Tag Archives: Roger Dean

Album Cover Artist And Art News Summary And Preview For October/November, 2017

ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF OCTOBER,WITH PREVIEWS FOR NOVEMBER, 2017.

 

 

BY MIKE GOLDSTEIN, ALBUMCOVERHALLOFFAME.COM

Greetings once again to you all on this post-Halloween sunny-but-crisp early November day, 2017. The month of October proved to be a VERY busy one with regards to articles you’ll want to read that reveal new information about those active in the world of album cover art and packaging and, in the summaries I’ve written and via the links provided, you’ll learn more about the latest efforts – as found in exhibitions, via new books and products and featured in interviews in profiles and other related reporting – of some of the most-talented album cover art creators and promoters that I’ve found in my reviews of stories from around the world.

Of course, nothing could be more important than the work going on right now to select the nominees and, after close consideration, voting on a new class of inductees, for the Album Cover Hall of Fame. Over 200 people are being considered for this year’s Class (2017), with the winning names revealed to an eagerly-awaiting public just prior to Thanksgiving (which takes place here in the U.S. this year on November 23rd), so watch this space closely as I’m sure you’ll want to know who “made the cut” this year…

As always, I ask that you please share this info with everyone you know who are fans of great album cover-related talent and, of course, your comments and feedback are quite welcome.

1) Upcoming, recently-launched/currently running and just-closed show/exhibitions –

a) As a follow-up to the article I posted last month about Malcolm Garrett and the Design Manchester show he organized (which included a panel on his work along with a special exhibition devoted to displaying the results of a Buzzcocks Orgasm Addict-related challenge he posed to scores of artists – i.e., according to the info posted by writer Aimee McLaughlin in her review on the Design Week site, “to ‘fuck up’ his original artwork and create “reframed” versions of the record sleeve. Designers that have taken part include established names such as Craig Oldham and Michael C Place, along with young and up-and-coming talent”
Another favorite display at the show was another one focused on Garrett’s entire portfolio of work for the Buzzcocks called Fizzing At The Terminals. While the show ended its run on October 22nd, you can get a decent feel for what was on display at https://www.designweek.co.uk/issues/16-22-october-2017/design-manchester-2017-favourite-exhibitions/

b) Another follow-up to a previously-reported item – you’ll recall that photographer and gallery owner Guido Harari has been working with fellow shooter Frank Stefanko to help publish and promote his new limited-edition book (Bruce Springsteen: Further Up The Road, set to be published on November 1st) and related art prints. Well, the two talented artists have also announced a tour and exhibition that will have stops both in the U.S. – November 1st at the Morrison Hotel Gallery at the Sunset Marquis Hotel in Los Angeles, then on to Morrison Hotel’s gallery in the SoHo area of New York City for an opening on November 9th – and in Italy at Harari’s Wall Of Sound Gallery in Alba, where they’ll be for an afternoon (3PM local time) opening on Saturday, November 18th.

According to Guido’s promo emails, the show at his gallery will be the only one in Europe in 2017, but there will be several other scheduled book signings and Q&A/presentations, including one later in the day (5:30PM local time) on November 18th at the nearby Coro della Maddalena, via Vittorio Emanuele 19 (as part of the “In Poetica” festival) followed by a similar event the next day at 6PM at the Circolo dei Lettori, via Bogino 9, in Turin, Italy, (produced in collaboration with Libreria Luxemburg).
More details at http://www.wallofsoundgallery.com/en/bruce-springsteen/

c) Artist Roger Dean and his chums at the U.K.’s Trading Boundaries gallery have announced the launching of a new exhibition that fans of Dean’s mind-bending imagery will most-certainly enjoy. According to the gallery, the “2017 Breaking Cover Exhibition”, which premieres at 7PM on Friday, November 3rd at the beautiful Sheffield Arms development (Sheffield Green – Nr Fletching – TN22 3RB), “This will be a wonderful opportunity to see a number of new paintings never before exhibited, and an amazing collection of Fine Art Watercolours and Sketches that are rarely shown in public.”

Making the evening extra-special – besides having the chance to meet one of the album art world’s most-respected artists – will be the official launch of a new limited-edition print of Dean’s 1973 artwork for Badger (with its winter motif just perfect for this time of year!). More info on this event and its setting can be found via these links – https://therogerdeangallery.smugmug.com/Exhibition-Dates and https://www.tradingboundaries.com/pages/roger-dean-gallery. As a bonus, there’s a short video on the second page in which Dean talks about his first commercial assignment as a designer (doing the interiors for the famed Ronnie Scott’s jazz club in London) and then his first album art commission for a band called The Gun in 1967 (you might recall their hit song “Race With The Devil”).

Last-minute update – Just announced, Prog Rock fans – get ready for a great opportunity to meet Mr. Dean and one of his most-famous clients – guitarist Steve Hackett – at a special event that will be held at Trading Boundaries on November 18th. Per their announcement – “we are excited to announce a world first… an evening with Roger Dean in conversation with guitarist Steve Hackett discussing the creative process. This is a rare opportunity to witness two legends of both music and art coming together for an evening where anything could happen!” Choose between tickets just for the conversation or, for just a few pounds more, enjoy a special 2-course dinner along with the presentation – ticket info at – https://www.tradingboundaries.com/collections/tickets/products/steve-hackett-roger-dean?

d) While not exactly an album art-specific show, the people who are putting on the upcoming Making Vinyl trade show in Detroit are folks with a lot of history in the area, and the fact that they’re both featuring a number of album packaging experts on panels and the re-launch of the ALEX Awards, which includes prizes for album cover-related projects, leads me to share the details of the show with you this month.

Keynote and panel speakers include a number of names well-known to folks like you who are paying keen attention to developments in the music-related art world, including Jack White (musician and owner of Third Man Records), Jack Stoughton (President of Stoughton Printing), Gail Marowitz (Grammy-winning album art director), Jennifer Freund (CEO of Dorado Packaging), Craig Braun (famed album art director and host of this year’s Alex Awards show), 344 Design’s Stefan Bucher and many others. The Alex Award presentation ceremonies will take place on Monday, November 6th at 7PM local time at the Westin Book Cadillac in Detroit. With hundreds of designs submitted for review this year, it’ll be interesting to see who comes out on top – of course, the information will be announced here on the ACHOF site as it’s made available.

Basic show info and a line-up of events can be found at https://makingvinyl.com/ , while specific info on the Alex Awards has been posted here – https://makingvinyl.com/alex-awards/

e) The Grammy Museum at L.A. Live recently launched a new show that presents an impressive collection of exhibits that present a career retrospective of the seminal LA punk/rockabilly band X and its trend-setting members – Exene Cervenka, John Doe, Billy Zoom, and DJ Bonebrake. With a career that began back in 1977 (with their first, Ray Manzarek-produced album Los Angeles released in 1980) and, after break-ups and reunions, still tours on occasion today, the band both represented and influenced the local music scene via both their music/lyrics and visuals – in fact, Cervenka was such an accomplished mixed-media artist that the Santa Monica Museum of Art assembled a solo exhibition of her work (titled America The Beautiful) back in 2005.

According to the Museum, the show (which will be on display until next March) will put on display original instruments and gear played by the band, original concert flyers, photographs, clothing and personal items, handwritten lyrics from Exene and John Doe and a collection of Exene’s photographs and artwork. They’ll also be showing the 1986 documentary film X: The Unheard Music, which includes a number of interviews as well as studio and live performance footage.

