Tag Archives: album cover news

Album Cover Hall of Fame Breaking News Update for January 18, 2019

 

 

 

 

 

 

 

Album Cover Hall of Fame’s Breaking News Update for January 18, 2019

Posted on January 18, 2019 by Mike Goldstein, AlbumCoverHallofFame.com

I recently learned about two new album art-centric art programs that have been launched – one, by a large music label with a long history of great and genre-leading design and a second by a large home furnishings retailer whose goal seems to be to include large-scale Beatles-related imagery in any self-respecting music fan’s home, office and/or lobby area…

1) Blue Note Records, founded in 1939 by Alfred Lion, has a well-deserved reputation for trend-setting album cover design (for noted jazz acts including Art Blakely, John Coltrane, Miles Davis, Herbie Hancock, Thelonious Monk and others), with projects lead by designers and artists/photographers including Reid Miles, John Hermansader, Francis Wolff and Andy Warhol, among others. During the 1950s and 60s, Blue Note designs helped set the standard for modern album art, with classic covers such as Dexter Gordon’s GO, Art Blakely’s Free For All, Sonny Clark’s Cool Struttin’ and, one of my personal favorites, trumpeter Freddie Hubbard’s 1962 record Hub Tones (which, I think, had to have influenced designer Raymond Pettibon’s logo for punkers Black Flag), all which demonstrated the prodigious talents of the aforementioned producers via their impressive use of new era photography, typography and overall graphic design. Recently, the Blue Note team selected 12 of their most-stunning cover designs and have released them in a series of large-scale (either 22”, 33” or 44” square) framed art prints on canvas, priced at $295, $399 and $499 respectively – https://shop.udiscovermusic.com/collections/blue-note/products/thelonius-monk-framed-canvas-art?

The new series is covered nicely in a recent article by Estelle Caswell on the Vox web site, which provides a particular focus on the “look” of Blue Note records in the hands of Reid Miles. The article also includes a link to a short film they’ve produced on the subject titled The Greatest Album Covers of Jazzhttps://www.vox.com/videos/2019/1/2/18165211/jazz-album-design-blue-note-records which packs a lot of educational insight into its < seven minutes.

2) With 21 prints on canvas ranging in price from $199 to $650, the Chicago-based home furnishings retailer Crate & Barrel recently launched an impressive addition to their art print collection using licensed imagery – primarily photos and album cover prints – that make it easy to update your décor any time at all. Do you want to know a secret? Well, the prints range in size from 20” square (Yellow Submarine) to 50” square (With The Beatles), with other prints based on photos including shots of the Fab Four in various studio, airport and park-like settings around the world, so whether you’re fixing a hole or just want to see your favorite Beatles images here, there and everywhere, I need you to click on this link – https://www.crateandbarrel.com/decorating-and-accessories/beatles-prints/1 – because I’ve got a feeling that you’ll see that there’s a place in your home for one of these fine examples of rock ‘n’ roll music imagery.

Bonus item – in another example of “time marches on” whether we like it or not, the folks at the U.K.’s Radio X have recently posted an article that brings us some updated stories and pictures of the people that were featured on a number of our favorite album covers. You’ll see what the two little girls we saw on the cover of 1993’s Siamese Dream for Smashing Pumpkins look like now as adults (still playing dress-up); learn and see more of everyone’s favorite nasty nurse character (as seen on Blink 182’s Enema of the State and NOT one to be considered for inclusion in any New Right fundraiser); what U2’s Boy looks like now that he’s a man and many other examples from the Rolling Stones, The Smiths, Pink Floyd, Super Furry Animals and others – https://www.radiox.co.uk/features/what-do-these-famous-cover-stars-look-like-now/  Art is timeless, but it’s subjects get old and wrinkly just like everyone else…

Unless otherwise noted, all text and images included in this article are Copyright 2019 Mike Goldstein and AlbumCoverHallofFame.com – All Rights Reserved. All of trade names mentioned in these summaries are the properties of their respective owners and are used for reference only.

Album Cover Hall of Fame Breaking News Update for January 11, 2019

 

 

 

 

 

 

Album Cover Hall of Fame’s Breaking News Update

posted January 11th, 2019 by Mike Goldstein, AlbumCoverHallofFame.com

For your weekend reading pleasure – here are a few timely links to articles or events I thought you should know about….

– Noted British artist/musician/illustrator Rodney Matthews is kicking off 2019 with a return to his English roots and a two-day-only album cover show in a city – Birmingham – often considered the birthplace of “heavy metal” music. With album cover clients (including Amon Duul, Asia, Hawkwind, Magnum, Nazareth and many others) who’ve relied on Matthews for just the right fantasy imagery to keep their fans happy, it’s no wonder that Rodney has been kept busy (over 140 covers and counting!) for over 50 years.

The show’s titled “Electric Rock” and will be staged the weekend of January 19th and 20th at Highbury Hall in Birmingham (4 Yew Tree Road, B13 8QG) and Matthews’ entire portfolio of album cover art will be on display, including many never-been-shown original artworks and related memorabilia. Fans of the Stormbringer book and the Shadow Master video game, as well as collectors of fantasy artwork and Big O posters will find much to see (and to buy to display proudly at home). More on the show – as well as details of special VIP admission packages – can be found on the artist’s site at – https://www.rodneymatthewsstudios.com/pages/electric-rock

I’ve also been hording links to the many recent “making of” articles that have been published over the past 4-8 weeks, and so without further delay:

Revolver Magazine’s J. Bennet shares the details behind the collaboration of two talented visual artists (designer P.R. Brown and painter/musician Marilyn Manson) that resulted in the the making of the cover for Mr. Manson’s 1996 record (produced by Trent Reznor) Antichrist Superstarhttps://www.revolvermag.com/culture/marilyn-mansons-antichrist-superstar-story-behind-album-cover-art

Juxtapoz Magazine’s “Sound & Vision” series of album cover art-related articles continues in fine form with the following:

– While photographer Karl Ferris and guitar legend Jimi Hendrix shared a mutual admiration for one another’s talents (with Hendrix once telling Karl that “You‘re doing with photography what I’m doing with music – going far out beyond the limits”), there were times when Hendrix and his bandmates were less-than-happy with the covers that the record companies produced for their retail products. Here’s the story behind one of those times – the Hindu-inspired psychedelic cover for the Experience’s Axis: Bold As Love LP – https://www.juxtapoz.com/news/illustration/sound-and-vision-the-jimi-hendrix-experience-vibrant-axis-bold-as-love/

– An existing shot – a stark, red and black photo from designer/photographer Sean McCabe’s portfolio -seems like the perfect image to illustrate the cover of the 2002 debut record – titled Turn On The Bright Lights – from NYC-based rockers Interpol –  https://www.juxtapoz.com/news/design/sound-and-vision-interpol-s-2002-debut-turn-on-the-bright-lights/

– Is it cute, weird or just a little bit dirty…influential designer/artist Mark Kelley was asked by his chum, Sonic Youth’s Kim Gordon, to come up with the cover image for their second major-label release (1992’s Dirty), and whether you get it or not, it certainly became something that stuck in our collective memories – https://www.juxtapoz.com/news/music/sound-and-vision-sonic-youth-dirty-album-cover-art-by-mike-kelley/

That’s all for now – back to you sometime soon with more on our favorite people working on our favorite album packages.

Mike G

Unless otherwise noted, all text and images included in this article are Copyright 2019 Mike Goldstein and AlbumCoverHallofFame.com – All Rights Reserved. All of trade names mentioned in these summaries are the properties of their respective owners and are used for reference only.

Album Cover Hall of Fame Breaking News Update for January 8, 2019

Album Cover Hall of Fame Breaking News Update

January 8, 2019

By Mike Goldstein, AlbumCoverHallofFame.com

Congratulations to the Winners of the 2018 Best Art Vinyl Awards

Winners of the Best Art Vinyl Awards 2018 – Copyright 2019 Art Vinyl

 

 

 

 

 

 

 

 

 

Amsterdam-based designer/artist Rahi Rezvani (http://www.rahirezvani.com/home/), perhaps best-known for his portfolio of designs for the Netherlands Dance Theater and other works with performance artist Marina Abramovic and Dutch singer Alain Clark, earned top honors in this year’s Best Art Vinyl Awards for his cover for British rockers Editors 2018 album Violence.

From the 50 nominees originally posted for voting last year, the 2nd place design award went to Tom Hingston (along with photographer Julia Noni) at the London-based Hingston Studio (http://www.hingston.net/) for their work on the cover of Cocoa Sugar, the third studio album by UK electronic dance band Young Fathers. Third place in this year’s competition went to the team at the Sheffield, UK-based design group The Designers Republic (http://www.thedesignersrepublic.com/) for their design work on Aphex Twin’s Collapse EP.

The awards were presented in ceremonies at the Hari Hotel in London, and you can take a look at all of this year’s nominees (along with the winners) on the Art Vinyl site at https://www.artvinyl.com/award-year/2018/

That’s all for now – back to you sometime soon with more on our favorite people working on our favorite album packages.

Mike G

Unless otherwise noted, all text and images included in this article are Copyright 2019 Mike Goldstein and AlbumCoverHallofFame.com – All Rights Reserved. All of trade names mentioned in these summaries are the properties of their respective owners and are used for reference only.

Album Cover Art & Artist News Update for January 4th, 2019

 

 

 

 

 

 

Album Cover Hall of Fame News Update

posted January 4th, 2019, by Mike Goldstein, AlbumCoverHallofFame.com

Hope that you all had happy new year celebrations (some of you may still be in the midst of one!) and, while I said that I wasn’t going to be posting monthly news summaries for a while (in order to be able to devote more time to organizing the materials for my book and some other projects I’m involved with), I am still going to share a headline or two when I think that there’s something timely you should know about…

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Album Cover Artist And Art News Summary And Preview For October/November, 2018

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ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF OCTOBER, 2018, WITH PREVIEWS FOR NOVEMBER.

BY MIKE GOLDSTEIN, ALBUMCOVERHALLOFFAME.COM

Let me be straight with you – with both the upcoming mid-term election here in the U.S. and this year’s nominating/voting process for the Album Cover Hall of Fame Class of 2018 dominating my time, I really have only had the chance to gather a small selection of album cover artist/art-related news tidbits for you (and I’m even late doing that) so, without any further delay, here are those highlights, for your weekend reading pleasure (as always, I ask that you please share this info with everyone you know who are fans of great album cover-related talent and, of course, your comments and feedback are quite welcome):

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Album Cover Hall of Fame Breaking News Update for October 2, 2018

 

ACHOF Breaking News Update for October 2, 2018

By Mike Goldstein, AlbumCoverHallofFame.com

I’m happy to be able to share the list of winners of last night’s Making Vinyl Packaging Awards, announced at a ceremony held at the Westin Book Cadillac Hotel in Detroit hosted by famed album cover art director Craig Braun. Talent from all over the world was recognized for their excellent work in each of the twelve categories that comprised this year’s award show, with several nominees taking home multiple winning and/or runner-up awards.

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Album Cover Artist And Art News Summary And Preview For September/October, 2018

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ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF SEPTEMBER, 2018, WITH PREVIEWS FOR OCTOBER.

