ACHOF’s Mike Goldstein’s interview with SMOG Design’s Jeri and John Heiden on their 2024 Grammy Award-winning (for “Best Boxed Or Special Limited Edition Package”) work for For The Birds: The Birdsong Project.
Posted March 28, 2024 by Mike Goldstein
This past year, as the result of the labor unrest and strikes that took place in various parts of the entertainment industry, award shows of all stripes have been eager to stress the importance of those who work behind the scenes in various roles in production and promotion. A recent example was during the 2024 Academy Awards show here in the U.S., during which the host brought out to the stage a large entourage of people from that event’s production crew so that they could take a bow in front of the luminaries who the show usually focuses its attention on. It was heartwarming to see the show of solidarity by most of the audience who seemed to understand the importance and significance of those who are credited but typically unseen, and it reminded me that, each year around this time, I venture to bring you an interview or two with some of those who are honored by industry organizations for their superlative productions in the area of packaging and promotion. While the award presentations for these honorees will probably not ever be included in a televised event (as they’re usually given out in pre-show ceremonies), I’ve been covering this business long enough to know that some people’s work over the years deserves special attention, and I’m proud to be able to do this in some (very) small way.
The subjects of this ACHOF interview are two people – partners Jeri and John Heiden of SMOG Design – who, for the first time in the many years since Jeri’s first Grammy Award nomination in 1986 (earning five more through 2024), were finally given the top award in their category – and their first as a duo – at the latest ceremonies this past February.
Posted onMarch 1, 2024|Comments Off on Album Cover Hall of Fame News Update and Link Summary for March, 2024
Posted March 1, 2024 by Mike Goldstein, AlbumCoverHallofFame.com
In the 60s one day, then snowing overnight, then in the 30s and then back to the upper 60s. That’s how the weather in my part of the world is fluctuating, making it nearly impossible to concentrate on my research and writing when I’m just waiting for the chance to take the cover off of my scooter and ride to the beach (a habit started while living in Southern California, where this is possible much of the year). I’ve done my best, but if you detect gaps in the coverage, I hope you’ll forgive me, now that you understand why. Readers of this newsletter live all over the world, in many different climates, with seasons that differ 180-degrees from where I live, but since it’s best to listen to your vinyl collections sitting comfortably in your living rooms, I’m comforted by the thoughts of you all safe and warm indoors and enjoying the experience as best you can, regardless of the conditions outside.
On that note, let’s start this month’s summary, which I’ve had two days less to prepare, but don’t think for a moment that there’s been less going on in the world of album cover art and the people that make it. I’ve started this month’s missive by sharing some updated news on some of the recent award shows that have either taken place – the Grammy Awards having been announced in early February – or, in the case of the Juno Awards in Canada and the Making Vinyl Packaging Awards, both set for a little later on this year, and then continued on with an overview of the categories featured in our regular updates – album art/artist-related exhibitions, interviews, sales/auctions and other interesting miscellaneous items. To round it all off, in this month’s Lastly But Not Leastly item, I’ll share a brief paragraph on a related topic that I found quite interesting and, therefore, was motivated to share with you all. Let us now join arms and begin our trek through this month’s news.
Posted onFebruary 5, 2024|Comments Off on ACHOF Breaking News Update – Here Are The Winners Of The 66th Annual Grammy Awards In Packaging
Posted February 5th, 2024 by Mike Goldstein
Unfortunately, I was airborne and couldn’t post this news in real time, but I still want to share the news that the Grammy Award Winners in the Packaging Categories were announced this past Sunday afternoon during the web-cast “66th Annual Grammy Awards Premiere Ceremony” – with the ceremonies taking place at the Peacock Theater in Los Angeles, and I’m now pleased bring you the names of both the nominees and the winners in each of the three categories:
Posted onNovember 10, 2023|Comments Off on ACHOF Breaking News Update – Here are this year’s Grammy nominees in the Packaging Categories
Posted Friday, November 10th, by Mike Goldstein, AlbumCoverHallofFame.com
The nominations for the 2024 Grammy Awards in the Packaging-related categories (in the “Package, Notes and Historical” field) were announced this morning in a live-streaming event on the Grammy.com site, and the nominees are as follows:
Posted onMay 11, 2023|Comments Off on Interview with 2023 Grammy winner Dave Van Patten on the award-winning work for Rhino Records for the Grateful Dead
ACHOF’s Mike Goldstein’s interview with artist and illustrator Dave Van Patten on his 2023 Grammy Award-winning (for “Best Boxed Or Special Limited Edition Package”) work for Rhino Records on the IN AND OUT OF THE GARDEN: MADISON SQUARE GARDEN ’81 ’82 ’83! package for the Grateful Dead.
