Tag Archives: Hypergallery

Album Cover Hall of Fame News Update and Summary – End of August/September, 2019

Album Cover Hall of Fame News Update and Summary – End of August/September, 2019

 

 

 

 

 

By Mike Goldstein, AlbumCoverHallofFame.com

It’s almost Labor Day weekend again, which most of us use to mark the end of Summer while some of us cling with every fiber of our being to hold on to the season’s last vestiges. We did use a nice day recently to tour Chicago’s Pilsen neighborhood (visiting the National Museum of Mexican Art, which sports one of the best museum stores I’ve ever been to) and, while strolling down W. 18th Street after a dessert stop at Creperia Nuevo Leon, we came upon Pinwheel Records, a place that was advertising an upcoming fund-raiser for a local kitten support group with a window display of well-known album covers that had been “kittenized” (see photo). This reminded me of just how important album cover imagery is in the promotion of music products and in building lasting memories for fans and consumers of these products. Great new examples of these can be found in the 200+ submissions we judges had the opportunity to see and review for this year’s Making Vinyl Packaging Awards (see item on this competition, which follows) and also in the many shows, articles and more you can read about (if you give me a few minutes of your time) by scrolling through this month’s easy-to-digest run-down of all of the album cover artist/art-related news I think might be worth your time investigating:

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Album Cover Hall of Fame Breaking News Update for March 8, 2019

 

 

 

 

 

 

Album Cover Hall of Fame Breaking News Update for March 8, 2019

By Mike Goldstein, AlbumCoverHallofFame.com

Hope that you’re all looking forward to the day – soon, we hope – that the temps pick up, the buds appear on your trees and shrubs and all traces of ice and snow disappear from our lives. Enough already, right? In any case, you may recall when I said that I wasn’t going to be posting monthly news summaries for a while (in order to be able to devote more time to organizing the materials for my book and some other projects I’m involved with), I am still going to share a headline or two when I think that there’s something timely you should know about… Here’s some news about some exhibitions/apprearances you might want to look into, as well as info on a Kickstarter-hosted book project that will be of interest to fans of Hip-Hop and overall great photography…

a) My friends at the UK’s Hypergallery are debuting a new show in Berlin, Germany that’s built around the fan-pleasing covers created by the talented Michael Spencer Jones for the British mega-group Oasis that’s meant to show us that, 25 years later (since the release of Definitely Maybe), these memorable images still impress us with their beauty and inspired craftsmanship. Setting the Scene: Oasis 25 includes the cover images we all know and love along with many never-before-seen photos, alt versions and memorabilia used in the making of these covers.

The show – hosted by the Browse Gallery will also provide fans and collectors with retellings of how the images were made, what inspired them and several surprises that, if I told you, wouldn’t be surprises any longer, so if you’d like to go see the show yourselves beginning on March 9th(it runs there thru April 7th), click on over to the Ticketmaster site to reserve a spot now – https://www.ticketmaster.de/artist/setting-the-scene-oasis-25-tickets/1009188?

More details on the show, including dates and directions to the gallery, can be found on the Browse Gallery site at https://browse.gallery/en/exhibitions-2019/setting-the-scene-oasis25/

You can also preview some of the MSJ prints that will be on sale during the show on the gallery’s web site at https://www.hypergallery.com/shop/filter/designer/michael-spencer-jones?curpage=designer&dir=asc&order=name

b) My regular readers will recall my previous coverage of photographer Glen Wexler’s successful Kickstarter campaign to raise funds to produce a book (Glen Wexler: The 80s Portrait Sessions) of many of his most-memorable shots from that era, so it is now with great pleasure that I’d like to announce the upcoming book launch event and exhibition slated beginning on March 21st at the Mr. Musichead gallery/event space on Sunset Blvd in Hollywood, CA – https://www.mrmusichead.com/events/2019/3/22/glen-wexler-exhibition-the-80s-portrait-sessions

The night of the show opening will be a humdinger, for sure, with an opening cocktail reception beginning at 7PM local time and a series of live music performances, with a portion of the proceeds set to benefit the Silverlake Conservatory of Music.

If you’d like to learn more about Glen’s book, you can click on over to the video he and his publisher put together for the Kickstarter campaign – https://www.kickstarter.com/f820260b-0aa6-4b39-b820-908b9370db7a   You might also want to take a fast trip over to this page on the Bontena site – https://www.bontena.com/contents/2019/02/Interview-with-Glen-Wexler-Photographer-Director-and-Visual-Artist-19021802? to read a recent interview with Glen written by Melisa Kaya.

c) A recent article written by Victoria Priola for the SI Live site gives us the details about a rather-expansive album cover art exhibition currently on display (now through March 23rd) in the gallery at the College of Staten Island (NY) – https://expo.silive.com/life-and-culture/g66l-2019/02/d7d8fcf90e2068/the-college-of-staten-island-hangs-200-album-covers-in-art-gallery-for-new-exhibit.html Titled If A Song Could Be Freedom… Organized Sounds of Resistance, the show is built around a 200+ item collection of politically-themed album covers donated by Brookly’s Interference Archive (“a volunteer-run library, gallery, and archive of historical materials related to social and political activism and movements”) and is, according to the show’s organizers, works to “expose the broad scope of the intersection of music and politics.” Album sleeves from the 1960s to the present make up the bulk of what you’ll find there.

d) Sorry, almost missed this one, but it’s not too late for those of you in the Chicago area (hey, that’s me!) to traipse on down to the gallery in the café area of the Logan Center on the campus of the University of Chicago before March 31st to view a show of works from one of the local Hip-Hop music scene’s most-admired album cover artists – Nikko Washington, whose role as the artistic director of the Savemoney Hip-Hop collective has given him the opportunity to design some memorable covers and promo materials for musical acts including Vic Mensa, Noname and Towkio, among others.

A recently-posted article by Hannah Edgar on the Chicago Magazine site  – http://www.chicagomag.com/arts-culture/March-2019/Nikko-Washington-53-til-Infinity/– features an interview with the talented designer and includes his comments on some of the newer works he’s got on display. You’ll learn a bit more about Mr. Washington’s unique approach to creating his art, his past personal histories with some of the musicians he’s created imagery for and his frustration with how gentrification has wrung much of the original soul from where he grew up (Hyde Park), forcing a move to another neighborhood in the city (Pilsen, itself going through a lot of changes) to enable him to “keep it real”. It also gives you clues as to the where the title of Nikko’s show – 53 ‘Til Infinity – originates.

More info on the solo show now up is available on the University’s web site – https://arts.uchicago.edu/event/nikko-washington-53-til-infinity – and if you’d like to enjoy a deeper look into the artist’s portfolio of work, I can think of no place better to do that than on his web site at https://www.nikkowashington.com/

e) As a photojournalist who began documenting the local Hip-Hop music scene in the early 2000’s with a disposable camera (and has since gone on to become the official photographer for the always-in-demand musical group The Roots), Mel D. Cole has also shot album photos for Jadakiss, Trey Songz and The White Mandingos and established himself as one of the principal documenters of the Modern Era of Hip-Hop. Mel’s come up with a great title for his new bookGREAT: Photographs of Hip Hop 2002-2019 – which features photos of many of the genre’s most-noted artists at various stages of their careers. You’ll see candid shots, beautiful portraits and performance photos of A$AP, A Tribe Called Quest, Erykah Badu, Common, Rihanna, The Roots, RZA, Pharrell Williams, Kanye West and many others, and the book’s forward is being provided by famed drummer, music historian and late night TV star Ahmir “Questlove” Thompson of The Roots.

