Album Cover Hall of Fame Special-Edition News Release, v.2 – Holidays, 2019-2020
Quickie Update – December 28, 2019, by Mike Goldstein, AlbumCoverHallofFame.com
Quickie Update – December 28, 2019, by Mike Goldstein, AlbumCoverHallofFame.com
posted January 4th, 2019, by Mike Goldstein, AlbumCoverHallofFame.com
Hope that you all had happy new year celebrations (some of you may still be in the midst of one!) and, while I said that I wasn’t going to be posting monthly news summaries for a while (in order to be able to devote more time to organizing the materials for my book and some other projects I’m involved with), I am still going to share a headline or two when I think that there’s something timely you should know about…
Album Cover News Recap – September, 2014
by Mike Goldstein, Curator/Editor – AlbumCoverHallofFame.com
Fall is finally here and, although your Curator out of the office early in the month, the flow of album cover-related news stories continued unabated. The news was dominated by several classic rock-related events, including the opening of the David Bowie Is exhibition at the MCA in Chicago, the over-sized release of U2’s latest album and the preview of Pink Floyd’s first new record in over 20 years, which features cover art from a soon-to-be-well-known new artist. Of course, there were also a number of stories posted about various aspects of the world of album art – “best ofs”, “rejected covers” – even a photo-story about “hidden images” found in famous record covers (very mysterious and cool at the same time).
There was good news on the self-funded book publishing front, with several artists/photographers raising enough money to be able to produce and publish books of their work for fans eager to own them (which only gave me more incentive to consider doing this myself!). You’ll also read about several exhibitions using albums/album art as a central theme for their designs, proving to cover art fans that album art – particularly vinyl record art – continues to serve as a cornerstone reference for Pop Culture fans.
In preparation for this year’s ACHOF voting efforts, many new biographies have been added to the site this past month so that, by the end of November, our voting panel (as well as our fans) will be well-prepared to select this year’s inductees into the ACHOF Class of 2014. I’m proud to announce that we’ve added several new voters to the panel, including writers, gallerists and film-makers from the U.S., U.K., Australia and Italy, which helps illustrate that there are fans and experts on the subject all over the world now part of the ACHOF effort.
In the meantime, here’s your chance to catch up on stories you might have missed while enjoying your late-Summer vacations, getting the kids back to school, etc.. We’re working every day to continue our efforts to prove to you that there’s always something new to see and learn in the world of album cover art, and you know that you’ll find it all here on the ACHOF site.
September 30 – Album covers can be so inspiring and mysterious….
1) Writer Lucy Dayman’s recent article on the ToneDeaf site presents 13 examples of “hidden images” or messages found on classic rock album covers of acts ranging from Black Sabbath to Frank Zappa. While I’ve been aware of several of them – the little Klaus Voorman image in George Harrison’s hair on the cover of Revolver by The Beatles, for example – most of them were news to me. I was particularly impressed with the drug reference buried on the cover of Harry Nilsson’s Pussy Cats and the optical illusion featured on The Black Lips’ 200 Million Thousand – freaky, man! Spend a little time on this slide show and, of course, if you’re aware of any other fine examples of this art, please share it here with your friends. http://www.tonedeaf.com.au/419684/13-hidden-images-classic-album-covers.htm#1
2) I’m often asked to share info on “my favorite album cover” with others and, while of course this is impossible for me to answer, when I do run across a discussion of the subject by others in the album cover art world, I’m more than happy to share that with ACHOF fans. Today’s example is from an article on the Design Week web site, featuring the opinions of a number of established and up-and-coming designers, art directors and others involved in the making of today’s album cover imagery. Of course, there are mentions of The Beatles, The Rolling Stones, etc., but there are a few that I hadn’t seen before and am now glad that I have. Take a look and see if you agree –http://www.designweek.co.uk/voxpop/whats-your-favourite-record-cover-art-of-all-time/3039133.article
September 29 – It’s U2 Monday (is it Monday for you, too?):
