Tag Archives: Nick Egan

Album Cover Hall of Fame News Update and Link Summary for February, 2022

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Album Cover Hall of Fame News Update and Link Summary for February, 2022, posted February 1, 2022 by Mike Goldstein, AlbumCoverHallofFame.com

Hello again from the frozen tundra we call home and you call Chicagoland. While Winter continues to make for somewhat scenic snowy images outside our windows and, at the same time, some very slippery walking/driving conditions, I am happy to be able to sit safely and comfortably in my office and, via the miracle of a medium-speed internet connection, research, organize and deliver my monthly ACHOF news summary. Having nothing to do with my New Year’s resolutions, I was also able to finally deliver (partially) on my promised article that summarized and presented more in-depth info on one section of the album cover art exhibition that was staged in Western Scotland last fall (https://albumcoverhalloffame.wordpress.com/2022/01/14/achof-presents-the-art-on-my-sleeves-series-episode-1-all-nerve-album-cover-graphic-design/), with another section summary from that show to be published ASAP.

I’m also working on completing a multi-part article on the history of what the record industry sells as “special products”, with a focus on the people and companies that produce and market the stunning box sets that have come to market over the past several years. From “enhanced” and “special-edition” album packages to the multi-disc (and, in some cases, multi-multi-multi disc) packages that include some wonderful things unearthed from the music and memorabilia archives of your favorite musical acts, this will also be a multi-act writing performance by yours truly, so stay tuned.

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Album Cover Hall of Fame News Update and Link Summary for December, 2020

Album Cover Hall of Fame News Update and Link Summary for December, 2020

Posted December 1st, 2020 by Mike Goldstein, AlbumCoverHallofFame.com

Well, we made it to December first and, I have to tell you, part of me is much happier than the last time I was writing this intro for you, while the other part is still in a mild state of bewilderment, with a sizable number of my fellow countrymen (and countrywomen) refusing to believe in both the results of an election and the fact that there’s a pandemic still raging. How, then, am I finding the strength to sit at my desk and tap out a missive to a readership that might partly be suffering from either/both the effects of a nasty disease (that’s killed 260,000+ people her so far, and many thousands more world-wide) and/or the notion that their elected representatives might not have been fairly elected (a baseless theory supported by no actual evidence)? Perhaps it’s due to the fact that, in spite of whatever has brought us all to this point, art and music creators continue to transcend boundaries and inspire our lives and emotions with the pure power of their work. Or, it might be my ever-expanding gin and tonic recipe book – in any case, there continues to be a lot of interesting developments in the world of record album imagery…

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Album Cover Hall of Fame News Update and Summary for October, 2020

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Album Cover Hall of Fame News Update and Summary – October, 2020


Posted October 1st, 2020 by Mike Goldstein, AlbumCoverHallofFame.com

Well, while I can’t say that I know how you’re all feeling these days, I’m quite certain that some of you are in the same shape I’m in – mentally exhausted, greatly disappointed by the greed, hate and hypocrisy put on display by many of our leaders (and the people that support them) and, frankly, wondering what our short-and-long-term futures might be. Try as I might to distract myself from the daily news cycle (and, how about that first Presidential debate?), it’s nearly impossible to avoid learning about the biggest stories (R.I.P. RBG) and then trying to keep myself focused on providing my readers the information they’ve (i.e., you’ve) come to rely on me for, so I must apologize for the somewhat-truncated list of things to read and enjoy that I’m presenting you today. I will reward you a bit later (either late this week or early next) with my long-promised interview with talented artist Faheem Majeed and, with any luck, I’m also going to launch the nominating/voting process for this year’s class of nominees and inductees (our 9th!) into the Album Cover Hall of Fame. My attention span seems just sufficient enough to have been able to gather basic info on nearly 100 more possible nominees, so the voting panel will have a heaping helping of new names to consider in this year’s effort.

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Album Cover Art & Artist News Update for January 4th, 2019







Album Cover Hall of Fame News Update

posted January 4th, 2019, by Mike Goldstein, AlbumCoverHallofFame.com

Hope that you all had happy new year celebrations (some of you may still be in the midst of one!) and, while I said that I wasn’t going to be posting monthly news summaries for a while (in order to be able to devote more time to organizing the materials for my book and some other projects I’m involved with), I am still going to share a headline or two when I think that there’s something timely you should know about…

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Album Cover News Recap – March, 2015

Album Cover Hall of Fame.com’s Album Cover News Recap – March, 2015

By Mike Goldstein – Curator/Editor, AlbumCoverHallofFame.com

Ah, Spring’s in the air (and, at least out our way, the air’s quite warm and flower-scented) and, around the U.S., U.K. and elsewhere on the globe, album art and artists were making headlines throughout the month of March. Our news feed was chock-full of interviews, features and gallery/museum show items, some of which I’ll highlight now (with the rest, in greater detail, following the intro paragraphs).

In the area of interviews, fans had the chance to get into the heads and hearts of talented cover image producers including  Stanley Donwood, Gary Panter and Tony Hung, along with my own interview with photographer Emilie Sandy on her Deja Vu portraits featuring famous photographers striking poses made famous in their own album cover images.

Purveyors of fine art books were busy promoting their new releases, with packages on the Rolling Stones, John & Yoko, Linda McCartney’s portfolio of portraits and on Paul Weller/Jam/Style Council, as well as photographer Tim Mantoani’s book featuring photos of other famous photographers posing with their favorite photos (telling us the stories behind them), among others.

Exhibitions and shows built around rock-related imagery included the works of Don Adkins, George DuBose, Chris Bilheimer, Kevin Cummins and Cey Adams. The Bjork show at NYC’s MOMA garnered a lot of press attention, while the travelling David Bowie show moved on to Paris and a collection of Herb Ritts’ photos were put on display at the R&RHOF in Cleveland, Ohio. We were happy to provide cover art fans an in-depth look at the cover art show hosted at Inasmuch Gallery in Oklahoma City, OK.

Other stories included a look at the artwork of Ben Wilkerson Tousley and the Pen & Pixel team, and there were two stories on 3-D cover art – one on works by Rick Valentin and a second on Nick Relph’s Hot Chip custom covers (over 400 flavors!).  News continued with  the announcement of the nominees for this year’s IMA Awards for album cover art/packaging and number of “best ofs”, “best so far”, and Top 10s (already?), plus news of the sale of a house featured on a Pink Floyd cover and the destruction, by a local terrorist, of an iconic U2 album cover cactus. Finally, there was info on how the sale of album art can saves lives – in this case, that of Robert Freeman, whose family held an auction to raise funds for his health care.

Of course, I’m hoping that you were able to take a look at the new interviews/Featured Fan Collection articles, along with the many new biographies posted on the ACHOF site during the month. I’m still working hard to update those already there with new information and to add another 50-75 new ones before taking a break to work on a book-related project (more to come on this later). I’ve got several interviews and/or features slated to be published in April, including one with Susan Archie (one of this year’s Grammy winners). In the meantime, here’s your chance to catch up on news you may have missed while you were having to pay attention to Life’s distractions or, hopefully, you were out doing whatever it is that makes your days happy. As I’ve said many times (even last month!), regardless of how hectic your lives may be, there’s no reason that you should go without up-to-date info on one of your favorite topics (don’t you agree?), so you can be sure that we’ll continue to work (nearly) every day (including April’s Record Store Day) to continue our efforts to prove to you that there’s always something new to see and learn in the world of album cover art, and you know that you’ll find it all here on the ACHOF site (keep your eye on our News Feed for the latest updates).