More info on this show is available at http://www.grammymuseum.org/exhibits/current-exhibits/x

I seem to remember that the burning X cover on the band’s debut LP Los Angeles was credited to “J. Ruby Productions” – so very punk, no?

f) The David Bowie Is exhibition continues on its successful world tour with a stop at the Brooklyn Art Museum in NY early next year (opening March 2nd and running through July 5th). This slightly-premature article by Andrew Chow for the New York Times was posted in mid-October on the paper’s web site, so if you’re looking to take a special trip into the city and need something special to build it around, here’s a nice intro to the show about everyone’s favorite musician/actor/art collector – https://www.nytimes.com/2017/10/04/arts/design/david-bowie-exhibition-brooklyn-museum.html

g) If you hurry on over to the Lucy Bell Gallery (on Normans Road, in St Leonards on Sea) before November 4th, you’ll still be able to catch what sounds like a really-intriguing exhibition of “rare and iconic” photos of Pink Floyd. Working with the auite-accomplished rock photographer – and owner of the Rockarchive gallery – Jill Furmanovsky and her crew, this show (titled Shine On) includes the works of a number of respected music-industry shooters, including Tony Collins, Colin Prime, Storm Thorgerson, Andrew Whittuck and, of course, Ms. Furmanovsky herself.

According to the gallery’s press release, the show will include images from the “band’s earliest photo shoots in Ruskin Park & Hampstead, to the recording studio at Abbey Road and on the road during the Dark Side of The Moon Tour.. the exhibition includes these and other classic images that capture Pink Floyd’s energy and unique, eclectic style both on and off stage.” Also on display will be several of the late, great Mr. Thorgerson’s alternative takes on album cover art for the band.

https://www.lucy-bell.com/exhibition/pink-floyd

g) While the 12th annual Best Art Vinyl Awards won’t be handed out until after the New Year, it requires the public’s vote to determine the winner and, in order to allow the public to see examples of the nominated covers up close, a show is being staged at The Civic in Barnsley (U.K.) beginning on the 11th of November called “12 Years On 12 Inches” that not only allows attendees that opportunity, but also to participate in several related events, including a “make your own record cover-based linocut workshop”!

With the Barnsley show curated by Jason White, the show will also be duplicated in two other European cities starting with the letter “B” – Bologna and Budapest – thus allowing album art fans from all over the Continent the chance to review the works and then go online to cast their votes for their favorites. Mr. White is also going to be staging a related display at the multi-media event center that will be called “Best Art Vinyl Barnsley” and will show off the album packaging talents of local musical acts and album art producers.

To read more about these exciting happenings, visit – http://www.barnsleycivic.co.uk/events/best-art-vinyl-barnsley and http://www.barnsleycivic.co.uk/events/best-art-vinyl-12-years-on-12-inches

For more information on how to participate in the album art workshop on Saturday, November 11th, please click on over to – http://www.barnsleycivic.co.uk/events/record-cover-lino-cut-workshop

This isn’t the first album cover show staged at The Civic. After a re-development project was finished in early 2009, an album art show called “Gatefold to Download” drew large crowds to the new space, with contributors to the show including Malcolm Garrett (Buzzcocks, Duran Duran, etc.), Mark Farrow (Pet Shop Boys, Spiritualized, etc.) and Rob O’Connor/Stylorouge (Blur, George Michael and others).

h) In late October in Lagos, Nigeria, a career-spanning show built around the 26 album covers designer/illustrator Lemi Ghariokwu crafted for Afro-Beat superstar and human rights activist Fela Kuti before Kuti’s untimely death in 1997 was staged, with Lemi on hand to speak to attendees about his art and his friendship with the beloved and mystical entertainer (when you get a million people showing up at your funeral, I think you can say that you were “beloved”. Lemi was the principal artist for Polygram in Africa for 11 years, also creating stunning packages for stars including Lucky Dube, Miriam Makeba and Bob Marley.

You can read more about the man, his art, his friend Fela and more on the 360nobs.com web site – https://www.360nobs.com/2017/10/lemi-gharioku-temple-management-presents-afro-artbeat-exhibition/

2) Artist interviews/profile articles –

a) It’s nice to have friends in the business…As is so often the case, many musicians have had advanced training in design and the other visual arts, so when the popular band The National wanted to prepare a host of goodies to go along with the release of their latest record (Sleep Well Beast), they turned to friends to help them conceive and then produce not only “the regular stuff” (i.e., album art, t-shirts, posters, etc.) but also a host of other goodies and promotional materials – including billboards and video shorts – that would bear the record’s logo, color scheme and other design cues. Turns out that the band’s bassist, Scott Devendorf, had worked for the noted NYC design firm Pentagram, and so a collaboration with one of that firm’s partners – designer Luke Heyman – was bound to create something unique and impressive.

Via this link, you can take a look at the results of this partnership via this nice article by contributor Gunseli Yalcinkaya on the Dezeen.com site –
https://www.dezeen.com/2017/09/08/pentagram-designs-corporate-visual-identity-national-sleep-well-beast-album-cover/

3) Sales/Auctions –

a) John Lennon’s personal copy of a prototype – complete with Lennon-drawn artwork on the back – of the infamous The Beatles Yesterday And Today “Butcher Cover” is just one of the several album art-related items up for bid as part of the Heritage Auction house’s November 11th Entertainment Auction – https://entertainment.ha.com/c/auction-home.zx?saleNo=7164&ic=breadcrumb-entertainment-071515-interior

In addition to that rarity (which, incidentally, had an opening asking bid of $100,000), there’s an alternative shot – a 12” x 15” B&W, fully-autographed print – taken by photographer Robert Whitaker in late 1964 from the album cover photo session for The Beatles ’65 (opening bid of $10,000). There are several other album cover-related items being offered, including one item that brought back memories. Remember, back in the 70s, the popular custom of taking a gatefold album cover and lining it with aluminum foil for use as a cheat towards a quick sun tan (i.e., those of you who weren’t using the same cover to separate the sticks and seeds from your favorite smoking materials)? Well, Elvis Presley selected his favorite Seals & Crofts LP – Summer Breeze – from his collection to make his own reflector, and for a starting bid of $750, you can works towards making it your own!
Happy bidding, everyone!

4) New Print/Book/Product RELEASES –

a) Noted design authority Steven Heller and writer Greg D’Onofrio have just published a new book on mid-century design masters, including some that worked in the album art field, such as Saul Bass Robert Brownjohn, Neil Fujuita, Reid Miles and the man credited as “the father of the album cover”, Alex Steinweiss (all members of the ACHOF list of “Original Influencers”)

Titled The Moderns: Midcentury American Graphic Design, the 336-page, profusely-illustrated book introduces the reader to the people that created and molded “modern” graphic design beginning in the middle part of the 20th century, bringing their unique takes to designs for print publications, advertising and other forms of promotion, typography and packaging of products of all types. According to the publisher’s (Abrams Books) web site, the book “is the first comprehensive survey of this phenomenon that shaped our visual environment, presenting the work and lives of sixty-three graphic designers. Some were émigrés (including five Bauhaus students and faculty) who brought the gospel of Modernism to America from its sources in Europe. Others were homegrown talents who encountered Modernism in schools and offices at home and abroad. Together, they formed a multigenerational community, learning from one another and forging their individual practices through rigorous engagement with the esthetics of the movement.”

See who’s included – https://themodernsbook.com/ and, to read a review offered up by Theo Inglis on The Creative Review (UK) site, click on over to – https://www.creativereview.co.uk/making-moderns-midcentury-american-graphic-design/

b) Photographer Brian Griffin’s long-awaited music industry career-covering book, titled POP, was finally (and gratefully) released on October 26th, with a special release party and exhibition of over 30 of Brian’s best-loved images being staged both at, and to coincide with, the 2017 Soundedit Festival (for music producers and sound designers) that ran from the 26th through the 29th in Lodz, Poland.

