Tag Archives: Storm Thorgerson

Album Cover Hall of Fame News Update and Link Summary for January, 2023

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Album Cover Hall of Fame’s News Update and Link Summary for January, 2023

Posted New Year’s Day, January 1, 2023 by Mike Goldstein, AlbumCoverHallofFame.com

Greetings to you all, and a Happy New Year 2023 to you and yours!

Hope that you all enjoyed your Holidays and have much to look forward to this upcoming year. While we were all involved with our celebratory efforts, efforts continued on several fronts to help determine everyone’s favorite album cover/packaging work of the past 12 months, with voting taking place in several name-brand competitions. The results of those contests will be released in ceremonies taking place in January and February and you can be sure that they’ll be highlighted here on the ACHOF site.

2023 will also be one of change here on the ACHOF site. As you know, for the past 10+ years, we’ve involved both our readers and our anonymous panel of experts in our own nominating/voting efforts in order to select people – i.e., the designers, photographers, art directors, etc. working in the music business and creating retail album packaging – for special honors, and while those efforts have produced lists of artists who’ve all built impressive portfolios of work in their respective areas, it has been an effort that – at least to me, this site’s principal – has distracted me from the main focus of the site, that being to give my readers in-depth interviews, information and ongoing coverage of the output of these talented individuals and design teams. With that said, I am announcing that, going forward, I’ll be working on creating a new site where the general, artist-specific info (bios, interviews and news) will go, with the “hall of fame”-related materials remaining on the albumcoverhalloffame.com site. More details on that effort will be announced soon, but I thought it important to share my intentions with you now with the hope that you’ll provide me with some feedback and suggestions as to how best to move forward.

Anyway, this month’s newsletter is a simple summary of the news in all of the main topic areas, with updates and info about several museum/gallery exhibitions, new auctions and sales results from previous ones and a large number of art and artist-related articles, so I’d like to once again say “thanks” for your help, your support and your patience while I work to get this site set on its new track in the long and short-term. Let’s get started with some updates on the award shows currently in progress:

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Announcing the Winners of the 2022 ACHOF Reader’s Poll

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posted November 22, 2022 by Mike Goldstein, Album Cover Hall of Fame.com

For the past 10 years, the contributors to the Album Cover Hall of Fame have worked to recognize and promote the talents of the people who’ve brought music fans and art collectors (and those of us that appreciate both activities) the best in retail and online music packaging, design, graphics and photography.

Helped each year by asking a panel of curators, gallerists, music marketing execs and writers/researchers who cover the topic to register their opinions, I’ve been able to deliver these details to my readers and, once a year in November, present the top vote-getters in our annual poll as inductees into the hallowed (virtual) halls of the ACHOF. What I haven’t been able to do until now is ask this site’s visitors and fans about their favorite album art-makers, and so to celebrate the 10th anniversary of the first class of inductees into the ACHOF, I asked you all to participate in a poll that would serve to track and the report on your feelings about who of our past inductees deserved special commendation.

This year’s poll allowed you to look over the past winners in each of the active award categories and then asked you to select those who are your most-admired art directors, illustrators, designers and photographers, with the top vote-getters placed in special categories that will be called…well, what will we call them? We don’t want to call them “the best”, nor do we want to repurpose some of the popular names that the awards industry has used over time – “People’s Choice”, “Fan Favorites”, “Vox Populi”, “Diamond/Platinum/Gold Medal Winning”, etc. A quick trip to the thesaurus presents words and phrases like “title holder”, “prize winner” and “top dog”, among others, along with some that I think are a bit over the top, such as “conquering hero”, “vanquisher” and “numero uno”, so while I know that it had to have been something memorable and appropriate, I don’t think we’re quite ready to commit to anything beyond “Top Vote-Getters”.

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Album Cover Hall of Fame News Update and Summary for September, 2020

 

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Album Cover Hall of Fame News Update and Summary – September, 2020

Posted September 1st, 2020 by Mike Goldstein, AlbumCoverHallofFame.com

We’re entering the final stages of Summer 2020 – a summer unlike any I can remember – and now that we’ve heard the arguments from both sides regarding either the re-election of the current administration or its replacement with a new one, I know that the next couple of months will be full of messaging, news and theater but, while you might think that there’d be little news coming from the world of album cover artists and their art, in fact, there’s been a lot to look at, read and learn about. Visual artists have always played an important part in politics and have made some quite-memorable statements about society with their works (think of album covers released over the past 5-6 decades from musical acts such as Pink Floyd, Rage Against The Machine, The Roots and many, many others), so you won’t be surprised to find examples of such work included amongst the articles included this month’s news summary.