The Kickstarter program now live (through March 29th) at https://www.kickstarter.com/projects/greatthebook/mel-d-cole-presents-great-pictures-of-hip-hop-2002? offers fans a number of different ways to help Mr. Cole raise the $55,000 he needs to complete his project, with support levels beginning at $25 (which gets you a very nice postcard deck) up to $400, which will secure you one of 500 “Personal Photographer’s Edition” packages that includes a signed book, the aforementioned postcard package and a limited-edition signed photo print all packed in a custom clamshell case. The book itself will cost you $65-$75 including shipping, with a targeted delivery date of December of this year.

I wasn’t familiar with Mr. Cole’s portfolio of work until recently, but after visiting his site at https://meldcole.com/allaccess and seeing the scope of his archives, I’m now a fan (and suspect that you will be, too).

Album Cover Art & Artist News Update for January 4th, 2019

 

 

 

 

 

 

Album Cover Hall of Fame News Update

posted January 4th, 2019, by Mike Goldstein, AlbumCoverHallofFame.com

Hope that you all had happy new year celebrations (some of you may still be in the midst of one!) and, while I said that I wasn’t going to be posting monthly news summaries for a while (in order to be able to devote more time to organizing the materials for my book and some other projects I’m involved with), I am still going to share a headline or two when I think that there’s something timely you should know about…

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Album Cover Artist And Art News Summary And Preview For September/October, 2018

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ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF SEPTEMBER, 2018, WITH PREVIEWS FOR OCTOBER.

BY MIKE GOLDSTEIN, ALBUMCOVERHALLOFFAME.COM

With the cool breezes of Autumn now upon us, we can all look back at the memories created this past Summer with a combination of happiness for the times spent with friends and family and with sadness for those who experienced the wrath of Mother Nature (you can still donate to provide some relief to those driven from their homes due to floods and fire – the folks at Mercy Corps continue their quest to bring better solutions and immediate assistance to those in need around the world – https://www.mercycorps.org/ ). With the mid-term elections soon upon us here in the U.S. (please do all you can to vote and help others to get registered and vote, too – click on over to Vote Save America https://votesaveamerica.com/ to find out how) and the Holiday season following soon after, it’s also time for the annual Album Cover Hall of Fame nominating and voting process to begin, so rest assured knowing that yours truly and my merry band of album cover gurus will be working hard to deliver a fresh crop of inductees to you by November’s end.

I’m  happy to share the news that, in spite of all of the distractions pitched at us by various media outlets and hyper-active Twitter feeds, there’s been a goodly amount of album art/artist-related news to review – more interviews, profiles, news about new books and prints, etc. – and as you’ve seen in my previous news summaries, all you’ll need to do is just read the summaries I’ve written and then click the links provided in order to be able to find out more about the details from sources from around the world on items featuring many of the world’s most-talented album art creators.

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Album Cover Artist And Art News Summary And Preview For August/September, 2018

ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF AUGUST, 2018, WITH PREVIEWS FOR SEPTEMBER.

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BY MIKE GOLDSTEIN, ALBUMCOVERHALLOFFAME.COM

Greetings once more to you all – hope that you’ve all had a good time this Summer, however you chose to occupy your time. Even though my work on updating the bio section of the ACHOF site continues slowly but surely, I’m still happy to announce that there’s been a fair amount of album art/artist-related news to review – more interviews, profiles, news about new books and prints, etc. – and as you’ve seen in my previous news summaries, if you simply read the summaries I’ve written and click the links provided, you’ll be able to find out more about the details from sources from around the world on items featuring many of the world’s most-talented album art creators.

I am also pleased to announce that the second part of the two-part article I wrote about album cover art, artists and album art production has been added to the Illustration History web site – https://www.illustrationhistory.org/essays/design-and-illustration-in-the-record-business

Titled Design and Illustration by the “Early Influencers” working in the Record Business, this new article was designed to allow you to meet some of the most-notable purveyors of note-worthy and memorable album packaging and read what they have shared about what they do, why they do it, and what the future holds for this unique craft. To remind you, the Illustration History site is a project of the esteemed Norman Rockwell Museum (Stockbridge, MA) and serves as an educational resource for fans, students and teachers of the fine arts of illustration and design. It’s been an honor to be able to share some of my research and writing on a subject – album cover art – that features so many great examples of work by the talented people who’ve contributed to the visual side of the modern music business, so once again I’d like to thank curator Jesse Kowalski for this opportunity and hope that you’ll spend some time reading both articles and then digging through the site’s impressive archives as well..

In addition, I’ll soon be adding another article to the ACHOF site titled “Album Art and Packaging Trends Timeline and Overview” that seeks to answer, decade-by-decade, beginning in the 1940s up to the present, this important question for those of us interested in the history of album cover art “what was it exactly that the products produced during each decade or era have shown us about Pop Culture and the status of record music promotion at that time?” The article will first be posted on the ACHOF site, with announcements made via social media, and I do hope that you’ll take the time to read, absorb and comment.

Several of you may recall from last month’s summary that I was asked (one of a number of music packaging gurus) to serve as a judge for the upcoming (early October) Making Vinyl Packaging Awards extravaganza that will be a keystone event at this year’s Making Vinyl conference in Detroit. The first round of judging has been completed and, from an impressive number (nearly 250!) of entries in all of the categories, the finalists have just been announced, with the list available for your viewing pleasure at – https://makingvinyl.com/making-vinyl-packaging-awards-announces-finalists-in-12-categories/

I gotta tell you, folks…I really had no idea that there was so much creativity and ingenuity (and, by the looks of some of the packages, resources) being put to task to create new retail packaging for recorded music products until I spent some time – nearly 3 full days! – looking at each of the entries before posting my opinions. What was more interesting to me was to learn more about the people working on these projects, with a nice balance seen between entries submitted by major labels working with “household name” designers/art directors/photographers and the impressive output from people/teams I’ve never had the pleasure to meet before. While I can’t release any of the details now, you can rest assured that I will be introducing myself to some of these new (at least to me) names ASAP and will be sharing the fruits of those efforts with you when I can.

The winning entries – that is, those picked from the aforementioned list of finalists – will be selected by a panel of esteemed judges at the NYC offices of the AIGA design organization and awards will be announced and presented at a ceremony that will be held at the Westin Book Cadillac Detroit on the evening of October 1st. You will, of course, find more information on the winners immediately thereafter here on the ACHOF site and, with any luck, will be able to read an interview or two with some of the winners ASAP after.

As always, I ask that you please share this info with everyone you know who are fans of great album cover-related talent and, of course, your comments and feedback are quite welcome.

1) UPCOMING, RECENTLY-LAUNCHED/CURRENTLY RUNNING AND JUST-CLOSED SHOW/EXHIBITIONS –

a) I’m happy to announce that my friends at the U.K.-based art publisher/art gallery Hypergallery are taking a road trip to Berlin, Germany to stage, along with album cover design great Aubrey Powell, a survey exhibition that will “explore and unpack the significant influence of the Hipgnosis design studio through an unprecedented display of images from the Hipgnosis catalogue.” The show – titled Daring To Dream – is scheduled as part of the European Month of Photography (EMOP) 2018 event and is being co-curated by Emily Smeaton and John Colton, under the watchful eye of Mr. Powell.

