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Album Cover Artist And Art News Summary And Preview For May/June, 2018

ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF MAY, 2018, WITH PREVIEWS FOR JUNE.

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BY MIKE GOLDSTEIN, ALBUMCOVERHALLOFFAME.COM

The past month of May was an emotional one for me in that two things happened – one, a bit depressing and another that gave me some hope for the future – that showed me that the life of a researcher and writer will often be one that can be both rewarding for the work itself (e.g., the pleasure felt for completing a task as best as it could have been done) and one that will serve as a reminder that not all the rewards will be easily or rightfully measurable. Of course, I’m speaking about the campaign I ran to raise start-up funds to produce a collector-oriented, special-edition version of the book I’ve written (tentatively titled Unsung Heroes of the Music Business) that ended in early may after raising less than 10% of the money required to produce the book. The project ran on the popular Kickstarter site for 33 days and, if it had been successful, would have provided me with everything needed to get the new book designed, printed and shipped (along with any special rewards that were available to sponsors at higher dollar levels). And while I do greatly appreciate the support I did receive, both in terms of the words of encouragement from fans/readers all over the world and the pledges I did receive, I do wish that I’d somehow been able to better-convince you to back me in this effort.

Well, all is not lost, as I do have encouraging news as a follow-up – I have been talking with a boutique publisher in the UK to produce a retail version of the book sometime soon and, with any luck, I’ll be able to get those who are interested in the book and all its wonders a copy (or two) sometime soon. More news to come as it’s made available and, of course, will be posted on the ACHOF site.

May was another month in which a goodly number of news releases and articles were made available on the exhibitions, interviews, artist profiles, book/print publications and other album cover art/artist-related topics and, in the summaries I’ve written and via the links provided, you’ll get the details from sources from around the world, including a) information on album art shows in the U.S. (Los Angeles, Brooklyn and NYC) and the U.K. (Liverpool and London); b) profiles (including two obituaries) on album art-makers including photographers working in the hip-hop and punk music areas; c) a new U.S. postage stamp featuring John Lennon and a limited-edition poster series showcasing Pink Floyd guitarist David Gilmour; and, as always, d) a nice selection of articles on a wide range of topics including news about several different artists fighting for just and fair compensation for the use of their works, an opportunity to meet one of the world’s most-respected commercial photographers (and have your own portfolio reviewed by him), Kanye West’s most-recent attempt to shock and confuse most everyone and much, much more. So much, in fact, that I might be forced to post some today and the balance ASAP…

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Album Cover Artist And Art News Summary And Preview For April/May, 2018

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ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF APRIL, 2018, WITH PREVIEWS FOR MAY.

BY MIKE GOLDSTEIN, ALBUMCOVERHALLOFFAME.COM

I don’t know how the rest of the world is handling the changing of the seasons – or the lack thereof – but I’m really hoping that we see a regular Spring weather pattern here in the Chicago area soon (I really want to plant my herbs). Spending more time indoors has had one benefit, though – I’ve been able to research and gather a very nice selection of articles to fill each of the five regular sections included in my monthly news summary. Indeed, the information about the exhibitions, artist profiles, new books and prints, auctions and sales and other items of interest serves as an ongoing testament to the fact that music industry-related visual artistry continues to make fans and draw audiences world-wide.

On a personal note – while, at the moment, it seems as though the Kickstarter project I launched in support of my new book project will fall (far) short of its goal, I’m trying not to get too down about it and, in fact, am now quite energized to find a publisher or two who might be able to help me bring this book to album art/artist fans both here in the U.S. and to readers/fans overseas as well. There are still a few days before the KS project draws to a close, so if you are interested in reserving a copy of the limited-edition version of the book for your very own, I’d invite you to visit the project page at https://www.kickstarter.com/projects/232122114/unsung-heroes-stories-from-your-favorite-album-cov before May 8th.

As I mentioned previously, the last 30 days has given us a lot to look at in the area of album art and artistry and, in the summaries I’ve written and via the links provided, you’ll get the details from sources from around the world, including:  album art and rock photo shows in the U.S., the U.K. and Italy featuring works by and/or about David Bowie, photographers Charles Moriarity and Art Kane and John Lennon/Yoko Ono, among many others; profiles on album art-makers including creative director Craig Braun, photographers Frank Ockenfels and Gunnar Stahl and the designer/illustrator known as Sixmau; another intriguing podcast from GOLDMINE Magazine about an impressive line of portable record players; info on the upcoming NY-area art show booth hosted by printmaker Gary Lichtenstein featuring new works by former Def Jam Records creative guru Cey Adams; new books coming out by two noted photographers – long-time Rolling Stone photographer Mark Seliger and Astrid Kirchherr, who chronicled the early growth of a band called The Beatles – as well as a book of Amy Winehouse photos by the aforementioned Mr. Moriarity, plus my mini-review of John Foster’s recent book on album art/artists (titled ALBUM ART: NEW MUSIC GRAPHICS and, as always, a nice selection of articles on a wide range of topics such as the premiere of a new documentary film about famed Japanese photographer Masayoshi Sukita (perhaps best known for his enormously-influential folio of portraits of David Bowie), a new 35th anniversary DVD about the making of the album cover for Michael Jackson’s huge hit Thriller, a “best album cover art” listing that is actually fairly thought-provoking, a restaurant in Wisconsin that offers rock music-themed craft cocktails (with an LP-style menu to match), details on vinyl LP-inspired bathroom fixtures (!!) and much, much more.

As always, I ask that you please share this info with everyone you know who are fans of great album cover-related talent and, of course, your comments and feedback are quite welcome.

1) UPCOMING, RECENTLY-LAUNCHED/CURRENTLY RUNNING AND JUST-CLOSED SHOW/EXHIBITIONS –

a) To follow-up on last month’s details about the David Bowie Is show currently running at the Brooklyn Museum in New York, there’s a new article by Claire Voon on the HyperAllergic site that shows you just how far NYC-area promo teams are willing to go to deliver “All Bowie, All The Time” to his legions of fans – https://hyperallergic.com/438500/david-bowie-metrocards-spotify-mta/

You’ll read more about how NYC’s Metropolitan Transit Authority (MTA) newly-released line of pre-paid fare cards (AKA “MetroCards”) that feature one of five (5) well-known DB images, with each one representing one of his best-known personas (Aladdin Sane, Ziggy Stardust, etc.). Customers at the Broadway/Lafayette and Bleeker Street stations can step up to the special kiosks and try their luck on collecting one, two or all five of the specially-designed cards ($6.50 minimum for 2-rides) and also look around the station for several other Bowie-themed art displays, including silhouettes on the famed white tile walls, lyrics printed on stair risers and a very cool photo image that has been sliced into strips and laid in sequence along a number of cross-beams, allowing viewers standing at just the right angle to see the entire image at once.

250,000 total cards were printed, but with 5 million+ subway riders using the service every day, they’ll probably be snapped up rather quickly. I’ve already found sets of all five cards being offered on eBay for approx. $150.00!

The Bowie archive-sanctioned, Victoria & Albert Museum-organized David Bowie Is show has now moved on to what looks to be its final exhibition space – the Brooklyn Museum in New York – where the impressive display of costumes (over 60 of them), music, videos, photo and graphic imagery, Bowie’s own paintings and ephemera from his own collection – over 400 items in total – will be available for viewing by fans thru July 15th – https://www.brooklynmuseum.org/exhibitions/davidbowieis

b) Irish photographer Charles Moriarity was first introduced to singer Amy Winehouse in London in 2003 while she was looking for – and not finding – “just the right shot” for the cover for her debut album Frank. They stopped for a bottle of white wine and spent some time wandering the streets of the city, getting to know each other a bit better. The two hit it off nicely and, ultimately, found a pub on Princeton Street and a chum with a couple of cute dogs, both which served as the backdrops to what would end up being that cover shot (they also rendezvoused again in New York City while she continued recording in order to get some additional shots for the rest of the album package. Over the course of the next several years, while Winehouse worked hard on recording and touring, Charles would stay in close touch until he made the decision to move from London back to his native Ireland several years later, after which they lost touch.

While we all know that the story doesn’t end well for Ms. Winehouse (Charles admits that he was shocked when he saw her obvious decline in the press coverage she received throughout the remainder of her short-but-glorious career), Moriarity had rebuffed some of the more-exploitative offers he received to use these early photos commercially in the immediate aftermath of her death in 2011 but more recently, after the National Portrait Gallery asked that one of his photos be added to their permanent collection and a meeting with Asif Kapdia, the director of the acclaimed 2015 documentary about Winehouse (Amy), he decided that the world would benefit from the opportunity to see a collection of these images, with the results being a photo exhibition in Dublin featuring a collection of 25 early shots by Charles Moriarity – http://chq.ie/amy-winehouse-photo-exhibition-comes-to-chq/

along with a book (Before Frank) that shows, in 50+ photographs, the transformation from a young girl (recording Frank at the age of 19) to a world-renowned recording artist. The hardbound book’s 144 pages contain an introduction by Dazed Arts and Culture editor Ashleigh Kane, a foreword by Academy Award-winner Asif Kapadia (director of Amy) along with an interview with Charles Moriarty by acclaimed author Martin Belk.

Irish Mirror contributor Demelza De-Burka has penned an article/profile that intros this show, the corresponding book  and shares some of the details about the relationship between the two young artists  – https://www.irishmirror.ie/showbiz/irish-showbiz/irish-photographer-who-close-friends-12386226

­­c) When Arthur Kanofsky was young, he was fascinated with fairy tales, fantasy illustrations and, as a Boy Scout in his Bronx troupe, reptiles (earning himself a Reptile Study merit badge!). Hoping to become a world-famous artist when he grew up, he took the first step in preparation for this career when he enrolled in NY’s Cooper Union College but, a year into his studies, he was drafted into the Army, bringing his talents to a special unit – the 23rd Headquarters Special Troops AKA “The Ghost Army”. These artistically-trained troops were sent in to areas where they created the illusion of the presence of actual Army units, fooling the enemy into thinking that they were out-manned/gunned via inflatable tanks, artillery, sound effects and dummy battalions. After his deployment, he returned to the U.S. and worked briefly in the theater before returning to his studies in art, design and photography at Cooper Union and graduating with honors in 1950.