BY MIKE GOLDSTEIN, ALBUMCOVERHALLOFFAME.COM

With the cool breezes of Autumn now upon us, we can all look back at the memories created this past Summer with a combination of happiness for the times spent with friends and family and with sadness for those who experienced the wrath of Mother Nature (you can still donate to provide some relief to those driven from their homes due to floods and fire – the folks at Mercy Corps continue their quest to bring better solutions and immediate assistance to those in need around the world – https://www.mercycorps.org/ ). With the mid-term elections soon upon us here in the U.S. (please do all you can to vote and help others to get registered and vote, too – click on over to Vote Save America https://votesaveamerica.com/ to find out how) and the Holiday season following soon after, it’s also time for the annual Album Cover Hall of Fame nominating and voting process to begin, so rest assured knowing that yours truly and my merry band of album cover gurus will be working hard to deliver a fresh crop of inductees to you by November’s end.

I’m  happy to share the news that, in spite of all of the distractions pitched at us by various media outlets and hyper-active Twitter feeds, there’s been a goodly amount of album art/artist-related news to review – more interviews, profiles, news about new books and prints, etc. – and as you’ve seen in my previous news summaries, all you’ll need to do is just read the summaries I’ve written and then click the links provided in order to be able to find out more about the details from sources from around the world on items featuring many of the world’s most-talented album art creators.

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Album Cover Artist And Art News Summary And Preview For August/September, 2018

ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF AUGUST, 2018, WITH PREVIEWS FOR SEPTEMBER.

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BY MIKE GOLDSTEIN, ALBUMCOVERHALLOFFAME.COM

Greetings once more to you all – hope that you’ve all had a good time this Summer, however you chose to occupy your time. Even though my work on updating the bio section of the ACHOF site continues slowly but surely, I’m still happy to announce that there’s been a fair amount of album art/artist-related news to review – more interviews, profiles, news about new books and prints, etc. – and as you’ve seen in my previous news summaries, if you simply read the summaries I’ve written and click the links provided, you’ll be able to find out more about the details from sources from around the world on items featuring many of the world’s most-talented album art creators.

I am also pleased to announce that the second part of the two-part article I wrote about album cover art, artists and album art production has been added to the Illustration History web site – https://www.illustrationhistory.org/essays/design-and-illustration-in-the-record-business

Titled Design and Illustration by the “Early Influencers” working in the Record Business, this new article was designed to allow you to meet some of the most-notable purveyors of note-worthy and memorable album packaging and read what they have shared about what they do, why they do it, and what the future holds for this unique craft. To remind you, the Illustration History site is a project of the esteemed Norman Rockwell Museum (Stockbridge, MA) and serves as an educational resource for fans, students and teachers of the fine arts of illustration and design. It’s been an honor to be able to share some of my research and writing on a subject – album cover art – that features so many great examples of work by the talented people who’ve contributed to the visual side of the modern music business, so once again I’d like to thank curator Jesse Kowalski for this opportunity and hope that you’ll spend some time reading both articles and then digging through the site’s impressive archives as well..

In addition, I’ll soon be adding another article to the ACHOF site titled “Album Art and Packaging Trends Timeline and Overview” that seeks to answer, decade-by-decade, beginning in the 1940s up to the present, this important question for those of us interested in the history of album cover art “what was it exactly that the products produced during each decade or era have shown us about Pop Culture and the status of record music promotion at that time?” The article will first be posted on the ACHOF site, with announcements made via social media, and I do hope that you’ll take the time to read, absorb and comment.

Several of you may recall from last month’s summary that I was asked (one of a number of music packaging gurus) to serve as a judge for the upcoming (early October) Making Vinyl Packaging Awards extravaganza that will be a keystone event at this year’s Making Vinyl conference in Detroit. The first round of judging has been completed and, from an impressive number (nearly 250!) of entries in all of the categories, the finalists have just been announced, with the list available for your viewing pleasure at – https://makingvinyl.com/making-vinyl-packaging-awards-announces-finalists-in-12-categories/

I gotta tell you, folks…I really had no idea that there was so much creativity and ingenuity (and, by the looks of some of the packages, resources) being put to task to create new retail packaging for recorded music products until I spent some time – nearly 3 full days! – looking at each of the entries before posting my opinions. What was more interesting to me was to learn more about the people working on these projects, with a nice balance seen between entries submitted by major labels working with “household name” designers/art directors/photographers and the impressive output from people/teams I’ve never had the pleasure to meet before. While I can’t release any of the details now, you can rest assured that I will be introducing myself to some of these new (at least to me) names ASAP and will be sharing the fruits of those efforts with you when I can.

The winning entries – that is, those picked from the aforementioned list of finalists – will be selected by a panel of esteemed judges at the NYC offices of the AIGA design organization and awards will be announced and presented at a ceremony that will be held at the Westin Book Cadillac Detroit on the evening of October 1st. You will, of course, find more information on the winners immediately thereafter here on the ACHOF site and, with any luck, will be able to read an interview or two with some of the winners ASAP after.

As always, I ask that you please share this info with everyone you know who are fans of great album cover-related talent and, of course, your comments and feedback are quite welcome.

1) UPCOMING, RECENTLY-LAUNCHED/CURRENTLY RUNNING AND JUST-CLOSED SHOW/EXHIBITIONS –

a) I’m happy to announce that my friends at the U.K.-based art publisher/art gallery Hypergallery are taking a road trip to Berlin, Germany to stage, along with album cover design great Aubrey Powell, a survey exhibition that will “explore and unpack the significant influence of the Hipgnosis design studio through an unprecedented display of images from the Hipgnosis catalogue.” The show – titled Daring To Dream – is scheduled as part of the European Month of Photography (EMOP) 2018 event and is being co-curated by Emily Smeaton and John Colton, under the watchful eye of Mr. Powell.

The show will run from September 30th thru the 28th of October, staged in a courtyard located on the 1st floor of Bergmannstr. 5, 10961 in Berlin, with an opening party scheduled at that location on the evening of September 29th, beginning at 7PM local time. Mr. Powell will be on hand that evening – along with members of a local opera company – and will be signing copies of his own retrospective book of Hipgnosis-generated album art called Vinyl.Album.Cover.Art which was recently published in Germany by Edel Books. More info can be found on the Hypergallery web site at https://www.hypergallery.com/event-hipgnosis-in-berlin/

I’m eagerly awaiting to see photos from the show/opening night event and will point you to those when they’re available.

b) For those of you who weren’t able to attend the Bill Graham-centered art/memorabilia show (BILL GRAHAM AND THE ROCK & ROLL REVOLUTION) that toured last year, you’re being given a reprive of sorts with the staging of the Summer of Love poster show at the Andaz Gallery/Hotel in Hollywood, CA, put on in cooperation with the Grammy Museum and featuring 17 original posters from the 1960s by noted visual psychedelic artists including Wes Wilson, Bonnie MacLean (AKA Mrs. Bill Graham), Jim Blashfield, Greg Irons and Stanley Mouse.

http://westhollywoodmag.net/press-release-andaz-west-hollywood-and-the-grammy-museum-unveil-original-summer-of-love-posters-in-new-salon-art-exhibit/

If you’d like to read my exhibition recap from the Bill Graham show as it was staged here in the Chicago area last year, click on over to https://albumcoverhalloffame.wordpress.com/2017/08/04/achof-exhibition-tour-bill-graham-and-the-rock-roll-revolution/

c) There’s a show taking place in London in mid-September that, if I understand what it is that I’m reading, looks to introduce show-goers to several new formats of visuals that might be accompanying and augmenting recorded (and live) music as time goes on. Based on work done by musician/artist Beatie Wolfe and cohorts at Nokia Bell Labs, you’ll be given the chance to see/listen/experience works including (as they’re described in this article by Oisin Lunny on the Forbes.com site) “the world’s first live 360˚ Augmented Reality (AR) stream combining live, 360˚ stereoscopic video and real-time AR visuals” that will “create a modern ‘Fantasia-like’ live streamed album experience.” A short video documentary is also there to better-explain what it is that Ms. Wolfe and her chums have created.

https://www.forbes.com/sites/oisinlunny/2018/08/26/beatie-wolfe-explores-the-art-of-music-in-the-digital-age-at-the-va/#6d1f677f1217

The show at the Victoria & Albert Museum – titled “The Art of Music in the Digital Age: a series of world-first designs” – runs from September 15th through September 23rd in the Prince Consort Gallery on Level 3 and will, in addition to the Raw Space Chamber described above, put on display such must-be-seen-to-be-understood items as “a theatre in the palm of your hand, an album as a deck of cards and wearable record ‘jacket’” designed by former D. Bowie tailor Mr. Fish, among other equally-innovative items.

The entire effort is delivered as part of the London Design Festival, with more information available at  https://www.londondesignfestival.com/event/beatie-wolfe-art-music-digital-age-series-world-first-designs and additional details on the V&A site at https://www.vam.ac.uk/event/bJR1B3Ng/ldf-2018-the-art-of-music-in-the-digital-age-a-series-of-world-first-designs  If any of you do attend and can share what you’ve seen with the rest of us, it’d be greatly appreciated as we are all curious as to where the future of music-related visuals is headed.

2) Artist interviews/profile articles –

a) NYC Radio show host Zach Martin just posted links to Parts 1 & 2 of his Big Fat American Rock Show! interview with NYC-based album design gurus Spencer Drate and Judith Salavetz, well known to album art fans for their award-winning work for Talking Heads, Lou Reed, Bon Jovi, Ramones and many others. The stories they share in Part 1 of how the two worked both alone and together to produce a huge portfolio of commercial work for their clients in the music business over the past 40+ years will make your head spin, so make yourself a dirty olive martini, place yourself in your favorite comfy chair and enjoy the ride – https://youtu.be/4LAwoiNtjy4

In Part 2, Spencer shares the details of who his favorite band is (and why) and how he and Judith seem to do their best work “when everything flows” – https://youtu.be/g144AXr4S_g

On a related note – for both this article and the one you’ll read on the upcoming Making Vinyl trade show – Mr. Drate and Holly Stephey will be hosting an online interview with Mr. Larry Jaffee, the producer of the event and the Packaging Awards show that will be taking place during that event. The live event takes place Friday, August 31st at 5PM EST and you can catch it online at http://www.blogtalkradio.com/redvelvetmedia/2018/08/31/larry-jaffee-making-vinyl

You won’t meet anyone with more passion about the resurgence of the vinyl record and the importance of album cover art, so I hope you’ll take the time to listen to this interview.

b) While Madonna may have been making headlines recently for both celebrating her 60th birthday and enduring some music industry flack after delivering a not-so-well-received tribute to the recently-departed Queen of Soul Aretha Franklin at the MTV Video Music Award ceremonies, one thorough read of this recent amply-illustrated FOTO Story interview article with photographer Kevin Mazur reminds you of just how much she’s influenced Pop Culture since launching her career as a singer/dancer in the early 1980s in the clubs surrounding New York City. Having met Ms. Ciccone while he was himself a young lad from Long Island (he’s 57 now), Kevin has been on hand to document the Material Girl’s meteoric rise, being on-hand to shoot scores of her concerts (beginning with 1985’s Virgin tour) and producing a huge portfolio of work we’ve all seen in magazines, books and web sites over the years. He’s also produced album cover shots for top musical acts including Bob Dylan, Elton John and U2, but in this article, the focus is on just how much fun he’s had being on hand and moving from gaga-eyed fanboy to long-time friend of someone who has impressed us all with her talent, dedication and fearless approach to success in a really tough business – https://foto.gettyimages.com/celebrity/musicians/madonna-in-motion/

c) NYC-area music art fans might want to quickly click on over to the Eventbrite site (via the link at the end of this notice) to register for what’s sure to be a sold-out event at the Great Hall at Cooper Union (7 East 7th Street, New York, NY 10003) this coming October 19th (from 7-8PM EDT) featuring Metallica’s drummer (and famed fine art collector) Lars Ulrich talking photography with the Brooklyn-based photo duo Herring & Herring (the team behind the album cover imagery for the band’s hit 2016 release Hardwired…To Self Destruct) about how artists like themselves collaborate to create great art.