Mike G’s screen grab of artist Dave Van Patten, with his co-winners Lisa Glines and Doran Tyson at the 2023 Grammy Awards ceremony
By Mike Goldstein, AlbumCoverHallofFame.com
Posted May 11, 2023
Each year, I look forward to learning more about the talented people who bring their abilities to clients in the music industry, because each year I realize that there are many artists, from all different backgrounds and disciplines, who are asked to contribute to album package projects of all sizes and styles. The past few years, while serving as a judge for some of the better-known packaging awards, I get to see the results of efforts to produce packages that, at least to me, run the gamut from pedestrian (AKA “cookie cutter”) to truly inspired and everything in between. I’m typically most-impressed by artists and design teams that, rather than take the simple path (particularly on projects for clients with a well-establish design guide), try something new and exciting, even at the risk of ticking off the purists who will accept nothing but the status quo.
I personally experienced the wrath of fans for a particular anime series that the company I was working for adapted for an American audience, even BEFORE we showed any of it to the public (“don’t you DARE touch this or change that, or you’ll be sorry” was the typical threat), so when I learned more about how the team behind this year’s Grammy-winning package in the “Best Boxed or Special Limited Edition Package” category approached the project for their client – i.e., the Grateful Dead, the band with perhaps the most-integrated fan base in the music business – and made the decision to introduce some new graphics to the package, my first reaction was “I wonder if they felt the need to take alternate routes to the office for a while?” (perhaps that was a bit dramatic, but I’m damaged goods). Of course, I also wanted to know more about the coordinated effort to produce such an impressive package, so I took my questions to one of the people responsible for this year’s award-winning project – artist Dave Van Patten – to see what he could do to both illuminate the details of the creative/production effort and also show me proof that he’d survived (and in fact, been fortified by) the reactions of Dead fans to the set he’d help put together.
Posted onMarch 1, 2023|Comments Off on Album Cover Hall of Fame’s News Update and Link Summary for March, 2023
Album Cover Hall of Fame News Update and Link Summary for March, 2023
Posted March 1, 2023 by Mike Goldstein, AlbumCoverHallofFame.com
February might be a bit shorter than other months, but that doesn’t mean that we album art/artist fans were short-changed in the news department. Starting off with the Grammy Awards and continuing with new exhibitions, art and book releases and a lot of ancillary items, there’s plenty for us fans of album cover art/artistry to dig into, so let’s cut the chit-chat and take a look at what I’ve put together for you.
Preliminary judging has begun on the entries vying for another noted industry award – the Making Vinyl Packaging Awards – and, as one of the judges on the panel tasked to review the hundreds of submissions received, I’m curious and eager to see what always turns out to me a fascinating cross-section of examples of album covers/packages coming in from all over the world.
This month’s newsletter contains a human-curated (as opposed to an AI-generated – we’re old school here at the ACHOF) summary of the news in all of the main topic areas, with updates and info about several new museum and gallery exhibitions, new auctions and sales and a goodly number of art and artist-related articles. As always, I’d like to once again say “thanks” for your help and support, so let’s get started with some updates on the award shows recently ended and currently in progress:
Posted onFebruary 1, 2023|Comments Off on Album Cover Hall of Fame News Update and Link Summary for February, 2023
Album Cover Hall of Fame’s News Update and Link Summary for February, 2023
Posted February 1, 2023 by Mike Goldstein, AlbumCoverHallofFame.com
January was a busy month in the world of album cover art and artists and, to be honest with you, it was all a bit overwhelming as I’ve begun to do the work to re-organize ACHOF-related content into the various silos that will ultimately make up the two sites I’ll be maintaining going forward. I’ve spoken with several people whose experience and gut instincts I appreciate and have a pretty good idea as to how to best proceed so, with your support and patience, I think we’ll all be happy with the new/revised formats that will come out of these efforts.
February looks to be chock-full of exciting news to come, first with the announcement of the winners of this year’s Grammy Awards in the Packaging categories (to be posted here on February 5th as soon as they’re announced), which closely follow the Best Art Vinyl Awards results that were posted in early January (click here to see the results, if you missed my original article) and which included some really great examples of human-generated art and design. Voting will also begin soon for another noted industry award – the Making Vinyl Packaging Awards and, as one of the judges on the panel tasked to review the hundreds of submissions received, I’m curious and eager to see what always turns out to me a fascinating cross-section of examples of album covers/packages coming in from all over the world.