March 31st – 1) The nominees for the record packaging-related categories for the 14th annual Independent Music Awards (IMAs) have been posted, and it looks to be quite the international cast of designers, artists and photographers. Here are the details in both categories:

In the Album Art/Photography category, the nominees are
– Dan Seagrave, for Incite’s Up In Hell;
– Eleanor Crane, for Patrick Joseph’s Moon King;
– Ivo Cordeiro (photograph) & Rodrigo Lameiras / WhiteLab (post-production), for Melech Mechaya’s Strange People (Back Panel Card);
– Monica Bruyn/Rabidt Graphix, for Kathryn McKee’s Sang Chaud;
– Stevhen Koji Baianu, for The Dolomites’ Japan Years: Vol 1

In the Album Packaging category, the nominees are
– Chia-Wei Lai/David Lai Workshop, for  I don’t mind drifting alone with the wave by Frandé;
– Pei-Shih Wu & TotalBrand+TotalDesign Co., for Dream Lotus Symphony Orchestra & Dream Lotus Insightful Praises Choir’s Prajna: The Great Wisdom;
– Qing-Yang Xiao, for Chau Wakin & Zhang De Chun’s Jiang Hu | The Rhapsody;
– Qing-Yang Xiao, for Song Zu Ying’s The Epic of Love;
– Sergej Bulić/ART’S visual & process communications for Sudar Percussion & Matej Mestrovic’s Eat Suite (Album Can Packaging)

According to the group’s press release, “The eclectic mix of established and rising talent nominated in The 14th IMAs were culled from thousands of submissions that were released during the program’s eligibility period, between June, 2013 thru December, 2014. Winners will be determined by a panel of influential artist and industry judges as well as numerous talent buyers from high profile showcase platforms and performance venues throughout the world…In addition to the Winners selected by the Artist & Industry judges, music fans from around the world have until Friday, July 31, 2015 to vote for their favorite Nominees at The Vox Pop Jukebox, the fan-determined portion of The IMAs.

To see the full list of IMA Nominees in all categories, visit their site at http://www.independentmusicawards.com/…/14th-annual-indepe…/

2) Not sure if everyone has seen the postage stamp designs available in the Music Icons series from the US Postal Service, but my order arrived in the mail yesterday and I thought that I’d share some of the info on the people who designed these products, as a couple of them have a number of album cover art credits as well.

Released on a regular basis since 2013, the series now includes stamps featuring the likenesses of Jimi Hendrix (Greg Breeding/Journey Group was the Art Director and the trippy illustration was done by Rudy Gutierrez, the guy responsible for the cover for Santana’s Shaman LP); Ray Charles (Ethel Kessler was the AD, Yves Carriere supplied the photo and design was by 3X Grammy nominee Neal Ashby, well-known for his covers for Thievery Corporation and many others); Janis Joplin (photo by David Gahr and AD by Antonio Alcala); Johnny Cash (another Greg Breeding creation based on Frank Bez’s 1963 photo of the Man in Black) and Tejano music legend Lydia Mendoza, with art by a team including Antonio Alcala, Neal Ashby and his business partner Patrick Donohue.

While not quite the perfect product for album cover lovers (the UK still has us beat on that effort with their earlier series of stamps based on great British album cover designs), it is still nice to see music-related artwork priced for everyone to own (only 49 cents!).

March 30th – 1) While not exactly album COVER art, here’s a fine example of creative album art. I’d seen Daniel Edlen‘s work a few years back when i had my gallery, but it looks as though he’s really upped his game as evidenced by this new article by Benjamin Starr on his Visual News site…Album covers are integrated into each presentation of Elden’s artwork, which is painted directly on to each vinyl record. In this illustrated article, you’ll see examples of his portraits of Lou Reed, Johnny Cash, Frank Zappa and many others.  http://www.visualnews.com/…/portraits-of-musicians-on-old-…/

2) Artist Stanley Donwood, best-known for his intriguing album cover work for Radiohead, is the subject of a new interview with The Independent‘s Matilda Battersby in which he relays “the true story” of how he first re-kindled his relationship with his former Exeter classmate Thom Yorke, which ultimately led to their creative collaboration to produce the band’s cover imagery over the past 20+ years. The story includes references to busking and fire-breathing, so be sure to wear protective clothing while you read this interesting historical retelling – http://www.independent.co.uk/…/from-radiohead-to-jg-ballard…

3) Creative cover imagery continues to be on display in the world of rap/hip-hop music, with the use of illustration drawing a lot of attention to the artists that are creating fine covers for acts including Chance The Rapper, Action Bronson, Killer Mike, Big Pooh and many others. Writing for XXL, Sidney Madden has put together a collection of some of the most-recent examples, for your review. Note to Sidney – thanks for the slideshow, but it would have been nice to know who did the work..just saying… http://www.xxlmag.com/news/2015/…/animated-rap-album-covers/

March 27th – 1) A show opened March 27th at the House of Vans gallery in London is the “Heated Words: Initial Research” exhibition that, according to its PR, “is an immersive mixed media primer that serves as introduction to an ongoing investigation in to the life and times of a forgotten typeface.” What that means in plain-speak is that the show will focus on how and why a particular font named Fraktur became the default typeface for hundreds of hip-hop album covers. Photographer George DuBose – whose photos and notes are included in the show – traces its first uses back to a project he did for rapper Biz Markie but, as you’ll see on the show’s site, the use exploded from there…more details via the show’s Facebook page at https://www.facebook.com/events/812614378804007

2) Following up yesterday’s post about Phil Hartman and his work – you’ll recall that Phil was a regular on Pee Wee’s Playhouse, which featured wild and crazy set designs by Gary Panter. Last night, to highlight his works featured in the Myopia exhibition currently on display at the Museum of Contemporary Art (MCA) in Denver, Panter participated in a discussion (part of the museum’s “Who Made The 80s” lecture series) about his work with Paul Ruebens (AKA Pee Wee) and other iconoclasts, such as The Germs, Red Hot Chili Peppers and Frank Zappa. Writing for Westword, Bree Davies has posted an interview with the guy responsible for keeping us young and childish even as adults – http://www.westword.com/…/gary-panter-has-designed-everythi…

3) The work of Don Adkins, the photographer possibly best-known for his cover shot for the Bitch record titled Be My Slave that was just too-S&M-ish for Tipper Gore in the early 80s (leading her to rally for album labeling, to save our super-sensitive eyeballs from her definition of “questionable content”), is the subject of an otherwise easy-to-view exhibition up that began Sunday, March 29th at the Frame & Art Department in Hermosa Beach, CA. Adkins, who has worked primarily as a tour photographer, will be showing portraits he’s taken of musical acts including Motley Crue, Poison, Billy Joel, Heart, Peter Gabriel and Glen Campbell, taken during his 2011 farewell tour. The show runs through Sunday, April 12, with an artist’s reception Saturday, April 4th from 6-9pm at the gallery. More on this show via Michael Hixon’s article on The Beach Reporter site –

March 26th – 1) Quite the coincidence…just as I was beginning to research and write some more bios for the ACHOF site (I’m in the G’s at this point in time), along comes some additional information on someone that most of us know via his career as a comedian (and who did a dead-on Bill Clinton impersonation) but who actually had established himself beforehand as a graphic artist, illustrator and album cover art director – the late, great Phil Hartman. Writing for Fast Company magazine, John Brownlee has posted a very nice retrospective of some of Hartman’s better-known covers for clients such as America, Firesign Theater, Poco and Steely Dan. Hartman has over 40 cover credits, but we’re all happy that he had the opportunity to stretch his wings and show us his acting chops before we lost him – follow the link for more – http://www.fastcodesign.com/…/8-album-covers-designed-by-le…