With his experience and impressive talents clear to prospective employers, Arthur (now Kane) accepted a position as the art director for Seventeen Magazine becoming, at age 26, one of the youngest holding this position at a major publication. With his highly-unique talents and experiences combining to give Kane exceptional conceptual/compositional skill set, over the years Kane became a must-have photographer for all of the best-known photo journals and magazines of his time, with his works appearing in the U.S. in Esquire, Harper’s Bazaar, Life, Look, McCall’s and others and overseas in the Italian versions of Harper’s Bazaar and Vogue, Amica, Stern, German Vogue and Zeit. His subjects included celebrities in the fields of music (Bob Dylan, Cream, Aretha Franklin, Jefferson Airplane, Jim Morrison, Sonny & Cher, The Who and Frank Zappa), art (Christo, Robert Rauschenberg, Larry Rivers and Cy Twombly) and photo illustrations for a wide range of subjects, from the struggle for civil rights down South to the plight of wounded war vets and many articles on the politics and cultural changes taking place in the 1960s and 1970s.

Having developed his skills as a playwright, songwriter and videographer, Kane was able to offer his advertising and commercial clients a broad range of services including, as we now know, photos for album covers by many of the music industry’s best-known acts. Examples of his album cover credits include – Johnny Winter – White, Hot & Blue; Jim Morrison – An American Prayer; The Who – The Kids Are Alright, The BBC Sessions and Greatest Hits; Judas Priest – Point of Entry; Gloria Gaynor – I Am Gloria Gaynor and I Am What I Am and Bob Dylan – The Bootleg Series, Vol. 4: The Royal Albert Hall Concert. Beginning in 1989, Kane led a series of week-long summer photography workshops featuring a number of his notable peers at his studios in Cape May, New Jersey, which he continued hosting until his death in 1995.

His works were honored many times during his career, with major awards including the “Photographer of the Year” Award in 1964 from the American Society of Magazine Photographers, the “Page One Award” in 1966 from the Newspaper Guild of America, the Augustus Saint-Gaudens Medal for Distinguished Achievement awarded by Cooper-Union in 1967 as well as medals and awards from the Art Directors Clubs in Chicago, Detroit, New Jersey, New York, Philadelphia and San Francisco. His works were also included in a number of museum and gallery shows around the world, with the last one on display back in 2015 at the Palazzo Santa Margherita in Modena, Italy – a retrospective show titled Art Kane, Visionary. This year, beginning May 3rd, a somewhat-abridged version of that show, curated by the Wall of Sound Gallery’s Guido Harari, brings examples of Kane’s great works back to Italy (in Turin, at the Spazio Don Chisciotte tthrough July 14th as part of the FO.TO.” Festival (see more at https://www.fotografi-a-torino.it/art-kane-visionary – it’s in Italian, of course).

According to Mr. Harari, he’ll have 40 iconic images, “including all of Kane’s rock portraits – those of The Who, Jefferson Airplane, Janis Joplin, Bob Dylan, the Rolling Stones, Jim Morrison, Cream, Johnny Winter, Aretha Franklin, Sonny & Chér and the historic ‘Harlem 1958’, considered quite likely the most significant image in jazz history. All the photographs on show and more are featured in the catalogue published by Wall Of Sound Gallery.”

d) Down in Austin, TX, the team at the Modern Rocks Gallery kicked off a new show called “The Art of the Contact Sheet” with an opening reception on Friday, April 27th that featured examples of this unique photo art print format from rock photographers such as legendary Columbia Records photographer, Don Hunstein and the photographer responsible for the iconic Aladdin Sane album cover for David Bowie, Brian Duffy. Other leading music photographers included in the show are Barrie Wentzell, Alec Byrne, Tracy Anne Hart, Alan Messer, Allan Ballard, Matt Anker, David Corio and more.

Featuring large-format (several sizes, from A2 to A0) contact sheets from photo shoots of musical acts such as AC/DC, David Bowie, Bob Dylan, Jimi Hendrix, Bob Marley, Nirvana, Ramones, Keith Richards, Stevie Ray Vaughan, Frank Zappa and several others, the prints show several of the artists at different times during their careers and often include alternative shots where their true personalities shine through. I’m particularly fond of Don Hunstein’s shots of a young Bob Dylan, shot in 1963, mugging for the camera, with his best work and world-wide recognition just ahead of him. I’m sure you’ll all find something that resonates with you so, if you’re in the area, be sure to stop by the gallery sometime between now and the show’s close on August 31st  and say “hello” to Steven (the owner) or, if you can’t attend in person, be sure to look at what’s available on the gallery’s site at https://www.modernrocksgallery.com/contact-sheet-prints

e) Here’s a reminder for folks of the designer persuasion – in last month’s summary, I’d reported on an exhibition/competition currently being managed by noted album cover designers/authors Spencer Drate, Judith Salavetz and Sylvia Reed that’s looking for submissions. According to the info I rec’d from Mr. Drate, the curators are asking designers everywhere to send in their best examples of well-designed record packaging for consideration, with entries due no later than June 1, 2018 to be eligible for consideration for this show.

After the initial competition is over and the best entries selected, the curators will be teaming up with the folks at NYC’s One Space Art Gallery to put up a show (actual dates TBD) that will be called For The Record: The Vinyl Cover Show 2018, the latest in a series of such shows the curators have staged over the years, including a well-received show that took place at The One Club back in 1995 called the “Special CD Packaging Show” (which featured over 100 examples of album art on display) and another show that was held in May, 2004 at the sadly-closed CBGB Gallery built in support of the release of their Rock Posters of the 90s books and which included 250+ posters sourced from 50 different designers.  It’s quite clear that this team has been working hard for years to promote the talents of the artists working in the music business with their fans and collectors of these works.

More details about this show and the folks behind it can be found on their Facebook page –  https://www.facebook.com/spencer.drate/posts/10156195245043288

Of course, I’m hoping to be able to share more info on the winners of this competition and the gallery show as it becomes available.

f) While its opening is still a few weeks away, I am still excited to report the news of a new John/Yoko exhibition at the Museum of Liverpool in Liverpool, UK that will include a lot for those of us who’ve always appreciated that pair’s contributions to the world of music-related art. Double Fantasy – John & Yoko is one large part of the city’s celebration of its 10th anniversary as “European Capital of Culture” and will, according to the Museum’s PR, have visitors “taking a chronological journey… the exhibition starts with two unique individuals – a leading figure in the avant-garde art world and a global rock ‘n’ roll star. From a tender first meeting at Indica Gallery in London, it was 18 months later that the album ‘Unfinished Music No. 1: Two Virgins’ was issued. What followed was breathtaking in its rapidity and productivity until John’s tragic and untimely death on 8 December 1980.”

On display during the shows run, which begins on May 18th and will stay up for nearly a year (through April 22nd, 2019), are many items of original art created by the pair (individually and together) such as Yoko’s Ceiling Painting/Yes Painting, Painting to Hammer A Nail and Apple: Acorn Peace, War Is Over and others, along with a selection of hand-written lyrics by John Lennon, including those to songs including “In My Life”, ”Give Peace a Chance”, “Happy Xmas (War is Over)” and “Woman”. There will also be a music room where visitors can listen to the couple’s music and review all of the album art that we remember and love. You can learn more about this tantalizing show on the museum’s web site at www.liverpoolmuseums.org.uk/doublefantasy while those with a bit of patience for poorly spaced and punctuated overview articles can read more on one found recently on the Music-News.com site – http://www.music-news.com/news/UK/111842/John-and-Yoko-s-story-in-their-own-words-at-Museum-of-Liverpool

http://www.liverpoolmuseums.org.uk/mol/exhibitions/double-fantasy/

2) Artist interviews/profile articles –

a) Craig Braun, a man with some pretty-impressive album cover credits including packages for Joe Cocker, Jimi Hendrix, Alice Cooper and, working with Andy Warhol and a talented design team, brought us both the famous “banana cover” for the Velvet Underground & Nico’s debut record and Sticky Fingers by the Rolling Stones in 1971, is featured in a multi-page spread in the March issue (Issue #12) of Long Live Vinyl (U.K) magazine. In this interview with writer Teri Saccone, Craig takes us through some of the details of his storied career, including his start in the record business in Chicago (go Cubs!) in the early 1960s to the formation of one of the best-known vinyl record packaging companies (Album Graphics, Inc., or AGI) and on to his partnership with designer Tom Wilkes in 1973 to form the design firm Wilkes & Braun, Inc. where, in addition to being awarded a number of illustrious album cover art commissions, the pair were awarded a Grammy Award in 1974 for “Best Recording Package” for their designs for the London Symphony Orchestra’s 1973 recording of the orchestral stage version of The Who’s Tommy.

After earning a reputation as a somewhat “over-the-top” creative director (i.e., one not afraid to spend his client’s money on one-of-a-kind packaging ideas), Braun’s success found him enjoying both the good and the bad of a “rock-star lifestyle” before moving on to “corporate jobs” at several large record labels in the 1980s. After the recorded music business began to take a hatchet to packaging budgets, Craig chose – at the age of 55 – to pursue another passion of his – acting. He spent years studying his craft with legendary acting coach, Milton Katselas, in his master class and, in 2010, Craig was named a Lifetime Member of The Actors Studio. He has since appeared in many films (inc. Great Expectations in 1998, Flawless in 1999 and Swordfish in 2001) and TV shows including Law & Order, Cold Case, E.R. and Gone. Returning to his design roots for a special occasion in 2017, Craig was enlisted to emcee the rejuvenated Alex Awards ceremony at the “Making Vinyl” trade show.

While you can’t yet read the article online, I did find that the publication has also had several album art-related articles in the past, including 2 posts in their Essential Covers section (http://www.longlivevinyl.net/category/classic-album/essential-covers/) where you’ll see career-spanning summaries on Roger Dean and Tom Gundelfinger O’Neal and in their “The Story Behind The Sleeves” archives, you’ll find postings on covers for Alice Cooper, Bjork, Miles Davis and the Mothers of Invention – http://www.longlivevinyl.net/category/story-behind-sleeve/

For more information on this artist, please visit http://www.imdb.com/name/nm0105733/

b) Keeping his passion for photography mostly to himself while growing up in a suburb of Niagrara Falls, NY, young Frank Ockenfels’ talents weren’t truly discovered until his senior year in high school, when he was asked to shoot the scores of photos needed for his high school yearbook. In 1978, he moved down to New York City to attend the School of Visual Arts there, whereupon he met a fellow student named Jodi Peckman. Jodi got a job working at Rolling Stone Magazine and asked her friend to help her with projects here and there, once being sent to photograph Buster Poindexter at a New Year’s Eve performance. After graduation, he worked as an assistant to photographer Joshua Greene (famed celebrity photographer Milton Greene’s son) and at other related jobs until his “big break” came in 1988, when Rolling Stone selected a photo he’d taken of singer/songwriter Tracy Chapman to run full-page in the magazine. Her new album was a hit and, as a result, others wanted to hire the guy who’d taken the best-known picture of the new star, which began a string of commissions to capture the images of many of the world’s best-known celebrities that continues to this day. Ockenfels is perhaps best-known to rock music fans for his portfolio of images taken of the late David Bowie from 1989 to 2006, including album cover/package shots for records including Earthling, Reality and Hours…

The School of Visual Arts is particularly proud of the achievements of many of its alumni, illustrated here by this recent article and intro video found on the school’s site and corresponding to the inclusion of a number of Ockenfels shots in the David Bowie Is exhibition currently on display in Brooklyn, NY. Just goes to prove that both a good education and strong social networks  can work together to bring talented people great opportunities (I sound like a school recruiter, don’t I?) – http://www.sva.edu/features/sva-features-alumnus-and-photographer-frank-ockenfels-3-strikes-with-light-video

c) While fans and journalists alike are working hard to figure out which drug reference – “Kidz on Drugs,” “King Overdose” or “Kill Our Demonz” – is the true meaning behind rapper J. Cole’s new album titled KOD, album art fans have a new artist to focus their attention on – 22-year-old Detroit artist Kamau Haroon, a.k.a. Sixmau. He’d just completed work for rapper Childish Manor when he was commissioned to come up with a memorable cover image for this recently-released new record and, as J’na Jefferson describes it in this recent posting on the VIBE web site – https://www.vibe.com/2018/04/sixmau-j-cole-album-artwork/, delivering a painting that depicts “a glassy-eyed Cole is featured wearing a crown. Children smoking, drinking lean, snorting coke and dropping acid are seen beneath his elegant robe, and two eerie skulls are pictured above them.”

The artist was happy to explain a bit about himself, his career and some of the inspirations and direction he received in this collaboration between two musically and visually-inclined talents, and you can see more of his work on his own site at https://www.sixmau.com/ (note – the home page features an image which reminded me of one you’d see after your computer had been hijacked, but fear not…).

d) With newer hip-hop acts showing more and more creativity when it comes to their related visuals, I was intrigued by this recent profile of 25-year-old hip-hop/fashion photographer Gunnar Stahl on the Coveteur.com site – http://coveteur.com/2018/03/15/gunner-stahl-hip-hop-photographer-profile/ as his portfolio now has been enhanced by the addition of  two newer album covers for Playboi Carti and Rae Sremmrud (both on Interscope). Writer Jodi Taylor spent some time recently in Atlanta with the young photographer, who’d she’d met late in 2017 when he’d just returned from a working trip to Tokyo and was getting ready to jet down to Miami for his next assignment and, after a whirlwind three months of work, had just returned from Los Angeles and had a lot of info to share about his rocket-propelled career these days.

According to the article, drastic circumstances had the self-taught photographer discovering and then settling on the use of film cameras, with Stahl describing it this way – “’I was doing digital, but then my camera broke,’ he explains. ‘I just had no other choice but to use film.’ Film is now what he is known for, with a quick scroll through his IG presenting you with film portraits of pretty much every rapper. You’ll see the likes of A$AP Rocky, Pharrell Williams, Travis Scott, Skepta, and even Jaden Smith all within one quick glance.”

Researching for this posting led me to find another interview and video profile of this in-demand shooter, which you can read and watch via the link at – http://www.thefader.com/2016/09/20/gunner-stahl-documentary-video-interview  More about his latest projects can be found on his blog at http://www.blog.gunnerstahl.us/

3) Sales/Auctions –

a) Last I heard from the folks at the famed Gary Lichtenstein Editions print house/gallery in New Jersey, they were hosting a gallery show late last year built around the ground-breaking hip-hop photography of Janette Beckman (“Legends of Hip-Hop”). Now, in a promo email I just received, I’ve learned that they’re going to be manning a booth at the upcoming Art New York fair (May 3 – 6 at the Pier 94 exhibition hall in NYC) and will have some new works by artist Cey Adams, who us album art fans know and love for his previous work as the creative director for Def Jam Records during their mid-late 1980s heydays, bringing us memorable covers for musical acts including Mary J Bilge, Notorious B.I.G, Faith Evans, Ice Cube, R Kelly and, most-notably, Sean “Puff Daddy” Combs.

Since that time, Adams has gone on to work independently on a string of projects for clients on both coasts of the U.S. Included in this work were campaigns for Coca-Cola, HBO, Ervin “Magic” Johnson and Nike, NY-area radio stations Hot 97 and WBLS and, working with curators and designers at the Experience Music Project/Museum in Seattle, Adams brought meaningful designs to the hip-hop-centric  displays there. Additionally, he’s produced logos for Dave Chapelle’s popular The Chapelle Show, more album covers, stage designs, tour merchandise and more for a wide range of clients including Adidas, Burton Snowboards, Comedy Central, Eminem, Foo Fighters, Don Henley, Moet & Chandon,  Stevie Nicks and Roca Wear. Later this year, you’ll find Mr. Adams’ talents on display again in a special box set to be released by Smithsonian Records – the Smithsonian Anthology of Hip-Hop and Rap – which will feature both his packaging design and a special poster he created just for this set.

In 2008, Harper Collins Design published a book co-authored by Adams and Bill Adler, Def Jam’s former Director of Publicity, titled DEFINITION: The Art & Design of Hip-Hop that presented a comprehensive look at “hip-hop as a visual phenomenon. In 2011, Adams and Adler paired again, this time for Rizzoli, to produce Def Jam Recordings: The First 25 Years of the Last Great Record Label, a retrospective of Def Jam’s design output over the label’s first 25 years.

The photos of Cey’s new works look quite nice, but I’d invite anyone in the NYC area to head on over to the show and see them in person – https://www.artnyfair.com/DesktopDefault.aspx?tabid=10&tabindex=9&dealerID=36906

Last minute update – I’ve just learned that Cey Adams will be in the Gary Lichtenstein Editions booth at the upcoming Art New York Fair this Saturday, May 5th, 3pm-4pm to talk about his new work and sign copies of his new catalog of work. Gary Lichtenstein Editions – Booth ANY-107 at Art New York, Pier 94 Exhibition space, NYC.

b) An auction to raise funds for the Benefit Shop Foundation in Mt. Kisco, NY took place this past April 18th that featured large-format (6ft. square!) album cover artwork from noted artist Joe Taylor – http://www.artfixdaily.com/artwire/release/6071-choice-artworks-abound-at-benefit-shop-april-18 and, as a follow-up, I’m pleased to report that the item raised $2,000 – nearly 2X the pre-auction estimate!

The Texas-born Taylor is perhaps best-known for the mega-scale promo billboards he created to promote new releases inside Tower Records stores in the 1970s and 1980s. What made this particular auction item even more rare and unique was that Taylor took the large masonite boards he used on each project and painted them over after they were used with new artwork, so this huge re-creation of Buckwheat Zydeco’s Hey Joe LP is a rare remnant of his work, indeed (Taylor has also written a book, Art & Music, that shares the stories behind his billboard artwork).

Since leaving the art/advertising world a number of years ago, Taylor has spent his time as Owner/Operator of the Mt. Blanco Fossil Museum – a museum that presents the Earth’s history from a Creationist perspective – in Crosbyton, TX (near Lubbock). He has also put up a display at the museum of the remaining album art paintings he retained ownership of – http://mtblanco.com/2016/03/joe-taylors-album-art/

I’m sure that the winning bidder will soon be the envy of all his/her/their friends…

4) New Print/Book/Product RELEASES –

a) During his 15-year career as a photographer for Rolling Stone Magazine, Mark Seliger contributed countless images to the publication, including over 125 cover shots. He’d then expand his portfolio to include work as a popular director of music videos, directing shorts for Elvis Costello, Lenny Kravitz, Willie Nelson and others. In the area of album cover art, he’d contribute memorable cover images for records by Tony Bennett, Bon Jovi, Sheryl Crow, Bob Dylan, Ice-T, Lenny Kravitz, Paul McCartney, Britney Spears and many others.

In 2002, Mark left Rolling Stone to take on assignments for magazines within the Conde’ Nast publishing group, shooting photos for GQ, Italian Vogue and Vanity Fair while also taking on commercial assignments for Miramax, MTV Networks, Sony and Universal Pictures. His specialty is creating stunning, large-scale prints using a high-end photographic printing process called “platinum palladium printing”, similar to the technique used by artistically-inclined photographers such as Edward S. Curtis, Edward Weston and Alfred Stieglitz. To note his artistic output, throughout his career Seliger has been bestowed with many awards for his photographs, including the Alfred Eisenstaedt Award in 1999 and the Gold Medal Awards from the Society of Publication Designers in 2001 and 2004.

With such an illustrious background, it’s with great joy that I’d like to report that there is a new book coming out May 1st by Abrams Books that’s simply titled Mark Seliger Photographs. The 256-page publication features 173 illustrations, with portraits of celebrities including David Byrne, Kurt Cobain, Leonardo DiCaprio, Jay-Z , Nelson Mandela, Barack Obama, Jerry Seinfeld, Bruce Springsteen and Emma Stone, along with some great, never-before-seen examples of works taken during his travels throughout the world. There’s an interview of Seliger done by writer/director Judd Apatow during which Marc shares the stories behind some of his best-known shots, so it seems sure that there’s as much interesting to read as there is to see.

http://www.abramsbooks.com/product/mark-seliger-photographs_9781419726613/

b) While you’ve already read my intro article about photography Charles Moriarity’s new photo exhibition in Dublin, Ireland built around a selection of the photos found in his new book about the late Amy Winehouse (Before Frank), I took a look at his site and, in addition to more info on the book, there’s a nice 4-minute+ video intro on the site that gives you a somewhat-more-intimate look into the interactions between these two rising young artists – https://beforefrank.com/ The book’s set to be released this May.

c) Last month, I purchased my own copy of John Foster’s latest book on album cover design and designers – Album Art: New Music Graphics – the details of which I’d shared with you in last month’s news summary. As I said, what makes this book all the more interesting is that it’s been compiled and authored by an award-winning, working designer, with Foster serving as the principal of the MD-based design firm Bad People Good Things and in possession of a portfolio of notable album art credits. He’s also written a number of other design-oriented books included titles such as New Masters of Poster Design (Volumes 1 and 2), Paper and Ink Workshop and 1,000 Indie Posters, among others, and is an in-demand speaker at design industry conferences, so you know he knows his material through and through.

Now that I’ve had a chance to go through the book myself, I did want to let you know that, in addition to all of the nice images used to illustrate the book and interviews with several well-regarded designers I’ve covered over time here at the ACHOF (including Art Chantry, Stefan Sagmeister and Spencer Drate/Judith Salavetz, among others), there are portfolios of work and details of a world-spanning list of designers I’ve never seen before that serve to make this book very different from the many books we’ve seen on the subject in the past. For example, from Denmark, you’ll see cover images created by Jacob Jensen and Hvass & Hannibal for acts (new acts, to me) such as Prins Thomas and Efterklang; from Germany, designers Feld and SchultzSchultz and their work for Ben Lukas Boysen and Daniel Stefanik and, from Australia, Daniel Oorloff, whose crafted photo-collage-based covers for Lucid and Sam Setton, among others.

The 320 page book was being released in the UK on March 8th by the noted Thames and Hudson Ltd publishing house (I got mine via Amazon.com – https://www.amazon.com/Album-Art-New-Music-Graphics/dp/0500294151/ref=sr_1_1? ) , and if you’d like to see more of Foster’s work, I’d invite you to visit his company’s site at http://www.badpeoplegoodthings.com/?page_id=2

d) When the young designer/artist/photographer Astrid Kirchherr was attending college in Hamburg, Germany (the Meisterschule) in the late 1950s, she befriended two other students – Klaus Voorman and Jurgen Vollmer – who shared her interests in Pop culture and music. Voorman became her love interest and, in 1960, the two stumbled in to a club on the Reeperbahn called the Kaiserkeller where they listened to a band from England called The Beatles (who, at the time, consisted of five members, including drummer Pete Best and guitarist Stu Sutcliffe), bringing their friend Vollmer back with them to the club immediately thereafter. Kirchherr became entranced with the young lads from Britain, and one of the bandmembers – Sutcliffe, himself a former art school student – found himself smitten with the beautiful blonde, with the pair starting to date soon after. She’d soon apply her skills as a designer and fashionista to her friends hair and wardrobe, with Astrid being credited for the band’s early “mop-top” haircuts and tailored suits.

With access to the band both onstage and behind the scenes now easily granted, Kirchherr asked the band if they’d mind her bringing a camera along, with the goal being to get them to pose artistically for her as she had sensed something special about the band and its members. Now, over 50 years after these photos were taken, Astrid has teamed with publisher Damani to release a new book of these important photos of the beginnings of a band that would become the most-influential in rock music history. Titled ASTRID KIRCHHERR WITH THE BEATLES (co-authored by Maurizio Guidoni), the book’s imagery focuses on a period of time – from 1960 through 1968 – during which she chronicled the band from its hard-working club band beginnings, during their brief times away from their rapidly-rising careers, on the set of the making of the movie A Hard Day’s Night and up to the time she produced a headshot of George Harrison for his 1968 solo record Wonderwall Music. While her photos have been included in several limited-edition and commercial books of Beatles photos, this is the first time that many of the photos in this 96-page photo-book have been made available to the general public.

You can find this book on the publisher’s web site at https://www.damianieditore.com/en-US/product/634

5) Other articles of interest –

a) Still feel that, for its sonic purity and well-designed packaging, vinyl LPs are still the best expressions of the various ways you can purchase your music? If so, there’s a company in Italy that would like you to consider extending that love for all things vinyl to how you outfit your bathroom. WTF, you say? Well, if you click on over to the MyModernMet site, writer Emma Taggart is happy to show you the various designs now available from the Olympia Ceramica company in their “Vinyl Collection” of LP-and-turntable-inspired bathroom vanities and fixtures. “Resembling a retro sound system, vinyl artwork is featured in the center of the basin; the sink’s faucet mimics a stylus; and taps, styled as “volume” knobs, can be used to adjust the water flow and temperature.

The stylish sink also includes a shelf for storage, a towel bar, a leather toiletry bag, and even an LED mirror featuring lights that resemble an audio equalizer. The best part? Each piece also comes equipped with built-in bluetooth speakers so you can listen to your favorite tunes while you brush your teeth.”

Can’t wait to find out when these are available for delivery and what the prices will be but, I’m assuming, you’ll soon be seeing these in the public and private bathrooms of many (well-heeled) music businesses  – https://mymodernmet.com/bathroom-sinks-vinyl-collection-olympia-ceramica/

https://www.olympiaceramica.it/en/

b) Another design-inspired article that should be of interest to LP fans – Goldmine’s recent podcast includes a discussion with Marshall Blonstein, a former record industry exec who is now co-owner of a company that makes a line of really impressive portable “record players” (much improved over the Kenner “Close&Play” models I remember growing up) – http://www.goldminemag.com/features/ufo-portable-turntable-subject-goldmine-magazine-podcast-episode-24

I’m particularly intrigued with the “UFO” model – a boombox for us Geezers!

http://www.myrocknrolla.com/products/rock-n-rolla-ufo/

c) Last month, I’d reported on a couple of group photo exhibitions – one in Italy and another in Los Angeles – in which the works of famed photographer Masayoshi Sukita were featured prominently. Sukita is probably best-known for his portfolio of photos that captured 40 years of David Bowie’s life and career, with several of his shots used on the covers of some of Bowie’s best-known recordings (from Heroes to The Next Day). In addition to Bowie, Sukita has collaborated with other trend-setting musical acts such as Marc Bolan (T. Rex), Iggy Pop, David Sylvian and influential Japanese electronic music band YMO to create memorable portraits to help chronicle and promote their respective careers.

Now, there’s a new film that premiered at the recent Far East Film Festival in Udine, Italy that chronicles the work of this important lensman, with a focus on his unique and intimate portraiture of Mr. Bowie taken during the dozens of photo sessions they worked on together. Sukita – The Shoot Must Go On follows the upward-arcing career path of the now 82-year-old photographer, taking viewers behind the scenes – often with Sukita providing the commentary – during his studio and on-location work with his favorite clients. Included in the film is a special look at “the making of” the album cover for YMO’s second album (Solid State Survivor) and words of praise from many of Sukita-san’s fellow creatives, including famed Japanese composer Sakamoto Ryuichi, musician Hotei Tomoyasu (best-known here for his song “Battle Without Honor or Humanity” featured in the film Kill Bill), guitarist MIYAVI and film director Jim Jarmusch, who teamed with Sukita to create the arresting visuals for his 1989 film Mystery Train.

The documentary is directed and produced by Aihara Hiromi and will be in general release beginning May 19th, so check your local theaters/film festivals/streaming services for showtimes/availability. Reporter Patrick Brzeski gives us a preview on the Hollywood Reporter site at https://www.hollywoodreporter.com/news/far-east-film-fest-premiere-documentary-david-bowies-photographer-1098267

And if you’d like to watch the trailer for the film (in Japanese, mostly) – http://sukita-movie.com/

d) Whenever I see an article in which the author(s) list their favorite album cover designs/images, I typically feel deflated, as I’m forced to wonder why these articles were written. Is there an album art or music-related exhibition taking place nearby, or is there a local artist currently working in the music space that they felt needed profiling, or did they need to fill some space on a page? These articles tend to simply give us a collection of album cover images and little or no useful information about them.

Once in a while, though, even though I don’t quite understand what inspired the article, I am impressed with the thoroughness and thoughtfulness of an article that has pressed its authors to select their favorite designs and then also delivers us the “whos” and the “whys” relating to each featured item. Such is an article recently posted by the Michigan Daily News Music Writers Roundtable on important album cover works – https://www.michigandaily.com/section/arts/album-cover-art-round-table

Compiled by Shima Sadaghiyani, Daily Music Editor for the Ann Arbor, MI-based college daily newspaper, the panel selects several of “the classics” (Revolver by The Beatles, Stevie Wonder’s Talking Book and Doolittle by the Pixies) along with a number of newer “hidden gems”, such as the covers for the Memory Tapes’ 2009 record Seek Magic, M.I.A.’s colorful 2007 release Kala and Lorde’s 2017 megahit Melodrama. While of course I’m impressed with the fact that college writers can find great pleasure and inspiration from “the oldies” as well as the covers for today’s generation’s packaged music. When looking at the cover for the Stevie Wonder record, writer Laura Szubay notes that “only two years previously, on Signed, Sealed And Delivered, Wonder was popping cheerfully out of a cardboard box labeled ‘Handle With Care.’ Now he was sitting on the ground, his face turned thoughtfully to the earth, solemn and contemplative,” while writer Sam Lu shares his take on the connection between the intimate oil painting featured on the cover of Lorde’s Melodrama with the music found inside – “Lorde condenses the essence of teenage relationships in all of their turbulent glory, from the before to the during to the after,  and does it all without abandon. She leaves us with a final parting gift: an image of her at her most striking, when she’s unflinchingly staring right at the viewer.”