The show will run from September 30th thru the 28th of October, staged in a courtyard located on the 1st floor of Bergmannstr. 5, 10961 in Berlin, with an opening party scheduled at that location on the evening of September 29th, beginning at 7PM local time. Mr. Powell will be on hand that evening – along with members of a local opera company – and will be signing copies of his own retrospective book of Hipgnosis-generated album art called Vinyl.Album.Cover.Art which was recently published in Germany by Edel Books. More info can be found on the Hypergallery web site at https://www.hypergallery.com/event-hipgnosis-in-berlin/

I’m eagerly awaiting to see photos from the show/opening night event and will point you to those when they’re available.

b) For those of you who weren’t able to attend the Bill Graham-centered art/memorabilia show (BILL GRAHAM AND THE ROCK & ROLL REVOLUTION) that toured last year, you’re being given a reprive of sorts with the staging of the Summer of Love poster show at the Andaz Gallery/Hotel in Hollywood, CA, put on in cooperation with the Grammy Museum and featuring 17 original posters from the 1960s by noted visual psychedelic artists including Wes Wilson, Bonnie MacLean (AKA Mrs. Bill Graham), Jim Blashfield, Greg Irons and Stanley Mouse.

http://westhollywoodmag.net/press-release-andaz-west-hollywood-and-the-grammy-museum-unveil-original-summer-of-love-posters-in-new-salon-art-exhibit/

If you’d like to read my exhibition recap from the Bill Graham show as it was staged here in the Chicago area last year, click on over to https://albumcoverhalloffame.wordpress.com/2017/08/04/achof-exhibition-tour-bill-graham-and-the-rock-roll-revolution/

c) There’s a show taking place in London in mid-September that, if I understand what it is that I’m reading, looks to introduce show-goers to several new formats of visuals that might be accompanying and augmenting recorded (and live) music as time goes on. Based on work done by musician/artist Beatie Wolfe and cohorts at Nokia Bell Labs, you’ll be given the chance to see/listen/experience works including (as they’re described in this article by Oisin Lunny on the Forbes.com site) “the world’s first live 360˚ Augmented Reality (AR) stream combining live, 360˚ stereoscopic video and real-time AR visuals” that will “create a modern ‘Fantasia-like’ live streamed album experience.” A short video documentary is also there to better-explain what it is that Ms. Wolfe and her chums have created.

https://www.forbes.com/sites/oisinlunny/2018/08/26/beatie-wolfe-explores-the-art-of-music-in-the-digital-age-at-the-va/#6d1f677f1217

The show at the Victoria & Albert Museum – titled “The Art of Music in the Digital Age: a series of world-first designs” – runs from September 15th through September 23rd in the Prince Consort Gallery on Level 3 and will, in addition to the Raw Space Chamber described above, put on display such must-be-seen-to-be-understood items as “a theatre in the palm of your hand, an album as a deck of cards and wearable record ‘jacket’” designed by former D. Bowie tailor Mr. Fish, among other equally-innovative items.

The entire effort is delivered as part of the London Design Festival, with more information available at  https://www.londondesignfestival.com/event/beatie-wolfe-art-music-digital-age-series-world-first-designs and additional details on the V&A site at https://www.vam.ac.uk/event/bJR1B3Ng/ldf-2018-the-art-of-music-in-the-digital-age-a-series-of-world-first-designs  If any of you do attend and can share what you’ve seen with the rest of us, it’d be greatly appreciated as we are all curious as to where the future of music-related visuals is headed.

2) Artist interviews/profile articles –

a) NYC Radio show host Zach Martin just posted links to Parts 1 & 2 of his Big Fat American Rock Show! interview with NYC-based album design gurus Spencer Drate and Judith Salavetz, well known to album art fans for their award-winning work for Talking Heads, Lou Reed, Bon Jovi, Ramones and many others. The stories they share in Part 1 of how the two worked both alone and together to produce a huge portfolio of commercial work for their clients in the music business over the past 40+ years will make your head spin, so make yourself a dirty olive martini, place yourself in your favorite comfy chair and enjoy the ride – https://youtu.be/4LAwoiNtjy4

In Part 2, Spencer shares the details of who his favorite band is (and why) and how he and Judith seem to do their best work “when everything flows” – https://youtu.be/g144AXr4S_g

On a related note – for both this article and the one you’ll read on the upcoming Making Vinyl trade show – Mr. Drate and Holly Stephey will be hosting an online interview with Mr. Larry Jaffee, the producer of the event and the Packaging Awards show that will be taking place during that event. The live event takes place Friday, August 31st at 5PM EST and you can catch it online at http://www.blogtalkradio.com/redvelvetmedia/2018/08/31/larry-jaffee-making-vinyl

You won’t meet anyone with more passion about the resurgence of the vinyl record and the importance of album cover art, so I hope you’ll take the time to listen to this interview.

b) While Madonna may have been making headlines recently for both celebrating her 60th birthday and enduring some music industry flack after delivering a not-so-well-received tribute to the recently-departed Queen of Soul Aretha Franklin at the MTV Video Music Award ceremonies, one thorough read of this recent amply-illustrated FOTO Story interview article with photographer Kevin Mazur reminds you of just how much she’s influenced Pop Culture since launching her career as a singer/dancer in the early 1980s in the clubs surrounding New York City. Having met Ms. Ciccone while he was himself a young lad from Long Island (he’s 57 now), Kevin has been on hand to document the Material Girl’s meteoric rise, being on-hand to shoot scores of her concerts (beginning with 1985’s Virgin tour) and producing a huge portfolio of work we’ve all seen in magazines, books and web sites over the years. He’s also produced album cover shots for top musical acts including Bob Dylan, Elton John and U2, but in this article, the focus is on just how much fun he’s had being on hand and moving from gaga-eyed fanboy to long-time friend of someone who has impressed us all with her talent, dedication and fearless approach to success in a really tough business – https://foto.gettyimages.com/celebrity/musicians/madonna-in-motion/

c) NYC-area music art fans might want to quickly click on over to the Eventbrite site (via the link at the end of this notice) to register for what’s sure to be a sold-out event at the Great Hall at Cooper Union (7 East 7th Street, New York, NY 10003) this coming October 19th (from 7-8PM EDT) featuring Metallica’s drummer (and famed fine art collector) Lars Ulrich talking photography with the Brooklyn-based photo duo Herring & Herring (the team behind the album cover imagery for the band’s hit 2016 release Hardwired…To Self Destruct) about how artists like themselves collaborate to create great art.

Herring & Herring consists of Dimitri Scheblanov (who is himself a 2005 graduate of The Cooper Union’s School Of Art) and Jesper Carlsen (who was schooled at the Art Academy on the Danish island of Funen, graduating in 2006) and has worked with Metallica – serving as creative directors, photographers and music video directors – since 2014. In addition to their corporate work – with celebrity clients including musicians Ozzy Osbourne, Beyonce and Questlove, film stars Uma Thurman, Willem Dafoe and Billy Bob Thorton, TV personalities Fred Armisen, Oprah Winfrey and Andy Cohen and sports celebs Derek Jeter and Abby Wambach (among many others) – the partners also produce and publish the highly-praised image-only photo magazine also titled Herring & Herring (available on newsstands everywhere).

Ulrich will be taking a short break from the band’s tour in support of this album, which kicks off September 2nd with a show in Madison, WI.

Event info/registration  at  https://www.eventbrite.com/e/photography-duo-herring-herring-talk-with-metallicas-lars-ulrich-tickets-49040489424?aff=MetallicaFanClub  The event is free and open to the public, although the promoters warn that pre-registration doesn’t guarantee a seat, so get there early!

