – yes, there is an art world beyond Album Cover-land!

My travels did, of course, slightly reduce the number of days I was able to share the latest album art-related news with you (and, even with a Leap Day added, this will occur again naturally in February), but the steady stream of album art-related news remained unabated, with the ACHOF news feed showcasing the many exhibitions, books and other such activities we reported on during the last 30 days. With stories on the interviews, features, profiles, gallery/museum shows and annual  “best and worst” lists adding to the impressive number  of exciting and inspiring articles you found in our news feed, I’ll now spend just a few paragraphs giving you a summary of these highlights and updates. After that,  it’ll be up to you  to visit our site to complete your re-reading of these items of interest on this list by reading/viewing these items at your leisure… Continue reading