There’s hope yet for these young people…

e) I’m having a hard time thinking of a recorded music product with as much (well-deserved) notoriety as Wu-Tang Clan’s 2015 one-off double album – the “ultimate box set” – titled Once Upon A Time In Shaolin. When news of its upcoming availability via auction – coming after a six-year production schedule – was announced several years ago, it caused a sensation in the press as many in the media were perplexed as to who would ever buy such a thing, which also came with an entire agreement that limited the owner to how it could be shared with others (no commercial exploitation, period). Unless you’ve lived off the planet since the sale, you know that it was purchased at auction for $2 million by now-convicted pharma wunderkind Martin Shkreli only to be forfeited in a 2018 sale of assets to cover a $7.3 million dollar judgment against him after his conviction for securities fraud.

Now, further trouble seems to be following this record in the case of photographer Warren Patterson, whose work graces the cover of the infamous album and who is now suing the rappers for $1 million, claiming that he was never paid for the 80 hours of work he put in to the project. Hypebeast’s Isaac Rouse shares the sordid details in his article – https://hypebeast.com/2018/4/wu-tan-clan-sued-once-upon-a-time-in-shaolin-cover

As it turns out, the Department of Justice is still trying to locate the record, which has not yet been turned over even though its owner is in jail and is appealing his conviction.

f) It’s been 35 years since Michael Jackson’s best-selling-album-of-all-time (66 million copies sold so far!) Thriller was released, with that album featuring portrait photographer Dick Zimmerman’s iconic shot of the not-yet-surgically-destroyed young singer stretched out wearing a white suit (with the gatefold inside cover showing Jackson acting all buddy-buddy with a tiger cub). The new 35th anniversary DVD package now available on Zimmerman’s FanArtClubGallery.com site ($24.95) on the making of Michael Jackson’s Thriller features an updated interview with Zimmerman and includes loads of behind-the-scenes footage taken during the photo session for the record cover.

More details about the project and the new DVD can be found via this press release posted at https://www.benzinga.com/pressreleases/18/03/p11422213/michael-jackson-thriller-photographer-interviewed-for-just-released-vi along with this feature you’ll find on a popular MJ fan site, the UK’s Michael Jackson World Net (also celebrating their 20th anniversary) – http://www.mjworld.net/news/2018/03/30/dick-zimmerman-talks-about-michael/

You can order one for your very own at http://fanclubartgallery.com/product/thriller-35th-anniversary-interview-with-dick-zimmerman-dvd/  , and you’ll also see that Zimmerman runs a gallery that sells limited-edition art prints based on some of the celeb photos he’s taken over the years, etc. – http://fanclubartgallery.com/store/

g) Missed this when it first ran several months ago, but now that I’ve found it, I wanted to share this info as it helps us laypeople understand the thought processes of those talented people who are tasked to make the packaging for our favorite retail music products – https://99designs.com/blog/design-other/how-to-design-album-cover/

While I’m quite certain that most designers working in the field don’t follow these guidelines all that closely, it is interesting to see that, in a day where it seems that most people are focused on success via rote memorization and/or applications development, even an outlined process like the one presented here reserves time and energy for existential searches, inspiration and the importance of finding the right people to collaborate with.

h) When those of us who’ve worked in the recorded music business hear the word “mixer”, it immediately brings to mind either the piece of studio equipment used to select and blend inputs from various sources or the people that operate these machines. In today’s foodie scenes, folks us laypeople used to call “bartenders” are now known as “mixologists” and, in many cases, seem to have advanced degrees in chemistry as best evidenced by the strange and wonderful concoctions they create. Recently, a Madison, WI-based restaurant called Merchant has developed and launched a craft cocktail program with inspirations drawn from the titles of classic rock tunes and uses album cover-style imagery to help market them. Want a “Black Magic Woman”? Order one and you’ll get a cocktail made from a blend of tequila, mezcal, fruit juices and other ingredients, while ordering a “Killer Queen” brings you a gin drink with sherry, poppy liquor (?), various juices and bitters. The menu looks like an LP cover, with co-production and “song-writing” (i.e., cocktail-invention) credits listed as they would be on a recorded music product. Contributor Lindsay Christians for The Cap Times shares the important details – http://host.madison.com/ct/entertainment/dining/with-s-rock-inspired-cocktail-list-merchant-is-stayin-alive/article_489df93e-4375-5779-b1e0-3ae6a36af903.html

That’s all for now – stay tuned and be on the lookout for timely news alerts on our news feed –https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back early next month with another monthly summary for you. If you’ve found that these stories have added some joy and appreciation for the arts to your lives, I’d like to ask you to let your friends and loved ones know more about the album art and artistry-related information you’ve found here on the ACHOF site.

Unless otherwise noted, all text and images included in this article are Copyright 2018 Mike Goldstein and AlbumCoverHallofFame.com – All Rights Reserved. All of trade names mentioned in these summaries are the properties of their respective owners and are used for reference only.

Album Cover Artist And Art News Summary And Preview For February/March, 2018

ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF FEBRUARY, 2018, WITH PREVIEWS FOR MARCH.

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BY MIKE GOLDSTEIN, ALBUMCOVERHALLOFFAME.COM

As a follow up all of the award-based excitement that took place in January, February proved to be no slouch as a source of album cover/cover artist-based news , with more awards-focused activities in the form of the announcement of the nominations in the packaging categories for the annual Independent Music Awards (IMA) and the calls for submissions to two more album cover art competitions. In addition to the competition and exhibition that is taking place this month in Oak Park, IL (which I’m honored to be part of), a similarly-built project is taking place in Brooklyn, NY in the upcoming months, as it the judging and announcement of the winners of this year’s international A Design Awards. All in all, a lot of talent will be on display and album art fans will find a lot to like in any/all of these shows.

An update about the launch of my book project – If all goes according to plans, I should be announcing the launch of my Kickstarter project before the end of March (OMG!). It will run for 33 days (I tried to get it to run for 33-1/3 days, but couldn’t quite make that happen) and, if successful, it should provide me with everything needed to get the new book designed, printed and shipped (along with any special rewards you’ve opted for) before the end of the Summer. The site’s ready, as are the pages on the ACHOF site where you’ll be able to see the rewards that’ll be offered at the various levels of support, so I just have to finish the obligatory intro video and we’ll be ready for prime time. Of course, I’ll make a formal announcement as soon as I can, so wish me luck and we’ll get this going just as soon as possible.

February’s news cycle rewarded us with a nice selection of interesting things to read and see in all the categories I summarize, providing you with new articles on the folks who are actively producing impressive album cover art and packaging. In the summaries I’ve written and via the links provided, you’ll learn more about the latest exhibitions, new books, prints and products and several interesting interviews and artist profiles, along with other related reporting from sources providing these details around the world.

With so much to read and see, such as information on album art shows in the U.S., Australia and New Zealand; profiles on album art-makers including photographers Roe Etheridge and Ellen Von Unwerth and Pop Art master Andy Warhol; a pair of nice podcasts including one from GOLDMINE Magazine  with rock art auction king Jacques Van Gool from Backstage Auctions and another with several of the judges from last year’s ALEX Awards (and the folks behind Record Store Day); an intro to a huge new book coming out soon by designer John Foster (titled ALBUM ART: NEW MUSIC GRAPHICS) that delivers an impressive collection of images, info and articles on the topic and, as always, a nice selection of articles on a wide range of topics such as the launch of a new album art database, what it’s like to work with your uncle – who also happens to be a noted comic book artist – on an album art project, a discussion about psychedelic album art and much, much more.

Of particular note was an article I found particularly uplifting involving a special fund-raising effort to help defray the immense medical costs incurred by noted Canadian album cover designer Michael Wrycraft as he battled an infectious disease that cost him his legs (but not his positive outlook on life).

As always, I ask that you please share this info with everyone you know who a re fans of great album cover-related talent and, of course, your comments and feedback are quite welcome.

1) Upcoming, recently-launched/currently running and just-closed show/exhibitions –

a) The judging is done – let the show begin! After receiving dozens of submissions for their Artifact 33.3 original album art competition, the Oak Park Art League’s panel of judges (including yours truly) has selected what it feels are the best entries from artists proficient in many areas of design, painting and illustration and will announce the winners – which will all be put up on display in the OPAL gallery in Oak Park, IL on Friday, March 9th during the opening reception of this show – titled Artifact 33.3: National Exhibition of Record Cover Art.

Artists were asked to submit original artwork for a fictional album by a fictional musical act and, after initial judging by the esteemed panel, a selection of these works are being professionally printed and displayed in 12”x12” frames for the exhibition at OPAL’s historic Carriage House Gallery beginning March 9th. An additional selection of works will be included in an online exhibit on OPAL’s website.

If you happen to be or live in the Oak Park, IL area, I’d like to invite you back to the gallery on Thursday, March 22nd from 7-8:30pm as I’ll be giving a presentation about some of the best-known album cover images and the people and stories behind them. I’ll be joined in this effort by some special guests who’ll be able to add their unique knowledge and opinions to the discussion…

I’m going to have a number of well-know album cover art prints – cover images for records by Supertramp, Aerosmith, the Grateful Dead, Frank Zappa and many others – up on display during the show’s run and will be bringing others just for this lecture, so please take a look at the special FB event page that’s been created and let us know if you can join us for the festivities that night.

https://www.facebook.com/events/327269481093572/

Hope to see you there – please share this with your friends in the area as well…
If you’d like to learn more about the competition and/or attending the show or panel talks, click on over to – https://www.oakparkartleague.org/artifact-33-3

b) Scheduled to close in just a few days (March 3rd) is the comprehensive album cover art show that’s been on display at San Francisco’s Fraenkel Gallery since early January called Art & Vinyl: Artists & the Record Album from Picasso to the Present. As I’ve written previously about this show, curated by Antoine deBeaupre of Total Records fame, the 258 record covers in the Art & Vinyl collection look at covers that represent modern/contemporary art in all its forms. Antoine chose the records in this collection for a few reasons: they had to be created by the artist specifically for that album (no re-purposing of images that is); the artists are all well known figures; and all of the albums are first editions. Antoine searched exhaustively for certain albums that were quite rare (the Warhol banana cover for The Velvet Underground, for example).