Brian’s been a long-time supporter of this festival (in fact, in 2014, he presented John Cale with the event’s “Man With The Golden Ear” award) and is excited to be able to begin delivery of this book, which features essays by acclaimed music writers Terry Rawlings and Paul Gorman and comes to life after a successful Kickstarter campaign earlier this year. Limited to 1000 copies, the 392 pages contain many of Brian’s best-known album cover images for acts including Depeche Mode, Echo & The Bunnymen, Elvis Costello, Iggy Pop and many others. Learn more about the book via the publisher’s web site at http://gostbooks.com/books/69/pop

…with those of us unable to make it to the event being able to read nicely-illustrated articles about the book via these links – https://genesisimaging.co.uk/brian-griffin-pop-book-launch-exhibition-soundedit-2017/

https://www.newyorker.com/culture/photo-booth/the-stories-behind-brian-griffins-portraits-of-seventies-and-eighties-rock-stars

http://www.heraldscotland.com/arts_ents/15624052.The_Look_of_Love__Brian_Griffin_on_shooting_the_stars_of_1980s_Pop/

c) Speaking of crowd-funded art projects, there’s a new endeavor on Kickstarter that’s looking for support that I thought you might want to learn more about as it includes opportunities not only to receive a specially-produced collection of music as a reward but also to take home one of several very-unique works of art by famed designer Cey Adams. The Smithsonian Anthology of Hip Hop & Rap is, according to the site, “a landmark collection of music, stunning visuals, and powerful stories collected in a 300-page book and 9 CDs.”

With packaging designed by Adams, the founding Creative Director of Def Jam Records, it’s certain to be an eye-and-ear-pleasing package, with special promo items including a limited-edition (one of just 5) fine art print of an alternate album cover from Public Enemy’s Fear of a Black Planet, signed and numbered by artists B.E. Johnson and Adams, as well and PE’s Chuck D himself (at the $5000 level). Already sold out (at the $1500 support level) was a prize package (5 total were made) that included a pair of Adidas sneakers that had been hand-painted (no two alike!) by Adams. The goal is to raise $250,000 before the Nov. 16th cut-off date for funding. As of this date, over 1300 supporters have pledged over $165K, so they look to be on their way to a successful funding effort.

Reserve yours today at https://www.kickstarter.com/projects/smithsonian/smithsonian-anthology-of-hip-hop-and-rap

Here’s a recent ArtDaily article on this project as well – http://artdaily.com/news/99623/Smithsonian-launches-drive-for-major-hip-hop-anthology

d) Also in late October, I received an email with a reminder that there was to be a big book launch party in London for author/historian/all-around nice person Jennifer Otter Bickerdike’s new book (previously described in my news feed) titled Why Vinyl Matters. It all took place at the Rough Trade East record shop in Brick Lane, with Jen bringing some friends along to liven up the launch party, including Julia Ruzicka of Future of the Left and Terry Hall of The Specials and Fun Boy Three. A great time was had by all, and you can take a look at what’s inside Jen’s new book via the following link – https://www.roughtrade.com/us/books/why-vinyl-matters

e) My alert feed brought two items on the Absolute Sound site regarding album cover art books to my attention – one we’ve covered (Art Record Covers by Francesco Spaminato and Julius Wiedemann, published by Taschen – read my March, 2017 interview with Mr. Wiedemann on the ACHOF site at https://albumcoverhalloffame.wordpress.com/2017/03/08/interview-with-taschens-julius-wiedemann-about-his-newest-book-art-record-covers/ ) and one we have not, Visual Vinyl, produced by Heerlen, Netherland’s Schunk Museum and published this past May by Verlag Kettler (and ACC Publishing here in North America), that documents the 2015-16 show at the Museum curated by Harry Prenger built around the collection of vinyl record fan and design guru Jan Van Toorn (AKA “JvT”).

According to the museum’s promotional materials, Visual Vinyl was “a major exhibition devoted to record cover art. This unique collection of LPs, singles and other vinyl rarities will be exhibited at SCHUNCK* from November 2015 onwards. The records form part of the collection of vinyl aficionado and collector, Jan van Toorn, and have never been on public display before…Records and sleeves spanning four decades, with designs representing the work of over a thousand visual artists (with or without the collaboration of “pop” musicians) will be on show.”

This exhibition included many examples of album covers and packages that were created by well known names from the fine art world, including Andy Warhol, Jean-Michel Basquiat, Salvador Dali, Damien Hirst, Shepard Fairey, Banksy, Mark Ryden, Raymond Pettibon and Jeff Koons, among others.
http://www.theabsolutesound.com/articles/where-art-meets-music/
http://schunck.nl/agenda/visual-vinyl/

f) LA-based photographer Afshin Shahidi has released a new book titled Prince: A Private View, created after plowing through his portfolio of exclusive photographs of the late rock star – shot in his home, studio and on stage – with many of the pictures never seen before their inclusion in this book. Shahidi is credited for his work on the covers/packages of Prince records including One Nite Alone…Live!, Live At The Aladdin Las Vegas, Planet Earth, Musicology and 3121 (and has shot covers and/or directed music videos for acts including Nas, Rob Thomas, Herb Alpert, The Afghan Whigs and Bare Naked Ladies), but it was his long-standing relationship with Prince that enabled him to capture the musician in a host of intimate and candid photos.

According to Shahidi, as he explained to the folks at ABC News in a feature they recently produced on Afshin and his book, “The album covers for me … are what I was most proud of,” Shahidi said. “I still, to this day, when I see the album cover, I think, ‘Wow … I took that picture.’ Makes me really happy.” “For me, each time I was with Prince, I was still, like, ‘Wow, I’m standing here with Prince!’”

http://abcnews.go.com/Entertainment/princes-private-photographer-shares-images-late-singer/story?id=50651065

Writing for The Source site, J. Quinones provides us with a bit more detail about the book and the relationship that it was built upon – http://thesource.com/2017/10/24/414889/, and the photographer also adds to the conversation via a special site that’s been set up to let fans review the book and its contents – https://princeaprivateview.com/

5) Other articles of interest –

a) Every once in a while, we’re all given the opportunity to show off just how much we know about famous album cover art and the musical acts that support it, so I was eager to test my chops on NME’s most-recent album cover quiz – one that’s differentiated from many others by the fact that they’re showing “less popular” bits of these covers’ overall image. Well, I got 17 out of 30, which is shameful, but I admit that I don’t know a lot about some of the newer international acts included in the survey. I can only hope and assume that many of you will do much better than this old(ish) man.
http://www.nme.com/blogs/nme-blogs/album-detail-quiz-2146415

One bone to pick with the quiz’s creators – I do really wish that they would have showed the entire album cover when the answer was revealed – how am I supposed to have learned anything from this exercise (beside that I was wrong nearly half the time)? Turn it into a “teachable moment” next time, people…

b) So while we’re carefully perusing covers from now on for “the less popular bits”, will we also be on the lookout for all of the hidden messages and clues that are built in to the works of art? Purple Clover’s Kevin Hayes will be, that’s for sure, as he seems to see things where others might not. Recently, he posted an article that presents 14 album covers in which he asserts there’s more than meets the eye, such as Paul McCartney’s hand-lettered message of love to his wife Linda found on the cover of his 1971 solo release Ram, the multiple faces and a hula skirt that are found in artist Lee Conklin’s “Lion” drawing done for Santana’s 1969 debut album and, one of my favorites, Mouse & Kelley’s really hard-to-see “We Are Acid” sub-text found in the lettering for the Grateful Dead’s 1969 release titled Aoxomoxoa.
Bring your Visine and take the tour at – http://www.purpleclover.com/entertainment/8048-album-covers-hidden-message/

c) Not one but two detailed “making of” articles about Rolling Stones album covers hit the web recently, with staffers from the UK’s Far Out Magazine site digging deep to provide the straight poop about how the cover for the band’s The Satanic Majesties Request (which offered us a 3-D “lenticular” image shot by Sgt. Pepper’s photographer Michael Cooper) – http://faroutmagazine.co.uk/the-cover-uncovered-their-satanic-majesties-request-the-rolling-stones/ , while over on the LA Weekly site, writer Matt Wake interviews two of the most-respected album cover contributors of all time – designer John Van Hamersveld and photographer Norman Seeff – about what it took to produce the highly-detailed gatefold cover for Exile On Main Street, which also included a back cover shot taken in downtown Los Angeles (on Main Street, of course) by famed photographer Robert Frank.
http://www.laweekly.com/music/how-the-rolling-stones-exile-on-main-st-was-finished-in-los-angeles-at-sunset-sound-8594714

d) Appearing this month to provide the keynote address at this year’s Society for News Design (SND) conference in London will be a designer who’s left lasting impressions on all aspects of the graphic design business – designer, creative director, typographer and currently the Dean of the School of Communication at the Royal College of Art (UK), Neville Brody. Album art fans will instantly recall Brody’s work on album covers for the Stiff Records label and others – The Slits – Return of the Giant Slits; Cabaret Voltaire – Red Mecca, 2X45, Johnny YesNo and The Original Sound of Sheffield 83/87; 23 Skidoo – Seven Songs, The Culling is Coming, Urban Gamelan and Just Like Everybody; Depeche Mode – Singles Box, Vol. 1 and Throbbing Gristle’s Five Albums, among others.

His impressive bio includes stints as the art director for magazines such as The Face and Arena, with his more recent work managed via his role as the principal of his design firm brody associates including projects for clients in many industries world-wide, including media companies such as the BBC, D&AD, The Guardian, MTV Europe, Paramount Studios, The Times (London) and Wallpaper* Magazine, venues such as Parco (Japan), The Barbican (London) and the Institute of Contemporary Arts (London) and retail product firms including Apple, Asics, Bentley, Bonfire Snowboarding, Chloe, Deutsche Bank, Dom Perignon, Homechoice, Microsoft, Nike, Salomon, Sony Playstation, YSL and many others. Fans of print newspapers will most-likely know Brody from the fact that he developed Times Modern for The Times of London newspaper, the first new font for the publication since Times New Roman was introduced in 1932.

Brody’s keynote takes place on November 3rd, with more information about the conference and its related displays and events available at – https://www.snd.org/2017/10/neville-brody-is-keynote-speaker-at-snd-london-2017/

e) The licensing world continues to show the love to The Beatles (just goes to show you – spend a little bit up front on great art for your music products and it could reward you over and over) as you’ll read in this recent Business Insider “Insider Picks” feature about the new socks sets from Swedish socks company Happy Socks bearing some of the artwork used in the making of the band’s 1968 animated psychedelic film Yellow Submarine. http://www.businessinsider.com/happy-socks-the-beatles-yellow-submarine-collection-2017-10/#happy-socks-x-the-beatles-collector-box-set-1

For only $84 for the set (slightly cheaper on Amazon.com), fans of the Fab Four who must own everything ever made featuring likenesses of the band can satiate that hunger and own a customized, LP-sized/shaped box containing six pairs of “limited-edition”, colorfully-decorated, Pepperland-themed socks. While, for $14 per pair, you can purchase four of the six total designs – blue Glove, “monsters”, Pepperland and Chief Blue Meanie/Jeremy – buying the set of six gets you an Apple pair and a Yellow Submarine pair as well, with the box thrown in for free (such a deal!).
https://www.happysocks.com/us/thebeatles/

The company also has assembled a line of socks and boxer shorts featuring designs that came from a collaboration with electronic music star/record producer Steve Aoki… https://www.happysocks.com/us/steveaoki/

f) Having recently watched a new animated Halloween TV special built around Michael Jackson-related music, imagery and unique world view (titled Michael Jackson’s Halloween – not sure if it’ll become a classic, but we’ll see…), it’s clear that the Jackson estate is eager to continue to push into uncharted production territory, as is evidenced by the new Michael Jackson SCREAM AR “augmented reality package” included as part of his recently-released compilation by the same name. A joint-production of Jackson’s team along with Sony and Shazam, customers will be treated to a unique experience when they use the music discover app’s camera feature to unlock hidden content when its pointed at the poster included in the package. Read more about it in Gil Kaufman’s coverage of the product on the Billboard Magazine web site – http://www.billboard.com/articles/columns/pop/7981733/michael-jackson-scream-compilation-augmented-reality

Personally, I’m going to be happy waiting for the chance to see the Michael Jackson ONE show in Las Vegas someday – no devices (other than my eyes and ears) required.

g) Finally, I wanted to give you an update on “Flying Pigs In Front Of Trump Tower in Chicago” project I reported on a while back. While the installation had been scheduled to be up before the end of the Summer, the organizers ran into a snag or two and, while it has delayed our chance to enjoy some Pink Floyd-inspired (and Roger Waters-approved) shenanigans here in the Windy City, it is giving the organizers some time to raise some additional funds that they’d need to do this properly – https://archpaper.com/2017/07/trump-sign-flying-pigs-delayed/

The inflatable pig icon that was used by Hipgnosis in their efforts to fly one over the Battersea Power Station to create something special for the cover shot for Animals has reappeared many times since its 1977 premiere, at concerts for both Pink Floyd and Roger Waters as well as in the background in several movies, Danny Boyle’s 2012 film shot for the Olympics and even an episode of The Simpsons, so this particular use is not without precedent and would certainly make my day…

That’s all for now – be on the lookout for timely news alerts on our news feed – https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back early next month with another monthly summary for you.

All text and images included in this article are Copyright 2017 Mike Goldstein and AlbumCoverHallofFame.com – All Rights Reserved. All of trade names mentioned in these summaries are the properties of their respective owners and are used for reference only.

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Album Cover Art and Artist News Summary for the Month of April 2017

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ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF APRIL, 2017

Happy May 1st to you all. While the weather here in the Chicago area has certainly swung towards Springtime (a day spent in the gardens at the nearby Baha’i Temple found the magnolias and spring flowers in full bloom), it hasn’t quite “stuck the landing”, but I’ve gone ahead and planted basil on my balcony and can vouch for the fact that there are trees with leaves on them as I look out my office window as I write this month’s summary and continue to work on my book.

Speaking of which – I’ve scripted my presentations for my upcoming crowd-funding project and, with any luck, will have something for you to look at quite soon. As I mentioned before, I’m mostly focused on deciding what to/not to include in this first collection (that’s been the toughest part, because I want to share everyone’s stories), but it looks like this will be a 400+ page book, so fans will most certainly find things in it relating to many of their favorite album cover creators. I also finished my inventory of the premiums (art prints, mostly) that will be used to incentivize you to support me at various funding levels, so I do hope you’ll take a look at my offering once it’s up and running. More to come, for sure.