2) Musician Paul Weller has teamed up with photographer Lawrence Watson and Genesis Publishing to release a new, 300+ page limited-edition book featuring over 800 photos of Weller’s solo career, along with an exclusive vinyl record. Since his rise to fame as a member of The Jam and The Style Council, Weller has released 11 studio albums, five live albums, 39 singles and three EPs, nearly all of which feature Watson’s photography – the two having met back in 1988 after Watson had shot the cover photo for The Style Council’s Confessions of a Pop Group record. For more info on the book – titled Into Tomorrow – and its availability, please visit (but hurry – Weller’s last photo book sold out very quickly!) –

3) The Beatles’ Abbey Road album cover has inspired yet another fascinating new product! Designer Wilmer Murillo has teamed up with a Taiwanese maker of on-demand, 3-D toys to create a set of “designer figures” that let collectors re-create the Fab Four’s famous walk across the street in front of EMI’s Abbey Road studios. Murillo’s interpretations of J, P, G & R remind me of the Sgt. Pepper‘s-inspired Japanese action figures that came out in the 90’s (I think via Kidrobot – does anyone remember?). Anyway, if you can read Chinese, you can hop on the ZecZec.com site (a Taiwanese crowd-funding site ala Kickstarter) and reserve a set of these for yourself or any Beatle fan –

March 25th – 1) Fans of advanced technologies will enjoy Hugh Hart’s Fast Company article on musician/tech-head Rick Valentin‘s approach to creating album cover imagery for the new record release by Thoughts Detecting Machine. Using a modified 3-D printer and software that let’s him grab wave forms from his music, he’s come up with a way to let him add customized graphics to the record’s packaging so that each record purchased is encased in a unique work of art. Rick attributes his inspiration for the basic theme of his cover to Peter Saville’s classic cover for Joy Division’s Unknown Pleasures but, you’ll have to admit, this is one application of modern technology that raises the bar and gives producers of physical music products a way to attract new fans and buyers. More on this, with video and photo illustrations, is available via the link – http://www.fastcocreate.com/…/diy-musician-translates-audio…

2) With SXSW wrapped up, visitors to Austin, TX can still see an exhibition of album cover designer Chris Bilheimer‘s Polaroid photo collection on display at the Bearded Lady Screen Printing location there. What you’ll find are nicely-laid-out groupings of Bilheimer’s shots of friends and associates you’ll know, including members of R.E.M., Green Day and celebrities from film and TV, along with photos he took from 1995 through 2008 of everyday things and places that interested him. The show’s up until April 11, and you can read/see more about it in Kevin Curtin’s article on the Austin Chronicle site – http://www.austinchronicle.com/…/playback-sxsw-news-and-si…/

3) Artist Ben Wilkerson Tousley has been quite in demand lately, completing commissions for book covers, film/TV graphics and the like, but it is his work in the field of album cover art that is the focus of Jason Lamphier’s article on the Out.com site. His work is done in a variety of styles and materials – from collages to ultra-clean embossed vinyl covers – and, based on the positive reaction to his efforts – his list of indie music clients should grow nicely over time (he’s only 28 years old – I see quite the future ahead of him if he maintains this level of creativity). Take a look at a collection of his work, and read the stories behind each of the pictured creations, via the link at http://www.out.com/…/album-designs-benjamin-wilkerson-tousl…

March 24th – 1) Writing for the Creative Review site, Mark Sinclair gives us an interview with art director Tony Hung about his work on the album cover for the first new recording by Blur in 12 years. Titled The Magic Whip, the cover features imagery based on Hung’s interpretation of Damon Albarn’s collection of photos and souvenirs he brought home from a trip to Hong Kong, where the band recorded music for the new album (set to be released in late April). The custom neon created for the cover is very nicely photographed by Nick Wilson, and regular buyers of LPs from Asian countries will get a kick out of the “obi-strip” included on the package. Read the entire illustrated interview via the link – http://www.creativereview.co.uk/…/blur-the-magic-whip-neon-…

2) Fans of Pink Floyd’s album covers converged recently to bid on a garden cottage in Dungeness, U.K. that was featured on the Hipgnosis-designed cover of the band’s 1981 compilation album titled A Collection of Great Dance Songs and, when the smoke cleared after the auctioneer’s gavel came down, a lucky bidder purchased the somewhat ramshackle building for £215,000 (approx. $319,000) – £55,000 above the pre-auction estimate. Quite the souvenir, I have to say. I’m curious as to whether the new owners will be putting on rope harnesses to dance in front of their new home…Read the gory details – complete with photos of the property in its current condition – in Sam Lennon’s article on the Kent Online site – http://www.kentonline.co.uk/…/news/wish-you-were-here-33929/

3) In one more example of album artists “gettin’ no respect”, MXDWN.com writer Carlett Spike relays the story about the outcome of a long, drawn-out lawsuit between rock band Tool and the graphic artist that created the album cover for their 10,000 Days album. Turns out that a friend of guitarist Adam Jones had been hired to create the cover and, for some reason, was not credited for the work. He sued to correct this and the band then hired an insurance company to defend them against such inconveniences. The insurance company soon sued the band as well for “technicalities”, the band counter-sued and, 8 years later, an exciting conclusion was reached…No spoiler here, read the details for yourself –

March 23rd – 1) To raise money for the ongoing care of the ailing photo great Robert Freeman, his family archive has released a new, limited-edition print of one of Freeman’s best-known photos – his 1965 photo titled “John Lennon with Panda”. According to The Daily Mail‘s Bianca London, Freeman’s son Dean has said that his 78-year-old father – a proud and eccentric individual – has refused all offers of aid and support from his family, forcing them to take this step in order to make sure that resources are in place to maintain the quality and dignity of life that this man – the one credited for shooting album cover shots for the first 5 Beatles albums – so richly deserves. The monies raised from this effort will also be used to maintain the elder Freeman’s archives, which contain memorable images of many important and influential people of the era – Muhammad Ali, Andy Warhol, Ringo Starr, and others – some of whom were featured in the first Pirelli annual calendar, another of Freeman’s noteworthy accomplishments. For more info and links to the archives, click on over to the article at http://www.dailymail.co.uk/…/Iconic-John-Lennon-snap-shot-f…

2) Writing for PASTE Magazine, Chris Kissel has posted an article in which he summarizes his take on “The Five Best Album Covers of 2015 (So Far)” and provides in-depth looks at, and the stories behind, these impressive examples of album cover artistry. Included in the list are covers from musical acts such as Purity Ring, Father John Misty, THEEsatisfaction, Moon Duo and Radical Dads – all very different and all the result of a young artist’s/illustrator’s take how best to represent the latest musical output from their music industry clients. Something for every lover of album cover art – http://www.pastemagazine.com/…/the-stories-behind-the-five-…
Looks like a good start to the year in album artwork, wouldn’t you agree?