1) For those fans that intend on purchasing a physical copy of U2’s latest record (titled Songs of Innocence – I could have sworn that it was called “Now, Where Did That Come From?”) when it is released in mid-October – the band has released the album cover image which features a shot by photographer Glen Luchford featuring drummer Larry Mullen hugging his son Aaron Elvis. Fans of the band will recall that two of their earlier releases – Boy and War – both featured the image of the son of Bono’s friend Guggi Rowen, so they say that they chose another youthful subject in order to illustrate the band’s efforts to reach back into their youth in a search for inspiration for material for their new record. The writers for Ireland’s RTE site provide more details in this article –http://www.rte.ie/ten/news/2014/0926/648174-u2-to-release-new-songs-larry-cuddles-naked-bloke/
2) As you might figure, the controversial record has encouraged a number of people to express their feelings about the music (and how it was somewhat forced upon them), so it only makes sense that they’ve also taken to doing something creative with the father-hugging-son imagery that is featured on the record’s cover. One good example of this (actually, almost 30 good examples) are on display on Diffuser.FM’s site in a photo essay they call “Rejected U2 Album Covers” – take a look – http://diffuser.fm/rejected-u2-album-covers/
September 26 –
1) You don’t often find the opportunity to bid on items from the personal archives of a famous album cover photographer, so I’m particularly interested in following the bidding on the dozens of photos that will be put up for sale this weekend in Backstage Auction’s offering of works from Ian Wright. Wright’s photos of the “who’s who” in musical talent in London in the 1960s – The Beatles, Hendrix, the Stones, Bowie, etc. – have been featured in countless articles, exhibitions and, of course, album covers, and a collection of these images is in the archives of the National Portrait Gallery in London. Author Peter Lindblad’s interview of Mr. Wright is a really good read, diving into his relationships with his subjects and providing details on several of his most-memorable photo sessions. Well worth the read, whether you’re looking to add to your knowledge or your collection (or both) –http://backstageauctions.blogspot.com/2014/09/ian-wright-is-ready-for-his-close-up.html
Update – The auction ends on Sunday, October 5th, so there’s still a few days to bid on any/all of the items in this auction. One thing that I didn’t mention in the original article was that the purchasers of most of the Ian Wright works in this auction not only receive a print, but they also get the negatives and the rights to the images themselves, making them valuable investments. Starting bids are in the $500 – $1000 range….
2) Album cover artwork often includes images that reflect the musical act’s politics or world view in general, so it was nice to see this recent article by the folks at Music Times about “5 Album Covers That Use Famous Photos”, featuring records by The Roots, Led Zeppelin, Rage Against The Machine and two bands I was unfamiliar with – Anthony & The Johnsons (I Am A Bird Now) and the Lovely Bad Things (The Late Great Whatever). Many of these images, on their own, might be a bit disturbing (e.g., a photo former “Warhol Superstar” Candy Darling on her deathbed), but that only makes them more memorable and, in most cases, appropriate for this particular use. For extra credit/consideration, I’d like to also include several of the Dead Kennedys’ records, such as Frankenchrist (with its Shriners in mini-cars cover) and Fresh Fruit for Rotting Vegetables, which features a photo of several police cars on fire, shot during the White Night riots that took place in San Francisco in 1979 after the sentencing of the man that killed Mayor Moscone and Supervisor Milk. Anyone else care to add to the list?
September 25 –
1) More coverage of the Bowie exhibition in Chicago – Sun Times Media writer Jeff Elbel put together a nice overview of “iconic” David Bowie album covers, including bits on The Man Who Sold The World, Hunky Dory, Aladdin Sane, Diamond Dogs and Low. In the “runner up” positions, he added The Rise & Fall of Ziggy Stardust… and The Next Day. While he did include some information about several of the people who’d created these works of art, much was left out which, of course, your Curator must quickly add for the entire story to be told:
a) Hunky Dory – art direction by George Underwood;
b) Low – art direction by Kevin Cann, who was also responsible for the liner notes and designs for several of Bowie’s records. He also authored the critically-acclaimed 2010 Bowie bio book (say that fast 3 times!) Any Day Now. Cann had gone to art school with Brian Eno and met Bowie via that connection.
c) Ziggy Stardust – design/art direction by Terry Pastor;
d) The Next Day – the original photo used as the basis of this controversial design was the one Masayoshi Sukita had taken for Bowie’s 1977 record Heroes. Designer Jonathan Barnbrook, who was also responsible for the covers for Bowie’s Heathen and Reality releases, adapted this well-known photo for the new record.
e) The Man Who Sold The World – a collaboration between designers Wit Hamburg and Keef.
Now you know “the rest of the story”….