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Album Cover Hall of Fame News Update and Summary for April, 2020

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Album Cover Hall of Fame News Update and Summary – April, 2020

Posted April 1, 2020 by Mike Goldstein, AlbumCoverHallofFame.com

Greetings from Chicagoland. While it’s my hope that my monthly news summaries bring a little joy into your lives, I must admit that the preparation and delivery of this month’s article during a world-wide health and economic crisis had me wondering whether any of you would be disappointed if I’d chosen to put things off for a while. With many of us sequestering ourselves from the outside world and/or having to deal with the loss of a job, serious health and family issues and a general fear of the unknown, it seems to me that we all have a lot more on our minds than the answer to the question “what’s happening in the world of album cover art and packaging?” Keeping this in mind, and accepting the fact that I’m sure most of you realize that I have more time on my hands to sit at my computer than usual, I’ve decided to shoot out a somewhat-truncated summary document both to keep fans of album art informed and to give this lonely and frustrated soul something to do while we ride this out together.

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Album Cover Hall of Fame News Update and Summary – Independence Day Weekend, July, 2019

Album Cover Hall of Fame News Update – Independence Day Weekend, July, 2019

By Mike Goldstein, AlbumCoverHallofFame.com

Hope that all of you here in the U.S. are enjoying your 4th of July holiday break – BBQ-ing, fireworks, trips to the beach, sun burns, little kids spilling sand on your blanket while their parents are checking their Facebook feeds, etc. – oh such fun! We had great weather (i.e., no rain) here in Chicagoland and were lucky enough to enjoy two nice fireworks displays, so with my ears still ringing and bursts of color burned into my corneas, here is a quickie, much-streamlined run-down of all of the album cover artist/art-related news I think might be worth your time investigating:

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Album Cover Artist And Art News Summary And Preview For November/December, 2018

ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF NOVEMBER, 2018, WITH PREVIEWS FOR DECEMBER.

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BY MIKE GOLDSTEIN, ALBUMCOVERHALLOFFAME.COM

With the holiday season fully upon us, I know that you don’t have much time for reading (other than ads and reviews for the electronic gadgets you must buy this season), so I’ll get straight to the point – I was happy to announce the names of the talented individuals and design teams that were selected for inclusion in this year’s Class of Inductees to the Album Cover Hall of Fame a short while back, and with the Best Art Vinyl and Grammy Award noms and voting straight ahead of us, there’s been a fair amount of album cover artist/art-related news this past month. With my book project back on track, I really have only had the chance to gather a small selection of album cover artist/art-related news tidbits for you (and I’m even late doing that) so, without any further delay, here are those highlights, for your reading pleasure (as always, I ask that you please share this info with everyone you know who are fans of great album cover-related talent and, of course, your comments and feedback are quite welcome):

Inductees announced for the Class of 2018 of the Album Cover Hall of Fame – https://albumcoverhalloffame.wordpress.com/achof-class-of-2018-inductee-intro-page/

Best Art Vinyl voting has begun – https://www.artvinyl.com/award-year/2018/

Grammy Award nominations are to be announced on December 7th (originally was to have been 12/5, but delayed in deference to the funeral for former U.S. President George H.W. Bush), so I’ll post those in the album cover-related categories in a special announcement later this week.

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Album Cover Artist And Art News Summary And Preview For January/February, 2018

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ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF JANUARY, 2018, WITH PREVIEWS FOR FEBRUARY.

BY MIKE GOLDSTEIN, ALBUMCOVERHALLOFFAME.COM

The first month of 2018 really delivered for fans of album cover artistry, with kudos for Best Record Packaging and Box Sets/Limited Edition packages handed out at the Grammy Awards on January 28th along with the top picks for the annual Best Art Vinyl awards – chosen by voters around the world – announced earlier in the month on January 9th. As you’ll see in my recaps way down in Section 5, there were plenty of surprises – including a TIE (!!) – and praise handed out to the very talented producers of this year’s top vote-getters, so to all those who complain that “album art is dead”, I think that you should take a look at all of the nominated works before backing that horse from this point forward…

Some good news also about my book – I’ve just had the proposed details for my project approved by the folks at Kickstarter so, with any luck, I should be able to share a link to my project page for your review (and, if you like what you see, your support) sometime in the next month or so. With any luck, I should be able to get the books designed, printed and shipped to you sometime this Summer – and let us all say, “it’s about damn time”.

As we begin the second month of 2018, I’d like my early Valentine’s Day presents to you all to be a) my just-published interview article in the March issue of GOLDMINE Magazine (page 50) about designer/photographer/pilot Bob Minkin’s work on the packaging for some of the fan favorite Dick’s Picks records released in the early 2000s by The Grateful Dead (my second article in this magazine this year, I’m proud to say), along with the following album cover artist news summary and preview. It will hopefully be just as nourishing and satisfying as a box of chocolates and one I think you’ll want to spend a few minutes reviewing and sharing with your friends. Besides the aforementioned award details, the past month was another one chock-full of news on this topic, delivering a trove of articles I know you’ll want to read, unearthing many new details about those folks who are actively producing impressive album cover art and packaging. In the summaries I’ve written and via the links provided, you’ll learn more about the latest exhibitions, new books, prints and products and several interesting interviews and artist profiles, along with other related reporting from sources providing these details around the world. With so much to read and see, you should be pleased that I’m not one of those Americans who promotes the notion that nobody else in the world is as talented and praise-worthy as we are – just take a look at the portfolios of record packages produced by some of the people featured in this month’s summary and I think you’ll agree that their works speak for themselves…

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Album Cover Artist And Art News Summary And Preview For December, 2017/January, 2018

ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF DECEMBER, 2017, WITH PREVIEWS FOR JANUARY, 2018.