Article on the Blabbermouth site – http://www.blabbermouth.net/news/metallicas-lars-ulrich-to-talk-with-photography-duo-herring-herring-at-new-york-city-event/

d) We’ve all had to consider, at some point in our lives, just what the proper “work/life balance” would be in order for us to continue to enjoy both aspects of our day-to-day existences. For some of us, the choices were quite simple, being dictated by the status of our health or of our continued relationships with friends and loved ones. For others, it’s when they’ve noticed “something missing” from the enjoyment of their day-to-day activities, whether at work or at home. For Grammy-winning designer Stephan Sagmeister, as you’ll read in this recent article (and audio interview) by Ayse Burcell on the Salon.com web site, he noticed that “once I started to allow for repetition in the work, there was just less excitement.” What did he do to get his life back in balance? Well, he did something we all wish we could do – he took a year-long sabbatical. To do this, he had to overcome fears of “being forgotten” and/or being seen as “unprofessional” but, once he did, you’ll see that it was time well-spent. I’d suggest taking a break from your own hectic schedules to read and listen to this compelling interview via the link at https://www.salon.com/2018/08/27/the-case-for-taking-a-sabbatical-why-grammy-winning-designer-stefan-sagmeister-took-a-break/

3) Sales/Auctions –

a) Being touted as the “most-metal” of all memorabilia auctions, the estate of the late singer Ronnie James Dio is soon to offer a nice selection of Dio-owned property at Julien’s auction house that includes original album cover paintings, artwork, costumes and much more – http://www.juliensauctions.com/auctions/2018/ronnie-dio/index.html

Slated for two days in mid-September at the Hard Rock Cafe in NYC (September 15th and 16th), the event (titled PROPERTY FROM THE ESTATE OF RONNIE JAMES DIO) includes well over 600 items and will showcase both “normal” personal effects (his little league baseball jersey, autographed baseballs and jerseys signed by his favorite pro sports players, etc.) and those things he aggregated during his multi-decade career as the lead singer for Rainbow, Black Sabbath and his own band, Dio. Album art collectors will have the opportunity to bid on:

The Last In Line original cover painting (est $20-30K) opening bid $10K – The original acrylic and collage painting executed by Barry Jackson and used as the cover art for the Dio album The Last in Line (Warner Bros., 1984). Framed, 26 1/2 by 45 1/2 inches; Sight, 18 by 37 inches

Sacred Heart original cover painting (est $20-30K) opening bid $10K – The original acrylic and collage painting executed by artist Robert Florczak and used as the cover art for the Dio’s 1985 Warner Bros. Records album Sacred Heart, signed by Florczak in the lower left. Framed, it’s sized at 25 1/4 by 25 1/4 inches;

Dream Evil original artwork (est $2-4K) opening bid $1K – The original acrylic on canvas board painting done by Steve Huston and used as the cover art for the  1987 Dio album Dream Evil (on Vertigo), signed in pencil in the lower right by Huston. This was the last album to feature “Murray” on the cover. Unframed, it measures 27 by 40 inches;

– A trio of Alan Aldridge items from Dio’s personal collection – opening bid $150 – A signed print of the cover art for The Beatles Illustrated Lyrics, a copy of the book The Butterfly Ball and the Grasshopper’s Feast and an LP copy of the album of the same name. That 1975 album was produced by Roger Glover of the band Deep Purple and featured Dio in the role of “Froggy”. Framed, it measures 24 by 32 1/4 inches

4) New Print/Book/Product RELEASES –

a) Fans of the late Grateful Dead guitarist Jerry Garcia know that he considered himself as (as he’s been quoted) “an artist who played music” and that he expressed himself via a paintbrush with just as much passion as he did via his playing and song-writing. In the early 1980s, he began to study the visual arts much more seriously and, from that point until the end of his life, he dedicated himself to drawing, painting and creating images on his computers.

Recently, Jerry’s ex-wife Manasha Garcia and his daughter Keelin Garcia teamed up to create “a mission-based company inspired by musician and artist, Jerry Garcia” that’s called “Jerry Garcia Music Arts” and, as part of this music/fine art company’s launch – and to honor what would have been Jerry’s 76th birthday in August – they’ve released what they’re calling a “thematic pairing of art and music”, meaning that they’ve created both a new fine art print of a JG watercolor titled “Ripple” and have released a newly-remastered live version of the Garcia/Hunter-penned song of the same name on streaming music services including  iTunes, Spotify, Google Play, Deezer, iHeartRadio, Napster, MediaNet, VerveLife, Tidal, Gracenote, Shazam  and 7Digital..

The print – an unframed, museum-quality giclee piece printed on Hanhnemuhle Bamboo 290 gsm paper and offered in an unsigned edition of 500 – is sized 11”w x 15”h, priced at a very-affordable $130.00 and comes with a certificate of authenticity and is available from Terrapin Stationers in their Terrapin Gallery

https://www.terrapinstationers.com/collections/terrapin-gallery/products/terrapin-gallery-and-jerry-garcia-music-arts-present-ripple-unsigned

A portion of proceeds from these sales support ocean conservation (Mr. Garcia was a strong proponent of saving the coral reefs and even shared these beliefs as he testified before a conservation committee for the State of Hawaii in 1990), with more details about the company and its mission available on their web site at – https://www.jerrygarciamusicarts.com/fine-art.html

b) New clothing and wall art designs featuring album cover-inspired imagery by “speed painting “ master Stephen Fishwick was introduced by art/marketing agency Get Down Art at the MAGIC Las Vegas event at the Mandalay Bay Hotel this past August 13 – 15, with these images and products looking to extend the popularity of several well-known album cover designs to a younger demographic via the fashion brands and trends they’ve shown they appreciate. For example, Pink Floyd’s memorable Dark Side of the Moon cover image, as reworked by Mr. Fishwick, shows the iconic diamond on a paint-splattered background, while the new version of AC/DC’s “Thunderstruck” image shows Mr. Young bravely facing a very colorful electrical storm. The company is offering these designs and many others printed on t-shirts and long-sleeved shirts for both men and women, along with poster prints on canvas and other household items. Now your kids can wear their own unique iterations of their parents’ favorite album art and, in doing so, inter-generational love and understanding will finally be achieved – https://getdownart.com/collections/icons-collection

5) Other articles of interest –

a) This month’s collection of Sound and Vision articles – which provide in-depth details of the stories behind some of your favorite album art – offered to us by Eben Bensen and the nice people at Juxtapoz Magazine includes quite the range of music/art of both recent and historical vintages. Managing Editor Eben Bensen has stayed true to his promise to give us a new story every week, with the most-recent articles summarized below:

– Michael Trevithick’s Magritte-inspired (well, at least to me) artwork on the cover of the late Nick Drake’s third and final studio release – 1972’s Pink Moon – replaced the photograph originally taken for the project, which showed the musician in declining health – https://www.juxtapoz.com/news/music/sound-and-vision-nick-drake-s-pink-moon-cover-by-michael-trevithick/

– Neutral Milk Hotel’s 1998 indie release In The Aeroplane Over The Sea was viewed by music critics as a “game-changer” – an album based on the life of Dutch Holocaust victim Anne Frank – with its artwork the result of a collaboration between songwriter Jeff Magnum and album cover designer Chris Bilheimer and based on the artwork found on a turn-of-the-century travel postcard –   https://www.juxtapoz.com/news/music/sound-and-vision-neutral-milk-hotel-s-in-the-aeroplane-over-the-sea/

– In 2009, the Portland, OR (yeah, baby)-based experimental rock band called Portugal The Man released its fourth studio album The Satanic Satanist, which featured a very trippy cover crafted by the band’s own lead singer, John Gourley, who combined photos with watercolors to create the image – https://www.juxtapoz.com/news/music/sound-and-vision-portugal-the-man-s-the-satanic-satanist-cover-by-john-gourley/

– What is that thing jumping over the hurdle in Joan Ludwig’s photo featured on the cover of Beck’s 1996 hit record Odelay? A floor mop? A batch of ramen noodles? The answer is available via the link at https://www.juxtapoz.com/news/music/sound-and-vision-beck-s-odelay-cover-photography-by-joan-ludwig/

b) Now you can help two young-but-experienced artists in Portland, OR (yeah, baby!) launch a new “multi-disciplinary creative studio” via your support of their Indiegogo campaign and, as a reward, receive a limited-edition print and music compilation created just for this fund-raising effort. Over the past 13 years, composer/musician/sound designer Courtland Urbano and award-winning illustrator Anthony M. Benedetto worked on and off together on projects, but after Urbano moved to Portland to join the Humble Beast label roster, Anthony followed in 2014 to join the team as Creative Director. They both realized that, as a team, they could offer external clients a whole slew of services, so they decided to strike out on their own and launch a new agency they’re calling Nova Nimbus, with Anthony currently working out of Court’s garage.