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Album Cover Art and Artist News Summary for the Month of February, 2017

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ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF FEBRUary, 2017

by Mike Goldstein, AlbumCoverHallofFame.com

Greetings from Chicagoland. It’s “awards season”, what with the Grammy Awards, BAFTAs, Writer’s Guild and Independent Spirit Awards and, to end the month with a bang,  the Oscars (followed, in a few months, by another flurry including the Billboard, Tony and BET Awards shows). I don’t know about you, but I’m growing a bit overwhelmed by the sheer number of these shows and am somewhat confused as regards their relevance beyond the steady stream of production-related income enjoyed by the folks that stage them…Of course, people should be proud of what they do and want to praise the best examples of work within their respective fields of artistic endeavor, but I find it somewhat sad that some of the most-talented people – those working behinds the scenes, with their credits listed well-down from the top (you know, the part that’s sped through at an impossible-to-read pace during on-screen credit rolls) – are only mentioned in passing or, as we saw during the Oscar telecast, relegated to their own sparsely-attended and covered award ceremonies. Trust me, I understand why this is the case. I mean, who wouldn’t rather see a popular musician’s acceptance speech than hear from the recording engineer or the music video director (or the team that created the group’s logo and album cover), so that’s what sponsors and fans expect to see during an award show telecast. I guess that we fans of cover art can only take solace in the fact that you’ll probably see many more people wearing Dark Side of the Moon t-shirts than clothing emblazoned with a photo of Katy Perry thanking her fans, the label, her manager and her accountant for their support…

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Interview with Isle of Man PO’s Paul Ford on The Islands and Bridges Stamp Set by Roger Dean

Interview with Paul Ford, Stamps & Coins Coordinator, Isle of Man Post Office (UK) about the Islands & Bridges stamp set by Roger Dean

 

Roger Dean Islands and Bridges

by Mike Goldstein, AlbumCoverHallofFame.com

This past August, I reported on an art show that was taking place on the Isle of Man built around the works of artist Roger Dean.  With a portfolio that includes not only album cover imagery but (both alone and working with his talented brother Martyn) stage designs, architecture, calendars and a wide variety of merchandise, Dean’s fantastic work continues to impress fans with its ability to transport you to places beyond the imagination. He has worked in many different media, creating designs and illustrations for commercial and fine art customers, including several  architectural designs he’s done of dream-like living spaces and furnishings.

In addition to this show – titled Islands & Bridges – that ran through mid-November at the Manx Museum – a National Heritage organization on the U.K.’s Isle of Man – Dean’s works served as the basis for a collection of postage stamps produced by the Isle’s Postal Service, an organization that has gained a world-wide following of collectors who have been impressed with their previous series of collectibles, including specially-commissioned stamps featuring quintessential U.K. and Isle of Man subjects such as the works of the Aardman animation studio (Morph, Wallace & Gromit and Shaun The Sheep), artist Matt Sewell’s illustrations of birds and, of course, the Isle of Man TT motorcycle races.

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Album Cover Art and Artist News Summary for the Month of January, 2017

ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF january, 2017

By Mike Goldstein, AlbumCoverHallofFame.com

Greetings from Chicagoland. The other night, I went to my first local Grammy chapter event – something dubbed a “member celebration” (due to the fact that there are scores of Grammy nominees living in the area) and held in a ballroom at a local landmark – the Chicago Athletic Club on Michigan Ave. Having moved here from Portland and having participated on occasion in local events sponsored there by the Pacific NW chapter (based in Seattle, about 3 hours away), it was great to see an event so well-attended and easy-to-get-to at the same time. The highlight for me that evening was a performance by the Chicago Children’s Choir, a group of young people from all over the city who, when assembled and lead by a talented director, lifted spirits with an impressive set. It would also be inspiring to be able to work with both this and other local professional organizations to promote the talents of people that contribute great designs to the music industry, so wish me luck in my efforts.

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Album Cover Art and Artist News Summary for the Month of December 2016

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ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF DECEMBER, 2016

So, we’re done with 2016 – let us all heave a sigh of relief. What a year.

While I typically have a lot to say in these intros, I find myself somewhat shell-shocked and, therefore, at a loss for words, so I suppose that, rather than ramble on meaninglessly, I should simply relate what’s new and exciting in the world of album cover artistry. Whenever I’m in a funk, I trek on over to my favorite art museum and find something to inspire. Several days ago, my wife and I set out on a trip to the fabled Chicago Art Institute and, on the way, stopped at the impressive Chicago Cultural Center (a must-see for classic Chicago architecture fans) and, much to my surprise, found an excellent show of the works of Harlem-based abstract expressionist painter Norman Lewis on display (PROCESSION: The Art of Norman Lewis is on display until January 8th – https://www.cityofchicago.org/city/en/depts/dca/supp_info/norman_lewis.html). Music – particularly, jazz – influenced a number of Lewis’ works (his brother Sol was a musician), and although he never did an album cover (at least, not to my knowing), it was uplifting to see such creativity and imagination on display that drew inspiration from the local music scene. And while Lewis didn’t garner the art world fame that many of his other WPA-era contemporaries did (Jackson Pollock, Mark Rothko, etc.), I am glad to have been able to discover his talents at this point in my life – it made me smile again.

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Album Cover Art And Artist News Summary For The Month Of September, 2016

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ALBUM COVER HALL OF FAME’S ALBUM COVER ART AND ARTIST NEWS RECAP FOR THE MONTH OF SEPTEMBER, 2016

It’s the beginning of October, 2016, with the Fall season in full force here in Chicago – leaves changing colors, the humidity taking a back seat to crisp evening temps and, for those of us new (again) to the area, the famously-frigid Winter weather looming in front of us, with only the thoughts of a hot deep-dish pizza making the prospects tolerable. If you’re either a hearty soul or someone living in warmer climes, I hope that all you’re thinking about right now is a) “how will I survive this Election season?” (don’t forget to VOTE!) and b) “what the heck is going on in the album art/artist world these day, to which I’d like to propose that you now spend a few minutes catching up on your album cover art/artist-related news which, as you all know by now, you’ll find summarized in both my weekly and monthly recaps.

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Album Cover News Summary For August, 2016

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ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF August, 2016

It’s the beginning of September, 2016, with Labor Day upon us, marking the “official” end of this year’s Summer season. If you’re done packing your kids off to school and find yourself with a little extra “me-time” during the day, I’d like to propose that you spend a little time catching up on your album cover art/artist-related news which, as you all know by now, you’ll find nicely-summarized in my weekly and monthly recaps.

In this month’s summary – continuing on in the much-appreciated “less talk, more info” format I launched several months back – the people that make our favorite album imagery continue to make news with their ongoing contributions to the field of album art/packaging, contributing to the ongoing stream of articles, interviews, info on museum and gallery shows and the like on a wide range of related topics. Enjoy the read and let me know if you have any questions or comments:

1) Upcoming, recently-launched and just-closed show/exhibitions –

a) Launching September 1st at the San Pedro (CA) First Thursday Art Walk is an exhibition at the huZ Gallery featuring a selection of the photo portraits taken over the past 40+ years by photographer Peter Figen, a man who has produced stunning promo images of top talent including George Harrison, Bonnie Raitt, Doc Watson, Townes Van Zandt along with album package photos for David Grisman, Robert Earl Keen, Chris Hillman, Carl Verheyen and many others. With a career that was jump-started while shooting at an early 1970s Hot Rise show in California and being spotted by the art director for Frets Magazine, who asked him to submit his shots after the show, Figen has used his passion for folk/roots music to create confidence in his abilities as a photographer in his well-known subjects, with the results now on display during this gallery show. Writer Kathy Leonardo posted this profile on the artist recently on the Huffington Post site – http://www.huffingtonpost.com/kathy-leonardo-/music-and-photography-sha_b_11298832.html – while those interested in seeing and learning more about this new print collection can click on over to the gallery’s site at http://www.huzgalleries.com/ . The gallery has also teased visitors with the fact that they’ll also be unveiling several new photo prints of a ready-to-be-discovered young musician named Elvis Presley taken by an Air Force photographer during a performance in Lubbock, TX in 1955…

b) Running now through September 10th at the Gabba Gallery on Beverly Boulevard in West Hollywood is a show featuring over 80 real and not-so-real album cover works created by a whole host of well-known and soon-to-be-well-known artists that’s called Cratedigger: The Lost Art of Album Cover Art. According to the gallery’s press, the exhibition “celebrates one of the twentieth century’s most influential art forms – the record sleeve cover. Curated by (gallery owner and accomplished artist in his own right) Jason Ostro, the exhibition showcases the work of 85 local and international artists. Each artist has imagined a cover design for a real or fictional album. Just like classic record covers, every piece in the show is 12” x 12”…