If you haven’t had the chance to see the show in person, you can choose to either hop on over to the gallery between now and Wednesday or take a look at Taylor Dafoe’s nicely-written overview of the exhibition on the Artnet.com site –  https://news.artnet.com/exhibitions/art-vinyl-album-covers-1224242 In either case, enjoy the visit.

c) A vinyl collector’s passion for the recorded music products released by musical acts from his own country of New Zealand served as the basis of an exhibition of 90 album cover art prints currently on display at that collector’s music shop in Sydenham. The store – Penny Lane – is owned by ex-Londoner Dave Howard who, according to writer Warren Feeney’s article on the show on the Stuff.co.nz site, has built “an enviable collection from the mid-1950s to the present day” and organized the show, titled NZ Cover Versions, to display a collection of covers that “traces the evolution of local music through a history of design, illustration and fine arts”.

In a show that includes interesting examples of Kiwi album art, from Johnny Devlin’s first solo album, Johnny, released in 1959 to Motte’s  2017 album Strange Dreams, there’s certainly a lot of great imagery and now, via the miracle of the Interwebs, there’s a chance for those of us living thousands of miles away to see and learn more about them – https://www.stuff.co.nz/entertainment/music/101721423/nz-cover-albums-a-celebration-of-where-art-meets-kiwi-music

2) Artist interviews/profile articles –

a) Loring from the very informative Cover Our Tracks web site sent me a link to a new post on the site that fans of album cover photography should really enjoy. Lara Kristin Herndon just contributed an interview she’s done with photographer Roe Ethridge, a commercial shooter who doesn’t have a large portfolio of album cover shots but, as you’ll see, has been responsible for several stand-outs, including one of the best-known shots from the early ‘aughts – that being the if-you-hit-me-I’ll-bleed cover photo found on Andrew W.K.’s 2001 release I Get Wet.

https://www.coverourtracks.com/single-post/2018/02/22/Body-in-Peril-The-Photographs-of-Roe-Ethridge

In addition to the I Get Wet cover, Ethridge has been responsible for an impressive portfolio of photos that have been included in shows and museum collections around the world, including institutions such as NYC’s Museum of Modern Art, LA’s MOCA, the ICA in Boston and London’s Tate Modern, as well as in publications ranging from VICE Magazine to the New York Times. Lara’s article takes advantage of her decades-long relationship with Ethridge and provides a degree of depth and intimacy we don’t see very often in articles like this.

b) CNN’s Style reporters have published a profile of prize-winning photographer/video director Ellen von Unwerth, perhaps best-known for her late 1980’s advertising and editorial works featuring the model Claudia Schiffer who then went on to create album covers and music videos for musical acts including Bananarama (Pop Life), Belinda Carlisle (A Woman & A Man), Janet Jackson (The Velvet Rope), Dido (Life For Rent), Britney Spears (Blackout), Christina Aguilera (Back To Basics) and Rihanna (Rated R), among others. A former fashion model herself, her talents behind the lens has kept her in-demand for commercial work for many years now, keeping clients including publications such as I-D, Interview, Vanity Fair and Vogue and companies including Clinique and Revlon enthralled with the works she’s produced.

Her works have been included in books and exhibitions all over the world, so I’d invite you all to spend a few minutes and enjoy watching this nice intro to a very talented shooter’s fashion work…

https://www.cnn.com/style/article/ellen-von-unwerth-fashion-photography/index.html

c) Inspired by a recent episode of RuPaul’s Drag Race show in which “the queens will be serving up looks inspired by the prince of pop art” Andy Warhol, Billboard’s Stephen Dow published an article online featuring a Billboard Pride compilation of ten instances during which Warhol “left his stamp on music” – https://www.billboard.com/articles/news/pride/8214697/andy-warhol-music-influence-rupauls-drag-race

The first several examples included in the article are ones that fans of album cover art should be quite familiar with – those being highlights of the album covers he created for musical acts such as the Rolling Stones (Sticky Fingers, as well as a Jagger solo record), Aretha Franklin and John Lennon – reminding us that Warhol’s initial success as a graphic designer came from his time spent creating dozens of jazz (and then rock) album covers. You’ll also learn a bit more about his time managing the Velvet Underground, his work as a music video director (“Hello Again” for The Cars) and the somewhat-ironic fact that, although Warhol hated the fact that David Bowie used Andy’s name as a song title, Bowie would go on to provide movie-goers with a great take on Warhol in his role as the artist in 1996’s Basquiat.

3) Sales/Auctions –

a) Goldmine Magazine’s podcast featuring Backstage Auction’s chief Jacques Van Gool about his latest memorabilia auction (titled Headliners & Legends, which was live February 16-25). In addition to talking about the autographed, artist-used guitars, RIAA-certified record awards and original Peter Max paintings that were available, Goldmine’s Pat Prince probes Jacques for more info on what might be included in some upcoming auctions (reminding us all about the fact that those running auction businesses must sometime be flexible with their schedules in order to take advantage of unique opportunities) featuring gig posters, the personal collections of music industry big-wigs, a heavy-metal (“Rock Gods & Metal Monsters”) themed auction and much more. As a collector myself (who has dropped more than a few dollars at Backstage-hosted auctions over the years), it’s always interesting to hear some tantalizing tidbits from the guy that manages to keep us all eager for the next opportunity to cover our walls with more great art and memorabilia – http://www.goldminemag.com/podcast/backstage-auctions-jacques-van-gool-guest-goldmine-magazine-podcast-episode-17

4) New Print/Book/Product RELEASES –

a) Due out in early March of this year is author John Foster’s book on album cover design/designers – ALBUM ART: NEW MUSIC GRAPHICS. What makes this book all the more interesting is that it’s been compiled and authored by an award-winning, working designer, with Foster serving as the principal of the MD-based design firm Bad People Good Things and in possession of a portfolio of notable album art credits including: Giant Sand – Provisions and Blurry Blue Mountain; Mission of Burma – Unsound; Bailter Space – Strobosphere and Trinine; Surf City – We Knew It Was Not Going To Be Like This and Jekyll Island; Mark Mulcahy – Dear Mark J. Mulcahy, I Love You; The Chills – The BBC Sessions and Silver Bullets; Wreckless Eric – Le Beat Groupe Electrique and America, among others. His commercial work has been lauded with kudos and awards from the Art Director’s Club and is featured in museums and galleries around the world. He’s also written a number of other design-oriented books included titles such as New Masters of Poster Design (Volumes 1 and 2), Paper and Ink Workshop and 1,000 Indie Posters, among others, and is an in-demand speaker at design industry conferences, so you know he knows his material through and through.

According to the book’s advance PR, this book “is the definitive guide to album cover design in the 21st Century”. In addition to the scores of examples of “innovative artworks by one-of-a-kind designers”, you’ll find interviews with designers Stefan Sagmeister, Art Chantry, Paula Scher and the dynamic duo of Spencer Drate and Judith Salavetz (among others) and collections of work by a “who’s who” of past and current album cover design such as Jonathan Barnbrook, Susan Archie, Michael Cina, Brian Roettinger and dozens of others.

The 320 page book is being released in the UK on March 8th by the noted Thames and Hudson Ltd publishing house (currently, the only link I can give you to pre-order the book is one to the item on the Amazon.com UK site – https://www.amazon.co.uk/Album-Art-New-Music-Graphics/dp/0500294151), and if you’d like to see more of Foster’s work, I’d invite you to visit his company’s site at http://www.badpeoplegoodthings.com/?page_id=2

5) Other articles of interest –

a) Speaking of Spencer Drate and Judith Salavetz – on Feb. 23rd, the two of them brought together a panel of vinyl LP lovers, including several judges from the recent ALEX Awards and the leader of the Record Store Day movement, to discuss a variety of topics – judging the major award shows, vinyl printing techniques and the momentum behind the growing vinyl record business, etc. – on the Drate/Holly Stephey-hosted web radio show called “The Vinyl Show”.

Those of you vinyl geeks who’d like to listen to the aforementioned industry experts, who were also joined by Bryan Ekus and Larry Jaffee – the producers of the “Making Vinyl” industry trade show and who announced that the next show will be held in Detroit later this year (October 1-2) and that there will also be a similar show in Europe (dates TBD) – can listen to a recording of the festivities via the following link – http://www.blogtalkradio.com/redvelvetmedia/2018/02/23/michael-kurtz-record-store-day–the-return-of-vinyl

Spencer was kind enough to send along a photo of the ALEX Award judging panel – quite the display of talent, I think you’ll agree….

 

 

 

 

 

ALEX Award Judges – Front Row, Left to Right: Spencer Drate, Judith Salavetz, Sylvia Reed, Gail Marowitz.

Back Row, Left to Right: Larry Jaffee (“Making Vinyl” show founder),Sean Mosher-Smith,Stefan Bucher, Craig Braun.

b) The nominees for the 16th IMAs in the design/packaging-related categories were announced on February 14th and, in keeping with this organization’s successful efforts to feature great examples of indie talent in the music, video and design industries, this year’s nominees include works from all over the world, in a variety of genres and styles. The winning projects will be selected by both judging panels of top recording artists (including Tom Waits, Slayer, Bakithi Kumalo, Michael W. Smith, Sepultura, Evanescence’s Amy Lee and many others) and influential press and talent buyers from the Americas, Europe and Pacific Rim and online fan voting in several categories (voting on the IMA site for the fan- selected Music, Video & Design winners begins on Tuesday, February 20th and runs through March 20th at https://fans.IndependentMusicAwards.com). Winners will be announced at a special event in NYC’s Lincoln Center on March 31st.