Help Anthony get out of the garage into a proper office with your pledge of support and, with a commitment as little as $75, you’ll get a print of a work Benedetto created to show off both the natural beauty of their Pacific NW location and his respect for great mid-Century graphic design called Modern Romanticism.  Urbano adds music to the package with a download of a 19-cut collection of tracks he’s produced over the years, with both testifying to the fact that they love to listen to his soundscapes while they work, so you ought to, too.

The program runs for about another month, with details available at https://www.indiegogo.com/projects/nova-nimbus-a-multi-disciplinary-creative-studio/x/18934317?#/

c) Using album cover art to find out the identity of one of the art world’s most-mysterious creators – is Robin Gunningham the real “Banksy”? Those bidding on a work of art printed on the sleeve insert for an early 1990s Bristol-based ska band sure hope he is! Artnet.com’s Henri Nuendorf provides us with the details, and happy value-hunting – https://news.artnet.com/art-world/early-banksy-auction-1329194

d) Orlando Sentinel reporter David Whitley provides “a public service” for us in his article “All Great Album Covers lead back to Abbey Road” by providing us with a “10 Greatest Album Covers of All Time list” (what, again?) based on his contention that “everybody can be an expert” (this is why I stay away from these lists) – http://www.orlandosentinel.com/opinion/audience/david-whitley/os-ae-album-covers-david-whitley-0808-story.html His email is provided at the end of the article, so feel free to respond.

e) Don’t they know that it’s just not safe out there? Several times each year, someone takes it upon his/herself to present a list of the “worst” record covers of all time and, each time, I share a link to this list with the hope that enough of you are outraged to the point of expressing yourself somehow on the author’s site. And while I will be the last one to promote any form of censorship, I would ask that folks look deep inside themselves before releasing “best/worst of all time” lists like this one. Yes, there’s been some horrible/disturbing/nonsensical album art used to package recorded music over the past 70+ years (just as there’s been a lot of “bad” music packaged and offered for sale), but the subject has really been beaten to death and is usually built around the same content, which just makes it boring. Please don’t click on this link. I’m asking you nicely…

http://ajournalofmusicalthings.com/because-everyone-loves-awful-album-cover-art-heres-another-gallery-of-some-of-the-worst/

f) Now, after the last entry, here’s one for the “Looking Forward” folder – Is this the “future” of album covers? Rapper/style icon (and very funny talk show guest – https://www.youtube.com/watch?v=8s9joL_AGfo ) Nicki Minaj uses artificial intelligence/virtual reality to bring fans up close-and-personal with her and her album art for her new record Queenhttps://mobile-ar.reality.news/news/snapchat-strikes-familiar-chord-with-shoppable-ar-lens-for-nicki-minajs-new-album-0186464/

That’s all for now – stay tuned and be on the lookout for timely news alerts on our news feed –https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back early next month with another monthly summary for you.

Unless otherwise noted, all text and images included in this article are Copyright 2018 Mike Goldstein and AlbumCoverHallofFame.com – All Rights Reserved. All of trade names mentioned in these summaries are the properties of their respective owners and are used for reference only.

Album Cover News Summary For August, 2016

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ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF August, 2016

It’s the beginning of September, 2016, with Labor Day upon us, marking the “official” end of this year’s Summer season. If you’re done packing your kids off to school and find yourself with a little extra “me-time” during the day, I’d like to propose that you spend a little time catching up on your album cover art/artist-related news which, as you all know by now, you’ll find nicely-summarized in my weekly and monthly recaps.

In this month’s summary – continuing on in the much-appreciated “less talk, more info” format I launched several months back – the people that make our favorite album imagery continue to make news with their ongoing contributions to the field of album art/packaging, contributing to the ongoing stream of articles, interviews, info on museum and gallery shows and the like on a wide range of related topics. Enjoy the read and let me know if you have any questions or comments:

1) Upcoming, recently-launched and just-closed show/exhibitions –

a) Launching September 1st at the San Pedro (CA) First Thursday Art Walk is an exhibition at the huZ Gallery featuring a selection of the photo portraits taken over the past 40+ years by photographer Peter Figen, a man who has produced stunning promo images of top talent including George Harrison, Bonnie Raitt, Doc Watson, Townes Van Zandt along with album package photos for David Grisman, Robert Earl Keen, Chris Hillman, Carl Verheyen and many others. With a career that was jump-started while shooting at an early 1970s Hot Rise show in California and being spotted by the art director for Frets Magazine, who asked him to submit his shots after the show, Figen has used his passion for folk/roots music to create confidence in his abilities as a photographer in his well-known subjects, with the results now on display during this gallery show. Writer Kathy Leonardo posted this profile on the artist recently on the Huffington Post site – http://www.huffingtonpost.com/kathy-leonardo-/music-and-photography-sha_b_11298832.html – while those interested in seeing and learning more about this new print collection can click on over to the gallery’s site at http://www.huzgalleries.com/ . The gallery has also teased visitors with the fact that they’ll also be unveiling several new photo prints of a ready-to-be-discovered young musician named Elvis Presley taken by an Air Force photographer during a performance in Lubbock, TX in 1955…

b) Running now through September 10th at the Gabba Gallery on Beverly Boulevard in West Hollywood is a show featuring over 80 real and not-so-real album cover works created by a whole host of well-known and soon-to-be-well-known artists that’s called Cratedigger: The Lost Art of Album Cover Art. According to the gallery’s press, the exhibition “celebrates one of the twentieth century’s most influential art forms – the record sleeve cover. Curated by (gallery owner and accomplished artist in his own right) Jason Ostro, the exhibition showcases the work of 85 local and international artists. Each artist has imagined a cover design for a real or fictional album. Just like classic record covers, every piece in the show is 12” x 12”…