2) The album cover paintings – both originals and his re-interpretations of classic LP covers – of designer/artist Howie Green were on display in an exhibition that began on September 28th at the Massbay Community College in Wellesly Hills, MA titled (appropriately) “The Album Cover Paintings of Howie Green”. The show kicked off with a reception there from noon – 3PM and all were invited. More info on this show is available on the artist’s site at http://www.hgd.com/gallery/howie_green_events.htm
Update – per Howie’s Facebook page, this event was quite the success, with many collectors going home with new Howie Green prints to present proudly on their walls.
September 24 –
1) The cover art for Pink Floyd’s first album in over 20 years – titled The Endless River, and due out in November – has been released. The work, done by a young digital artist from Egypt named Ahmed Emad Eldin, was proposed by Aubrey Powell, part of the famed Hipgnosis team (led by the late Storm Thorgerson) who were responsible for the band’s best-known covers, after examples of his work were seen online. Once the designs were finalized, examples of the finished cover have been put on display prominently in major cities throughout the world, including a 25-foot cube installed in the South Bank area of London. The Independent‘s Adam Sherwin interviewed the lucky and talented young artist for this article, which you can review via the link at http://www.independent.co.uk/arts-entertainment/music/news/the-endless-river-pink-floyd-unveil-cover-art-for-their-first-new-album-in-20-years-9749012.html
2) And now for something completely different – a new touring exhibition has been launched featuring examples of “DIY”/punk record cover artwork, with the first show on the tour now up in London. Titled For The Record, the show features examples of the design work by many of the best-known designers in the genre, including Malcolm Garrett, Julian House, Central Station Design, Barney Bubbles and many others. Conceived and organized by designer Steve Rowland of MadeLab Studio, the display will be put on in a variety of “pop-up” locations, with the schedule of events and list of participating artists/record labels available on the show’s site at http://www.fortherecordproject.co.uk/ Based on the samples I’ve seen, this is a must-see for fans of classic indie record design.
September 23 –
Today is opening day for the “David Bowie Is” exhibition at the Museum of Contemporary Art in Chicago and, based on the reports I’ve seen on the show, this is a must-see for fans of music-related art and design. A subset of the show that ran recently at the Victoria & Albert Museum in London, this show features over 400 items that help illustrate Mr. Bowie’s impact on popular culture – costumes (Ziggy Stardust, Scary Monsters, etc.), album art, lyric sheets, music videos, stage props, etc.. It is presented in chronological order, allowing fans to view the progression of the man from street mime to accomplished and influential musician, actor and design icon. The show runs through January 4, 2015 – more info and a list of related events is available via the museum’s site – http://www2.mcachicago.org/exhibition/david-bowie-is/
There’s even a show hotline available – 312-397-4068 – if you’d like to hear more via phone….
On a related note – one of the photographers who, from the years 1972 thru 1980, was an important contributor to Bowie’s public image via his shots of the Ziggy Stardust, Aladdin Sane, Scary Monster, Lodger and “Thin White Duke” personnas the artist adopted – was the late Brian Duffy, and I’m pleased to report that the folks at the San Francisco Art Exchange gallery will soon be launching an exhibition/sale of prints of a number of images taken during those five photo sessions. The show, titled Bowie|Duffy: Five Sessions, opens this Saturday, Sept. 27th with a reception at the gallery. A selection of photos from the show – which runs through November 1 – is available for viewing on the gallery’s site at http://www.sfae.com/index.php?pg=400088
September 22 –
1) Photographer/album cover designer/film-maker Anton Corbijn, best-known to record cover fans for his covers for U2, has been given the “Best International Literary Adaptation” award from the Frankfurt Book Fair for his recent thriller A Most Wanted Man, which was based on a John LeCarre novel of the same name. The film stars, among others, the late Philip Seymour Hoffman, Robin Wright, Rachel McAdams and Willem Dafoe and focuses on the many intricacies of “the global war on terror”. It only seems proper that the man that directed the music videos for Depeche Mode’s “Strangelove” and “Barrel of a Gun” should have created such a compelling film – more about this award is available on this announcement on the BookTrade web site – http://www.booktrade.info/index.php/showarticle/55878
2) Saw this item listed in a current Artnet auction and thought you might want to see it as well – Mr. Brainwash – the graffiti artist best-known for the excellent 2010 Oscar-nominated documentary on the world-wide graffiti scene (Shepard Fairey, Space Invader, Banksy, etc.) and his promotion of the art form in the fine art world (as well as the cover for Madonna’s 2009 hit single “Celebration”) – has a work that depicts this week’s birthday boy, Bruce Springsteen, who turns 65, made from broken CDs and vinyl records. Projected to sell in the $25-35K range, the work is one in a series of portraits the French artist has created over the past several years, including ones of Jim Morrison and KISS. To read more about this unique work, head on over to the item’s page on the Artnet site –http://www.artnet.com/auctions/artists/mr-brainwash/bruce-springsteen
Update – bidders in the September 23rd auction for this print did not bid enough to meet the Reserve set for the item, so if you’re interested in this print, you can contact the specialist responsible for the sale of this work – Gracie Mansion – at her office in NYC at (212) 497-9700 Ext. 494 494.