Nominees in the “Album Art/Photography” category include –

  • Norwegian alt-rockers Soup’s latest release titled Remedies, with cover photos by Lasse Hoile and design/layout by Håvard Gjelseth;
  • Canadian singer/songwriter Matt Stern’s Magic, featuring artwork by Laura Horrocks-Denis;
  • Norwegian musician/painter Maren Ingeborg Gråblomst’s watercolor titled Madame Clamour is featured on her alt-rock duet Gråblomst’s 2017 release also titled Madame Clamour;
  • Artist, model and singer Maxine Syjuco produced the cover for  her Chicago-based experimental rock band Jack of None’s latest EP release titled The Tattle Tale Heart;
  • The team at the Brighton, UK-based Simply Marvellous creative        agency produced the artwork for the cover for Findlay Napier’s crowd-funded record titled Glasgow and
  • Chicago-based artist, actor and playwright Tony Fitzpatrick created the cover art for the new record called Bye Bye Blackbird by the trio of tenor saxophonist Frank Catalano, Smashing Pumpkins drummer Jimmy Chamberlin and alto sax great David Sanborn.

Nominees in the “Album Packaging” category include –

  • Cali, Columbia-based graphic design studio Cactus Taller                crafted the packaging for the late Columbian Afro-Carribean star Magín Díaz’s final record – El Orisha de la Rosa (also winner of the recent 2018 Grammy Award and the 2017 Latin Grammy Award for “Best Recording Package”);
  • Designer/illustrator Greg Carr & Chris Daniels collaborated to create the cover art for soul/blues group Chris Daniels & The Kings (with singer Freddi Gowdy) 2017 release Blues With Horns, Vol. 1;
  • Lucidity Cultural Creative Design crafted the cover for the double CD set of Bhuddist music and chants from the Bliss and Wisdom Sangha & Dream Lotus Choir and Orchestra (on Wind Music) titled The Legend of the Sun King;
  • Taipei, Taiwan-based graphic artist Ming Liu designed the cover and packaging for Pop singer and composer FANN’s We Are Who We Are and
  • Vienese painter Katja Svejkovsky and her spouse, American producer puppy38 produced the cover art for p38 project hiroshimabend’s 2017 limited release ODP 048 – Rednow Gnir

In addition to the two packaging-related categories, awards are also handed out in other design-related areas such as Gig/Promo Posters, Publicity Photos, Live Performance Photos, Website Design and SWAG (AKA “merchandise), so if you’d like to see the rundown of all of the nominations in these categories, click on over to
http://independentmusicawards.com/16th-independent-music-awards-nominees/#design

c) Artists, designers, art directors, photographers and packaging experts in all related fields – here are two chances for you to show just how talented you are…The Brooklyn Waterfront Artists Coalition (BWAC), is looking for submissions to a new album cover art-based show – titled In The Groove – that will feature cover art works for both real and imaginary music acts, with the selected works put on display in the organization’s Red Hook gallery from May 12th through October 28th of this year. According to the group’s promo info for this show, “the exhibition seeks to celebrate the mutually inspiring, creative relationship between music and art, and to recognize the profound cultural impact and influence of the art form itself, its trailblazing history and ever evolving visual and conceptual strategies.”

Submissions will be reviewed and judged by the “BWAC Selection Panel”, which includes Sal Cataldi (NYC-based musician and publicist, leader of the critically acclaimed Spaghetti Eastern Music and Founder and Creative Director of Cataldi Public Relations) and Wendi Gueorguiev, BWAC Performance Series Coordinator and Exhibiting Artist. All works will be submitted online, and a prospectus with the details and instructions available for download to interested artists via this link –  http://bwac.org/2018/01/in-the-groove-national-print-exhibition-of-original-album-cover-artwork/

Questions can be directed to BWAC staffers via this email address – bwacmusic@gmail.com

Wendi tells me that they’re hoping to show at least 50 different covers during the show, and with the non-for-profit’s gallery getting thousands of visitors each season, it’ll be a great opportunity to be seen on display in what’s Brooklyn’s largest artist-run organization. Best of luck to all entrants – eager to report on who’s included when the winners are notified on/around March 17th….

d) Just added an item to the ACHOF site’s “Resources” section about an album cover art database that should be of interest to anyone wanting to find out more about the imagery used on the covers of their favorite record albums. I recently read an article on the Openculture.com site about a project that combines the talents of the crews at MusicBrainz.com and the Internet Archive who, together, have created something called the Cover Art Archive and, by the looks of things, it’s a significant storehouse of imagery and data of the album cover variety. Currently packing over 800,000 covers (with more being added daily), the Archive is also looking for contributions, so if you don’t see something in their database that you feel should be included, they’ve provided a way for you to add your content and share it with all of the site’s visitors.

There are a number of ways to search and filter the data, so if you find yourself with a LOT of freetime and want to go on a hunting expedition for, for example, “all variations of Elton John covers from 1973” (there are currently 8 in the database), you’ve got the tools to do just that… Read the article at http://www.openculture.com/2018/02/enter-the-cover-art-archive.html  and then click on over to the database at https://archive.org/details/coverartarchive&tab=collection

I’m hoping to learn more about the people behind this project and their plans for the future and, if I’m successful in that effort, I’ll share what I find with you ASAP.

e) It might seem to be an unfair advantage to some when you have an uncle who is one of the most-respected comic book artists of his time and said uncle is more than happy to contribute his talents to produce the cover art for one of your record releases but, as you’ll see in this article about the Carmine Infantino-created cover for the 2003 release by nephew Jim Infantino’s band – indie rockers Jim’s Big Ego – titled They’re Everywhere – it was the perfect image for a package that contained the song “The Ballad of Barry Allen”, as Barry Allen is the name of one of Uncle Carmine’s most-famous creations, that being “The Flash”…

https://decaturian.com/arts/2018/02/21/album-review-5/

f) Following a series of events – including a drug bust and the band’s rather-casual approach to record-making – that left them without a manager, the Rolling Stones took on the production of their 1967 album titled Their Satanic Majesties Request and, in doing so, they felt compelled to do all they could to stay in the forefront of their fans’ (and the Press’) minds after the huge impact of their rivals’ Sgt. Pepper’s release. One step in that effort was to hire the same photographer – Michael Cooper – who’d helped The Beatles create the cover image of their psychedelic masterpiece and now, 50 years later, we find ourselves revisiting both cover images, each showcasing something unique and compelling – one being Peter Blake’s design and the other the use of 3-D “Lenticular” photography and printing…

Jay Jay French writing for GOLDMINE Magazine, author Jay Jay French takes us through the details of both entries in this trippy, mind-altering “face-off” between the two records’ music and imagery – http://www.goldminemag.com/articles/great-psychedelic-face-off-sgt-pepper-vs-satanic-majesties

g) While some of us with backgrounds in production understand – and often roll with – the music industry’s tendency to relegate production credits, including those for art and packaging, to near the bottom of the list of “important things to do” when releasing the details of a new record, it is nice to see that some in the new music world are willing to go the extra mile to make sure that fans get a chance to see the names of all of the people who’ve worked so hard to deliver their favorite music products to them. Here’s an article by Lily Puckett on The Fader web site about how the Spotify Music service has now begun to include more production credit info, including packaging credits – https://www.thefader.com/2018/02/02/spotify-producer-songwriter-credits

Now, if we could only get some of the award shows to include details beyond the name of Art Director when lauding a particular cover…who am I fooling?

h) Sports/news reporters can be just as obsessive as those focused on the music business in their love for all of the trappings surrounding their favorite subject, so it’s nice – but not surprising – to see this recent article by Alberta, Canada-based writer Cole Parkinson, writing for the Taber Times/Vauxhall Advance papers and web site, regarding his opinions on what constitutes the coolest overall packaging designs he found in a recent tour through his own record collection – http://www.vauxhalladvance.com/blog/2018/02/08/dusting-off-the-vinyl-record-collection/ And while the five records he includes are mostly from the late 1990s/early 2000s, it is impressive to see how he analyses these record packages with the same passion and attention to detail that I’m sure is central to his writing about local news and issues.

i) Staying in the Great White North for our final story this month, I’d like to turn your attention to the recent publicity surrounding the group of people who got together and delivered great buckets of love and compassion when a friend of theirs suffered what would be, for most of us, a truly life-altering experience. After an operation last Summer during which noted, Juno Award-winning Canadian album cover designer Michael Wrycraft – whose hundreds of album art credits include covers such as Bruce Cockburn’s Bone On Bone, Breakfast In New Orleans/Dinner In Timbuktu and Slice O Life; David Clayton-Thomas’s Canadiana; Watermelon Slim’s Ringers; Ron Hynes’ Stealing Genius; Burton Cummings’ Up Close And Alone and others for John Cage, Ron Sexsmith, Cara Dillon and The Hillbenders (TOMMY: A Bluegrass Opera) – lost his legs to a bone infection known as osteomyelitis, his friends and admirers in the local music community came together to organize and produce a special fund-raising event that raised both money and the spirits of everyone involved.

Held at Toronto’s Hugh’s Room night club recently, “The Art of Music – A Celebration and Fundraiser for Michael Wrycraft” was put together by a team that included music producer/musician George Koller, Canadian Folk Music Awards co-founder Judith Laskin and artist/guitar-maker Grit Laskin and fetured a night of musicianship and story-telling from a number of Michael’s well-wishers and supporters.