March 20th – 1) Writing for the Creative Review, Rachael Steven just posted her list of “Record Sleeves of the Month“, and the examples she’s included really do show off the wide range of creativity still being shown by those working in the music packaging field. With Record Store Day rapidly approaching (mid-April), some acts are going all out to do something different and, therefore, memorable and sale-able. I’m particularly impressed with designer/photographer Alexander Brown’s simple-yet-elegant white vinyl box for Amon Tobin’s new release titled Dark Jovian, as well as Ghostpoet’s new cover for their record Shedding Skin that is based on hi-res photos of skin cell biopsies (!!). See/read more via the link – http://www.creativereview.co.uk/…/record-sleeves-of-the-mon…

2) Famed album cover artist Nick Egan was kind enough to share some of the details of a multi-media show & sale taking place in Los Angeles tonight, including some pix of some of his new (non-cover) prints (see the collage accompanying this posting). The exhibition is called “Steal Music/Buy Art” and, in addition to live performances and video/film screenings, there’s an art show with prints and posters from top area designers and photographers, including Egan, Edward Colver, Greg Jacobs and many more. The show kicked off last night, so head on over to the Angel City Brewery on Alameda in Downtown LA tonight to take part in the party there – Lina Lecaro provides more of the details in this LA Weekly article – http://www.laweekly.com/…/party-pick-of-the-week-steal-musi…

3) Finally, Diffuser.FM‘s Chris Kissel poses an interesting question – “How is an album like a bottle of wine?” and, referencing a recent AdWeek interview with rocker Maynard James Keenan (who also owns a winery) where Keenan regretted losing control of his music in the digital world – happy that you can’t download his wine (!!) – Kissel suggests that one of the most-important advantages of a physical product is the large-scale presentation of the album cover art. Just as great wines are the result of a successful collaboration between grape growers and wine-makers, memorable album packages are the result of talented musicians pairing with graphic artists/art directors to produce a sleeve or package that makes fans happy with their purchase and provides some additional emotional connection between musical acts and their fans – something that is hard to do with a thumbnail image on your phone, he suggests. Read his entire essay, and then post your own thoughts when you get the chance – http://diffuser.fm/how-is-an-album-like-a-bottle-of-wine/

March 19th – 1) The talents of the Houston, TX-based design/marketing firm Pen & Pixel are on display in a new article on the Hot New Hip Hop (HNHH) site titled “The 10 Greatest Pen & Pixel Album Covers”, written by Angus Walker. Any fan of the genre will immediately recognize the firm’s classic design elements – diamond-encrusted 3-D fonts, bold use of color and graphic elements that look like they’re ripped from the most explosive scenes from any of today’s bad guys vs. good guys high-intensity action films (cars, guns, money, jewelry and buff-and-beautiful protagonists). Since the 1990s, they’ve done work for labels including No Limit, Cash Money, Suave House and other well-known deep South music producers and have since expanded their services to include music and video production, web design and marketing and logo/branding work. Each cover shown nearly leaps off the page, so test your reflexes and take a look at some top-rated efforts from this successful album cover design firm – http://www.hotnewhiphop.com/the-10-greatest-pen-and-pixel-a…

2) Classic album art, like classic rock music, continues to inspire today’s new recording acts, so it is wonderful to see a musical act’s efforts to honor one of David Bowie’s best-known cover scenes – Bowie as “Ziggy Stardust”, standing beneath a light in an alley, as he’s found on 1972’s Rise & Fall of Ziggy Stardust… – in a stunning recreation of the scene that’s used on the cover of their own album. In Barry Leighton’s article on the Wiltshire Gazette & Herald site, you’ll meet musician Ben Goddard, who is a member of a Malmesbury band called The Long Players and, working with photographer Jon Sneddon, found an ideal place on St. Dennis Lane to substitute for the original Heddon St., London, location and prepared it for use in this effort. I think that you’ll agree that the participants have done a truly amazing job – even more amazing in that it was done to promote the band’s March 15th local concert during which they played the entire Bowie record from start to finish! See the results via the link – http://www.gazetteandherald.co.uk/…/11856706.Malmesbury_mu…/

3) Finally (for today), more Bjork-related coverage, this time provided by Juxtapoz Magazine in their nicely-illustrated coverage of the show currently running in NYC’s Museum of Modern Art that provides a career-spanning retrospective of her work as a creative artist in the fields of music and visuals. Included in the article is an interview with the show’s curator and many of her daring (in so many ways) album cover images. Whatever you may think of this artist’s music (I’m still not sure I like it), the attention she pays to the graphics and videos that accompany her work is simply mind-boggling. Enjoy the show, via the link – http://beyondthecover.juxtapoz.com/april-2015-bjork

March 18th – As a follow-up to my recent posting about an album art show -titled “Tailored Jackets”, taking place now through the end of the month at Oklahoma City Community College’s Inasmuch Foundation Gallery, I got in touch with the show’s organizer, Scott Tigert, to see if I could get my hands on some additional info/imagery to share with you. Not only did Scott come through with additional photos, he was also kind enough to provide me with the details about how the show was conceived and sourced, as well as with samples of the information he and the exhibition show team researched and presented to the show’s visitors. I have organized the items he’s submitted into a new variation on our “Featured Fan Collection” themed articles, presented to you today as an “ACHOF Exhibition Tour”…Hope you’ll take a moment to take a virtual tour through the show and then share this with your friends as well. I’d like to thank Scott and all the nice folks at the school and the gallery who worked so hard to put this very informative and entertaining show together – looking forward to the third installment (please let us know if there’s going to be one, of course).


March 17th – 1) A host of new works featuring images that have inspired the world view of Def Jam Records album cover artist Cey Adams are included in a new exhibition running now at the Rush Arts Gallery in NYC’s Chelsea area. Titled “Trusted Brands”, you’ll find his interpretations of brands and logos which, like album covers, have informed popular culture. Like some of the covers he’s credited for creating – including those for acts including LL Cool J, Public Enemy and the Beastie Boys – Adams feels that there are many logos that may have simply been marketing tools when they were created but have now become part and parcel of our collective consciousnesses. You can read and see more about this show, which ran through March 28th, in writer Roger Clark’s article and video report, both found on the NY1 web site at http://www.ny1.com/…/artist-of-iconic-def-jam-album-covers-…

2) The creative collaborations of talented designers often produce works that are more-impressive than the sum of their parts, so its not at all surprising to see that the efforts of the team of architect Bjarke Ingels and designer Stefan Sagmeister – well known in album cover art circles for his work on designs for Lou Reed, The Rolling Stones, David Byrne and the Talkiing Heads, among others – have been so impressive that they’re now the subject of a new (and now sold out!) book by art publisher Taschen. Titled Hot To Cold, the book shows and tells the story of how the two met (several years ago at a TED Talk), discovered that they were “kindred spirits” and determined then to team up to build great spaces. The book accompanies an exhibition running now through August at the National Building Museum in Washington, DC, and for a look at the duo’s book-signing at Taschen’s store in Soho, NYC, you can simply click on the link to reporter Laura Feinstein’s article on the GOOD Magazine site – http://magazine.good.is/art…/bjarke-ingels-stefan-sagmeister

March 16th – 1) When rapper Kendrick Lamar decided that he wanted to feature an album cover image of an oppressed people banding together to take their government back, he tapped a photographer who, besides shooting album cover images for scores of international jazz/classical artists, has published a series of portraits of Senegalese wrestlers who’ve banded together to publicize and improve their bleak existences. Denis Rouvre‘s Lamb served as a follow-up to another series of portraits he took of people pushed to the brinks of their ability to endure hardship – survivors of the tsunami in Japan – and this new project seems to be tailor-made for his abilities – more on the cover and the photographer is included in writer Matthew Trammell’s recent article on The Fader site – http://www.thefader.com/…/meet-the-french-photographer-behi…

2) To follow-up the previous week’s article regarding the non-scientific-but-interesting selection of the “Top 10” album covers in Portland, OR’s music history, the folks at Plywerks (makers of the new Vinny series of album cover frames) have posted a series of photos capturing the kick-off event for their products and presenting the winners of the voting that night –http://www.plywerk.com/blog/2015/03/top-pdx-records/
Here are the Top 4 records – #1 is Menomena’s 2007 record Friend & Foe; #2 is Paul Revere & The Raiders’ 1963 release Sande’; #3 is Over The Edge, the 1983 release by Oregon punk rockers Wipers and at #4 – fans of Portlandia rejoice – Sleater-Kinney’s 1999 album The Hot Rock. Congratulations to the winners for covers well done.

