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Interview with Taschen’s Julius Wiedemann about his newest book – Art Record Covers

Interview with Taschen’s Julius Wiedemann about his newest book –  Art Record Covers

By Mike Goldstein, AlbumCoverHallofFame.com

March 8, 2017

 

 

 

 

 

 

 

Last month, I reported on the latest effort by the prolific album cover art book editor and author Julius Wiedemann of the famed Taschen publishing house, who had recently announced the details of a new book just released in the U.K. (with buyers in the U.S. having to wait patiently until later in February to get theirs) titled Art Record Covers that, according to the press announcement, “showcases an alphabetized collection of artists’ record covers from the 1950s to today. Highlighting the relationship between image-making and music production, the anthology presents 500 covers and records by visual artists including Jean-Michel Basquiat, Keith Haring, Ed Ruscha and many more.”

The new book was assembled by “contemporary art and visual culture historian, writer and artist” Francesco Spampinato who, in addition to be an art professor at the prestigious Rhode Island School of Design, has authored two other recent books on design, including 2015’s Can You Hear Me? Music Labels by Visual Artists, published in 2015 by Onomatopee (Eindhoven, NL).

While some of you may recall that I’ve been working on a book based on the interviews I’ve done over the years with many of the best-known album art creators (due out later this year, I’m hoping), I am the first to admit that, as I’m not a trained art historian, I have always lobbied for the inclusion of album cover art/artists in the bigger ongoing discussion about the relationship between music and the visual arts, so it is inspiring to read books written by educators that further that conversation. Based on what I’d read and seen on this new book, I knew that I’d need to work to get a more-detailed look at the book and its contents, and the always-interesting Mr. Wiedemann was kind enough to work with me on a special feature for the ACHOF that I’m presenting to you today.

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Album Cover Art and Artist News Summary for the Month of February, 2017

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ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF FEBRUary, 2017

by Mike Goldstein, AlbumCoverHallofFame.com

Greetings from Chicagoland. It’s “awards season”, what with the Grammy Awards, BAFTAs, Writer’s Guild and Independent Spirit Awards and, to end the month with a bang,  the Oscars (followed, in a few months, by another flurry including the Billboard, Tony and BET Awards shows). I don’t know about you, but I’m growing a bit overwhelmed by the sheer number of these shows and am somewhat confused as regards their relevance beyond the steady stream of production-related income enjoyed by the folks that stage them…Of course, people should be proud of what they do and want to praise the best examples of work within their respective fields of artistic endeavor, but I find it somewhat sad that some of the most-talented people – those working behinds the scenes, with their credits listed well-down from the top (you know, the part that’s sped through at an impossible-to-read pace during on-screen credit rolls) – are only mentioned in passing or, as we saw during the Oscar telecast, relegated to their own sparsely-attended and covered award ceremonies. Trust me, I understand why this is the case. I mean, who wouldn’t rather see a popular musician’s acceptance speech than hear from the recording engineer or the music video director (or the team that created the group’s logo and album cover), so that’s what sponsors and fans expect to see during an award show telecast. I guess that we fans of cover art can only take solace in the fact that you’ll probably see many more people wearing Dark Side of the Moon t-shirts than clothing emblazoned with a photo of Katy Perry thanking her fans, the label, her manager and her accountant for their support…

In this month’s summary, you’ll continue to be impressed with the stories about the talented people working to produce great visuals for clients in the music business. You can be sure that the galleries, publishers, curators, etc. who support and promote these works will continue to promote these good works and will share what they do with the rest of us. There continues to be a number of articles about album cover art/artists in daily the news cycle, adding items of interest and fascination to the ongoing stream of articles, interviews, museum and gallery show information you’ll read on a wide range of related topics.

Please share this info with everyone you know who are fans of great album cover-related talent and, of course, your comments and feedback are quite welcome.

1) Upcoming, recently-launched/CuRRENTLY-RUNNING and just-closed show/exhibitions –

a) You know his work and, beginning March 11th at the University of Brighton (UK), you’ll be able to tour through an exhibition culled from his 50+ year portfolio of work as a world-class designer, illustrator and, alongside his commercial practice, educator. George Hardie’s credits include work he did while part of the Hipgnosis team for clients including Pink Floyd, Led Zeppelin, Alan Parsons, Genesis and many other classic acts and then, working independently and in collaborations since the early 1980s (with design firms including Pentagram, The Partners and Trickett & Webb), Hardie provided his talents to a wide range of clients and garnered widespread recognition for his stamp designs for the Royal Mail, including the Channel Tunnel commemorative stamps in 1994, the Millennium stamp (for which he won a D&AD design award) and the Magic stamps in 2007.

An experienced educator, Professor George Hardie taught postgraduate students of graphic design at the University of Brighton’s Faculty of Arts and Architecture from 1990 until his retirement in 2014. He has run a number of design workshops world-wide and was a visiting professor at the University of Nagoya, Japan in 2006. In 1994, Hardie became a member of the Alliance Graphique Internationale (where he served as International Secretary from 2007-2010) and was elected as a Royal Designer for Industry by Britain’s Royal Society of Arts in 2005, an award given to design professionals who have shown “sustained excellence in aesthetic and efficient design for industry”.

His work has been exhibited extensively, including shows at the University of Brighton (1993′s “George Hardie Works”), Barcelona and in Ljublijana in 2008. His books – Available in Other Colours: the Illustrations of George Hardie: A Book of Scraps (1993, and winner of the graphic design section of the Pantone International Color Award that year). Denouement (1996) and Colour Atlas (1997) have been included in design exhibitions at the Pentagram Gallery and in Nagoya, Japan.

This new show at the University of Brighton’s University Gallery in Grand Parade will include a display of the original artwork for one of his best-known album covers – the dirigible-covered Led Zeppelin – the size of which, to fans of record art, will come as a bit of a surprise, much like the first time you see the Mona Lisa (it’s smaller than you think). Hardie shares a bit of the story behind that cover  in an intro article by Andre Rhoden-Paul   on The Argus (UK) web site – http://www.theargus.co.uk/news/15099162.A_stairway_to_heaven_for_fans_of_record_covers/

The “George Hardie: 50 Odd Years” exhibition will be on display through April 7th, with more info available on the following web sites – https://www.brighton.ac.uk/about-us/news-and-events/news/2017/02-14-george-hardie-%e2%80%93-50-odd-years.aspx

University Gallery info – http://arts.brighton.ac.uk/whats-on/gallery/gallery-exhibitions-2017/march-2017/george-hardie-fifty-odd-years

b) This past month marked the launch of a newly-curated rock photo show at the prestigious Shelburne Museum in Shelburne, VT titled Backstage Pass: Rock & Roll Photography that, as you’ll read in the article recently posted on the New England Cable News site (which also gives you a nice video tour of the show along with an interview with the show’s curator – and the museum’s director – Tom Denenberg), gives fans a lot to see during their visits. Over 250 photos, including both well-known and little-seen images shot by a virtual “who’s who” of photographers from the world of music, features work by a number of people who’ve contributed photos for album covers including George DuBose, Bob Gruen, Lynn Goldsmith, Laura Levine, Jim Marshall, Baron Wolman and many others.

Fans will remember Denenberg’s original staging of the “Backstage Pass” show several years ago at the Portland (ME) Art Museum and, for this updated showing, they’ll be able to take home a new souvenir catalog – published by Yale University Press – that includes over 100 of the images on display, along with essays by Greil Marcus, Glenn O’Brien, Laura Levine and Kate Simon.

http://www.necn.com/news/new-england/Backstage-Pass-to-Exhibit-Photos-of-Music-Icons-413437183.html

For more information on the show, which runs through May 7th, visit the museum’s site at https://shelburnemuseum.org/exhibition/backstage-pass/

c) Chicago-native Jim Marshall moved at an early age with his family to the Fillmore District in San Francisco, and purchasing a camera while still in high school, began his career by capturing the musicians and artists working  in the Bay Area on film. In 1964 he covered performances at the Newport Folk Festival and then moved back to San Francisco later that year. From that point forward, he was given unprecedented access to most of the iconic events in the history of popular music, shooting The Beatles’ final concert at Candlestick Park (the only photographer allowed backstage) in 1966, the Monterey Pop Festival and the pre-eminent acts performing during the “Summer of Love” in 1967 (Santana, Grateful Dead, Janis Joplin, Cream, etc.), Johnny Cash at Folsom Prison in 1968, Woodstock, Johnny Cash “flipping the bird” at San Quentin and adding his images to the album covers for The Allman Brothers Live At The Fillmore East, Moby Grape and Commander Cody’s Country Casanova.

The 1970s found Jim continuing his streak of award-winning images, many of which graced the covers of Rolling Stone and LIFE magazines, including photos of the Rolling Stones, Willie Nelson, T-Rex, Joni Mitchell, jazz greats Carmen Mcrae and Dizzy Gillespie and Karl Malden and Michael Douglas on the set of the TV series Streets of San Francisco. In 2004, Jim received the Lucie Award for “Outstanding Achievement in Music Photography” and a book, titled Jim Marshall: Proof, which provided a rare look at the creative process, was published. In 2005, he was the recipient of MOJO magazine’s 2005 “Honours List Image Award”.

Two photo shows that chronicle the late photographer’s life titled Jim Marshall: 1967 – one at San Francisco City hall (Ground Floor Exhibition + North Light Court Banners) now thru June 17th, with a separate show in Los Angeles at the Grammy Museum’s  Special Exhibits Gallery on the second floor beginning March 10th (and running through May 14th) – are available for public consumption and, for a recent article that introduces us to these shows and how they were organized, the team at Juxtapoz Magazine interviewed SFAC Director Meg Shiffler as well as several other well-known chroniclers of the Bay Area music scene, the results of which can be read via the link at https://www.juxtapoz.com/news/magazine/jim-marshall-s-1967-an-all-access-pass/

d) For a new installation at two venues in downtown Los Angeles (FigAt7th and the Bank of America Plaza) that premiered February 10th and runs through the end of March, psychedelic art legend John Van Hamersveld has produced several monumental images in vinyl that will serve as centerpieces to a show of his works from the late 1960s to present day. Titled Signs of Life, you’ll get a chance to get up close and personal with examples of artwork produced by the talent responsible for some of your all-time favorite album covers, including Magical Mystery Tour for The Beatles; Blondie’s Eat To The Beat; Hotter Than Hell for KISS; The Rolling Stones’ Exile on Main Street and many others.

Produced by the Arts Brookfield organization, you can learn more about the show on their site at http://www.artsbrookfield.com/event/signs-of-life/

Events that will be taking place in conjunction with this exhibition run from a special, psychedelic-themed Valentine’s Day party to a series of luncheons that will be held every 2nd and 4th Friday in February and March, during which you’ll be entertained by musicians from the Los Angeles Chamber Orchestra (LACO) who’ll perform music by each iconic musician (Beethoven, Mozart, John Lennon, and Jimi Hendrix) portrayed on the windows of Bank of America Plaza.

e) On February 8th, 2017, the New Museum in NYC opened a major exhibition focusing on the work of artist Raymond Pettibon. Presented on three full floors of the museum, “Raymond Pettibon: A Pen of All Work” is the largest curated show of Pettibon’s work to date and features more than 700 works he’s created, from the 1960s to the present. One of the best-known artists to emerge from the LA-area punk rock scene of the late ’70s-early ’80s, Pettibon – the brother of Black Flag guitarist/song-writer Greg Ginn – rose to fame creating the minimalist and hand-drawn images for the band and their label, SST Records. Pettibon’s album cover credits include Introducing The Minutemen and Post-Mersh, Vol. 1 for The Minutemen; Life – A Tiny Twofer; Mike Watt – Hyphenated-Man; Black Flag – My War, Jealous Again, Slip It In and The Process of Weeding Out; Sonic Youth – Goo; Foo Fighters – One By One; Off! – Off! and Wasted Years and Saccharine Trust – Past Lives.

The museum’s show was curated by Gary Carrion-Murayari, Kraus Family Curator, and Massimiliano Gioni, Edlis Neeson Artistic Director. Visitors and fans will be able to purchase an illustrated catalog of the show (co-published by the New Museum and Phaidon Press Limited), and following its run at the New Museum (on display through April 9th), the exhibition will travel to the Bonnefantenmuseum in Maastricht, the Netherlands, where it will be on view from June 1–October 30, 2017.

http://www.newmuseum.org/exhibitions/view/raymond-pettibon-a-pen-of-all-work

Writing for Juxtapoz Magazine, Carlo McCormick also provides a bit of an art world overview in this recently-published article on the magazine’s web site – https://www.juxtapoz.com/news/magazine/raymond-pettibon-the-pen-for-these-times/

f) The popularity of themed cruises – particularly among Baby Boomers, who quickly snap up cabins on the several music-themed excursions that feature name acts performing for, and then mingling with, appreciative audiences – continues to grow, but this one’s the first I’ve seen that also included an exhibition and gallery of notable music imagery as well as the featured artist – in this case, Roger Dean – on board to help promote the sale of his works.

Departing from Tampa, FL this past February 7th and headed out on a fun-packed four-day cruise to Cozumel, Mexico, classic rock fans on the “Cruise To The Edge” were treated to a schedule of performances by musical acts including YES, Kansas, Steve Hackett, Focus, Spock’s Beard, Mike Portnoy, Pat Moraz and many others. In between sets, album art fans were able to head on over to the Diamond Club on Deck 13 to view the exhibition mounted by Dean and his U.K. fine art dealer, Trading Boundaries and, when so motivated, purchase one or more of the many prints that were on sale there. Dean was also selling collectible doodles and produced a special-edition Cruise To The Edge 2017 print just for tour participants. Details on this sold-out cruse are posted on gallery’s site at https://therogerdeangallery.smugmug.com/Exhibition-Dates as well as on the cruise line’s site – http://cruisetotheedge.com/

Now that they’ve returned to dry land, I’m able to point you to an article posted by Elmore Magazine’s Ira Kantor who, as a traveler on that cruise, was able to report back on what he experienced on board, from all of the music he was able to eat to an overview of the Dean exhibit, where he met Roger and shared his love of the album that kicked the artist’s career as a record cover designer into high gear – Afro-Pop band Osibisa’s self-titled 1971 debut, which featured flying elephants that would become the band’s signature visuals ( side note – after Dean did the band’s first 2 covers,  the group brought in another fantasy-inspired artist – Mati Klarwein of Santana/Miles Davis album cover fame – to do their third record’s cover). He also walked away with a personalized print of one of Dean’s wonderful covers for YES – Tales from Topographic Oceans. Lucky guy.

http://www.elmoremagazine.com/2017/02/music-news/cruise-to-the-edge-diary-day-3

 2) Artist interviews/profile articles –

a) Jamaican-born (but now Los Angeles-based) artist and photographer Neville Garrick has enjoyed a long association with the late, great Bob Marley (and several other well-known reggae music acts), having produced record covers, stage props and the like for his clients, so it would only make sense that, as they extended their brands into new areas, he’s be brought on to help design promo imagery/packaging for these new efforts as well.

Being as it is that a major component of the Rastafarian religion is the consumption of cannabis, the Marley family name has, for some time now, been used to brand a line of cannabis products sold in the U.S. called “Marley Natural” which, according to their site, “celebrates Bob Marley’s appreciation for the healing power of nature, the beauty of the earth and the relationship we all share with it.” As it is that Garrick is also one of the founders and Executive Director of the Bob Marley Museum in Kingston, he’s brought his in-depth knowledge of both the musical legacy and ongoing promotion of pot-related activities to task by coming up with the package designs for the brand’s first Anniversary product line, which you can find out more about in this recent article by Oscar Pascual on the SFGate.com site – http://blog.sfgate.com/smellthetruth/2017/02/21/bob-marleys-album-cover-artist-now-designs-music-legends-cannabis-packaging/

Each of the four designs created by Garrick was greatly inspired by Herb (and not the “Peaches &” variety)…

b) To offer local musical acts “something special” when it came to album cover design/packaging, designer/art director David S. Blanco took it upon himself to expand his service offering a bit further than most. In fact, he created a record label – called Blank Editions – which creates and sells limited-edition music packages, recorded on vinyl and cassette tape, that incorporate Blanco’s biggest design influences, including architecture, minimalist art and the design aesthetic promoted in the 1970s by the Sainsbury grocery chain.

Writing for the Creative Boom site, Emily Gosling profiles David and the London-area company he launched in late 2011, showing off a number of his eye-catching packages he’s created for the three lines of projects he publishes – the Solo Series, which are limited-edition vinyl singles sold in handmade packaging; the Blank Tapes series, “mini albums”, EPs and experimental work from local acts which are released on cassette tape; and The Blank Community,  which is, according to the label’s site, “an open ended series to service more official work by local bands and artists.”  Artists who’ve worked to release music through Blanco’s label include Thurston Moore from Sonic Youth, Douglas Hart from The Jesus and Mary Chain, Yuki Tsujii from Bo Ningen, Ted Milton from Blurt and several others. An in-demand designer/illustrator, Blanco has also done work for happy commercial clients such as The Guardian, Independent and Observer news organizations, Porter Air, Marquis Vodka, Nat Boyd and other record labels including All Saints, Heavenly, Polyvinyl, RCA and Universal Records.

Read more about this multi-talented (and greatly committed) artist via the link at http://www.creativeboom.com/inspiration/david-blanco/

c) “I always thought music and art went hand in hand together” is a quote from U2 bassist Adam Clayton as he talks with Francis Outred, Head of Post-War and Contemporary Art for the Christie’s auction house prior to a sale that includes works by the late Pop artist jean-Michel Basquiat, about his passion for Basquiat’s work (which he collects) and about how the creative spirits of artists and musicians are similarly applied and how and when they intermingle, what comes out the other side…

Like his mentor/friend Andy Warhol, Basquiat also produced some notable album art work, including the fascinating covers for the Beat Bop series for Tartown/Profile Records, The Offs and German jazz musician Peter Kowald, but it was the painter and graffiti artist’s ability to easily mingle with both the fine art and hipster crowds of his era that impressed Clayton the most  –  http://www.christies.com/features/U2-Adam-Clayton-on-Basquiat-8034-1.aspx?

d) In a recent episode of Oregon Public Broadcasting’s State of Wonder radio show, host April Baer and reporter Matt Drenik interview two local artists who’ve made names for themselves in the world of album cover design – Orion Landau, whose impressive work as a graphic designer and art director for the metal music label Relapse has provided stunning designs for company’s acts such as Pentagram, Pig Destroyer and Red Fang (along with many others) for over 15 years, and local design legend Aaron Draplin of Draplin Design Co, who has produced impressive record package and merchandise designs for musical acts including Richmond Fontaine, Dawes, Conor Oberst, Danava, the Old 97s and Dinosaur Jr. (among others) and other notable work for commercial clients including Nike, SubPop Records, Timberline, Target, Bernie Sanders and more.

You’ll learn more about what it takes to deliver impressive designs these days in a field where consumers are looking for imagery for covers (and related items, such as tour posters and merchandise)  that (in Landau’s case) must appeal to a metal fan’s over-the-top expectations while guiding his clients away from “me-too” cover ideas (and producing great art on sometimes-meager budget), while Draplin is constantly challenged to create memorable work for clients who often don’t realize that they need to impress fans with quality graphics now because, quite honestly, “how many records are your really going to make in your life?”

You can listen to “What It Takes To Design An Iconic Album Cover” via the link at http://www.opb.org/radio/programs/stateofwonder/segment/chloe-eudaly-portland-winter-lights-festival-tony-furtado-sallie-tilsdale/

The interviews begin at around the 17:30 mark in the stream…

e) Photographer Piper Ferguson is one busy person these days! The LA-based shooter, well-regarded for her work over the years for a host of clients in the music business (from classic acts such as Merle Haggard, David Crosby and Kenny Rogers through the Backstreet Boys, Kasabian and the Shins to breaking acts such as Capital Cities and Bad Flower) continues to impress with projects that show off her talents as both a photographer and video director. I just received an email from Piper in which she lists some of her most-recent accomplishments, including several new music videos and some really well-shot commercial gigs (Zenni Eyewear and promo imagery for the 2017 Backstreet Boys “Larger Than Life” show in Las Vegas).

I’ve been a fan of Piper’s for a number of years now (she got me hooked with her great portraits of Merle Haggard standing in a swamp and Joe Strummer just sittin’ on a porch), so I’d invite you to take a look at her latest via this link to the web version of her recent email – http://us1.campaign-archive1.com/?u=13a601b2c2b2ac92204379c01&id=48b49da285&e=3b62189452

f) Over the years, I’ve written several articles about the interesting fact that there are many people working as musicians who were either serious student of the visual arts or amateur image-makers, as evidenced by paintings, sculptures and the like produced by rock music luminaries including Ringo Starr, Paul McCartney, David Bowie, Bob Dylan, Jimi Hendrix and many others. In some cases, however, these musicians-turned-artists have gone on to do double-duty or switched their career focuses altogether to work first and foremost as a designer, art director, photographer, etc. (e.g., Dean Torrence of Jan & Dean fame comes to mind).

In a recent article posted on The Week (U.K.) web site that excerpts from Francesco Spampinato’s interview of Sonic Youth’s Kim Gordon done for the new Art Record Covers book by Taschen, you can read about this artist’s ongoing efforts to participate fully as an artist of both the musical and graphic arts persuasions, beginning with her training at the famed Otis Art Institute in Los Angeles (and some time spent later on working at various art galleries in NYC’s Soho art district), writing for several art scene publications and, along the way, curating art shows and presenting her own works in curated events. She’s also produced album artwork for records by acts she’s been involved with including Sonic Youth, Thurston Moore and Free Kitten as well as Essential Logic and Mirror, among others, and used her connections to the NY art scene to secure the participation of major artists such as Gerhard Richter, Mike Kelley and Raymond Pettibon to produce memorable album art for her own records (well done!).

http://www.theweek.co.uk/80781/art-record-covers-kim-gordon

 3) Sales/Auctions –

a) In case you weren’t aware – mid-February was Grammy time (!!) and, as part of the boatload of Grammy-related activities, fans and collectors were able to help support the organizations two charitable arms – The Grammy Foundation and MusiCares – by participating in their annual signed memorabilia auction, which this year featured a number of album art-related offerings including a selection of artist-signed album presentations featuring noted Grammy Award noms and winners (Adele, Coldplay, Lady Gaga, Hall & Oates, Linda Ronstadt, Carrie Underwood, The Weeknd, Stevie Wonder and many others). Bidding ended February 19th and, on some of the items, was quite hot and heavy… While the original set of items has been snapped up by lucky collectors, there is a post-award show collection that’s now available that includes several items signed by Grammy show participants, as well has a number of items – including a 2018 Grammy Award Show VIP Experience package (with bidding starting at $5,000) now up for bid , so why not take a look and add something wonderful to your collection as you simultaneously give your support to these charities’ great work.

http://www.ebay.com/rpp/grammy/59th-awards/signed-memorabilia

b) In celebration of Black Sabbath’s return (and final) engagement in their hometown of Birmingham, England at the Genting Arena on Saturday, February 4th, the folks at St. Paul’s Gallery are offering album art fans an opportunity to buy a very limited-edition print (one of 195) of the Hipgnosis-designed Technical Ecstasy cover – hand-signed by both artist Storm Thorgerson and Sabbath guitar legend Tony Iommi.

This album – a Gold-selling record that rose to #51 on Billboard Magazine’s Pop Album chart – featured the somewhat-controversial cover art that showed, as Ozzy would put it, “two robots screwing on an escalator.” As always, the Hipgnosis team arrived at a very-interesting way to graphically-depict the record’s title, and with less than 200 copies available world-wide (and fewer-still featuring Iommi’s signature), right-minded fans might want to click on over to the gallery’s site to grab one before they’re gone – http://www.stpaulsgallery.com/album-prints/storm-thorgerson-black-sabbath-print.asp?