The gallery also shows music-related works by artists including Joey Feldman, Jules Muck and photographer Jeff Kravitz, so there will surely be a lot to take in during your visit. More info on the album art show is available on the gallery’s site – http://www.gabbagallery.com/cratedigger

c) Photographer Gerald Fearnley cemented his place in rock and roll album art history with the shot he provided for the cover of David Bowie’s debut record, but the folks at the Snap Gallery in London didn’t stop with just that image when they organized a show built around a recently-unearth cache of ’66 – ’67-era photos of the soon-to-be-recognized creative force that was Mr. Bowie. Fearnley was introduced early on to Bowie through his brother, bassist Derek Fearnley, who played in Bowie’s early backing band The Buzz, and used that access to arrange for a series of photo shoots that produced what looks to be a fascinating collection for fans of the era’s music and fashion. You can read an intro on the show – which runs through September 24th – via Tom Pinnock’s quicky posting on the Uncut site – http://www.uncut.co.uk/news/david-bowie-exhibition-feature-unpublished-photographs-86903 and get further details directly from the Gallery via this link – https://www.snapgalleries.com/exhibitions/bowie-photographs-by-gerald-fearnley/

d) The Buddy Holly Center in Lubbock, TX is where you’ll find a major collection of photos of rock’s best-known female stars taken by shooter (that takes on a new meaning in TX, no?) Anastasia Pantsios, an artist who’s been busy taking great photos for rock music clients including AC/DC, Journey, Eric Clapton, Michael Stanley and many others over the past 40+ years. Titled ” “Girls on Film, 40 Years of Women in Rock”, the show was originally organized several years ago and has been updated to include both some of Pantsios’s earliest works (e.g., Grace Slick with Jefferson Airplane in 1969, Deborah Harry in Blondie and mid-70s Patti Smith) and later examples including Gwen Stefani, Nelly Furtado and Shirley Manson of Garbage. While no longer working with clients in the music business (what, you want to get PAID to do your work?), Anastasia can look back proudly on her contributions to several Cleveland, OH-area publications including The Plain Dealer (where she also contributed as a writer) and alt weeklies including The Free Times and Cleveland Scene. More info on this show, running now through September 11th, via this article on the LubbockOnline.com site – http://lubbockonline.com/filed-online/2016-07-30/kerns-buddy-holly-center-displays-photo-exhibit-influential-women-rock#

e) What a combination – a prime collection of wonderful paintings and prints of worlds beyond our own put on display in a museum located on a mystical island! From now until the 19th of November, visitors to the Manx Museum – a National Heritage organization on the U.K.’s Isle of Man – can tour a collection of works by the impressively-talented Roger Dean, best-known to album cover art fans for his contributions to the visuals for bands including YES, Uriah Heep, Asia, Osibisa and many others.

With a portfolio that includes not only album cover imagery but (both alone and working with his talented brother Martyn) stage designs, architecture, calendars and a wide variety of merchandise, Dean’s work continues to impress and astound fans with its ability to take you to the farthest reaches of your imagination. You’ll find works in many media, including several models of designs he’s done for living spaces you can only dream you’d be able to live in. An article on the Isle of Man web site provides an intro – http://www.isleofman.com/News/details/80357/islands-and-bridges-the-art-of-roger-dean  while additional details are available on the museum’s site – http://www.manxnationalheritage.im/whats-on/detail/islands-and-bridges-the-art-of-roger-dean/

f) Since the time of the Woodstock Festival at the end of the 1960s, the exhibition of fine art with music has gone hand in hand, with everyone from poster/merch designers, painters, fabric artists and many other disciplines plying their wares and providing the visual backdrop for attendees at these festivals. One of the latest examples of this was on display recently during the Panorama festival held on Randall’s Island in New York City (as seen via the AFP-penned article that appeared on the ArtDaily.com site – http://artdaily.com/news/88984/For-New-York-s-new-festival–an-immersion-in-art).

Organized by the same team that puts on the popular Coachella festival (i.e., Goldenvoice), the festival features an area called The Lab which, according to the promoters, is an “interactive experience which features installations that combine technology, artistry, and design, created exclusively by New York-based artists for display only at PANORAMA.” Inside The Lab is “The Dome”, which is a huge dome that accommodates up to 400 people at a time and provides a 3D Virtual Reality display using music, animation and other forms of “immersive media”. The works of 11 studios combined to make this experience a fun and fascinating one, providing festival-goers with a place to take a break from the performances by acts including the Alabama Shakes, Arcade Fire, Kendrick Lamar, LCD Soundsystem and the act which has produced a number of very interesting album covers the past couple of years, FKA Twigs.

g) Friend of ACHOF Emily Smeaton of the UK’s Hypergallery was kind enough to share the details of an upcoming event that should be of great interest to anyone interested in both seeing a superb collection of album art prints and hearing from two of the most-respected designers in the field. Beginning on September 26th in lovely Henly-On-Thames outside of London, our chums at Hypergallery will host a pop-up exhibition called “The Art of the Album Cover” that will feature ” prints by Literary Festival speakers, from the days when all music was vinyl, and album covers became an art form of their own.” On the last day of the event – Sunday, October 2nd, at 5pm local time, in the Town Hall venue – two of rock music’s design greats – Aubrey (Po) Powell, the co-founder of the celebrated design studio Hipgnosis (best known for their covers for Pink Floyd, Led Zeppelin, Black Sabbath, Peter Gabriel/Genesis and many others, and author of a book on his studio’s work titled Hipgnosis Portraits) will be joined by Richard Evans (who, in addition to his many well-known album art credits both with the team at Hipgnosis and on his own, was author of The Art of the Album Cover book) where, according to Emily’s note, “the two artists will be sharing anecdotes from the time they spent at the epicenter of the rock and roll tornado of the late 1960s and 1970s.” After the event, Hypergallery will host a book signing and exhibition of the authors’ design work in their print room, just across from the Town Hall. You’ll be able to meet the authors, have a drink or two and view the great collection of works that will be on hand.

Advanced tickets for the event are now on sale via the link – http://tiny.cc/hlf_artofthealbum  and you can visit the gallery’s site at https://www.hypergallery.com/event_hlf/  for more details. Of course, I will work to get hold of any photos, transcripts or videos that emerge from this event, so stay tuned. I am, of course, immediately jealous of anyone who’ll be able to attend this event…

h) Having just celebrated his 75th birthday (Happy Birthday, John!), graphic design superstar John Van Hamersveld marked the occasion with the launch of a new exhibition (running now thru October 16th, at the Manhattan Beach Art Center in Manhattan Beach, CA) titled Contemporary Post Future! The Dichotomy of Design and Art – John Van Hamersveld which, according to the gallery’s PR, ” presents past and present artworks where John Van Hamersveld explores the connection between art, design and commerce.” The centerpiece of the display is a 47-panel modular black and creme-colored collage/mural JVH created that surrounds the building with his talents. Inside, two galleries showcase a number of examples of both his commercial design work and his striking and imaginative fine art designs, so if you’re in the area or need a destination for an art-filled excursion, I’d suggest a trip on over to see this show, with details available via the link at http://www.citymb.info/city-officials/parks-and-recreation/cultural-arts/exhibition/creative-arts-center-exhibitions#ad-image-1

i) Just as a tease, the folks at the V&A Museum in the U.K. just announced that they’re going to stage a new exhibition beginning in May 13th, 2017 built around the imagery of one of Britain’s most-valuable exports – that being the rock band Pink Floyd. According to the press (as exemplified in this BBC Entertainment & Arts section article recently published – http://www.bbc.com/news/entertainment-arts-372284960 ) the show – to be titled “The Pink Floyd Exhibition: Their Mortal Remains” – promises to offer “an immersive, multi-sensory and theatrical journey through Pink Floyd’s extraordinary world which will chronicle the music, iconic visuals and staging of the band, from the underground psychedelic scene in 1960s London to the present day”. With over 350 examples of Floyd-related visual imagery, including a whole host of album cover artwork created over the years by Storm, Po and the team at Hipgnosis, there will certainly be a lot to take in. Advance tickets are now on sale on the Museum’s website at https://www.vam.ac.uk/exhibitions/pink-floyd