The gallery also shows music-related works by artists including Joey Feldman, Jules Muck and photographer Jeff Kravitz, so there will surely be a lot to take in during your visit. More info on the album art show is available on the gallery’s site – http://www.gabbagallery.com/cratedigger

c) Photographer Gerald Fearnley cemented his place in rock and roll album art history with the shot he provided for the cover of David Bowie’s debut record, but the folks at the Snap Gallery in London didn’t stop with just that image when they organized a show built around a recently-unearth cache of ’66 – ’67-era photos of the soon-to-be-recognized creative force that was Mr. Bowie. Fearnley was introduced early on to Bowie through his brother, bassist Derek Fearnley, who played in Bowie’s early backing band The Buzz, and used that access to arrange for a series of photo shoots that produced what looks to be a fascinating collection for fans of the era’s music and fashion. You can read an intro on the show – which runs through September 24th – via Tom Pinnock’s quicky posting on the Uncut site – http://www.uncut.co.uk/news/david-bowie-exhibition-feature-unpublished-photographs-86903 and get further details directly from the Gallery via this link – https://www.snapgalleries.com/exhibitions/bowie-photographs-by-gerald-fearnley/

d) The Buddy Holly Center in Lubbock, TX is where you’ll find a major collection of photos of rock’s best-known female stars taken by shooter (that takes on a new meaning in TX, no?) Anastasia Pantsios, an artist who’s been busy taking great photos for rock music clients including AC/DC, Journey, Eric Clapton, Michael Stanley and many others over the past 40+ years. Titled ” “Girls on Film, 40 Years of Women in Rock”, the show was originally organized several years ago and has been updated to include both some of Pantsios’s earliest works (e.g., Grace Slick with Jefferson Airplane in 1969, Deborah Harry in Blondie and mid-70s Patti Smith) and later examples including Gwen Stefani, Nelly Furtado and Shirley Manson of Garbage. While no longer working with clients in the music business (what, you want to get PAID to do your work?), Anastasia can look back proudly on her contributions to several Cleveland, OH-area publications including The Plain Dealer (where she also contributed as a writer) and alt weeklies including The Free Times and Cleveland Scene. More info on this show, running now through September 11th, via this article on the LubbockOnline.com site – http://lubbockonline.com/filed-online/2016-07-30/kerns-buddy-holly-center-displays-photo-exhibit-influential-women-rock#

e) What a combination – a prime collection of wonderful paintings and prints of worlds beyond our own put on display in a museum located on a mystical island! From now until the 19th of November, visitors to the Manx Museum – a National Heritage organization on the U.K.’s Isle of Man – can tour a collection of works by the impressively-talented Roger Dean, best-known to album cover art fans for his contributions to the visuals for bands including YES, Uriah Heep, Asia, Osibisa and many others.

With a portfolio that includes not only album cover imagery but (both alone and working with his talented brother Martyn) stage designs, architecture, calendars and a wide variety of merchandise, Dean’s work continues to impress and astound fans with its ability to take you to the farthest reaches of your imagination. You’ll find works in many media, including several models of designs he’s done for living spaces you can only dream you’d be able to live in. An article on the Isle of Man web site provides an intro – http://www.isleofman.com/News/details/80357/islands-and-bridges-the-art-of-roger-dean  while additional details are available on the museum’s site – http://www.manxnationalheritage.im/whats-on/detail/islands-and-bridges-the-art-of-roger-dean/

f) Since the time of the Woodstock Festival at the end of the 1960s, the exhibition of fine art with music has gone hand in hand, with everyone from poster/merch designers, painters, fabric artists and many other disciplines plying their wares and providing the visual backdrop for attendees at these festivals. One of the latest examples of this was on display recently during the Panorama festival held on Randall’s Island in New York City (as seen via the AFP-penned article that appeared on the ArtDaily.com site – http://artdaily.com/news/88984/For-New-York-s-new-festival–an-immersion-in-art).

Organized by the same team that puts on the popular Coachella festival (i.e., Goldenvoice), the festival features an area called The Lab which, according to the promoters, is an “interactive experience which features installations that combine technology, artistry, and design, created exclusively by New York-based artists for display only at PANORAMA.” Inside The Lab is “The Dome”, which is a huge dome that accommodates up to 400 people at a time and provides a 3D Virtual Reality display using music, animation and other forms of “immersive media”. The works of 11 studios combined to make this experience a fun and fascinating one, providing festival-goers with a place to take a break from the performances by acts including the Alabama Shakes, Arcade Fire, Kendrick Lamar, LCD Soundsystem and the act which has produced a number of very interesting album covers the past couple of years, FKA Twigs.

g) Friend of ACHOF Emily Smeaton of the UK’s Hypergallery was kind enough to share the details of an upcoming event that should be of great interest to anyone interested in both seeing a superb collection of album art prints and hearing from two of the most-respected designers in the field. Beginning on September 26th in lovely Henly-On-Thames outside of London, our chums at Hypergallery will host a pop-up exhibition called “The Art of the Album Cover” that will feature ” prints by Literary Festival speakers, from the days when all music was vinyl, and album covers became an art form of their own.” On the last day of the event – Sunday, October 2nd, at 5pm local time, in the Town Hall venue – two of rock music’s design greats – Aubrey (Po) Powell, the co-founder of the celebrated design studio Hipgnosis (best known for their covers for Pink Floyd, Led Zeppelin, Black Sabbath, Peter Gabriel/Genesis and many others, and author of a book on his studio’s work titled Hipgnosis Portraits) will be joined by Richard Evans (who, in addition to his many well-known album art credits both with the team at Hipgnosis and on his own, was author of The Art of the Album Cover book) where, according to Emily’s note, “the two artists will be sharing anecdotes from the time they spent at the epicenter of the rock and roll tornado of the late 1960s and 1970s.” After the event, Hypergallery will host a book signing and exhibition of the authors’ design work in their print room, just across from the Town Hall. You’ll be able to meet the authors, have a drink or two and view the great collection of works that will be on hand.

Advanced tickets for the event are now on sale via the link – http://tiny.cc/hlf_artofthealbum  and you can visit the gallery’s site at https://www.hypergallery.com/event_hlf/  for more details. Of course, I will work to get hold of any photos, transcripts or videos that emerge from this event, so stay tuned. I am, of course, immediately jealous of anyone who’ll be able to attend this event…

h) Having just celebrated his 75th birthday (Happy Birthday, John!), graphic design superstar John Van Hamersveld marked the occasion with the launch of a new exhibition (running now thru October 16th, at the Manhattan Beach Art Center in Manhattan Beach, CA) titled Contemporary Post Future! The Dichotomy of Design and Art – John Van Hamersveld which, according to the gallery’s PR, ” presents past and present artworks where John Van Hamersveld explores the connection between art, design and commerce.” The centerpiece of the display is a 47-panel modular black and creme-colored collage/mural JVH created that surrounds the building with his talents. Inside, two galleries showcase a number of examples of both his commercial design work and his striking and imaginative fine art designs, so if you’re in the area or need a destination for an art-filled excursion, I’d suggest a trip on over to see this show, with details available via the link at http://www.citymb.info/city-officials/parks-and-recreation/cultural-arts/exhibition/creative-arts-center-exhibitions#ad-image-1

i) Just as a tease, the folks at the V&A Museum in the U.K. just announced that they’re going to stage a new exhibition beginning in May 13th, 2017 built around the imagery of one of Britain’s most-valuable exports – that being the rock band Pink Floyd. According to the press (as exemplified in this BBC Entertainment & Arts section article recently published – http://www.bbc.com/news/entertainment-arts-372284960 ) the show – to be titled “The Pink Floyd Exhibition: Their Mortal Remains” – promises to offer “an immersive, multi-sensory and theatrical journey through Pink Floyd’s extraordinary world which will chronicle the music, iconic visuals and staging of the band, from the underground psychedelic scene in 1960s London to the present day”. With over 350 examples of Floyd-related visual imagery, including a whole host of album cover artwork created over the years by Storm, Po and the team at Hipgnosis, there will certainly be a lot to take in. Advance tickets are now on sale on the Museum’s website at https://www.vam.ac.uk/exhibitions/pink-floyd

2) Artist interviews/profile articles –

a) When a long-time fan of a musical act – in this case, South Carolina-based artist Dave Beard – has the opportunity to provide design services for that act – in this case, the Beach Boys – great joy ensues, as is evidenced by this recent article by Andrew Stark for the Fort Mill Times (as shared with the HeraldOnline.com site). The article tracks Beard’s path from fan to fanzine editor/designer to Dean Torrence (of Jan & Dean fame) design cohort to a 2014 commission by the Beach Boys to create what Beach Boy Mike Love called “In the 54 years of touring and (a) multitude of concerts and concert programs, the new Beach Boys’ 2015 Official Tour Program is far and away the best I’ve ever seen.”