I first saw the band play at the Auditorium Theater in Chicago in 1971 (I think it was ’71, but might have been ’73. Wishbone Ash was the opening act…) and it was awe-inspiring for a kid in his teens. Lots of cool album art over the years, with Hipgnosis adding their unique stylings to both the 1976 Technical Ecstasy cover and the 1978 Never Say Die! cover with the two plugged-in pilots (the last studio record featuring all of the original members). Sad to see the end of their reign as the Godfathers of Metal Music, but they had a great run…

4) New Print/Book Publishing –

a) In advance of my long-form interview with Taschen’s Julius Wiedemann about his new book on the art of the album cover called Art Record Covers (which will soon be available on the ACHOF site ), I did want to point you to several nice articles on the book that, in varying degrees, help both introduce the book and the stunning works found between its covers:

– The first was posted recently by Stephanie Strasnick on the Architectural Digest site and provides you with a bit of an intro, along with some nice examples of art taken from the book. The book’s cover is Andy Warhol’s seemingly neon-inspired work for John Lennon’s Menlove Avenue record, the posthumous 1986 album of unreleased music recorded during the Walls & Bridges and Rock ‘n’ Roll sessions, so with a cover like that, you’re bound to find much to interest you on the inside –  http://www.architecturaldigest.com/gallery/proof-that-artist-designed-album-covers-are-better-than-the-rest#

– In The Guardian (UK)’s Art & Design section, the editors have selected works created by several of the world’s better-known artists and designers and have provided a bit of text, too, to go along with the large, colorful examples on display. You’ll find covers done by noted artists such as Ai Weiwei, Ed Ruscha and Keith Haring along with those by newer talents such as Ryan McGinley, Albert Oehlen and the Dutch design team Metahaven, among others – https://www.theguardian.com/artanddesign/gallery/2017/jan/20/sound-art-album-artist-record-covers-taschen-ai-weiwei-ed-ruscha-keith-haring-takashi-murakami

– In Mungo Glaysher’s recent brief article on the topic for the Middle East edition of Esquire Magazine (based in Dubai), a somewhat different selection of covers are highlighted, such as those for musical acts including the Yeah Yeah Yeahs, Tyler The Creator and Blondes, with art by Urs Fischer, Mark Ryden and Guyton/Walker, respectively.

http://www.esquireme.com/content/19491-sound-art

– Over on the It’s Nice That site – Rebecca Fulleylove writes with an eye towards that site’s design and art-oriented readers/viewers, displaying even more of the covers included in the book, adding images by Robert Mapplethorpe, Jean-Michel Basquiat, David Shrigley and Banksy, among others – http://www.itsnicethat.com/articles/taschen-art-record-covers-040117

b) In early 1965, cartoonist/caricaturist Gerald Scarfe was visiting the Twickenham Studios set where The Beatles were shooting segments for their film Help! and had the opportunity to sketch the band-members while they were in costume. When he was finished, he had the lads sign the work he’d created (which was later published in London Life magazine) and added it to his personal collection. Now, all these years later, Scarfe has asked the folks at the San Francisco Art Exchange to help him find a new home for this rare and unusual work. For well-heeled collectors who might be interested, click on over to the special page that’s been set up on the gallery’s site (more info on this effort is coming soon – stay tuned) –

http://www.sfae.com/announcements/2017/scarfe_beatles/

If you are, perhaps, looking for a somewhat more-affordable Scarfe-designed option, there is another Beatles-themed print currently for sale on the illustrator’s personal web site. This particular print – produced on archival matte paper in a signed and numbered edition of 100, approximately 13″ x 19″ – is of a drawing from Gerald’s book and exhibition titled, Heroes & Villains, that was held at the National Portrait Gallery in London in 2003.

http://www.geraldscarfe.com/shop/discount/the-beatles/

You’ll note that Mr. Scarfe’s work will also be included in the upcoming Pink Floyd art-related extravaganza opening on May 13th of this year at the V&A Museum in London (called Their Mortal Remains – more details forthcoming).

c) In 2013, author/broadcaster Jon Kirkman produced a gift for YES fans built around his 35+ year involvement with the band – a limited-edition book titled Time And A Word: The Yes Interviews. The autographed art book was priced for collectors, but now, working with Simon Robinson’s Stereo33 books, he’s re-worked the tome (including some updates) and is now offering the much more affordably priced, 260-page book with a new name – YES Dialogues – which features cover art, and interviews with, long-time YES collaborator Roger Dean. The new version also adds interviews with the late YES bassist Chris Squire, YES/ASIA keyboardist Geoff Downes and some members of a band named Mabel Greer’s Toyshop, the group that, in 1968, would evolve into the first iteration of YES. Learn more about this new release on the publisher’s sites – https://stereo33books.com/yes-dialogues/ and

http://www.ekmpowershop28.com/ekmps/shops/easyontheeye/yes–dialogue-full-order-292-p.asp

d) With the Grammy Awards taking place this past month, it’s important for fans of album cover art to understand the sometimes long-lasting impact that certain Grammy-winning album cover designs have had on the art and music scenes, and what better way to illustrate that than to report on the recent success of a new, limited-edition book offered by the U.K. publishing house Genesis Publishing that celebrates the work of the multi-talented illustrator Klaus Voorman for 1967’s Grammy winner for “Best Album Cover – Graphic Arts”, that being Revolver by The Beatles.

In 1965, the band began to experiment with what had been, to that point, a pretty standard-issue, photo-based approach to album cover imagery when they released Rubber Soul with a cover that was pretty “trippy” and used psychedelic lettering and contained NO MENTION of the band’s name (!!). The next year, when they began the efforts to select an approach for the cover for their new album Revolver, they turned to their chum (and occasional bass-player) Voorman to apply his talents to creating an illustration that would ultimately incorporate photos that the band supplied and would go on to free other album cover art directors to try out some of their more-experimental ideas for their own clients hoping to compete for the buying public’s eyeballs going forward.

According to the publishing company’s promotional materials about the now-fully-subscribed (that means SOLD OUT) art book, “Voormann is working with Genesis Publications on a limited, Grammy Anniversary edition of a book he has created, entitled REVOLVER 50. Including new artwork, photos, and introductions by Paul McCartney and Ringo Starr, the book offers a fascinating insight into the making of the legendary cover artwork. The commemorative REVOLVER 50: THE GRAMMY ANNIVERSARY EDITION is limited to only 500 copies. Each book comes with a signed original drawing by the artist; a one-of-a-kind artwork, from a selection Voormann has curated exclusively for this anniversary edition, as well as a special Grammy Anniversary 12-page commemorative booklet.”

As I noted previously, the two versions – a “Deluxe” edition of 67 copies (of 500 total in the edition) and priced at £325.00 and a “Collector’s” edition (#s 68 thru 500) – sold out in 12 days. Congratulations to all of you who managed to grab a copy, but for all of us who weren’t so lucky but who’d still like to go over the details (we can dream, can’t we?), here’s a link – http://www.genesis-publications.com/revolver-50-birth-of-an-icon-by-klaus-voormann/default.htm

e) Fans of minimalist-inspired album artwork ala that created by ACHOF “Early Influencers” Alex Steinweiss, Saul Bass and S. Neil Fujita and others including Josef Albers and Andy Warhol should really get a kick out of a new series of prints being offered by LA-based label/retailer Daylight Curfew, who recently collaborated with artist/designer Mick Watson who, working under the moniker Smartesgiant, has created art inspired by some of Hip-Hop’s classic albums. According to Daylight Curfew’s PR, the team chose “some of our favorite hip hop records, ones that inspire us daily, and those we classify as instant classics. Each are reinterpreted and abstracted in minimal form. Being huge fans of minimalism, abstract expressionism, and hip hop, we figured you may enjoy the collection as well.”

Included in the offering are wonderful re-interpretations of covers from musical acts including Nas, Outkast, Run DMC, Run The Jewels, Salt-N-Pepa and Kanye West.

Priced at only $45.00 unframed and $95.00 framed, each giclee’ print is sized at 18×24″ (unframed) and has been produced to museum-quality standards. They’re printed on 310gsm fine art matte cotton rag and printed with Roland eco archival inks on a bleach-free, soft-textured surface.  To see the entire collection and learn more about what’s available, click on over to https://www.daylightcurfew.com/blogs/daylight-curfew/smartestgiant-x-daylight-curfew

5) Other articles of interest –

a) While Spoon’s newest album – Hot Thoughts – might not be hitting shelves until later in March, fans can get a head-start on their immersion into the new music package by spending some time with a new app called the Aura Reader that will allow you to make your own album cover image. The first step is to click on over to the special site they’ve created – http://aura.spoontheband.com/ – and then begin the process by creating a Spotify playlist of 10 songs that “describe yourself”. The app will then analyze your playlist and…well, since I’m an old person and can’t name 10 Spoon songs, let alone 10 that describe me, I’ll have to let one of my readers go through the process and then share the results with the rest of us.

Exclaim.ca’s Brock Thiessen recently published a brief overview of the app that helps explain things a bit – http://exclaim.ca/music/article/you_can_now_make_your_own_album_cover_for_spoons_hot_thoughts#  Maybe if I get the time, I’ll be able to see what color my aura is but, in the meantime, enjoy yourself.

b) I hope that all you professional and aspiring album art/packaging designers/art directors saw my recent posting regarding the last date you were able to submit your work to the 2016-17 A Design Award international design competition (that being this past Tuesday, February 28th).

This huge competition – with a judging panel of over 160 scholars, professors, designers and members of the press – covers great design in hundreds of categories and, in the packaging category – everything from works for distilled beverage companies, seeds, frozen foods, cosmetics and other goods to CD and DVD sleeves and boxes. If you’d like to see the submissions turned in by the individuals and teams from around the world that beat the deadline (best of luck to you all), you can click on over to http://www.designaward.com,  where winning designs will be highlighted later this year. More info at  #adesignaward

c) Grammy Award Show Results – In case you didn’t get a chance to see them…during the pre-telecast “Premiere Ceremony” event on the Sunday afternoon prior to the recent award show in Los Angeles, the winners for the two design and packaging related Grammy Awards were announced, and they were:

For “Best Recording Package” –  Jonathan Barnbrook (art director) for Blackstar, performed by David Bowie and released on ISO/Columbia Records, and

For “Best Boxed Or Special Limited Edition Package” – Gérard Lo Monaco, art director for Edith Piaf 1915-2015, with music by Edith Piaf and released on the Warner Music France label.

Although not album image-related, I would like to congratulate album note writers Ken Bloom and Richard Carlin for their Grammy-winning work on the liner notes for  Harbinger Record’s Sissle And Blake Sing Shuffle Along.

Congratulations to both the winners and this year’s other nominees for their continued great work in the field of album art and packaging design and production.

d) One of the tributes that was performed during the recent Grammy Awards telecast was in honor of the late David Bowie, so it’s nice to be able to report that one of this year’s Grammy-nominated works (and the eventual winner – Jonathan Barnbrook’s titillating cover for what would turn out to be Bowie’s final album – Blackstar ) was also recently honored with one of this year’s “Beazley Designs of the Year” awards, announced by London’s Design Museum in advance of an exhibition of all of the nominated and winning designs that was on display at the museum through February 16th.

In its ninth year, the Design of the Year awards celebrate design that promotes change, enables access or captures the spirit of the year. Previous winners have included the London 2012 Olympic Torch and the Barack Obama “Hope” poster. Barnbrook’s design was the top vote-getter in the Graphics category, while the overall winner was a project that produced the “Better Shelter”, an easily-transported, flat-packed housing module whose design team included the IKEA Foundation and the United Nations High Commissioner for Refugees (who currently has over 30,000 of these tiny homes in use) and which, according to the item’s info page, “works to create more robust and appealing shelters for refugees” and which, while not solving the crises, “goes a long way to accelerate innovation, challenge unacceptable norms and communicate respect.”

So while an album cover design isn’t solving a humanitarian crisis, it is a fitting tribute to an artist who used his considerable public visibility and personal resources to support a number of charities, including Save The Children, Witness, War Child and many other groups that do.

https://beazleydesignsoftheyear.com/#/project/blackstar

e) Last year, when U.K. utility company Smart Energy GB set out on a country-wide effort to install “smart meters” in every home (with each meter including a small, in-home display that shows users their consumption stats), they turned to noted designer Sir Peter Blake (of Pepper’s fame) to help design and illustrate promotional materials for that effort. Now, in an example of generosity to one of the country’s charitable organizations, Sir Peter has donated one of only 30 signed prints of his The Arrival of the Smart Meters to People United in Canterbury, U.K.

A recent article by Tom Pyman on the Kentnews.co.uk web site gives us the details and the very happy and grateful reactions of all parties involved – http://www.kentnews.co.uk/news/dartford_pop_artist_sir_peter_blake_who_designed_cover_of_beatles_album_sgt_pepper_donates_unusual_homage_to_smart_meters_to_kent_charity_1_4869813

f) While we were all saddened recently by the passing of actress/feminist icon Mary Tyler Moore, it was something of a comfort to see this article posted by reporter James Reed on the Los Angeles Times web site in which we’re introduced to some of the work MTM did as a model for late 1950’s album covers, including several for a label called Tops, who included a young Ms. Moore’s youthful visage (and dancer’s physique) on records with titles such as Latin Favorites (by Miguel Lopez), Organ Favorites (by Steve Philips) and not one but two Gigi records – one for Gordon Fleming and the other for the Norman Leslie Orchestra. Included in the story is a link to a RateYourMusic.com page where you can find these covers and choose your favorites. While these early works don’t give us much of a clue as to how Ms. Moore would grow into the portrait of the intelligent, independent woman – one that didn’t rely on her looks to make it in “a man’s world” – they certainly help illustrate how the products released by record labels of the era most-certainly reflected the societal norms of the period.

http://www.latimes.com/entertainment/music/la-et-st-moore-album-covers-20170126-story.html

g) Those of you who’ve been following my writing over the years know just how impressed I’ve been about the long-lasting nature of some of the imagery that’s been created to help both promote a band’s music and to create symbols that fans immediately are drawn to (think the Lips & Tongue logo for the Rolling Stones, the Skull Fiend image for the Misfits, etc.). And whether you’re a fan of their music or not, you cannot deny that, since its first appearance in 1980, there have been very few icons that have so consistently identified a musical act as Iron Maiden’s “Eddie” (AKA “Eddie The Head”).

What’s interesting about this particular character is that, unlike many bands who’ve had only one or two artists responsible for the basic “look and feel” of a character, in Eddie’s case, there have been at least 8 artists who’ve all produced their own take on this key player, from Derek Riggs’ original adaptation of what was originally a mask used as a stage prop through the newest iterations created by Melvyn Grant and Mark Wilkinson. In this recent article by Joe DiVita for the Loudwire.com site, the author takes you through a timeline and overview of the 25 covers that have been produced for the various albums the band has released and, to add insult to injury, actually has the nerve to rank them (leaving, of course, a lot of room for discussion and online ranting and raving about the other guy’s stupid list).

http://loudwire.com/iron-maiden-studio-live-album-cover-artwork-ranked/

While I won’t be so bold as to rank them myself, I will go on record saying that, personally, I’m a bit partial to Mr. Riggs’ originals, along with Hugh Syme’s disturbing take found on The X Factor

h) While the idea behind the long-running “Sleeveface” site – where folks from all over the world worked to create interesting photographs by (according to the site’s definition) “…obscuring or augmenting any part of their body or bodies with record sleeve(s) causing an illusion” – has continued to inspire creative types to one-up each other via some really-entertaining displays of visual artistry, I was really impressed with a new music video just released by electronic music artist Corey Regensberg (working under the name Moon Bounce) in which he walks into a record store to find all of his favorite records now picturing his own image on the cover.

Realized by the talented music video director Peter English (working alongside animator/art director Raymo Ventura), Regensberg’s video for his song “Drugs” shows him appearing on the jackets for records such as …and, in some cases, bringing those images to life with himself as the main character. You’ll also get a kick out of how the production credits for this video are presented – nice job, people!

Nathaniel Ainley shares an intro to the project in this recent posting on the Creator’s Project blog –

http://thecreatorsproject.vice.com/blog/corey-regensburg-iconic-album-covers

That’s all for now – look for updates every week (typically, on a Friday) on our news feed –https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back early next month with another summary for you.

All text Copyright 2017 Mike Goldstein and AlbumCoverHallofFame.com – All Rights Reserved. All of trade names mentioned in these summaries are the properties of their respective owners and are used for reference only.

Interview with Isle of Man PO’s Paul Ford on The Islands and Bridges Stamp Set by Roger Dean

Interview with Paul Ford, Stamps & Coins Coordinator, Isle of Man Post Office (UK) about the Islands & Bridges stamp set by Roger Dean

 

Roger Dean Islands and Bridges

by Mike Goldstein, AlbumCoverHallofFame.com

This past August, I reported on an art show that was taking place on the Isle of Man built around the works of artist Roger Dean.  With a portfolio that includes not only album cover imagery but (both alone and working with his talented brother Martyn) stage designs, architecture, calendars and a wide variety of merchandise, Dean’s fantastic work continues to impress fans with its ability to transport you to places beyond the imagination. He has worked in many different media, creating designs and illustrations for commercial and fine art customers, including several  architectural designs he’s done of dream-like living spaces and furnishings.

In addition to this show – titled Islands & Bridges – that ran through mid-November at the Manx Museum – a National Heritage organization on the U.K.’s Isle of Man – Dean’s works served as the basis for a collection of postage stamps produced by the Isle’s Postal Service, an organization that has gained a world-wide following of collectors who have been impressed with their previous series of collectibles, including specially-commissioned stamps featuring quintessential U.K. and Isle of Man subjects such as the works of the Aardman animation studio (Morph, Wallace & Gromit and Shaun The Sheep), artist Matt Sewell’s illustrations of birds and, of course, the Isle of Man TT motorcycle races.

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Album Cover Art and Artist News Summary for the Month of December 2016

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ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF DECEMBER, 2016

So, we’re done with 2016 – let us all heave a sigh of relief. What a year.

While I typically have a lot to say in these intros, I find myself somewhat shell-shocked and, therefore, at a loss for words, so I suppose that, rather than ramble on meaninglessly, I should simply relate what’s new and exciting in the world of album cover artistry. Whenever I’m in a funk, I trek on over to my favorite art museum and find something to inspire. Several days ago, my wife and I set out on a trip to the fabled Chicago Art Institute and, on the way, stopped at the impressive Chicago Cultural Center (a must-see for classic Chicago architecture fans) and, much to my surprise, found an excellent show of the works of Harlem-based abstract expressionist painter Norman Lewis on display (PROCESSION: The Art of Norman Lewis is on display until January 8th – https://www.cityofchicago.org/city/en/depts/dca/supp_info/norman_lewis.html). Music – particularly, jazz – influenced a number of Lewis’ works (his brother Sol was a musician), and although he never did an album cover (at least, not to my knowing), it was uplifting to see such creativity and imagination on display that drew inspiration from the local music scene. And while Lewis didn’t garner the art world fame that many of his other WPA-era contemporaries did (Jackson Pollock, Mark Rothko, etc.), I am glad to have been able to discover his talents at this point in my life – it made me smile again.

This month’s summary, which comes on the heels of the release of my annual recap of the “Best of” and “Worst of” album cover design in the year 2016 (some of which also sparked some hope that great talents continue to ply their trades on behalf of musician/label clients), will impress you with the fact that  creative people continue to do what comes naturally and that other people with related businesses and interests (galleries, publishers, curators, etc.) continue to do what they do to share what they do with the rest of us. The people that make our favorite album imagery are still working hard to regularly contribute to the news cycle, adding items of interest and fascination to the ongoing stream of articles, interviews, museum and gallery show information you’ll read on a wide range of related topics.

Please share this info with everyone you know who might be a fan of great album cover art and, of course, your comments and feedback are quite welcome.

1) Upcoming, recently-launched, CURRENTLY-RUNNING and just-closed show/exhibitions –

a) David Bowie by Duffy exhibition at the Proud Gallery in London starting January 6th (running thru February 5th) – David Bowie, who would have turned 70 this year had he not left this mortal coil a year ago, was an often-photographed subject, but only a few photographers have produced images of the ever-changing artist that would be considered “iconic” – one of them being the late Brian Duffy, perhaps best-known for his photos used on the covers of classic Bowie records including Aladdin Sane, Lodger, Scary Monsters and others. In a recent article on the Music Week site by writer Ben Homewood, you’ll learn of an upcoming exhibition being staged at the Proud Gallery in London titled Bowie By Duffy which will, according to the Gallery’s PR, be “a celebration of the dynamic relationship between two of the century’s greatest artistic innovators. This exhibition of original prints signed by the late Brian Duffy is a moving insight into the minds of two exceptional creatives in partnership between 1972 – 1980. Duffy’s iconic images emphasize the longevity of Bowie’s distinctive persona and offer a poignant retrospective to one of the most pioneering and influential performers of modern times…”

Homewood tells us that this show will coincide with another significant Bowie-related event – a concert that will be staged at the O2 Brixton Academy venue that’s called “Celebrating David Bowie” and will feature a large cast of Bowie band alumni including Mike Garson, Earl Slick, Adrian Belew and many others.

http://www.musicweek.com/talent/read/a-new-david-bowie-photography-exhibition-set-to-open-in-london-in-2017/066603

https://www.proudonline.co.uk/exhibitions

b) As the city of Sunderland works to impress in order to earn the title of the “UK City of Culture” in 2021, what better way to get the attention of the city’s elders and other taste-makers than by staging a 40th anniversary celebration of all things Punk? Titled Punk 1976-78, this exhibition at the Sunderland Museum, Library & Winter Garden kicked off with a music filled opening party on December 2nd, after which visitors were able to tour the show which includes a number of important punk-era items from the archives of the British Library such as “Original posters, gig tickets and flyers from the clubs that would become synonymous with the scene are displayed alongside original record sleeves, many of which have never been on public display before. Highlights also include John Peel’s personal copy of the Undertones’ single, Teenage Kicks and original t-shirts from Malcolm McLaren and Vivienne Westwood’s SEX boutique on the Kings Road…”

The show was curated by a number of notables from both the British Library and Liverpool John Moores University, so you can be sure that you’ll find a wide range of things to see covering the music, fashion, politics and pop culture aspects of this norm-altering era. Read more in the local papers at: http://www.sunderlandecho.com/our-region/sunderland/anarchy-in-sunderland-punk-exhibition-opens-at-city-museum-1-8272527 and click on over to the museum’s web site to learn more about attending – http://www.seeitdoitsunderland.co.uk/punk-1976-78

c) December 9th marked the launch of the most-recent staging – now, at the C/O Gallery in Berlin, Germany – of an album art exhibition that features 500+ of the most-impactful record covers produced over the past 50+ years. You’ll recall that, back in September, I’d reported on this comprehensive exhibition – titled Total Records: Photography and the Art of the Album Cover – that was most-recently on display in Budapest, Hungary and was built around the images included in an album art book (published by the French photo collective known as Aperture) that features the works of many esteemed record cover artists, including David Bailey, Anton Corbijn, Robert Frank, Nan Goldin, Jean-Paul Goude, Brian Griffin, Danny Lyon, Robert Mapplethorpe, Martin Parr, Irving Penn, Cindy Sherman, Pennie Smith, Andy Warhol, Albert Watson and many, many others.

According to the gallery’s press, “… Total Records presents both classic and lesser-known album covers, and traces the musical and photographic history of the twentieth century through the sometimes surprising album cover collaborations that have emerged between artists” (i.e. musicians and the people they’ve collaborated with on their album art projects). To introduce us to this new staging of this travelling exhibit, the team at Deutsche Welle (AKA “DW”, Germany’s international news network) has recently posted an article on the DW.com site that you can reach via the link at http://dw.com/en/how-art-made-album-covers-iconic/a-36703281

If you can’t attend the show in Germany during its run (now through April 23rd, 2017), it will be available to album art fans in the Rotterdam, Netherlands area when it moves to the Kunsthal Rotterdam for several months later next Spring.

More info on the Berlin show can also be found on the gallery’s site (in English) at http://www.co-berlin.org/en/total-records

d) Running now through the end of January at the 70 South Gallery in Morristown, NJ is a show featuring the photo work of one Roberto Rabanne, a man who over the years has had the pleasure of capturing stars from the music, entertainment and fashion worlds such as Lady Gaga, Prince, Springsteen and Hendrix for use in record and publishing projects and, as you’ll see when you visit the Gallery and its web site, many less-traditional venues. Part of a larger show called “Revolutionary Reflections”, Rabanne’s collection is being show under the title Photoplasticity: Fashioning The Image When Music Meets Fashion and includes images of all of the aforementioned celebrities and many others (Jerry Garcia, Madonna, Bob Marley and many more), along with those of top fashion models that were taken for top magazines such as Marie Claire, Rolling Stone, Spin, Vogue and Woman, among others.

