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Album Cover Hall of Fame News Update and Summary – Early November, 2019

 

 

 

Album Cover Hall of Fame News Update and Summary – Early November, 2019

By Mike Goldstein, AlbumCoverHallofFame.com

Dear Readers – This month’s summary will follow in my newest tradition – short intros and lots of links to the most-interesting stories I could find on the topic of album cover imagery and the people that make it. Later this month, you’ll meet the newest inductees into the Album Cover Hall of Fame (voting is taking place this month) but, for now here’s what you’ve been waiting patiently for:

1) The 2019 Making Vinyl Awards were presented on October 15 at a ceremony that took place during the “Making Vinyl” conference in Hollywood, CA, with the judges handing out awards to the talented people who created some intriguing examples of the craft. As a judge again this year, I have to admit that there were a number of examples that challenged my own pre-conceived notions of what “good” album cover art is, and several of the winners of this year’s polling went out of their way to reinforce the fact that “art is never easy” and “beauty is in the eye of the beholder” (which is why I never publicly answer the question “what’s your favorite album cover”). At the end of the day, it’s just great to see so many talented people working so hard to conceive and produce record packaging that keeps fans coming back for more – http://makingvinyl.org/2019-winners-runner-ups/

This year’s “Alex Steinweiss Award” (for best overall package) was handed out to the team of creatives that came up with the package for the record titled Aesop Rock & Tobacco are Malibu Ken, a collaboration between hip-hop MC Aesop Rock and electronic music guru Tobacco released in early 2019 on the Rhymesayers Entertainment label. The principal design/illustration was done by artist James Quigley (AKA “Gunsho”), with the unique vinyl packaging including a custom die-cut gatefold jacket housing custom blue-colored vinyl, a 4-page insert with album lyrics, a perforated pop-out wearable mask with elastic string and a free digital download card (the CD packaging includes a custom die-cut 6-panel digipak housing a 12-page booklet with full album lyrics and a 8-panel cut-out wearable paper mask). Kudos also to the nice people at A To Z Media, who coordinated the manufacturing of this winning package. See more at https://pro.evalato.com/813/submissions/21863?round_id=617

New Exhibitions/gallery shows –

1) OPENED October 20 – The works of Pop artist Andy Warhol comes to Chicago – A show that’s drawn crowds and received rave reviews since its premiere at the Whitney Museum in NYC – Andy Warhol From A to B and Back Again – opened at Chicago’s Art Institute with a newly-curated collection of hundreds of the pop art master’s most-impressive works, including many from the museum’s vast collection. And yes, there will be a small collection of his album covers included in the display. I’ll be touring through the show soon and will share that coverage with you post-haste. Until then, you can learn more about what will be on display – running there through January 26, 2020 by visiting the museum’s site at https://www.artic.edu/exhibitions/2937/andy-warhol-from-a-to-b-and-back-again

I was fortunate enough to obtain some related info about this show from super-collector/album art historian and curator Frank Edwards that I’d like to share with you now. According to Frank, “Specifically, included are The Nation’s Nightmare record (derived from an anti-drug radio program) from 1951; the Velvet Underground and Nico ‘Banana’ record from 1967, and The Rolling Stones’ Sticky Fingers record from 1971. Additionally, the wonderful book produced for this exhibition includes images of Moondog’s The Story of Moondog (from 1957), the Velvet Underground’s White Light/White Heat record from 1968, as well as images from the magazine Aspen’s Fab issue from December 1966 (which included a “flexi-disc” record) and Andy Warhol’s Index Book (which he called “a children’s book for hipsters”), which also included a flexi-disc. Additionally, two of the portraits included in the exhibition or catalog were used for record covers – Aretha Franklin’s portrait was used for the record, Aretha, and the Debbie Harry portrait was used for Blondie’s Greatest Hits: Deluxe Redux.”

Frank also maintains an excellent blog (now part of the ACHOF “Resources” section) that I’d invite you all to read as well – Art Record Covers (Vinyl Record Covers by Renowned Visual Artists) – https://artrecordcovers.wordpress.com/

2) NEW BANKSY ART SHOW in GENOA, ITALY – Friend of the ACHOF and fellow album art lover Richard Forrest recently shared the details of a new art show featuring the works of the mysterious and ultra-popular artist Banksy that will be opening later this month (November 22nd) in Genoa, Italy. What makes the show even more intriguing is that a number of items from Dr. Forrest’s personal collection will be included in the exhibition.

While I don’t have all of the details yet (he just signed the loan agreement, so some of the details are still TBD), the show’s title is “The Second Principle of Banksy” and is scheduled to run at the Palazzo Ducale (on the Piazza Matteotti) until March 20, 2020. According to the venue, “War, capitalism and freedom are current issues addressed by this exhibition, by using the artworks of the internationally famous street artist named Bansky. The exhibition is curated by Stefano Antonelli and Gianluca Marziani and includes paintings, limited edition prints, sculptures and rare items, many of which will be exposed for the first time.” As regards to the Forrest-supplied Banksy-produced album art that will be on loan to the show, let me recap some of the related info as I first reported it this past August during my exclusive review of this part of Richard’s collection – “I started collecting Banksy’s art on record and CD covers around 2005-6, at a time when most could be bought at standard record prices. I found a second issue version of Banksy’s/Danger Mouse’s Paris Hilton CD and a DJ offered me his copy of the promo version of Röyksopp’s Melody A.M. album with the Banksy-sprayed cover. I have since completed the series of Paris Hilton CDs by obtaining the first Bansky/Danger Mouse issue and by buying a copy of the original CD by Paris Hilton for comparison. Back in 2012, I curated an exhibition of Banksy’s record cover art and made a digital copy of the ultra-rare Capoiera Twins promo 12″ 4 x 3 / Truth Will Out, the cover of which was also spray-painted by Banksy (it wasn’t until 2017 that I actually got hold of a genuine copy)…Another rarity I have is the printer’s proof of Dirty Funker’s 2008 remix of The Knack’s hit single My Sharona which he’d renamed Let’s Get Dirty. As you know, in 2005 Banksy made a series of portraits of Kate Moss – six in all – done in the style of Andy Warhol. Dirty Funker used two of the Bansky Kate Moss portraits – one each on the front (red background) and rear (green background) covers – for his remix, and the one I own being the rarer version without the title strip across Kate Moss’ eyes on the front.” To find out more about Richard’s entire album art collection, you can read the complete interview on the ACHOF site via this link – https://albumcoverhalloffame.wordpress.com/2019/08/02/achof-featured-fan-portfolio-a-tour-through-collector-richard-forrests-favorite-album-covers/

Here’s a link to the show – http://www.visitgenoa.it/en/evento/war-capitalism-liberty-artworks-artist-known-banksy

3) NEW – COMING LATER IN NOVEMBER – It’s been 25 years since the release of the debut record by Oasis called Definitely Maybe (OMG!), and fans/collectors will soon be able to tour a 25th anniversary display of photography and memorabilia gathered by the band’s preferred photographer at the time – Michael Spencer Jones –that will be on display at London’s Archivist’s Gallery and h Club beginning November 23rd through January 12th, 2020. Spencer was on hand to both document the behind-the-scenes inner-workings of a band on a rapid rise to fame and produce the memorable album cover images and tour photos we’ve all seen and loved. The UK’s Standard provides us with a preview of the show – https://www.standard.co.uk/go/london/arts/unseen-photographs-oasis-exhibition-definitely-maybe-a4222796.html, and if you’d like to learn more about the details of this exciting review, please visit the venue’s site at https://hclub.com/london/

ONGOING Exhibitions/Gallery Shows –

1) A show at the Cranbrook Art Museum in Bloomfield Hills, MI looks to be a must-see for students of the art of the album cover. According to the press release for the show, “For the Record: Artists on Vinyl mines a unique vein of creative expression, the design of the record album cover and the use of phonographic recordings by artists as a vehicle for creative expression…This exhibition features more than 50 designs, many of which are paired with artworks, drawn from our permanent collection, by the same artist.” Most readers of this site know how often it is that now-famous artists either got their start in the album cover art business (Andy Warhol and Drew Struzan are prime examples of this) or, as musical and graphical artists are often on the same wavelength, how many successful collaborations there have been between music and art makers.

For the Record: Artists on Vinyl is organized by Cranbrook Art Museum curator Ian Gabriel Wilson, the Jeanne and Ralph Graham Collections Fellow, with the assistance of the previously-quoted Frank M. Edwards, with many of the artworks on display drawn from the collection of Mr. Edwards. Previously, Mr. Edwards and his wife, Ann M. Williams, who serve on the museum’s board, were the principal sources for another Crankbrook exhibition – Warhol On Vinyl The Record Covers, 1949-1987+ that was on display there June 21, 2014 – March 21, 2015. Artists in the show include: Banksy, Jean-Michel Basquiat, Harry Bertoia, Salvador Dalí, Richard Diebenkorn, Keith Haring, Roy Lichtenstein, Robert Motherwell, Claes Oldenburg, Yoko Ono, Robert Rauschenberg, Bridget Riley, Frank Stella, Andy Warhol, among many others.

For the Record: Artists on Vinyl can be found in the museum’s deSalle & Lower Level Galleries – now through April 19, 2020 – https://cranbrookartmuseum.org/exhibition/for-the-record-artists-on-vinyl/

2) While not specifically an album cover art show, there is a new show at the Grammy Museum in Los Angeles that opened September 12th featuring the portrait work of Richard Ehrlich, a photographer whose five-year project meant to capture the emotional expressions of music-makers enjoying their favorite music – a project called “Face The Music” – was originally shared via several videos and a book of the same title that was published in 2016. According to the museum’s advance PR, Face The Music showcases Ehrlich’s artful shots of 41 musicians in a variety of musical genres. “To showcase these portraits, the GRAMMY Museum® proudly announces Face The Music, a new photography exhibit showcasing 41 legendary musicians including Quincy Jones, Ringo Starr, Herbie Hancock, Dave Brubeck, Wayne Shorter, Iggy Pop, Esperanza Spalding, Herb Alpert, Sir Graham Nash, Sheryl Crow, RZA, Philip Glass, Emmylou Harris and many more, each who were photographed while listening to three pieces of music of their choice.” The samples I’ve seen are truly stunning examples of just how deeply music can touch anyone/everyone, so I hope that you’ll take the time to visit the exhibit during its run (through January 6, 2020). More details of the show are available on the museum’s web site –  https://www.grammymuseum.org/exhibits/traveling-exhibits/face-the-music – with more examples from the photographer’s portfolio available on his own site (including some of the aforementioned video clips) – https://www.ehrlichphotography.com/facethemusic; https://www.ehrlichphotography.com/face-the-music-video

BTW – Mr. Ehrlich does indeed have an album cover credit – he shot the cover for Steve Tibbet’s 2010 jazz/rock album titled Natural Causes – so I feel much better now about including this item in my summary.

3) The Sir Paul McCartney-approved show of his talented late wife Linda’s photography – spanning a career that began in the mid-1960s with a gig as a house photographer at Bill Graham’s Fillmore East venue and, over time, moving on to shoot portraits of music superstars including Eric Clapton, The Doors, Bob Dylan, Aretha Franklin, Jimi Hendrix, Janis Joplin, the Rolling Stones, Neil Young (one of her photos of Young performing in 1968 at Canterbury House would later become the cover of a record called Sugar Mountain) and others (her photo for Rolling Stone Magazine’s May 11, 1968 issue was the first cover taken by a female photographer to appear in that magazine). After meeting Beatle Paul while covering the release of the band’s Sgt. Pepper’s Lonely Hearts Club Band LP and marrying him a couple of years later, it marked the beginning of a long and productive creative relationship as well – one that ended, sadly, with her death in 1998.

So, while she might not be with us, her portfolio lives on and is the subject of a show which has toured the world for the past 5+ years, with stops in Vienna, Montpellier and Seoul and is launching today at the Kelvingrove Art Gallery in Glasgow, Scotland – it’s first display in the U.K. and is on display now through the 12th of January, 2020. Simply titled “The Linda McCartney Retrospective,” the show was curated by the photographer’s husband, fellow musician Paul McCartney and their two daughters, Mary and Stella, and, according to the pre-show press, “It brings together dozens of Linda McCartney’s photos—from famous portraits of 1960s rock icons to more personal snapshots of her quiet home life with Paul—as well a trove of archival materials being shown in public for the first time, including cameras, her personal magazine collection, and even a diary from the ’60s.” More info is available at https://www.glasgowlife.org.uk/event/1/linda-mccartney-retrospective

4) Still on display at the Grammy Museum in Los Angeles is the show launched this past August built around memorabilia – album and advertising art, clothing, tour documents and lots of photos – taken from the archives of one of the music industry’s best-known concert promoters/artist managers, Jerry Weintraub and Concerts West – the man/team responsible for a number of memorable shows by  musical acts including John Denver, Elvis Presley, Frank Sinatra, The Carpenters, Neil Diamond, Bob Dylan, Rick James, Beach Boys, Led Zeppelin, Bad Company, The Commodores, the Bee Gees, The Moody Blues, Stevie Wonder, Paul McCartney and many others. While he’d begin his rise to the top of the entertainment business in the early 1970s, he’d expand his empire to include a long list of successful film/TV productions, including hits such as Oh, God!, Nashville, Diner, the Karate Kid movie franchise and the Emmy Award-winning TV documentary on global warming – Years Of Living Dangerously – among many others. This expansive look into the career of one of the best showmen in the business runs through early December, and you can learn more on the Grammy Museum site –  https://www.grammymuseum.org/exhibits/current-exhibits/jerry-weintraub-presents; https://www.grammy.com/grammys/news/jerry-weintraub-presents-exhibit-coming-grammy-museum

Artist News and Interviews –

1) Back when I lived in Portland, OR, I was a member of the Pacific NW chapter of the Grammy organization, which held their member meetings in Seattle, WA (a beautiful 3.5 hour train ride up along the coast brought me there – oh, the memories), and during those visits I’d inevitably make the pilgrimage up to the city’s Easy Street Records – partly, to peruse the stores offerings and partly to admire the mega-sized album cover recreations painted on the store’s exterior. To show you more about this establishment’s extra-special efforts to promote what’s new and exciting inside, the folks at the local paper (The Seattle Times) recently published an interview with the window design guru whose job it is to super-size the covers selected for this honor – https://www.seattletimes.com/seattle-news/our-window-to-the-world-love-of-music-art-inspires-window-dresser-at-seattles-easy-street-records/

2) Among photographer Jay Blakesberg’s hundreds of shots used to illustrate articles, books and hundreds of album packages, perhaps his best-known are the photos he took of The Grateful Dead and its various noted players, most-notably the late guitarist Jerry Garcia (e.g., there are photos of his in the package for the 2019 Jerry Garcia Band release Electric On The Eel). Last month, Jambands.com published an interview with Mr. Blakesberg about his new book of J. Garcia images, a tome titled “ –  with the focus of the 208-page book being “a collection of Jay’s iconic images of Garcia from 1978 until Garcia’s death in 1995. The book will include photographs of Garcia with members of the Grateful Dead as well as guest musicians and solo projects Jerry worked on.” https://jambands.com/features/2019/10/25/jay-blakesberg-shares-jerry-garcias-secret-space-of-dreams/?

3) More – Two more interviews I thought you might want to take a look at are a) the one found on the Hypergallery site with photographer David Goldman about his best known Blink 182 cover photos (including everyone’s favorite – the “are you ready for your examination?” shot found on Turn Your Head and Coughhttps://www.hypergallery.com/interview-david-goldman/?mc_cid=7ab59d0bc8&mc_eid=7549bdd503 and b) one with Christine Hult-Lewis, who works as a curatorial assistant with The Bancroft Library’s archives and who is pleased to talk about their latest acquisition, that being the archives of music industry photographer Howard Brainen, someone who spent years producing images for clients in the rock, jazz and blues genres and who was given his break and inspiration by another famed shooter, the late, great Jim Marshall – https://news.lib.berkeley.edu/brainen

New Products (Books, Prints, Other) –

1) Designer Brian Cannon lends a hand on creating color schemes for new sneakers based on color palettes from classic album covers he created for bands including Oasis, Suede and The Verve (among others) – https://hypebeast.com/2019/10/size-exclusive-adidas-originals-training-pt-album-covers-release-information

2) Not to be outdone by Brian Cannon and the folks at Adidas, the team behind the design-it-yourself “Customs” line of shoes at Vans found themselves inspired by classic album art from musical acts including blink-182, Twenty One Pilots, Fall Out Boy and Andy Black and created 14 examples for your consideration, all of which can be found in Alyssa Quiles’ recent article on the AltPress site – https://www.altpress.com/features/custom-vans-ideas-music/ Not a bad idea, with the Holidays coming up….

3) One of the most-inspired album cover projects put in front of fans back in 1968 – the images photographer Michael Joseph staged and created for the Rolling Stones’ Beggar’s Banquet – are the subject of a new series of photo prints available for purchase at the San Francisco Art Exchange. According to the Stones (as stated on their web site), this is the record “that changed everything” for the band, so anyone looking to add examples of one of the most-noted covers to their album cover fine art collection should certainly peruse this collection at SFAE – https://sfae.com/Artists/Michael-Joseph

4) The nice people at the UK’s Hypergallery recently announced that they’re releasing a special edition “Schizoid Man” King Crimson print –  https://www.hypergallery.com/barry-godber/?  This image was one of the first inducted into the ACHOF’s “Individual Achievement Award” category and, sadly, this work – with the “Schizoid Man” on the cover and the “Crimson King” (AKA – Beelzebub) on the inside – would then be his only album cover painting. The original is owned by guitarist Robert Fripp, who remarked in a 1995 interview with French magazine Rock & Folk that the image reflected the music and, if you cover the smiling face, the eyes show an incredible sadness… Born in 1946, Barry Godber was an artist (trained at the Chelsea Art School in the U.K.), computer programmer and a co-worker of Peter Sinfield (King Crimson’s lyricist, lighting designer and art director) at English Electric/ICL Computers and was asked, after listening to several tracks on the record that Sinfield had shared with him, to contribute the cover image for the band’s debut album (released in October 1969 on Island Records). He painted the album cover, formally titled Portrait of 21st Century Schizoid Man, in 1969 but would never appreciate the impact the cover art would have because soon after the record’s release (in February, 1970), Godber died of a heart attack.

Movie trivia buffs will notice that this same image was re-created on a wall featured in the widely-panned 1987 film Surf Nazis Must Die, and King Crimson biographer Sid Smith has contributed a nice essay on the impact that Godber’s best-known work has had on album cover history since it began staring out a record buyers nearly 50 years ago.

Also, the gallery has announced the availability of two more Talk Talk album art prints by the supremely-talented artist James Marsh – https://www.hypergallery.com/talktalk?. I had the pleasure of interviewing Mr. Marsh several years back about his work for the popular 80’s “post-rock” trio and how he brought his own unique surrealist approach to album art making to bear in covers for records such as The Colour of Spring and Spirit of Eden (among others) – https://albumcoverhalloffame.wordpress.com/2012/11/07/james-marsh-talk-talk-interview/

Miscellaneous Items –

1) There’s an interesting new report on the Vox.com site that dives into a rather obscure-but-fascinating album art-related topic – i.e., what it is that a certain style of furniture – the wicker chair/throne – has been featured on many an album cover.  “There’s one genre of cover so ubiquitous it almost flew under the radar. The covers typically featured a wide shot of the artist sitting on a throne-like wicker chair, like a king or queen. Usually the artist looked casual and relaxed; sometimes props would sit around them to decorate the scene. No matter what, the over-sized woven chair was the main feature. This was the peacock chair album cover, and it was everywhere.” A seven-plus minute video produced by Vox tracks the origin of the peacock wicker chair portrait and tells the unlikely story of where this unique giant chair came from – https://www.vox.com/2019/10/4/20897269/peacock-chair-album-cover

2) Throughout the history of recorded music and its packaging, there have been many examples of cover art that have caused the hearts of the most-sensitive of consumers to flutter out of control. While some managed to slip by the censors and a record label’s marketing management, others weren’t so fortunate, so here’s a nicely-produced recap of twenty of these “banned” album covers and the stories behind them on the Kerrang! site – https://www.kerrang.com/features/20-album-covers-that-were-banned-or-censored/

3) While many of us scratch our heads almost daily about what some folks in the public eye manage to say and do without reproach, there are cultures elsewhere in the world where, even today, work hard to establish and maintain long-held beliefs and traditions that, particularly to us “heathens”, seem so overbearing that we can only look on in wonder (and feel fortunate that we’re not – yet – subject to the same censorship). In this recent article on the PetaPixel site, you’ll see examples that put on display Iran’s politics as it relates to album cover imagery in which women are erased from album covers, including the women who made the music on the album – https://petapixel.com/2019/10/23/iranian-music-streaming-site-erases-women-from-their-own-album-covers/

4) Some impressive album cover-related sleuthing by Guy Minnebach/Andy Earhole uncovers another previously unaccredited Andy Warhol-designed cover – https://warholcoverart.com/2019/10/13/the-bossa-nova-cover-no-one-knew-was-a-warhol-paul-desmonds-take-ten/

5) It seems as though the editors at Juxtapoz Magazine have been focused on other things lately and have not added any new entries to the magazine’s “Sound & Vision” album art series. I’ll dig into this to see if there are plans to add to this fine collection of stories but, until then, I’d invite you to look at their archives – https://www.juxtapoz.com/search/sound%20and%20vision/

That’s all for now – stay tuned and be on the lookout for timely news alerts on our news feed –https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back when we can with another monthly summary for you.

Unless otherwise noted, all text and images included in this article are Copyright 2019 Mike Goldstein and AlbumCoverHallofFame.com – All Rights Reserved. All of trade names mentioned in these summaries are the properties of their respective owners and are used for reference only.

Album Cover Hall of Fame News Update and Summary – September/October, 2019

Album Cover Hall of Fame News Update and Summary – End of September/October, 2019

By Mike Goldstein, AlbumCoverHallofFame.com

Dear Readers – This month’s summary will be perhaps my most-truncated effort ever, and for that I must apologize. Sometimes Life really gets in the way of doing what you love, and when you’re caring for a relative with profound dementia, it can be a bit overwhelming, as it is today.

With that as my excuse for this month’s abbreviated summary, let’s take a look at my digest of what’s happening/happened lately in the world of album cover art and the people that make it:

New Exhibitions/gallery shows –

a) The Mr. Musichead Gallery in Los Angeles will be sponsoring and hosting a special fund-raising event this coming Thursday, October 3rd that will be built around a 30-year career retrospective of noted rock photographer Chris Cuffaro – https://www.mrmusichead.com/events/2019/10/3/puppies-and-pearl-jam-photography-exhibition-amp-fundraiser? 100% of the proceeds will benefit the Wags & Walks charity, an organization that provides new homes for rescue dogs and much happiness to the people who adopt these animals.  https://www.wagsandwalks.org/our-story

b) Warhol comes to the Art Institute in Chicago – A show that’s drawn crowds and received rave reviews since it’s premiere at the Whitney Museum – Andy Warhol From A to B and Back Again – will open at Chicago’s Art Institute later this month (October 20th, running through January 26, 2020) with a newly-curated collection of hundreds of the pop art master’s most-impressive works. And yes, there will be a small collection of his album covers included in the display. I’ll be touring through the show soon after it opens and will share that coverage with you post-haste. Until then, you can learn more about what will be on display by visiting the museum’s site at https://www.artic.edu/exhibitions/2937/andy-warhol-from-a-to-b-and-back-again

ONGOING Exhibitions/Gallery Shows –

a) Previously posted 9/13/19 – Sunday, September 15th was the launch date of the Fall Open House at Mana Contemporary (888 Newark Ave in Jersey City, NJ) and the talented folks from Gary Licthenstein Editions are hosting a show of new works by a whole host of artists whose work they produce, including several who are well-known to fans of album cover/music-related imagery, such as Cey Adams, Bob Gruen, Eric Orr and others (I’m particularly excited to see works by noted artist/film director Charlie Ahearn, whose Wild Style documentary is required-watching for fans of hip-hop culture). I’m told by GLE’s Melissa Marr that the exhibition will be on display for at least a month. For those of you who would be visiting the venue for the first time, Mana Contemporary is a few blocks away from the Journal Square Path Train Station in Jersey City, NJ.

https://www.manacontemporary.com/event/fall-2019-open-house/

b) While not specifically an album cover art show, there is a new show at the Grammy Museum in Los Angeles that opened September 12th featuring the portrait work of Richard Ehrlich, a photographer whose five-year project meant to capture the emotional expressions of music-makers enjoying their favorite music – a project called “Face The Music” – was originally shared via several videos and a book of the same title that was published in 2016. According to the museum’s advance PR, Face The Music showcases Ehrlich’s artful shots of 41 musicians in a variety of musical genres. “To showcase these portraits, the GRAMMY Museum® proudly announces Face The Music, a new photography exhibit showcasing 41 legendary musicians including Quincy Jones, Ringo Starr, Herbie Hancock, Dave Brubeck, Wayne Shorter, Iggy Pop, Esperanza Spalding, Herb Alpert, Sir Graham Nash, Sheryl Crow, RZA, Philip Glass, Emmylou Harris and many more, each who were photographed while listening to three pieces of music of their choice.” The samples I’ve seen are truly stunning examples of just how deeply music can touch anyone/everyone, so I hope that you’ll take the time to visit the exhibit during its run (through January 6, 2020). More details of the show are available on the museum’s web site –  https://www.grammymuseum.org/exhibits/traveling-exhibits/face-the-music – with more examples from the photographer’s portfolio available on his own site (including some of the aforementioned video clips) – https://www.ehrlichphotography.com/facethemusic; https://www.ehrlichphotography.com/face-the-music-video

BTW – Mr. Ehrlich does indeed have an album cover credit – he shot the cover for Steve Tibbet’s 2010 jazz/rock album titled Natural Causes – so I feel much better now about including this item in my summary.

c) There’s an exhibition that opened on Saturday, July 20th at  the Westmoreland Museum of American Art in Greensburg, PA that I urge any fan of great design – particularly in the realm of album/poster art – to make a beeline to ASAP. Era of Cool: The Art of John Van Hamersveld (running now thru Sunday, October 20, 2019) includes a selection of Van Hamersveld’s album covers, poster designs, drawings, mural designs, photography and paintings. His portfolio of music-related artwork is legendary – Exile on Main Street for the Rolling Stones; Hotter Than Hell for KISS; The Beatles’ Magical Mystery Tour; Blondie’s Eat To The Beat and Autoamerican; Skeletons From The Closet for the Grateful Dead and many others for Steve Miller, Van Morrison, Jefferson Airplane and more. If you’ve been to Fatburger, you’ve seen his work (that’s his logo). And that “Endless Summer” artwork you see on t-shirts, beach bags and on a poster that hangs in the lobbies of many beachfront hotels – it’s his work as well. Quite the portfolio, you have to admit…

Nice interview with JVH by Bonnie C. West, the curatorial assistant at The Westmoreland – https://thewestmoreland.org/blog/

For more information on this exciting new show featuring one of the best-recognized album cover artists/graphic designers in the business, click on over to the museum’s web site at https://thewestmoreland.org/exhibitions/era-of-cool-the-art-of-john-van-hamersveld/

Local reporter Lisa Cunningham, writing for the Pittsburgh City Paper, provides us all with more background on John and this news show – https://www.pghcitypaper.com/pittsburgh/artist-behind-hundreds-of-iconic-album-covers-debuts-first-solo-show-at-westmoreland-museum-of-art/Content?oid=15431122

John’s work has been featured many times in many different articles on the ACHOF site. I’m a proud owner of several of his works of art and had the pleasure of meeting him (and his wife, Alida), interviewing him and, back in the day, selling his works in my gallery, so you can imagine how happy I am to see such a retrospective made available to fans of great art and design. Go, Go, Go!

d) A show at the Cranbrook Art Museum in Bloomfield Hills, MI looks to be a must-see for students of the art of the album cover. According to the press release for the show, “For the Record: Artists on Vinyl mines a unique vein of creative expression, the design of the record album cover and the use of phonographic recordings by artists as a vehicle for creative expression…This exhibition features more than 50 designs, many of which are paired with artworks, drawn from our permanent collection, by the same artist.” Most readers of this site know how often it is that now-famous artists either got their start in the album cover art business (Andy Warhol and Drew Struzan are prime examples of this) or, as musical and graphical artists are often on the same wavelength, how many successful collaborations there have been between music and art makers.

For the Record: Artists on Vinyl is organized by Cranbrook Art Museum curator Ian Gabriel Wilson, the Jeanne and Ralph Graham Collections Fellow, with the assistance of Frank M. Edwards, with many of the artworks on display drawn from the collection of Mr. Edwards. Previously, Mr. Edwards and his wife, Ann M. Williams, who serve on the museum’s board, were the principal sources for another Crankbrook exhibition – Warhol On Vinyl The Record Covers, 1949-1987+ that was on display there June 21, 2014 – March 21, 2015. Artists in the show include: Banksy, Jean-Michel Basquiat, Harry Bertoia, Salvador Dalí, Richard Diebenkorn, Keith Haring, Roy Lichtenstein, Robert Motherwell, Claes Oldenburg, Yoko Ono, Robert Rauschenberg, Bridget Riley, Frank Stella, Andy Warhol, among many others.

For the Record: Artists on Vinyl can be found in the museum’s deSalle & Lower Level Galleries – now through April 19, 2020 – https://cranbrookartmuseum.org/exhibition/for-the-record-artists-on-vinyl/

e) Let’s begin with a fun fact – although Linda McCartney had great talent with the camera and had the last name Eastman, she was NOT, as was widely thought, a scion of the Eastman family associated with the Eastman-Kodak company (her dad was, in fact, a copyright attorney). Nevertheless, after graduating from high school in Scarsdale and then becoming an Art History major at the University of Arizona, where her love for nature motivated her to purchase a Leica camera and stud the photography of horses under the tutelage of Hazel Larsen Archer (and then marrying/divorcing cultural anthropologist Melville See, with whom she had her first child, daughter Heather, in 1963), Linda and her daughter moved back to New York City, living off an inheritance her mother had left her and take a job as a receptionist/editorial assistant for Town & Country Magazine in 1965.

A romantic relationship with photographer David Dalton allowed Linda to study how a professional shooter works and, soon after, she began to manage her own photo sessions, using her knowledge, good looks and ability to communicate with even the most-difficult subjects to secure gigs featuring people in the music business. She became a house photographer at Bill Graham’s Fillmore East venue and, over time, she’d shoot music superstars including Eric Clapton, The Doors, Bob Dylan, Aretha Franklin, Jimi Hendrix, Janis Joplin, the Rolling Stones, Neil Young (one of her photos of Young performing in 1968 at Canterbury House would later become the cover of a record called Sugar Mountain) and others – in fact, her photo for Rolling Stone Magazine’s May 11, 1968 issue was the first cover taken by a female photographer to appear in that magazine – and so when she met Beatle Paul McCartney while covering the release of the band’s Sgt. Pepper’s Lonely Hearts Club Band LP and married him a couple of years later, it marked the beginning of a long and productive creative relationship as well – one that ended, sadly, with her death in 1998.

So, while she might not be with us, her portfolio lives on and is the subject of a show which has toured the world for the past 5+ years, with stops in Vienna, Montpellier and Seoul and is launching today at the Kelvingrove Art Gallery in Glasgow, Scotland – it’s first display in the U.K. and is on display now through the 12th of January, 2020 (Editor’s note – I’m hoping to tour this show during my visit to Glasgow later this month – photos to be shared upon my return). Simply titled “The Linda McCartney Retrospective,” the show was curated by the photographer’s husband, fellow musician Paul McCartney and their two daughters, Mary and Stella, and, according to the pre-show press, “It brings together dozens of Linda McCartney’s photos—from famous portraits of 1960s rock icons to more personal snapshots of her quiet home life with Paul—as well a trove of archival materials being shown in public for the first time, including cameras, her personal magazine collection, and even a diary from the ’60s.” More info is available at https://www.glasgowlife.org.uk/event/1/linda-mccartney-retrospective

Linda was also credited with a number of well-known-and-loved album cover photos, including the shot of Paul and his newborn daughter Mary taken in Scotland that was used on the back cover of Paul M’s solo debut album in 1970 titled McCartney. Available in the museum’s shop – quite the nice souvenir – is a limited-edition (one of 12), 20” x 24” fine art print of that photo (signed by Mary, who is now old enough to sign her name), priced at only £4,200.00  https://shop.glasgowlife.org.uk/mccartney-album-cover-scotland-1970-limited-edition-print. Get one for someone you love.

More details also at https://www.lindamccartney.com/the-linda-mccartney-retrospective/

f) Also in the UK (London), the Design Museum has put on a display of the nominees and winners of their annual “Beazley Designs of the Year” competition. Now in its twelfth year, the Beazley Designs of the Year is an annual celebration of “the most original and exciting products, concepts and designers across the globe today.” New this year was the addition of designs nominated by the public.

The last time an album cover was given one of these prestigious awards was back in 2017, when designer Jonathan Barnbrook won for his memorable package for the late David Bowie’s Blackstar album (being crowned “Graphic Design of the Year”). I’ve seen some impressive work this year, so let’s hope the judges are as impressed as I’ve been…

https://designmuseum.org/exhibitions/beazley-designs-of-the-year;

g) In addition to the photo portrait shows covered here previously, the busy curators at the Grammy Museum launched a show this past August built around memorabilia – album and advertising art, clothing, tour documents and lots of photos – taken from the archives of one of the music industry’s best-known concert promoters/artist managers, Jerry Weintraub and Concerts West – the man/team responsible for a number of memorable shows by  musical acts including John Denver, Elvis Presley, Frank Sinatra, The Carpenters, Neil Diamond, Bob Dylan, Rick James, Beach Boys, Led Zeppelin, Bad Company, The Commodores, the Bee Gees, The Moody Blues, Stevie Wonder, Paul McCartney and many others. While he’d begin his rise to the top of the entertainment business in the early 1970s, he’d expand his empire to include a long list of successful film/TV productions, including hits such as Oh, God!, Nashville, Diner, the Karate Kid movie franchise and the Emmy Award-winning TV documentary on global warming – Years Of Living Dangerously – among many others. This expansive look into the career of one of the best showmen in the business runs through early December, and you can learn more on the Grammy Museum site –  https://www.grammymuseum.org/exhibits/current-exhibits/jerry-weintraub-presents; https://www.grammy.com/grammys/news/jerry-weintraub-presents-exhibit-coming-grammy-museum

h) Some of you might recall that I was honored a few years back to write an article for Rockwell Museum curator Jesse Kowalski’s “Illustration History” site about album cover design and production (which you can find at https://www.illustrationhistory.org/essays/producing-album-cover-art-for-clients-in-the-music-business). As we corresponded recently about a VR-based initiative the Museum is involved with (people love their little screens these days, right?), Jesse shared some info on a new show he’s got up that focuses on two hot topics this year – the 50th anniversaries of the Woodstock Art & Music Festival and Man’s landing on the Moon – along with everything else that made the year 1969 a memorable one in our history. Running now through October 27th, “Woodstock to the Moon: 1969 Illustrated” fills two of the museum’s galleries and, according to the show’s PR, “those galleries are well provided for and cover a lot of range. A display relating to Sesame Street, which debuted on public television that year, is an implicit reminder that Woodstock was by no means the most important cultural event of 1969. An early draft of the screenplay for Easy Rider sits near a poster for the movie version of Hello, Dolly!…In a nice nod to another Massachusetts museum, the show includes artwork for ‘The Very Hungry Caterpillar’ (yes, published in 1969), whose author-illustrator is the namesake of the Eric Carle Museum, in Amherst.” The show also includes a number of famous concert posters (including Arnold Skolnick’s iconic Woodstock poster) groovy examples of mind-bending psychedelic found on the album covers and other materials from bands such as Led Zeppelin, The Who, and the Grateful Dead. I do hope that you’ll visit https://www.nrm.org/2016/12/woodstock-to-the-moon-1969-illustrated/ to plan on your trip to see this show, and if you’d like to read a recent review on it as seen in the Boston Globehttps://www.bostonglobe.com/arts/art/2019/07/10/illustrating-year-when-rad-met-trad/8PUuaMrm3FOREZV0PoONkL/story.html

Artist News and Interviews –

a) NEW, BUT NOT REALLY – Noted designer/illustrator/album cover artist Stefan Bucher has re-launched his daily video journal called the Daily Monster, where each day he takes you through the steps of creating a  monster with the hopes that he’ll inspire you to create monsters of your own – https://www.youtube.com/channel/UCNGRtjBO4IFMWWuzJ1spS4w

b) Previously posted 9/27 –  With all of the recent excitement (and articles a-plenty) about the celebration of the 50th anniversary (on September 26th) of the release of the Abbey Road album by The Beatles, I wanted to simplify your approach to reviewing the memorable album art via this recent with the designer who was tasked with putting together the original package for this recording – the immensely-talented Mr. John Kosh (or, as he prefers, simply “Kosh”). Two recent interviews with the 75-years-old-but-still-working-like-a-madman designer were published this past week – one in Forbes and one in the NY Post –  about his work on Abbey Road

Forbes – https://www.forbes.com/sites/davidchiu/2019/09/24/beatles-abbey-road-album-cover-design-john-kosh/#6a4fec7d1c07

NY Post – https://nypost.com/2019/09/25/inside-the-story-of-the-abbey-road-album-cover/

and to mark the occasion, I’d like to share a photo of myself (see below) with two items that arrived in the mail today – my copy of the 50th anniversary edition (remixed by Giles Martin and Sam Okell) 2-CD set and, because I realized this week that I’d never added the book to my personal collection, my copy of Aubrey Powell’s generously-illustrated 2017 book Vinyl.Album.Cover.Art: The Complete Hipgnosis Catalogue which, I can assure you, will provide me with much to be happy about this weekend as I read it (while listening to the Abbey Road CDs, perhaps). Both items contrasted nicely with my Abbey Road in silhouette t-shirt, don’t you think?

 

 

 

 

 

 

 

If you’d like to read my own interview with Kosh about his work on another well-remembered (and honored, as it won a Grammy) cover – Linda Ronstadt’s 1984 recording of her takes on classic big band tunes titled Lush Life – I’d invite you to click on this link and you’ll be whisked right there –  https://albumcoverhalloffame.wordpress.com/2014/05/09/interview-with-kosh-linda-ronstadts-lush-life-album-cover/

Bonus anniversary mention – Not quite as old as Abbey Road, but sporting a cover photo that is perhaps as well-known (to a slightly younger crowd) –  this year (December, actually) marks the 40th anniversary of the release of The Clash’s London Calling album which featured photographer Pennie Smith’s photo of Joe Simonon’s frustrated bass-smashing on stage in NYC – Fox5 NY posted a video interview this week with Smith and Rolling Stone’s Anthony DeCurtis on the topic – https://www.fox5ny.com/news/the-clashs-london-calling-album-cover-photo-turns-40

c) One of the best-known photo-journalists covering the Seattle/grunge scene is Charles Peterson (guests of the Hotel Max in the city will find his work incorporated into the hotel’s décor). Here’s a recent interview on the UDiscover Music site about shooting Soundgarden covers – https://www.udiscovermusic.com/stories/charles-peterson-soundgarden-photos-interview/

New Products (Books, Prints, Other) –

a) The folks at KnuckleBonz continue to impress as they expand their 3D album cover sculpture line to include Pantera’s Vulgar Display of Power and Aerosmith’s Toys In The Attic to their line – (shipping this fall, pre-orders accepted now) – https://www.yahoo.com/entertainment/pantera-iconic-vulgar-display-power-181409936.html

Miscellaneous Items – 

a) Sir Peter Blake, who created the cover for The Who’s Face Dances 1981 LP (along with covers for The Beatles, Eric Clapton, Paul Weller and many others) was commissioned once more by Misters Daltrey and Townshend to create the designs for their upcoming album for The Who titled, quite controversially, Who. The designs were premiered at the opening for the new Pace Gallery in NYC, with special guests (guess who? No, not the Guess Who) there to play an acoustic set – https://petetownshend.net/news/the-who-perform-acoustic-set-and-reveal-new-album-cover-at-pace-gallery-in-nyc

b) Kerrang Magazine just had to publish this article about 12 albums with really-embarrassing album covers –  https://www.kerrang.com/features/13-amazing-albums-with-embarrassing-covers/

Perhaps one day I’ll publish a piece about 12 magazine articles about album cover art that were really embarrassing…that’ll show ‘em.

c) Perhaps this article on the Yardbark site about the “most-iconic album covers of all time” will make the cut?  – https://www.yardbarker.com/entertainment/articles/the_most_iconic_album_covers_of_all_time/s1__30083705#slide_1. Or how about this one from the editors at the UK’s Radio X on the “Most Boring Album Covers” – https://www.radiox.co.uk/features/x-lists/most-boring-album-covers/

d) Here’s a new review of the latest in heavy-metal album art design – https://www.treblezine.com/shadow-of-the-horns-metal-album-covers-have-come-a-long-way/

e) Part of the process of making album art – working hard to produce designs, only to have them rejected by your clients – is illustrated nicely here in this article which uncovers a rejected design for AC/DC’s Black Ice LP – http://www.alternativenation.net/new-acdc-album-cover-finally-leaks-years/

f) RIP – Previously posted on 9/11/19 – It’s my sad duty to inform my readers that photographer Robert Frank, perhaps best-known to rock album art fans for his contributions to the Rolling Stones’ classic 1972 double album Exile On Main Street, has died at the age of 94. Born in November, 1924 in Zurich, Switzerland to Jewish parents whose Swiss citizenship kept the family relatively safe while the War raged on around them, Robert Frank saw how Nazism oppressed individual expression and, rather than focus his attentions on business, decided to dedicate himself to expressing himself through photography and studied the subject with several photographers and designers. He took his talents to the United States in 1947, working first as a photographer for Harper’s Bazaar magazine, leaving a short while later to tour the world and returning in 1950 when he met famed photographer Edward Steichen and was asked to participate in his group show at NYC’s Museum of Modern Art.

That same year, he met and married his wife Mary (a fellow artist) but, after a few years of life in the U.S., Frank was bothered by society’s pace, intense focus on capitalism and, to Frank, a lingering loneliness he felt there. Looking for an escape, he embarked – with his wife and two young sons – on a tour of the world, returning to NYC in 1953. He took on freelance work for a number of fashion and news magazines and, along with several other photographers (such as Diane Arbus, Walker Evans and others) became part of what was called at the time “The New York School of Photographers”.

In 1955, supported by a Guggenheim fellowship, he began a journey across the United States, looking to photograph people and places from all walks of life and in all parts of the country. From the nearly 30,000 photographs he took over the next two years, he selected 83, which became the basis for a book he titled “The Americans”.  After completing this work, Frank decided to put his still camera away and focus his talents on film-making, with one of his best-known works from this time being his 1959 film titled Pull My Daisy and featuring many of the best-known “Beat” artists, writers and poets of the generation.

After Frank and Mary’s marriage ended, he then married sculptor June Leaf and, in 1971, the couple moved to a community on Cape Breton Island, Nova Scotia, Canada. Family tragedies struck hard when his daughter Andrea was killed in a plane crash in Guatemala in 1974 and his son Pablo was later hospitalized for a mental disorder and later (in 1994) took his own life, moving the artist to create the Andrea Frank Foundation, an organization that supports artists with grants.

His introduction to music industry clients came in 1972 when he was hired to document the Rolling Stones while they were on tour. So accurate was the portrayal of the band (and its excesses and, notably, the loneliness of their lives on the road) that the band and its management demanded that the resulting film – Cocksucker Blues – not be shown in theaters in the U.S.. The band and Frank reached a settlement that allowed for the movie to be shown only 5X per year (with Frank required to attend the showings) and the photographer was then asked to supply the photographs that were used on the group’s famed Exile On Main Street record cover. He continued throughout his life s to work on a wide variety of projects (spending time both in Canada and back at his loft in NYC) and had directed several music videos. Notable album cover credits in his portfolio included Kraftwerk’s Radio Aktivitat; Philip Glass – Hydrogen Jukebox; Jerry Garcia – Shady Grove; John Hiatt – Greatest Hits: The A&M Years ’87 – ’94 and Chronicles; New Order – Item; The New Lost City Ramblers – 50 Years: Where Do You Come From, Where Do You Go? and Tracy Nelson – Tracy Nelson Country.

There have been a number of showings of Frank’s art over the years, including a 1994 retrospective at the National Gallery of Art in Washington, DC, a 2004 show at London’s Tate Modern Museum, shows in 2008-9 in Germany, a 2012 show at Moscow’s Multimedia Art Museum along with a 2014 exhibition at Stanford University. In 2009, The National Gallery of Art organized a large exhibition that went on to tour both the San Francisco Museum of Modern Art and The Metropolitan Museum of Art in New York City.  The same gallery has also assembled what they call “the largest repository of materials related to renowned photographer and film-maker Robert Frank”, ready in its entirety in time for Frank’s 90th birthday in November, 2014.

Upon hearing of his death on September 9, 2019 at the age of 94, the Rolling Stones issued the following statement – “We’re very sad to hear the news that the visionary photographer and filmmaker Robert Frank has died. Robert collaborated with us on a number of projects including the cover design of Exile on Main Street and [he] directed the Cocksucker Blues documentary. He was an incredible artist whose unique style broke the mould. Our thoughts are with his family and friends at this time.”

Learn more about this artist at http://www.nga.gov/content/ngaweb/features/robert-frank.html

On a related note, I’d like to invite you to read my May, 2010 interview in Goldmine Magazine with designer John Van Hamersveld, who worked with Frank on making of the Exile cover – https://www.goldminemag.com/articles/the-rolling-stones-exile-on-main-street-and-the-artwork-by-john-van-hamersveld

g) The National Portrait Gallery recently added a photo portrait of pop goddess Beyonce to their collection. Here’s an interview with the talented shooter – Tyler Mitchell – who took the photo – https://www.latimes.com/entertainment-arts/story/2019-08-07/beyonce-vogue-cover-smithsonian

h) The editors at Juxtapoz Magazine have added three new entries to the magazine’s “Sound & Vision” album art series:

  1. Takashi Murakami’s cover work for Kanye West’s Graduation album – https://www.juxtapoz.com/news/music/sound-vision-kanye-west-s-graduation-by-takashi-murakami/
  2. Eric Timothy Carlson’s most-recent assignment to create the artwork for Wisconsin-based rockers Bon Iver’s i,ihttps://juxtapoz.com/news/music/sound-vision-an-interview-with-eric-timothy-carlson-the-artwork-behind-bon-iver-s-i-i/
  3. Miles Davis chose his “best friend”, Corky McCoy, to create the colorful cartoon-style artwork for his 1972 album On The Cornerhttps://juxtapoz.com/news/music/sound-vision-miles-davis-on-the-corner-and-1970s-releases-by-corky-mccoy/ He’d go on to create the covers for several more albums by the legendary jazz trumpeter.

That’s all for now – stay tuned and be on the lookout for timely news alerts on our news feed –https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back when we can with another monthly summary for you.

Unless otherwise noted, all text and images included in this article are Copyright 2019 Mike Goldstein and AlbumCoverHallofFame.com – All Rights Reserved. All of trade names mentioned in these summaries are the properties of their respective owners and are used for reference only.

Album Cover Hall of Fame News Update and Summary – End of August/September, 2019

Album Cover Hall of Fame News Update and Summary – End of August/September, 2019

 

 

 

 

 

By Mike Goldstein, AlbumCoverHallofFame.com

It’s almost Labor Day weekend again, which most of us use to mark the end of Summer while some of us cling with every fiber of our being to hold on to the season’s last vestiges. We did use a nice day recently to tour Chicago’s Pilsen neighborhood (visiting the National Museum of Mexican Art, which sports one of the best museum stores I’ve ever been to) and, while strolling down W. 18th Street after a dessert stop at Creperia Nuevo Leon, we came upon Pinwheel Records, a place that was advertising an upcoming fund-raiser for a local kitten support group with a window display of well-known album covers that had been “kittenized” (see photo). This reminded me of just how important album cover imagery is in the promotion of music products and in building lasting memories for fans and consumers of these products. Great new examples of these can be found in the 200+ submissions we judges had the opportunity to see and review for this year’s Making Vinyl Packaging Awards (see item on this competition, which follows) and also in the many shows, articles and more you can read about (if you give me a few minutes of your time) by scrolling through this month’s easy-to-digest run-down of all of the album cover artist/art-related news I think might be worth your time investigating:

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ACHOF Featured Fan Portfolio – A Tour Through Collector Richard Forrest’s Favorite Album Covers

 

ACHOF Featured Fan Portfolio – A Tour Through Collector Richard Forrest’s Favorite Album Covers

In an article published in the October 12, 2017 issue of Psychology Today, Dr. Matthew J. Edlund relates a story about a patient who’d come to him suffering from, as he described it, “art collecting induced insomnia…He could not stop thinking about modern and contemporary prints, what he possessed and more possessively what he further wished to have. A universe of potential desire awaited him each night. The prices, places, avenues of acquisition, bidding strategies, and the potential profits all negated the calm and comfort of his night-time life. ‘Is my art collecting healthy?’ he wondered.” Dr. Edlund suggests that his patient buy a book about the artist who produced a desired print in order to learn more about him/her and their motivations, allowing the collector to “connect with ideas larger than oneself”, which seems to have allowed this patient to rest more easily. After reading this article, all I could think of was that I’d simply start collecting books about artists – wait, I’ve already done that!

Suffice it to say, collectors are a funny bunch, and while I admit to suffering from this condition myself (although, I must say, it’s somewhat in remission these days, now that I’ve nowhere to store anything else), rather than live in a situation where there’s always one – or dozens – more things to add to a collection, it was intriguing to have found someone – a collector living in Sweden by the name of Dr. Richard Forrest – who approaches collecting in a way that enables him to both attain a goal and also feel some sense of achievement via his efforts. Some of you might recall that I’ve been corresponding with Dr. Forrest – also known as the “Rockdoc” – for many months now after discovering a blog he maintains (https://recordart.net/) in which he talks about his collections, one of which – his collection of all of the album covers ever created by Pop Art icon Andy Warhol – that serves as an important section of a museum on the artist that’s on display (thru September 8th) at the Moderna Museet in Malmo, Sweden.

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Album Cover Hall of Fame News Update and Summary – End of July – August, 2019

 

 

 

Album Cover Hall of Fame News Update and Summary – End of July – August, 2019

By Mike Goldstein, AlbumCoverHallofFame.com

Summer marches on. After driving by the area in downtown Chicago where the annual Lollapalooza music event is being held (making motoring down Lake Shore Drive extra fun) and seeing the happy crowds enjoying the performances/shenanigans taking place there (although, with ticket prices starting at $130 for a one-day general admission pass and going up to $4200 for a 4-day “platinum pass”, which gets you “access to the luxurious, climate-controlled North & South Platinum Lounges featuring signature cocktails, craft beer, champagne, wine and curated culinary offerings; premium viewing areas in front of five stages; access to on-stage viewing at the North & South main stages; complete access to the VIP Lolla Lounges, including the new stage featuring performances by Lolla artists” and, my favorite perk, “golf cart transportation between the Platinum Festival entrance, Lounges, and front-of-stage viewing areas” – I mean, who can walk after all of that champagne and “curated culinary offerings”? – this is one fest I’ll have to live without), it reminds me that there are simpler and no-less-enjoyable ways to spend a few minutes of your time, such as reviewing this month’s easy-to-digest run-down of all of the album cover artist/art-related news I think might be worth your time investigating:

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Album Cover Hall of Fame News Update and Summary – Independence Day Weekend, July, 2019

Album Cover Hall of Fame News Update – Independence Day Weekend, July, 2019

By Mike Goldstein, AlbumCoverHallofFame.com

Hope that all of you here in the U.S. are enjoying your 4th of July holiday break – BBQ-ing, fireworks, trips to the beach, sun burns, little kids spilling sand on your blanket while their parents are checking their Facebook feeds, etc. – oh such fun! We had great weather (i.e., no rain) here in Chicagoland and were lucky enough to enjoy two nice fireworks displays, so with my ears still ringing and bursts of color burned into my corneas, here is a quickie, much-streamlined run-down of all of the album cover artist/art-related news I think might be worth your time investigating:

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Album Cover Hall of Fame Breaking News Update for June 21, 2019

Album Cover Hall of Fame Quickie News Update – June 21, 2019

By Mike Goldstein, AlbumCoverHallofFame.com

Welcome to the first day of Summer (assuming that the “new” Summer includes days like the ones we’re having here – high temp of 65, with rain forecast for the next several days). It’s days like these that make me happy to be able to report that the works of the people who make your favorite album cover images are included in a whole host of exhibitions on display now/soon. In addition to the details of these current/ongoing shows, you’ll also find interesting tidbits about new books, prints and other collectibles now available, along with a story or two that I thought you might want to read, and so, without any further delay, here’s a quickie update, provided as a tease to the regular end-of-the-month summary due in 10 days or so…

Exhibitions/gallery shows –

1) NEW SHOW OPENING 6/21 – Having wowed the crowds in Los Angeles last year with a huge show in Chinatown that drew thousands of fans, street art/graffiti art fans in the NYC area can now traipse on over to a new show called Beyond The Streets that opens to the public this weekend in a large space (over 100,000 square feet!) of its own in Williamsburg, Brooklyn. According to the show’s advance PR, “BEYOND THE STREETS celebrates society’s most pervasive mark makers and rule breakers with unprecedented purpose and scale. The exhibition explores the collective urgency of using the street as a canvas for expression”…and features “enlightening panel discussions hosted by legendary street art icons and presentations by contemporary artists who are continuing to redefine and reshape the art form.” Album cover art fans will see examples of work from many of their favorites, including Cey Adams, J-M Basquiat, Martha Cooper, Shepard Fairey, Glen E. Friedman, Keith Haring, Takashi Murakami, Mister Cartoon and Kenny Scharf, among others.

The show runs thru August, 2019 and is located at 25 Kent Ave, in Williamsburg, Brooklyn. The entrance is on North 12th between Wythe and Kent Avenues, right next to the Wythe Hotel, William Vale Hotel, and Brooklyn Bowl. Open Wednesday to Sunday, 11am – 8pm. Closed Monday & Tuesday. Gen admission is $25, kids 6-11, $12. https://beyondthestreets.com/pages/visit

My friend Rocky Bucano from the Universal Hip-Hop Museum (www.uhhm.org) toured the show with some friends of his and was kind enough to share some of the photos. Thanks, Rocky – you definitely have some of the coolest friends…

LL Cool J by Rocky Bucano, UHHM.org

 

 

 

 

 

 

 

 

Cornbread Retires @ Beyond The Streets by Rocky Bucano, UHHM.org

 

 

 

 

 

 

 

 

 

Art @ Beyond The Streets, Rocky Bucano, UHHM.org

 

 

 

 

 

 

 

 

 

2) NEW SHOW OPENED 6/14 – Recently opened at the Ulster Museum in Belfast, Northern Ireland is a show whose history began almost 20 years ago when the curators from London’s Victoria & Albert Museum put on a show called The Art of Selling Songs: Graphics for the Music Business 1690 – 1990 that dug deep into the museum’s impressive collection of music-related graphics to show how graphic design was used to promote and sell musical performances and products. The updated version of this show now on display in Belfast presents an “A side” – artwork from “the olden days” thru the introduction of pop music – and a “B side” of more recent work, featuring works from artists and designers including Julien Opie, Peter Saville, Andy Warhol, Albert Watson and many others. A bonus show called Overtones: Irish Music Art celebrates artwork created by Irish artists/designers and works for Irish acts including Ash, Snow Patrol, Them, U2 and others. Here are a couple of recent articles – one in the Irish Timeshttps://www.irishtimes.com/culture/music/great-irish-album-artwork-goes-on-display-at-ulster-museum-1.3924937 and one on the Irish News.com site – https://www.irishnews.com/news/northernirelandnews/2019/06/14/news/sgt-pepper-and-alternative-ulster-star-in-striking-new-exhibition-of-album-artwork-1641599/ – that serve to provide overviews of the show, with the second one also including a short video interview with the exhibition’s curator, Anna Liesching, curator of art at National Museums NI.