September 19 –
1) The folks at the Grammy organization just released an interview they recorded at the Lollapalooza event in Chicago with graphic artist Shepard Fairey, who was there to curate an art exhibit and talk about his recent “Sound + Vision” collaboration with DJ Z-Trip. During the interview, Fairey – best known for his Andre The Giant and Obama/Hope images, but also a prolific album art designer, having created designs for Led Zeppelin, Tom Petty, Billy Idol and many others – talks about the sources of his design inspirations, which range from Russian Constructivist/Propaganda posters to the works of Warhol, Rauschenberg, Jamie Reid and Winston Smith (he was also a fan of Hipgnosis/Thorgerson and Stanley Donwood, who has done memorable covers for Radiohead). A thoughtful interview with a very talented screen-print artist – https://www.grammypro.com/professional-development/video/grammy-pro-interview-shepard-fairey
2) This week included the release of a record collection in a very cool package – Def Jam Records’ Def Jam 30 box sets, which are limited-edition/numbered packages – either CD or vinyl – that come in a box that looks remarkably like a turntable/dust cover combination. Designed by a team that includes Darkness Bros. Inc.’s Dawud West (who used to be creative director at the label), Andy Proctor, Sharon Lamb and Tai Linzie, the boxes also include booklets featuring a comprehensive liner notes essay by NYU Prof. Dan Charnas and additional photography and “memorabilia”, along with a limited-edition Def Jam 30 logo t-shirt (along with the music, of course!). More details are available on the DJ site via the link – http://www.defjam.com/dj30-box-set-sept/
September 18 – Two interesting items for lovers of great design –
1) There’s a new book coming out on October 1st that should be of interest to album art fans. Titled Fifty Years of Illustration (published by Lawrence King, UK) and written by two experts in the field – Lawrence Zeegen (Dean of the School of Design at the London College of Communication) and Caroline Roberts (journalist and founder of Grafik magazine) – the book’s focus on contemporary illustration, of course, includes many works by people who’ve created memorable album covers, such as Klaus Voorman (The Beatles’ Revolver), Ian Wright (T.I.’s Paper Trail), David Larkham/Ian Beck (Elton John’s Goodbye Yellow Brick Road), Gerald Scarfe (Pink Floyd’s The Wall), Shepard Fairey (Led Zeppelin’s Mothership) and many others (over 700 illustrations!).
There’s a corresponding exhibition running at the London College of Communication from now thru September 21st as part of the London Design Festival, but if you’d like to learn and see a bit more about the book/show, link on over to this article on The Guardian (UK) web site –http://www.theguardian.com/artanddesign/gallery/2014/sep/15/chewbacca-barack-50-years-illustration
2) Design buffs have always swooned over the work of Porsche’s design team, so this new pop-up display in downtown NYC – done as a “modern record store” featuring custom-designed media players that play music and videos inspired by the automaker’s products, delivered on 12″ platters with stylized record covers. In addition to the unique audio experiences, visitors to the store can slide on a pair of headphone to enjoy themed programs that elicit the excitement of a drive in the big city, racing, or a drive in the country, all while viewing video projected on a shiny (I’m assuming) 911 Carrera 4s Coupe (quite the screen, no?). The display, on W 14th St in the Meatpacking district, runs now through October 5th. Read more – and see a photo gallery – on David Pinter’s article on the PSFK.com web site – http://www.psfk.com/2014/09/porsche-popup-sound-store-nyc.html
September 17 –
1) Fans of album cover art now have a new place to visit when they have a craving to add to their fine art collections. Continuing in his father’s tradition (the family was involved in one of the first record art publishing businesses back in the early 1990s), Theodore S. has launched the Hazyrock.com site, where you’ll find an impressive range of album art prints – many signed by either/both the artist that created the image and/or members of the featured musical act – along with DVDs, CD, concert memorabilia, limited-edition toys and other items any music fan would be happy to receive (with the Holidays not too far off, it is always nice to have your resources lined up for your gift-giving needs). Hope that you’ll take a look and tell your friends (I will add this to the ACHOF list of Buying/Selling Resources today, too.). Of particular note to me was the limited-edition DEVO “Energy Dome Throbblehead” – very cool. http://hazyrock.com/