Posted onJanuary 6, 2023|Comments Off on ACHOF Breaking News for January 6, 2023 – Special Award Show Updates
Special Award Show updates posted January 6th, 2023 by Mike Goldstein, AlbumCoverHallofFame.com
a) With the voting for the 18th annual Best Art Vinyl awards having finished in mid-December, we’ve all had to sit and wait impatiently for the announcement of who were the top vote-getters. Well, the waiting is now over, with the winners announced at a ceremony held on the 5th of January 2023 at the Hari London Belgravia.
According to the press info on the Best Art Vinyl site, the top vote-getters in this year’s competition were as follows:
1st place was awarded for artwork done by Simon Monk for Black Country, New Road’s album ‘Ants From Up There’;
2nd place was awarded for the artwork produced by Bart Balboa for Birds In Row’s album ‘Gris Klein’
3rd place was awarded for the Illustration done by Jake Blanchard for Richard Dawson’s album ‘The Ruby Cord‘
Posted December 1, 2022 by Mike Goldstein, AlbumCoverHallofFame.com
Greeting to you all – nice to see you all again!
Once again, I have to apologize for leaving you without an update for the month of November, but my wife and I decided to brave the travel scene to complete a vacation trip we’d started in late 2019 that had to be truncated a) by a death in the family and b) that crazy COVID-19 thing that shut things down a bit for a year or two. This journey, which took us to NYC and then over to the U.K. and Ireland, was quite restorative and, I must admit, was timed so that we’d be out of the country on November 8th so we’d be able to have some distance between us and the pre-and-post-election media madness for a while. Of course, there was no escaping the news, but at least it was offset by all of the excitement that took place in the UK’s government while we were there, and we enjoyed the scenery/people/food there so much that it kept us in the right frame of mind, allowing us to return after a month with some degree of sanity and appreciation of life’s better things in tact.
Of course, during our travels we came across a number of album/music art-related things that added to the overall enjoyment of the experience, including a visit to the site of the new (set to open in its entirety in 2024) Universal Hip-Hop Museum in the Bronx Marketplace (NYC), with a tour provided by the museum’s director, Rocky Bucano; a visit to Liverpool, England (our first) that included an escorted overview provided by designer/author/all around great guy Andrew Dinely (of the Soft Octopus design studio there) that also included a stop at the British Music Experience – an “immersive exhibition” that takes attendees through an illustrated (via memorabilia, videos, etc.) review of the immense and diverse pop music scene in the U.K., from its beginnings in the 1950s through the most-recent BRIT Award-winning artists, and several other finds along the way (such as a memorial sculpture dedicated to the late Irish rock guitarist Rory Gallagher). I’ll be including brief articles about that as I unpack the info gathers and photos taken over the course of the next month or so.
Of course, while I was away, the first ACHOF Reader’s Poll took place, and the results of the voting will be shared a bit later in this newsletter. At the same time, another major album art-related poll – Art Vinyl’s Best Art Vinyl Awards – began gathering votes on its site (see more on this a little later as well) and the Recording Academy here in the U.S. released the names of the nominees for their upcoming Grammy Awards voting, with results to be announced early next year. Lots of great art and artistry on display, so it’ll be interesting to see how the voters/voting public responds to the announcements of the top vote-getters in all of these competitions.
All Things Must Pass “Uber Deluxe Edition” Box Set
ACHOF’s Mike Goldstein interviews Grammy-winning art director Darren Evans about the All Things Must Pass 50th Anniversary Album Package for George Harrison – Darren Evans, Dhani & Olivia Harrison, Art Directors – winners of the Grammy Award “Best Boxed or Limited-Edition Package” at the 64th Annual Grammy Awards show (2022).
Posted August 26, 2022 by Mike Goldstein
Throughout each year, the many members of the professional organizations related to the entertainment industry gather together to review the work product of their peers (or, in the case of several prominent media organizations, projects done by those they track and report on), select the best examples of that work and then honor those who produced and/or performed those works with awards that symbolize these achievements. Some awards are quite niche-oriented, perhaps representing a great example of creativity in a particular aspect of the work produced (like a product manufacturer’s award for best use their products), while others are much broader in scope and meant to bring a sense of great accomplishment, value and joy to both the winners and their fans. In the recorded music business here in the U.S., some of the most-coveted and highly-valued awards are those handed out by the Recording Academy, AKA “the Grammy organization”, with Grammy Awards handed out each year in dozens of categories, including three in the “Packaging” category.
Album Cover Hall of Fame.com 