March 13th – 1) Album art/rock photo fans that attended the Art Basel show in Hong Kong in March were fortunate to have been able to stop by the Taschen Publishing booth to take a look at (and, perhaps, buy) one of the two recent releases that feature, respectively, photos of John Lennon & Yoko Ono (in Kishin Shinoyama‘s John & Yoko, Double Fantasy) and the Rolling Stones in the 500-page, “Sumo-sized” book titled The Rolling Stones. Both books are available in limited-edition/signed offerings that include signed photo prints (“Collector’s” editions). While several of these editions have already sold out, others remain (priced anywhere from $2,000 to $10,000, depending on the photo print included), so this is a great opportunity to “kick the tires” before purchasing one of these great books – more info on this on the Artsy site – https://www.artsy.net/…/editorial-taschen-brings-john-yoko-…

2) Allison Meier’s article on the Hyperallergic site about artist Victor Moscoso‘s new gallery show running now (thru April 25th) at the Andrew Edlin Gallery in Manhattan brings you inside the gallery to see the artist’s full-range of psychedelic works, including his drawings/paintings for Zap! Comix, a wide range of gig posters for nearly every major band playing in the Bay area and, of interest to ACHOF fans, his album cover work for Steve Miller, Jerry Garcia, Sopwith Camel and Herbie Hancock. Victor Moscoso: Psychedelic Drawings 1967 – 1982 helps illustrate Victor’s role as one of the most-significant creative artists of his era, along with Robert Crumb, Robert Williams, Clay Wilson and others that contributed to the burgeoning San Francisco art scene, so if you can’t see the show in-person, take a moment to enjoy Allison’s preview via the link –http://hyperallergic.com/…/strange-days-in-victor-moscosos…/

March 12th – 1) Here’s another example of a photographer shooting portraits of other photographers…As the professional photo industry was moving from film to digital, one photographer – Tim Mantoani – felt that it was important to take advantage – perhaps one last time – of the availability of large-format film and thought that it’d be interesting to ask his fellow shooters to participate in a project where he’d photograph them with their “favorite” or best-known images. Since 2006, he’s taken over 150 portraits and collected anecdotes for each and, just recently, has released a book called Behind Photographs, where you’ll find album cover artists including Jim Marshall, Bob Gruen and MarK Seliger talking about their favorite shots of (respectively) the Rolling Stones, John Lennon and Kurt Cobain, as well as that of many others who’ve shot some very well-known images in the areas of sports, politics, celebrity and US/World history. 14 of these stories are featured in an article by Christian Storm on the Business Insider site, reachable via the link – http://www.businessinsider.com/portraits-stories-14-iconic-…

2) Artist/Art Director Mario Hugo has worked long and hard to achieve success in the competitive graphic arts arena and, along the way, knew that there were a number of good (or great) works produced that, for one reason or another, were not approved for use by his clients. He also knew that that was certainly the case for most other creatives in his field so, recently, he contacted some of them and asked them to contribute examples of good-but-rejected designs to a new blog he launched called Recently Rejected. Some of the works submitted were those done for music industry clients and, in Carey Dunne’s recent article for the Fast Company site, you’ll get some insight into the projects that, although they produced some memorable imagery, just didn’t ring the client’s bell – http://www.fastcodesign.com/…/12-rejected-designs-that-show…

March 11th – Another photography-oriented “three-fur”… 1) When the ACHOF was launched, the voting panel chose a group of “early influencers” to honor – those selected being folks who had contributed to the acknowledgement of album cover imagery as an art form. While he was not included in the original selection as it is that our focus is on rock and pop music-oriented album covers, most-certainly some were left out and, with today’s posting, I hope to correct that to some extent. Although Chuck Stewart has always been labeled as a “jazz photographer”, with hundreds of credits for cover shots for jazz greats including Charlie Parker, Coltrane, Duke Ellington, Count Basie and scores of others, his reputation brought him many other early rock and pop cover commissions, shooting covers for James Brown, Bo Diddley, Mary Wells, George Benson, Tito Puente and “the chairman” (and label owner) Frank Sinatra. Writing for Newsweek (and recording a video interview you’ll find there as well), reporter Jared T. Miller interviewed this photo great in his Teaneck, NJ home, which you can enjoy as well via the link – http://www.newsweek.com/through-chuck-stewarts-lens-history…

2) Album cover work provided the jumping off point for another talented shooter who has successfully branched out in to both fashion photography and video direction – in this case, for UK-based creative Jason Arber. In a recent interview with Chris Gampat for The Phoblographer web site, you’ll trace the path from record cover designer – with credits on packages for artists including Mike Hughes, Janet Jackson, Oasis and The Pandemonium, among others – to his career as a web designer, art/culture magazine publisher and now creative lead for his own photo/video studio called Phantom Limb. You’ll find the liberally illustrated article via the link at http://www.thephoblographer.com/…/jason-arber-creative-fas…/

3) Well, it is time again for a new Tumblr photoblog where iconic album cover images are re-imagined by a designer, in this case being a designer who is also in love with cats. Begun in 2012 by Alfra Martini with a cover featuring “David Meowie & Bing Catsby”, The Kitten Covers blog has added a large number of images that all feature a kittenish twist on a well-known image. You’ll find covers for The Clash, Queen, N.W.A., Heart and, my personal favorite (what’s yours? please share) Unknown Whiskers by the Purr Division (!!) – The Cat Channel‘s Cari Jorgenson provides an introduction via the link – http://www.catchannel.com/…/cats-recreate-classic-album-cov…
Wonder if they’ll have a selection of Litter Box Sets soon 😉

March 10th – 1) The David Bowie travelling exhibition (“David Bowie Is”) has been setting records at every stop during its run (currently, in Paris, France), with many of the items on display from Bowie’s official archives, which are quite extensive and, based on the info provided in this Jemma Buckley article in The Daily Mail, will soon include a set of lifelike masks depicting Mr. Bowie at various stages during his career. Originally, the life masks were made of Bowie’s face as part of his participation in the making of the movie “The Man Who Fell To Earth” and these props were discovered in storage and given to UK-based artist Mark Wardel, who proceeded to replicate and then decorate them to depict Bowie as he looked, for example, on the cover of his Aladdin Sane LP. Bowie was so impressed that he bought an entire set, which will now be part of his collection. Read more, and see some examples of these impressive masks, via the link – http://www.dailymail.co.uk/…/Aladdin-Vain-Bowie-snaps-entir…

