Tag Archives: ACHOF

Album Cover Hall of Fame Timely News Release for May 11, 2022

Posted May 11, 2022 by Mike Goldstein, AlbumCoverHallofFame.com

While my monthly newsletter allows me to provide you with a reasonably-up-to-date recap of album cover artist/art-related news, often times there are items of interest that come and go rather quickly and don’t comport with the limitations of a once-a-month schedule, so I find myself having to do the occasional special release, of which this is an example. This month, there are several exhibitions and sales that start and end in May, so please continue scrolling down the page to see all of the pertinent details laid out right before your very eyes –

A) Friend of ACHOF Dr. Richard Forrest’s Banksy album art collection is a featured part of a new show on the mysterious artist opening later this month in NYC. “Banksy – Building Castles in the Sky (An unauthorized exhibition)” will open May 28th at the former International Center of Photography Museum. 250 Bowery, New York (running thru December 31,2022).

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Album Cover Hall of Fame News Update and Link Summary for May, 2022

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Album Cover Hall of Fame’s News Update and Link Summary for May, 2022

Posted May 1, 2022 by Mike Goldstein, AlbumCoverHallofFame.com

Wow, what a month. Busy with so many things, and “the hits keep on coming”. You’d have thought that everyone’s attention would be focused on truly important things happening in and to our world – war, a refugee crisis, the world economy zig-zagging with every bit of news and several people who think that it is more important to legislate to remove vague references about some of the sad truths about U.S./World history than to address the ongoing issues head on – and yet those in the visual and musical arts continue to produce works that inspire us and make us think and smile. This month’s summary is my valiant attempt to share coverage of those efforts with all of you, so I do hope that you’ll spend a little time digging through the sections and sharing things you find interesting with others as well. We all need to learn how to share better, no?

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ACHOF Interview with Adnan Lotia about his LEGO-ized album cover art project

Three examples of Adnan’s work – Innervisions (Stevie Wonder). Dark Side of the Moon (Pink Floyd) and Abbey Road (The Beatles)

Posted April 27th, 2022 by Mike Goldstein, AlbumCoverHallofFame.com

I’d written about a Brooklyn, NY-based artist named Adnan Lotia and his album cover-inspired works – made using LEGO products – last November, but friend of the ACHOF Lyle Waisman (www.icongallery.com) recently sent me a link to an updated article he found on the Moss & Fog art and design site that contains a lot of nice photos of Lotia’s efforts, which you can read at https://mossandfog.com/impressively-detailed-album-covers-recreated-entirely-using-legos/.

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ACHOF Breaking News for April 13th, 2022 – Auction/Sale Update

Album Cover Hall of Fame’s Breaking News for April 13th, 2022 – Auction/Sale Update, by Mike Goldstein

With two interesting auctions on line now that end before the end of April, I felt compelled to share these with you ASAP – happy hunting!

a) The venerable Bonham’s auction house has just launched a new online-only auction (Bonham’s: Hip-Hop Online) that is a must-take-a-look-at event for collectors of everything hip-hop related. Curated by the equally-venerable Howard Kramer (former chief curator at the Rock & Roll Hall of Fame), this auction includes a number of items produced by some of the top photographers (Mannion, Mark Seliger, Jesse Frohman, Clay Patrick McBride, David Corio, Sunny Bak and many others) whose works have been used on some of the genre’s best-known album covers, along with scores of classic posters and related bits of rare memorabilia (I’m particularly fond on Lyle Owerko’s homages to the king of 80s playback technology, the boombox).

Browse through the collection via this link – https://www.bonhams.com/auction/27550/hip-hop-online/? The auction comes to a close at 10:00 EDT on the 21st of April, so waste no time and take a look ASAP.

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ACHOF BREAKING NEWS for April 3, 2022 – Grammy Awards Update

ACHOF BREAKING NEWS UPDATE for April 3, 2022 – posted by Mike Goldstein

The Grammy Award Winners in the Packaging Categories were announced today during the web-cast Grammy Awards “Premiere Ceremony”, and I’m now pleased to share the info on who the winners were below:

In the “Best Recording Package” category, the nominees were:

American Jackpot / American Girls for Reckless Kelly – Sarah Dodds & Shauna Dodds, art directors:

Carnage by Nick Cave and Warren Ellis – Nick Cave & Tom Hingston, art directors;

2nd Generation Falangao Singing Group & The Chairman Crossover Big Band’s Pakelang – Li Jheng Han & Yu, Wei, art directors;

Serpentine Prison by Matt Berninger – Dayle Doyle, art director, and

Zeta by Soul Of Ears – Xiao Qing Yang, art director

and the winner was 2nd Generation Falangao Singing Group & The Chairman Crossover Big Band – Pakelang – Li Jheng Han & Yu Wei, art directors

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Album Cover Hall of Fame News Update and Link Summary for April, 2022

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Posted April 1, 2022 by Mike Goldstein, AlbumCoverHallofFame.com

It’s been a busy month of March here in the sprawling ACHOF editorial offices, with your editorial team (me, myself and Mike G.) working hard to deliver the best and most up-to-date info and research/writing available on the subject of album cover artists and their work. I’m happy to report that Part 2 of the 2-part series on box sets/limited-edition packages has been posted – https://albumcoverhalloffame.wordpress.com/2022/03/27/achof-resources-box-sets-and-special-limited-edition-packages-an-overview-contd/ – and so now you can spend even more time boning up on the latest information, presented along with the opinions and experiences expressed by some of the best-equipped people in the business to offer these priceless items.