Herring & Herring consists of Dimitri Scheblanov (who is himself a 2005 graduate of The Cooper Union’s School Of Art) and Jesper Carlsen (who was schooled at the Art Academy on the Danish island of Funen, graduating in 2006) and has worked with Metallica – serving as creative directors, photographers and music video directors – since 2014. In addition to their corporate work – with celebrity clients including musicians Ozzy Osbourne, Beyonce and Questlove, film stars Uma Thurman, Willem Dafoe and Billy Bob Thorton, TV personalities Fred Armisen, Oprah Winfrey and Andy Cohen and sports celebs Derek Jeter and Abby Wambach (among many others) – the partners also produce and publish the highly-praised image-only photo magazine also titled Herring & Herring (available on newsstands everywhere).

Ulrich will be taking a short break from the band’s tour in support of this album, which kicks off September 2nd with a show in Madison, WI.

Event info/registration  at  https://www.eventbrite.com/e/photography-duo-herring-herring-talk-with-metallicas-lars-ulrich-tickets-49040489424?aff=MetallicaFanClub  The event is free and open to the public, although the promoters warn that pre-registration doesn’t guarantee a seat, so get there early!

Article on the Blabbermouth site – http://www.blabbermouth.net/news/metallicas-lars-ulrich-to-talk-with-photography-duo-herring-herring-at-new-york-city-event/

d) We’ve all had to consider, at some point in our lives, just what the proper “work/life balance” would be in order for us to continue to enjoy both aspects of our day-to-day existences. For some of us, the choices were quite simple, being dictated by the status of our health or of our continued relationships with friends and loved ones. For others, it’s when they’ve noticed “something missing” from the enjoyment of their day-to-day activities, whether at work or at home. For Grammy-winning designer Stephan Sagmeister, as you’ll read in this recent article (and audio interview) by Ayse Burcell on the Salon.com web site, he noticed that “once I started to allow for repetition in the work, there was just less excitement.” What did he do to get his life back in balance? Well, he did something we all wish we could do – he took a year-long sabbatical. To do this, he had to overcome fears of “being forgotten” and/or being seen as “unprofessional” but, once he did, you’ll see that it was time well-spent. I’d suggest taking a break from your own hectic schedules to read and listen to this compelling interview via the link at https://www.salon.com/2018/08/27/the-case-for-taking-a-sabbatical-why-grammy-winning-designer-stefan-sagmeister-took-a-break/

3) Sales/Auctions –

a) Being touted as the “most-metal” of all memorabilia auctions, the estate of the late singer Ronnie James Dio is soon to offer a nice selection of Dio-owned property at Julien’s auction house that includes original album cover paintings, artwork, costumes and much more – http://www.juliensauctions.com/auctions/2018/ronnie-dio/index.html

Slated for two days in mid-September at the Hard Rock Cafe in NYC (September 15th and 16th), the event (titled PROPERTY FROM THE ESTATE OF RONNIE JAMES DIO) includes well over 600 items and will showcase both “normal” personal effects (his little league baseball jersey, autographed baseballs and jerseys signed by his favorite pro sports players, etc.) and those things he aggregated during his multi-decade career as the lead singer for Rainbow, Black Sabbath and his own band, Dio. Album art collectors will have the opportunity to bid on:

The Last In Line original cover painting (est $20-30K) opening bid $10K – The original acrylic and collage painting executed by Barry Jackson and used as the cover art for the Dio album The Last in Line (Warner Bros., 1984). Framed, 26 1/2 by 45 1/2 inches; Sight, 18 by 37 inches

Sacred Heart original cover painting (est $20-30K) opening bid $10K – The original acrylic and collage painting executed by artist Robert Florczak and used as the cover art for the Dio’s 1985 Warner Bros. Records album Sacred Heart, signed by Florczak in the lower left. Framed, it’s sized at 25 1/4 by 25 1/4 inches;

Dream Evil original artwork (est $2-4K) opening bid $1K – The original acrylic on canvas board painting done by Steve Huston and used as the cover art for the  1987 Dio album Dream Evil (on Vertigo), signed in pencil in the lower right by Huston. This was the last album to feature “Murray” on the cover. Unframed, it measures 27 by 40 inches;

– A trio of Alan Aldridge items from Dio’s personal collection – opening bid $150 – A signed print of the cover art for The Beatles Illustrated Lyrics, a copy of the book The Butterfly Ball and the Grasshopper’s Feast and an LP copy of the album of the same name. That 1975 album was produced by Roger Glover of the band Deep Purple and featured Dio in the role of “Froggy”. Framed, it measures 24 by 32 1/4 inches

4) New Print/Book/Product RELEASES –

a) Fans of the late Grateful Dead guitarist Jerry Garcia know that he considered himself as (as he’s been quoted) “an artist who played music” and that he expressed himself via a paintbrush with just as much passion as he did via his playing and song-writing. In the early 1980s, he began to study the visual arts much more seriously and, from that point until the end of his life, he dedicated himself to drawing, painting and creating images on his computers.

Recently, Jerry’s ex-wife Manasha Garcia and his daughter Keelin Garcia teamed up to create “a mission-based company inspired by musician and artist, Jerry Garcia” that’s called “Jerry Garcia Music Arts” and, as part of this music/fine art company’s launch – and to honor what would have been Jerry’s 76th birthday in August – they’ve released what they’re calling a “thematic pairing of art and music”, meaning that they’ve created both a new fine art print of a JG watercolor titled “Ripple” and have released a newly-remastered live version of the Garcia/Hunter-penned song of the same name on streaming music services including  iTunes, Spotify, Google Play, Deezer, iHeartRadio, Napster, MediaNet, VerveLife, Tidal, Gracenote, Shazam  and 7Digital..

The print – an unframed, museum-quality giclee piece printed on Hanhnemuhle Bamboo 290 gsm paper and offered in an unsigned edition of 500 – is sized 11”w x 15”h, priced at a very-affordable $130.00 and comes with a certificate of authenticity and is available from Terrapin Stationers in their Terrapin Gallery

https://www.terrapinstationers.com/collections/terrapin-gallery/products/terrapin-gallery-and-jerry-garcia-music-arts-present-ripple-unsigned

A portion of proceeds from these sales support ocean conservation (Mr. Garcia was a strong proponent of saving the coral reefs and even shared these beliefs as he testified before a conservation committee for the State of Hawaii in 1990), with more details about the company and its mission available on their web site at – https://www.jerrygarciamusicarts.com/fine-art.html

b) New clothing and wall art designs featuring album cover-inspired imagery by “speed painting “ master Stephen Fishwick was introduced by art/marketing agency Get Down Art at the MAGIC Las Vegas event at the Mandalay Bay Hotel this past August 13 – 15, with these images and products looking to extend the popularity of several well-known album cover designs to a younger demographic via the fashion brands and trends they’ve shown they appreciate. For example, Pink Floyd’s memorable Dark Side of the Moon cover image, as reworked by Mr. Fishwick, shows the iconic diamond on a paint-splattered background, while the new version of AC/DC’s “Thunderstruck” image shows Mr. Young bravely facing a very colorful electrical storm. The company is offering these designs and many others printed on t-shirts and long-sleeved shirts for both men and women, along with poster prints on canvas and other household items. Now your kids can wear their own unique iterations of their parents’ favorite album art and, in doing so, inter-generational love and understanding will finally be achieved – https://getdownart.com/collections/icons-collection

5) Other articles of interest –

a) This month’s collection of Sound and Vision articles – which provide in-depth details of the stories behind some of your favorite album art – offered to us by Eben Bensen and the nice people at Juxtapoz Magazine includes quite the range of music/art of both recent and historical vintages. Managing Editor Eben Bensen has stayed true to his promise to give us a new story every week, with the most-recent articles summarized below:

– Michael Trevithick’s Magritte-inspired (well, at least to me) artwork on the cover of the late Nick Drake’s third and final studio release – 1972’s Pink Moon – replaced the photograph originally taken for the project, which showed the musician in declining health – https://www.juxtapoz.com/news/music/sound-and-vision-nick-drake-s-pink-moon-cover-by-michael-trevithick/

– Neutral Milk Hotel’s 1998 indie release In The Aeroplane Over The Sea was viewed by music critics as a “game-changer” – an album based on the life of Dutch Holocaust victim Anne Frank – with its artwork the result of a collaboration between songwriter Jeff Magnum and album cover designer Chris Bilheimer and based on the artwork found on a turn-of-the-century travel postcard –   https://www.juxtapoz.com/news/music/sound-and-vision-neutral-milk-hotel-s-in-the-aeroplane-over-the-sea/

– In 2009, the Portland, OR (yeah, baby)-based experimental rock band called Portugal The Man released its fourth studio album The Satanic Satanist, which featured a very trippy cover crafted by the band’s own lead singer, John Gourley, who combined photos with watercolors to create the image – https://www.juxtapoz.com/news/music/sound-and-vision-portugal-the-man-s-the-satanic-satanist-cover-by-john-gourley/

– What is that thing jumping over the hurdle in Joan Ludwig’s photo featured on the cover of Beck’s 1996 hit record Odelay? A floor mop? A batch of ramen noodles? The answer is available via the link at https://www.juxtapoz.com/news/music/sound-and-vision-beck-s-odelay-cover-photography-by-joan-ludwig/

b) Now you can help two young-but-experienced artists in Portland, OR (yeah, baby!) launch a new “multi-disciplinary creative studio” via your support of their Indiegogo campaign and, as a reward, receive a limited-edition print and music compilation created just for this fund-raising effort. Over the past 13 years, composer/musician/sound designer Courtland Urbano and award-winning illustrator Anthony M. Benedetto worked on and off together on projects, but after Urbano moved to Portland to join the Humble Beast label roster, Anthony followed in 2014 to join the team as Creative Director. They both realized that, as a team, they could offer external clients a whole slew of services, so they decided to strike out on their own and launch a new agency they’re calling Nova Nimbus, with Anthony currently working out of Court’s garage.