2) The late Linda McCartney’s photos and designs were found on many popular album covers (and illustrating scores of magazine articles) while she was active as a photographer from the late 1960s up to her untimely death in 1998. You’ll find her work on records such as her hubby’s McCartney, Ram, Venus and Mars (and others), as well as discs for Jimi Hendrix, Pretenders and Neil Young and, in a new book published by Taschen called Linda McCartney: Life In Photographs. The book includes a treasure trove of images of the photographers friends and acquaintances, including The Beatles (surprise!), the Rolling Stones, actors Steve McQueen and Ali McGraw and many of her family doing what comes naturally when you’re some of the most-visible celebrities in the world. Writing for the Daily Mail site MailOnline, Caroline Howe gives us an illustrated preview, via the link – http://www.dailymail.co.uk/…/Candid-camera-photographs-Love…

March 9th – 1) On Thursday night, March 5th, I was happy to have been able to attend the launch of the new “Vinny” line of album cover art frames and accessories at the Madehere PDX store. These items are made by Plywerk, a Portland (OR)-based company that produces a full line of handmade products – picture frames, record crates and works of art fused to their “restoration juniper” wood backings – and is currently hosting a CrowdSupply.com project to allow fans to purchase these new products prior to their retail release. The record stand is available for $44, the 12″ square frame is $59 and you can visit their site for more info. As part of their launch, the company turned to Portland Mercury art/music writer Ned Lannamann to help select the “Top 10 Portland Album Cover of All Time”, and the list features covers for PDX-based bands old and new, including The Dandy Warhols, The Thermals, Dead Moon, Lifesavas, Sleater-Kinney, Paul Revere & The Raiders and several others. Review the selections – http://www.portlandmercury.com/…/the-top-10-portland-album-… and see the results of final voting on the Plywerks.com site.

2) One of the best-known photographers who worked in the fields of fashion, celebrity and album cover imagery – the late Herb Ritts – is the subject of a new exhibition that launched Friday the 13th of March at the Rock & Roll Hall of Fame and Museum in Cleveland, OH. In “Herb Ritts: The Rock Portraits”, you’ll find over 30 shots of some of the best-known musical acts of their era – David Bowie, Jackson Browne, Cher, Bob Dylan, Chris Isaak, k.d. lang, Madonna, Prince,Tina Turner and many others – along with video interviews, alt shots and other portraits from his years providing editorial and advertising imagery for magazines including Interview, Rolling Stone and Vanity Fair. Visitors are also able to take their own photos in front of backdrops taken by Ritts – more on this in Jeff Niesel’s article on the topic on the Cleveland Scene site at http://www.clevescene.com/…/rock-hall-to-open-new-photo-exh…

March 6th – 1) Album art fans in the nation’s center are being treated to a new exhibition titled “Tailored Jackets – 2nd Fitting” featuring a collection of 59 signed album covers representing 80 years of album artistry. The grouping is owned by Scott Tigert, a Cultural Programs assistant at Oklahoma City Community College at 7777 S. May Ave. and was on display at the Inasmuch Gallery of the Visual and Performing Arts Center from March 6th through March 27th. Attendees were able to enter a drawing for a 1923 poster featuring pop star (at the time) Bessie Smith – more details about the show are available via the link – http://www.occc.edu/cp/currentgallery.html

2) How are your Catalan language skills? While it might help fully-understand this news report about the opening of the Johnson Gallery in Barcelona (mentioned in the previous day’s news posting), viewers will most-certainly get a good sense of the joy folks in attendance felt with the show and the appearance of one of the featured photographers, George DuBose, who (in English, thankfully) gives us a little info on some of his photos that are included in the show, including album cover shots he took of The Ramones and B-52s. Enjoy reporter Victor Jonama’s report as found on the BTV web site – http://www.btv.cat/…/johnson-gallery-una-galeria-dedicada-…/

3) The art world has suffered much in terms of vandals destroying history but, rather than revisiting the atrocities that have taken place in Iraq, we’re treated to one closer to home. The iconic Joshua Tree that was featured on the cover of U2‘s 1987 album of the same name was toppled a number of years ago, but fans still take regular pilgrimages to the spot and, this year, one of them arrived shortly after someone had taken a saw to the tree in order to take home a large souvenir from it…what’s next – IEDs near Abbey Road Studios? The pathetic details are found on The Daily Mail (UK) web site, via the link – http://www.dailymail.co.uk/…/U2-fan-pilgrimaged-band-s-Josh…

4) Just posted a new interview with photographer Emilie Sandy about her “Deja Vu” photo series, which features new portraits of well-known music industry photographers posed as if they were the subjects in some of their best-known shots. You’ll learn a bit more about how she organized these sessions and collaborated with some of the biggest names in the business – Anton Corbijn, Chris Gabrin, Gered Mankowitz, Robert Whitaker and many others – as they recreated their famous portraits of artists such as Miles Davis, Elvis Costello, John Lennon and others. Liberally illustrated, you’ll find this article posted at the following link – https://albumcoverhalloffame.wordpress.com/…/interview-wit…/

March 5th – Limited only by your imaginations…. 1) Winnipeg Jets goal-tender Ondrej Pavelec is such a huge fan of Bruce Springsteen that he goes all-out to integrate all things Boss into his daily routine. For most of us, that would mean playing Springsteen tunes while wearing a concert t-shirt, but for the 27-year-old Czech native, the best way to maintain a high level of Bruce-on-the-brain was to have his protective helmet/mask decorated with images taken from the covers of his favorite records. On the custom-painted gear, you’ll find snippets lifted from Born In The USA, The River, Magic and Born To Run. The work was done by Swedish artist Dave Gunnarson, whose “DaveArt” business has provided airbrush art for many NHL players. More on this in Bobby Olivier’s recent article on the NJ.com site – http://www.nj.com/…/springsteens_albums_commemorated_on_nhl…

2) Artist Eisen Bernardo attracted a lot of attention recently with his “Mag+Art” project, where he combined cover images from magazines with famous works of art to create new works of Pop Art. His next logical step was to go all Christian Marclay on us and combine album covers with masterworks, which he has done quite nicely in a series that focuses on the covers of Taylor Swift albums. Titled “Album+Art Tribute To Taylor Swift”, you’ll find the singer’s covers blended in to works by Dutch, German, French and Italian masters. While the jury’s out as to whether her music lasts as long as the influence of these painters, it’s obvious that she has a great fan in this artist based in the Philippines – https://www.behance.net/…/…/AlbumArt-Tribute-to-Taylor-Swift

March 4th – 1) The works of photographer George DuBose – well-known to album art fans for his many cover shots for artists in Punk (Ramones, Misfits), New Wave (B-52s, Go-Go’s, others) and early Rap/Hip-Hop (Biz Markie, Notorious B.I.G., more) – were included in the kick-off show for a new rock-n-roll photo gallery that opened on March 5th in Barcelona, Spain. The Johnson Gallery (named after blues legend Robert Johnson) is the brainchild of fan/collector/entrepreneur Philippe Delecluse, who’ll be offering a slate of images from George and other respected rock photographers including Mick Rock, Adrian Boot and Curtis Knapp. When the gallery opens its doors, visitors were able to view over 50 images and listen to a concert given by Johnny & The Blues Workers. Since the gallery’s site is still under construction, here are the important details in case you’re in the area and want to join Philippe and his team in the post-grand-opening festivities – Gallery Johnson, Pg. Rector Oliveras, 4, 08009 Barcelona. (C. Arago between Roger de Llúria and Bruc). Open Monday through Saturday from 9:30 a.m. to 1:30 p.m. and 16 to 8:00 p.m. Email: galeriajohnson@gmail.com

More info: galeriajohnson.com (coming soon). To preview some of George’s works that will be available thru the gallery, please visit his website at http://www.george-dubose.com/

2) Well, the first reviews of Bjork’s new show at MOMA in NYC are in and, well, at least this particular reviewer wasn’t all that impressed…Long an artist that has stretched the limits of normalcy in the visuals that accompany her music (her album covers and music videos all being great examples of her willingness to experiment), the museum’s show is segmented into displays built around each of her eight studio albums, with costumes, props, photographs and other items included that should assist fans in getting a better look behind the scenes of the pop mistresses artistic endeavors. In his review for the ArtNet News site (http://news.artnet.com/…/ladies-and-gentlemen-the-bjork-sho…), Ben Davis shares his frustration with everything from the displays to the audio guide that accompanies the show (it “doesn’t actually guide you”). If any of you have seen the show and can provide your own details and opinions, please share them here.