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ACHOF Resources – Box Sets and Special/Limited-Edition Packages – An Overview (cont’d)

posted March 27th, 2022 by Mike Goldstein, AlbumCoverHallofFame.com

3 Selections from the author’s personal collection – The Beatles (White Album), Voyager Box Set and Let It Bleed by the Rolling Stones

Part 4 – The biggest, best-selling, most-expensive, most-valuable box/limited-edition sets.

Now that you’ve been given a proper introduction to the history and ongoing development of these collectible record packages in the previous posting, I was thinking that it might be fun and interesting to see the extremes that musical acts and record labels might be willing to go to deliver anthologies to record buyers and fans. To do this, I set out to discover what are the biggest sets ever produced, simply measured by the number of discs included in each package, and then produce a by-no-means-definitive reference that will most certainly be added to in impressive fashion over time. Keeping my focus on albums (vinyl and CDs) and avoiding going off on a tangent that would include sets of 45RPM and CD singles(!), I’ve assembled a list that touches on a number of genres, led by classical music producers, with rock, jazz and pop represented was well. Note that, in many cases, the total number of discs included in a set might consist of a combination of different media, such as audio CDs, Blu-Ray audio CDs and DVDs. For example, King Crimson’s 1969 (Court of the Crimson King) is a 26-disc set consisting of 20 CDs, 4 Blu-Ray audio discs and 2 DVDs:

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Album Cover Hall of Fame Breaking News for March 15, 2022 – Award Show Update

The winners of the Making Vinyl Packaging Awards have been announced, and they are…

Posted March 15, 2022 by Mike Goldstein, AlbumCoverHallofFame.com

After a several-month-long organizing, reviewing and voting process, the folks behind the Making Vinyl Packaging Awards have just announced the winners of the most-recent competition and, as both a participant in the process and as a fan of great work in the field of record packaging, I have to say that this year’s list (in the 15 categories represented) is an impressive and inspirational one. What’s all the more enjoyable to see is that musical acts and record labels both large and small have been included in the ”Best X” selections and that art producers both famed and up-and-coming will have their works admired by fans all over the world.

I’m going to highlight just a few of the winners here and then invite you all to click on over to a page on the Making Vinyl Packaging Awards site where you’ll find the complete list and all of the details on the winning designs – https://pro.evalato.com/3875/submissions?round_id=5257

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Album Cover Hall of Fame News Update and Link Summary for March, 2022

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Posted March 1, 2022 by Mike Goldstein, AlbumCoverHallofFame.com (updated 3/4/22)

After nearly forgetting that February is a short month and that I had 3-4 fewer days to prep this monthly summary, something sparked inside my head and I realized that I had to get things together, so what you’re reading today comes as the result of a couple of self-inflicted bonks to the sides of my head. As a result, I’m hoping that everything is in order and makes sense since, after reviewing all of the materials I’d gathered, there seems to be a lot going on world-wide that should be of interest to fans of album cover art and the people that make it, so get ready for a fairly-lengthy summary article.

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A Rare Candid-Yet-Effusive Art Book Overview By ACHOF’s Mike Goldstein

Serious Play 2-book set by Larry Vigon

posted February 24, 2022 by Mike Goldstein

I’m not a critic. In my mind, to be a critic, you need to know a lot about a topic and, to make your criticisms more believable, you should also have some first-hand experience and/or expertise in the creation of some things similar to what you might be expressing your opinions about. While the word “critic” is first defined (on dictionary.com) as “a person who judges, evaluates, or criticizes” (with the definition then expanded to “a person who judges, evaluates, or analyzes literary or artistic works, dramatic or musical performances, or the like, especially for a newspaper or magazine”), it’s the third definition that’s given – “a person who tends too readily to make captious, trivial, or harsh judgments” or a “faultfinder” that seems to better-define many of today’s professional critics in the arts and, for that reason, I’ve stayed away from really ever saying anything critical about the work of the people I cover on the ACHOF site.

Of course, it can be said that I do make value judgements when deciding what to include on the site or in my monthly news postings, and I really can’t argue with that. Editors and writers are critics by default, since we’re choosing to present a story (or a character in that story) from our own unique viewpoints, but I’d like to think that I’m presenting people and their stories in such a way that you as the readers are given enough basic information so that you then can make up your minds as to whether a story has been worth your time and/or has left you with some sense of satisfaction having learned something new and exciting (even when the subjects might have been well-covered previously). I’ve made one example of this – any article I find in which has been headlined something along the lines of “the Top 10” or “the 25 best album covers of all time – a running joke in my writing over the years, as I’m sure some of you have noticed. Yes, people are entitled to their opinions but, in most cases, scant thought or evidence of any specific method of how these “best” things are determined is ever presented and so, in those cases, I’ll either present them to you with a short-but-snarky intro or, perhaps more often lately, I’ll leave them for you to stumble across in some other fashion.

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