Wouldn’t it be nice to learn more about this story? Don’t worry, baby – here’s the link – http://www.heraldonline.com/news/local/community/fort-mill-times/article91728932.html

b) Fine artist Filipe Molina has been showing his works in top-notch galleries throughout his career, but when he was contacted by the folks at Capitol Records in 2014 to come up with artwork for the Counting Crow’s then-upcoming record titled Going Under Wonderland, he saw it as an opportunity to be able to share his work with potentially millions of the band’s fans and proposed that he create a unique work for each song on the album, greatly multiplying the “collection” each record’s owner would acquire. He then went on to create a really nicely-done multi-media light show that the band used during their 2015 World Tour. As I’m working on adding Molina’s bio to the ACHOF site, Felipe shared a link to a 25 minute video on YouTube that gives you an overview to the artist and the wonderful images he created for this record package – https://www.youtube.com/watch?v=xz-Gj33Kg0g

To see more of the artist’s works, you can also visit his website at http://www.molinaart.com. Once there, you’ll find more about some of his other projects, including a “Wine Art Music” project (inc. custom labels for proprietary blends released by Standing Sun Winery) and The Outlaw Roadshows (indie rock music festival staged in Nashville and NYC) where Felipe both exhibits his artwork and is one of the event’s five producers.

c) Fascinating article by writer Anna Buksowicz for the British Journal of Photography on art director Samuel Burgess-Johnson that focuses on his most-recent work for the latest record by The 1975, with neon signs placed in unusual locations that are used to illustrate each of the album’s 10 song titles. It’s certainly a testament to the value of a proper budget for stunning album cover work, but I wonder if they paid whoever was hired to come up with the record’s title by the word – I Like It When You Sleep, For You Are So Beautiful Yet So Unaware Of It.

Burgess-Johnson also spends a fair amount of time sharing his feelings about what makes for a good album cover and why it’s still an important part of any new record release, so if you’d like to read more of the insights of one of the busier art directors working in the music business these days, click on over to http://www.bjp-online.com/2016/08/how-samuel-burgess-johnson-snapshots-music-through-art-direction/

d) I’ve written previously about the mega-exhibition (“Exhibitionism“) currently in London featuring a heaping helping of Rolling Stones art, photography, music and memorabilia, but fans of notable album cover imagery are in for a treat if you bop on over to this interview article posted on the Clash Music site featuring the wonderfully-talented photographer Gered Mankowitz, someone with several shots included in the show, including his cover photo for Between The Buttons and a portrait of the band’s metronome, drummer Charlie Watts.

While the interview provides an in-depth look at Gered’s relationship with the band, their management/record label and then touches on his other well-known subjects, including Jimi Hendrix (the iconic “Smoking” shot) and newer acts such as Oasis, Mankowitz does go on record with the lament that the first album package image he took of the band – the artsy alleyway shot used on their Out of Our Heads record back in 1965 – was NOT included in the show. “This will be the last time” (or, based on the total control the band has over its image, maybe not)….  http://www.clashmusic.com/features/gered-mankowitz-shooting-the-stones

e) While most album artist profile articles are cobbled together by writers (such as yours truly) asking the subject questions about themselves and their work, today I’d like to point you to one that presents an artist profile that’s been provided by one of the (late) artist’s better-known clients, by whom I mean guitarist Steve Miller, sharing his recollections of working with the famed art director/photographer Storm Thorgerson. One of Storm’s last record cover commissions was for Miller’s 2010 release titled Bingo, with the photo impressing Austin Chronicle writer Raoul Hernandez so greatly that he tracked down Mr. Miller to get his take on the collaboration with Thorgerson that produced such a memorable image.

Armed with a list of what he needed (logo, cover and a new take on a “Space Cowboy” image) and a rather nice budget for these elements, Miller got all he wanted and more and was left with what I’m sure you’ll agree was a long-lasting impression of what it was like to work with a talent such as Storm, even late in his career and having faced a stroke and cancer as obstacles. Really quite the talent…

http://www.austinchronicle.com/daily/music/2016-07-29/adult-play-storm-thorgerson-by-steve-miller/

3) Sales/Auctions –

a) The folks at the WA-based Visual Gallery have announced a sale on a select grouping of limited-edition album art prints that I thought you might want to check out. You’ll find promo pricing on prints including Cream’s Disraeli Gears (a Martin Sharp masterpiece), Sgt. Pepper’s Lonely Hearts Club Band by The Beatles, a Charlie Watts-signed Bridges To Babylon print and others. They’re also offering some nice deals on posters by Ioannis, Bob Masse and others, so click on over to see what’s on sale before it’s too late – http://www.visualgallery.com/

b) Works by the late artist Frank Frazetta have fed the fantasies of many a young science fiction/adventure fan as well as musical acts including Molly Hatchett, Nazareth, Yngwie Malmsteen and Wolfmother (who chose to use Frazetta paintings on the covers of several of their record albums), so it was interesting and exciting to see that one of the artist’s best-known paintings – titled At The Earth’s Core and used on the cover of the 1978 paperback release for famed writer Edgar Rice Burrough’s first Pellucidar novel – sell for over a million dollars during a recent Heritage Auction event in Dallas, TX (the actual selling price was $1.075 million, the most ever paid for a Frazetta work). You can click on over to this recent article on the Fine Books & Collections Magazine site in which the details are shared about both this impressive purchase, along with other big-ticket illustration art items that found new homes post-auction – https://www.finebooksmagazine.com/press/2016/08/world-record-for-frank-frazettas-painting-used-as-paperback-cover-art.phtml

c) Kanye West‘s design company – DONDA Design – pulled out all of the stops when they created an animatronic sculpture featuring 12 of the era’s most-recognized celebrities lying naked in a large bed, a prop then used in one of the musician’s latest music videos. Now, Mr. West has entrusted the Los Angeles-based gallery Blum & Poe to find a collector who’d be willing to spend $4 million to take the sculpture – complete with platform bed, bed linens and batteries – home for their very own. Made from silicon (a substance most-widely used for other purposes in today’s entertainment business), the work shows life-like models of Pop Culture icons such as Taylor Swift, Anna Wintour, Donald Trump, George W. Bush, Bill Cosby and others all asleep, lying alongside West and two of his family members – wife Kim and Caitlyn Jenner. The gallery held a brief showing recently and is actively seeking a buyer among its contact list of well-heeled collectors and museums, so we’ll keep an eye out to see if/when/where it lands. For more details on the work, you can read NY Times writer Adam Popescu’s late-breaking story via the link – http://www.nytimes.com/2016/09/01/arts/design/gallery-hopes-to-sell-kanye-wests-famous-sculpture-for-4-million.html? or see more on the gallery’s site at http://www.blumandpoe.com/exhibitions/kanye-west

4) New Print/Book Publishing –

a) If you were impressed with the 50+ “variant covers” that Marvel produced last year which were creatively-reworked versions of well-known examples of hip-hop album cover art, you’ll be happy to read the details of a new series scheduled for this year, with the details provided to us in an article by Fuse‘s Zach Dione. Characters who’ll be featured in the first of this new series include Black Panther, Doctor Strange and Mosaic, built around designs originally found on records by King Mez, Infinite Mind War and Earl Sweatshirt. Keep ’em coming, folks!

http://www.fuse.tv/2016/07/marvel-hip-hop-variant-comic-book-covers-second-wave

b) While I’ve been working hard gathering and organizing the materials for my own book, I look on with great envy as author Ramon Martos Garcia shares the details of his latest release – a thoroughly-revised edition of his critically-acclaimed book on Heavy Metal album art/artists that’s titled And Justice For Art: Stories About Heavy Metal Album Covers (Vol.2). The book, in a signed, limited-edition release (only 270 copies will be produced), is now available for pre-order ($39.99 plus shipping), with shipping set to commence next week.