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BY MIKE GOLDSTEIN, ALBUMCOVERHALLOFFAME.COM

Wow – what a year. Who’d have thought that a guy my age could be so distracted by so many things on a day-to-day basis (world events, U.S. politics, the care and feeding of an elderly relative, etc.) and that those distractions would have postponed my ACHOF book project to the degree they have. I’m not trying to make excuses – I’ve also been guilty of a bit of laziness on nice days here in Chicagoland, where taking a nice long walk, stopping for a coffee or sitting in the gardens at the Baha’i Temple in Wilmette (just beautiful) proved to have a much stronger pull on me than staring at a computer screen all day – but I am resolving to get my Kickstarter project launching in the next month or so, and so I appreciate all of the patience that both my readers and those who’ve contributed to the book have shown while I work to put this together. In the meantime, I eagerly hope that we can all return someday to a time and place where compassion, kindness and respect for both the truth and our fellow human beings means more that counting “wins” and “losses” and seeing who has amassed more stuff, and so here’s wishing you all a happy, peaceful and prosperous New Year 2018.

As we now enter the final weekend of 2017, I’d like to present to you (“and I thought that it wasn’t supposed to be about the presents…”) this month’s album cover artist news summary, one I think you’ll want to spend a few minutes perusing during your long Holiday weekend. The month of December was another busy one for news on this topic, delivering stockings full of articles I know you’ll want to read, unboxing new details about those actively producing impressive album cover art and packaging. In the summaries I’ve written and via the links provided, you’ll learn more about the latest efforts – as found in exhibitions, via new books and products and featured in interviews in profiles and other related reporting – of some of the most-talented album cover art creators and promoters that I’ve found in my reviews of stories from sources (including me!) around the globe.

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Album Cover Artist And Art News Summary And Preview For October/November, 2017

ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF OCTOBER,WITH PREVIEWS FOR NOVEMBER, 2017.

 

 

BY MIKE GOLDSTEIN, ALBUMCOVERHALLOFFAME.COM

Greetings once again to you all on this post-Halloween sunny-but-crisp early November day, 2017. The month of October proved to be a VERY busy one with regards to articles you’ll want to read that reveal new information about those active in the world of album cover art and packaging and, in the summaries I’ve written and via the links provided, you’ll learn more about the latest efforts – as found in exhibitions, via new books and products and featured in interviews in profiles and other related reporting – of some of the most-talented album cover art creators and promoters that I’ve found in my reviews of stories from around the world.

Of course, nothing could be more important than the work going on right now to select the nominees and, after close consideration, voting on a new class of inductees, for the Album Cover Hall of Fame. Over 200 people are being considered for this year’s Class (2017), with the winning names revealed to an eagerly-awaiting public just prior to Thanksgiving (which takes place here in the U.S. this year on November 23rd), so watch this space closely as I’m sure you’ll want to know who “made the cut” this year…

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Album Cover News Summary For August, 2016

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ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF August, 2016

It’s the beginning of September, 2016, with Labor Day upon us, marking the “official” end of this year’s Summer season. If you’re done packing your kids off to school and find yourself with a little extra “me-time” during the day, I’d like to propose that you spend a little time catching up on your album cover art/artist-related news which, as you all know by now, you’ll find nicely-summarized in my weekly and monthly recaps.

In this month’s summary – continuing on in the much-appreciated “less talk, more info” format I launched several months back – the people that make our favorite album imagery continue to make news with their ongoing contributions to the field of album art/packaging, contributing to the ongoing stream of articles, interviews, info on museum and gallery shows and the like on a wide range of related topics. Enjoy the read and let me know if you have any questions or comments:

1) Upcoming, recently-launched and just-closed show/exhibitions –

a) Launching September 1st at the San Pedro (CA) First Thursday Art Walk is an exhibition at the huZ Gallery featuring a selection of the photo portraits taken over the past 40+ years by photographer Peter Figen, a man who has produced stunning promo images of top talent including George Harrison, Bonnie Raitt, Doc Watson, Townes Van Zandt along with album package photos for David Grisman, Robert Earl Keen, Chris Hillman, Carl Verheyen and many others. With a career that was jump-started while shooting at an early 1970s Hot Rise show in California and being spotted by the art director for Frets Magazine, who asked him to submit his shots after the show, Figen has used his passion for folk/roots music to create confidence in his abilities as a photographer in his well-known subjects, with the results now on display during this gallery show. Writer Kathy Leonardo posted this profile on the artist recently on the Huffington Post site – http://www.huffingtonpost.com/kathy-leonardo-/music-and-photography-sha_b_11298832.html – while those interested in seeing and learning more about this new print collection can click on over to the gallery’s site at http://www.huzgalleries.com/ . The gallery has also teased visitors with the fact that they’ll also be unveiling several new photo prints of a ready-to-be-discovered young musician named Elvis Presley taken by an Air Force photographer during a performance in Lubbock, TX in 1955…

b) Running now through September 10th at the Gabba Gallery on Beverly Boulevard in West Hollywood is a show featuring over 80 real and not-so-real album cover works created by a whole host of well-known and soon-to-be-well-known artists that’s called Cratedigger: The Lost Art of Album Cover Art. According to the gallery’s press, the exhibition “celebrates one of the twentieth century’s most influential art forms – the record sleeve cover. Curated by (gallery owner and accomplished artist in his own right) Jason Ostro, the exhibition showcases the work of 85 local and international artists. Each artist has imagined a cover design for a real or fictional album. Just like classic record covers, every piece in the show is 12” x 12”…

The gallery also shows music-related works by artists including Joey Feldman, Jules Muck and photographer Jeff Kravitz, so there will surely be a lot to take in during your visit. More info on the album art show is available on the gallery’s site – http://www.gabbagallery.com/cratedigger

c) Photographer Gerald Fearnley cemented his place in rock and roll album art history with the shot he provided for the cover of David Bowie’s debut record, but the folks at the Snap Gallery in London didn’t stop with just that image when they organized a show built around a recently-unearth cache of ’66 – ’67-era photos of the soon-to-be-recognized creative force that was Mr. Bowie. Fearnley was introduced early on to Bowie through his brother, bassist Derek Fearnley, who played in Bowie’s early backing band The Buzz, and used that access to arrange for a series of photo shoots that produced what looks to be a fascinating collection for fans of the era’s music and fashion. You can read an intro on the show – which runs through September 24th – via Tom Pinnock’s quicky posting on the Uncut site – http://www.uncut.co.uk/news/david-bowie-exhibition-feature-unpublished-photographs-86903 and get further details directly from the Gallery via this link – https://www.snapgalleries.com/exhibitions/bowie-photographs-by-gerald-fearnley/

d) The Buddy Holly Center in Lubbock, TX is where you’ll find a major collection of photos of rock’s best-known female stars taken by shooter (that takes on a new meaning in TX, no?) Anastasia Pantsios, an artist who’s been busy taking great photos for rock music clients including AC/DC, Journey, Eric Clapton, Michael Stanley and many others over the past 40+ years. Titled ” “Girls on Film, 40 Years of Women in Rock”, the show was originally organized several years ago and has been updated to include both some of Pantsios’s earliest works (e.g., Grace Slick with Jefferson Airplane in 1969, Deborah Harry in Blondie and mid-70s Patti Smith) and later examples including Gwen Stefani, Nelly Furtado and Shirley Manson of Garbage. While no longer working with clients in the music business (what, you want to get PAID to do your work?), Anastasia can look back proudly on her contributions to several Cleveland, OH-area publications including The Plain Dealer (where she also contributed as a writer) and alt weeklies including The Free Times and Cleveland Scene. More info on this show, running now through September 11th, via this article on the LubbockOnline.com site – http://lubbockonline.com/filed-online/2016-07-30/kerns-buddy-holly-center-displays-photo-exhibit-influential-women-rock#

e) What a combination – a prime collection of wonderful paintings and prints of worlds beyond our own put on display in a museum located on a mystical island! From now until the 19th of November, visitors to the Manx Museum – a National Heritage organization on the U.K.’s Isle of Man – can tour a collection of works by the impressively-talented Roger Dean, best-known to album cover art fans for his contributions to the visuals for bands including YES, Uriah Heep, Asia, Osibisa and many others.

With a portfolio that includes not only album cover imagery but (both alone and working with his talented brother Martyn) stage designs, architecture, calendars and a wide variety of merchandise, Dean’s work continues to impress and astound fans with its ability to take you to the farthest reaches of your imagination. You’ll find works in many media, including several models of designs he’s done for living spaces you can only dream you’d be able to live in. An article on the Isle of Man web site provides an intro – http://www.isleofman.com/News/details/80357/islands-and-bridges-the-art-of-roger-dean  while additional details are available on the museum’s site – http://www.manxnationalheritage.im/whats-on/detail/islands-and-bridges-the-art-of-roger-dean/

f) Since the time of the Woodstock Festival at the end of the 1960s, the exhibition of fine art with music has gone hand in hand, with everyone from poster/merch designers, painters, fabric artists and many other disciplines plying their wares and providing the visual backdrop for attendees at these festivals. One of the latest examples of this was on display recently during the Panorama festival held on Randall’s Island in New York City (as seen via the AFP-penned article that appeared on the ArtDaily.com site – http://artdaily.com/news/88984/For-New-York-s-new-festival–an-immersion-in-art).

