Posted onMay 1, 2022|Comments Off on Album Cover Hall of Fame News Update and Link Summary for May, 2022
Album Cover Hall of Fame’s News Update and Link Summary for May, 2022
Posted May 1, 2022 by Mike Goldstein, AlbumCoverHallofFame.com
Wow, what a month. Busy with so many things, and “the hits keep on coming”. You’d have thought that everyone’s attention would be focused on truly important things happening in and to our world – war, a refugee crisis, the world economy zig-zagging with every bit of news and several people who think that it is more important to legislate to remove vague references about some of the sad truths about U.S./World history than to address the ongoing issues head on – and yet those in the visual and musical arts continue to produce works that inspire us and make us think and smile. This month’s summary is my valiant attempt to share coverage of those efforts with all of you, so I do hope that you’ll spend a little time digging through the sections and sharing things you find interesting with others as well. We all need to learn how to share better, no?
Posted onSeptember 1, 2021|Comments Off on Album Cover Hall of Fame News Update and Link Summary for September, 2021
Album Cover Hall of Fame News Update and Link Summary for September, 2021
Posted September 1, 2021 (and updated September 6th) by Mike Goldstein, AlbumCoverHallofFame.com
As we approach the Labor Day weekend and the “official” end of the Summer season (our hottest on record, and I have the A/C bills to prove it!), I’m working hard on improving my overall attitude towards life these days by throwing myself into prepping for this year’s ACHOF voting efforts – adding/updating artist bios and looking around the planet for new examples of great work. After watching all six episodes of the ICON music photography series on PBS, it also brought to my attention that there are several gaping holes in this site’s bio section that must be filled immediately if I want this year’s nominating process to reflect who is left of the “best of the best” that might be nominated for inclusion in this year’s class of inductees, so I’ve put a few research projects on “hold” until this bone-headed oversight on my part can be corrected.
With that said, this month’s edition of the ACHOF News Update and Summary is still rather chock-full includes the album cover artist/art news and updates you’ve come to expect in these monthly summaries. What follows below is a summary of these articles, posts and announcements I’ve gathered recently regarding all things regarding album cover artists and the art they produce. Their work continues and so should our interest and excitement about that work and so, without further delay, let’s dive into this month’s summary.
Interview with 2020 Grammy Winner Masaki Koike on his 62nd Annual Grammy-winning (for “Best Boxed Or Special Limited Edition Package”) work for Rhino Records on the now-sold-out Woodstock – Back To The Garden: The Definitive 50th Anniversary Archive.
Posted March 9, 2020 By Mike Goldstein, Album Cover Hall of Fame.com
I was only 13 years old when the Woodstock festival was staged. I’d already collected several rock and roll recordings, mostly coming from my grandfather, who worked at a newsstand in the building that housed WLS Radio in Chicago and was tight with several of the DJs there (I was the only kid on the block who had albums stamped “Demo Copy: Not For Sale”!). My tastes at the time ran to music by The Turtles, Gary Puckett & The Union Gap, Iron Butterfly and the Moody Blues, but I’d read that there were some great new bands who’d wowed the crowd and so I was eager to learn more. The newspapers and magazines at the time made a big deal about the performances given by acts like Santana, Crosby Stills Nash & Young, Joe Cocker, Ten Years After, Sha-Na-Na and many others (two of my favorite bands – Iron Butterfly and the Moody Blues – were originally supposed to play at the concert but, for various reasons, didn’t make it) but, since I lived hundreds of miles away and couldn’t convince my parents to take me (something about “having to work”), I had to be satisfied with whatever was shown on TV (mostly aerial shots of the crowds) and then, a couple of years later, getting to revel in what I got to see when the concert film was shown in a local theater.
Posted onAugust 30, 2019|Comments Off on Album Cover Hall of Fame News Update and Summary – End of August/September, 2019
Album Cover Hall of Fame News Update and Summary – End of August/September, 2019
By Mike Goldstein, AlbumCoverHallofFame.com
It’s almost Labor Day weekend again, which most of us use to mark the end of Summer while some of us cling with every fiber of our being to hold on to the season’s last vestiges. We did use a nice day recently to tour Chicago’s Pilsen neighborhood (visiting the National Museum of Mexican Art, which sports one of the best museum stores I’ve ever been to) and, while strolling down W. 18th Street after a dessert stop at Creperia Nuevo Leon, we came upon Pinwheel Records, a place that was advertising an upcoming fund-raiser for a local kitten support group with a window display of well-known album covers that had been “kittenized” (see photo). This reminded me of just how important album cover imagery is in the promotion of music products and in building lasting memories for fans and consumers of these products. Great new examples of these can be found in the 200+ submissions we judges had the opportunity to see and review for this year’s Making Vinyl Packaging Awards (see item on this competition, which follows) and also in the many shows, articles and more you can read about (if you give me a few minutes of your time) by scrolling through this month’s easy-to-digest run-down of all of the album cover artist/art-related news I think might be worth your time investigating:
Summer marches on. After driving by the area in downtown Chicago where the annual Lollapalooza music event is being held (making motoring down Lake Shore Drive extra fun) and seeing the happy crowds enjoying the performances/shenanigans taking place there (although, with ticket prices starting at $130 for a one-day general admission pass and going up to $4200 for a 4-day “platinum pass”, which gets you “access to the luxurious, climate-controlled North & South Platinum Lounges featuring signature cocktails, craft beer, champagne, wine and curated culinary offerings; premium viewing areas in front of five stages; access to on-stage viewing at the North & South main stages; complete access to the VIP Lolla Lounges, including the new stage featuring performances by Lolla artists” and, my favorite perk, “golf cart transportation between the Platinum Festival entrance, Lounges, and front-of-stage viewing areas” – I mean, who can walk after all of that champagne and “curated culinary offerings”? – this is one fest I’ll have to live without), it reminds me that there are simpler and no-less-enjoyable ways to spend a few minutes of your time, such as reviewing this month’s easy-to-digest run-down of all of the album cover artist/art-related news I think might be worth your time investigating: