ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF APRIL, 2017
Happy May 1st to you all. While the weather here in the Chicago area has certainly swung towards Springtime (a day spent in the gardens at the nearby Baha’i Temple found the magnolias and spring flowers in full bloom), it hasn’t quite “stuck the landing”, but I’ve gone ahead and planted basil on my balcony and can vouch for the fact that there are trees with leaves on them as I look out my office window as I write this month’s summary and continue to work on my book.
Speaking of which – I’ve scripted my presentations for my upcoming crowd-funding project and, with any luck, will have something for you to look at quite soon. As I mentioned before, I’m mostly focused on deciding what to/not to include in this first collection (that’s been the toughest part, because I want to share everyone’s stories), but it looks like this will be a 400+ page book, so fans will most certainly find things in it relating to many of their favorite album cover creators. I also finished my inventory of the premiums (art prints, mostly) that will be used to incentivize you to support me at various funding levels, so I do hope you’ll take a look at my offering once it’s up and running. More to come, for sure.
Posted in Album Cover News Recaps
Tagged ACHOF, Alan Aldridge, Albert Watson, album cover, album cover art, Album Cover Hall of Fame, album cover news, Album Covers, Andy Warhol, article, award winner, Bob Gruen, CD cover, Chi Modu, de Young, Dennis Morris, design, design award, Don Hunstein, Elton John, exhibition, Gorillaz, Grammy Award, Guido Harari, interview, Jamie Reid, Jimmy Steinfeldt, Juno Awards, Klaus Voorman, KnuckleBonz, Mick Rock, Mike Goldstein, packaging, Pearl Jam, photographer, Prince, Ramones, record sleeve, Roger Dean, Rolls Royce, The Shins
ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF NOVEMBER, 2016
By Mike Goldstein, Curator/Editor, AlbumCoverHallofFame.com
It’s early December, 2016, and WOW! has a lot happened since we last communicated. Of course, the results of the U.S. elections early in the month have either demoralized or energized half the population here, with only the news of the Chicago Cubs breaking their 108-year World Series drought bringing everyone together in peace and harmony, if only for a short while…With all of the uncertainty remaining as to what’s in store for us here, you’d think that there’d have been a brief slow-down in the output of news relating to the art and music scenes but, no, creative people continue to do what comes naturally and, therefore, other people with related businesses and interests (galleries, publishers, collectors, etc.) continue to do what they do to share what they do with the rest of us. As you’ll find in this most-recent summary of news from the world of album cover artists and the wonderful products they’re creating for us fans and collectors of the genre, I believe that we’ll all find enough inspiration to see us through whatever comes our way.
Posted in Album Cover News Recaps
Tagged ACHOF, album cover, album cover art, Album Cover Hall of Fame, album cover news, Album Covers, article, auction, Blondie, Bon Jovi, Bruce Springsteen, CD cover, David Bowie, design, designer, Elton John, Eric Meola, exhibition, Giger, illustrator, interview, Mike Goldstein, packaging, Patrick Habron, photographer, photography, Pink Floyd, punk, Radiohead, record sleeve, sex pistols, The Beatles, Zagaris
Interview with David Larkham – The making of the album cover artwork for Elton John’s Goodbye Yellow Brick Road
by Mike Goldstein, curator, AlbumCoverHallofFame.com
April 18, 2014
Like great music, great art always stands the test of time.
Elton John’s Goodbye Yellow Brick Road came as the result of several short-but-very-productive song-writing/recording efforts by Elton, Bernie Taupin, his bandmates and his producer and, although the record received rather lukewarm reviews from some critics at the time, it went on to be Elton’s best-selling studio recording, from which emerged his much-beloved show opening sequence (“Funeral For A Friend/Love Lies Bleeding”), three huge hit singles (“Bennie & The Jets”, “Saturday Night’s Alright For Fighting” and the title cut) and a song (“Candle In The Wind”) – originally written in honor of Marilyn Monroe and re-written in 1997 as a tribute to the passing of Princess Diana – that then became the second best-selling single of all time. His seventh studio record, it was undeniably the record that launched Mr. John into the Pop music stratosphere. So much for the critics and their ability to appreciate a work’s overall importance in both the portfolio of an influential artist and the ongoing development of the Pop music genre.
No such difficulty exists when considering the enduring impact of David Larkham‘s designs for Elton John throughout the years. The original package for this double album – and its 3-panel design – was also, in itself, quite unique and memorable. With that much album real estate to fill, it was an extraordinary feat accomplished by the album cover team who delivered six panels of impressive design, illustration, photography and typography, featuring individual illustrations for each song included on the record as well as the lyrics which, at least for me, made the listening experience all the more enjoyable (and dependent on having the album cover close at hand).
Elton John’s Goodbye Yellow Brick Road 40th Anniversary Set
Late 2013 marked the 40th anniversary of Goodbye Yellow Brick Road‘s release and, in March, 2014, an imposing 40th anniversary “super deluxe re-release” package was produced containing five discs (two of which were of a particularly well-performed 1973 concert played in London’s Hammersmith Odeon and another containing covers of GYBR songs by a number of current musical faves) and a DVD of a documentary titled Elton John and Bernie Taupin Say Goodbye to Norma Jean and Other Things. The set also included a 100-page illustrated hardback book of rare photos, memorabilia and articles containing interviews with Elton John and Bernie Taupin. I caught up with Mr. Larkham in late February of this year and have worked with him since to bring ACHOF fans an updated, behind-the-scenes look at how this remarkable album package was conceived and assembled by a team of highly-talented artists, working with a client who was about to become the biggest pop star in the world….
Posted in Album Cover Artist Interviews
Tagged ACHOF, album cover, album cover art, Album Cover Hall of Fame, Album Covers, art director, article, award winner, CD cover, David Larkham, design, designer, Elton John, Goodbye Yellow Brick Road, Ian Beck, illustrator, interview, Mike Goldstein, packaging, photograph, record sleeve