Meet the photographer and get more info on this exciting new gallery show via the link – http://www.70southgallery.com/revolutionary-reflections/

e) December 11th was the final day that visitors were able to tour the “Coming On Home Exhibition 2016” show of recent works by noted album artist Roger Dean that was on display at the beautiful Trading Boundaries gallery complex located in Sussex, U.K.. What made this show so unique is that, in addition to examples of some of his best-known work for YES, Asia, Uriah Heep and others, you were able to see the paintings Dean created that were used on the cover of the recent release by former Genesis guitarist Steve Hackett titled Premonitions – wonderful examples of classic Roger Dean fantastic imagery. For more information on this show and some of the upcoming musical events taking place at Trading Boundaries, follow the link – http://www.tradingboundaries.com/pages/roger-dean-gallery

f) Creative Review reporter Rick Poynor takes us on an illustrated tour through the You Say You Want A Revolution? Records And Rebels 1966-70 exhibition at the V&A Museum now through February 26th of 2017 – https://www.creativereview.co.uk/decade-disruption-vas-say-want-revolution-records-rebels-1966-70/

The curators have identified seven different revolutions that were taking place during the five years covered in the exhibition – revolutions in Youth Identity, in “the Head” (i.e., drug culture), in “the Street” (political/social protest), in Consumerism, in Living (as part of a community, or in participating in one of the many music festivals held during that period), in Communicating (spreading “the word” pre-personal computer/social media) and the on-going efforts in the areas of environmentalism, neo-liberalism, etc. – and so they used these as the basis of their groupings. Far out, man!

https://www.vam.ac.uk/exhibitions/you-say-you-want-a-revolution-records-and-rebels-1966-70

g) Alongside the recent release of their new blues-based record Blue & Lonesome, the Rolling Stones have brought a large selection of items featured in their tremendously-successful Exhibitionism show in London to a new venue in New York city and opened this display recently to fans at the Industria event space in the West Village, available for viewing from now until March 12th. Billed as the largest show of Stones memorabilia (costumes, instruments, artwork, etc. – along with a detailed re-creation of an apartment several of the band members lived together in early on in their careers) ever assembled, USA Today’s Patrick Ryan recently toured the space and shares his take on the impressive, career-spanning show in this article (complete with large photo gallery) posted on the paper’s site – http://www.usatoday.com/story/life/music/2016/11/11/rolling-stones-exhibitionism/93586032/

Ryan was particularly impressed with some of the album art on display, which included original production elements and finished prints of the images found on records such as Sticky Fingers, Some Girls, Love You Live, Undercover, the GRRR greatest-hits recording and others, along with various iterations of the iconic Lips & Tongue logo. You can learn more about what’s on display on the show’s site – http://www.stonesexhibitionism.com/exhibition/

2) Artist interviews/profile articles –

a) British photographer Pennie Smith’s photo of Clash bassist Paul Simonon has become one of rock music’s best-known images, with the shot combined with designer Ray Lowry’s typography (that aimed to re-create the energy found on Elvis Presley’s debut recording) to produce an album cover that is always in everyone’s “Top 10” of all time listings. And although Smith was an experienced photographer working for a top music publication (NME), she wasn’t totally prepared for Simonon’s guitar-smashing expression of his unhappiness at the moment and, therefore, found herself snapping a photo that turned out to be a bit out-of-focus and, in her mind at the time, not quite fit for public consumption.

In this recent interview on the topic posted on the TeamRock.com site, you can read more about Smith’s recollections of the event, including an act of self-preservation that ended up creating a cover photo for the ages – http://teamrock.com/feature/2016-12-04/the-story-behind-the-clashs-london-calling-album-artwork

b) I’m told that there was a nice interview with noted photographer Jill Furmanovsky – who also runs the RockArchive Gallery and agency – in a recent posting on the Financial Times site, but as I’m not a subscriber, I can’t tell you much about it! If you are lucky enough to be a FT subscriber, here’s the link – https://www.ft.com/content/69583b9c-b109-11e6-a37c-f4a01f1b0fa1 – please let us know what you found, OK?

c) – It is my sad duty to inform you that another well-known album cover contributor – photographer Richard E. Aaron – has died at the age of 67. He is perhaps best-known to album cover fans for the photo he took that was used on the cover of one of the best-selling live albums of all time – Peter Frampton’s Frampton Comes Alive – his prodigious output has been seen in thousands of magazines, books and web sites over the years.

I had the pleasure of meeting with him several times and sold a number of his fine art prints when I had my gallery – he was always eager to find something special in his huge archive that’d make my customers happy.

There’s a detailed obituary that will give you more of the details of his storied career on the Billboard web site – http://www.billboard.com/articles/news/obituary/7624386/richard-e-aaron-photographer-frampton-comes-alive-dead

and if you’d like to read the interview I did with him a number of years ago about “the making of” the Frampton Comes Alive photo, I’d invite you to visit my archive at http://rockpopgallery.typepad.com/rockpop_gallery_news/2007/04/cover_story_fra.html

Those who’d like to take a stroll through Richard’s online archives can do so via this link – http://www.rockpix.com/  There, you’ll find hundreds of memorable photos, including one of my favorites of Bruce Springsteen (http://www.rockpix.com/infamous-fifty-plus-classic-rock-photos/bruce-springsteen.html) and an awesome shot of the recently-departed piano great Dave Brubeck (http://www.rockpix.com/infamous-fifty-plus-classic-rock-photos/dave-brubeck.html).

He will be missed.

d) Back in 2003, aspiring photographer Nabil Elderkin was looking to find out more about a rapper whose mixtape he’d heard and was thoroughly impressed by. He Googled “Kanye West” only to find that the domain was available for sale. He snapped it up, hoping to be able to track Mr. West down at some point, and when West’s label came knocking to negotiate for the rights to the domain, what transpired next was the foot-in-the-door moment for a photographer whose career has gone on to include album cover, publicity and other photo work for West and many others, including Frank Ocean, The Weeknd, Bon Iver and many more top acts. After expanding his horizons into directing music videos and TV commercials, Elderkin is now looking to break into the feature film business, with details on these efforts, as well as stories of his early and ongoing successes, now found in a recent profile written by Rob LeDonne for The Guardian (U.K.) web site – https://www.theguardian.com/culture/2016/nov/09/nabil-elderkin-collaborator-kanye-west-weeknd-bon-iver

3) Sales/Auctions –

a) I was originally going to pass on reporting about something, even though I was aware of a special sale of important rock-era artworks had been announced to collectors (yes, I’m one of “those people” too) because the gallery that had sent the email – the San Francisco Art Exchange – had stated that we weren’t supposed to share the info on the sale except directly with friends/acquaintances with the means to be able to purchase one of the works (i.e., no press, no social media, etc.). As a reporter, it is hard having news quarantined, but I always respect these requests as I was once both a marketer and a gallery owner and fully understand the need sometimes to manage the flow of information so that only “legit” buyers are in contact regarding the sale of valuable works of art.

Imagine my surprise then the next day when I saw this article on the ArtDaily.com web site – http://artdaily.com/news/92632/Original-paintings-from-Pink-Floyd-s-The-Wall-on-view-at-San-Francisco-Art-Exchange in which some of the details about this sale were in fact made public. And while I won’t tell you exactly what’s going on in deference to the original request, I will simply say that, if you’re a fan of Pink Floyd and want to add something unique to your music-related art collection, you should read this article and then get hold of one of the nice people at SFAE to learn more.

b) While I didn’t find a lot to report about re: album art-related items to be featured in Bonham’s December 15th Entertainment Memorabilia auction in London, one item that did catch my eye was a set of 10 ceramic tiles that spell out the words “Abbey Road” – a set quite similar to the ones used to illustrate the back cover of The Beatles 1969 recording of the same name. While it can’t be verified that these were in fact the tiles that Iain MacMillan photographed for use on the cover, they were taken from a now-demolished wall nearby, so you can always present them to your friends with a shrug and a “well, they COULD be…” statement, right? Pre-auction estimates for this item were in the $10 – 13K range, with more info available at http://www.bonhams.com/auctions/23527/lot/83/

 Auction update – A set of 10 ceramic tiles that spell out the words “Abbey Road” – a set quite similar to the ones used to illustrate the back cover of The Beatles 1969 recording of the same name – that was featured in this week’s Entertainment Memorabilia auction at Bonham’s London facility did not find a buyer. ? Pre-auction estimates for this item were in the $10 – 13K range, and while this unique item did not find a new home, the auction did succeed in selling some other great items, including

http://www.bonhams.com/auctions/23527/lot/83/

4) New Print/Book Publishing –

a) It’s been recently reported that music journalist/fine art photographer and rock photo collector Raj Prem is in discussions to have a new, career-spanning book published next year. Over the years, Prem has worked with a number of leading galleries, including San Francisco Art Exchange, the Atlas and Snap galleries in London and several others, to curate rock photo shows that feature the works of many of the industry’s best-known shooters and, along the way, he’s put together a personal collection that would make any die-hard music/art fan quite envious. With a fan’s obsession for gathering mementos from important milestones along rock music’s 60+ year timeline, when you see a Prem-curated display, you’ll find many of the most-iconic images alongside examples of timeless memorabilia, so it will be interesting to see what will be included in this upcoming tome. You can read more about Prem and his career in this recently-published posting on the SAT Press Releases site – http://satprnews.com/2016/12/12/raj-prem-reveals-plans-to-publish-new-book-on-his-career-in-music-photography/ and stay tuned here for more information about the book’s availability as it becomes public.

b) Well-known to anyone who follows the Bay Area music scene, photographer Bob Minkin has been a staple on the scene for many years, contributing his photos of all of the key players in the area to magazines, newspapers, web sites and, of course, record company clients. As you might figure, Bob has amassed a large archive of photos of acts over the past 40 years, including shots of the Grateful Dead, Hot Tuna, Moonalice, Dark Star Orchestra and many, many others, some of which were included in Bob’s 2014 book titled Live Dead: The Grateful Dead Photographed By Bob Minkin. That book proved to be so popular that it inspired Bob to revisit his archive once again, this time to focus on images of the performances that have taken place at venues in Marin County, Minkin’s home turf. The results of this deep archive dive will soon be shared in a new book that Bob is hoping to produce and ship in 2017.

According to Mr. Minkin (per his new Kickstarter project page), “THE MUSIC NEVER STOPPED — a one-of-a-kind 200+ page coffee table book of photography — will feature hundreds of never-before-seen images from my archives, including live performance shots, intimate backstage, off-stage and at home photographs of our favorite players, including Jerry Garcia, Bob Weir, Phil Lesh, and close to 100 musicians/bands will be featured!” Supporters can opt for the book in one of two formats (“Standard” or a limited-edition “Collector’s” edition) and choose to upgrade their purchase to include one of the hundreds of photos that will be included in the book (quite the deal!). Find out more via the link – https://www.kickstarter.com/projects/915441459/the-music-never-stopped-epic-live-music-photos-by

Update – Just an update to the article above regarding photographer Bob Minkin’s Kickstarter project in support of a new photo book (to be titled “The Music Never Stopped” and featuring hundreds of great shots of the creme-de-la-creme of the San Francisco Bay Area music scene) – Mr. Minkin has sent out a new email in which he tells us that he’s adjusted the amount he’s hoping to raise upward to the $25-30K range, and is offering to sweeten the pot by giving supporters an opportunity to get something special. Here’s how Bob put it in today’s email – ” I need to keep this campaign growing as the book will cost $25,000-$30,000 to produce… Therefore, if I reach $25,000 in funding, everyone who has contributed $50 and above will be entered into a drawing to win a 11 x 14 signed photograph of a Grateful Dead photo I’ve taken.”

Today’s the last day to pledge your support for this project (which has raised a bit over $25K, so I think that supporters will be in for that drawing), so I hope that you’ll take a look and support one of the music business’ nicest (and most talented) guys by clicking on over https://www.kickstarter.com/projects/915441459/the-music-never-stopped-epic-live-music-photos-by

c) You might recall my reporting about photographer Elliott Landy’s own book project last year built around his collection of photos of The Band (The Band Photographs, 1968-1969), a publication that included an impressive selection of shots Landy took of his chums at work, at leisure and in the middle of some beautiful country scenery. As Landy selected the 300 photos that would be included from the over 12,000 he had in his archive of that band at the time, he produced proof pages of pairs of these shots – truly-important by-products of the time-consuming process of assembling such a book. People who saw these proofs commented that Elliott should preserve them as historical documents, but as he’s such a giving person, he’s decided (after keeping one set for himself) to share these nearly one-of-a-kind images (produced with the same care and inks as his fine art photo prints) with fans, putting them up for sale, while they last.

Priced at $575 (a real bargain for a Landy print!), there are about 450 of these double-image prints available directly from Mr. Landy on his site – http://elliottlandy.com/nearly-one-of-a-kind-proof-prints-from-the-band-photographs-book/

I can’t think of a better gift for fans of The Band, can you?

5) Other articles of interest –

a) Album cover artists, like most other talented people, are often solicited to “do something special” for the Holidays, and such is the case with graphic artist Don Pendleton, well-known for his Grammy-winning work on Pearl Jam’s 2013 record Lightning Bolt, who donated his time and creative energies to create a poster for a recent concert benefitting the local (Bloomington, IL) Toys for Tots efforts. When a major sponsor from the previous year’s event pulled out, local promoters, musicians and others banded together to make sure that the show took place and worked to replace the $15,000 deficit, guaranteeing that the neediest kids still will be getting something memorable this Holiday season.

Read more about it on the Pantagraph news site (you’ll need to click thru some impediments to get there – sorry) – http://www.pantagraph.com/blogs/craft-from-pearl-jam-to-toys-for-tots/article_73487330-0ec9-5265-b8ef-7071fb144434.html

b) Designer/record label co-owner Peter Saville’s contributions to the world of album art imagery are many, with his Factory Records label releasing albums by bands such as Pulp, OMD, Roxy Music and New Order/Joy Division (among many others) encased in packages that set a new standard in post-modern design (how many of us still proudly wear our Unknown Pleasures t-shirts as a sign of new wave appreciation?). The label’s Manchester club, called the Hacienda and built inside a vacated yacht showroom, was a venue that allowed Saville to apply his design expertise in a grander scale (working alongside designer Ben Kelly), with the club’s floor done up in the warning stripe motif used often on the label’s recordings as well.

Since then, Saville has worked on a number of projects around the Manchester area, including designing ones for the Welcome area and entrance doors of the Manchester Museum of Science & Industry, a design that is now being used as the basis of a new series of glassware now being sold by the Museum. You’ll find three examples of Saville’s new glassware for sale in the museum’s gift shop, including this nice jar – https://www.sciencemuseumshop.co.uk/museum_gifts/peter-saville/msi_peter_saville_gas_jar.htm

Wallpaper Magazine’s site has posted an article on the topic, including insights from Peter, by Kasia Maciejowski that you can read via this link – http://www.wallpaper.com/design/peter-saville

The museum has also put together a nice overview of the role Factory Records played in the development of both Manchester’s music scene and its emergence as a hotbed of style and design – http://msimanchester.org.uk/en/collection/stories/factory-records

c) Finally, as we are at the tail end of the Holiday season and the giving and receiving gifts of a questionable nature is part of the yearly ordeal, I just had to share this article posted recently on the Society of Rock web site in which you’ll be shown a collection of Christmas sweaters that have been decorated with album cover/logo-based artwork.

Whether this is good or not is in the eye of the giver/recipient, but you’ll most-certainly be the center of attention at any post-Holiday party if you walk in wearing one of these colorful creations – http://societyofrock.com/7-ugly-rock-christmas-sweaters-guaranteed-to-make-you-an-office-party-hit-this-season/

Links are provided in the article to the vendors offering these items, so if you’re wondering what to do with one of those Visa or AMEX gift cards you received from someone, now’s your chance to add one of these to your rock & roll clothing collection.

d) Video game fans have always enjoyed these things called “Easter eggs”, which are special, hidden items – images, sounds, videos, animations, extra powers, etc. – that developers have chosen to include in their products that avid game players are always on the hunt for (there are special newsletters and blogs devoted to the topic, too). Those of us who have been paying close attention to music-related artwork over the years know that, from time to time, album cover artists have hidden objects on their miniature canvases that, over time, have become just as memorable as the images themselves. Famed illustrator Al Hirschfeld included several instances of his daughter Nina’s name in his cover art for Aerosmith’s Draw The Line album (in fact, there are always Ninas hidden somewhere in a Hirschfeld illustration), but as you’ll discover in this recent article on the Radio X web site, there have been a number of well-known records released that include hidden imagery and messaging, including albums from Paul McCartney, the Rolling Stones, Led Zeppelin, Beastie Boys and others.

http://www.radiox.co.uk/features/revealed-secret-hidden-messages-album-cover/

One of this year’s Grammy-nominated records – David Bowie’s final record Black Star, featuring artwork done by Jonathan Barnbrook, includes several hidden treasures, so the trend continues to this day.

e) Another Grammy-nominated recording package – that being for Trey Anastasio’s Paper Wheels Deluxe Limited Edition release, featuring art by Varnish Studio’s Matt Taylor – also showcases artwork that includes secretly-coded text strings that were built with a cipher created in the 1850s for use by British intelligence services at the time (and through the end of World War II). As you might figure, today’s young technologists quickly figured things out, with the results shared with inquiring minds in this article by Andy Kahn that I found which was published last year on the Jambase site – http://www.jambase.com/article/cracking-the-code-trey-anastasio-band-paper-wheels-artwork

It is work like this that makes me feel secure that, regardless of how some might be working to limit free speech, there will always be technologists and artists working together to deliver important messages…

f) com writer Fidel Martinez presents us with a summary of seven hip-hop/rap album covers that, compared with the rest of the imagery used to promote recorded music in these genres, are “tougher than the rest”. While some acts have decided to use their covers to establish their “street cred”, others have worked to put the conditions of their neighbors and neighborhoods on display for the rest of us to take in and appreciate how these conditions have shaped their music.

The article includes examples of powerfully-rendered images that have been used in the packaging of recordings by Tupac, N.W.A., DMX, Geto Boys and others. Some are hard to look at, but all are impactful in their own ways.

http://uproxx.com/realtalk/hip-hop-album-covers-tougher-than-the-rest/4/

g) Life as a music industry photographer is a life of luxury and never-ending partying with the coolest people on the planet, right? As much as we’d like to think so, a recent article by Mark Butler on the com site that features anecdotes from two U.K.-based photographers – Euan Robertson and Anthony Longstaff – gives readers a lesson in the realities of earning a living in this fashion. Yes, you do get to be in the presence of music industry royalty (at least for a few songs), but you also have to deal with over-zealous security personnel, rowdy fans and clients often more-interested in “fast and cheap” than “reliable and high-quality”. You’d also be correct in assuming that their subjects aren’t always accommodating with their time and attention…another music-industry fantasy, nicely deflated, can be found via the link at https://inews.co.uk/essentials/culture/music/life-as-a-music-photographer/

h) Artist Derek Riggs – best-known in the album art world for creating Iron Maiden’s “Eddie” mascot (first seen on their self-titled 1980 recording) – shares the story about “the making of” one of the better-known Eddie-based album covers, that being his artwork for 1982’s The Number of the Beast in which our hero is pictured accompanying The Devil as he makes a fiery swing through the neighborhood…the prolific staffers at com share this story in an article found recently on their site – http://teamrock.com/feature/2016-09-16/the-story-behind-iron-maiden-s-the-number-of-the-beast-album-artwork

i) Album art has long been used by musical acts to promote their feelings regarding the issues of the day (think System of a Down’s Toxicity or Ice Cube’s Death Certificate), but for a Boomer like me, my heart just leapt when I saw one Chicago-based design group’s proposal to use a quartet of strategically-placed golden flying pigs (ala Pink Floyd’s Animals) to block street views of the huge logo found on the river-side of the Trump Tower Chicago building located in the Windy City. Symbolism runs two ways in this story, as Trump Tower was built on a parcel created after tearing down the original building that used to house one of Chicago’s premier newspapers, the Sun Times. Make of it what you will – more info and photos can be found in Matthew Messner’s recent article on The Architect’s Newspaper site – https://archpaper.com/2016/12/trump-chicago-gold-pigs/

If you’d like to watch a short time-lapse video of the demolition of the Sun Times headquarters and the phoenix-like rising of the new Trump building that was created by a local photographer, hop on over to YouTube – https://www.youtube.com/watch?v=fnEGFHRW3js

j) ACHOF News Flash – The nominees for awards in the Packaging Category in the upcoming 59th Annual Grammy Awards have been announced, with the lists for each category including both some familiar names and others getting recognition by the Recording Academy for the first time.

In the “Best Recording Package” category, art directors for records put out by acts including Bon Iver, David Bowie, Parquet Courts, Reckless Kelly, and Rihanna will duke it out for top honors, while in the “Best Boxed or Special Limited Edition” category include works done for a broad range of talent – from the late singer Edith Piaf to Paul McCartney, Trey Anastasio to the 1975 and J. Views, who crowd-sourced most everything for his nominated project.

You can get the details on the Grammy Awards site via the link at http://www.grammy.com/nominees?genre=22

with the winners being announced the weekend leading up to the Sunday, February 12, 2017 live telecast.

Of course, you’ll learn more about the nominees and eventual winners here, so stay tuned for further updates.

Congratulations go out to all of the talented people who’ve been nominated – great work, folks!

k) The 2016 ARIA Awards (Australia’s equivalent to the Grammy Awards) in the “Artisan Categories” – including “Best Cover Art” – were announced in late November, and while it seems to have taken a while for the info to arrive here in the U.S. (must have been sent by steamship), I would be remiss if I didn’t publicize the names of the nominees and the winner in the category – Best Cover Art: Karen Lynch for Bernard Fanning – Civil Dusk (Dew Process/Universal); Kristen Doyle for Delta Goodrem – Wings of the Wild (Sony Music Australia); Jonathan Zawada for Flume – Skin (Future Classic); Jack Vanzet for RÜFÜS – Bloom (Sweat It Out / Sony Music Australia) and Lost Art for The Avalanches – Wildflower (Modular / EMI)

And the winner was…Jonathan Zawada for his design for Flume’s record Skin.

http://www.ariaawards.com.au/nominees/2016/Artisan-Awards/Best-Cover-Art

and you can find out more about the winning art director/artist on his web site at http://www.zawada.com.au/

l) At the end of every year, the writers working for art/music/design publications of every size put themselves in a position that I will most-certainly never put himself in – i.e., having to name the “best” and “worst” album cover designs of the previous 12 months and then, somehow, justifying those choices to my readers. This year, it’s become quite clear that expressing opinions on what’s “best” or “worst” in any pursuit can prove to be a dangerous enterprise, with some of those decisions accepted with great gusto while others mercilessly berating the choices that they might disagree with. Now that it is that time of year again, I have completed this basic research and am simply ready to offer you his summary of what these (some of them) esteemed music and art critics have presented as their “best of” and “worst of” selections regarding the album covers and packaging that helps deliver – both online and in physical form – music from your favorite artists.

As I have noted in my previous summaries, “each year, music and art critics work to provide readers and viewers with their ‘Top 10/20/50′ lists in a variety of categories (by musical genre, by who most-effected pop culture, by who “raised the bar”, by who revealed the most of their inner souls or their outer skin, etc.). Many of these same publications and sites also attempt to arrive at – by their design standards and/or knowledge of the relationships between musicians, their record labels/distributors and the people they hire to create a new graphical representation of their latest music releases – which records came with the best (or worst) associated album covers.” The past several years, I found smaller and smaller numbers (but no-less-passionate) of publications and sites who were eager to proffer their opinions on the “state of the art” in album cover design, so while there was less data to take into account (particularly in the “Worst” category), it is no less interesting to read what critics have to say on the subject.

Today’s summary – https://albumcoverhalloffame.wordpress.com/2016/12/30/album-cover-hall-of-fame-year-end-summary-of-best-and-worst-album-cover-art-lists-2016/

is presented simply, with links to the sites that have presented their own takes on “what’s good/bad” in album cover design these days. As for myself, I was impressed with several examples of close collaborations between the designers and musical acts that invested in projects that pushed the boundaries of how “album art” is defined. Taking into account the prevalence of both digital deliver platforms and hybrid physical/digital products at retail (i.e., those that have add-ons that are experienced via a computer/smartphone), I can say with a high degree of certainty that next year’s lists will continue to put highly-imaginative works on display for us all to take in, appreciate and discuss at great length. As always, please be sure to share your takes on which of these lists perhaps best-or-least-represented your feelings on the topic by leaving a comment for us – thanks, and here’s wishing all of you the “Best Of” Peace, Level-headedness and Prosperity during the New Year 2017!

That’s all for now – look for updates every week (typically, on a Friday) on our news feed –https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back early next month with another summary for you.

All text Copyright 2016/2017 Mike Goldstein and AlbumCoverHallofFame.com – All Rights Reserved. All of trade names mentioned in these summaries are the properties of their respective owners and are used for reference only.

Album Cover Art and Artist News Summary For The Month Of October, 2016

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ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF OCTOBER, 2016

 

It’s the first of November, 2016, with the elections here in the U.S. taking place a week from today and, if you’re like me, we’re all probably suffering from election-related anxiety. Wouldn’t it be great to have some good, positive, uplifting news for a change (besides the possibility of a Cubs World Series win looming large – sorry if I’ve offended anyone in the Cleveland area, but we’ve had to wait 40 more years than you have for a World Series win!)? Well, with today’s summary of the most-recent news in the world of album cover artists and the wonderful products they’re creating for us fans and collectors of the genre, I believe that you’ll find enough inspiration to see you through whatever comes our way.

This month’s summary, while a little light with regards to sales/auction-related news, still provides us with ample proof that the people that make our favorite album imagery continue to contribute quite regularly to the news cycle, adding items of interest and fascination to the ongoing stream of articles, interviews, museum and gallery show information and the like on a wide range of related topics. Enjoy the read and let me know if you have any questions or comments:

1) Upcoming, recently-launched and just-closed show/exhibitions –

a) Sunday, October 30th marked the close of an exhibition of photo works by Toledo, OH-based shooter Harry Sandler. The show, titled “Harry Sandler: Images From a Photographic Journey,” had been on display for the past week in the Porter Gallery at the Toledo School for the Arts and included selections of Mr. Sandler’s 40+ year portfolio, including shots of rock stars both old (The Who, Peter Frampton, John Mellencamp, etc.) and new (Katy Perry and Queen with Adam Lambert filling the shoes of the late Freddie Mercury), and prints of these images were available for sale as part of a fund-raising effort that demonstrates his commitment to groups supporting the needs of military vets.