2) Received a note yesterday from a writer who’d posted an article I thought you might be interested in. While not specifically album art-related, as a former gallery owner and art preservationist, I feel that it is my duty to provide collectors with this sort of info – the article gives you an overview of how to best store your vinyl record collections. If you’re like me, you have some/all of your collection in boxes in your basement/attic/self-storage unit and, while that may be (in some cases) better than leaving them on a hot radiator, if you want your collection to remain playable for the foreseeable future, you should heed the info you’ll find on Stephanie Hyland’s posting on the Storage.com site –http://blog.storage.com/storage/store-vinyl-record-collection/
September 16 –
1) While most music art fans are familiar with the photos and illustrations that serve as the basis of their favorite album cover designs, there’s also been a lot of time taken during these projects to consider the logo designs and letter (AKA “typography”) and, in many cases, this work proves to be just as memorable. One recent example can be found in the work of the inter-continental design team (one’s in Norway, while one’s in Minnesota) named Non-Format in a recent design – based on a custom typeface – they did for musician Amy Kohn’s latest release, titled PlexiLusso. Their resulting work seems totally appropriate as packaging for new music by Ms. Kohn, an accordion player whose work spans jazz, avante-garde, pop and classical and who has played with Norah Jones, Phil Collins and Dianne Reeves. More about this can be found in Margaret Rhodes’ article on the Wired Magazine site – http://www.wired.com/2014/09/custom-typeface-isnt-perfectly-legible-thats-point/
2) This week marks the 10th anniversary of the release of Arcade Fire’s Funeral record and, to mark that milestone, Billboard‘s Chris Payne tracked down the artist who created the memorable cover imagery (along with a mural placed strategically in Brooklyn, NY), the talented Tracy Maurice, to find out more about “the making of” this work. The story is somewhat reminiscent of the early NYC music/art scene, with opportunities for folks floating in the same social circles to work together and, hopefully, share in each others’ successes. To read this interview with the Juno Award-winning designer, just follow the link – http://www.billboard.com/articles/news/6251421/funeral-arcade-fire-album-art-tracy-maurice-neon-bible-win-butler
September 15 –
1) Sunday would have been Amy Winehouse’s 31st birthday, so it was nice to see news of the unveiling of a work of art – a bronze statue, created by Scott Eaton – that was commissioned by her father, Mitch, who attended the ceremony held at the Stables Market in London along with other members of her immediate family. The statue shows the late singer in a memorable pose, complete with red rose in her hair and Star of David necklace proudly on display. This tribute joins the growing roster of rock star tributes – Hendrix (Seattle), Freddie Mercury (Switzerland), Phil Lynott (Dublin), Bon Scott (Australia) and many others that continue to draw fans from all over the world. More details in this story by Saba Hamedy on the LA Times web site – http://www.latimes.com/entertainment/music/posts/la-et-ms-amy-winehouse-sculpture-unveiled-20140914-story.html
2) A photo of Bruce Springsteen’s legendary 1974 performance at the Harvard Square Theater in Boston will be auctioned off this month to raise money for the Bruce Springsteen Special Collection at Monmouth University in West Long Branch, NJ. The photo is part of an exhibition of photos by Barry Schneier that is currently on display at the University’s Pollack Gallery thru Sept. 30 – details regarding the auction will be announced soon. More info on this show/auction is available via Chris Jordan’s article on the Asbury Press web site at http://www.app.com/story/entertainment/music/2014/09/11/bruce-springsteen-photo-auction-benefits-collection/15487347/
September 12 –
1) Happy to report on a new album cover history article series – the folks on The Pier web site – “your No. 1 online destination for good times, great music and up to date news from the Reggae-Rock community” – have published the first article in a series titled “Album & Cover Art History” in which they provide some of the details behind the making of some of your favorite record covers. This first episode includes an interesting mix of covers from musical acts including The Clash, No Doubt, Bad Brains and several others. The writers say that it’s their plan on releasing a follow-up article in late October, so why not get started now and let them know if there are any covers you’d like to know more about – http://www.thepier.org/the-pier-album-cover-art-history-vol-1/
2) The records released by one of glam rock’s early pioneers – T. Rex – always featured interesting and memorable album cover art, so fans of the band will be happy to see it preserved and enhanced in the upcoming (Nov. 3, in time for holiday gift-giving) release of a set titled T. Rex: The Vinyl Collection. 2 versions of the 8-record set, which includes LPs beginning with the group’s first post-Tyrannosaurus Rex record (1971’s T. Rex) up through their 1977 Dandy In The Underworld record, released shortly before Marc Bolan’s tragic death by car crash in September of that year.