March 3rd – 1) Possibly the best-known photographer who covered the rock music scene in Manchester, UK beginning in the late 1970s, Kevin Cummins is now the subject of a new exhibition now on display at the Lucy Bell Fine Art gallery on Norman Road in East Sussex, UK, from now until April 10th. The show’s titled “Disclosure” and includes over 50 images Cummins took of the players that made up the “Madchester” music scene, including Joy Division, The Jam, Buzzcocks, Morrissey, The Smiths, Stone Roses and Manic Street Preachers, along with other members of rock royalty – including the Rolling Stones and David Bowie – who he’d shoot portraits of and album covers for later in his career. Read more about the artist and this show in this article on the Art Daily site at http://artdaily.com/…/Exhibition-at-Lucy-Bell-Fine-Art-feat…

2) Anyone who cruised Sunset Boulevard and the surrounding areas will recall the many billboards you’d have seen promoting the latest releases by major music acts, and it was welcoming to see Robert Landau‘s book on the subject when it was published a couple years back. One of the best-known designers to have contributed to these mega-sized works of art was John Van Hamersveld (whose Exile On Main Street billboards for the Rolling Stones became quite famous for their mind-blowing imagery), and now that he’s got a gallery of his own in San Pedro, he’s brought together a number of photos of those works – along with Mr. Landau – and hosted an event on March 5th during which visitors were treated to a special presentation about these billboards, followed by a book-signing and the release of several limited-edition prints. For details about the event, please visit the Post-Future Art site at http://www.post-future.com/williams/williams.html

3) Just a reminder to all Bowie art fans – the “David Bowie Is” exhibition is now on display at the Philharmonie de Paris from now until the end of May. The show was a HUGE success in London so, with its emphasis on design, fashion and art, I’m predicting a respectable turn-out during the exhibition’s run in France. There will be a number of design and music-related events that will take place at various times while the show is on display, so if you’d like to learn more, please visit the show’s site at
This palace to the arts is easy to reach via the Paris Metro (Line 5, Porte de Pantin station), and the building by Jean Nouvel is a wonder in itself…

March 2nd – 1) With all the excitement and controversy regarding that white/gold/blue/black dress, it only makes sense that a music industry writer with a keen eye for color would put together an article wondering what the similar process of over-saturating colors might have done to some of our favorite record covers. Let’s thank Music Times writer Ryan Brook for this in-depth look at what our ability/inability to see certain colors – in this case, blue – differently under different lighting conditions might have done to our appreciation of records from Nirvana, Weezer, The Eagles, John Coltrane and several others. http://www.musictimes.com/…/blue-dress-viral-light-sensatio…

I just hope that this is all over soon.

2) I continue to be impressed with the imagination shown by music marketers with regards to coming up with new ways to differentiate their clients’ packaging…Here’s an example of a band that hooked up with an “on demand’ printing company to create a unique album cover for each and every physical copy produced! As you’ll see in this article by the staff at HUH., designer Nick Relph prepared a basic style guide for Hot Chip’s upcoming release (to be titled Why Make Sense?) and, when orders start to come in, a cover printed in one of over 500 colors will be used, along with similar-but-slightly-different graphics, when the record is finally put into its sleeve. I hope to find out more about this process but, in the meantime, you can view an animation that shows some of the many options available when you place your order – http://www.huhmagazine.co.uk/…/every-physical-copy-of-hot-c…

3) At least once a year, an article is written about the occasional use of nastier-than-normal album art to help package and promote new music. This year’s article is presented to us by Gavin Edwards, writing for Rolling Stone Magazine, and includes 20 records that, in their own special way, were considered “naughty” by both the press and record retailers, many of whom would not sell the records until they’d been veiled somehow. Not sure exactly what prompted this year’s offering – maybe the $500M box office so far for 50 Shades of Greyhttp://www.rollingstone.com/…/as-nasty-as-they-wanna-be-the…

That’s all for now – look for updates every week day on our news feed – https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back next month with another summary for you.


Album Cover News Recap – late August 2013

Album Cover News Recap – August 17 – August 31, 2013

For those of you who might have missed some of my daily reports, here’s a re-cap of the most-interesting album cover-related articles I’ve found since the middle of the month:

August 17 – Nice interview article on poster/album cover artist Scott Cook by writer Rashod Ollison in The Virginian-Pilot (as promoted on the HamptonRoads.com web site). It’s a good read on how his favorite album cover as a kid (the spacey cover for Boston’s first LP) inspired him to seek out a career, now spanning over 20 years, with credits including covers for Vanilla Fudge and Canned Heat.


August 17 – Now posted on the AlbumCoverHallofFame.com site – my interview with noted designer/video director Nick Egan about his work on the seminal 1983 album by punk impresario Malcolm McLaren titled Duck Rock. The critically-acclaimed album featured the hit “Buffalo Gals” and album art illustrations and lettering by artists Keith Haring and Dondi White. With all of the publicity about the punk fashion exhibition at NY’s Metropolitan Museum (featuring works by Vivienne Westwood, McLaren’s partner), I thought that it’d be interesting to learn more about “the making of” this influential album. Hope that you enjoy it and share it with your friends – enjoy –


August 20 – Fans of the work of Storm Thorgerson and his compadres at Hipgnosis/Storm Studios will surely want to take a look at the book due out later this year. Titled “The Gathering Storm”, the book puts together many of the best-known album cover images created by the firms over the past 50 years. The book, co-published by De Milo Art, will be shipped in 3 versions – Hardback (standard), Collector’s (packaged with some additional roughs of work done) and Deluxe, which will include a limited-edition print of the book’s cover, a color variation on their iconic “Dark Side of the Moon” prism. More info is available on the De Milo site –


Thorgerson approved the book’s design shortly before his death earlier this year, and it looks to be a fitting tribute to the talented designer, his team, and their impact on album cover design.

August 21 – You know the ones that were selected, but have you seen the ones that were passed over? In this recent article by Jordan Runtagh on the VH1 Tuner site, 15 of the best-known album covers are featured along with images that were submitted-yet-rejected. One I was happy to see was the design done by Simon Posthuma and The Fool art collective for The Beatles’ Sgt. Peppers record – a psychedelic masterpiece in its own right, passed over for the now-iconic Peter Blake design. Other covers on display in this article include more from The Beatles, the Rolling Stones, Jimi Hendrix, Guns N Roses and others. Well done and illustrated and worth a read, for sure –


August 22 – Always happy to see a new place for people to discover great album cover art – located in North Shields, Tyne & Wear, UK, the Rock and Roll Icon Gallery opened with a display of photographs by the talented Gered Mankowitz, including his well-known images of Hendrix, The Rolling Stones, Traffic, The Yardbirds and many others. In addition to this exhibition (Gered’s 50th anniversary in the business!), the gallery has an impressive display of Marshall Amplifiers. I’m sure that they’re all set to “11”!