A military veteran himself, this show was one of several he’s done to benefit veteran’s causes, with the proceeds of this show benefiting Veterans Matter, the Toledo-based nonprofit housing military veterans in a dozen states.  Sandler’s made a lot of friends over the years as he’s worked not only as a photographer but also as a tour manager and concert engineer, allowing him to tap into those resources from time to time to help raise both money and awareness of the causes he supports (for example, he enlisted Mr. Mellencamp to come and sign autographs at the exhibit’s launch party on October 21st).

Read more about this fine fellow in writer Tom Henry’s article on The Blade web site – http://www.toledoblade.com/local/2016/10/10/Rock-artist-wants-his-journey-to-assist-homeless-in-Toledo-area.html   and also about the work done by the Toledo-based Veterans Matter charity by visiting their web site at http://veteransmatter.org/

b) While it was the intense concentration of classic rock acts that brought thousands of people to the California desert for two weekends in October, I’m hoping that festival-goers did find the time to tour the mega-sized rock and roll photo exhibition staged there. The Desert Trip Photo Expo put on display over 200 photographs from the portfolios of a who’s who of rock photographers – Michael Cooper, Elliott Landy, Bob Gruen, Jim Marshall and many others – and include well-known album cover and magazine shots featuring the six acts who headlined the four days of concerts – Bob Dylan, Paul McCartney, The Rolling Stones, Roger Waters, The Who and Neil Young.

In this article posted by staffers on the Orange County Register web site – http://www.ocregister.com/articles/captures-732290-trip-music.html  you will find some of the stories behind a selection of the images on display as told by the people who took them (for example, Bob Gruen tells us that Mick Jagger was at a 1982 concert by The Clash at JFK Stadium in Philadelphia because his daughter wanted to see the band (“C’mon, Dad…they’re great!”). More info on this exhibition, organized by the San Francisco Art Exchange gallery and presented in cooperation with Getty Images, at http://deserttrip.com/photoexp/   You’ll also find a nice video short featuring Henry Diltz talking about why being a rock photographer is such a great gig…

Finally, Paul Resnikoff shares his on-site experience, including several photos of the 36,000 square foot tent that housed the exhibit, in this posting on the Digital Music News site – http://www.digitalmusicnews.com/2016/10/10/rock-n-roll-art-gallery-desert-trip/

c) I hate it when I’m late…a show recently closed that I just learned about but, even so, I am so impressed with the creativity shown by this artist that I wanted to make sure you had a chance to see his work. Rather than simply listening to his favorite albums, artist Peter Wilkins considered aspects of records – that they spin, that certain covers have unique color palettes, etc. – and set out to present each record in a way that shows us these elemental qualities in a way we’ve never seen them. He first experimented with the idea of capturing a photographic image of a spinning album cover but, unhappy with those first images, he decided to turn to computer technology to help him better-express the unique way he was seeing these records. The results of these efforts were put on display in a series of shows (including one that just ended at the Christina Parker Gallery in St. John’s, Newfoundland, Canada and new ones scheduled for viewing in other venues across Canada in 2017) that are sure to impress and amaze anyone who gets the chance to see these prints.

While Wilkins has created dozens of prints – including rock classics such as Are You Experienced? by Jimi Hendrix, Pet Sounds by the Beach Boys, Cream’s Disraeli Gears and newer works from acts including Florence & The Machine and Broken Social Scene – he’s also applied a similar approach to other subject material, such as wine, cityscapes, airports and “iconic Canadian chairs”, examples of which you can find on his web site – http://peter.wilkins.ws/

You can view an illustrated capsule summary of his most-recent show in reporter Joan Sullivan’s article on the topic on The Telegram (Canada) web site – http://www.thetelegram.com/Living/2016-09-12/article-4637137/Rock-%26rsquo%3Bn%26rsquo%3B-roll-and-take-cover/1  – which includes input from the artist about his inspirations and processes. I was a little bit impressed with myself for being able to identify several of the examples just by their colors and where they’re shown in the circular prints – give it a try, it’s fun!

d) Ben Marks recently published an article for Collector’s Weekly that I thought you all might enjoy as it highlights the many years of excellent album cover-focused work of the craftspeople at “the premier record jacket printing company in America” – that being the Stoughton Printing Company, located in City of Industry, CA. Stoughton has been printing and assembling record sleeves for clients in the music industry for over 50 years and, as part of this year’s Los Angeles Printers Fair that was held October 14th at the International Printing Museum in Carson, CA, visitors were invited to tour a special exhibit titled “The Music of the Presses: The Vinyl Sleeves of the Stoughton Printing Company” which showcased, according to the show’s press, “a half-century of album covers, from the first printing of the album that introduced The Beatles to America, to the latest retro vinyls”, with every visitor getting a limited-run sleeve as a souvenir of their attendance.

Stoughton Printing Company’s head honcho, Jack Stoughton, Jr., was in attendance to take show visitors on a tour through the record cover-making process, making a stop at a display that showcases 50+ examples of the company’s work, including sleeves for top musical acts including The Beatles, The Doors, Led Zeppelin, Carole King, Jack White and many, many others. Viewers were also able to see the entries for a juried competition called “The Art of the Album Design & Printing Competition” which included include designs by many of the printing industry’s most-respected practitioners of the craft.

You can read Ben’s article online via the link – http://www.collectorsweekly.com/articles/music-of-the-presses/  and see more of what’s on display during the exhibit’s run (which remains “on view for several months”) –  http://www.printmuseum.org/printersfair/general-information/

e) The Copper House Gallery – in Dublin, Ireland, just a few minutes West of St. Stephen’s Green – hosted a new show that opened October 13th (and ran one week, through October 20th) that wass called the “Fantasy 12 Exhibition” and which featured dozens of unique works created by a number of music industry artists, designers and record label staffers who responded to a simple question – “If you could release a record from any iconic artist (past or present), what would the cover look like?” This show was organized by This Greedy Pig (online art/music mag), record label Choice Cuts and the Hens Teeth Gallery in Dublin, Ireland and, in a special event, Irish Times writer Jim Carroll hosted an opening weekend ticketed discussion (Saturday, October 15th at Dublin hot spot The Sugar Club) which featured three people well-versed in the subject of music-related art/packaging – Paul Diddy, art director for NYC record label Luaka Bop; artist/editor Nick Gazin of Vice Magazine (who also created the much-heralded artwork for Run The Jewels) and the multi-talented Vlad Sepetov, whose “Yours Truly” collective has been responsible for a noted list of today’s top recording acts, including Kendrick Lamar and Vic Mensa.

Show-related info can be found at https://www.facebook.com/events/1643345045980477/ and on the gallery’s site at http://www.thecopperhousegallery.com/exhibitions/66/overview/

f) There have been a number of fascinating events staged during the past year in the UK to celebrate Punk’s 40th Anniversary, with a recent one catching my eye that I felt compelled to share with you. As reported on recently by Michael Holland on the Southwark News (London, U.K.) site – http://www.southwarknews.co.uk/lifestyle/dont-punk-appreciate-punk-art/ members of a punk “supergroup” called the Bermondsey Joyriders organized a show geared towards letting punk musicians – particularly those who attended art school as part of their upbringing – show off their visual art talents, with this year’s crop of participants including Glen Matlock of the Sex Pistols, Keith Levene of The Clash, Spizz of Spizz Energi, Luke Morgan of The Highliners, Nicky Tesco of Members, Ultravox’s John Taylor and others (over 30) contributing works to the showcase, all of which were available for sale.

While the show ran only a few days (October 8th through the 10th at the Underdog Gallery on Crucifix Lane), it received a lot of coverage, including this video interview on ITV News, London, hosted by Nina Hossain and reporter Victoria Grimes, with Keith Levene from The Clash – http://www.theunderdog.london/single-post/2016/10/11/ITV-NEWS-reports-on-the-Punk-Rock-Roll-Show-at-The-Underdog   and photos on the gallery’s site provide ample evidence that a good time was had by all during all of the event’s festivities – http://www.theunderdog.london/single-post/2016/09/02/7th—10th-Oct-Punk-Rock-Roll-Art-Show

g) The nice folks at the Concert Poster Gallery were kind enough to send me/us a reminder for all East Coast rock/album art fans I want to make sure you’ve seen – hope you get the chance to visit the newly-launched staging of the hugely-popular exhibition – originally on display in both Los Angeles and San Francisco – built around the incredible cache of artwork – posters, handbills, photos and more – created over the years in support of the events put on by one of rock music’s most-successful promoters – the late Bill Graham. On display now through next January 16th at the National Museum of Jewish History in Philadelphia, Bill Graham & The Rock And Roll Revolution presents the stunning visuals that promoted and accompanied Graham’s events at the Winterland and Fillmore venues on both coasts, as well as the mega-events he was such a huge part of – Watkins Glen, Days On The Green, the US Festival, Live Aid and others for Amnesty International.

His efforts to promote his events brought us the talents of many who are now considered the most-influential artists of the era – Rick Griffin, Mouse and Kelley, Victor Moscoso, Lee Conklin and Wes Wilson – who all went on to produce a number of iconic album images for musical acts including the Grateful Dead, Santana, Steve Miller and many others. While his life included times both harrowing (his escape from Nazi-controlled Germany and France in 1939 ultimately brought him to his new home in the U.S.) and personally-fulfilling (his desire to be an actor brought him roles in films including Apocalypse Now, Bugsy and The Doors), his death in a helicopter crash in 1991 cut short the life of one of the music industry’s most-memorable impresarios. Now’s your chance to revisit an era via this impressive collection of memorabilia – why not catch a train and get on over to the museum while you can?

http://www.concertpostergallery.com/concertposters/bill-grahams-rock-and-roll-revolution-museum-exhibit-opens-in-philadelphia/

More info on the museum and this exhibition can be found at http://www.nmajh.org/BillGraham/

2) Artist interviews/profile articles –

a) Minneapolis, MN Star Tribune reporter John Bream has posted an article which includes an interview with First Avenue’s (“Your Downtown Danceteria Since 1970” and a space familiar to anyone who has seen the film Purple Rain) man-of-many-hats (facilities manager, tour guide and official photographer) Daniel Corrigan on the occasion of the release of a new book that taps into his 35+ year archive of great photos taken with music industry notables including Prince, Husker Du, Michael Jackson, U2 and many others.

Heyday: 35 Years of Music in Minneapolis” includes over 500 images taken over the years, including album cover shots for acts including Babes In Toyland, The Replacements, The Cows (Cunning Stunts – always loved that title), They Jayhawks and others. He worked with Josh Leventhal at the Minnesota Historical Society Press (who’ll be publishing the book, set to hit store shelves on November 1st) to choose just the right images from his huge archive and asked local writer/DJ Danny Sigelman (DJ Paper Sleeves) to contribute the intro essay. An exhibition of photos from the book will launch in mid-November at the Mill City Museum in Minneapolis, so fans of Mr. Corrigan’s work will have a great opportunity to see selections from this book on display in a proper setting.

http://www.startribune.com/starting-with-prince-first-avenue-photographer-chronicled-rise-of-twin-cities-music-scene/398894281/#1 

b) If you’re like me, it is easy to say that, of the images created for the packaging of most all of the various genres of music, hard rock/metal music, in all of its variations, tends to sport covers that are almost immediately identifiable as being of that genre (for a long time, this honor has been shared with rap/hip-hop covers, particularly of the “Pen & Pixel” variety). There’s a designer in the Bay Area named Sean Ross that seems to feel the same way but, as a creative type, he was curious as to what would happen if he applied the same design sense to the imagery created for another area of Popular Culture – that being technology, and the logos of some of the biggest names in the business.

If you click on over to read Owen Pritchard’s recent article on the It’s Nice That site on the topic, you’ll find a number of examples of “the visual language of disruption” as applied to logos for firms such as Google, Twitter, Facebook, Uber and many others. He then takes things a step farther by reimagining classic album covers and type – featuring notable imagery from acts including Pink Floyd, Led Zeppelin, Black Sabbath and AC/DC (among others) – to now represent products in the technology space. While I don’t see many of these companies deciding to adopt these designs in the real world, an Iron Maiden-influenced Snapchat logo would certainly shake up NerdWorld a bit, don’t you agree?

http://www.itsnicethat.com/articles/heavy-metal-tech-branding-141016

c) To help commemorate the 20th anniversary of the death of rapper Tupac Shakur, TIME Magazine writer Kenneth Bachor caught up with photographer Danny Clinch, the man that took what many consider to be the most-famous (and intimate) portrait of Shakur three years prior to Tupac’s untimely demise, and present a video interview during which Danny explains the circumstances that lead up to that memorable shoot, some of the details of what went in to staging/producing the image and how he felt that, after looking at the results of the session, his gut instincts told him that he had an image for the Ages.

ACHOF Inductee Clinch has produced scores of great photos for album covers for acts including the Afghan Whigs, Old Dirty Bastard and Simon & Garfunkel (quite the range!), so it’s a pleasure to be able to hear this tale directly from his mouth (and heart). http://time.com/4486307/tupac-shakur-photo/ 

d) While not technically an artist interview or in-depth profile, I believe that there’s enough interesting information given to us in Zoe Wilder’s article on the MerryJane.com site about ten artists currently producing a new breed of “psychedelic” art – including covers for a number of mainstream and indie musical acts in several genres – that a read is worth your time. Fans of artists such as Martin Sharp (Disraeli Gears for Cream), The Fool art collective (Evolution for The Hollies) and Victor Moscoso (Headhunters for Herbie Hancock) will find a lot to like in the works of Jen Stark, Sean Cormac and Ricardo Cavolo, who are among the 10 artists included in this overview. As a fan of “Flash-style” animations, I was particularly impressed with the music video artist Robert Wallace (AKA “Parallel Teeth”) created for New Zealand-based musical act Ladi6…

https://www.merryjane.com/culture/Psychedelic%20Artists%20You%20Should%20Know

e) Singer Solange Knowles (another talented Knowles sister!) discovered the works of young Spanish art director/photographer Carlota Guerrero on Instagram and, after working with her on a show at the Tate Modern museum in London, brought Carlota on to provide the imagery for her new album – A Seat At The Table – as well as the 112-page digital book that accompanies the new recording.

Billboard‘s Griselda Flores spoke with Ms. Guerrero and presents us with the artist’s telling of how two talented  you women collaborated on this project, each exploring their own sense of womanhood, the solidarity felt between two black women establishing their own identities in a fast-paced entertainment space and, quite interestingly, how the staff at their hotel reacted upon seeing a gold-painted woman in a cape approach the check-in desk after their photo/video shoot! –  http://www.billboard.com/articles/columns/latin/7534279/solange-a-seat-at-the-table-photographer-art-director

f) Each month, the talented team at The Archivist’s Gallery in north London publish an informative article that showcases the work of one of today’s most-creative album art producers and, in addition to giving us some “making of” info from the featured artist, offer readers and collectors an opportunity to see more of that person’s work and, perhaps, buy an art print of one of those images. I was particularly intrigued by the beautiful surrealistic photography created by this month’s artist – Louis Lander Deacon – for his client Imagine Dragons for their 2012 recording titled Continued Silence. The band went on to earn numerous nominations and awards for their 2012 album Night Visions (including a Grammy in 2014 for “Best Rock Performance”) while Louis has continued to build up an impressive portfolio of work for clients in the music, fashion and portrait arenas.

I think you’ll enjoy this look at the work of a rising star in the album art world – http://thearchivistsgallery.com/aotm/

g) It is the hope of all bands that, as its been proven by the long-term value of the iconic logos/cover images of bands such as AC/DC, KISS, the Rolling Stones and Pink Floyd, the investments they make in these visuals will continue to pay off for years – even long after the original players have ceased to produce new music (or, in the case of LA-area ska/reggae/punk act Sublime, our subject today, after the band’s singer/guitarist died of a heroin overdose). While most of us remember the cover of the band’s third and last studio album – the multi-platinum record simply titled Sublime and featuring a photo of the late Brad Nowell’s tattoo of the band’s name across his back – it is artist Opie Ortiz’s crying sun logo, which consists of several images, including a mushroom, the devil, a pocket knife, some skeletal items, a genie and a worm – that lives on in various incarnations of merchandise created with the help and approval of the band’s management and Nowell’s widow, Troy Holmes.

In this article by the Orange County Register’s Josh Chesler, you’ll meet the players in this enterprise, learn more about ongoing plans to bring this folk art masterpiece to the masses, talk to the artist (Mr. Ortiz) who created the original design “using nail polish and Krazy Glue” and, finally, with some of the fans for which this art serves as an ever-present reminder of their fanship.

http://www.ocweekly.com/arts/the-story-of-sublimes-iconic-sun-logo-and-how-its-rising-into-the-mainstream-7374609

h) Aspiring young art student Garfield Larmond had expanded his artistic tool box to include a camera (with which he could film his friends) and after moving as a teen from New York to Atlanta, GA, one day saw a Tweet from a local musician who announced that he would be filming a music video and inviting the public to attend. Bringing along his camera, he shot some “behind the scenes” footage which that artist’s label liked, and that simple reassurance gave him the motivation to apply his talents to work for other local musical acts and other clients. A freelance job to produce product shots and short videos for a clothing line run by rapper Young Thug’s fiancée provided an introduction to the musician and, ultimately, the opportunity to provide the cover image for Mr. Thug’s hugely-popular 2016 mixtape-turned-record titled Jeffrey and a series of intimate portraits of the artist that have garnered much critical acclaim. Writer Justin Davis, in a recent article found on The Hundreds site, shares an interview with the photographer – now known as GLP – where you can learn more about the details of his career, his ongoing relationship with the talented Young Thug and how the two worked together to create a cover image that is VERY different than those most of us are used to seeing on rap album covers….

https://thehundreds.com/blog/glp-young-thug-interview-jeffery-cover/

3) Sales/Auctions –

a) Heritage Auctions has just posted the details of their upcoming (November 12th) Entertainment & Music Memorabilia Signature Auction, and fans of album art will find a nice selection of items that should be of interest, including autographed album covers from The Police, Prince, Michael Jackson, Led Zeppelin and others; costumes worn by The Cars’ Ric Ocasek and singer Linda Ronstadt for their cover photos; RIAA and UK Gold Record award presentations for records by Elton John, Robert Plant, Tina Turner and more, and several different versions of the notorious and much-desired “Butcher Cover” for the “Yesterday & Today” LP by The Beatles, with opening bids beginning at $750 for a “third state” version and $5,000 for a “first state” version.

https://entertainment.ha.com/c/search-results.zx?N=53+4294941297+794+793+792&Ntk=SI_Titles-Desc&Nty=1&Ntt=album+cover&limitTo=4294941297&ic4=KeywordSearch-A-K-Y-071316

4) New Print/Book Publishing –

a) Combining aspects of two popular album cover-based sites – Pop Spots (locating the places where original album cover photos were taken) and Sleeveface (where you find people “obscuring or augmenting any part of their body or bodies with record sleeve(s) causing an illusion”, as described on the Sleeveface site) – photographer Alex Bartsch has worked to locate sites in London where a batch of notable reggae album cover photos from the late 1960s through the late 1980s were taken and then create new photos of those covers integrated in new shots of those locations.

For his new book project titled Covers: Retracing Reggae Record Sleeves in London, Bartsch has selected over 40 of these new creations and shares the stories behind how he located and recreated each cover. In order to get his book published, he’s set up a Kickstarter program where he’ll first produce 200 limited-edition, signed copies of his book and, depending on your level of support, backers can also get bonus items such as photo postcards, signed art prints and, for a pledge of 500 GBP or more, he’ll even take you on a bike tour of London, stopping at several of the spots where these new works were created.

Daily Mail writer Mark Duell gives us an intro to the project at http://www.dailymail.co.uk/news/article-3870008/Back-reggae-roots-Photographer-recreates-classic-vinyl-covers-original-London-locations.html

while those of you who might want to grab one of the first copies of the book (scheduled to be shipped in June, 2017) can find out more via this link – https://www.kickstarter.com/projects/1060504029/covers-retracing-reggae-record-sleeves-in-london

b) Daniel Corrigan’s book “Heyday: 35 Years of Music in Minneapolis” is released on November 1st (see article in Section 2, above). There is a nice photo album on the Star Tribune site that includes descriptions of 18 of the photos that will be on display, so take a moment to tab on through – http://www.startribune.com/starting-with-prince-first-avenue-photographer-chronicled-rise-of-twin-cities-music-scene/398894281/#1

c) Former Billboard Magazine Editor-in-Chief Adam White and Motown Records President Barney Ales have teamed up to create a just-published new book (400 pages, with over 1000 pictures) that, according to White, serves to tell the whole story behind the rise and success of Motown Records, with a special focus on the people behind the scenes without whom, he claims, “the music wouldn’t have been played and the bills wouldn’t have been paid”. In Motown: The Sound of Young America (with a forward by producer extraordinaire Andrew Loog Oldham), you’ll find, according to Thames & Thames, the book’s publisher, the “first official visual history of the label, new research, a dazzling array of images, and unprecedented access to the archives of the makers and stars of Motown lend new insight to the legend. In addition to extensive specially commissioned photography of treasures extracted from the Motown archives, as well as the personal collections of Barney Ales and Motown stars..” Interviews featured in the book include ones with Motown founder Berry Gordy and several of the label’s best-known acts, including Smokey Robinson and original Supreme Mary Wilson, among others.

The label also focused a lot of resources on the visuals of their acts which introduced audiences world-wide to the colors, textures, hair styles and dance moves that helped make kids of all colors and backgrounds fans of “the Motown Sound”.

http://www.thamesandhudsonusa.com/books/motown-the-sound-of-young-america-hardcover

Via this link to the Fox 2 Detroit web site – http://www.fox2detroit.com/good-day/204681762-story – you can also watch a 6-minute interview with White and Barney Ales’ son Brett as they discuss the book and share some of the stories found inside.

d) Bowie fans, take note – I just received a note from the Modern Rocks Gallery in Austin, TX letting me know that they now carry a range of David Bowie photo prints – including the famous Aladdin Sane, Lodger and Scary Monsters cover images – produced by the estate of the late photographer Brian Duffy. These new open edition prints (stamped by the Duffy Archive) are available in one size only (19.75″ square overall; 10.5″ square image size) are a very affordable way (at $300 each) to own these famous photos, so click on over to the Modern Rocks site to see what’s available – http://www.modernrocksgallery.com/duffy-archive/

e) You will recall an article from the not-too-distant past talking about the upcoming release of a revised edition of author/art expert Ramon Martos Garcia’s wonderful book on heavy metal album covers titled “And Justice For Art“. Well, our patience has been rewarded – the book is done and available for sale in a limited-edition version that delivers a lot of value for the money. The book was published by Dark Canvas, with more details and links available in a recent article on the KNAC.com site by Larry Petro (AKA “News Monkey”) – http://www.knac.com/article.asp?ArticleID=21711

Ramon is a dedicated and knowledgeable writer with a true passion for his subject – hope you’ll check out his book and, if so inspired, make one your own.

5) Other articles of interest –

a) Record and consignment shop owners partially-attribute the rise of vinyl LP sales to the fact that folks “just like the album cover art”, an article posted by Danbury, CT-based News-Times writer Chris Bosak stated recently. While those of us who grew up with vinyl are not all that surprised to learn this, the fact that a 70+ year-old method of delivering music to fans is still appealing – particularly to those young folks who’ve grown up with digital music-capable devices attached to their hands and heads – is cause for a bit of reflection. From the late 1980s through the early 2000s, music products sold in either smaller physical formats (CD, DVD, etc.) or without physical packaging at all (MP3s and more-current digital formats, playable on computers, music players and mobile phones) sounded what seemed to be a death knoll for analog albums, but it seems that young people with an inquisitive streak and “audiophiles” who appreciate the seemed sonic advantages of uncompressed music have both worked together to re-kindle interest in the format, bringing much joy to those involved in the manufacturing, packaging and selling of vinyl music products, from records to turntables to $100/ft. speaker cables (!!). All those interviewed for this article made note of the fact that great album covers – and digging through stacks of records – were still very much part of the mystique.

http://www.newstimes.com/business/article/Vinyl-resurgence-boosts-independent-record-stores-9516228.php

b) Although this isn’t an album cover-related item (although, they did give us many great covers during their time in the limelight), the fact that the city council in Forest Hills, Queens, New York is honoring the Ramones by renaming the street in front of the entrance to Forest Hills High School (AKA the “Rock ‘n’ Roll High School”, located at the intersection of 67th Avenue and 110th Street and the alma mater of members of the band as well as Burt Bacharach, Simon & Garfunkel and guitarist Leslie West) “The Ramones Way” should be of great interest to music fans world-wide. The new street sign was installed on a nearby lamppost, with the honor being bestowed during a ceremony held on Sunday, October 30th. In attendance was Mickey Leigh (Joey Ramone’s brother), former band manager Danny Fields and their former tour manager, Monte Melnick. Gallery 98’s Marc H. Miller also participated in the ceremonies, and the exhibit he co-curated (Hey! Ho! Let’s Go! Ramones and the Birth of Punk) continues draw crowds to the Grammy Museum in LA, where it remains on display through February 28th.