Box sets on black vinyl will be generally available thru most music retailers, while those looking for something truly unique can buy one of 500 colored vinyl collector’s edition packages directly from the publisher. There will also be a related, 10-CD set titled T. Rex: The Albums Collection released at the same time for those not vinylly-inclined. More details on this are provided in this article on the Vintage Vinyl News site – http://www.vintagevinylnews.com/2014/09/t-rex-first-eight-albums-being.html?m=1
September 11 –
1) Photographer Merri Cyr, well-known for her portraits of luminaries in various aspects of the entertainment business, is perhaps best known for her photos of the late singer/songwriter Jeff Buckley. When Buckley asked her to photograph him and detail his life on tour (as well as shooting the album cover image) – in support of his record titled Grace, she took full advantage of the opportunity, creating a fascinating portfolio of images that are now on display in an exhibition titled “20 Years of Grace” at the Blender Gallery in Sydney, Australia. Many never-before-seen images are included in the show, and Buckley fans can also see more (over 300 more) of Cyr’s intimate photos in her book, A Wished-For Song, Portrait of Jeff Buckley, that’s also available. More on this exhibit, which runs now through September 20th, is included in this recent article by Cindy Tran on the Daily Mail/Australia site at http://www.dailymail.co.uk/news/article-2743040/He-blew-mind-Photographer-reveals-story-intimate-pictures-Aussie-music-legend-Jeff-Buckley.html
2) Fans of heavy metal music and art can now help fund a project to create a new book dedicated to the display of all that is dark, loud, lurid and fascinating. In support of a new Indiegogo.com project posted by writer and artist Ramon Martos, you can be one of just 300 lucky people who will be able to own a limited-edition, signed book titled …And Justice For Art: Stories About Heavy Metal Album Covers. Having worked several years to secure the rights to the 400+ images that will be included in the finished product, your contributions, according to the author’s pitch, “would make a tremendous difference in the outcome of this project, that—according to Morbid Angel’s front man, David Vincent (who wrote the foreword)—has all the potential to become “a historical document about the importance of Metal album covers.”
Although the campaign has already reached its first goal, there’s still time to secure one of the first run copies, so buzz on over to the project’s page and grab one before they’re gone – https://www.indiegogo.com/projects/let-s-print-and-justice-for-art
Update – as of October 1, I’m pleased to note that this project has raised over $14,000, well over its $8,310 goal, so supporters will be getting this new book when it is published. With the Indiegogo project still having a month to go, I’m suspecting that there will be a number of other supporters coming, giving the author plenty of resources to create the best version possible of this new book. Congratulations!