The people running the CityNews section on the MSN site covered the event, which you can watch via this link –  https://www.msn.com/en-ca/money/video/toronto-art-community-holds-fundraiser-for-legendary-album-cover-artist/vp-BBJAPm9

Although he’s been dealing with the changes in his life such a dramatic operation has brought upon him (as evidenced by the effort it took him to just get around the Hugh’s Room venue!), Michael’s spirit remains quite high and he continues to work on new projects for clients in Canada and elsewhere, including working with the archivists at McMaster University’s Mills Library in Hamilton, Ontario who are creating a “Man Called Wrycraft” archive of Wrycraft’s prodigious output of fine art and design.

“I’m not shaking my fists at the world,” he tells The Globe and Mail. “None of this affects the best part of me – my humour, my optimism.”

You can learn more about Michael and his career as an album cover designer via his web site at http://www.wrycraft.com/wrycraftrecentwork.html

That’s all for now – stay tuned and be on the lookout for timely news alerts on our news feed – https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back early next month with another monthly summary for you.

Unless otherwise noted, all text and images included in this article are Copyright 2018 Mike Goldstein and AlbumCoverHallofFame.com – All Rights Reserved. All of trade names mentioned in these summaries are the properties of their respective owners and are used for reference only.

Album Cover Artist And Art News Summary And Preview For January/February, 2018

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ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF JANUARY, 2018, WITH PREVIEWS FOR FEBRUARY.

BY MIKE GOLDSTEIN, ALBUMCOVERHALLOFFAME.COM

The first month of 2018 really delivered for fans of album cover artistry, with kudos for Best Record Packaging and Box Sets/Limited Edition packages handed out at the Grammy Awards on January 28th along with the top picks for the annual Best Art Vinyl awards – chosen by voters around the world – announced earlier in the month on January 9th. As you’ll see in my recaps way down in Section 5, there were plenty of surprises – including a TIE (!!) – and praise handed out to the very talented producers of this year’s top vote-getters, so to all those who complain that “album art is dead”, I think that you should take a look at all of the nominated works before backing that horse from this point forward…

Some good news also about my book – I’ve just had the proposed details for my project approved by the folks at Kickstarter so, with any luck, I should be able to share a link to my project page for your review (and, if you like what you see, your support) sometime in the next month or so. With any luck, I should be able to get the books designed, printed and shipped to you sometime this Summer – and let us all say, “it’s about damn time”.

As we begin the second month of 2018, I’d like my early Valentine’s Day presents to you all to be a) my just-published interview article in the March issue of GOLDMINE Magazine (page 50) about designer/photographer/pilot Bob Minkin’s work on the packaging for some of the fan favorite Dick’s Picks records released in the early 2000s by The Grateful Dead (my second article in this magazine this year, I’m proud to say), along with the following album cover artist news summary and preview. It will hopefully be just as nourishing and satisfying as a box of chocolates and one I think you’ll want to spend a few minutes reviewing and sharing with your friends. Besides the aforementioned award details, the past month was another one chock-full of news on this topic, delivering a trove of articles I know you’ll want to read, unearthing many new details about those folks who are actively producing impressive album cover art and packaging. In the summaries I’ve written and via the links provided, you’ll learn more about the latest exhibitions, new books, prints and products and several interesting interviews and artist profiles, along with other related reporting from sources providing these details around the world. With so much to read and see, you should be pleased that I’m not one of those Americans who promotes the notion that nobody else in the world is as talented and praise-worthy as we are – just take a look at the portfolios of record packages produced by some of the people featured in this month’s summary and I think you’ll agree that their works speak for themselves…

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Album Cover Artist And Art News Summary And Preview For December, 2017/January, 2018

ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF DECEMBER, 2017, WITH PREVIEWS FOR JANUARY, 2018.

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BY MIKE GOLDSTEIN, ALBUMCOVERHALLOFFAME.COM

Wow – what a year. Who’d have thought that a guy my age could be so distracted by so many things on a day-to-day basis (world events, U.S. politics, the care and feeding of an elderly relative, etc.) and that those distractions would have postponed my ACHOF book project to the degree they have. I’m not trying to make excuses – I’ve also been guilty of a bit of laziness on nice days here in Chicagoland, where taking a nice long walk, stopping for a coffee or sitting in the gardens at the Baha’i Temple in Wilmette (just beautiful) proved to have a much stronger pull on me than staring at a computer screen all day – but I am resolving to get my Kickstarter project launching in the next month or so, and so I appreciate all of the patience that both my readers and those who’ve contributed to the book have shown while I work to put this together. In the meantime, I eagerly hope that we can all return someday to a time and place where compassion, kindness and respect for both the truth and our fellow human beings means more that counting “wins” and “losses” and seeing who has amassed more stuff, and so here’s wishing you all a happy, peaceful and prosperous New Year 2018.

As we now enter the final weekend of 2017, I’d like to present to you (“and I thought that it wasn’t supposed to be about the presents…”) this month’s album cover artist news summary, one I think you’ll want to spend a few minutes perusing during your long Holiday weekend. The month of December was another busy one for news on this topic, delivering stockings full of articles I know you’ll want to read, unboxing new details about those actively producing impressive album cover art and packaging. In the summaries I’ve written and via the links provided, you’ll learn more about the latest efforts – as found in exhibitions, via new books and products and featured in interviews in profiles and other related reporting – of some of the most-talented album cover art creators and promoters that I’ve found in my reviews of stories from sources (including me!) around the globe.

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Album Cover Artist And Art News Summary And Preview For November/December, 2017

ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF NOVEMBER, WITH PREVIEWS FOR December, 2017.

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BY MIKE GOLDSTEIN, ALBUMCOVERHALLOFFAME.COM

Greetings to you all – did you survive your Thanksgiving holiday break and the extra tablets of antacid required to manage turkey-and-stuffing-induced stomach pains? Like many of you, I’m working on knocking off some of the extra poundage I took on due to overindulgence, but with the month of news we just had, it couldn’t distract me from my duty to keep you all informed as to what took place, making it, if you’ll pardon the pun, a bit more digestible…

And so, today, on this sunny-but-chilly early December day, 2017, I present to you this month’s summary, one I think you’ll all find something of interest in. The month of November showered us with articles I know you’ll want to read that reveal new information about those actively producing impressive album cover art and packaging and, in the summaries I’ve written and via the links provided, you’ll learn more about the latest efforts – as found in exhibitions, via new books and products and featured in interviews in profiles and other related reporting – of some of the most-talented album cover art creators and promoters that I’ve found in my reviews of stories from around the world.

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Announcing the 2017 Inductees into the Album Cover Hall of Fame

By Mike Goldstein, AlbumCoverHallofFame.com

This latest class of honorees in the 6 major categories – as voted on by a world-wide panel of music, art and marketing experts in the area of album cover art & packaging – represents the “who’s who” of creative and production talent, with many recognized names from the fine art and design world.

Since officially launching the site in 2012, we’ve inducted five classes of Inductees based on the results from the group’s yearly surveys (the initial three classes focused on nominees who began their careers as album cover artists between the years 1960 – 1975, 1976 – 1990 and from 1991 – present, while the last two years’ voting looked at all producers active any time since 1960). Hundreds of additional biographies were added for consideration by the esteemed panel of writers, curators of galleries (retail and online) that focus on album cover imagery, art/design museum curators and music marketing experts.

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Album Cover Artist And Art News Summary And Preview For October/November, 2017

ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF OCTOBER,WITH PREVIEWS FOR NOVEMBER, 2017.

 

 

BY MIKE GOLDSTEIN, ALBUMCOVERHALLOFFAME.COM

Greetings once again to you all on this post-Halloween sunny-but-crisp early November day, 2017. The month of October proved to be a VERY busy one with regards to articles you’ll want to read that reveal new information about those active in the world of album cover art and packaging and, in the summaries I’ve written and via the links provided, you’ll learn more about the latest efforts – as found in exhibitions, via new books and products and featured in interviews in profiles and other related reporting – of some of the most-talented album cover art creators and promoters that I’ve found in my reviews of stories from around the world.

Of course, nothing could be more important than the work going on right now to select the nominees and, after close consideration, voting on a new class of inductees, for the Album Cover Hall of Fame. Over 200 people are being considered for this year’s Class (2017), with the winning names revealed to an eagerly-awaiting public just prior to Thanksgiving (which takes place here in the U.S. this year on November 23rd), so watch this space closely as I’m sure you’ll want to know who “made the cut” this year…

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Album Cover Artist And Art News Summary And Preview For September/October, 2017

ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF SEPTEMBER, 2017, WITH PREVIEWS FOR OCTOBER, 2017.

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BY MIKE GOLDSTEIN, ALBUMCOVERHALLOFFAME.COM

Greetings once again to you all on this first day of October, 2017. When I signed off with you 30 days ago, never did I think that I’d be sending out my next news summary on the heels of not one but three more catastrophic weather events (Hurricanes Irma and Maria and the Mexico City-area earthquake) and that millions of people in the U.S., Mexico and the Caribbean would be in such need of the basic necessities of life…then, this would be followed up in a 9/28 article by the Washington Post that detailed the results of a new Washington Post-ABC News poll that stated that, now, a majority of Americans admit that “climate change contributed to the severity of the recent hurricanes” (as opposed to the results of the same poll, taken a dozen years ago, which showed that most Americans “dismissed the role of global warming and said such severe weather events just happen from time to time”).

Ya think?

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ACHOF Exhibition Tour – Bill Graham and the Rock And Roll Revolution

Album Cover Hall of Fame Exhibition Tour – Bill Graham and the Rock & Roll Revolution (July 16 thru November 12, 2017 at the Illinois Holocaust Museum & Education Center in Skokie, IL)

By Mike Goldstein, AlbumCoverHallofFame.com

Now that I live in a city that has a long history of design innovation, it’s a challenge not to be pulled in a million different directions when I hear about exhibitions being staged at the various venues found here. To manage that, I have several alerts set that inform me of anything album art-related that might be on display, but I have to admit that I came to learn about the local staging of a travelling show that’s been drawing crowds for the past two years a bit late (i.e., just a few days before its launch) and it was only due to the attentiveness of the venue’s media person that I was able to learn more and then tour the show right after its launch late last month. People before computers, I always say…

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