Read more on the band’s web site – http://www.ramones.com/street-in-front-of-forest-hills-high-to-be-renamed-ramones-way-on-october-23/ and, if you’ve got an hour to kill, you can watch a video of the ceremony, including an introduction by the delightful (and “varry, varry, New Yawky”) City Council member Karen Koslowitz, who represents the 29th District that includes Forest Hills.

c) In 1996, the EMI record label turned to long-time Pink Floyd album cover designer Storm Thorgerson to come up with a promo image for an upcoming re-release of several of the band’s best-known records (AKA, their Back Catalog). Working with photographer Tony May, designer Finlay Cowan and top-tier body painter Phyllis Cohen, the team produced an image that went on to become one of the band’s most-popular poster images – one called simply Pink Floyd’s Back Catalogue. The image of six of the group’s record covers deftly painted on the backs of six young female models seated on the edge of a swimming pool was the first of several done over the years, with the later ones done to show off the breadth of Thorgerson’s studio’s album cover archive, including covers for acts including Black Sabbath, The Cranberries, Peter Gabriel and many more.

More recently, South Bay (LA/Long Beach-area) body painter Paul Roustan drew upon his inspiration from these previous works to create his own take on the subject, with each of the six models painted to represent an iconic image of the area’s history and culture. Calling his work Painted Ladies of the South Bay, he shot the models (all natives of the area) in two locations – at historic Hermosa Beach pier and on the nearby Strand Wall – and the effort has served to introduce new fans to his award-winning (1st place “North American Body Paint Champion” at the North American Body Paint Championships) work, with his latest book, titled Roustan Body Paint, which includes over 200 photos and several handy tutorials in case you want to try this on your own, winning 1st Place – Best Photography Book – at the 2016 Beverly Hills Book Awards. Read more at http://www.easyreadernews.com/136358/artist-paul-roustan-creates-south-bay-take-pink-floyd-album-cover-body-painting/    and, to see more of his work and his book, click on over to http://www.roustanbodypaint.com/book

d) Yes, he’s an amazingly-talented singer/songwriter but, in some circles, he’s almost as well-known for his contributions to the art of photo taking and printing, and for that he’s going to be feted several times over the next month or so…In addition to his career as a solo artist and member of bands including the Hollies and Crosby, Stills, Nash & Young, Graham Nash has been the co-owner of a company called Nash Editions, a place where seriously-picky photographers go to have their fine art prints produced to their exacting specifications. Over the years, Nash and his team have derived several new technologies and printing processes that have upped the quality of photo printing (particularly, in digital photo printing) to the level where those who had sworn off the notion of having their images produced for collectors on digital printing machines can now rely on certain companies to execute their print orders with great integrity and stunning image quality.

For these efforts, Nash was lauded at events including the October 23rd 2016 Lucie Awards Gala (the “Oscars” for photography) and the annual induction ceremonies for the International Photography Hall of Fame, which took place in St. Louis, MO on October 28th. It’s that museum’s 50th anniversary, and Nash was inducted alongside other famed image-makers including photographer Annie Leibovitz and film-maker Ken Burns.

You can read more about Nash’s Double Exposure Award from the Lucie Foundation via this link – http://www.lucies.org/honorees/graham-nash/   and  about the IPHF’s 50th Anniversary award event at http://iphf.org/events/hall-fame-induction-50th-anniversary-celebration/

Nash’s portrait at the IPHF will live alongside those of previous inductees which include photographers Ansel Adams, Diane Arbus, Robert Frank and Edward Weston (actually, he’s right after Eadweard Muybridge and right before Beamont Newhall – pretty significant neighbors, no?) and other technologists including George Eastman, Steve Jobs, John & Thomas Knoll (inventors of Photoshop) and Victor Hasselblad. Congratulations, Mr. Nash, for making both our ears and our eyes very happy and proving, once and for all, you’re more than just a Simple Man.

e) Looking for something crafty to do with your duplicate/triplicate album covers? Join the “upcycling” revolution and turn your favorite old cardboard sleeves into a useful and unique folder. Based on what I know about your collections, you’ll be the only one showing up to work with folders sporting Lee Conklin’s “Santana Lion” or Barry Godber’s screaming-face King Crimson image – certain to spark conversations with your friends and co-workers.

To follow up a previous “How To” article (about making a folder out of an old album cover – http://craftingagreenworld.com/2016/10/03/how-to-make-a-folder/ – the folks at Crafting A Green World have published an article that will allow us to expand our portfolios of album cover-derived products to now include bookmarks, Christmas Tree ornaments, greeting cards and more. There’s even plans for a hand-held fan! If you’re like me and have several covers we’ve kept long after the records have become unplayable, then “12 Ways To Reuse An Album Cover” will serve as inspiration for you to grab a hobby knife, some glue and get started in time for Holiday gift-giving.

http://craftingagreenworld.com/2016/10/14/ways-to-reuse-an-album-cover/

 

Not only is it easy and fun, you get to play with an X-Acto Knife and Duct Tape, too (surely you have these items from your last kidnapping project – I know that I do)!

f) 12-inch “big sleeves”, “Mondo vinyl” packages and other alternative methods of giving fans and collectors a way to show off their favorite media packages – it seems clear that there are a number of media production/promotion companies these days that are turning back to a tried and true method of delivering content and art/accessories in ways that will entice fans to spend real money to own them. While many in the music and general entertainment industries continue to rail against digital products and how they’ve effected their bottom lines, others – some small upstarts along with some of the biggest names in the business – have looked for new opportunities to both build strong bonds with fans and get them to reach deep into their pockets to pay for specially-made, often limited-edition media products.

In an article published the other day by Ben Travis of the Evening Standard, you’ll get to see and learn more about some of the long-standing efforts (box sets, colored vinyl, etc.) and many of the newer ones, including Disney’s newly-released “Big Sleeve” packages for six of their most-popular films (Aladdin, Beauty & The Beast, Star Wars, etc.) that deliver DVDs sheathed in 12-inch LP-sized sleeves that also include bonus items (photos, prints, booklets, etc.).  Some feature updated graphics, while others reprise designs from the past, but all give consumers something to show their friends during their next visit to their respective media rooms.

http://www.standard.co.uk/stayingin/disney-s-vinylsized-big-sleeve-editions-and-the-special-formats-all-pop-culture-junkies-should-own-a3366551.html

g) I continue to be impressed and amazed with the amount of great album art being produced in markets all over the world, with one site from Australia – ToneDeaf.com – regularly presenting articles about record packages being produced for musical acts that may not be familiar to music fans outside their local markets. One example is this article by Tyler Jenke titled “15 TIMES RECORD PACKAGING GOT COOL, CREATIVE AND WEIRD” in which you’ll see a number of examples of artwork and special packaging (including one that includes a full-on board game!) that, for the most part, represent the exception and not the norm these days. It seems clear that there are a number of artists that have figured out the value of great packaging and visuals and have committed significant resources to these efforts, so while you might not love all you see, you can’t help but be impressed by the sincerity of their efforts..

http://www.tonedeaf.com.au/487987/cool-creative-weird-record-packaging.htm

h) On Friday, October 14th at the Society of Illustrators/Museum of Illustration located at 128 East 63rd Street (just East of Park Ave.) beginning at 6:30PM EST – noted author Steven Heller moderated a panel discussion titled “Can Art Affect Social Change?”, and which featured award-winning artist/illustrator Anita Kunz and a group of influential illustrators (Barry Blitt, Nora Krug and Peter Kuper) as well as music producer Hal Willner, each of whom has produced works that “focus on current issues and strive to affect social and political change.” You might recall from an early posting here that the Museum recently hosted (through October 22nd) an exhibition of works by noted illustrator and cultural satirist Ralph Steadman and so this panel, which included folks who’ve all been influenced by Steadman’s “Gonzo” style, should all be very qualified to add color and substance to the topic at hand.

Both Kunz and Blitt have contributed their talents to clients in the music space, and Willner, who has established himself as a producer of many “tribute” concerts, events and records (as well as the music for all of the sketch pieces on SNL since the early 1980s), was happy to share his unique perspectives on how the visual and musical arts can both reflect and impact audiences with their power and messaging.

More information can be found via the link at

https://www.societyillustrators.org/events/can-art-affect-social-change

i) Now, here’s an “album art/packaging is dying/dead” article with a twist! While the smaller 5″ square canvas reserved for the images used on CD covers did somewhat stifle the visual impact of art created for the format, the jewel case did in fact offer designers an opportunity “to go deep” – i.e., to craft multi-page booklets in which they could include multiple images, lyric pages and other items of interest. To do this with LPs required the creation of either specialized (mostly gatefold) packages or, more often, a box in which to hold the records and the booklets made to give fans “extra value”. As with any addition to a retail package, most buyers would only invest a limited amount of time digging through the extras, but those that did would typically come away with a slightly-better understanding and appreciation of the artist and his/her/their music.

I’m not quite sure just how old DJ Booth writer Yoh is (I’m assuming that he’s quite a bit younger than I am), but I have to think that his lament about “the slow death of the album booklet” – with its appreciation of more-recent packages (i.e., those released within the past 10 years or so) such as Kanye West’s George Condo art-filled package for My Beautiful Dark Twisted Fantasy and Kendrick Lamar’s To Pimp A Butterfly, with its collection of striking black and white photos taken by French shooter Denis Rouvre – focuses mostly on how the author feels that digital “booklets” and linked web sites lack the personal (read “physical”) value found in the printed materials that accompany a CD. How quaint.

http://djbooth.net/news/entry/2016-09-21-the-slow-death-of-the-album-booklet

j) A day late, perhaps, but still a topic worth exploring – of course, yesterday was Halloween, a night where we’re expected to honor and experience all things horrible and frightening (no, I’m not talking about our upcoming election again). Over the years – particularly in certain sub-genres of the heavy metal music world – a fair number of scary/disturbing/disgusting album cover images have been put on display to entice fans to explore the music packaged inside, so it only seems fitting that a yearly capsule summary of the most-memorable of these covers becomes the subject of an article. This year’s best summary comes to us from writer Matthew Wilkening in a posting for the UltimateClassicRock site titled “Rock’s 30 Scariest Album Covers”, in which you’ll find examples from your favorite metal music masters (Black Sabbath/Ozzy/Dio, Iron Maiden, Alice Cooper, Marilyn Manson, etc.) as well as some classic designs that routinely show up on “everyone’s favorite sick sleeves” listings, including Barry Godber’s ultimate screaming face for King Crimson and Funkadelic’s truly-disturbing Maggot Brain. Click thru the list slowly, making sure to relish the artistry on display, all the while telling yourself “it’s only an album cover”… http://ultimateclassicrock.com/scary-album-covers/

Bonus content – Just wanted to share a photo of an advert in a recent edition of Portland Monthly magazine that, I think you’ll agree, shows just how deeply that certain influential album cover designs (like that for Abbey Road, by The Beatles) have been integrated into our collective consciences…Here’s an ad by a rug/carpet dealer in Portland, OR named Kush regarding their upcoming move from one location to a new one in town. I wonder if anyone will be analyzing the ad for all its symbolism – is the little dog on staff, or the embodiment of the soul of a long-dead area carpet weaver?

kushabbeyrdnov2016v2

 

 

 

 

 

 

 

 

That’s all for now – look for updates every week (typically, on a Friday) on our news feed –https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back early next month with another summary for you.

All text Copyright 2016 Mike Goldstein and AlbumCoverHallofFame.com – All Rights Reserved. All of trade names mentioned in these summaries are the properties of their respective owners and are used for reference only.

Album Cover Art And Artist News Summary For The Month Of September, 2016

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ALBUM COVER HALL OF FAME’S ALBUM COVER ART AND ARTIST NEWS RECAP FOR THE MONTH OF SEPTEMBER, 2016

It’s the beginning of October, 2016, with the Fall season in full force here in Chicago – leaves changing colors, the humidity taking a back seat to crisp evening temps and, for those of us new (again) to the area, the famously-frigid Winter weather looming in front of us, with only the thoughts of a hot deep-dish pizza making the prospects tolerable. If you’re either a hearty soul or someone living in warmer climes, I hope that all you’re thinking about right now is a) “how will I survive this Election season?” (don’t forget to VOTE!) and b) “what the heck is going on in the album art/artist world these day, to which I’d like to propose that you now spend a few minutes catching up on your album cover art/artist-related news which, as you all know by now, you’ll find summarized in both my weekly and monthly recaps.

In this month’s summary, you’ll see that the people that make our favorite album imagery continue to make news with their ongoing contributions to the field of album art/packaging, contributing to the ongoing stream of articles, interviews, info on museum and gallery shows and the like on a wide range of related topics. Enjoy the read and let me know if you have any questions or comments:

1) Upcoming, recently-launched and just-closed show/exhibitions –

a) London’s Museum of Brands, Packaging & Advertising will soon (on October 4th) be launching a new exhibition that’ll be a must-see for fans of punk/do-it-yourself-because-you-can’t-f**king-trust-anyone-else product marketing, promotion and advertising. Located “just around the corner from the world-famous Portobello Road Market”, the museum will host a display which they’re calling the “Graphics Of Punk” which, using a large collection of prints, posters, underground magazines, advertisements, consumer products and, most-importantly (at least to us), album cover/record sleeve images, works to illustrate how these “radical campaigns draw a visual parallel between the political climate of the time and its punk graphics aesthetics.”

In addition to the items on display, the museum will be hosting a series of talks throughout the show’s run, including one on punk-era typography by designer/author Sarah Hyndman (titled “Never Mind The Typography”, taking place Tuesday, November 15th). Writer Sarah Dawood gives us a preview of the show in this article on the Design Week web site – https://www.designweek.co.uk/issues/26-september-2-october-2016/new-graphics-punk-exhibition-will-showcase-outrage-era/  with more info on visiting the museum during the show’s run (through January 29th, 2017) available on the venue’s site at

http://www.museumofbrands.com/whats-on/exhibitions/the-graphics-of-punk-4-october-to-29-january.html

The museum is the love child of consumer products/promotion guru Robert Opie, so it will be interesting to see how he and his people inter-relate this display’s unique grouping and messaging with the thousands of other items that make up their collection.

b) I’ve reported previously on the recently-launched (September 26th) graphic design/illustration exhibition at the Victoria & Albert Museum in London called “You Say You Want A Revolution? Records and Rebels 1966-1970,” but, with the show’s kick-off now past us, I wanted to share a recent article by The Guardian’s Graphic Arts writer Liz Hoggard that provides us with some additional insights and details about a number of the designers – including many well-known album cover & gig poster artists including Martin Sharp (Disraeli Gears for Cream), Mike McInnerney (Tommy for The Who) and the team of Nigel Waymouth and Michael English of Hapshash & the Coloured Coat, among many others – whose works provided the colorful, mind-blowing and sometimes head-scratching backdrop to the art, fashion and music of the era, as well as the inspiration for the punk, new wave and other scenes that’d soon follow.

https://www.theguardian.com/artanddesign/2016/sep/04/revolutionary-artists-60s-counterculture-v-and-a-you-say-you-want-a-revolution

The show will run through Sunday, February26, 2017, with more information nicely presented on the Museum’s web site – http://www.vam.ac.uk/exhibitions/you-say-you-want-a-revolution-records-and-rebels-1966-70

There will be several related activities kids young and old can participate in during the show’s run, including two “Create! Graphic Design” events in October, free talks/gallery tours and a Conference & Symposium on Friday, the 4th of November which is described as an event during which participants will “explore how the social, cultural and political dynamic changes enacted in the late 1960s continue to impact on our world today and help us think about the world tomorrow. Topics will include:  counter culture to cyber culture, ideology in politics, the uses of hallucinogenic drugs and environmentalism.”

Quite a way to spend a day.

c) Prog Rock imagery fans now have something to plan for – Roger Dean, creator of many of the most-memorable album covers over the past 40+ years (including those for YES, Uriah Heep, ASIA and others) is the subject of a new exhibition that opened on October 1st at the Trading Boundaries gallery space on Sheffield Green in East Sussex, U.K. that’s titled “Pathways”. According to the gallery’s press release, ” Trading Boundaries will be exhibiting original paintings, watercolours, drawings, sketches and prints, many for the first time and many of which will be for sale, including the original painting for Rick Wakeman’s ‘The Myths & Legends of King Arthur 2016’…Paintings and artwork will be on display throughout our showrooms as well as in our permanent gallery of Roger’s work here.

The show’s opening day featured sets by the the very-popular YES tribute band SEYES and, to add some further enticement, at 7PM on Saturday, October 22nd, those with an artistic bent can attend a painting workshop lead by the talented Mr. Dean himself. Tickets for that event can be purchased in advance via this link – http://www.tradingboundaries.com/collections/tickets/products/roger-dean-painting-workshop-br-saturday-22nd-october-br   with more information on this show, which runs through October 30th, available on the gallery’s web site –  http://www.tradingboundaries.com/pages/roger-dean-gallery

d) Director Ron Howard’s new film about the formative touring years of The Beatles, titled The Beatles: Eight Days A Week, has been earning much praise from fans and film critics, with one San Francisco-based art gallery – the San Francisco Art Exchange, well-known for their deep and impressive album art catalog – having served as a photographic consultant to the film-makers. To showcase the Beatles imagery both in the film and in their collection, the SFAE has put up an online Beatles-related photo exhibition, with most items (as well as others you won’t find online) available for purchase as fine art prints for your home. The film focuses on the four straight years of touring the band did between August, 1962 and August, 1966 during which they both perfected their song-writing/performance skills (releasing 11 studio albums in the U.S., from Please Please Me to Revolver) and their public personas via their films (Hard Day’s Night and Help!), TV appearances and constant interaction with the press, so you can be sure to find images from photographers including Robert Whitaker, Ken Regan, Jim Marshall, Terry O’Neill and others that you’ll both know well and those that will bring back fond memories.

http://www.sfae.com/index.php?pg=400137

e) I have to admit that, for the longest time, I thought that artist Ralph Steadman had contributed the artwork for Pink Floyd’s “The Wall” when, in fact, it was produced by another talented pen-and-ink-focused artist, Gerald Scarfe (please tell me that I’m not the only one who thought this). In any case, Mr. Steadman does have a nice album cover resume, having done record packaging for musical acts including Ambrosia, Nils Lofgren and Frank Zappa, as well as spoken word albums built around the witticisms of the man who is perhaps most-associated with Steadman – “gonzo” writer Hunter S. Thompson – so it’s my pleasure to announce that there’s a new career-retrospective exhibition being staged at the gallery of the Society of Illustrators in NYC.

Titled “A Retrospective: Ralph Steadman”, the show celebrates “the work and career of iconic artist Ralph Steadman. This special exhibition will cover three floors of galleries and is a once-in-a-lifetime chance for the public to view a collection of his groundbreaking pieces spanning his 50 year career.” You’ll find examples of his work that’s been used to illustrate books, magazines, films and other forms of media, including items that have appeared in Rolling Stone Magazine, The Times of London, the New York Times and many others. The Society’s site also lists a number of related events, with details available via the link –http://www.societyillustrators.org/exhibits/retrospective

f) Fans of the late David Bowie are in for a treat now that Guido Harari has launched the latest photo show at his Wall of Sound Gallery in Alba, Italy that is built around a collection of nearly 40 photos taken of Bowie by the famed Japanese photographer Maysayoshi Sukita, best known for the photos used on the covers of Bowie’s Heroes and The Next Day records. Assembled in cooperation with ONO Arte Contemporanea – who are holding their own related exhibition this month at their gallery in Bologna featuring Sukita portraits of Bowie along with Iggy Pop and Marc Bolan (http://www.onoarte.com/current-exhibition.php) – the show, according to Mr. Harari, includes “a series of portraits taken in London in 1972, in New York in 1973 and some live photographs taken in Japan in the same year. There are also iconic images and several outtakes from the 1977 Heroes shoot, some from a trip to Kyoto, Japan, in 1980 and some more recent portraits taken between 1989 and 2002 for the promotion of the Heathen album.”

Visitors to the gallery’s promo page for this show – http://www.wallofsoundgallery.com/en/heroes–C-bowie–C-sukita-e18 – can also download a PDF brochure with more info and imagery. A master photographer teaming up with a master musician/actor/trend-setter – sounds like a great reason to visit.

g) In last month’s news summary, I had shared the details about the launch of a new exhibition (running now thru October 16th at the Manhattan Beach Art Center in Manhattan Beach, CA) titled Contemporary Post Future! The Dichotomy of Design and Art – John Van Hamersveld which features a large display of the talented designers commercial and fine art works, including a 47-panel modular black and creme-colored collage/mural JVH created. In early September, I added an update that story that included some exciting new info – on Sunday 9/11, John and Alida staged a poster sale/signing where 50% of poster sales, along with a portion of sales from the exhibit, will be donated to support the MBAC. Owners of previously-unsigned JVH prints were also able to bring their works in to be signed, with pricing for this service beginning at $40 per item and going up, depending on the item.

More information on the show can be found via this link – http://www.citymb.info/city-officials/parks-and-recreation/cultural-arts/exhibition/creative-arts-center-exhibitions#ad-image-1 and, to see more of John’s work – posters, prints, photos, murals and much more, click on over to his site at http://www.post-future.com/

h) Exhibition curator Doug Sjoquist recently put together a show featuring 50+ examples of great album art in a display that was called “The Golden Age Of Album Art” which ran through September 30th at the Keys To Creativity event gallery located in the Lansing Mall in Lansing, MI. The show was built, according to the gallery’s site, as an “exploration of the many multicultural art forms that appeared on album covers from 1967 to 1983 and greatly influenced American art and culture.” The show’s organizers enhanced the display with a lecture and music, including (on September 25th) a lecture (given by the curator and co-hosted by the Capital Area Blues Society) and concert by local blues legend Thornetta Davis that served as a fund-raiser for the Society’s Artist In Residence Program. An article in the local Citypulse Magazine served to introduce the exhibition and related events – http://lansingcitypulse.com/events/view/74121/the_golden_age_of_album_art_with_doug_sjoquist.html , with more information available on the gallery’s site at http://www.keystocreativity.net/event-gallery.html

2) Artist interviews/profile articles –

a) The Guardian’s Dave Simpson recently published an article based on a pretty simple premise – ask a grouping of album cover artists, consisting of well-known names from the field both young and old(er), “what’s the best-designed album sleeve?” – and the results, as you might figure, are both quite insightful and surprising. You’ll hear from creatives who have 30+ years of well-regarded work, including Roger Dean, Vaughan Oliver, Peter Saville and others, as well as younger artists who’ve quickly built up strong reputations in the area such as Jonathan Barnbrook, Carson Ellis, Mr. Scot Sandler and several more. As is always the case with articles published in Europe, the article also introduces us to several artists who you (and I) were probably unfamiliar with, so it’s also rewarding to learn more about “fresh talent” who are making waves in the field.

I still find it fascinating that many of the covers held in the highest regard were created in the mid-late 1970s, a period that many consider one of album cover design’s “golden ages”…

https://www.theguardian.com/artanddesign/2016/sep/22/the-greatest-record-sleeves-as-chosen-by-the-designers

b) While I like to think that our site is well-respected for the quality of the reporting and access to info and interviews with the broadest range of talent working in the album art world, I have to admit that there are several other sites who display the same passion for the subject material as I do and who are also producing fine work for fans of album art and artists. One such person is Atlanta, GA-based writer Loring Kemp, whose blog Cover Our Tracks has posted several fine interviews with music industry-focused artists since it appeared on my radar several months ago.

Just posted this past week by another contributor to that site – Lara Kristin Herndon – is an interview with veteran illustrator Bob Pepper, a man who has made quite the name for himself in all areas of illustration, producing memorable artwork for clients in the music, book, game and advertising worlds. Beginning his career in the music industry in the early 1960s creating covers for Bill Harvey at Nonesuch and Elektra Records, Pepper went on to create one of the most-memorable covers of the psychedelic era – Love’s Forever Changes, released in 1967. While that one cover might be his best-known, he went on to create several dozen others for musical acts in the classical, electronic and world music genres, so it is a real treat to hear more from the artist regarding the arc of his career, his inspirations, what sort of music he prefers (one hint – it’s complicated) and his take on how digital formats have somewhat lessened the full-on album listening experience.

http://www.coverourtracks.com/single-post/2016/09/26/Bob-Pepper—The-Cover-Our-Tracks-Interview

Eager to see more from Loring & Co. as it is released…

c) Now, why exactly didn’t the record label want Metallica’s debut album to feature a bloody, hatchet-wielding hand coming out of a toilet and the title Metal Up Your Ass? Instead, fans got a slightly-toned-down record called Kill ‘Em All that featured an image that, to those with little imagination, could simply have been the result of a mistake by an apprentice carpenter (yeah, right). With a new Metallica record – one that will be titled Hardwired – due out in a couple of months, the editors at the TeamRock site revisited the story behind the band’s first album image with the band’s drummer Lars Ulrich, who waxes nostalgic for the time they almost got to really upset the PMRC (still can’t forgive Tipper for this) – http://teamrock.com/feature/2016-09-02/the-story-behind-metallica-s-kill-em-all-album-artwork-lars-ulrich-interview

d) Yes, friends, we’re all getting old(er) – this month celebrates the 25th anniversary of the release of Nirvana’s break-through 1991 recording Nevermind which featured many hit songs and one of the most-memorable album cover images of the rock era. The band had enlisted Austin, TX-based photographer Kirk Weddle, who specialized in underwater photography, to come up with the iconic “baby in a pool” shot and, in this recent audio interview/article by the CBC’s Candy Palmater, shares his recollections of the session, along with some out-takes featuring the band cavorting in the same pool – http://www.cbc.ca/radio/q/schedule-for-tuesday-september-20-2016-1.3770140/nevermind-at-25-kirk-weddle-on-shooting-nirvana-s-iconic-album-cover-1.3770143

I had the pleasure of working with Kirk a couple of years ago on a “Featured Artist Portfolio” article for the ACHOF web site that you might want to re-visit as well – https://albumcoverhalloffame.wordpress.com/2014/02/21/featured-album-cover-artist-portfolio-kirk-weddle/   to see a broader selection of this talented photographer’s archives.

e) Fans of Pop Culture should enjoy this recently-posted article on The Undefeated site by Martenzie Johnson about sculptor/special-effects artist Diana Walczak and her work with art director David Coleman and the late Michael Jackson on the making of the album cover sculpture/image used on his 1995 follow-up to the huge-selling Dangerous record, an album titled Michael Jackson: HISTORY – Past, Present and Future, Book 1. Jackson, quite unhappy with the way that he was treated in the press and by his business partners, was determined to work from a position of strength going forward and felt that the best way to represent his power would be via his representation in a statue that would make Roman emperors jealous. And who better to create such an imposing representation than the artist who created the fantastic costumes and props for movies and theme park attractions including Judge Dredd, the Amazing Spider Man, X-Men and even the I-thought-for-sure-it-was-Annette-Benning robed torch-bearer who introduces productions from Columbia Pictures?