2) Artist interviews/profile articles –

a) When a long-time fan of a musical act – in this case, South Carolina-based artist Dave Beard – has the opportunity to provide design services for that act – in this case, the Beach Boys – great joy ensues, as is evidenced by this recent article by Andrew Stark for the Fort Mill Times (as shared with the HeraldOnline.com site). The article tracks Beard’s path from fan to fanzine editor/designer to Dean Torrence (of Jan & Dean fame) design cohort to a 2014 commission by the Beach Boys to create what Beach Boy Mike Love called “In the 54 years of touring and (a) multitude of concerts and concert programs, the new Beach Boys’ 2015 Official Tour Program is far and away the best I’ve ever seen.”

Wouldn’t it be nice to learn more about this story? Don’t worry, baby – here’s the link – http://www.heraldonline.com/news/local/community/fort-mill-times/article91728932.html

b) Fine artist Filipe Molina has been showing his works in top-notch galleries throughout his career, but when he was contacted by the folks at Capitol Records in 2014 to come up with artwork for the Counting Crow’s then-upcoming record titled Going Under Wonderland, he saw it as an opportunity to be able to share his work with potentially millions of the band’s fans and proposed that he create a unique work for each song on the album, greatly multiplying the “collection” each record’s owner would acquire. He then went on to create a really nicely-done multi-media light show that the band used during their 2015 World Tour. As I’m working on adding Molina’s bio to the ACHOF site, Felipe shared a link to a 25 minute video on YouTube that gives you an overview to the artist and the wonderful images he created for this record package – https://www.youtube.com/watch?v=xz-Gj33Kg0g

To see more of the artist’s works, you can also visit his website at http://www.molinaart.com. Once there, you’ll find more about some of his other projects, including a “Wine Art Music” project (inc. custom labels for proprietary blends released by Standing Sun Winery) and The Outlaw Roadshows (indie rock music festival staged in Nashville and NYC) where Felipe both exhibits his artwork and is one of the event’s five producers.

c) Fascinating article by writer Anna Buksowicz for the British Journal of Photography on art director Samuel Burgess-Johnson that focuses on his most-recent work for the latest record by The 1975, with neon signs placed in unusual locations that are used to illustrate each of the album’s 10 song titles. It’s certainly a testament to the value of a proper budget for stunning album cover work, but I wonder if they paid whoever was hired to come up with the record’s title by the word – I Like It When You Sleep, For You Are So Beautiful Yet So Unaware Of It.

Burgess-Johnson also spends a fair amount of time sharing his feelings about what makes for a good album cover and why it’s still an important part of any new record release, so if you’d like to read more of the insights of one of the busier art directors working in the music business these days, click on over to http://www.bjp-online.com/2016/08/how-samuel-burgess-johnson-snapshots-music-through-art-direction/

d) I’ve written previously about the mega-exhibition (“Exhibitionism“) currently in London featuring a heaping helping of Rolling Stones art, photography, music and memorabilia, but fans of notable album cover imagery are in for a treat if you bop on over to this interview article posted on the Clash Music site featuring the wonderfully-talented photographer Gered Mankowitz, someone with several shots included in the show, including his cover photo for Between The Buttons and a portrait of the band’s metronome, drummer Charlie Watts.

While the interview provides an in-depth look at Gered’s relationship with the band, their management/record label and then touches on his other well-known subjects, including Jimi Hendrix (the iconic “Smoking” shot) and newer acts such as Oasis, Mankowitz does go on record with the lament that the first album package image he took of the band – the artsy alleyway shot used on their Out of Our Heads record back in 1965 – was NOT included in the show. “This will be the last time” (or, based on the total control the band has over its image, maybe not)….  http://www.clashmusic.com/features/gered-mankowitz-shooting-the-stones

e) While most album artist profile articles are cobbled together by writers (such as yours truly) asking the subject questions about themselves and their work, today I’d like to point you to one that presents an artist profile that’s been provided by one of the (late) artist’s better-known clients, by whom I mean guitarist Steve Miller, sharing his recollections of working with the famed art director/photographer Storm Thorgerson. One of Storm’s last record cover commissions was for Miller’s 2010 release titled Bingo, with the photo impressing Austin Chronicle writer Raoul Hernandez so greatly that he tracked down Mr. Miller to get his take on the collaboration with Thorgerson that produced such a memorable image.

Armed with a list of what he needed (logo, cover and a new take on a “Space Cowboy” image) and a rather nice budget for these elements, Miller got all he wanted and more and was left with what I’m sure you’ll agree was a long-lasting impression of what it was like to work with a talent such as Storm, even late in his career and having faced a stroke and cancer as obstacles. Really quite the talent…

http://www.austinchronicle.com/daily/music/2016-07-29/adult-play-storm-thorgerson-by-steve-miller/

3) Sales/Auctions –

a) The folks at the WA-based Visual Gallery have announced a sale on a select grouping of limited-edition album art prints that I thought you might want to check out. You’ll find promo pricing on prints including Cream’s Disraeli Gears (a Martin Sharp masterpiece), Sgt. Pepper’s Lonely Hearts Club Band by The Beatles, a Charlie Watts-signed Bridges To Babylon print and others. They’re also offering some nice deals on posters by Ioannis, Bob Masse and others, so click on over to see what’s on sale before it’s too late – http://www.visualgallery.com/

b) Works by the late artist Frank Frazetta have fed the fantasies of many a young science fiction/adventure fan as well as musical acts including Molly Hatchett, Nazareth, Yngwie Malmsteen and Wolfmother (who chose to use Frazetta paintings on the covers of several of their record albums), so it was interesting and exciting to see that one of the artist’s best-known paintings – titled At The Earth’s Core and used on the cover of the 1978 paperback release for famed writer Edgar Rice Burrough’s first Pellucidar novel – sell for over a million dollars during a recent Heritage Auction event in Dallas, TX (the actual selling price was $1.075 million, the most ever paid for a Frazetta work). You can click on over to this recent article on the Fine Books & Collections Magazine site in which the details are shared about both this impressive purchase, along with other big-ticket illustration art items that found new homes post-auction – https://www.finebooksmagazine.com/press/2016/08/world-record-for-frank-frazettas-painting-used-as-paperback-cover-art.phtml

c) Kanye West‘s design company – DONDA Design – pulled out all of the stops when they created an animatronic sculpture featuring 12 of the era’s most-recognized celebrities lying naked in a large bed, a prop then used in one of the musician’s latest music videos. Now, Mr. West has entrusted the Los Angeles-based gallery Blum & Poe to find a collector who’d be willing to spend $4 million to take the sculpture – complete with platform bed, bed linens and batteries – home for their very own. Made from silicon (a substance most-widely used for other purposes in today’s entertainment business), the work shows life-like models of Pop Culture icons such as Taylor Swift, Anna Wintour, Donald Trump, George W. Bush, Bill Cosby and others all asleep, lying alongside West and two of his family members – wife Kim and Caitlyn Jenner. The gallery held a brief showing recently and is actively seeking a buyer among its contact list of well-heeled collectors and museums, so we’ll keep an eye out to see if/when/where it lands. For more details on the work, you can read NY Times writer Adam Popescu’s late-breaking story via the link – http://www.nytimes.com/2016/09/01/arts/design/gallery-hopes-to-sell-kanye-wests-famous-sculpture-for-4-million.html? or see more on the gallery’s site at http://www.blumandpoe.com/exhibitions/kanye-west