Organized by the same team that puts on the popular Coachella festival (i.e., Goldenvoice), the festival features an area called The Lab which, according to the promoters, is an “interactive experience which features installations that combine technology, artistry, and design, created exclusively by New York-based artists for display only at PANORAMA.” Inside The Lab is “The Dome”, which is a huge dome that accommodates up to 400 people at a time and provides a 3D Virtual Reality display using music, animation and other forms of “immersive media”. The works of 11 studios combined to make this experience a fun and fascinating one, providing festival-goers with a place to take a break from the performances by acts including the Alabama Shakes, Arcade Fire, Kendrick Lamar, LCD Soundsystem and the act which has produced a number of very interesting album covers the past couple of years, FKA Twigs.

g) Friend of ACHOF Emily Smeaton of the UK’s Hypergallery was kind enough to share the details of an upcoming event that should be of great interest to anyone interested in both seeing a superb collection of album art prints and hearing from two of the most-respected designers in the field. Beginning on September 26th in lovely Henly-On-Thames outside of London, our chums at Hypergallery will host a pop-up exhibition called “The Art of the Album Cover” that will feature ” prints by Literary Festival speakers, from the days when all music was vinyl, and album covers became an art form of their own.” On the last day of the event – Sunday, October 2nd, at 5pm local time, in the Town Hall venue – two of rock music’s design greats – Aubrey (Po) Powell, the co-founder of the celebrated design studio Hipgnosis (best known for their covers for Pink Floyd, Led Zeppelin, Black Sabbath, Peter Gabriel/Genesis and many others, and author of a book on his studio’s work titled Hipgnosis Portraits) will be joined by Richard Evans (who, in addition to his many well-known album art credits both with the team at Hipgnosis and on his own, was author of The Art of the Album Cover book) where, according to Emily’s note, “the two artists will be sharing anecdotes from the time they spent at the epicenter of the rock and roll tornado of the late 1960s and 1970s.” After the event, Hypergallery will host a book signing and exhibition of the authors’ design work in their print room, just across from the Town Hall. You’ll be able to meet the authors, have a drink or two and view the great collection of works that will be on hand.

Advanced tickets for the event are now on sale via the link – http://tiny.cc/hlf_artofthealbum  and you can visit the gallery’s site at https://www.hypergallery.com/event_hlf/  for more details. Of course, I will work to get hold of any photos, transcripts or videos that emerge from this event, so stay tuned. I am, of course, immediately jealous of anyone who’ll be able to attend this event…

h) Having just celebrated his 75th birthday (Happy Birthday, John!), graphic design superstar John Van Hamersveld marked the occasion with the launch of a new exhibition (running now thru October 16th, at the Manhattan Beach Art Center in Manhattan Beach, CA) titled Contemporary Post Future! The Dichotomy of Design and Art – John Van Hamersveld which, according to the gallery’s PR, ” presents past and present artworks where John Van Hamersveld explores the connection between art, design and commerce.” The centerpiece of the display is a 47-panel modular black and creme-colored collage/mural JVH created that surrounds the building with his talents. Inside, two galleries showcase a number of examples of both his commercial design work and his striking and imaginative fine art designs, so if you’re in the area or need a destination for an art-filled excursion, I’d suggest a trip on over to see this show, with details available via the link at http://www.citymb.info/city-officials/parks-and-recreation/cultural-arts/exhibition/creative-arts-center-exhibitions#ad-image-1

i) Just as a tease, the folks at the V&A Museum in the U.K. just announced that they’re going to stage a new exhibition beginning in May 13th, 2017 built around the imagery of one of Britain’s most-valuable exports – that being the rock band Pink Floyd. According to the press (as exemplified in this BBC Entertainment & Arts section article recently published – http://www.bbc.com/news/entertainment-arts-372284960 ) the show – to be titled “The Pink Floyd Exhibition: Their Mortal Remains” – promises to offer “an immersive, multi-sensory and theatrical journey through Pink Floyd’s extraordinary world which will chronicle the music, iconic visuals and staging of the band, from the underground psychedelic scene in 1960s London to the present day”. With over 350 examples of Floyd-related visual imagery, including a whole host of album cover artwork created over the years by Storm, Po and the team at Hipgnosis, there will certainly be a lot to take in. Advance tickets are now on sale on the Museum’s website at https://www.vam.ac.uk/exhibitions/pink-floyd

2) Artist interviews/profile articles –

a) When a long-time fan of a musical act – in this case, South Carolina-based artist Dave Beard – has the opportunity to provide design services for that act – in this case, the Beach Boys – great joy ensues, as is evidenced by this recent article by Andrew Stark for the Fort Mill Times (as shared with the HeraldOnline.com site). The article tracks Beard’s path from fan to fanzine editor/designer to Dean Torrence (of Jan & Dean fame) design cohort to a 2014 commission by the Beach Boys to create what Beach Boy Mike Love called “In the 54 years of touring and (a) multitude of concerts and concert programs, the new Beach Boys’ 2015 Official Tour Program is far and away the best I’ve ever seen.”