Help Anthony get out of the garage into a proper office with your pledge of support and, with a commitment as little as $75, you’ll get a print of a work Benedetto created to show off both the natural beauty of their Pacific NW location and his respect for great mid-Century graphic design called Modern Romanticism.  Urbano adds music to the package with a download of a 19-cut collection of tracks he’s produced over the years, with both testifying to the fact that they love to listen to his soundscapes while they work, so you ought to, too.

The program runs for about another month, with details available at https://www.indiegogo.com/projects/nova-nimbus-a-multi-disciplinary-creative-studio/x/18934317?#/

c) Using album cover art to find out the identity of one of the art world’s most-mysterious creators – is Robin Gunningham the real “Banksy”? Those bidding on a work of art printed on the sleeve insert for an early 1990s Bristol-based ska band sure hope he is! Artnet.com’s Henri Nuendorf provides us with the details, and happy value-hunting – https://news.artnet.com/art-world/early-banksy-auction-1329194

d) Orlando Sentinel reporter David Whitley provides “a public service” for us in his article “All Great Album Covers lead back to Abbey Road” by providing us with a “10 Greatest Album Covers of All Time list” (what, again?) based on his contention that “everybody can be an expert” (this is why I stay away from these lists) – http://www.orlandosentinel.com/opinion/audience/david-whitley/os-ae-album-covers-david-whitley-0808-story.html His email is provided at the end of the article, so feel free to respond.

e) Don’t they know that it’s just not safe out there? Several times each year, someone takes it upon his/herself to present a list of the “worst” record covers of all time and, each time, I share a link to this list with the hope that enough of you are outraged to the point of expressing yourself somehow on the author’s site. And while I will be the last one to promote any form of censorship, I would ask that folks look deep inside themselves before releasing “best/worst of all time” lists like this one. Yes, there’s been some horrible/disturbing/nonsensical album art used to package recorded music over the past 70+ years (just as there’s been a lot of “bad” music packaged and offered for sale), but the subject has really been beaten to death and is usually built around the same content, which just makes it boring. Please don’t click on this link. I’m asking you nicely…

http://ajournalofmusicalthings.com/because-everyone-loves-awful-album-cover-art-heres-another-gallery-of-some-of-the-worst/

f) Now, after the last entry, here’s one for the “Looking Forward” folder – Is this the “future” of album covers? Rapper/style icon (and very funny talk show guest – https://www.youtube.com/watch?v=8s9joL_AGfo ) Nicki Minaj uses artificial intelligence/virtual reality to bring fans up close-and-personal with her and her album art for her new record Queenhttps://mobile-ar.reality.news/news/snapchat-strikes-familiar-chord-with-shoppable-ar-lens-for-nicki-minajs-new-album-0186464/

That’s all for now – stay tuned and be on the lookout for timely news alerts on our news feed –https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back early next month with another monthly summary for you.

Unless otherwise noted, all text and images included in this article are Copyright 2018 Mike Goldstein and AlbumCoverHallofFame.com – All Rights Reserved. All of trade names mentioned in these summaries are the properties of their respective owners and are used for reference only.

Album Cover Artist And Art News Summary And Preview For July/August, 2018

 

ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF JULY, 2018, WITH PREVIEWS FOR AUGUST.

 AlbumCoverHallofFame.com News Logo

 

 

 

 

BY MIKE GOLDSTEIN, ALBUMCOVERHALLOFFAME.COM

Greetings to you all. Work continues on updating the biography section of the ACHOF web site and so, as I noted last month, this month’s news summary is an abridged one, with less commentary from me and a somewhat-reduced number of stories featured in each section. Even so, much work continues in this area, and there’s a lot to review – interviews, profiles, news about new books and prints, etc. – that I think you’ll appreciate and enjoy. As you’ve seen in my previous news summaries, if you simply read the summaries I’ve written and click the links provided, you’ll get the details from sources from around the world on items featuring many of your favorite – or soon to be favorite – album art creators.

I am pleased to announce that the first part of a two-part article I’ve written about album cover art, artists and album art production has been added to the Illustration History web site – https://www.illustrationhistory.org/essays/producing-album-cover-art-for-clients-in-the-music-business

A project of the esteemed Norman Rockwell Museum (Stockbridge, MA), the Illustration History site serves as an educational resource for fans, students and teachers of the fine arts of illustration and design, so it’s an honor to be able to share some of my research and writing on a subject – album cover art – that features so many great examples of work by the talented people who’ve contributed to the visual side of the music business since the 1940s. Part 2 is due soon but, in the meantime, hope you’ll take a look and share this with your friends. I’d like to thank curator Jesse Kowalski for this opportunity and hope that you’ll spend some time digging through the site’s impressive archives, too.

Also earlier this month, I posted a special alert letting you know that, for the second year in a row, album packaging creators from all over the world are being invited to submit examples of their best, most-recent works for consideration by the esteemed judging panel for the 2018 “Making Vinyl Packaging Awards”. According to the show’s advance press, they’re “now accepting submissions in 14 categories that highlight why packaged media is still important in the digital age. Entries may come from record labels, pressing plants, brokers, packagers, printers, mastering facilities, artists, and distributors from anywhere in the world. Submissions will be judged online by award-winning art directors in the U.S. and Europe. In late August, the winners will be selected from the finalists at the offices of AIGA, the prestigious design organization, and receive their prizes at a ceremony at the MAKING VINYL conference in Detroit on Oct. 1st.”

Last year’s judging panel included a number of album art industry notables, including Spencer Drate, Judith Salavetz, Sylvia Reed, Gail Marowitz, Sean Mosher-Smith, Stefan Bucher, Craig Braun and Making Vinyl founder, PR guru/journalist/educator Larry Jaffee. The 2017 Awards, given then in 8 categories, showcased the talents of both well-established designers, such as Lawrence Azerrad, who lead the efforts to create the fantastic Voyager, 40th Anniversary Edition box set and Shepard Fairey, who was nominated for an award in the same category for Blondie’s Pollinator, alongside emerging talent such as the team of young designers/art directors at Third Man Records (Rex Runyeon and Ryon Nishimori), who took home an award in the “Best Record Art” category for their captivating photo-based cover for their label’s release titled The Monks, Hamburg Recordings 1967. You may recall that last year’s “Best Overall Package” category featured a tie between creators of the packaging for AKATRE’s BLCK RCK and Pet Symmetry’s Vision, and now that this year’s top prize has been re-named “The Alex Steinweiss Award” in honor of the noted record packaging innovator, the nominees in this category should be extra proud to be in the running.

For 2018, there are two new categories being added for CD packaging, an award for best use of sustainable materials, one that recognizes the special limited-edition products that are created for the annual Record Store Days and two awards being proffered (one vinyl, one digital) called “They Said It Couldn’t Be Done” which, according to the award show’s producers, “Recognizes innovation in structural design that takes into account the use of new machinery or materials or folds or printing processes that stretches the boundaries of album packaging that previously existed.“ I can’t wait to see whether packages are submitted that were made on 3D printers. One more addition to the 2018 awards process is the addition of a highly-esteemed writer, researcher and self-described expert on album cover packaging to the panel of judges reviewing submissions prior to the final voting, with that person being ME! I’m quite honored to have been asked and look forward to being able to review all of the work being submitted.

The deadline to enter your online submission(s) with digital photos is Wednesday, Aug. 15, 11:59 pm (EST). Eligible works include packages offered for sale between the dates Sept. 1, 2017 to Oct. 1, 2018. There’s a page on the Making Vinyl site that provides anyone interested with all of the info they’ll need (submission formats, costs, etc.) to send in their work – https://makingvinyl.com/awards-2018/

I’ll be updating this story as more info comes in and, of course, will be announcing the winners immediately after they’ve been given their honors. As always, it’s my plan to be able to interview one or more of the honorees about “the making of” their winning works, so stay tuned for more.

As always, I ask that you please share this info with everyone you know who are fans of great album cover-related talent and, of course, your comments and feedback are quite welcome.

1) UPCOMING, RECENTLY-LAUNCHED/CURRENTLY RUNNING AND JUST-CLOSED SHOW/EXHIBITIONS –

a) There’s a truly-impressive Michael Jackson-inspired art show now on view at the National Portrait Gallery in London from now through October 21, 2018 that features works by Andy Warhol, Keith Haring, Kehinde Wilde and a whole host of word-class artists who’ve been inspired by the late King of Pop.“Michael Jackson: On the Wall” includes works by 48 artists and includes a number of works from private collections that have never been put on public display before.

After the show wraps up in London, it will travel to Paris, Bonn, and Espoo in Finland, with more details provided in Henri Nuendorf’s exhibition overview as seen on the ArtNet News site –https://news.artnet.com/exhibitions/michael-jackson-npg-london-1310123?

One of the items included in this show is Mark Ryden’s memorable cover for MJ’s 1991 hit album Dangerous, with the story behind this gorgeous cover provided in one of Eben Benson’s recent Juxtapoz Sound and Vision  articles – https://www.juxtapoz.com/news/music/sound-and-vision-michael-jackson-s-dangerous-cover-artwork-by-mark-ryden/

b) In mid-July, the San Francisco Art Exchange launched a show based on photographer Jim Marshall’s portfolio of images of country music legend Johnny Cash, with gallery visitors being treated to a number of rare and never-before-seen photos, including a series taken during the performer’s storied concert recorded 50 years ago at California’s Folsom State Prison.

According to the gallery’s press release, “These photographs include images of Cash onstage and touring the prison grounds, along with several from the legendary sound check at San Quentin when Cash so famously ‘flipped the bird’ for Marshall. These new photographs and a selection of the estate editions released in 2011 will be featured in our upcoming exhibition along with several extremely rare and highly sought-after signed photographs from Jim Marshall’s personal archive of prints.”

The gallery also announced that collectors who purchase one of the prints made available during the show will also receive a free copy of the soon-to-be-released book of Marshall’s photos titled Johnny Cash at Folsom & San Quentin Photographs by Jim Marshall , due to be published by Reel Art Press  later this summer.)  PLEASE NOTE: Collectors who purchase any Jim Marshall photograph during the exhibition will receive a complimentary copy of the new book coming out later this summer.

Fans can view a PDF version of the exhibition’s catalog of the artwork via this link – http://www.sfae.com/index.php?pg=400162

c) Juxtapoz also provides us with the details of another gallery show that ended July 21st that would have been of great interest to anyone drawn to great examples of the intersection of music and art. While not specifically album cover-centric, the sheer number of musical and visual creatives who teamed up to create both this show and the coffee table book it’s derived from has forced my hand… https://www.juxtapoz.com/news/painting/nick-cave-tom-waits-swoon-and-many-more-collaborate-for-children-s-literacy/

The Corey Helford Gallery in Los Angeles hosted the show built around the music and art created for the book Waxploitation: Stories For Ways & Means, a nearly 10-years-in-the-making effort that resulted in a 350-page book featuring stories written by famous musicians (Frank Black, Nick Cave, Tom Waits and others), all illustrated with artwork by a number of artists that Juxtapoz readers will be familiar with (Joe Coleman, Anthony Lister, Swoon and many others). A portion of the proceeds from both the show and the book are being donated to several worthwhile charities, with more details available on the gallery’s web site at http://www.coreyhelfordgallery.com/shows/waxploitation-stories-for-ways/the-devouring/

d) I promised to bring you news of album cover artists working all over the world, and today’s no exception. Here’s an article about a Malaysian artist named Mustaffa Ahmad Hidzir, who works under the pseudonym “Tapa”, who has spent the last 40 years designing/producing over 300 album covers and who last year released an award-winning coffee table book that was published by the Institut Terjemahan dan Buku Malaysia Bhd. 12×12 Album Cover Design offers up almost 200 of his covers, along with the stories behind them, and beginning on August 4th, fans and lovers of album art will be able to take in a week-long exhibition of his works in a show at the Penang House of Music during the George Town Festival. If you happen to be at the venue a 3PM on August 5th, Tapa will be on-hand to lead a lecture about his career as an album cover designer.

