Category Archives: Album Cover Art Award Articles

ACHOF Breaking News – Here Are The Winners of the 2020 Grammy Awards for Packaging

 

 

 

 

 

 

ACHOF Breaking News – Here Are The Winners of the 2020 Grammy Awards for Packaging

Posted 3/14/21 by Mike Goldstein, AlbumCoverHallofFame.com

2020 Grammy Awards special update – Having been delayed until today due to precautions taken because of the COVID-19 pandemic, the Grammy Awards in the Packaging category were presented during the GRAMMY Awards Premiere Ceremony® that took place today beginning at 12:00 p.m. PT (3:00 p.m. EST) and streamed live internationally via GRAMMY.com. Preceding the 63rd Annual GRAMMY Awards® telecast tonight, the Premiere Ceremony have been hosted by current three-time nominee Jhené Aiko and feature a number of performances by current GRAMMY nominees.

And now, here are the details of the winners in each of the three Packaging categories:

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ACHOF Breaking News Update for February 24, 2021

 

 

 

 

 

ACHOF Breaking News Update for February 24, 2021

by Mike Goldstein, AlbumCoverHallofFame.com

Screen shot of 2020 Making Vinyl Packaging Awards ceremony on Zoom

 

 

 

 

 

 

UPDATED WITH FULL RESULTS 2/26/21

At a ceremony hosted on Zoom (see link, below to watch a replay of the presentation) by renowned album cover art director Craig Braun, the producers and judges for the 4th annual Making Vinyl Packaging Awards announced the winners in each of the 16 categories included in the competition, with the top prize – the “Best In Show” award (formerly known as the “Alex Steinweiss Award”, named after the legendary “father of the modern album cover”) – going to Matt D’Amico (VP of Global Marketing and Product Development for Universal Music Enterprises – UME) and his team for their work on the humongous and impressive Flaming Pie Archive Collection Collector’s Edition box set for Paul McCartney.

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Announcing the 2020 Inductees into the Album Cover Hall of Fame

Announcing the 2020 Inductees into the Album Cover Hall of Fame

November 20th, 2020

Here’s the latest class of honorees in the 6 major categories as voted on by a world-wide panel of music, art and marketing experts in the area of album cover art & packaging. This list represents the “who’s who” of creative and production talent, including many recognized names of craftspeople working in the worlds of fine art, graphic design and photography.

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ACHOF’s Interview with 2020 Grammy Award-Winning Art Director Masaki Koike

Interview with 2020 Grammy Winner Masaki Koike on his 62nd Annual Grammy-winning (for “Best Boxed Or Special Limited Edition Package”) work for Rhino Records on the now-sold-out Woodstock – Back To The Garden: The Definitive 50th Anniversary Archive.

 

 

 

 

 

 

Posted March 9, 2020 By Mike Goldstein, Album Cover Hall of Fame.com

I was only 13 years old when the Woodstock festival was staged. I’d already collected several rock and roll recordings, mostly coming from my grandfather, who worked at a newsstand in the building that housed WLS Radio in Chicago and was tight with several of the DJs there (I was the only kid on the block who had albums stamped “Demo Copy: Not For Sale”!). My tastes at the time ran to music by The Turtles, Gary Puckett & The Union Gap, Iron Butterfly and the Moody Blues, but I’d read that there were some great new bands who’d wowed the crowd and so I was eager to learn more. The newspapers and magazines at the time made a big deal about the performances given by acts like Santana, Crosby Stills Nash & Young, Joe Cocker, Ten Years After, Sha-Na-Na and many others (two of my favorite bands – Iron Butterfly and the Moody Blues – were originally supposed to play at the concert but, for various reasons, didn’t make it) but, since I lived hundreds of miles away and couldn’t convince my parents to take me (something about “having to work”), I had to be satisfied with whatever was shown on TV (mostly aerial shots of the crowds) and then, a couple of years later, getting to revel in what I got to see when the concert film was shown in a local theater.