Wouldn’t it be nice to learn more about this story? Don’t worry, baby – here’s the link – http://www.heraldonline.com/news/local/community/fort-mill-times/article91728932.html

b) Fine artist Filipe Molina has been showing his works in top-notch galleries throughout his career, but when he was contacted by the folks at Capitol Records in 2014 to come up with artwork for the Counting Crow’s then-upcoming record titled Going Under Wonderland, he saw it as an opportunity to be able to share his work with potentially millions of the band’s fans and proposed that he create a unique work for each song on the album, greatly multiplying the “collection” each record’s owner would acquire. He then went on to create a really nicely-done multi-media light show that the band used during their 2015 World Tour. As I’m working on adding Molina’s bio to the ACHOF site, Felipe shared a link to a 25 minute video on YouTube that gives you an overview to the artist and the wonderful images he created for this record package – https://www.youtube.com/watch?v=xz-Gj33Kg0g

To see more of the artist’s works, you can also visit his website at http://www.molinaart.com. Once there, you’ll find more about some of his other projects, including a “Wine Art Music” project (inc. custom labels for proprietary blends released by Standing Sun Winery) and The Outlaw Roadshows (indie rock music festival staged in Nashville and NYC) where Felipe both exhibits his artwork and is one of the event’s five producers.

c) Fascinating article by writer Anna Buksowicz for the British Journal of Photography on art director Samuel Burgess-Johnson that focuses on his most-recent work for the latest record by The 1975, with neon signs placed in unusual locations that are used to illustrate each of the album’s 10 song titles. It’s certainly a testament to the value of a proper budget for stunning album cover work, but I wonder if they paid whoever was hired to come up with the record’s title by the word – I Like It When You Sleep, For You Are So Beautiful Yet So Unaware Of It.

Burgess-Johnson also spends a fair amount of time sharing his feelings about what makes for a good album cover and why it’s still an important part of any new record release, so if you’d like to read more of the insights of one of the busier art directors working in the music business these days, click on over to http://www.bjp-online.com/2016/08/how-samuel-burgess-johnson-snapshots-music-through-art-direction/

d) I’ve written previously about the mega-exhibition (“Exhibitionism“) currently in London featuring a heaping helping of Rolling Stones art, photography, music and memorabilia, but fans of notable album cover imagery are in for a treat if you bop on over to this interview article posted on the Clash Music site featuring the wonderfully-talented photographer Gered Mankowitz, someone with several shots included in the show, including his cover photo for Between The Buttons and a portrait of the band’s metronome, drummer Charlie Watts.

While the interview provides an in-depth look at Gered’s relationship with the band, their management/record label and then touches on his other well-known subjects, including Jimi Hendrix (the iconic “Smoking” shot) and newer acts such as Oasis, Mankowitz does go on record with the lament that the first album package image he took of the band – the artsy alleyway shot used on their Out of Our Heads record back in 1965 – was NOT included in the show. “This will be the last time” (or, based on the total control the band has over its image, maybe not)….  http://www.clashmusic.com/features/gered-mankowitz-shooting-the-stones

e) While most album artist profile articles are cobbled together by writers (such as yours truly) asking the subject questions about themselves and their work, today I’d like to point you to one that presents an artist profile that’s been provided by one of the (late) artist’s better-known clients, by whom I mean guitarist Steve Miller, sharing his recollections of working with the famed art director/photographer Storm Thorgerson. One of Storm’s last record cover commissions was for Miller’s 2010 release titled Bingo, with the photo impressing Austin Chronicle writer Raoul Hernandez so greatly that he tracked down Mr. Miller to get his take on the collaboration with Thorgerson that produced such a memorable image.