Learn all about the concepts, process and whatever happened to the several-hundred-pound sculpture that served as the basis for the imposing photo found on the record, with details available via the link at  http://theundefeated.com/features/cover-stories-the-album-and-cd-cover-for-michael-jacksons-1995-history-past-present-and-future-book-i/

f) Tommy Bishop book release/profile article – see item in Section 4

3) Sales/Auctions –

a) Related to the article in Section 2 about Kirk Weddle’s photos from the Nevermind session, the Austin, TX gallery that displays Weddle’s work – the Modern Rocks Gallery – is offering reduced shipping charges (as low as $1!) for both domestic and international collectors who purchase one or more of the images from this special collection. To see what’s available, click on over to the gallery’s site via this link – http://www.modernrocksgallery.com/shop-nirvana-nevermind/

b) Many of you will instantly-recognize the photos – album covers, portraits and behind-the-scenes shots – of photographer James Fortune (his 1974 shot of a semi-mutilated Iggy Pop in a performance at the Whiskey-A-Go-Go that was used on the cover of Mr. Pop’s California Bleeding LP remains one of my favorites), so I was pleased to see that Modern Rocks Gallery now also counts him as one of their artists and has added his works to their permanent collection, with signed, limited-edition prints from his archive now available for sale there.

I had the pleasure of interviewing Mr. Fortune a number of years ago about “the making of” the Iggy Pop cover – http://rockpopgallery.typepad.com/rockpop_gallery_news/2007/07/cover-story—i.html  As I noted back then, “beginning as a photographer for his college paper in the late ’60s, Fortune spent more than a decade photographing rock music icons like The Rolling Stones, The Who, The Doors, Paul McCartney, Led Zeppelin, Elton John, and countless others. His catalog of over 15,000 images from the tumultuous ’60s and ’70s contains shots of everything from hippie riots in Hollywood to Gene Simmons and Cher sharing an eclair.” The Rock & Roll Hall of Fame and Museum has over 150 of Fortune’s shots in their permanent collection, so I’d invite collectors looking to add something both historic and visually exciting to their collection to check out this new offering on the Modern Rocks Gallery site at http://www.modernrocksgallery.com/james-fortune-photographer

c) The spirit of Max’s Kansas City, the NYC nightclub opened in 1965 by the late Mickey Ruskin which served as an unofficial meeting place for a veritable “who’s who” of the city’s Pop Culture icons of the time, continues to live and breathe via the efforts of Mickey’s wife Yvonne and her Max’s Kansas City Foundation. The non-profit has continued on in its efforts to support those in the arts who might need help with housing, medical services and/or legal aid via one-time grants, with friends of the organization continuing their support of the organization via a series of fund-raising auction such as the one that took place (ending September 21st) with the help of Foundation partner Paddle8. Still viewable online at https://paddle8.com/auction/maxs-kansas-city/ , the recent auction included a whole host of items donated by music and art-industry stalwarts including photographer George DuBose (who donated a wonderful shot used on the cover of TooTought To Die by the Ramones; an awesome portrait byMick Rock of singer Freddie Mercury; a print of Elliott Landy’s infrared photo of Bob Dylan taken outside his home in Woodstock; a portrait by Dezo Hoffman of the late Rolling Stones guitarist Brian Jones; Bob Gruen’s photo tribute to Max’s KC; Roberta Bayley stunning portrait of punk icon Richard Hell and Richard Aaron’s shot of music-makers Patti Smith and Lou Reed.

Also on offer was an Alice Cooper-signed Welcome To My Nightmare litho (with art by Drew Struzan); Ramones logo designer Arturo Vega’s art print titled “Porn Is The New Rock” and a print titled 30 Years of Punk Rock by Laurence Gartel, the digital artist who taught Andy Warhol how to use a personal computer (an Amiga, in case you were wondering). Collectors were also able to bid on (as detailed on the auction site) “Kate Pierson’s outfit from the B52’s Orgasmic Tour, the Max’s banner from the tv series “Life On Mars” signed by the cast, a dress prototype designed by Tiger Morse, the high priestess of fashion, Joe Jackson’s electric piano and sax used on several of his tours and so much more.” While you might be a bit too late to participate in the auction, you can certainly lend your support to the organization’s ongoing efforts via a secure donation on their web site – http://maxskansascity.org/

4) New Print/Book Publishing –

a) Baltimore, MD-based designer/writer Darius Wilmore is going to be releasing a new book meant to illustrate just how important “the visuals” have been to the success of artists in the rap/hip-hop world, helping those making the music better-establish their unique personas and better bond with their fans. The book, titled StereoTyped: Hip-Hop’s Unsung Graphic Design Heroes, Heroines, and the Oral and Visual Histories of the Rap Record (1979-1988), will be published next year by Full Circle Press and is the print version of Wilmore’s popular blog by the same name.

Writing for The Shadow League sports site, reporter Erica Blount Danois celebrates the recent anniversary of the first Sugar Hill Gang (“Rapper’s Delight”) record with this interview in which she talks to Wilmore about that record’s famous “candy cane” logo, his time working as part of Def Jam’s marvelous in-house design studio (Drawing Board Graphic Design), the effort it has taken him to complete his book (which I can personally attest to!) and how, without mainstream TV/radio distribution, rap and hip-hop album covers served to introduce the genre to audiences world-wide.

https://www.theshadowleague.com/story/stereo-typed-a-journey-of-hip-hop-cover-art

b) I recently had the pleasure of adding a new book to the ACHOF’s Resources section that’s due out next month and which focuses on the huge array of photographic talent who have contributed to the promotion and sales of music by our favorite acts. The soon-to-be-released new album art book -titled Total Records: Photography and the Art of the Album Cover, published by photo collective Aperture – will feature over 400 covers that were built around the photo and art directing talents of esteemed artists including David Bailey, Anton Corbijn, Robert Frank, Nan Goldin, Jean-Paul Goude, Brian Griffin, Danny Lyon, Robert Mapplethorpe, Martin Parr, Irving Penn, Cindy Sherman, Pennie Smith, Andy Warhol, Albert Watson and many, many more.

The book’s editors are certainly well-credentialed to have put together such a comprehensive tome on the subject – Antoine de Beaupré is the founder of Paris bookstore/publishing house Librarie 213/Edition 213; Sam Stourdzé, the director of the well-regarded French photography festival Les Rencontres d’Arles and art/entertainment writer Serge Vincendet. It also includes text by music journalist Jacques Denis as well as an interview with photographer and music video director Jean-Baptiste Mondino (who shot the controversial cover of a naked Prince for his Lovesexy release in 1988).

There’s a travelling art show built around the book that was recently (thru October 2nd) on display at Robert Capa Contemporary Photography Center’s exhibition titled “Total Records – The Great Adventure of Album Cover Photography” – more info at http://capacenter.hu/en/kiallitasok/total-records-2/  . The show opened this past June at the Center in Budapest, Hungary and will soon be moving on to two more venues, the first being a display at the C/O Berlin Foundation (from December 3, 2016–February 5, 2017) and then on to the Kunsthal Rotterdam (February 24–June 4, 2017).

c) A popular book on album cover art has just been updated – The Greatest Album Covers Of All Time, first released in 2008 produced by music writers Barry Miles and Johnny Morgan and art director Grant Scott and published by Collins & Brown – will be re-released in early October. Same name, new and updated. According to the publishers, “with the resurgence of vinyl, album cover art is as important as ever. This visually sumptuous book brings together 275 of the greatest album covers of all time. arranged chronologically, beginning in 1956. A 50-strong panel of judges—including designers, musicians, producers, and record company executives—made the final selection, and their reasons accompany the photographs. From rock ‘n’ roll to pop, R&B to jazz, punk, blues, and even folk, the covers include both classics and less well-known works, and every one made an impact, either artistically, stylistically, or culturally. Music fans will enjoy looking back at their favorites and debating the selection.” The book’s been updated to include new album covers that have tantalized our eyes during the past eight years. Look for it at your favorite book-seller on the Pavillion/Collins & Brown imprint. 272 pages, hardcover. ISBN-13: 978-1910231982

d) Having built up a strong reputation for his slightly-strange designs for indie bands including The Unawares, Boo Hag, the Transylvania Rats and Los Perdidos, artist/illustrator Tommy Bishop, after relocating from Spartanburg, SC to my most-recent stomping grounds (Portland, OR – we must have passed each other on I-80, unless of course he took I-90), returned to South Carolina the weekend of September 17th-18th to celebrate the launch party for his new kid’s book titled The Incredibly Strange ABCs. Wanting to create something for his young daughter, Bishop has designed and illustrated a book where each letter of the alphabet is represented by a character that is, if I might say, a lot less like Dr. Seuss and a lot more like Ed Roth’s “Rat Fink” (e.g., “A” features Albert Appleworm, a creature who “absolutely adores accounting”).

Writing for The State (Columbia, SC) web site, Erin Shaw’s article serves to introduce you to the artist and this event (party and reading/book-signing on Sunday, September 18th at Tapp’s Art Center) – http://www.thestate.com/entertainment/local-events/article101736597.html with up-to-the-minute details via the event’s Facebook page – https://www.facebook.com/events/176405956098437/

e) While I’ve already shared information on the new Bowie-focused show now on display at photographer Guido Harari’s Wall of Sound Gallery in Italy, I also wanted to point out that Guido himself is soon to release a new, limited-edition book of photos of one of his favorite subjects, the very talented (and photogenic) singer Kate Bush (that will be titled The Kate Inside), which got its own gallery show this past month in London at the Art Bermondsey Project Space. According to the press release I received, “the show will open on Sept. 13 until Sept. 30 and will be bigger and very different from Guido’s 2014 exhibition at Snap Galleries. It will feature over 50 images, classic and unseen, available for purchase in different sizes.” The Kate Inside limited edition book will also be available and, as part of the festivities surrounding the book’s release, on September 16th there was a special Q&A event at the gallery featuring famed actor/mime (and teacher of the craft to both Mr. Bowie and Ms. Bush) Lindsay Kemp on a panel with Guido, choreographer Stewart Avon Arnold, musician Del Palmer and others.

With over 300 photos included, the hard-bound, 240-page book will be published in two signed/numbered editions – a “Regular Edition” of 1150 copies  along with 350 copies of a “Deluxe Edition”, with this special version also signed by Mr. Kemp, adding more value to any collector/fan of Ms. Bush-related imagery. You can read more and order your copy of this fascinating photo collection on Harari’s site via the link at http://www.wallofsoundgallery.com/en/the-kate-inside-by-guido_harari/the-kate-inside.php

5) Other articles of interest –

a) Space – the final frontier…who’d have thought that album art would be one of the ways that Man would choose to introduce us to civilizations “out there”? Some of you will recall the “Voyager Golden Record” package that astronomer Carl Sagan, along with a team that included writers Timothy Ferris and Ann Druyan, artists Jon Lomberg and Linda Salzman Sagan and astronomer/SETI pioneer Frank Drake (who served as the technical director), assembled in order to present “strange new civilizations” with evidence of our intelligence (this was, luckily for us, before we had recordings from this year’s elections). Now, 40 years later, a trio of enterprising (sorry) entrepreneurs, including noted album cover designer Lawrence Azerrad, have teamed with Ozma Records to embark on a Kickstarter-based project that will produce, for us mortals, a package we can own and treasure that is being called the record’s 40th Anniversary Edition.

Supporting the project at the $98 level entitles you to what’s called the “Voyager Golden Record Box Set” which includes, according to the project’s Kickstarter page, a cloth-covered box with gold foil inlay, three translucent gold, heavyweight vinyl LPs in poly-lined paper sleeves, three old-style tip-on jackets (black ink and gold foil), a hardback full-color book, a 12″ x 12″ lithograph of the Voyager Golden Record cover diagram (printed in gold metallic ink on archival paper), a full-color plastic digital download card that includes all audio from the Voyager Golden Record (MP3 or FLAC formats) and, recently added, a high-quality enamel pin of the Golden Record diagram and a custom turntable slipmat featuring NASA/JPL-Caltech’s heliocentric view of the Voyager spacecrafts’ trajectories across the solar system. Supporting the project at lower levels also entitles you to items including the pin, the download card and/or the litho, so if you’d like to learn more about the project and reserve one for yourself (I did!), click on over to https://www.kickstarter.com/projects/ozmarecords/voyager-golden-record-40th-anniversary-edition

The folks from the record label have also posted a recent BBC interview (on Soundcloud) with the original designer of the Golden Record – Jon Lomberg – which you can listen to via this link – https://soundcloud.com/user-482195982/interview-with-jon-lomberg?

b) It’s been weeks since we’ve seen a tribute to David Bowie’s impact on the entertainment world, but after reading this recent posting by Jacob Brookman for the British Journal of Photography’s site titled “Deconstructing The Iconography Of David Bowie”, one built around his research and discussions with people there to document the musician/actor/artist’s various transformations over the years, I thought that it’d be a good way to fire up your end-of-the-week brain cells before your weekend activities thoroughly left you in mindless states. You’ll learn more from Bowie insider Mick Rock, whose book The Rise of David Bowie, 1972-1973 serves to give us a unique view of an artist just starting up the ultimately huge curve of his influence on music, fashion, sexual identity and Pop Culture in general. They were young, influential and, quite evidently, taking large quantities of banned substances but, oh the artwork they produced…

http://www.bjp-online.com/2016/09/deconstructing-the-iconography-of-david-bowie/

c) As a lead in to a promo for the newly-released edition of one of the more-comprehensive album art books available to fans of the category (i.e., The Greatest Album Covers Of All Time, produced by music writers Barry Miles and Johnny Morgan and art director Grant Scott and discussed in detail in the previous section), The Telegraph (U.K.)’s music critic, Neil McCormick, asks and attempts to answer the question “Did Digital Kill The Album Sleeve” – reminisces about stand out work over the past 60+ years in various categories, citing examples of works he liked in each (Sgt. Peppers, The Basement Tapes by Dylan & The Band, London Calling by The Clash, etc.) but then, without providing us with a “why”, he goes on to lament that ” the golden era of album art is long gone and, despite the many benefits of digital music, something important has been lost”, completing his thought by stating that “… the finest (musicians and album art producers) feed off each other to create something that could belong in a museum as much as on a turntable. And a museum, sadly, is where album cover art is heading…”

http://www.telegraph.co.uk/music/what-to-listen-to/from-david-bowie-to-pink-floyd-the-lost-art-of-the-album-cover/

d) During the recent New York Art Book Fair in NYC, the famed Gagosian Gallery hosted a rather unique activity (for a book fair, that is) in their display space at the Museum of Modern Art’s PS1 space – a completely-operational tattoo parlor, offering specially-commissioned designs from a slate of established artists, including one each from two figures well-known in the music world – Genesis Bayer P-Orridge, whose album cover credits include Psychic TV’s Tekno Acid Beat; City Ov Paris and Cold Blue Torch for The Origin Of The Species; Prurient’s Wrapped In The Flame Of Illusion, Masked In The Clay Of Behavior and the artist’s own recording (Spatial Memory); and Sonic Youth’s Kim Gordon. Music fans may not be aware of Gordon’s background in the visual arts – a graduate of LA’s Otis College of Art & Design, Gordon worked as a art writer, gallery curator and a popular fine artist, creating multi-media works that often combined visuals and live music. Books built around her work as an artist include 2005’s a personal photo collection titled Kim Gordon Chronicles Vol. 1 and 2006’s Kim Gordon Chronicles Vol. 2which featured her drawings, collages, and paintings. Gagosian hosted a show at their gallery in London of her work in 2013 called “The Show Is Over” – a fitting title considering that her band broke up in 2011 after 30 years together… Artsy’s Casey Lesser shares the details around the tattoo event in her recent article – https://www.artsy.net/article/artsy-editorial-limited-edition-art-meets-skin-at-gagosian-s-tattoo-parlor

e) Previously posted as a “quickie” news update on 9/22/16 – The designer for the record packaging for one of the recent past’s most-memorably-titled albums – Evan Christ’s 2011 release Everything Is Boring & Everyone Is A F__king Liar – spoke to attendees at the Cover Club’s September 23rd get-together at the Ace Hotel in London. Graphic artist David Rudnick (not to be confused with hardcore American punk rocker David Rudnik of Kungfu Rick and Get Rad fame) lead a discussion during which, according to the event’s promo, he discussed “his experiences creating covers for labels such as Man Make Music Phantasy and Boysnoize Records, his creative process and approach to working in the industry.”

https://www.acehotel.com/calendar/london/cover-club-presents-conversation-david-rudnick?ct=t(dr_cover_club9_5_2016)

Facebook page – https://www.facebook.com/events/317714025230817/?active_tab=highlights

You can learn more about Mr. Rudnick and his work on his web site at http://davidrudnick.org/

f) When the brand name for an item (e.g., Xerox or Kleenex) or activity (Googling) becomes mainstream, marketers can pat themselves on the back for having reached the pinnacle of their professions. Such is also the case with “Sleeveface”, an activity formally introduced back in 2007 by John Rostron and Carl Morris in the U.K. where participants submit photos where one key element within the shot is built around an LP cover image. The duo went on to host a popular site and publish a book of their favorite examples of creative “sleevefacing” and, nearly 10 years later, the activity continues to attract more creative types to show us their most-imaginative work.

In a recent article by Daniel Peters for the Bandwagon site, you’ll meet a DJ from Singapore named Robin Chua (AKA “KiDG”) who has created a nice portfolio of these images and, in order to inspire others to join in, released a video guide showing how you can create your own masterpieces. Unfortunately, rights restrictions make it hard/impossible for those of us in the U.S. to see the video, but the article includes a number of photos of KiDG’s work and, of course, if my readers outside the U.S. would care to share what they see in the video with us, we can all be better-informed – https://www.bandwagon.asia/articles/sleeveface-or-bringing-your-vinyl-record-sleeves-to-life

g) After attending both the prestigious Rhode Island School of Design and the Maryland Institute College of Art in the early 1970s before dropping out to pursue his musical ambitions, David Byrne’s love of art and music remained strong (after all, he teamed up with fellow RISD student Chris Frantz and others to form the Talking Heads soon after) and he played a very hands-on role in the band’s album packaging/imagery going forward, with the band winning two Grammy Awards for “Best Album Art” (although they never won a Grammy for their music!) and collections of his own artwork later being featured in books and museum/gallery exhibitions.

Byrne has also forged relationships with other notables in the art world throughout his career, so it was with great interest that I read this recent posting by editor Abigail Cain on the Artsy.com site about Byrne’s discovery of the trend-setting works by Robert Rauschenberg and then collaborating with the artist on a very special, limited-edition pressing of the band’s 1983 record Speaking In Tongues. While the retail version of the record featured a simple-yet-pleasing design by Bryne himself, one of the limited-edition (1000 copies) versions – hand-signed by both Byrne and Rauschenberg and which sold for $100 – quickly became a must-have collectible. You can read all of the details via the link –https://www.artsy.net/article/artsy-editorial-the-story-behind-robert-rauschenberg-s-iconic-talking-heads-album-cover?

A recent check on Ebay finds one of these available for only $4999.00…

h) My old friend and hip-hop founding father Rocky Bucano sent out an email on September 8th that I wanted to share with you all as I am a believer in his cause (setting up an institution – the Universal Hip Hop Museum – that will provide a proper home/platform for the preservation and sharing of the history, including an impressive and impactful one in graphic design and photography, of this truly American music genre. As Rocky puts it, “this has been an amazing year for development of the Universal Hip Hop Museum because of the support of our partners, advisors, board members, staff and supporters around the world. The Universal Hip Hop Museum has moved from a grand idea, to a viable concept, and now to a real business with an important mission that has been embraced by Hip Hop pioneers, collectors, business leaders, politicians, developers etc. ”

Rocky continues – “Yesterday, Forbes Magazine published the annual “Cash Kings” list of Hip Hop’s richest artists. A special documentary Bronx To Billions – Forbes Guide To Hip Hop History was produced by Zack Greenburg and Timothy Pierson to spotlight the role of the Bronx and its Hip Hop pioneers who were instrumental in giving birth to the world’s most popular music and culture.  The documentary emphasizes the importance and reasons for the establishment of a cultural institution and repository that is dedicated to documenting, preserving and celebrating the history of Hip Hop…  I invite you to watch the Forbes documentary Bronx to Billions and offer your support of the Universal Hip Hop Museum with a monetary contribution and by sharing this film with other people to make them aware of the UHHM mission.”

You can watch the film online via the link – http://youtu.be/sTzy3cjj0l4 – and be sure to subscribe to the UHHM video channel.  As I’ve shared with you in previous coverage of Rocky’s efforts to establish a Hip Hop museum in the Bronx, NY within the next few years (and, in the effort, help transform the area’s economy)  Also according to Rocky, “several major announcements will be made next month about new partnerships and exciting development plans for the museum,” so I’ll be sure to share them as they become available. In the meantime, you can visit his site at www.uhhm.org or follow them in the Twitterverse at  @uhhmuseum

i) It’s just smart marketing, if you ask me…Home lifestyle/furnishings retailer Crate & Barrel has just announced a new collection – furniture, shelving and related items – that seem perfectly-targeted a we old-timers who once had a special “listening room” where we’d shelve, protect and enjoy our vinyl LP collections. While video-focused “home theaters” have replaced the music rooms of the past, the resurgence of the popularity among some of a more-passive listening/enjoying experience can now be accommodated via this offering called, appropriately, “The Listening Room”. Not only can you buy some comfy chairs and sturdy shelving, but you can also add to your collections by selecting one of the 75 remastered vinyl records from Capital Records (from Sinatra and Garland to Sam Smith and Katy Perry) priced from $19.95 to $24.95 and play them on/through the $379.00 Orbit Turntable/pre-amp coupled to your choice of a $249.00 pair of Audioengine speakers or a $299.00 set of Bowers & Wilkins (B&W) wireless headphones. Of course, no setting would be complete without a small grouping of nicely-framed album covers and, as you might figure, C&B offers two nice frames for your 12 x 12 works of art.

I particularly like the grouping shown on http://www.crateandbarrel.com/decorating-and-accessories/turntable-accessories/1 (Beatles, Beach Boys, Nora Jones, etc.) and the nice-looking cordial set nearby (a requirement for serious listening). See more of the collection at http://www.crateandbarrel.com/special-features/music-listening-room/1

j) Nominees were just announced for the talent to be considered in one of the six categories (architecture, digital, fashion, graphics, product and transport) featured in the 9th annual Beazley Designs of the Year awards sponsored by The Design Museum in London, UK, with one of the nominees in the graphics category being designer Jonathan Barnbrook’s iridescent cover for what turned out to be the final album released by the late David Bowie, titled Blackstar.

According to the museum’s press on the nominations, the “Beazley Designs of the Year celebrates design that promotes or delivers change, enables access, extends design practice or captures the spirit of the year.”

In a year where we’re seeing corporate sponsorship re-labeling stadiums/events in ways that some would consider  “not quite right” (e.g., the new name for Sox Park in Chicago becoming “Guaranteed Rate Field”, just one degree less silly than Save-On Foods Stadium in Vancouver or KFC Yum! Center in Kentucky), of course I was curious as to who “Beazley” was. It turns out to be a large, multi-faceted insurance company who, according to their CEO Andrew Horton, chose to claim naming rights to this competition “to celebrate the role that great design plays in all our lives. At Beazley, we are committed to offering beautifully designed insurance to our clients around the world.” Whoo boy.