For more info on the artist and his career, click on over to this recent article in the local Sun Daily newspaper – http://www.thesundaily.my/news/2018/07/06/drawing-attention

And to see more about the festival and Tapa’s show there, please visit – https://georgetownfestival.com/programmes/12-x-12-album-cover-design

2) Artist interviews/profile articles –

a) To read my recent mini-interview with Ashley Simerman of KnuckleBonz about their new series of 3D album covers, please scroll down to Section 4 of this news summary

b) Here’s a link to a video posted by YouTube star/fashion and lifestyle blogger Karen Yeung (IAMKARENO) of an interview and photo session during which famed photographer Marcus Klinko works with the not-very-camera-shy blogger poses to try and re-create the look of his famous Beyonce Dangerously In Love album cover – https://petapixel.com/2018/07/13/hanging-out-with-the-photographer-of-beyonces-diamonds-album-cover/

Klinko tries to make it all sound so scientific for the Petapixel reader (“I use top end modifiers from Broncolor and Elinchrom, with custom adapters I built… all the lights in the video are by Flashpoint/Godox….I use a combination of 600Pro, and H1200 for all of my studio and location setups, and occasional use the Evolv200 as well”), but Karen’s just having fun pretending to be Mrs. Jay-Z for a while….

c) Almost slipping past my Google Alert web was this recent interview by Eric Skelton on the Pigeons & Planes site with photographer Nick Walker about his recent work with Playboi Carti for the cover of the rapper’s Die Lit album. The cover image works to bring a very punk-inspired aesthetic to the singer’s “against the grain” approach to his music-making – https://pigeonsandplanes.com/in-depth/2018/05/die-lit-playboi-carti-cover-photo-nick-walker-interview

Walker’s worked with many of the top names in the R&B and Rap world – from Beyonce to Nikki Minaj and FKA Twigs, along with a number of other artists on the Interscope label, so the pairing of the two talents seemed both inevitable and a really good idea, I think you’ll agree…

3) Sales/Auctions –

a) This just in – the nice folks over at the Psychedelic Art Exchange just sent me a note about their current poster auction (on now through August 9th) that peaked my interest and, therefore, I’m duty-bound to share the news with you as well. As you know, many of the people who’ve made some of your favorite album cover images – Stanley Mouse, Alton Kelley, Victor Moscoso, Lee Conklin, Rick Griffin and many others – began their careers creating posters for some of the now-famous concert promoters and venues on the West and East Coasts – The Fillmores, The Avalon Ballroom, Winterland, etc. – and as the years go by, the original posters these artists created are becoming increasingly-rare and valuable, so when a collection of posters are presented that include some of the rarest and finest-quality examples available, doesn’t it make sense to go and take a look?

The highlight of the offering is, what I’m told, the finest example of what’s known to collectors as “FD-26-OP-1”, better-known to us mortals as the “Skeleton & Roses” or “Skull & Roses” poster Mouse & Kelley did for the Grateful Dead’s September, 1966 appearances at the Avalon Ballroom. The same basic design was also featured on the band’s 1971 2-record live album titled Grateful Dead (which became their first gold-selling record). This poster will sell for a load of money (it’s current bid, as we go to press, is $19,000). The auction company people go on to tell me that there are many other posters available that would, on any other occasion, themselves be headliners, and a quick look at the offering certainly backs up their claim, so why not take a few minutes sometime soon and visit the online catalog at https://auctions.concertpostergallery.com/Catalog.aspx  Happy bidding – buy yourself something nice!

b) Earlier in July (on July 6th, to be precise), I did a special posting about Gotta Have Rock & Roll’s latest Rock & Roll Pop Culture Auction that was scheduled to take place beginning July 11th and ending July 20th, so now that the bidding’s over, I wanted to get back to you with some of the results on the key items I’d highlighted in that preliminary posting.

From the Larry Vigon collection – most everything sold for prices that were the opening bids for the items up for auction (good deals, overall, with several exceptions), such as the paintings he did for the front and back covers of Eric Clapton’s 1985 record Behind The Sun (listed with opening bids of $3,000 and $2,000, respectively and sold at those prices) and the comps, including George Hurrell’s hand-tinted photographs, of the cover art he created for Fleetwood Mac’s 1982 hit record Mirage (opening bid, $3,000; sold for the tidy sum of $9,422!). In addition, bidding on his hand-drawn lettering  created for the cover of Fleetwood Mac’s album Rumours ($2,000 to start) sold for $2,000, whereas several other production elements (photos, drawings, etc.) for other Fleetwood Mac records – as well as some of the band members’ solo album efforts – sold for prices ranging from $1,289 for photos of Lindsay Buckingham from Law and Order to $2,000 for Helmut Newton shots from Christine McVie’s Songbird.

Also available were the original cover painting Vigon created for Chicago’s 1984 record titled Chicago 17, a rather unique take on the well-known John Berg/Nick Fasciano band logo-based covers, this time with the logo seemingly popping through a brown-paper wrapper (art director credits to the talented Simon Levy), with starting bids accepted over $3,000 (sold for $3,000). Pat Benetar fans were be able to bid on a nice archive of 20 photos (B&W and color) and layouts for records including her 1987 hit Seven The Hard Way ($1,000 opening bid; sold for $1,000), while fans of the Counting Crows placed bids to own the artwork Vigon created for the debut record August And Everything After ($1,000 opening bid; sold for $1,000).

Other album art-related items available in this auction included drawings by artist/illustrator Greg Hildebrandt done for Black Sabbath’s Mob Rules and composer/TSO founder Paul O’Neill’s rock opera Beethoven’s Last Night (surprisingly, all unsold), while further items of interest, including original drawings by Michael Jackson (sold for $2,200 – $3,500), a John Lennon/Yoko Ono-signed photo from their 1969 “Bed-In” protest in Montreal  album ($15,000 asked opening bid – unsold) and CD/LPs signed by Nirvana (unsold) and Led Zeppelin (also unsold).

There were over 900 items in the auction, so if you’d like to go and see what was available and sold, you can now head on over to the company’s auction site – http://gottahaverockandroll.com/#

4) New Print/Book/Product RELEASES –

a) Some of you who might remember my old gallery days will recall that I sold items from a line of intricately-crafted sculptures of iconic rockers/rock imagery made by a company called KnuckleBonz and, I’m glad to report, they’ve recently announced that they’re going to be manufacturing a line of limited-edition album cover art recreations they’re calling “3D Vinyl”. The first two items they’ve announced are stunning renditions of two great albums – Guns N Roses’ Appetite For Destruction and Pink Floyd’s Wish You Were Here, both of which are perfectly suited for a 3-dimensional sculpture.

https://knucklebonz.com/product/pink-floyd-wish-you-were-here-3d-vinyl/

They’ve produced a nice intro video on this new Pink Floyd-based item that you can view at https://vimeo.com/276302319

https://knucklebonz.com/product/guns-n-roses-appetite-for-destruction-3d-vinyl/ will take you to the page on their site with all of the details on the AFD 3D Vinyl product, with the promo video available at https://vimeo.com/276296813

I’ve reached out to the talented team of designers and marketers who’ve created these new products and hope to bring you an update on their efforts soon.

UPDATE/INTERVIEW – Earlier in July, I shared the initial information about the intriguing new series of 3D album cover art pieces that the talented folks over at KnuckleBonz have begun producing and now, as a follow-up, I’m happy to be able to   parcel out a bit more on the subject based on a brief interview I did recently with one of the founders of the company, Ashley Simerman, whose excitement for these new products is pretty evident from the answers she’s provided…

Mike Goldstein, ACHOF – Hello again, Ashley. Nice to be in touch with you again. I was thrilled to read the preliminary info on your 3D album cover sculptures and, as you might imagine, I was eager to learn more about them and your work on making them so I can share this info with my readers. Let’s start with a bit more about your decision-making process. I know that all of your products are licensed collectibles, but I’d be curious as to how you chose the first two covers to produce. Were these your first choices, or did they come as the result of existing or new relationships with the musical act/management/record label/licensing companies?

Ashely Simerman, KnuckleBonz – Hi, Mike. Thanks for checking in and for featuring us! Our first two projects we announced for our new KnuckleBonz 3D Vinyl® are:

1) Guns N’ Roses, Appetite for Destruction – This is an obvious choice for KnuckleBonz to lead with this album as we announce this new category that pays homage to the great album art over the last several decades. Appetite for Destruction is undoubtedly one of the greatest debut albums in rock music history. Not only was the album successfully from the standpoint of album sales, but Guns N’ Roses went from nothing to touring with the Rolling Stones as a result of the success of this album. Artistically, it is a great fit , as well. The skulls and subtle detailing make this 3D Vinyl® stand out.

2) Pink Floyd, Wish You Were Here – Pink Floyd undoubtedly mastered combining amazing visuals for all their album covers. Launching with this particular album is a more personal choice for us here at KnuckleBonz. This is an album that we love to just put on here at the studio and listen to in its entirety. This is a favorite, for sure, just because the music is so amazing. But add the robot handshake on the cover and that was a project we all were very excited to recreate in 3D. Wish You Were Here is a perfect fit for 3D Vinyl®, after all, we intend for these collectibles to pay tribute to the most iconic and artistic album covers over the last several decades.

Mike G – How did you guys approach the creative aspects of the projects – meaning, how did you determine what would be 3D, what would be on the back cover, etc.? Did you work with anyone from the original design team in order to make these choices, or were they your decisions to make?

Ashley S – Everything we do creatively for these 3D Vinyl® designs are done internally here at KnuckleBonz. We are long-time fans, just like our customers. We are simply interpreting what would be cool for each project. Ultimately, what we come up with is a design we would like to have on our own wall on display shelf. Once we get that point, we share with the artist or band and we do have to get approval. Then we hope fans around the globe agree that it is a proper tribute to the original album. We only make a finite number of each; typically we limit the production to less than 2000 of each 3D Vinyl® project, making these highly collectible and exclusive.

Mike G – So, of course I must ask you –  Any hint of what’s coming next or later?

Ashley S – We have quite a few coming later this year – including the two KISS albums we’ve announced*- so stay tuned to knucklebonz.com or follow us on FaceBook for new product news. Everything we do is officially licensed so we can’t reveal any projects just yet, but I think rock music fans will be excited about the line-up. We certainly are thrilled to be working on these amazing projects.