To learn more about the gallery and what’s on display, follow the link – http://www.rockandrollicon.com

August 23 – So many things to report, so let’s get started –

1) San Francisco-area rock art fans are in for a treat – musician and accomplished photographer Graham Nash will be on hand Saturday, Aug. 24, beginning at 7pm to kick off his new exhibition at the San Francisco Art Exchange gallery. Titled “This Could Be You: Photographs & Paintings by Graham Nash”, the show will provide a great lead-in to the publication of his new autobiography “Wild Tales: A Rock & Roll Life by Graham Nash”, due out Sept. 17th.


2) On the other side of the country – on display now through September 8 – is the “Sound and Vision: Monumental Rock & Roll Photography” show at the Lauren Rogers Museum of Art in Laurel, Mississippi. Curated by Govinda Gallery’s Chris Murray, the exhibition includes 40 photographs by 20 different artists (inc. Joel Brodsky’s great image used on the cover of Best of The Doors).

As reported in the Jackson Free Press –


3) Slate’s Forrest Wickman has assembled an interesting article that attempts to answer the question “why do so many rappers put their baby pictures on the covers of their albums”? Included in the discussion are the covers of Notorious BIG, NAS, Lil Wayne, Kendrick Lamar and others. Is it to show their cuddly side? I’m not so sure –


August 26 – The works of famed pop artist and album cover designer extraordinaire Jon Van Hamersveld are going up on display today at a show at the Coolhaus Gallery at So. California University in Northridge, CA. Titled “Drawing Attention”, the show will include a retrospective of JVH’s art and illustration work. If you’ve seen Exile of Main Street (the Rolling Stones), Magical Mystery Tour (The Beatles) and the Fatburger logo, you’ve seen his work. The show runs through October 12, with the artist appearing at the show on both Sept 7 for a reception and Sept 9 for a gallery talk. If you’re in the area, this is a must-see!


August 27 – Pink Floyd, illustration and animation fans near Prague should be sure to stop by the Kampa Museum between now and October 13 to tour the exhibition of the art and artistry of Gerald Scarfe on display there. Over 50 drawings, paintings and animations are on display, with a large part of the show dedicated to his work for The Wall (album cover art fans will also recall his work for Roger Waters’ LP The Pros and Cons of Hitch Hiking. March on over – it’s a scream, for sure.


August 28 – Looks like it’s a hip-hop themed Wednesday, with two interesting album cover stories:

1) Drake worked with fine artist Kadir Nelson (who was chosen to create the album cover for the upcoming Michael Jackson release) to create two beautiful paintings for the singer’s new album titled Nothing Was The Same, due out Sept. 24. Nelson, who has also produced paintings used on the front covers of books on Nelson Mandela and Dr. Martin Luther King, talks about his approach to the commission in this interview by Cedar Pasori on the Complex.com web site – http://www.complex.com/art-design/2013/08/kadir-nelson-drake-interview

2) In Dan Jackson’s article for XXL.com titled “20 Hip-Hop Albums with Cartoon-Like Graphic Art Covers” leads off with the Drake image and then takes us through a recent history of graphic-based (or, in the case of 50-Cent, graphically-enhanced) record covers, including those for NWA, Pharcyde, Snoop Dogg, Kanye and others –


August 29 – Wow – write a few good songs, paint a couple of pictures and BAM, you’ve got an exhibition at the National Portrait Gallery in London… On display now through next January are 12 new portraits painted by Bob Dylan in a show called “Bob Dylan: Face Value” (I wonder if Phil Collins is due any royalties for that). Dylan’s been painting for a long while, with some of his works showing up on his own records (most famously, on Self Portrait), and this is the first time that his works have been in a museum show outside the U.S.. It is also unusual for the NPG to show the works of a non-UK artist doing non-UK portraits, but the curator said that it was their opportunity to show just how multi-talented the man is. Now, if you can show me a video of him singing, playing guitar, playing harmonica AND doing a watercolor at the same time, perhaps THEN I’ll be impressed –


If you happen to be visiting the gallery after September 17, be sure to review the new photo exhibition by photographer Michael Peto, including a fine image of Paul McCartney and The Beatles shot during the making of the film Help!

August 30 – If you’re heading on up to Seattle for this year’s Bumbershoot festival, don’t forget to stop by the Armory building for the 36th showing of the American Poster Institute’s FLATSTOCK exhibition. Over 40 artists from around the country will have their wares on display and for sale. Meet the talent, bring a tube and take home some of the latest works from Mike King, Voodoo Catbox, Dan Stiles and many others.


Be sure to come back and visit our site often – new album cover news, as it happens!

Interview with Nick Egan – the making of the album cover for Duck Rock

Interview with artist/designer for Nick Egan regarding his album cover work for Duck Rock, a 1983 release (on Island/Charisma Records) by recording artist Malcolm McLaren.

Duck Rock, album cover, Malcolm McLaren, Nick Egan

Duck Rock album cover

At the intersection of Pop Culture and societal norms, producers of music, art, fashion, etc. are often found working to rock established thought and force those willing to look “outside the box” to consider the alternatives being proposed. In the early-1970s, after attending a number of art schools and finding himself particularly intrigued by the UK’s Situationist movement and their approach to bringing about societal changes, clothing store owner Malcolm McLaren (along with Vivienne Westwood and a close set of talented friends) set out to illustrate – via their designs for fashion, journalism and the arts – what Britain’s youth (and those outside the Establishment) felt about every aspect of society and how it was being managed by those in power at the time. Taking some cues from similar movements in New York and then adding them to their uniquely European reality, they gave birth to a design and musical language that was quickly adopted by many young people in America and Western Europe (and, later, many other developed countries), much to the chagrin of their parents and those hoping to maintain the status quo.

After his successes in the London fashion scene with punk couture boutique SEX and in the music arena with the New York Dolls, The Sex Pistols and Bow Wow Wow, McLaren sought to drive home the importance of the many types of music available to the musically curious via his own recordings highlighting these multi-cultural sources. Borrowing musical stylings from many countries – Latin America, Africa, the Caribbean Islands and the burgeoning rap and hip-hop scene in the U.S. – McLaren released Duck Rock in 1983 to a U.K. audience eager to absorb whatever was new and on the edge. Three of the singles from the album (“Buffalo Gals” and “Double Dutch” in 1983; “World Famous” in 1984) became major chart hits in both the U.K. and the U.S., and the record’s album cover art, which built upon a strong punk aesthetic while integrating strong elements of graffiti art and illustration (along with a decorated boom box, an item used world-wide by young people looking to impress adults with the sheer volume of their music).

Rather than accept the approach to the project – both for the production of the record and its packaging – usually dictated by most record company/musical artist relationships, McLaren chose to assemble a creative/production team that would be on his wavelength and who’d understand the important links between the musical and graphic styles he wanted featured (Malcolm had once said that his introduction to hip-hop came after seeing Afrika Bambaataa walking down the streets of NYC in a Sex Pistols t-shirt!). He was the conductor – the musicians, producers, engineers and designers who signed on for the project were all performers under his direction. The resulting product would have a dramatic effect on all aspects of the music business and, to this day, many performers note the importance of this record in their approach to writing/recording/packaging their own offerings. To provide readers with an understanding of how this all came together, I interviewed the record’s art director – noted designer/director Nick Egan – to ask him about collaborating with McLaren on this influential work. As you can imagine, the project presented Egan with a long list of challenges and, in the end, a great deal of opportunity…

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