Posted onFebruary 1, 2023|Comments Off on Album Cover Hall of Fame News Update and Link Summary for February, 2023
Album Cover Hall of Fame’s News Update and Link Summary for February, 2023
Posted February 1, 2023 by Mike Goldstein, AlbumCoverHallofFame.com
January was a busy month in the world of album cover art and artists and, to be honest with you, it was all a bit overwhelming as I’ve begun to do the work to re-organize ACHOF-related content into the various silos that will ultimately make up the two sites I’ll be maintaining going forward. I’ve spoken with several people whose experience and gut instincts I appreciate and have a pretty good idea as to how to best proceed so, with your support and patience, I think we’ll all be happy with the new/revised formats that will come out of these efforts.
February looks to be chock-full of exciting news to come, first with the announcement of the winners of this year’s Grammy Awards in the Packaging categories (to be posted here on February 5th as soon as they’re announced), which closely follow the Best Art Vinyl Awards results that were posted in early January (click here to see the results, if you missed my original article) and which included some really great examples of human-generated art and design. Voting will also begin soon for another noted industry award – the Making Vinyl Packaging Awards and, as one of the judges on the panel tasked to review the hundreds of submissions received, I’m curious and eager to see what always turns out to me a fascinating cross-section of examples of album covers/packages coming in from all over the world.
Published December 22, 2022 by Mike Goldstein (or was it?)
While everyone who regularly visits the ACHOF site knows of my passion for research and writing related to the topics of album cover artists and the output of their efforts, what many of you might not know is that I’m an admitted techno-geek. Understanding that that disclosure might lead you to think that I’m inclined to spend most of my time these days lost in the nether regions of technology, I can assure you that most of those behavior traits are now long lost and while I can recall with great accuracy my time spent first as passionate-yet-greatly-underfunded stereophile (someday, we’ll swap stories about building several Dynaco amplifier kits before trading up to a GAS Ampzilla) – before moving into careers in the cartoon animation/CD-ROM authoring/TV & Web content production business – I can say with much pleasure that, these days, checking my emails, doing research on the Web, editing images with Photoshop and then writing articles using MS Word is the extent of my regular relationship to technology (OK, I do use Google Maps when I’m in the car – don’t we all at this point?).
With all that said, I do still try and pay attention to the intersection of technology and entertainment and have followed with great interest the developments of streaming music/TV, blockchain technology/NFTs (as a basis for tracking ownership and/or licensing of digital assets) and, most recently, the capabilities of artificial (general) intelligence systems as they relate to the creation of content – research tools, text-defined images and, most-relevant to my efforts these days, writing assistants. While some early adopters have impressed me with some rather imaginative uses of AI/AGI tools to create newly-rendered versions of their favorite artwork (some of which I reported on earlier, such as one enterprising individual’s use of the “DallE2” AI image-making tool to reimagine some of our favorite album covers), much has been written – particularly in the fields of education and the media – about the upsides and downsides of using these tools, with some suggesting that a great percentage of what we’ll read, hear and see in the future will have been created by authors that simply input a list of requests for articles (images, videos, podcasts) based on a few select criteria and then share the output with the public. Will what we see/hear be “real”, or “factual” or are we simply too busy/lazy to care?