* their debut album titled KISS, along with Destroyer.

Learn more and place your pre-orders on the KnuckleBonz site at https://knucklebonz.com/product-category/3d-vinyl/

b) There’s been a lot of recent press about Madonna’s efforts to raise money for, and awareness of, her charity called Raising Malawi that works to improve the lives of children in that country (since 2012, she’s built 12 schools that have served nearly 10,000 students in the area). In this article on the Bored Panda site, you’ll learn about French fashion photographer Vincent Flouret’s imaginative efforts to add to the fund-raising efforts by selling prints of photos he’s taken of his beloved dog Max. What makes these images unique (and of interest to us album cover fans) is that he’s made up and costumed Max so that he appears as Madonna did on the covers of several of her best-known albums – Ray of Light, Music, Like A Virgin, True Blue and more – along with scenes lifted from some of the Material Girl’s most-famous music video. “Maxdonna” is a very attractive Golden Retriever, so these recreations, while a bit campy, are still quite nice-looking.

https://www.boredpanda.com/iconic-madonna-scenes-recreation-maxdonna-vincent-flouret/?

You can also find Vincent’s Maxdonna photos on display from now until the 16th of August in Arles, France at  L’AGENCE ARLESIENNE, 26, place Paul Doumer, 13200 Arles.

https://www.instagram.com/p/BkC6JY4FNXs/?taken-by=max_et_vincent

In French, but you’ll figure it out….

c) Fans of the band Rush will find a lot to like here…While perhaps best-known for his drumming skills, Rush’s Neal Peart was also the band’s lyricist and, therefore, quite handy with words, as was evidenced in his co-authoring (with sci-fi writer Kevin J. Anderson) of the novel Clockwork Angels. Skip ahead six years since the book’s 2012 (no, not 2112) debut and what do you find but a new version of the book, done this time as a graphic novel (published by Insight Comics) and featuring a cover by life-long Rush cover artist Hugh Syme. Writer and long-time Rush fan Skip Owens gives us a preview in this article on the GeekDad site  – https://geekdad.com/2018/06/clockwork-lives-is-now-a-graphic-novel/

5) Other articles of interest –

a) A couple of months ago, I introduced you to Juxtapoz Magazine’s weekly series called Sound and Vision that, with each article, shares the details behind the making of some of your favorite album covers. Since that time, Managing Editor Eben Bensen has stayed true to his promise to give us a new story every week, with the most-recent articles summarized below:

– My Bloody Valentine’s 1991 Loveless cover, featuring a stylized photo of a guitar done by photographer Angus Cameron –

https://www.juxtapoz.com/news/music/sound-and-vision-my-bloody-valentine-s-loveless-cover-photography-by-angus-cameron/

– Stanley Donwood’s cover for Radiohead’s The Bendshttps://www.juxtapoz.com/news/music/sound-and-vision-stanley-donwood-on-the-making-of-radiohead-s-the-bends-cover-art/

– Robert Mapplethorpe’s striking photo of Patti Smith for the cover of her 1975 debut album Horseshttps://www.juxtapoz.com/news/music/sound-and-vision-patti-smith-s-horses-cover-photo-robert-mapplethorpe/  (Am I the only one who always thinks of Gilda Radner when I see this image?)

I’ve since contacted Eben B. and asked him more about the origins of this series in Juxtapoz – whose founder Robert Williams himself has several album cover credits on his impressive resume, including the original (banned) robotic rapist-based cover for Guns N Roses’ Appetite For Destruction – and I’ll soon be posting the text from a mini-interview I did with him about his interest in the subject. I was very pleased to see someone representing “Millennials” with such knowledge and wisdom and so I look forward to sharing this with you soon.

b) I’m hoping that many of you have had, at one time or another, the opportunity to attend one of the world’s premiere art-related events, that being the celebrated “Pageant of the Masters” in Laguna Beach, CA, where the folks that put this extravaganza on every summer amaze audiences with their recreations of famous works of art built around live models placed in meticulously-recreated sets. I was lucky enough to live in Laguna for a number of years many years ago and, although the throngs of tourists made driving difficult for locals, we always made sure to see at least one performance of the POM each year.

This year, I’m proud to say, one of the masterpieces that will be given the POM treatment will be the famous 1964 theatrical poster for the film Endless Summer, created by one of the design world’s most-respected artists, that being John Van Hamersveld, who also holds a special place in the hearts of album cover art fans for the covers he created for The Beatles, KISS, Rolling Stones, Blondie and many others. I can’t think of a better way to honor JVH’s contributions to the art/design world than by having one of his best-known works presented in a bill (with this year’s theme being “Under The Sun”) that also includes paintings by Masters such as Claude Monet, John Singer Sargeant, Paul Gauguin and other modern masters – https://www.facebook.com/photo.php?fbid=10155665181841444&set=a.10151014367531444.424291.612486443&type=3&theater

They finish off each year’s performance with a recreation of DaVinci’s Last Supper, which I think would only be cooler-looking if they included JVH himself in the scene (or, at least, someone wearing his trademarked round glasses). In any case, congratulations to one of our own Modern Masters!

c) Southern California is one of the world’s most-visited tourist destinations, with one nice stretch of road – Laurel Canyon Drive, in Laurel Canyon – on most maps due to the number of celebrities from the music, film and TV industries who’ve made their homes there over the years. For the last six years, residents of the area have celebrated just how lucky they are to live (or have lived) there via an annual festival called the Love Street Fest, and this year’s festivities drew a good crowd due to the fact that they were honoring two men – Henry Diltz and Gary Burden – who’ve contributed greatly to the music business by producing photos and designs for a number of famous album covers. You can take a look at some of the photos taken a couple of week’s back during this year’s celebrations on the group’s Facebook page – https://www.facebook.com/lovestreetfest – where you’ll find pix of the throngs of attendees, including surviving members of The Doors Robby Krieger and John Densmore, whose fellow band-member Jim Morrison wrote a song about the Drive called “Love Street”.

d) Last month, I wrote a bit about a surprise visit Paul McCartney made to his old home town of Liverpool and the sense of joy and happiness that followed him wherever he went and, in another article I saw recently, Maca worked his magic again as he hit the zebra crossing in front of Abbey Road studios again, 49 years later – https://www.nme.com/news/music/paul-mccartney-crosses-abbey-road-49-years-iconic-album-cover-shoot-ahead-intimate-gig-2358292  I believe that he kept his shoes on this time…and he’s still not dead.

e) In all the years I’ve been a music fan – a fan of most all genres of music, but with a particular love of hard rock, Prog rock, jazz-rock fusion, punk rock and pretty much anything put out by a Beatle (including Billy Preston and Jeff Lynne) – I’ve only on occasion found myself out of my element, with that taking place when I talk to fans of two genres – jazz and metal – where I often find fans with an intense passion for music/musicians in those genres and an intense dislike for those on the outside. Once again, I felt a bit of this attitude in Jon Wiederhorn’s recent Loudwire Magazine article about album covers that “look metal, but they’re not” – http://loudwire.com/14-album-covers-look-metal-but-arent/

In the mix, you’ll find examples of those who truly don’t belong – Lady Gaga, Grateful Dead, ELP and DMX – while others were from bands that seemed to be on the cusp (Demon, Uriah Heep, Necro, Nazareth and others) but who at least, according to the author, didn’t achieve the level of metal-ness required to be included as a “true” metal act (at least, on the featured record). Whether you agree or disagree with whether they belonged on such a list or not, you have to give each of them a bit of credit for wanting to express themselves so heavily.

f) Hoping to “shed a little light” (you’ll see how clever I am when you see the cover image) on the story behind the Nick Cave album cover for his 2013 release Push The Sky Away which featuring his wife, model and fashion designer Susie Bick, in the buff in a photograph taken at the couple’s home by Dominique Issermann- https://faroutmagazine.co.uk/the-perfect-story-behind-nick-caves-naked-album-cover-starring-wife-susie-bick/

The French fashion photographer was on hand to capture this image as part of an assignment for a French fashion magazine, which only goes to show you…how to save money on an album cover shoot?

g) Finally, if you find yourself with a few minutes to kill this weekend and want to challenge your knowledge of album-related artwork – particularly, band logos – I’d invite you to take this quiz you’ll find on the Topix.com site – Not meaning to brag (too much), but I got 40 out of 40, although I did have to guess on one of them, but got it right, lucky me! – https://offbeat.topix.com/quiz/17911/  In this brand-driven society, it’s nice to see that I’ve been thoroughly penetrated by the power of these iconic images.

That’s all for now – stay tuned and be on the lookout for timely news alerts on our news feed –https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back early next month with another monthly summary for you.

Unless otherwise noted, all text and images included in this article are Copyright 2018 Mike Goldstein and AlbumCoverHallofFame.com – All Rights Reserved. All of trade names mentioned in these summaries are the properties of their respective owners and are used for reference only.

Album Cover Artist And Art News Summary And Preview For June/July, 2018

ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF JUNE, 2018, WITH PREVIEWS FOR JULY.

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BY MIKE GOLDSTEIN, ALBUMCOVERHALLOFFAME.COM

Music and art have been proven to be able to bridge the divides between people of different cultures, upbringings, lifestyles and mindsets while, at the same time, improving our creative competencies and our abilities to understand and appreciate different perspectives. I’ve recently experienced two examples of this that fortified – at least for me – the veracity of the elements included in my opening statement. The first was my recent purchase of an oil painting of a scene (a small compound of houses and outbuildings seen on the horizon of a field of green – “Early Spring” by artist Gary Stretar) that makes me smile and yearn for a more idyllic life (something our current political situation makes me dream for even more). The second example – much less personal than the first – was the posting of late night host James Corden’s “Carpool Karaoke” segment filmed in Liverpool with “the cute one”, Paul McCartney, during which they toured Paul’s boyhood/teenage haunts around the city, including Penny Lane (and the barbershop there), his childhood home and a local pub he and his chums played at early on in their careers. The faces of EVERYONE the pair encountered – young and old, conservatively-dressed and tattooed, etc. – showed the pure bliss people experienced both seeing the former Beatle out in the open and, at the end, hearing him play some of his best-known songs with his current band in an intimate setting. Anyone watching that segment was, at least for the moment, caught up in the joy of the whole thing and could remove themselves, however briefly, from all of their/our daily woes and contemplations of the future.

I begin this month’s summary with the news that, at least for the next several months, my news summaries will be more frequent but shorter in length and the number of stories featured. The reason for this is simple – there is a lot of research and writing that needs to be done for the ACHOF site in order to bring it up-to-date. I have, for the past 2 years, amassed the raw data for a huge number of artist bios I’d like to add to the site, and now is the time to turn my attention full-time into editing that information and posting it on the ACHOF site. I’ll also need to make some changes to the site’s navigation and search engine in order to make it easier for visitors to find and read those bios, so I do hope that you’ll be patient as I add these things to the site because, at the end, it’ll most-certainly be worth it, making the site’s content (and finding it!) all the more useful, easy and enjoyable.

