Album Cover Hall of Fame News Update and Link Summary for January, 2023

Album Cover Hall of Fame’s News Update and Link Summary for January, 2023

Posted New Year’s Day, January 1, 2023 by Mike Goldstein, AlbumCoverHallofFame.com

Greetings to you all, and a Happy New Year 2023 to you and yours!

Hope that you all enjoyed your Holidays and have much to look forward to this upcoming year. While we were all involved with our celebratory efforts, efforts continued on several fronts to help determine everyone’s favorite album cover/packaging work of the past 12 months, with voting taking place in several name-brand competitions. The results of those contests will be released in ceremonies taking place in January and February and you can be sure that they’ll be highlighted here on the ACHOF site.

2023 will also be one of change here on the ACHOF site. As you know, for the past 10+ years, we’ve involved both our readers and our anonymous panel of experts in our own nominating/voting efforts in order to select people – i.e., the designers, photographers, art directors, etc. working in the music business and creating retail album packaging – for special honors, and while those efforts have produced lists of artists who’ve all built impressive portfolios of work in their respective areas, it has been an effort that – at least to me, this site’s principal – has distracted me from the main focus of the site, that being to give my readers in-depth interviews, information and ongoing coverage of the output of these talented individuals and design teams. With that said, I am announcing that, going forward, I’ll be working on creating a new site where the general, artist-specific info (bios, interviews and news) will go, with the “hall of fame”-related materials remaining on the albumcoverhalloffame.com site. More details on that effort will be announced soon, but I thought it important to share my intentions with you now with the hope that you’ll provide me with some feedback and suggestions as to how best to move forward.

Anyway, this month’s newsletter is a simple summary of the news in all of the main topic areas, with updates and info about several museum/gallery exhibitions, new auctions and sales results from previous ones and a large number of art and artist-related articles, so I’d like to once again say “thanks” for your help, your support and your patience while I work to get this site set on its new track in the long and short-term. Let’s get started with some updates on the award shows currently in progress:

Album Cover Hall of Fame News Update and Summary – Early March, 2020

 

 

 

 

Album Cover Hall of Fame News Update and Summary – March, 2020

By Mike Goldstein, AlbumCoverHallofFame.com

Hello once again from Chicagoland. As we’re working our way towards pushing Winter away and replacing it with the warmer breezes and greener trees of Spring, I’m hoping that you’re all doing well and looking to be inspired by the latest news about your favorite album cover artists (and related stories of their work). I hope that you all have had a chance to read my Featured Artist’s Portfolio/interview article featuring art director/illustrator Larry Vigon (if not, you really should – https://wp.me/p15kTT-IZ    ) and, as I mentioned in last month’s summary, I’m about 75% done with another interview article featuring none other than this year’s Grammy Award winner in the Box Set/Limited Edition category, Masaki Koike that I know you’ll like (he won for his work on the very-impressive Rhino package commemorating the 50^th Anniversary of the Woodstock festival), but now as it is once-again approaching mid-month, I thought it wise to provide you with a bit more to read as there’s been a nice supply of articles and news stories popping up all over the Web. So, check that you have fresh batteries in your mouse, and let’s get going….

Album Cover News Summary For June, 2016

 

 

 

 

 

ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF JuNE, 2016

It’s the day after Independence Day, 2016 and I’m hoping that most of you were out with friends and family picnicking, boating, sitting in your back yards or on your porches and soaking in the sun and fresh air, wherever you might have been. Of course, this is simply my excuse for being a bit late with last month’s album cover news summary but, hey, we all need a break from time to time, staying off of our web sites, phones, tablets and other devices and simply enjoying each other’s company and conversation, don’t you agree?

To celebrate the day, album cover artist-style, I’d like to point you to a new limited-edition poster release from the famed graphic artist John Van Hamersveld that perfectly illustrates the glory of our Statue of Liberty – http://www.post-future.com/store/pgs/aclu.html    Makes you proud to live in a free country, no? Hope we can all work together to keep it that way for everyone…

In this month’s summary – the second following my new “less talk, more info” format (which I hope that you’re enjoying) – the people that make our favorite album imagery continue to impress fans, critics and others in the press, so there continues to be an ongoing stream of articles, interviews, info on museum and gallery shows and the like on a wide range of related topics:

Featured Album Cover Artist Portfolio – Ernie Cefalu and Pacific Eye and Ear

Ernie Cefalu – Notable album cover works include – Aerosmith – Toys in the Attic, Jesus Christ Superstar Original Soundtrack; Alice Cooper – Welcome to My Nightmare;  Captain Beyond – Captain Beyond;  Bee Gees – Main Course

Ernie started his career on Madison Avenue in the late 1960’s. He was hired at Norman Levitt Advertising and his award-winning work for Decca Records (including designs for the Jesus Christ Superstar album) quickly established his creative genius and created demand for his talents. As a young designer in the late 60’s, Ernie had the honor and privilege of working side by side with many great, emerging artists. Ernie’s drive and passion for excellence led him to a new chapter in 1970 when he joined forces with Craig Braun, Inc. in New York. Knowing the importance of first impressions, he wanted to make a mark on his first assignments. The results have become rock icons – the tongue logo for The Rolling Stones and the rule-breaking Sticky Fingers album. Three months later, Ernie opened a satellite office for the agency in California where he would be the head Art Director. The hits kept coming for Ernie.. Alice Cooper’s School’s Out, Cheech & Chong’s Big Bambu, and Captain Beyond, among others..

In 1972, Ernie was at the top of his game and knew it was time to leave and start his own agency. He opened the legendary “Pacific Eye and Ear” agency where, over the next 13 years, he created another 183 album covers for rock legends such as The Doors, Aerosmith, The Bee Gees, The Guess Who, Black Sabbath, Jefferson Airplane, Grand Funk Railroad, and Iron Butterfly. Pacific Eye and Ear was now on the map forever – easily recognized as one of the top three album design companies in the country. As Pacific Eye & Ear’s Owner/Creative Director, Mr. Cefalu was the conceptual link for some of today’s top illustrators, designers, writers and photographers, including Drew Struzan, Ingrid Haenke, Joe Garnett and many others. During his tenure at Pacific Eye & Ear, Ernie earned three Grammy Award nominations, 10 Music Hall Of Fame Awards and four Creative Director Awards of Excellence from The Los Angeles Art Director Club.