September 10 –
1) Not willing to let Nicki Minaj steal all of the limelight with a nearly-naked album cover photo, classic British act Status Quo released a teaser for their soon-to-be-released record (an acoustic set titled Aquostic (Stripped Bare)) that shows two original members of the veteran rock band standing in the nude, with their naughty bits shielded only by strategically-placed guitars. While certainly a bold move by the boogie-woogie band, I don’t think that it will draw the same attention and public outcry as more-recent extremely-revealing covers, as it is doubtful that anyone will be fantasizing about the well-over-60 bodies on display (still quite trim, though). More on this in this article on Ireland’s Independent web site – http://www.independent.ie/entertainment/music/music-news/status-quo-get-naked-for-new-album-cover-photographed-by-bryan-adams-30551637.html
September 9 –
1) Artist/Designer David Larkham – best known to ACHOF fans as the talent behind most of Elton John’s album graphics – sent me a link to a video he’s produced showing him in the process of creating one of a series of large-scale painted portraits of the Rolling Stones. The video, which gives us a look into the painstaking detail of David’s depiction of Bill Wyman, is set to the music of Wyman’s 1981 hit single, “(Si Si) Je Suis Un Rock Star”. I am always intrigued by what it takes to make great art, and so I’m glad that David saw fit to give us this insight into his latest project – take a look and share it with your friends –http://youtu.be/ToXYb3MXQYI
2) Writer Joey DeGroot of the MusicTimes site has assembled seven examples of unusual record packages that have been released over the years in an article that is a testament to the creativity – and commitment to album packaging as an art form – that has been on display from time to time over the years. Most I’d seen and admired before – Alice Cooper’s School’s Out, Public Image Ltd’s Metal Box, etc – while I wasn’t aware of some of the more-recent examples shown of packages by The Flaming Lips (limited-edition skulls), Street Dogs (a playable package) and, most-amusingly, the Ultimate Box Set by The Residents, which comes packaged in its own refrigerator (!!) for a princely price. Gotta love ’em – http://www.musictimes.com/articles/9712/20140905/7-artists-who-released-music-in-bizarre-packaging-led-zeppelin-the-flaming-lips-and-more.htm
September 8 –
Back from Alaska and happy to announce that the ACHOF site has been added as a resource (under the heading “Other Resources”) to the National Recording Preservation Board of the U.S. Library of Congress. This list includes links to a number of sites/organizations that are there to help inform anyone interested in both the history of recorded music and in preserving the legacy of the people and places that have contributed to recorded music’s rich history.
I’m very proud to see that album cover imagery has been included as part of this effort and look forward to adding more to it as time goes on. If you’re interested in learning more about the NRPB and see what they have to offer (it’s a treasure-trove of info), please follow the link – http://www.loc.gov/rr/record/nrpb/nrpb-OTHERRESOURCES.html
That’s all for now – look for updates every week day on our news feed – https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back next month with another summary for you.
Interview with David Larkham – The making of the album cover artwork for Elton John’s Goodbye Yellow Brick Road
by Mike Goldstein, curator, AlbumCoverHallofFame.com
April 18, 2014
Like great music, great art always stands the test of time.
Elton John’s Goodbye Yellow Brick Road came as the result of several short-but-very-productive song-writing/recording efforts by Elton, Bernie Taupin, his bandmates and his producer and, although the record received rather lukewarm reviews from some critics at the time, it went on to be Elton’s best-selling studio recording, from which emerged his much-beloved show opening sequence (“Funeral For A Friend/Love Lies Bleeding”), three huge hit singles (“Bennie & The Jets”, “Saturday Night’s Alright For Fighting” and the title cut) and a song (“Candle In The Wind”) – originally written in honor of Marilyn Monroe and re-written in 1997 as a tribute to the passing of Princess Diana – that then became the second best-selling single of all time. His seventh studio record, it was undeniably the record that launched Mr. John into the Pop music stratosphere. So much for the critics and their ability to appreciate a work’s overall importance in both the portfolio of an influential artist and the ongoing development of the Pop music genre.
No such difficulty exists when considering the enduring impact of David Larkham‘s designs for Elton John throughout the years. The original package for this double album – and its 3-panel design – was also, in itself, quite unique and memorable. With that much album real estate to fill, it was an extraordinary feat accomplished by the album cover team who delivered six panels of impressive design, illustration, photography and typography, featuring individual illustrations for each song included on the record as well as the lyrics which, at least for me, made the listening experience all the more enjoyable (and dependent on having the album cover close at hand).
Elton John’s Goodbye Yellow Brick Road 40th Anniversary Set
Late 2013 marked the 40th anniversary of Goodbye Yellow Brick Road‘s release and, in March, 2014, an imposing 40th anniversary “super deluxe re-release” package was produced containing five discs (two of which were of a particularly well-performed 1973 concert played in London’s Hammersmith Odeon and another containing covers of GYBR songs by a number of current musical faves) and a DVD of a documentary titled Elton John and Bernie Taupin Say Goodbye to Norma Jean and Other Things. The set also included a 100-page illustrated hardback book of rare photos, memorabilia and articles containing interviews with Elton John and Bernie Taupin. I caught up with Mr. Larkham in late February of this year and have worked with him since to bring ACHOF fans an updated, behind-the-scenes look at how this remarkable album package was conceived and assembled by a team of highly-talented artists, working with a client who was about to become the biggest pop star in the world….