For now, I invite you to dig through the treasure trove of news releases and articles were made available on the exhibitions, interviews, artist profiles, book/print publications and other album cover art/artist-related topics. As you’ve seen in my previous news summaries, if you simply read the summaries I’ve written and click the links provided, you’ll get the details from sources from around the world on items featuring many of your favorite – or soon to be favorite – album art creators. I would like to have you pay special attention to a new article just-published in the renowned arts and culture publication Ragazine written by – guess who – why ME of course! It’s an updated version of my interview with Elton John’s favorite art director and designer, the talented David Langham, about his work on the wonderful packaging for the now 40-year-old classic EJ record, Goodbye Yellow Brick Road –  http://ragazine.cc/2018/07/covering-elton-johns-gybr-mike-goldstein/

As always, I ask that you please share this info with everyone you know who are fans of great album cover-related talent and, of course, your comments and feedback are quite welcome.

1) UPCOMING, RECENTLY-LAUNCHED/CURRENTLY RUNNING AND JUST-CLOSED SHOW/EXHIBITIONS –

a) The downside of writing and editing a monthly news service is that, sometimes, things that I report on are here and gone before I can share the info with you. When something takes place that is extremely time-sensitive, such as the reporting of a death in the industry or a “surprise” sale, I’ll do my best to release a flash news update via social media. There are cases, though, that I have learned about an event too late to share it in any meaningful way, and so I’ll just resign myself to having to report about it after the fact. Such is the case with the recent Markus Klinko photo exhibition held at the Mouche Gallery in Beverly Hills, CA for the two weeks from 6/15 thru 6/30/18.

One of the most sought-after shooters in the world of celebrity photography, Klinko is perhaps best-known for the output stemming from his long-term creative collaboration with the late rocker David Bowie, including the cover for his 2002 album Heathen and a number of other well-known portraits. He’s also produced the memorable album cover/packaging images for mega-stars including Beyonce (Dangerously In Love), Mariah Carey (The Emancipation of Mimi), Mary J. Blige and dozens more, and for this recent exhibition – titled simply 2000’s – the curators gathered a fine collection of photos that, according to the gallery, depicted “a variety of pop culture milestones that have truly defined the decade of the early 2000’s.”

The show was sponsored by FUJIFILM North America and also put on display a collection of cameras and lenses Klinko used over the years as he moved from using traditional photographic equipment and tools into the world of digital post-production, being an early adopter and experimenter and helping set trends in the then-new world of digital photography.

You can take a look at what was on display via this link to the Mouche Gallery web site – http://mouchegallery.com/event/markus-klinko-2000s/

b) Photographer Brian Griffin continues to bring his impressive portfolio, along with the tales on how they were created and his take on how and why his images continue to impress music/art fans all these years later, to exhibitions around the world, most-recently at the Crescent Arts Centre as part of the Belfast Photo Festival, which was on display from June 17th through the 27th.

Complete coverage of this show, along with an interview with this world-renowned talent, can be found on the Irish Times web site at https://www.irishtimes.com/culture/music/beats-shoots-and-sleeves-the-art-of-the-album-cover-1.3527959

c) While I’ve reported on a couple of Guido Harari-curated rock photo shows since the beginning of the year, a show of Harari’s own photos, organized in an exhibition called “Wall Of Sound”, opened this past June 28th at the Galleria nazionale dell’Umbria, from June 28 to August 23. Curated by Marco Pierini, director of Galleria nazionale dell’Umbria, and organized in collaboration with Solares Fondazione delle Arti from Parma, Umbria Jazz and Trasimeno Music Festival, the show presents a wide and eclectic overview on 40 years of Guido’s music photography output, with over 110 photographs included from Harari’s extensive archive, featuring important music acts including Pink Floyd, David Bowie, Bob Dylan, Bob Marley, Bruce Springsteen, the Rolling Stones, Peter Gabriel and many, many more. The show runs through the 23rd of August, and there’s information on the show on the Gallery’s web site (in Italian) – https://gallerianazionaledellumbria.it/exhibition/guido-harari-wall-of-sound/

d) With a portfolio that contains a number of album cover photo credits in the Jazz, Reggae and Funk genres, including shots for records by jazz greats Stanley Clarke, Alice Coltrane, Chick Corea and Herbie Hancock; funkmaster George Duke, singer Marvin Gaye and hit makers Earth Wind & Fire, it’s exciting to see that the Grammy Museum in Los Angeles recently launched an exhibition titled Bruce W. Talamon: Soul, R&B and Funk Photographs 1972 – 1982 that will give fans “a revealing look into the untold and unknown moments that happened off the stage and outside the recording studio, showcasing a period in musical history as seen through the eyes of a young African-American photographer at the start of his career.”

On display now through the first of August and curated by Nwaka Onwusa, music art/photo fans are now given the chance to appreciate the fascinating imagery that Mr. Talaman captured at a number of the venues and events that helped introduce fans of all stripes to the best talent working in those genres in that time span, including Isaac Hayes at the Wattstax Music Festival, backstage at the legendary Soul Train television studio and performances by James Brown, Aretha Franklin, Marvin Gaye, Al Green, the Jackson Five, Chaka Khan, Diana Ross, Donna Summer, Barry White and many others. The show is sponsored by Taschen Publishing, who has also just released a book by the same title that contains nearly 300 photographs selected from Talamon’s archives.

Bruce went on to work as a contract photographer for Time magazine in the 1980s, with his works also gracing the pages of publications including Ebony, People, Rolling Stone and Vanity Fair magazines.

More info about what’s on display during the Bruce W. Talaman show at the Grammy Museum can be found on their web site at – https://www.grammymuseum.org/exhibits/bruce-w-talamon, while more info on the corresponding book/catalog is available at https://www.taschen.com/pages/en/catalogue/photography/all/05340/facts.bruce_w_talamon_soul_rb_funk_photographs_19721982.htm

2) Artist interviews/profile articles –

There have been quite a few interview and/or profile articles published in the past couple of months, featuring talent from every area and genre within the music business, so I think it’d be most-beneficial to you simply to point you in the direction of these missives and let you go at it at your own pace…

a) Photographer Mark Seliger describes the work behind a number of his best-known portraits, including those of  LL Cool J and Kurt Cobain plus comedian Jerry Seinfeld, artist Cindy Sherman, former president Barack Obama and others in this nice article on the Artsy site by Molly Gottschalk – https://www.artsy.net/article/artsy-editorial-celebrity-photographer-mark-seliger-stories-8-iconic-portraits?

You can follow that article up with another on the always-popular Mr. Seliger, with this one being an interview with NPR’s Ari Shapiro posted on the All Things Considered page –  https://www.npr.org/2018/05/22/613032671/get-something-that-no-one-else-has-gotten-says-photographer-mark-seliger during which he tells some insights on how he works to differentiate his work from the mainstream (“get something no one else has gotten”) and elaborates a bit about his new book called Mark Seliger Photographs which, according to the article, “collects some of the best images from his last 30 years, including presidents, actors and rock stars.”

b) Here’s a new profile/interview article on the PosterHouse web site with artist David Byrd, one of the premiere poster artists employed by the Bill Graham organization (primarily at the Fillmore East in NYC) but who also gained national recognition with his original designs for the Woodstock festival and for The Who’s first staging of their rock opera Tommy in New York and who would go on to use his talents on projects for clients on Broadway and elsewhere in the music business – https://posterhouse.org/from-woodstock-to-broadway-the-poster-art-of-david-byrd

His artwork was also featured on a number of album covers, including Get Yer Ya-Ya’s Out for the Rolling Stones in 1970, Lou Reed’s Sally Can’t Dance in 1974 and others for Country Joe & The Fish, The Frost, Essra Mohawk and several others.

c) OMG – it’s been 40 years since the release of Bruce Springsteen’s Darkness on the Edge of Town record and our first catching sight of photographer Frank Stefanko’s  shot of The Boss leaning on a doorframe and looking out at all prospective purchasers of this LP, so it’s with great interest and more than a bit of nostalgia that you’ll enjoy EW writer Sarah Sahim’s recent interview with Mr. Stefanko on making of this memorable cover portrait – http://ew.com/music/2018/06/08/bruce-springsteen-darkness-on-the-edge-of-town-cover-frank-stefanko/

d) I’d somehow missed this interview with illustrator and painter Sam Spratt, posted in March on the DJBooth.net site – which gives the details of his work on covers for Logic and a detailed look into his development process – https://djbooth.net/features/2018-03-09-sam-spratt-interview-covered

e) Profile of Cleveland, OH-based artist James Quarles and his work for hip-hop artists Muamin Collective’s latest release titled The Hues Brothers…the clever lads who began calling themselves that homonym early on relied on James to bake in some imagery derived from the works of famed film directing/producing pair Albert and Allen Hughes (AKA The Hughes Brothers, makers of Menace II Society, Dead Presidents, etc.) – http://www.cleveland.com/entertainment/index.ssf/2018/05/creating_the_cover_behind_the.html

f) Writer Jack Boyle’s recent HighSnobiety.com profile of and interview with Cary Fagan, the Texas-based photographer/art director who’s the one responsible for A$AP Rocky’s newest album cover called TESTINGhttps://www.highsnobiety.com/p/cary-fagan-asap-rocky-testing-album-cover/

g) A lover of art, music and skateboarding who grew up in Philadelphia and studied graphic design at the prestigious Tyler School of Art, Dewey Bryan Saunders chose to best express himself creatively via works of collage art built from images he hand-cut from popular magazines. Now busily working in Los Angeles, Saunders has become an in-demand designer for cutting-edge (sorry) musical acts such as Anderson .Paak and Lil Uzi Vert, introduced in greater detail to us here in William Emmons’ recent article in the UC Santa Barbara news service The Daily Nexus –  http://dailynexus.com/2018-04-26/dewey-bryan-saunders-the-artist-behind-your-favorite-album-cover-art/

3) Sales/Auctions –

a) The Gotta Have Rock & Roll “Rock & Roll Pop Culture Auction” scheduled to commence this coming July 11th (ending on July 20th) features several items that should be of interest to album art collectors, including several originals from the collection of noted designer Larry Vigon (who’s notable album cover credits include – The Rembrandts – The Rembrandts; Bonnie Raitt – Nick of Time; Sparks – Pulling Rabbits Out Of A Hat; Rick Springfield – Rock of Life; Fleetwood Mac – Mirage, Greatest Hits and Tusk; Stevie Wonder – Secret Life of Plants; Oingo Boingo – Deadman’s Party; Thomas Dolby – Close But No Cigar and Astronauts & Heretics,  plus many others), such as the paintings he did for the front and back covers of Eric Clapton’s 1985 record Behind The Sun and the comps, including George Hurrell’s hand-tinted photographs, of the cover art he created for Fleetwood Mac’s 1982 hit record Mirage. The preliminary info online also states that other items from Larry’s collection that will be on offer include “his hand drawn artwork for the cover of Fleetwood Mac’s album Rumours as well as several drawings for their famous Penguin logo and Mick Fleetwood’s solo albums.” Also pictured in the preliminary auction documents is the original cover painting Vigon created for Chicago’s 1984 record titled Chicago 17, a rather unique take on the well-known John Berg/Nick Fasciano band logo-based covers, this time with the logo seemingly popping through a brown-paper wrapper (art director credits to the talented Simon Levy). No minimum opening bids have been posted, but I’d assume they’d be richly priced…

Although the official online preview isn’t up until July 4th, preliminary info I’ve been able to glom shows that other items of interest include original drawings by Michael Jackson, a John Lennon/Yoko Ono-signed photo from their 1969 “Bed-In” protest in Montreal, album and CD art signed by Nirvana and Led Zeppelin and quite a bit more (over 900 total items). If you’d like to see and learn more, I’d suggest that you pop on over to the company’s auction site – http://gottahaverockandroll.com/# – after the 4th of July Holiday to take a gander and then get your credit cards ready for action!