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Album Cover Hall of Fame Breaking News Update for January 8, 2019

Album Cover Hall of Fame Breaking News Update

January 8, 2019

By Mike Goldstein, AlbumCoverHallofFame.com

Congratulations to the Winners of the 2018 Best Art Vinyl Awards

Winners of the Best Art Vinyl Awards 2018 – Copyright 2019 Art Vinyl

 

 

 

 

 

 

 

 

 

Amsterdam-based designer/artist Rahi Rezvani (http://www.rahirezvani.com/home/), perhaps best-known for his portfolio of designs for the Netherlands Dance Theater and other works with performance artist Marina Abramovic and Dutch singer Alain Clark, earned top honors in this year’s Best Art Vinyl Awards for his cover for British rockers Editors 2018 album Violence.

From the 50 nominees originally posted for voting last year, the 2nd place design award went to Tom Hingston (along with photographer Julia Noni) at the London-based Hingston Studio (http://www.hingston.net/) for their work on the cover of Cocoa Sugar, the third studio album by UK electronic dance band Young Fathers. Third place in this year’s competition went to the team at the Sheffield, UK-based design group The Designers Republic (http://www.thedesignersrepublic.com/) for their design work on Aphex Twin’s Collapse EP.

The awards were presented in ceremonies at the Hari Hotel in London, and you can take a look at all of this year’s nominees (along with the winners) on the Art Vinyl site at https://www.artvinyl.com/award-year/2018/

That’s all for now – back to you sometime soon with more on our favorite people working on our favorite album packages.

Mike G

Unless otherwise noted, all text and images included in this article are Copyright 2019 Mike Goldstein and AlbumCoverHallofFame.com – All Rights Reserved. All of trade names mentioned in these summaries are the properties of their respective owners and are used for reference only.

Album Cover Hall of Fame Breaking News Update for October 2, 2018

 

ACHOF Breaking News Update for October 2, 2018

By Mike Goldstein, AlbumCoverHallofFame.com

I’m happy to be able to share the list of winners of last night’s Making Vinyl Packaging Awards, announced at a ceremony held at the Westin Book Cadillac Hotel in Detroit hosted by famed album cover art director Craig Braun. Talent from all over the world was recognized for their excellent work in each of the twelve categories that comprised this year’s award show, with several nominees taking home multiple winning and/or runner-up awards.

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Announcing the 2017 Inductees into the Album Cover Hall of Fame

By Mike Goldstein, AlbumCoverHallofFame.com

This latest class of honorees in the 6 major categories – as voted on by a world-wide panel of music, art and marketing experts in the area of album cover art & packaging – represents the “who’s who” of creative and production talent, with many recognized names from the fine art and design world.

Since officially launching the site in 2012, we’ve inducted five classes of Inductees based on the results from the group’s yearly surveys (the initial three classes focused on nominees who began their careers as album cover artists between the years 1960 – 1975, 1976 – 1990 and from 1991 – present, while the last two years’ voting looked at all producers active any time since 1960). Hundreds of additional biographies were added for consideration by the esteemed panel of writers, curators of galleries (retail and online) that focus on album cover imagery, art/design museum curators and music marketing experts.

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Interview with Susan Archie, 2015 Grammy Award Winning Designer

Interview with Susan Archie, principal of World of anArchie, winner of the 2015 Grammy Award for “Best Boxed Or Special Limited Edition Package” for her work on The Rise & Fall Of Paramount Records, Volume One (1917-27), released by Third Man Records/Revenant Records.

Paramount, Third Man Records, Revenant Records, Susan Archie, Grammy Award, Box Set, Interview, Album Cover Hall of Fame, 2015, article, interview

 

 

 

 

 

Susan Archie, Dean Blackwood & Jack White, art directors

With a thorough understanding of digital technologies being such a key driver to success in today’s music business, music fans often forget that the earliest recorded music came about as the result of an application of a new technology – i.e., those introduced by the early French and American inventors of the phonograph and the gramophone. While we take for granted the various advances in recording technology that have taken place since the late-1800s, without the energies applied – and risks taken by – music industry pioneers, there would be no archives of the performances given by the musical acts that have gone on to influence modern music and music engineering.

Like many an American industrial enterprise, the early U.S. recording business was also an attractive one to those individuals and companies looking to entice the public to buy their products, with some companies (Edison and Victor, for example) impressing consumers with the quality (sound and manufacturing) of their hardware (AKA record playing devices) and software (recorded content, in its many forms – first cylinders, then 78RPM discs, etc.) and others looking to simply “spend-a-little, make a lot” as production of devices and content quickly scaled up as the century turned.