According to the author, ” This new revised edition has many, many changes—some of them more significant than others, but equally important. Although the new book has the same number of pages (264) and a similar layout, I added a few new images that weren’t available at the time I published the first edition and exchanged some artworks for similar ones with much better quality.

Some parts of the text have also changed, in some cases dramatically. It’s not something you will notice at first sight, but once you go deeper, there are things that are unequivocally different. There are also new comments or interviews with bands and artists I interviewed after the first edition came out. Also, the color reproduction is richer and closer to how the original artworks look like. It took a lot of time and effort.”

If you, like me, are a fan of the many styles of art found on your favorite metal music recordings and you haven’t seen this book before, I’d suggest visiting the publisher’s site now to see more and order your own copy. Here is the pre-order link – http://andjusticeforart.bigcartel.com/product/and-justice-for-art-stories-about-heavy-metal-album-covers

c) The folks at UK print publisher The Flood Gallery recently emailed with some info and imagery about the latest in their series of releases featuring album cover fine art prints of designer/photographer Carl Glover‘s cover images for Marillion’s 2006 LP titled Marbles. In addition to the provocative cover shot, prints of the equally mind-bending graphics that were featured on the record label, CD and inner sleeve are also being offered, with collectors able to preview and purchase any/all of these memorable works via the link – http://www.thefloodgallery.com/search?q=marillion Fans can also check out the prints available for two more Glover-produced Marillion covers – Somewhere Else and Radiation – the latter image being a crafty combination of two photos taken 14 years apart!

5) Other articles of interest –

a) Writing for the DJ Booth site, writer Yoh has put together an interesting look at album cover designs that don’t show the musical acts on the cover. Its an interesting thing to see young writers looking at this as if it were something unusual, considering the number of covers that have been produced over the years that didn’t show the acts or, as evidenced very early on, were hesitant to show the acts for a variety of reasons (e.g., not showing black artists for fear of losing sales to predominantly white audiences or, in the case of some early American acts looking to hop on the British Rock invasion, adopting English names and clothing styles).

In the hip-hop world, where it tends to be important to look tough/rich/street-smart/etc., fans will typically find their favorite musical acts pictured prominently on the cover, so it seems that usually only the well-establish artists (Kanye, Jay-Z, etc.) are the ones willing to take a chance and show off their graphic design inspirations. Here’s hoping for more…  http://djbooth.net/news/entry/2016-07-22-album-covers-no-face

b) For an article posted recently on the Austin Chronicle‘s web site titled “Adult Audio Coloring Book Sampler”, several of the publication’s writers were asked to pick their favorite illustrated album covers and album cover artists and let readers know why they feel these examples were stand-outs in their field. The people and images selected represent a very broad range of talent, including artists such as Roger Dean (YES, Uriah Heep, Asia, etc.), H.R. Giger (best-known for ELP’s Brain Salad Surgery, Debbie Harry’s cheek-pierced Koo Koo and the monsters in the Alien films) and Daniel Johnston, among others with works created for musical acts including Pink Floyd, Ramones, Miles Davis, The Beatles and Chance The Rapper. Whether you’re a fan of the hyper-realistic artwork of Mati Klarwein or the trippy, comic-inspired R. Crumb cover created for Big Brother & The Holding Company’s Cheap Thrills, you’ll find a hand-drawn example you’re sure to appreciate.

http://www.austinchronicle.com/music/2016-07-29/adult-audio-coloring-book-sampler/

c) Washington Post columnist John Kelly recently posted a profile of Ken Orth, a retired urban planner/Beatles fan extraordinaire who travels the Beatles-related gatherings circuit putting on display selections from his 2000+ item collection of spoofs of Beatles record covers. Orth has been collecting these works of art since the early 1980s, and included in his collection are examples of well-known parody covers such as Frank Zappa & The Mothers’ We’re Only In It For The Money (a satirical take on the collage found on the Sgt Pepper’s LP) alongside lesser-known items such as Floyd Domino’s take on the Abbey Road street crossing scene, re-staged using four toddlers in diapers.

The entire parody sub-set of album art collecting is an interesting one, with a number of collectors doing a great amount of researching and Ebay purchasing in order to find prime examples of imagery inspired by classic album art. Ken’s working on gathering the nitty-gritty information on every original Beatles album cover so, with any luck, I hope to be able to share some of that with you when its made available. In the meantime, click on over to https://www.washingtonpost.com/local/beatles-album-parody-art-he-loves-it-yeah-yeah-yeah-yeah-/2016/08/09/b90e66fc-5dcb-11e6-8e45-477372e89d78_story.html  to read more about Ken and his most-interesting of album art collections.

Related content – if you’re really wanting to see a broad selection of parody covers – including hundreds of examples of “re-imagined” covers inspired by designs for the packages of records from the soundtrack for The Sound of Music to The Who’s Live At Leeds, you must pick up a copy of the 2011 book compiled and written by Jan Bellekens and ACHOF chum Simon Robinson titled Covered. The gall of some musical acts is truly mind-blowing (and, most-often, quite hilarious) – https://www.amazon.com/gp/product/095614392X/ref=as_li_ss_tl?

d) Leave it to the writing team on the Ultimate Classic Rock site to treat us to album art-related stories with a twist (or, in this case, with a piss). Author Nick Deriso recounts the story told by photographer Ethan Russell about “the making of” the cover image for one of The Who’s best-remembered records – 1971’s Who’s Next – which, you’ll recall, features a shot of the band having seemingly just relieving themselves on a concrete tower found along the motorway in Sheffield. In fact, only one of the stains resulted from a much-needed pit stop, with the others craftily created by the photographer, so if you’d like to get to the bottom of this story, click on over and the truth will be revealed – http://ultimateclassicrock.com/whos-next-album-cover/

That’s all for now – look for updates every week (usually, on Friday) on our news feed –https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back early next month with another summary for you.

All text Copyright 2016 Mike Goldstein and AlbumCoverHallofFame.com – All Rights Reserved.

Featured Album Cover Fan Collection – Hypergallery Director Rob Smeaton

This Featured Fan Collection comes to the ACHOF from Rob Smeaton, partner in the U.K.’s Hypergallery (www.hypergallery.com) . Hypergallery is based in Henley-on-Thames in Oxfordshire, England and, according to their web site, aims to “celebrate seven decades of fantastic sleeve design and promote the growing renown for album cover art.” As both a gallery and a print publisher, Rob and his team look to give record sleeve artists the opportunity and freedom to re-explore their original artwork, producing beautiful new prints that give art lovers the chance to build a collection of artworks and collectables from a unique genre.

I met Rob during a visit of his to Portland a couple of years back and found that he and I also both shared a background in multi-media production and technology. In fact, Rob is also Managing Director of a company called Signals, Ltd., which, since 1991 has helped its clients with excellent work on a wide variety of web and digital media project assignments. After meeting him (and, happily, selling him a print for his own collection!), I knew that he’d be able to impress album cover art fans with a tour through his collection and, based on what I received from him, he has come through with a splendid selection. And so, without further delay, let’s turn things over to Rob – enjoy the journey!

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