Armed with a list of what he needed (logo, cover and a new take on a “Space Cowboy” image) and a rather nice budget for these elements, Miller got all he wanted and more and was left with what I’m sure you’ll agree was a long-lasting impression of what it was like to work with a talent such as Storm, even late in his career and having faced a stroke and cancer as obstacles. Really quite the talent…

http://www.austinchronicle.com/daily/music/2016-07-29/adult-play-storm-thorgerson-by-steve-miller/

3) Sales/Auctions –

a) The folks at the WA-based Visual Gallery have announced a sale on a select grouping of limited-edition album art prints that I thought you might want to check out. You’ll find promo pricing on prints including Cream’s Disraeli Gears (a Martin Sharp masterpiece), Sgt. Pepper’s Lonely Hearts Club Band by The Beatles, a Charlie Watts-signed Bridges To Babylon print and others. They’re also offering some nice deals on posters by Ioannis, Bob Masse and others, so click on over to see what’s on sale before it’s too late – http://www.visualgallery.com/

b) Works by the late artist Frank Frazetta have fed the fantasies of many a young science fiction/adventure fan as well as musical acts including Molly Hatchett, Nazareth, Yngwie Malmsteen and Wolfmother (who chose to use Frazetta paintings on the covers of several of their record albums), so it was interesting and exciting to see that one of the artist’s best-known paintings – titled At The Earth’s Core and used on the cover of the 1978 paperback release for famed writer Edgar Rice Burrough’s first Pellucidar novel – sell for over a million dollars during a recent Heritage Auction event in Dallas, TX (the actual selling price was $1.075 million, the most ever paid for a Frazetta work). You can click on over to this recent article on the Fine Books & Collections Magazine site in which the details are shared about both this impressive purchase, along with other big-ticket illustration art items that found new homes post-auction – https://www.finebooksmagazine.com/press/2016/08/world-record-for-frank-frazettas-painting-used-as-paperback-cover-art.phtml

c) Kanye West‘s design company – DONDA Design – pulled out all of the stops when they created an animatronic sculpture featuring 12 of the era’s most-recognized celebrities lying naked in a large bed, a prop then used in one of the musician’s latest music videos. Now, Mr. West has entrusted the Los Angeles-based gallery Blum & Poe to find a collector who’d be willing to spend $4 million to take the sculpture – complete with platform bed, bed linens and batteries – home for their very own. Made from silicon (a substance most-widely used for other purposes in today’s entertainment business), the work shows life-like models of Pop Culture icons such as Taylor Swift, Anna Wintour, Donald Trump, George W. Bush, Bill Cosby and others all asleep, lying alongside West and two of his family members – wife Kim and Caitlyn Jenner. The gallery held a brief showing recently and is actively seeking a buyer among its contact list of well-heeled collectors and museums, so we’ll keep an eye out to see if/when/where it lands. For more details on the work, you can read NY Times writer Adam Popescu’s late-breaking story via the link – http://www.nytimes.com/2016/09/01/arts/design/gallery-hopes-to-sell-kanye-wests-famous-sculpture-for-4-million.html? or see more on the gallery’s site at http://www.blumandpoe.com/exhibitions/kanye-west

4) New Print/Book Publishing –

a) If you were impressed with the 50+ “variant covers” that Marvel produced last year which were creatively-reworked versions of well-known examples of hip-hop album cover art, you’ll be happy to read the details of a new series scheduled for this year, with the details provided to us in an article by Fuse‘s Zach Dione. Characters who’ll be featured in the first of this new series include Black Panther, Doctor Strange and Mosaic, built around designs originally found on records by King Mez, Infinite Mind War and Earl Sweatshirt. Keep ’em coming, folks!

http://www.fuse.tv/2016/07/marvel-hip-hop-variant-comic-book-covers-second-wave

b) While I’ve been working hard gathering and organizing the materials for my own book, I look on with great envy as author Ramon Martos Garcia shares the details of his latest release – a thoroughly-revised edition of his critically-acclaimed book on Heavy Metal album art/artists that’s titled And Justice For Art: Stories About Heavy Metal Album Covers (Vol.2). The book, in a signed, limited-edition release (only 270 copies will be produced), is now available for pre-order ($39.99 plus shipping), with shipping set to commence next week.

According to the author, ” This new revised edition has many, many changes—some of them more significant than others, but equally important. Although the new book has the same number of pages (264) and a similar layout, I added a few new images that weren’t available at the time I published the first edition and exchanged some artworks for similar ones with much better quality.

Some parts of the text have also changed, in some cases dramatically. It’s not something you will notice at first sight, but once you go deeper, there are things that are unequivocally different. There are also new comments or interviews with bands and artists I interviewed after the first edition came out. Also, the color reproduction is richer and closer to how the original artworks look like. It took a lot of time and effort.”

If you, like me, are a fan of the many styles of art found on your favorite metal music recordings and you haven’t seen this book before, I’d suggest visiting the publisher’s site now to see more and order your own copy. Here is the pre-order link – http://andjusticeforart.bigcartel.com/product/and-justice-for-art-stories-about-heavy-metal-album-covers

c) The folks at UK print publisher The Flood Gallery recently emailed with some info and imagery about the latest in their series of releases featuring album cover fine art prints of designer/photographer Carl Glover‘s cover images for Marillion’s 2006 LP titled Marbles. In addition to the provocative cover shot, prints of the equally mind-bending graphics that were featured on the record label, CD and inner sleeve are also being offered, with collectors able to preview and purchase any/all of these memorable works via the link – http://www.thefloodgallery.com/search?q=marillion Fans can also check out the prints available for two more Glover-produced Marillion covers – Somewhere Else and Radiation – the latter image being a crafty combination of two photos taken 14 years apart!