Read more about this year’s awards in Elizabeth Roberts’ recent posting on the MailOnline.com site – http://www.dailymail.co.uk/news/article-3767120/David-Bowie-s-final-album-cover-joins-flat-pack-refugee-shelters-drinkable-book-shortlist-year-s-Design-Awards.html   and, to see and learn more about all of the nominees, click on over to the museum’s site at https://designmuseum.org/exhibitions/future-exhibitions/beazley-designs-of-the-year

That’s all for now – look for updates every week (typically, on a Friday) on our news feed –https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back early next month with another summary for you.

All text Copyright 2016 Mike Goldstein and AlbumCoverHallofFame.com – All Rights Reserved. All of trade names mentioned in these summaries are the properties of their respective owners and are used for reference only.

Album Cover News Recap for March, 2016

Album Cover Hall of Fame’s Album Cover News Recap for the month of March, 2016

It’s April Fool’s Day 2016 and, while you’d think that this day would be celebrated as a national holiday, what with most of us here in the U.S. being bombarded with news of the mystery theater performances being given by those actors in our electoral process. However, back in the music/art world (the real world?), news about the people that produce the art and product packaging for our favorite musical acts continues to be published on a regular basis,  with the ACHOF news feed showcasing the many exhibitions, lectures, book/art releases and other such activities we reported on during the past month. Regular readers of our news feed have enjoyed stories on the many interviews, features, artist profiles, new gallery/museum shows and other similar items that took place in March, but for those who weren’t able to check in every day, I’ll spend a few moments now to give you a summary of these highlights and updates. After that,  it’ll be your responsibility to visit our site to complete your viewing   of these items of interest by reading and (re)viewing these items at your leisure…

Lots of interesting interview articles this past month – both in print and on video – with album artists, rock photographers and others involved in the record packaging world, including designers Cedric Hervet (Daft Punk), and Stefan Sagmeister, who maintains an ever-expanding Instagram account featuring examples of fine album design; sculptor David Altmejd, photographers Dennis Morris, Gered Mankowitz, Phil Nicholls and a group who attempt to explain how best to hire a rock photographer; collage creator Clay Rossner and music producer Ben Vaughan, who custom-crafted a Spotify playlist to accompany a museum show on Pop Art.

Continue reading

Album Cover News Recap For February, 2016

Album Cover Hall of Fame’s Album Cover News Recap for the month of February, 2016

It’s early March 2016, and what a month we’ve just had, what with the Superbowl, the Grammy Awards, the Academy Awards, the Portland International Film Festival (gotta plug the local events, right?) and the ongoing media circus surrounding (and feeding) the upcoming  2016 election season. While there has been plenty to distract us from fully-engaging in the things we’re most passionate about, the album art world has continued to deliver a lot for us to see and learn about, with the ACHOF news feed showcasing the many exhibitions, lectures, award shows and other such activities we reported on during the last 29 days. Even with a short month, our news feed has been chock-full of stories on the many interviews, features, artist profiles, new gallery/museum shows and other similar items of interest, I’ll now spend just a few paragraphs giving you a summary of these highlights and updates. After that,  it’ll be your responsibility to visit our site to complete your ingestion of these items of interest by reading and (re)viewing these items at your leisure… Continue reading

Album Cover News Recap for December, 2015

Album Cover Hall of Fame’S Album Cover News Recap for December, 2015

It’s early January 2016 here in the Pacific NW and, I don’t know about you all, but I could surely use some sunshine, having been treated to the first extended stretches of Winter weather, making for great skiing in the nearby mountains while creating a ghost-like pallor on our skin. On the plus side, we (i.e., the city of Portland, OR) were recently rated #1 best food city in a major East Coast publication, so life here’s not all that bad.

Our collective recuperations from the past Holiday season and the Winter blahs have done little to stem the tide of album art-related news, though, with the ACHOF news feed showcasing the many exhibitions, books and other such activities we reported on during the last 30 days. With stories on the interviews, features, book releases, gallery/museum shows and annual  “best and worst” lists adding to the endless sources of excitement and inspiration found in our news feed, I’ll spend a few paragraphs giving you a summary of these highlights and updates but, after that,  it’ll be up to you  to visit our site to complete your re-reading of these items of interest on this list by reading/viewing these items at your leisure…

Lots of interesting interviews this past month – both in print and on video – with album artists, rock photographers and others involved in the record packaging world, including designers Vaughan Oliver, Sir Peter Blake, Brian Cannon and others and photographers Gary Heery and Anton Corbijn who, most interestingly, is taking a leave from the music industry to focus on topics of his own interest. Continue reading

Album Cover News Recap for November, 2015

Album Cover News Recap for November, 2015

It’s early December 2015 and, here in the Pacific NW, we’ve already been treated to the first blasts of Winter air – great skiing on Mt. Hood and sleeping-with-the-windows-open weather – with the last bits of Fall’s colors reminding us why we moved here. The craziness we all seem to suffer from at the end of the year has done nothing to stunt the flow of album art-related news, though, with the ACHOF news feed including many exhibitions, books and the like we reported on during the last 30 days. With stories featuring new interviews, features, book releases, gallery/museum shows and the first “best and worst” lists adding to the endless source of joy and inspiration found in our news feeds, I’ll spend a few paragraphs giving you a summary of these highlights and updates but, after that,  it’ll be up to you  to visit our site to complete your re-reading of these items of interest on this list by reading/viewing these items at your leisure…

Lots of interesting interviews this past month – both in print and on video – with album artists, rock photographers and others involved in the record packaging world, including art directors Gary Burden, John Van Hamersveld, Kosh, Dean Torrence (of Jan & Dean fame) and Tupac’s designer Riskie; photographers Dan Corrigan, Dave Drebin and Brian Cooke, as well as artist/illustrator Tommie Phillips (AKA “Tommie Molecule”).

In the fine art book category, there was news of new and upcoming book releases from photographer Jay Blakesberg (about the Grateful Dead’s farewell shows), designer/illustrator James Marsh (on his work for Talk Talk), author David Hamsley (with a comprehensive book on Disco-era covers), a GWAR photo retrospective and Taschen’s extensive homage to “the father of album covers”, Alex Steinweiss.

World-wide, there were a large number of exhibitions and shows in museums and galleries built around rock-related imagery that premiered during November, with collections on display that show a broad range of album art and related imagery. You’ll read more about current and just-completed exhibits such as Beatle-daughter Mary McCartney’s show of both her/her mother’s family portraits, painter/professor Don Munson’s latest works, a show centered on the art made during So. California’s punk era, cartoonist Jamie Hewlett’s (of Gorillaz fame) latest works, musician/artist Andy Votel’s cassette mix-tape cover designs, White Zombie’s Sean Yseult’s highly-personal artwork and photo shows featuring the works of Dan Fong, Tony Mott, Ken Davidoff and Masayoshi Sukita.

Other interesting articles appeared on subjects including the many new examples of album art-inspired merchandise (something to keep in mind at Holiday time!), a profile of rock star clothier Manuel Cuevas, new record packages where music is delivered via chip-embedded picture cards, a look at the art of design house/record label Mondo, several items listing the “best” and “worst” covers in genres including heavy metal and hip-hop and a look at how photographer Jon Smith creates cover images based on high-speed shots of bullets penetrating various solid objects.

As it typically the case, I don’t have the time/space to include everything in this summary, so please take a moment to dig through the rest of what’s below – I’m sure you’ll find something that stimulates your interest!

One final noteWe’ve just completed this year’s annual nominating/final voting polls for the ACHOF and, as part of that effort, I’ve added  several new biographies to the Artist Bios section on the ACHOF site during the month. You’ll now find the list of this year’s inductees on the ACHOF via this link – https://albumcoverhalloffame.wordpress.com/achof-class-of-2015-inductee-intro-page/ – where I’m sure you’ll find some of your favorite album art producers added to our growing list of honorees.

With all of the year-end distractions now upon us , I’m doing my part to help you in your efforts to catch up on recent news you may have missed but,  as I repeat (incessantly, I know) every month, regardless of how hectic your lives may be, there’s no reason that you should go without getting yourselves up-to-date info on one of your favorite topics – it’s my Holiday gift to you!  You can be sure that I’ll continue to work every day (except weekends) to prove to you that there’s always something new to see and learn in the world of album cover art, and you know that you’ll find it all here on the ACHOF site (keep your eye on our News Feed for the latest updates). Enjoy your Holidays!

November 30th –  1) So, you’ve collected years of rock and roll memorabilia, photos and memories of rock music events and are looking for a way to share it all with the world at large? Of course, you could always do something silly – like launch a blog or web site – but, beginning on December 1st, the curators at The Smithsonian want you to share with other fans via a new site they’ve launched because, according to their press release, “we want rock’n’roll as seen through your eyes: at clubs, concerts, festivals, and beyond.” With one of the ultimate goals of this project being the publication of a book of crowd-sourced images (in the Fall of 2017), the new site (rockandroll.si.edu) will work to be ground central for amateur archivists from around the world. I hope to find out more about the details of this project and will share them with you soon but, in the meantime, you can learn more about how you can help our National Museum become one of the world’s most-complete storehouses of rock music imagery via the link – http://www.prnewswire.com/news-releases/the-smithsonian-wants-you-to-hit-them-with-your-best-shot-300182334.html

2) Holiday time is the time where rock imagery fans scour the world trying to find never-before-sent gifts to their fellow collectors and, each year, I’m always impressed with some of the unique items I find and am able to share with you. While I’m working on a more-comprehensive article for later in the month, I did want to show you one example I found recently – a collection of cozy blankets and tapestries adorned with well-know album cover and rock portrait designs. Writing for Fast Company‘s design site, Joe Berkowitz introduces us to products sold by a company called society6 that include several well-known album covers nicely-rendered in fabric – you’ll find art for musical acts including Talking Heads, Frank Zappa, Primal Scream, Seal and many others. Lots to choose from, so if you’re stymied for an idea for something new and exciting, take a look – http://www.fastcocreate.com/3053856/wrap-yourself-up-in-music-with-blankets-patterned-after-your-favorite-album-covers#2

November 27th –  1) The talents of the accomplished graphic artist/album cover designer James Marsh are now available in gift-giving form via the new, just-released paperback version of the sold-out 2012 book called “The Spirit of Talk Talk. He kicked the book’s promo off a couple of days ago at a star-studded, musically-intriguing party (featuring The Spirit of Talk Talk Band) at the Clapham Grand in London and, based on the coverage of the event, a great time was had by all who attended. James’ newly-revised book adds pages of new content (artwork, interviews and more) and is a must-have for fans of the artist’s amazingly life-like (and yet surrealistic) illustrations. You can find out more about the book via the Spirit of Talk Talk site – http://spiritoftalktalk.com/ and see pics and video of the recent promo party at https://www.facebook.com/SpiritOfTalkTalk/?fref=photo

Congratulations, James – nice work!

2) In a newly-launched exhibition at NYC’s Gagosian Gallery (available for viewing from now until December 19th), you’ll find an impressive display of photographs that highlight the fact that talent can certainly be inherited. Viewers of “Linda McCartney|Mary McCartney – Mother Daughter” will find a selection of intimate family portraits – some never shown in public – as well as photos well-known to fans of Sir Paul and his family, such as Linda’s shot of her husband and then-baby Mary featured on the cover of the 1970 solo record McCartney. In Sue Williamson‘s interview article on the W Magazine website, you’ll learn more about how this exhibition came together and a bit about how young Ms. McCartney thought it would show how influential her mother’s talents as a photographer turned out to be – http://www.wmagazine.com/culture/art-and-design/2015/11/mary-mccartney-gagosian/photos/

3) While some music fans might be intimidated by the prospect of exploring the cultural themes of rap and hip-hop music, album art fans will be greatly-rewarded by a thorough exploration of the development of the genre’s visuals over the years, with many records serving as stunning examples of both visual artistry and social commentary. In an article written and compiled by Dominique Zonyee for The Boombox site titled “25 Striking Hip-Hop Album Covers That Will Make You Appreciate a Rapper’s Creative Side“, you’ll find a photo gallery showing off examples of memorable cover art for 20+ years of musical acts including Wu-Tang Clan, Geto Boys, Tupac, Kendrick Lamar, DMX, Kanye West, Jay-Z, Drake and many others. Some are cliche’, some are disturbing and some show an impressive degree of knowledge of the technical and historical influences that simply make for great art – enjoy – http://theboombox.com/25-hip-hop-album-covers-rappers-creative-side/

November 26th –  1) As I’m a fan of artists who’ve excelled in the two disciplines of cartoon animation and album cover art, on the rare occasion that one person achieves fame in BOTH arenas, I’m even more impressed. Such is the case with Jamie Hewlett, the guy responsible for Gorillaz – the “make believe” band that featured music videos (and album covers) built around band members that sprung from the crafty fingers of Mr. Hewlett and who achieved a great deal of success several years ago and whose last record (2010’s Plastic Beach) included the talents of Lou Reed, Snoop Dogg and singer Bobby Womack. While Gorillaz will be staging a comeback soon, Hewlett’s talent as a fine artist was the subject of an exhibition (titled “The Suggestionists”) that was on display through December 2nd at the Saatchi Gallery in London. Read more about the artist’s latest efforts in Holly Williams‘ recent interview article on The Independent (UK) site – http://www.independent.co.uk/arts-entertainment/music/jamie-hewlett-on-the-return-of-the-gorillaz-and-fine-art-saatchi-gallery-exhibition-a6733491.html

2) Fans of famed photographer Masayoshi Sukita – perhaps best-known for the photo he snapped of glam-rocker David Bowie in 1977 that was used on the cover of his Heroes LP (and re-purposed in 2013 on the cover of the singer’s popular record titled The Next Day) – can hoof it on over to the Morrison Hotel Gallery in NYC (until Nov. 30th, moving to the gallery’s booth at Art Basel in Miami the following week) to view a retrospective they’ve assembled titled “Sukita: David Bowie”. In this article on Time Magazine‘s site by Kenneth Bachor, you’ll read more about the artist and his 40+year relationship with the rocker who’s called Sukita “a brilliant artist” – see if you don’t agree… http://time.com/4117090/sukita-david-bowie-photos/

3) Colorado Public Radio’s reporting team of Michael D. Yoanna and Nathan Heffel has posted an audio interview with photographer Dan Fong, a shooter with a resume and portfolio that includes portraits of nearly every major musical act that toured through the Denver area in the 1960s-70s (The Who, Van Morrison, Tommy Bolin and others), a series of album cover images for The Doobie Brothers and, based on his further talents as a chef, cooking for a dinner party for The Rolling Stones. A new exhibition of Fong’s photos from the era are also now on display (titled Legends of Rock) from now through January 2nd at the Robert Anderson Gallery in Denver. Sharing the interview with Fong is security guru to the stars, Jerry McKim, who shares tales of his duty keeping fans from killing themselves and the bands that played the local venues – good times, for sure.

https://www.cpr.org/news/story/denvers-rock-heyday-through-eyes-photographer-and-security-man

November 24th –  1) One of the most-creative labels behind the resurgence in the sales of vinyl records is Austin, TX-based Mondo, founded by a saloon owner named Tim League who grew his business to include concerts, merchandise (both their own and from major licensors) and, ultimately, a record label that produces and distributes smartly-packaged music. Their specialty is custom-produced movie soundtrack albums, and the 50+ records they’ve released includes compilations from films such as Star Wars, Shaun of the Dead, Guardians of the Galaxy and many others. Their products have featured art work done by several highly-collected fine artists (including Olly Moss and Tyler Stout, among othes) and, in this recent article by Zack Ruskin on the Consequence of Sound site, you’ll learn more about the company’s past and plans for the future, straight from the principals – http://consequenceofsound.net/2015/11/merch-madness-inside-the-world-of-mondo/

2) While 1969’s International Palm Beach Music & Arts Festival held at the area Speedway didn’t move the Pop Culture needle the same way that Woodstock did that year, the fact that key period bands such as The Byrds, Grand Funk Railroad, Janis Joplin and the Rolling Stones (as well as many others) played before the 50,000 or so ticket-holders over the three days of the festival gave local photographers such as Ken Davidoff a chance to capture memorable images of these bands for posterity. All these years later, Davidoff is now earning a living licensing shots from his portfolio – including images from the previously-mentioned shows – via his OldRockPhoto.com site and displayed a selection of them in a show that ran thru Nov. 30th at the Palm Beach County History Museum, 300 N. Dixie Highway, West Palm Beach, FL. You can learn more about the photographer and his career (including time spent with John Lennon) in Leslie Gray Streeter‘s recent article for the Palm Beach Post – http://www.mypalmbeachpost.com/news/entertainment/arock-n-roll-backstage-pass-classic-rock-photos-by/npN3B/

3) One of the best-known Elvis records – titled 50,000,000 Elvis Fans Can’t Be Wrong – featured Elvis in a custom-designed gold lame suit created by famed clothing designer Manuel Cuevas, who also supplied iconic clothing for Johnny Cash, The Rolling Stones, Bob Dylan and the stars featured in over 100 films and TV shows. Still tailoring-away in his eighties, in this interview article by Freunde von Freunden for The Creators Project, you’ll learn all about the designer’s time spent as a youngster studying from the great Nudie and then stepping out on his own to help design important aspects of many a star’s public and on-screen personnas – http://thecreatorsproject.vice.com/blog/meet-the-man-who-made-elvis-signature-gold-suit

Any guy who has helped cement our fondest remembrances of Raquel Welch and Marilyn Monroe is a friend of mine…

November 23rd –  1) Very nice article on one of the world’s best-known and prolific album cover artists – Kosh, the man responsible for cover images you love including Hotel California for the Eagles, Abbey Road for The Beatles, Who’s Next for The Who and many, many others. I wrote a while back about the fact that Kosh is now selling a line of prints that include some very well-done “mash-ups” of some of his famous works – how about “Abbey Hotel”, where the Fab Four are now crossing the street in front of the iconic So. CA. hotel (!!). In writer Laura Huntt Foti’s feature on the Best Classic Bands site, the designer gives us some delightful tidbits on the stories behind several of his images, available via the link at http://bestclassicbands.com/kosh-creates-unforgettable-lp-covers-11-17-15/

2) Designer/photographer Brian Cooke has contributed a number of memorable images for fans of rock and roll since starting in the business in the 1960s. Since then, working as both an in-house producer for Island Records and as a freelancer doing work for other labels including Chrysalis and Virgin Records (where he produced over 150 sleeve images), Cooke has worked to introduce us to many now-classic acts in the worlds of rock, punk, New Wave and beyond, including Bryan Ferry/Roxy Music, Steve Winwood/Traffic, Robert Palmer, the Sex Pistols, Mott The Hoople and many more. Writer Sharon Dale, reporting for The Yorkshire Post, talks to Cooke about his career and his two recent efforts – a blog and a retail web store – to share highlights of his experiences (his “adventures”) with fans world-wide – http://www.yorkshirepost.co.uk/yorkshire-living/arts/art/sleeve-notes-my-adventures-in-rock-n-roll-1-7561323

3) The packaging and distribution of retail music products continues to evolve with the times and technology, as you’ll see in this recent article by Brooke Roberts-Islam in the Huffington Post about musician Beatie Wolfe and how she’s chosen to sell her music product to fans – via a specially-produced deck of cards that include NFC technology that allows properly-app’d smart-phones to instantly play her songs, accompanied with lyrics, artwork and other proprietary content. It’s a pretty cool combination of digital and physical, I think you’ll agree – http://www.huffingtonpost.co.uk/brooke-robertsislam/beatie-wolfe_b_8503290.html

Has anyone actually seen or played with anything like this? Please share, if you have…

November 20th –  1) If you find yourself anywhere near Napa, CA, you owe it to yourself to drive on over to the gallery at sparkling wine maker Mumm Napa to see a showing of photos, taken by Jim Marshall and curated by both Carlos Santana and the folks at the San Francisco Art Exchange gallery. According to the press release for “Jim Marshall Seen Through The Eyes Of Carlos Santana”, the show serves to both allow the winery to introduce their new, limited-release sparkler called “Santana Savor” and for the award-winning guitarist “to show Jim Marshall’s genius as a photographer, a chronicler of history and portraitist of no equal.” The two first met in 1965 when a mutual friend of theirs introduced them and asked Jim to shoot some publicity photos of what was then known as the Santana Blues Band, and their friendship endures to this day (even after Jim’s death in 2010). The show runs through May of next year, and details can be found via the link – https://www.mummnapa.com/visitmummnapa/events/jim-marshall-seen-through-the-eyes-of-carlos-santana

2) Designer Gary Burden‘s work in the album art field is legendary, so it’s nice to be able to learn a bit more about “the making of” his “10 Most-Memorable Album Covers” in this recent article/photo gallery put together by Melody Lau on the CBC Music blog – http://music.cbc.ca/#!/blogs/2015/11/From-Neil-Young-to-Joni-Mitchell-artist-Gary-Burden-on-10-of-his-most-famous-album-covers   If you’re in Toronto anytime between now and next February, you can also tour a new gallery show of Burden’s (and his wife, Jenice Heo’s) creative output called The Neil Young Series on display at the STRUCK Contemporary gallery on Adelaide Street East. The display includes a number of new mixed-media works the duo recently produced that attempt to express their feelings about the musician and his music. You’ll recall that Burden created the album cover for Young’s 1970 album titled After The Gold Rush, as well as those for On The Beach and several CSN&Y albums, including Deja Vu and 4-Way Street. 

3) Andy Votel is truly a multi-talented guy – artist, musician, producer, record label owner – and so it seems natural that he’d apply his gifts to music-and-art-related projects for himself and his stablemates. A true indie at heart, he’s also decided to “buck the system” and, rather than create new music/art for more-traditional retail distribution, Andy has decided to offer fans a series of cassette mixtapes that sport the artist’s colorful cover imagery. Working with the Manchester (U.K.)-based gallery Electrik, you’ll be able (through December 3rd) to see an exhibition of his latest works that include “tape covers – ranging from Bollywood horror themes to Tokyo pop via music made entirely on home made instruments.” Writing for TheQuietus site, John Doran has posted an interview with Votel during which he discusses his anti-establishment approach to delivering music and art via a medium most consider being from a bygone era – http://thequietus.com/articles/19215-andy-votel-turn-on-tape-in-tab-out-exhibition-preview

November 19th –  1) Here’s a great interview article with a great interview article subject – graphic artist John Van Hamersveld, a guy that has so many impressive credits that it’s difficult to begin to summarize them. The Endless Summer poster? That’s him. The Fatburger logo? John again. The covers for Magical Mystery Tour, Exile On Main Street and Hotter Than Hell for KISS, along with posters, prints and, most-recently, a huge, classic Japanese art-inspired mural in Hermosa Beach, CA – all show this artist’s impact on Pop Culture over the past 50 years – so it’s with great pleasure that I point you towards writer Thomas Harlander‘s article as it appeared recently on the Los Angeles Magazine site – http://www.lamag.com/citythinkblog/the-artist-behind-the-endless-summer-poster-on-his-work-then-and-now/   Surfers world-wide owe JVH an eternal debt of gratitude!

