Album Cover Hall of Fame News Update and Link Summary for December, 2023

Posted December 1, 2023 by Mike Goldstein, AlbumCoverHallofFame.com

Hello and Happy Holidays to all of you – this is the time of year that we’re all supposed to look back and reflect on all that’s happened over the past 12 months and use those thoughts to consider how the next 12 months might be better lived (and, perhaps, how we might all make the world a little better place for ourselves and our fellow citizens of the world). It has certainly been an interesting year for me, having had the opportunity to visit several places, meet up with old friends and correspondents and learn more about life and all its mysteries. It’s also been an interesting year in that it represented the 50^th anniversary of the release of many noteworthy albums – debut records from Bruce Springsteen, Aerosmith, Queen and Lynyrd Skynyrd, concept albums such as Pink Floyd’s Dark Side of the Moon, Alan Parsons’ Tubular Bells and Elton John’s Goodbye Yellow Brick Road and dozens of other memorable titles including several of my own faves such as Selling England By The Pound from Genesis, Bowie’s Pinups and Alladin Sane (a very busy boy that year), Frank Zappa and The Mothers’ Over-nite Sensation, Brothers & Sisters from the Allman Brothers band, The Who’s Quadrophenia, the creepy-yet-beautiful, HR Giger-illustrated Brain Salad Surgery for Emerson Lake & Palmer and Black Sabbath’s Sabbath Bloody Sabbath, which features some amazing Drew Struzan-penned illustrations in the artwork gracing it’s package. For folks of a certain age group, these are mementos of truly a banner year in both music and music packaging.

Album Cover Art and Artist News Summary for the Month of February, 2017

ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF FEBRUary, 2017

by Mike Goldstein, AlbumCoverHallofFame.com

Greetings from Chicagoland. It’s “awards season”, what with the Grammy Awards, BAFTAs, Writer’s Guild and Independent Spirit Awards and, to end the month with a bang,  the Oscars (followed, in a few months, by another flurry including the Billboard, Tony and BET Awards shows). I don’t know about you, but I’m growing a bit overwhelmed by the sheer number of these shows and am somewhat confused as regards their relevance beyond the steady stream of production-related income enjoyed by the folks that stage them…Of course, people should be proud of what they do and want to praise the best examples of work within their respective fields of artistic endeavor, but I find it somewhat sad that some of the most-talented people – those working behinds the scenes, with their credits listed well-down from the top (you know, the part that’s sped through at an impossible-to-read pace during on-screen credit rolls) – are only mentioned in passing or, as we saw during the Oscar telecast, relegated to their own sparsely-attended and covered award ceremonies. Trust me, I understand why this is the case. I mean, who wouldn’t rather see a popular musician’s acceptance speech than hear from the recording engineer or the music video director (or the team that created the group’s logo and album cover), so that’s what sponsors and fans expect to see during an award show telecast. I guess that we fans of cover art can only take solace in the fact that you’ll probably see many more people wearing Dark Side of the Moon t-shirts than clothing emblazoned with a photo of Katy Perry thanking her fans, the label, her manager and her accountant for their support…