4) New Print/Book/Product RELEASES –

a) Some of you who might remember my old gallery days will recall that I sold items from a line of intricately-crafted sculptures of iconic rockers/rock imagery made by a company called KnuckleBonz and, I’m glad to report, they’ve recently announced that they’re going to be manufacturing a line of limited-edition album cover art recreations they’re calling “3D Vinyl”. The first two items they’ve announced are stunning renditions of two great albums – Guns N Roses’ Appetite For Destruction and Pink Floyd’s Wish You Were Here, both of which are perfectly suited for a 3-dimensional sculpture.

https://knucklebonz.com/product/pink-floyd-wish-you-were-here-3d-vinyl/

They’ve produced a nice intro video on this new Pink Floyd-based item that you can view at https://vimeo.com/276302319

https://knucklebonz.com/product/guns-n-roses-appetite-for-destruction-3d-vinyl/ will take you to the page on their site with all of the details on the AFD 3D Vinyl product, with the promo video available at https://vimeo.com/276296813

I’ve reached out to the talented team of designers and marketers who’ve created these new products and hope to bring you an update on their efforts soon.

b) Modern Rocks Gallery has announced the availability of several new images that should be of great interest to album cover art collectors, including a print of unique B&W treatment of Vic Singh’s fisheye lens-made masterpiece featured on the cover of Pink Floyd’s debut record  Piper At The Gates Of Dawn (https://www.modernrocksgallery.com/featured-prints/pink-floyd-vic-singh)  and an expanded collection of renowned British photographer Robert Whitaker, best known internationally for his many photographs of The Beatles, taken between 1964 and 1966 – including the covers for hit records by the band – including the images used on the covers for their notorious Yesterday & Today LP, AKA “the Butcher Cover” , as well as his photographs of the rock group Cream, which were used in the Martin Sharp-designed collage on the cover of their 1967 LP Disraeli Gearshttps://www.modernrocksgallery.com/robert-whitaker-photographer .

c) I’ve written several times over the years about companies that have licensed album cover art and imagery to be used to make a variety of merchandise, including notebooks, clothing, clocks, mugs and the like, but I was really taken by the line of “official music wallpaper” and murals offered by the UK company Rock Roll that, for the rock art nerd looking for something memorable and stylish for use in their next home decorating project, is just about the coolest thing out there.

According to their promo materials, “’Rock Rolls’ official music wallpaper and wall murals have been designed in collaboration with some of the world’s biggest bands. We’ve partnered with musicians from Black Sabbath, The Who, and Guns n’ Roses to Rolling Stones and Green Day to create high-quality music wallpapers featuring some of rock’s most memorable artwork.” These officially-licensed products come in rolls measuring 500mm (approx. 19.7 inches) in width and 10 meters (32.8 feet) in length and are printed on thick, poster-quality (180gm) paper, with each roll priced at £70 (approx. $92). Murals based on the same basic designs come in sizes starting at 3.29 x 2.5 meters (10.8 feet  x 8.2 feet) up to 4.23 x 2.5 meters (13.9 feet x 8.2 feet) and are priced from £250 ($328) – £350 ($460), plus postage and handling.

Patterns available include cover imagery and logos from the previously-mentioned acts, including the iconic Lips & Tongue logo from the Stones, the “bullseye” logo for The Who, My Chemical Romance’s great spider logo and album art from Appetite For Destruction, Sabbath Bloody Sabbath, Black Parade, Never Mind The Bollocks… and Quadrophenia, among others.

Now’s your chance to add some class to your man/woman caves. It’s OK to cover up your old beer logo art with these modern masterpieces, I swear  – https://rockroll.co.uk/

More coverage in this article – https://www.homesandproperty.co.uk/home-garden/interiors/design-news/the-worlds-first-licensed-album-art-wallpaper-by-rock-greats-including-the-rolling-stones-the-sex-a121316.html

5) Other articles of interest –

a) Juxtapoz Magazine has started a weekly series called Sound and Vision that, with each article, shares the details behind the making of some of your favorite album covers. According to the editors, “Album artwork is one of the primary ways that musicians and visual artists are able to collaborate, and many iconic album covers are simultaneously iconic pieces of pop art,” and that’s the motivation for these new features, with a new one released every Sunday. The first was   a feature on the making of the cover for the 1998 hip hop classic Aquemini which, according to the author, “cemented OutKast, and Southern hip-hop in-general, as a force to be reckoned with. The album features a number of skits and classic tracks, centering around Big Boi and André 3000s’ giant personalities and showcases their incredibly symbiotic relationship. The cover was designed to showcase that same thing.”

https://www.juxtapoz.com/news/design/sound-and-vision-outkast-s-aquemini-and-an-interview-with-creative-director-dl-warfield/

The article is built around an interview with the album’s art director, DLWarfield, who shared the basic idea behind the cover’s look – that is, to remind fans of 1970’s “blaxsploitation” films and those groovy old posters painted on black velvet…The second posted article was about  Andy Warhol’s famous “banana cover” for his favorite band at the time, The Velvet Underground & Nico – https://www.juxtapoz.com/news/design/sound-and-vision-the-velvet-undergound-nico-s-the-velvet-undergound-nico-cover-artwork-and-production-by-andy-warhol/

While the most-recent posting brings us the details about Raymond Pettibon’s work for the first record released (in 1979) by punkers Black Flag, an EP titled Nervous Breakdown. Pettibon, who’s last name was originally Ginn (he decided early on to change his name to “Pettibon,” a re-working of a nickname -“petit bon” – given to him by his father), was the brother of the band’s founder and guitarist Greg Ginn, and it was Raymond’s in-your-face (“get any closer and I’ll clobber you with this”) imagery that helped define the band for fans, along with, ultimately, those of other stable mates on his brother’s SST Record Label. Enjoying that creative work greatly, he went on to use his prodigious self-taught skills as an illustrator for punk and other anti-establishment groups in the LA area, creating many designs for gig posters, merch and album covers.

https://www.juxtapoz.com/news/music/sound-and-vision-black-flag-s-nervous-breakdown-cover-artwork-by-raymond-pettibon/

Eager to see where this series goes as it continues…

c) Did you ever buy a record solely on the basis of loving its album cover image? That’s the question posed by writer Jeff Terich in his recent article titled “Shadow of the Horns: The Art of the Metal Album Cover” found on the Treble (“Music for the Bleeding Edge”) web site – https://www.treblezine.com/art-of-metal-album-cover-shadow-of-horns/

He does bring up an interesting generational difference, noting that the music consumer today rarely if ever buys music without having first heard it – easy to do online, vs. “the olden days” when fans would trek to their retail location of choice and then begin the process by scanning what was on display on the wall and the aisle end caps before finally digging through the bins to see what looked interesting. As I’ve mentioned in previous articles on the subject, the first record I bought without knowing both the band and their music was “The Best of the Sir Douglass Quintet”, a record that featured a cover photograph shot in such a way that the musicians were in shadow and looked, to the untrained eye, like the quintessential British band. Putting the needle down on the first cut – “She’s About A Mover” – showed me otherwise, but I loved the record anyway….

d) Bruce at Vinyl Connection (Australia) posted a 2-part article on album covers from down his way –

https://vinylconnection.com.au/2018/05/01/8-aussie-album-covers-part-1/

https://vinylconnection.com.au/2018/05/08/8-aussie-album-covers-part-2/

I love Bruce’s articles as he always includes great examples of cover work for a wide variety of acts, from the one’s that became international stars (Midnight Oil, INXS, etc.) along with the many Aussie bands that I’ve never heard of and now must research (a good thing). Thanks again, Bruce!

e) Oasis What’s The Story long-lost shoot image – The long-time photographer of Oasis has said he was thrilled to have unearthed a never-before-seen unprocessed picture from the shoot for the band’s (What’s The Story) Morning Glory? cover. Just when you thought you’d seen everything, here’s something more…https://www.tv3.ie/xpose/article/entertainment-news/269787/Oasis-photographer-unearths-unprocessed-Morning-Glory-picture-from-1995

f) Here’s a recent news video posted by the ABC affiliate in Los Angeles about design great John Van Hamersveld’s recent efforts that resulted in the production of a HUGE mural on a water tank in El Segundo – http://abc7.com/society/iconic-album-cover-artist-creates-mural-in-el-segundo/3582634/   JVH was an El Segundo HS alumnus…The amount of thinking, preparation and coordinated production effort that resulted in this masterwork is truly inspiring (design students, pay attention here!).

More related coverage can be found online at – https://www.prnewswire.com/news-releases/legendary-artist-john-van-hamersveld-honors-the-city-of-el-segundo-and-local-surf-legends-with-massive-mural-300637193.html

g) Prog art/music fans will find this one of particular interest…artist Burton Silverman’s son Robert shares the story behind the sad fact that his father’s art was sold for a pittance to be used on what would end up being one of the music industry’s most-recognized album cover images – that being the watercolor image of a decrepit old man (an idea based, as it’s been reported, on band-leader Ian Anderson’s photo of a homeless man walking near London’s Thames River) on Jethro Tull’s 1971 concept LP Aqualung.

“In 1971, Terry Ellis, the co-founder of Chrysalis Records, paid him a flat $1,500 fee for the three paintings which would comprise the album’s artwork, consummating the deal with nothing more than a handshake. No written contractual agreement was drawn up, and, much to his eventual dismay, nor was any determination made about future use.” Continuing with “The money and the physical paintings are long gone, but what remains for dad still has immense value: the ability to reclaim the narrative and say what really happened.”

As we’ve seen time and time again – as you’ve seen in my earlier articles on Robert Crumb, Gerard Huerta, Karl Ferris and the multiple artists who claim credit for the Lips & Tongue logo for the Rolling Stones! – for other examples of working arrangements/agreements that paid little to the artist while reaping in millions for the folks that commissioned the works , it always pays for visual artists to spend the time to work out iron-clad agreements when working with clients in the music business…

https://theoutline.com/post/4490/jethro-tull-aqualung-cover-artist-burton-silverman?zd=1&zi=nxc7ka4n

That’s all for now – stay tuned and be on the lookout for timely news alerts on our news feed –https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back early next month with another monthly summary for you.

Unless otherwise noted, all text and images included in this article are Copyright 2018 by Mike Goldstein and AlbumCoverHallofFame.com – All Rights Reserved. All of trade names mentioned in these summaries are the properties of their respective owners and are used for reference only.