2) While the cover collage for The Beatles’ Sgt. Pepper’s and the photo of the same band’s members crossing the street featured on the cover of Abbey Road must surely be the most-copied frameworks for spoof covers, the folks behind seminal British rock band Queen – in celebration of the 40th anniversary of the release of Queen II and “Bohemian Rhapsody” – have worked to raise money for the BBC’s “Children In Need” charity by sponsoring a contest where fans were able to stop by a spot in London where a recreation of Wayne’s World‘s 1978 AMC Pacer was set up so that participants could record a re-make of the band’s classic tune. In addition, a number of U.K. rock stars participated in another fund-raiser, posing to re-create Mick Rock’s famous “floating head” photo that ultimately served as both the cover for the record and the basis for the memorable music video for the song. Writer Duncan Lindsay, on the Metro U.K. web site – has just posted a quiz that asks you to identify the substitutes in a series of these photo re-creations – I hope that you did better than I did on this (I really need to bone up on my UK pop stars!) – http://metro.co.uk/2015/11/11/quiz-can-you-name-these-stars-who-have-recreated-the-queen-bohemian-rhapsody-pose-5495218/

3) The Boston Globe‘s Mark Feeney recently posted his review on the newly-launched show at the Wadsworth Atheneum in Hartford (running now through January 24) featuring over 100 works by both Andy Warhol and Robert Mapplethorpe that explore their takes on sexual identity and gender. Titled “Warhol & Mapplethorpe: Guise & Dolls,” the show consists of “mostly photographs, but also silkscreens, books, album covers, and several videos..(that) range in date from 1973 to 1988, a year after Warhol’s death — and a year before Mapplethorpe’s.” You’ll recall one such example in Mapplethorpe’s 1975 photo of Patti Smith, used on the cover of her record titled Horses, showing Ms. Smith posed in a man’s suit, but many other lesser-known but equally-impactful images are on hand to exemplify the many ways these two artists sought to address the topic. More info via the link – https://www.bostonglobe.com/arts/theater-art/2015/11/12/warhol-and-mapplethorpe-hartford/cPeQAHuF65XLucOIv35R6M/story.html

November 18th –  1) Some of you may recall the “Featured Fan Portfolio” feature that I did late last year with photographer/writer David Hamsley regarding gatefold record covers. At the time, David was getting materials together for a book about disco records (with a special focus on the visuals that helped create the era’s unforgettable look and feel), and I’m happy to announce that he’s published his book – titled To Disco, With Love: The Records That Defined An Era (it began shipping on Nov. 24th) – and that it was selected by Amazon.com to be included in their “Editor’s Picks for Unique and Unusual Gift Books” section this Holiday Season. http://www.amazon.com/To-Disco-Love-Records-Defined/dp/1250068452

Congratulations, David! Here’s to a successful, Quiana and thumping bass-filled Holiday sales season! If you’d like to revisit my interview with the author, just follow the link –  https://albumcoverhalloffame.wordpress.com/2014/12/18/featured-fan-portfolio-david-hamsleys-favorite-gatefold-covers/

2) One of the best-known music industry shooters from “Down Under” is Tony Mott who, for over 30 years, has provided us fans with many memorable images of bands for both record packages (Concrete Blonde, Icehouse, Sarah McLachlan and others) and news features in major entertainment pubs. With over 30,000 photos published over the years, I can only imagine the difficulty curators faced when trying to pick just a few to feature in a new exhibition titled What A Life! (running now through next February 6th) in the Mitchell & Dixson Galleries at the State Library/New South Wales in Sydney. Writing for the ABC Arts site, Edwina Storie interviews Mr. Mott, who tracks his career from his first big break (a photo of The Divinyls’ lead singer Chrissy Amphlett) through to sessions with Johnny Rotten, the Rolling Stones and Midnight Oil. Read the interview at http://www.abc.net.au/news/2015-11-11/tony-mott-reflects-on-the-golden-age-of-music-photography/6931716 and learn more about the exhibition at  http://www.sl.nsw.gov.au/events/exhibitions/2015/what_a_life/

3) Album Artist on The Late Show! How cool is that? Shepard Fairey, the graphic artist best-known for his Andre The Giant “OBEY” graffiti and his Obama “HOPE” poster, also sports a long list of album art credits, including covers for Led Zeppelin, Stone Temple Pilots, Bad Brains and many others. Earlier this week, Fairey appeared with host Stephen Colbert to promote his new book and talk about his past and future plans and his willingness to die (or, at least, go to jail) for his art. Here’s a link to the clip of his appearance on the CBS/Late Show web site – http://www.cbs.com/shows/the-late-show-with-stephen-colbert/video/330F4113-B7DD-ADFC-BDAD-13BA13743D68/shepard-fairey-talks-hope-obey-art/

November 17th –  1) After his singing partner Jan Berry was badly injured in a car crash back in 1966, Dean Torrence continued to work on a new record and, at the same time, reached back to his earlier training as a graphic artist to start his own design studio – Kittyhawk Graphics – to make sure that the album art featured on his own records was to his satisfaction. He soon offered his services to other music industry friends and clients (including the Nitty Gritty Dirt Band and Chicago) and, in 1973, he won a Grammy Award for Best Album Cover for his work on Pollution (the record/band, not the environment). While he’s not doing album covers any more, Torrence still performs on occasion and, as you’ll read in this recent interview with Frank Mastropolo on the Rock Cellar Magazine site, you’ll learn more about his career, the trail that lead from do-wop music to “the California Sound” and his relationship with friend/competitor Brian Wilson – http://www.rockcellarmagazine.com/2015/11/06/dean-torrence-interview-jan-and-dean-beach-boys-brian-wilson-jan-berry/

2) Happy to share Bruce Jenkins’ recent article on the Vinyl Connection site about the re-release of one of rock music’s most-intriguing (and perfectly round) album packages – that of the Small Faces’ 1968 release Ogden’s Nut Gone Flake. So much art in a fascinating package, with artwork by keyboardist Ian Mclagan’s art school chums Pete Brown and Nick Tweddell. Now, if they could only figure out how to stop the package from rolling off the shelf.. http://vinylconnection.com.au/2015/11/17/multi-colour-of-the-rainbold/

3) Now on display (thru 12/31) at the Sacred Gallery in New York City is an exhibition by another musician-turned-fine-artist Sean Yseult, best-known for her time spent as the bassist for the popular metal band White Zombie. Trained as a graphic artist at the Parsons School of Design in NYC (where she met and then befriended Rob Zombie), since the band’s first break-up in 1998 Sean has worked hard to develop her career as a fine artist, crafting critically-acclaimed mixed media works which have been on display in galleries in the U.S. and Europe. This new show – titled Sean Yseult: Retrospective – includes a variety of works from various times during her career as an artist, including items from a 2004 show centered on her love of her adopted home of New Orleans and three newer collections – SEX & DEATH & ROCKNROLL (2012), MISSISSIPPI MERMAIDS (2013) and her most-recent show SOIRÉE D’EVOLUTION: TABLEAUX VIVANTS ET NATURE MORTES. You can learn more about the artist and her new show on the gallery’s site, via the link – http://www.sacredgallerynyc.com/now-exhibit-sean-yseult-retrospective

November 16th –  1) While not exactly album cover art-related, I did feel as though I could share this brief intro to the graphic artist who created an image that, like so many great examples of well-considered graphics, will certainly stand the test of time. A 32-year-old French artist living in London named Jean Jullien is responsible for the peace-symbol-turned-Eiffel Tower image that has circulated world-wide since it appeared shortly after Friday’s mind-numbing terror attack in Paris, and you can learn a little more about him and the graphic he created – based on an anti-nuclear war emblem that originated in the 1950s – in this AFP article found on the ArtDaily site – http://artdaily.com/news/82919/-Peace-for-Paris–symbol-by-32-year-old-French-graphic-artist-Jean-Jullien-goes-viral

2) Photographer Dan Corrigan‘s 30+-year portfolio of music clients in the Minneapolis, MN area includes a number of well-known album covers, including the shot featured on the package for The Replacements’ 1984 release Let It Be (along with others for a wide range of acts including The Jayhawks, Uncle Tupelo, The Proclaimers…even comedian Lewis Black!). In the latest installment of the Pitchfork TV series titled Pitchfork Unsung which, as you might figure, focuses on folks working in the music business who don’t receive all of the recognition they might deserve (what a concept!), you’ll meet Dan and watch as he takes you through the highlights of his career, including his efforts to keep alive one venerable local nightclub – First Avenue – so that future generations can enjoy the vibe there as much as he has over the years…http://pitchfork.com/news/61941-photographer-dan-corrigan-the-replacements-let-it-be-featured-in-pitchforktvs-pitchfork-unsung/

3) Part of the team that produced the Grammy-nominated cover for jazz-rock hit-makers Chicago (for Chicago VI), Donald E. Munson was the subject of an exhibit that ran through November 28th at the Storr’s Library in Longmeadow, MA as part of their 2nd annual Local Artist Spotlight. “Evolution: Don Munson – Fifty Years of Painting” is sponsored by the town’s Cultural Council, with the exhibit including 50 examples of Munson’s work from 1965 to the present. Munson has worked in a number of roles in the arts during his illustrious career, including time as an award-winning Art Director at Random House and a professor at Westfield State University and continues to paint while operating his Red Stair Studio from his home in Longmeadow. You can see more of Munson’s colorful work and learn more about him in this illustrated interview by Christine White on the MassLive.com site –  http://www.masslive.com/living/index.ssf/2015/11/longmeadow_artist_donald_munson_marks_five_decades_of_life_on_canvas.html

November 13th – 1) High-speed photography has produced some fascinating images over the years, so it only makes sense that it would find its way into album cover imagery and, in this recent article/interview with former chemist-turned-photographer Jon Smith (written by Mark Ambrogi for the Current In Fishers site), you’ll learn more about his transition from corporate scientist to producer of pictures of frozen destruction for media clients, including popular party band Umphrey’s McGee, who featured one of Jon’s photos on the cover of their recent record titled The London Session: A Day At Abbey Road Studios – http://currentinfishers.com/aiming-for-art-fishers-photographer-jon-smith-turns-exploding-light-bulbs-into-creative-displays/

You can find more examples of Smith’s work – including the UM record cover, on his site – http://wideeyedilluminations.com/portfolio/umphreys-mcgee-album/

2) Early prog rock fans will remember the mid-60s ensemble The Syn, which featured a pre-YES Chris Squire and Peter Banks and drummer-turned-rock-photographer Martyn Adelman (among others). Although the band broke up in the late 60s, some of the key players reunited in 2004 and have continued to record and perform. A fan of their early music – Denver, CO-area graphic artist Tommie Phillips (AKA Tommie Molecule), was looking to interview the band for a fan-zine he produced at the time called The Lost Chord and, during their correspondence, band-members were so impressed with the drawings Tommie shared with them that they asked him to design and illustrate the cover for their upcoming release titled The Syn: Live Rosfest, which he happily and ably did. In this article by writer Oakland L. Childers for Westword magazine, you’ll meet Phillips and learn more about his past (including stints as a photo-retoucher and pre-press artist for a local newspaper), his entry into the album art world and his desire to help keep great album cover imagery alive (here, here!) – http://www.westword.com/music/tommie-phillips-creates-album-art-from-the-heart-for-the-syn-7308758

3) Oh, and it makes me wonder…why do so many musical acts accept less-than-good artwork for the covers of their albums? You wouldn’t think that this would be the case – particularly in the graphics-heavy world of Metal Music – but as you’ll see in Joe DeVita‘s recent article on the Loudwire site titled “50 Awful Metal Album Covers”, it seems to have been a pretty-regular occurrence throughout modern metal music history. It’s a painful-but-fascinating read/viewing (where “the hits keep on coming”). Enjoy (?) – http://loudwire.com/awful-metal-album-covers/Metalucifer’s Heavy Metal Chainsaw and Heavy Metal Drill made me snort my soda through my nose (not a very metal thing to do – I know)…

November 12th – 1) Elliott Landy‘s photos have graced the covers of records by The Band, Bob Dylan, Van Morrison and others, but the scope of his career has also included (among other things) stints as a photo-journalist covering the anti-war movement in the 1960s and an event photographer at the Woodstock Arts & Music Festival. On Wednesday, November 18th at the Martin E. Segal Theatre at the CUNY Graduate Center in mid-town Manhattan (NYC), Mr. Landy was on hand to present a career retrospective titled “An Evening with 60’s Rock Legend Photographer, Elliott Landy” that will include a number of images of some of the era’s top music talent at home and in performance. Although the event time has passed, you can still see and learn more when you click on over to the event’s promo page at https://www.eventbrite.com/e/an-evening-with-60s-rock-legend-photographer-elliott-landy-59-tickets-18937067278

In case you were wondering, Elliott was a 1959 CUNY graduate…

2) Moving from New York in the 60s to New York in the 1970s, fans of the work of photographer Allan Tannenbaum can click on over to the Mr. Musichead site to see a special “artist of the month” feature on his work that includes a nice photo album and an interview (by Ellice Ruiz) with the esteemed shooter himself. With a career as a photographer that began in the 1960s and included subjects such as Jimi Hendrix, John Lennon & Yoko Ono, Debbie Harry & Blondie, jazz great Charles Mingus, the Bee Gees and many others, he’s established himself as one of the top portrait photographers in the city, but it was his post 9-11 photo show (which he took to galleries in France and Italy) that cemented his place in the pantheon of NYC-based photojournalists, IMHO… Portfolio at http://mrmusichead.com/portfolio-items/allan-tannenbaum/, with the interview at http://mrmusichead.com/featured-artist-allan-tannenbaum/

November 11th –  1) Ghostly International began 16 years ago as an indie record label, and while the successful expansion of Sam Valenti IV’s brand into other leading-edge lifestyle products might have caused some companies to lose focus on the ideals that brought them to market, Ghostly continues to put creativity front and center in the packaging of their music products. In Ben Sisario’s recent article for the New York Times, you’ll have a chance to learn more about Valenti and his company and see some of the unique ways that they’re offering customers limited-edition music and related products, including art prints of Michael Cina’s album art paintings and a 60-pound marble record box – “a D.J.’s standard-issue record crate re-imagined as an ancient ruin”. Cool. http://www.nytimes.com/2015/10/30/business/media/ghostly-transcends-its-record-label-roots-to-sell-an-ethos.html

2) It’s “Record Sleeves of the Month” time again – Rachael Steven, writing for the U.K.’s Creative Review, shows us examples of the latest in album cover packaging, with art featured this month for records by Santigold (artist as shrink-wrapped merchandise, with photo by Haruhiku Kawaguchi), Co La (type samples as album art), Joanna Newsom (landscape in a fish tank) and many others. Olga Bell’s latest is particularly-impressive: a limited-run package with a holographic package and marbleized vinyl disc by Alex Trochut – https://www.creativereview.co.uk/cr-blog/2015/november/record-sleeves-of-the-month/

3) There’s a new writer who has just posted an interesting album cover article on The 405 site titled “Album Cover Dissection” (don’t worry – no album covers were harmed in the making of this article). Sam Quinton gives us a summary of recent record cover images that he (she?) has found intriguing, including those for musical acts such as Battles, Adele, Empress Of and others. Of course, the so-spooky-you’ve-gotta-look cover for a new release by FKA twigs – whose 2014 release titled LP1 was last year’s most-talked-about album cover – looks as though it will be a feature on this year’s list as well… http://www.thefourohfive.com/music/article/monthly-column-about-artwork-144

November 10th –  1) Nineteen years ago, artist Ronald “Riskie” Brent was trying to build a reputation in his Compton, CA neighborhood for the artwork he sold on t-shirts at a local flea market/swap meet, while at the same time selling drugs on his block just to get by. Rap record producer Suge Knight (who lived nearby) had brought Tupac Shakur and a crew to the area to make a music video and, waiting patiently, Riskie stepped forward to show his work to his neighbor, who was so impressed that, ultimately, he was offered a job at Death Row Records and ended up creating the album art for Tupac’s The Don Killuminati: The 7 Day Theory, the record that was finished and released 2 months after the rapper was murdered. In this story by Michael Namikas on the HipHopDX siteRiskie shares more of the details of his career as one of rap’s best-known graphic artists –  http://hiphopdx.com/interviews/id.2807/title.makaveli-riskie-a-conversation-with-death-row-graphic-artist-ronald-riskie-brent 

2) I wrote not long ago about a new gallery/photo publisher (House of Roulx) I’d found whose chosen mix of subjects and artists (including images from both photographer George DuBose’s archive and that of the late magician Harry Houdini) certainly qualifies them as an important player in the rock fine art photo-selling world, but in this recent interview with the company’s founders – brothers Trevor and Jared Gendron – done by Shawn Setaro for Forbes Magazine, you’ll learn more about their backgrounds (one is a former record label/distributor art director while the other is a successful memorabilia collector and reseller) and how they came to represent the archive of a late photographer who shot the final live performance of singer Janis Joplin – http://www.forbes.com/sites/shawnsetaro/2015/11/03/house-of-roulx-from-hip-hop-to-houdini/

November 9th –  1) The exploits of – and mythology behind – “the world’s only openly-extraterrestrial” art/thrash-metal music collective known as GWAR – are the subjects of both a new book on the topic and an illustrated feature in the December 2015 issue of Juxtapoz Magazine. The book – titled Let There Be GWAR and put together by the duo of Bob Gorman and Roger Gastman, featuring a forward by Kurt Loder and published by Gingko Press – was reviewed by Pitchfork.com‘s Shawna Kenney in September as “a high-end tribute for a band known for spewing fake bodily fluids from effigies like OJ Simpson, Ronald Reagan, Pope John Paul II, and Justin Bieber, just to name a few. The text mixes oral history and narrative from the band’s early art collective days through Grammy nominations, tabloid TV appearances, an ACLU-backed lawsuit, the deaths of members Cory Smoot and Dave Brockie, the Gwar-B-Ques and beyond…” Juxtapoz’s in-depth feature will focus on the band’s visual history, so if you’re a fan (or an adoring slave) of all things “bloody and grotesque”, click on over to the preview at http://www.juxtapoz.com/current/issue-preview-december-2015-with-gwar

2) Following up on their earlier efforts in which they used Google Maps/Street View to find and display the actual locations of several well-known rap/hip-hop record covers, the team at Mass Appeal (per this recent article by Tasia Princejust released Part 2 of their series, showing fans of acts both “classic” and new – including Grandmaster Flash & The Furious Five, Eminem, Jay-Z, Kool Moe Dee, Fabolous, T.I. and others – exactly where the cover images were taken. You’ll travel to Oakland, Los Angeles, Atlanta, Detroit and several locations in the NYC area (sounds like the basis of a “bucket list” tour for fans of the subject, no?). http://massappeal.com/iconic-hip-hop-albums-in-google-maps-street-view-part-2/?view-all=1

3) As I’ve been doing research for my new book and collecting the comments of a number of creative/production people working in the music business, I have to admit that I have heard a fair amount of exasperation from folks who don’t feel that consumers of media these days can differentiate between the works produced by trained professionals and those done by amateurs with their phone cameras. A recent example of this frustration can be found in this interview with the very talented (and in-demand) photographer David Drebin posted by Shinan Govani on The Toronto Star site where he admits that, these days, he’s embarrassed to let folks know that he’s a photographer because “everybody is a photographer these days”. A graduate of the Parsons/New School in NYC and with his works selling for sizable sums in major gallery shows, I know that there is an appreciation of his work but, in this selfie-driven society, it’s hard not to agree that its harder to get people to stop and appreciate artistry of any type these days – http://www.thestar.com/entertainment/visualarts/2015/11/01/photographer-david-drebin-clicks-dont-like-on-the-selfie-epidemic.html

November 6th –  1) It’s time to let your opinions be known about who’ll be the cream of the latest crop of album covers…Our chums at Art Vinyl have posted the nominees for this year’s “Best Art Vinyl” voting, and in this nice introductory article by Rachael Steven on the Creative Review site, you’ll learn more about a number of the fascinating works that were created for this past year’s hottest music – https://www.creativereview.co.uk/cr-blog/2015/november/art-vinyls-record-sleeves-of-the-year/  Once you’ve had a chance to look through the 50 nominated covers, click on over to the Voting Page on the Art Vinyl site to select the three you’d like to support for the title of “Best Art Vinyl 2015” – http://www.artvinyl.com/vote/  Winners will be announced in early January and will be featured in a multi-city art show. Best of luck to all the nominees – nice work!

2) Over the years, I’ve had the pleasure of meeting/interviewing several album cover artists whose principal clients are bands from “the Dark Side” of the music business – that is, metal music makers in all sub-categories (heavy, Nordic, death, thrash, speed, etc.). As you may know, some of these bands prefer to include cover art that many of you might consider to be anywhere from “gory” to “disgusting” but, as it has been shown throughout the centuries, many “fine artists” have decided to focus on the topics that have resulted in works that are just as disturbing (to illustrate my contention, I invite you to check out some of the works done by masters such as Goya, William Blake, Francis Bacon and, everyone’s favorite, Hieronymus Bosch).Writing for Diffuser.fmJames Stafford has dug deep into the album art archives to share with us his “31 Most Disturbing (Non-Heavy Metal) Album Covers Ever”, opening up the investigation about the reasons why any musical act chooses to catch your eye with imagery that is meant to disturb – http://diffuser.fm/most-disturbing-album-covers/

3) Lastly – it seems that every year we get to see examples of album art that aren’t wholly original. Some are parodies, some homages and, in the case detailed in David Renshaw’s recent article on the NME.com site, some seem to be the results of either laziness or obliviousness…In the article, you’ll read about the upset that Coldplay has caused the members of a band called Bring Me The Horizon simply because the album artwork they’re going to feature on their newest release looks an awful lot like the artwork that BMTH featured on their 2013 release titled Sempiternal. I’m guessing that there will be some modification to Coldplay’s promo materials before the new record (titled A Head Full of Dreams) is released this month – http://www.nme.com/news/bring-me-the-horizon/89392

November 5th –  1) Many of us have fond memories of the simply-but-colorfully-drawn, trippy 2-D original animation featured in the original 1968 Beatles film Yellow Submarine. With today’s often over-the-top, computer-generated 3-D visuals that dominate film screens, you had to think that, at some point, some fan with the talent and the wherewithal ultimately had to show us what the film might have looked like if the today’s advanced animation tools were available back then. Enter famed comic book illustrator Alex Ross, well-known in that arena for his super-realistic renderings of characters including Batman, Superman, The Avengers and many others. Back in July, with the approval of the Beatles’ organization, he released several illustrations featuring re-done scenes from Yellow Submarine and, just recently (as you’ll see in this interview with Robin Burks on the Tech Times site), he’s expanded his Fab Four-related catalog to include some amazingly-realistic, limited-edition portraits of each of the band’s members. http://www.techtimes.com/articles/100645/20151029/interview-artist-alex-ross-discusses-drawing-the-beatles.htm 

WWABHD? (“what would Al Brodax have done”?)

2) Fans in the Huntington Beach, CA area had until the 22nd of November to visit the Rainwater Gallery on Main Street to walk through an exhibit of punk music-inspired artwork from the likes of Winston Smith, John Bilhooley and several others titled “AnARTchy” (“I am an AnARTchist”). The punk scene was very active in So. California, with bands including T.S.O.L., Black Flag and many others inciting intense moshing in clubs all along the coastline, so the hosting of such a display of art, posters, photos and other memorabilia in a Surf City gallery only makes sense. Read more about the show in Brittany Woolsey’s feature on it in the Los Angeles Times – http://www.latimes.com/socal/hb-independent/entertainment/tn-hbi-et-1029-anartchy-20151029-story.html and check out the gallery’s Facebook page – https://www.facebook.com/RainwaterGallery/ for details of the several related events they held during the show’s run.

3) “The Grateful Dead are dead, and they’re grateful” John Belushi once said…but are they REALLY dead? I think not, and even though the title of photographer Jay Blakesberg’s upcoming book on the band’s farewell tour – Fare The Well: Celebrating The 50th Anniversary Of The Grateful Dead (published by Rock Out Books), hitting the bookshelves on December 1st – might indicate the band’s demise, their art and merchandising (and roylaties) will thrive forever or, as Gary Lambert writes in an essay from the book, “… after fifty years, it can’t be denied that the Dead’s art became a tradition unto itself…” Read more about it on the Grateful Web site – http://www.gratefulweb.com/articles/fare-thee-well-celebrating-50th-anniversary-grateful-dead

November 4th –   2X Annie Leibovitz and 1X Alex Steinweiss – not a bad day!

1.1) On November 3rd, the now-being-remodeled San Francisco Museum of Modern Art bestowed its inaugural “Contemporary Vision Award” upon photographer extraordinaire Annie Leibovitz for, as they state, ” the extraordinary achievements of global leaders—creators, innovators and change-makers—whose work foregrounds contemporary art as a vital and meaningful part of public life.” One look at her memorable album cover photos for Bruce Springsteen, Cyndi Lauper, Peter Tosh, Tony Bennett and others brings great truth to that description, no? While originally from Connecticut, Ms. Leibovitz received her schooling at the the San Francisco Art Institute and went to work in 1970 as a photographer for Rolling Stone Magazine. https://www.sfmoma.org/press/release/inaugural-sfmoma-contemporary-vision-award-to-hono/

Here’s a link to a photo from that night’s event, tweeted by a staffer at the Style section of the San Francisco Chronicle –
https://twitter.com/SFC_Style/status/661765970604658688

1.2) Leibovitz also announced that she’ll be bringing a gallery show based on her successful photo project titled Women to 10 countries, beginning in London in January, 2016 and subsequently moving around the world with shows in Tokyo, San Francisco, Hong Kong, Singapore, Mexico City, Istanbul, Frankfurt, New York, and Zurich. This project began years ago with the prompting of her then-partner Susan Sontag, became a popular photo book in 1999 and, since, has expanded to include portraits of many notable women, with recent examples including Amy Schumer, Venus & Serena Williams and Caitlyn Jenner (you’ll recall Annie’s first photos of Ms. Jenner for Vanity Fair magazine earlier this past summer). Writing for the ArtNet Daily site, Amah-Rose Abrams gives us more of the details –
https://news.artnet.com/people/annie-leibovitz-reveals-new-women-subjects-349697

2) Anya Tchoupakov from The Creators Project recently posted an overview of a new book by the Taschen publishing house – collected and edited by art directors Kevin Reagan (formerly with Geffen Records) and Steven Heller (formerly with The New York Times) – that provides album art fans with a comprehensive look at the life and work of the man considered to be “the father of the album cover”, Alex Steinweiss. Appropriately titled Alex Steinweiss: The Inventor of the Modern Album Cover, the 550+ page book includes hundreds of images made by the man that, 75 years ago, convinced a skeptical employer – Columbia Records – to consider the idea that an attractively-packaged record would appeal to consumers and, therefore, increase the likelihood that they’d buy it (what a concept!). Steinweiss would then go on to establish the “standards” regarding imagery, type-styles, etc., that would soon be copied and employed by record labels globally. Anyone interested in the history of this art form should both read this article and then add this book to their collection – http://thecreatorsproject.vice.com/blog/the-father-of-album-covers

That’s all for now – look for updates every week day on our news feed –https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back early next month with another summary for you.

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