5) Other articles of interest –

a) Writing for the DJ Booth site, writer Yoh has put together an interesting look at album cover designs that don’t show the musical acts on the cover. Its an interesting thing to see young writers looking at this as if it were something unusual, considering the number of covers that have been produced over the years that didn’t show the acts or, as evidenced very early on, were hesitant to show the acts for a variety of reasons (e.g., not showing black artists for fear of losing sales to predominantly white audiences or, in the case of some early American acts looking to hop on the British Rock invasion, adopting English names and clothing styles).

In the hip-hop world, where it tends to be important to look tough/rich/street-smart/etc., fans will typically find their favorite musical acts pictured prominently on the cover, so it seems that usually only the well-establish artists (Kanye, Jay-Z, etc.) are the ones willing to take a chance and show off their graphic design inspirations. Here’s hoping for more…  http://djbooth.net/news/entry/2016-07-22-album-covers-no-face

b) For an article posted recently on the Austin Chronicle‘s web site titled “Adult Audio Coloring Book Sampler”, several of the publication’s writers were asked to pick their favorite illustrated album covers and album cover artists and let readers know why they feel these examples were stand-outs in their field. The people and images selected represent a very broad range of talent, including artists such as Roger Dean (YES, Uriah Heep, Asia, etc.), H.R. Giger (best-known for ELP’s Brain Salad Surgery, Debbie Harry’s cheek-pierced Koo Koo and the monsters in the Alien films) and Daniel Johnston, among others with works created for musical acts including Pink Floyd, Ramones, Miles Davis, The Beatles and Chance The Rapper. Whether you’re a fan of the hyper-realistic artwork of Mati Klarwein or the trippy, comic-inspired R. Crumb cover created for Big Brother & The Holding Company’s Cheap Thrills, you’ll find a hand-drawn example you’re sure to appreciate.

http://www.austinchronicle.com/music/2016-07-29/adult-audio-coloring-book-sampler/

c) Washington Post columnist John Kelly recently posted a profile of Ken Orth, a retired urban planner/Beatles fan extraordinaire who travels the Beatles-related gatherings circuit putting on display selections from his 2000+ item collection of spoofs of Beatles record covers. Orth has been collecting these works of art since the early 1980s, and included in his collection are examples of well-known parody covers such as Frank Zappa & The Mothers’ We’re Only In It For The Money (a satirical take on the collage found on the Sgt Pepper’s LP) alongside lesser-known items such as Floyd Domino’s take on the Abbey Road street crossing scene, re-staged using four toddlers in diapers.

The entire parody sub-set of album art collecting is an interesting one, with a number of collectors doing a great amount of researching and Ebay purchasing in order to find prime examples of imagery inspired by classic album art. Ken’s working on gathering the nitty-gritty information on every original Beatles album cover so, with any luck, I hope to be able to share some of that with you when its made available. In the meantime, click on over to https://www.washingtonpost.com/local/beatles-album-parody-art-he-loves-it-yeah-yeah-yeah-yeah-/2016/08/09/b90e66fc-5dcb-11e6-8e45-477372e89d78_story.html  to read more about Ken and his most-interesting of album art collections.

Related content – if you’re really wanting to see a broad selection of parody covers – including hundreds of examples of “re-imagined” covers inspired by designs for the packages of records from the soundtrack for The Sound of Music to The Who’s Live At Leeds, you must pick up a copy of the 2011 book compiled and written by Jan Bellekens and ACHOF chum Simon Robinson titled Covered. The gall of some musical acts is truly mind-blowing (and, most-often, quite hilarious) – https://www.amazon.com/gp/product/095614392X/ref=as_li_ss_tl?

d) Leave it to the writing team on the Ultimate Classic Rock site to treat us to album art-related stories with a twist (or, in this case, with a piss). Author Nick Deriso recounts the story told by photographer Ethan Russell about “the making of” the cover image for one of The Who’s best-remembered records – 1971’s Who’s Next – which, you’ll recall, features a shot of the band having seemingly just relieving themselves on a concrete tower found along the motorway in Sheffield. In fact, only one of the stains resulted from a much-needed pit stop, with the others craftily created by the photographer, so if you’d like to get to the bottom of this story, click on over and the truth will be revealed – http://ultimateclassicrock.com/whos-next-album-cover/

That’s all for now – look for updates every week (usually, on Friday) on our news feed –https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back early next month with another summary for you.

All text Copyright 2016 Mike Goldstein and AlbumCoverHallofFame.com – All Rights Reserved.