In that second camp were the owners of the Wisconsin Chair Company who, around the start of World War 1,  launched a brand called Paramount to manufacture phonographs and, to provide a broad range of recorded content to play on those phonographs, operated Paramount Records as a way to produce what would turn out to be hundreds of ground-breaking recordings “on the cheap”. By the time Paramount ceased operations in 1932, it had compiled recordings of an impressive of performers spanning early jazz, blues, gospel, the Vaudeville and operatic stages and other popular musical styles. Continue reading

A Scientific Approach To Determining “The Best” In Album Cover Art

Details on the U.S. Mensa Society’s “Best Cover Art” Bracket Challenge

American Mensa “Best Cover Art” Bracket Challenge Artwork

By Mike Goldstein, AlbumCoverHallofFame.com 

Earlier this month, I learned about an interesting poll looking to discover “the world’s best album cover”. While these polls are typically done by music/art/photography/lifestyle publications (and something that I summarize in a yearly report on the topic (here’s a link to the one from last year – https://albumcoverhalloffame.wordpress.com/2013/12/27/best-and-worst-album-cover-art-lists-2013-summary-and-analysis/), I was intrigued by the organization behind this most-recent poll – the U.S. outpost of the Mensa Society which, to the uninitiated, is an international organization made up of people of all ages who, according to their site, ” share only one trait — high intelligence.” To qualify for Mensa, applicants were required “to score in the top 2 percent of the general population on an accepted standardized intelligence test”, making Mensa members – who include engineers, homemakers, teachers, actors, athletes, students and CEOs – well-equipped to develop a method (their “bracket challenges”) via which the “best ofs” in many categories can be determined (past challenges have include “best” heroes, inventions and toys).

This year, the group decided to throw their focus to determining, in a totally subjective, slightly-scientific and non-definitive way, which modern-era album cover is “the best”. On October 14th, I contacted the organization to find out more about their methodology and heard back from Chip Taulbee, who serves as the Editor of the Mensa Newsletter for the American Mensa organization and, based on this back-and-forth between myself and Chip, I think that they’ve come up with a strong approach that will, in the end, probably start more heated discussions than serve to satisfy any music fan’s appetite to know “what’s best”. Even so, I have to laud the group for their efforts and look forward to seeing the results when they’re posted early next year. For your review, here are my notes from my discussion with Chip:

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Interview with Shauna & Sarah Dodds on their Grammy-winning album cover for Reckless Kelly

Interview with Shauna and Sarah Dodds, Backstage Design, winners of 2013 Grammy Award for “Best Recording Package” for their work on Reckless Kelly’s Long Night Moon

By Mike Goldstein, Curator, AlbumCoverHallofFame.com
March 21, 2014

Dodds, Backstage, Design, Studio, Grammy, Reckless Kelly, Shauna, Sarah, Long Night Moon, album cover

 

 

 

 

 

 

 

While most of the press coverage of the annual Grammy Awards show is focused on the nominees and winners in the dozen or so “major” categories, there’s a lot of talent on display in some of the lesser-promoted award categories that, given some additional attention by the show’s producers, press and music/art fans that might not be aware of them, would serve both to excite those exposed to their works and serve to show just how imaginative, innovative and influential producers of music packaging and imagery remain today.

And while there are those that insist that, due to the swing from retail to digital distribution of music and music products, album cover packaging and album art in general is less important today than other forms of marketing and promotion, I’d like to point to this year’s winning design for “Best Recording Package” – awarded to Shauna and Sarah Dodds of Austin, TX’s Backstage Design – as a great example of just how shallow this train of thought seems to be. In today’s extremely noisy music marketing arena, it takes a well-honed sense of what it takes to rise above the din and deliver a package to an act’s fans – both existing and new – that engages them and gives them a sense of intimacy with the act, it’s music and the people behind “the brand”. I think that, when you take into account the depth and diversity of what the winning design team created for their clients, you’ll agree that they delivered a package that perfectly illustrates what can – and must – be done to keep the art of music packaging relevant and exciting for artists and fans alike.

In the following interview, Shauna and Sarah give us an intimate look into their creative process, the challenging design and production briefs for the project and an unimaginable display of knowledge of lunar maps – enjoy!

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