The displays are available for your enjoyment from now through the 15th of September, with more info available on the museum’s site at  https://www.nmni.com/whats-on/the-art-of-selling-songs

3) ONGOING (INCLUDES NEW IMAGES FROM GALLERY) – In last month’s summary, I wrote about the gallery show featuring photographer Bob Gruen’s work now on display (through July 6th) at the Brian Liss Gallery in Toronto, Canada, and now I’m happy to provide you with a small selection of photos of the gallery’s exhibition, as provided by the nice people there.

 

 

 

 

 

 

Bob Gruen @ Brian Liss Gallery, Toronto – used by permission

 

 

 

 

 

 

 

Bob Gruen @ Brian Liss Gallery, Toronto – used by permission

 

 

 

 

 

 

 

You’ll recognize some of Mr. Gruen’s “greatest hits” – his photos of John Lennon in NYC (one wearing his “New York City” t-shirt and the other with Lennon flashing a peace sign in front of the Statue of Liberty), his photo of Led Zeppelin in front of their tour plane, etc. – along with others from his 40+ year portfolio compiled while covering the rock scene for many publications and television shows. Of course, we’re very appreciative of the album covers he’s produced, such as Dressed To Kill for KISS; John Lennon, Yoko Ono and the Plastic Ono Band’s Sometime in New York City and Raspberries for the Raspberries, among others.

Visitors to the gallery will find, in addition to a fine selection of fine art prints for sale, that they’ll also have copies of his 2011 career retrospective book Rock Seen for you to take home as well. http://liss-gallery.squarespace.com/bob-gruen

Artist News and Interviews

1) OH, YES! – Famed fantasy artist Roger Dean’s daughter Freyja is quite the artist herself, with some album art credits on her resume as well. Here’s a recent interview with the artist as shown on the Japan Times web site – https://www.japantimes.co.jp/life/2019/06/08/people/freyja-dean-art-mythology-prog-rock/

2) NOT QUITE A KNIGHT – Early on in his career as a British photojournalist, Terry O’Neil had access to the music business elite at the time, with his portfolio including shots of The Beatles, David Bowie, Eric Clapton, Elton John, the Rolling Stones, The Who, Judy Garland, Frank Sinatra and many others. His photographs of Bridget Bardot, Audrey Hepburn , Sir Laurence Olivier and super-model Jean Shrimpton beautifully captured each in their prime. O’Neill was also invited to shoot portraits of civic and world leaders, as well as the British Royal Family, and his reputation as a result of these sessions grew accordingly.

Now 80 years old, Mr. O’Neil received a Royal honor, being awarded the CBE (Commander of the Most Excellent Order of the British Empire) for his career’s contributions to photography, so here’s a pictorial run-down of his celeb and music-industry shots in The Mirrorhttps://www.mirror.co.uk/news/gallery/terry-oneills-legends-stories-behind-16522861

That’s all for now – stay tuned and be on the lookout for timely news alerts on our news feed –https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back when we can with another monthly summary for you.

Unless otherwise noted, all text and images included in this article are Copyright 2019 Mike Goldstein and AlbumCoverHallofFame.com – All Rights Reserved. All of trade names mentioned in these summaries are the properties of their respective owners and are used for reference only.

Album Cover Art and Artist News Summary and Preview for May/June, 2019

 

 

 

Album Cover Hall of Fame News Update – May, 2019 (with previews for June/July, too)

By Mike Goldstein, AlbumCoverHallofFame.com

6/1/19 update –

With Summer almost upon us, it’s important to know what’s going on with the people who make your favorite album cover images just in case their work is on display in your area (and, if you’re lucky, whether they’re going to be in your area in support of these shows). In addition to the details of these current/ongoing/just closed shows, you’ll also find interesting tidbits about new books, prints and other collectibles now available, as well as a little sad news about the passing of two well-regarded album cover artists. And so, without any further delay, heeeere’s this month’s summary…

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Album Cover Art and Artist News Summary and Preview for April/May, 2019

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Album Cover Hall of Fame News Update – April/May, 2019

Posted May 1, 2019 by Mike Goldstein, AlbumCoverHallofFame.com

Although last Sunday’s snowstorm dumped several inches of powder on my just-popping-open tulips, it looks as though that might have been the last of it and we can now look forward to Spring and all of the joy it brings us. My regular scours of the Internet also pointed me to a number of newly-hatched stories about our favorite subjects – album cover art and the work of the people that make it – and so here’s a quick summary about some of the new exhibitions, artist appearances, book releases and other stories that I think you’ll enjoy:

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Album Cover Hall of Fame Breaking News Update for April 12, 2019

Album Cover Hall of Fame’s Breaking News Update for April 12, 2019

 

 

 

 

 

 

by Mike Goldstein, AlbumCoverHallofFame.com

For your weekend reading pleasure:

Part of Dr. Richard Forrest’s Andy Warhol album cover collection

 

 

 

 

 

 

 

1) Several weeks ago I’d posted some basic info on an exhibition that was opening in Malmo, Sweden at the Moderna Museet featuring the works of Pop Art master Andy Warhol and that a fellow album cover lover/blogger – Dr. Richard Forrest – had given his entire collection of Warhol-crafted album covers – some 81 covers in all, spanning from the 1950s through the 1980s and including Warhol’s work for clients in the jazz (Artie Shaw, Kenny Burrell, Johnny Griffin, etc.), rock (Velvet Underground, John Lennon, Rolling Stones) and pop (Aretha Franklin, Diana Ross, Paul Anka) genres.

Part of Dr. Richard Forrest’s Andy Warhol album cover collection

 

 

 

 

 

 

 

Since that time, the show (which is on display now through September 8th) has attracted fans from all over the world, and Dr. Forrest was kind enough to send along several photos of his collection as it’s on display, and all I can say is WOW and suggest quite strongly that anyone travelling to that part of the world be sure to take the time to see these covers – and the entire Warhol collection – in this setting.

Description of Andy Warhol’s album cover display in Malmo, Sweden

 

 

 

 

 

 

 

 

 

More details on the show (and its previous staging in Stockholm) can be found on the museum’s web site at https://www.modernamuseet.se/malmo/en/exhibitions/warhol-1968/

2) The life and times of one of rock music’s most-heralded photographers – the late Jim Marshall – is now the subject of a new film that has been garnering great reviews and, most-recently – was chosen as an official selection of the San Francisco International Film Festival. Show Me The Picture: The Story Of Jim Marshall has been a long-standing labor of love of its director – Alfred George Bailey, a photographer, film-maker and former jazz drummer who has worked covering the music industry for more than 30 years.

Marshall’s work – first shooting album covers for ABC, Atlantic and Columbia Records, the on assignments beginning in the early 1960s for The Saturday Evening Post, Rolling Stone and LIFE magazines during which he captured memorable performances of The Beatles, acts at the 1967 Monterey Pop festival, Johnny Cash at Folsom Prison, Woodstock and other seminal moments in rock history – had a great influence on Bailey’s own career as a photographer and cinematographer, so I’m sure that it’d be a treat to be able to attend the upcoming event being hosted by the folks at the San Francisco Art Exchange next Friday, April 19th and to meet not only Mr. Bailey but also the film’s executive producers as well as other members of the film’s cast and crew.

Of course, the gallery will also have a large exhibition of fine art prints of Mr. Marshall’s work for you to view, so prepared to be overwhelmed with both the power of Marshall’s imagery and the talents on display that night at the SFAE reception. If you’d like to attend the opening reception (doors open at 7PM), contact the gallery (located at 458 Geary Street in the heart of downtown S.F.) at 415-441-8840 or visit them at www.sfae.com

My thanks again to Dr. Forrest for sending these photos to me to share with you.