4) New Print/Book Publishing –

a) If you were impressed with the 50+ “variant covers” that Marvel produced last year which were creatively-reworked versions of well-known examples of hip-hop album cover art, you’ll be happy to read the details of a new series scheduled for this year, with the details provided to us in an article by Fuse‘s Zach Dione. Characters who’ll be featured in the first of this new series include Black Panther, Doctor Strange and Mosaic, built around designs originally found on records by King Mez, Infinite Mind War and Earl Sweatshirt. Keep ’em coming, folks!

http://www.fuse.tv/2016/07/marvel-hip-hop-variant-comic-book-covers-second-wave

b) While I’ve been working hard gathering and organizing the materials for my own book, I look on with great envy as author Ramon Martos Garcia shares the details of his latest release – a thoroughly-revised edition of his critically-acclaimed book on Heavy Metal album art/artists that’s titled And Justice For Art: Stories About Heavy Metal Album Covers (Vol.2). The book, in a signed, limited-edition release (only 270 copies will be produced), is now available for pre-order ($39.99 plus shipping), with shipping set to commence next week.

According to the author, ” This new revised edition has many, many changes—some of them more significant than others, but equally important. Although the new book has the same number of pages (264) and a similar layout, I added a few new images that weren’t available at the time I published the first edition and exchanged some artworks for similar ones with much better quality.

Some parts of the text have also changed, in some cases dramatically. It’s not something you will notice at first sight, but once you go deeper, there are things that are unequivocally different. There are also new comments or interviews with bands and artists I interviewed after the first edition came out. Also, the color reproduction is richer and closer to how the original artworks look like. It took a lot of time and effort.”

If you, like me, are a fan of the many styles of art found on your favorite metal music recordings and you haven’t seen this book before, I’d suggest visiting the publisher’s site now to see more and order your own copy. Here is the pre-order link – http://andjusticeforart.bigcartel.com/product/and-justice-for-art-stories-about-heavy-metal-album-covers

c) The folks at UK print publisher The Flood Gallery recently emailed with some info and imagery about the latest in their series of releases featuring album cover fine art prints of designer/photographer Carl Glover‘s cover images for Marillion’s 2006 LP titled Marbles. In addition to the provocative cover shot, prints of the equally mind-bending graphics that were featured on the record label, CD and inner sleeve are also being offered, with collectors able to preview and purchase any/all of these memorable works via the link – http://www.thefloodgallery.com/search?q=marillion Fans can also check out the prints available for two more Glover-produced Marillion covers – Somewhere Else and Radiation – the latter image being a crafty combination of two photos taken 14 years apart!

5) Other articles of interest –

a) Writing for the DJ Booth site, writer Yoh has put together an interesting look at album cover designs that don’t show the musical acts on the cover. Its an interesting thing to see young writers looking at this as if it were something unusual, considering the number of covers that have been produced over the years that didn’t show the acts or, as evidenced very early on, were hesitant to show the acts for a variety of reasons (e.g., not showing black artists for fear of losing sales to predominantly white audiences or, in the case of some early American acts looking to hop on the British Rock invasion, adopting English names and clothing styles).

In the hip-hop world, where it tends to be important to look tough/rich/street-smart/etc., fans will typically find their favorite musical acts pictured prominently on the cover, so it seems that usually only the well-establish artists (Kanye, Jay-Z, etc.) are the ones willing to take a chance and show off their graphic design inspirations. Here’s hoping for more…  http://djbooth.net/news/entry/2016-07-22-album-covers-no-face

b) For an article posted recently on the Austin Chronicle‘s web site titled “Adult Audio Coloring Book Sampler”, several of the publication’s writers were asked to pick their favorite illustrated album covers and album cover artists and let readers know why they feel these examples were stand-outs in their field. The people and images selected represent a very broad range of talent, including artists such as Roger Dean (YES, Uriah Heep, Asia, etc.), H.R. Giger (best-known for ELP’s Brain Salad Surgery, Debbie Harry’s cheek-pierced Koo Koo and the monsters in the Alien films) and Daniel Johnston, among others with works created for musical acts including Pink Floyd, Ramones, Miles Davis, The Beatles and Chance The Rapper. Whether you’re a fan of the hyper-realistic artwork of Mati Klarwein or the trippy, comic-inspired R. Crumb cover created for Big Brother & The Holding Company’s Cheap Thrills, you’ll find a hand-drawn example you’re sure to appreciate.

http://www.austinchronicle.com/music/2016-07-29/adult-audio-coloring-book-sampler/

c) Washington Post columnist John Kelly recently posted a profile of Ken Orth, a retired urban planner/Beatles fan extraordinaire who travels the Beatles-related gatherings circuit putting on display selections from his 2000+ item collection of spoofs of Beatles record covers. Orth has been collecting these works of art since the early 1980s, and included in his collection are examples of well-known parody covers such as Frank Zappa & The Mothers’ We’re Only In It For The Money (a satirical take on the collage found on the Sgt Pepper’s LP) alongside lesser-known items such as Floyd Domino’s take on the Abbey Road street crossing scene, re-staged using four toddlers in diapers.

The entire parody sub-set of album art collecting is an interesting one, with a number of collectors doing a great amount of researching and Ebay purchasing in order to find prime examples of imagery inspired by classic album art. Ken’s working on gathering the nitty-gritty information on every original Beatles album cover so, with any luck, I hope to be able to share some of that with you when its made available. In the meantime, click on over to https://www.washingtonpost.com/local/beatles-album-parody-art-he-loves-it-yeah-yeah-yeah-yeah-/2016/08/09/b90e66fc-5dcb-11e6-8e45-477372e89d78_story.html  to read more about Ken and his most-interesting of album art collections.

Related content – if you’re really wanting to see a broad selection of parody covers – including hundreds of examples of “re-imagined” covers inspired by designs for the packages of records from the soundtrack for The Sound of Music to The Who’s Live At Leeds, you must pick up a copy of the 2011 book compiled and written by Jan Bellekens and ACHOF chum Simon Robinson titled Covered. The gall of some musical acts is truly mind-blowing (and, most-often, quite hilarious) – https://www.amazon.com/gp/product/095614392X/ref=as_li_ss_tl?

d) Leave it to the writing team on the Ultimate Classic Rock site to treat us to album art-related stories with a twist (or, in this case, with a piss). Author Nick Deriso recounts the story told by photographer Ethan Russell about “the making of” the cover image for one of The Who’s best-remembered records – 1971’s Who’s Next – which, you’ll recall, features a shot of the band having seemingly just relieving themselves on a concrete tower found along the motorway in Sheffield. In fact, only one of the stains resulted from a much-needed pit stop, with the others craftily created by the photographer, so if you’d like to get to the bottom of this story, click on over and the truth will be revealed – http://ultimateclassicrock.com/whos-next-album-cover/

That’s all for now – look for updates every week (usually, on Friday) on our news feed –https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back early next month with another summary for you.

All text Copyright 2016 Mike Goldstein and AlbumCoverHallofFame.com – All Rights Reserved.