Tag Archives: Rolling Stones

Album Cover Artist And Art News Summary And Preview For January/February, 2018

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The first month of 2018 really delivered for fans of album cover artistry, with kudos for Best Record Packaging and Box Sets/Limited Edition packages handed out at the Grammy Awards on January 28th along with the top picks for the annual Best Art Vinyl awards – chosen by voters around the world – announced earlier in the month on January 9th. As you’ll see in my recaps way down in Section 5, there were plenty of surprises – including a TIE (!!) – and praise handed out to the very talented producers of this year’s top vote-getters, so to all those who complain that “album art is dead”, I think that you should take a look at all of the nominated works before backing that horse from this point forward…

Some good news also about my book – I’ve just had the proposed details for my project approved by the folks at Kickstarter so, with any luck, I should be able to share a link to my project page for your review (and, if you like what you see, your support) sometime in the next month or so. With any luck, I should be able to get the books designed, printed and shipped to you sometime this Summer – and let us all say, “it’s about damn time”.

As we begin the second month of 2018, I’d like my early Valentine’s Day presents to you all to be a) my just-published interview article in the March issue of GOLDMINE Magazine (page 50) about designer/photographer/pilot Bob Minkin’s work on the packaging for some of the fan favorite Dick’s Picks records released in the early 2000s by The Grateful Dead (my second article in this magazine this year, I’m proud to say), along with the following album cover artist news summary and preview. It will hopefully be just as nourishing and satisfying as a box of chocolates and one I think you’ll want to spend a few minutes reviewing and sharing with your friends. Besides the aforementioned award details, the past month was another one chock-full of news on this topic, delivering a trove of articles I know you’ll want to read, unearthing many new details about those folks who are actively producing impressive album cover art and packaging. In the summaries I’ve written and via the links provided, you’ll learn more about the latest exhibitions, new books, prints and products and several interesting interviews and artist profiles, along with other related reporting from sources providing these details around the world. With so much to read and see, you should be pleased that I’m not one of those Americans who promotes the notion that nobody else in the world is as talented and praise-worthy as we are – just take a look at the portfolios of record packages produced by some of the people featured in this month’s summary and I think you’ll agree that their works speak for themselves…

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Album Cover Artist And Art News Summary And Preview For October/November, 2017





Greetings once again to you all on this post-Halloween sunny-but-crisp early November day, 2017. The month of October proved to be a VERY busy one with regards to articles you’ll want to read that reveal new information about those active in the world of album cover art and packaging and, in the summaries I’ve written and via the links provided, you’ll learn more about the latest efforts – as found in exhibitions, via new books and products and featured in interviews in profiles and other related reporting – of some of the most-talented album cover art creators and promoters that I’ve found in my reviews of stories from around the world.

Of course, nothing could be more important than the work going on right now to select the nominees and, after close consideration, voting on a new class of inductees, for the Album Cover Hall of Fame. Over 200 people are being considered for this year’s Class (2017), with the winning names revealed to an eagerly-awaiting public just prior to Thanksgiving (which takes place here in the U.S. this year on November 23rd), so watch this space closely as I’m sure you’ll want to know who “made the cut” this year…

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Album Cover Art and Artist News Summary for the Month of December 2016

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So, we’re done with 2016 – let us all heave a sigh of relief. What a year.

While I typically have a lot to say in these intros, I find myself somewhat shell-shocked and, therefore, at a loss for words, so I suppose that, rather than ramble on meaninglessly, I should simply relate what’s new and exciting in the world of album cover artistry. Whenever I’m in a funk, I trek on over to my favorite art museum and find something to inspire. Several days ago, my wife and I set out on a trip to the fabled Chicago Art Institute and, on the way, stopped at the impressive Chicago Cultural Center (a must-see for classic Chicago architecture fans) and, much to my surprise, found an excellent show of the works of Harlem-based abstract expressionist painter Norman Lewis on display (PROCESSION: The Art of Norman Lewis is on display until January 8th – https://www.cityofchicago.org/city/en/depts/dca/supp_info/norman_lewis.html). Music – particularly, jazz – influenced a number of Lewis’ works (his brother Sol was a musician), and although he never did an album cover (at least, not to my knowing), it was uplifting to see such creativity and imagination on display that drew inspiration from the local music scene. And while Lewis didn’t garner the art world fame that many of his other WPA-era contemporaries did (Jackson Pollock, Mark Rothko, etc.), I am glad to have been able to discover his talents at this point in my life – it made me smile again.

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Interview with Emilie Sandy – Deja Vu Album Artist Portrait Series

Today’s Interview Topic – the making of the photographs included in the series titled “Deja Vu”, featuring the portraits of many of the best-known photographers from the world of album cover imagery.

Chris Gabrin and Elvis Costello portraits

Chris Gabrin as Elvis Costello, by Emilie Sandy








Whenever I view a photograph these days that was used on a well-known record cover – particularly, an album I remember buying from one of my favorite record shops (oh, so long ago), I tend to first recall my initial reaction to the image overall (i.e., what was it about the photo that pushed my “pause” button while sifting through the record bins) before moving on to the details found upon further exploration and assessment of the final shot used. I often wondered where the photos were taken, who the people were that you might find in the backgrounds and what sort of photo-trickery was used to create a number of the impossible scenes that were created for our enjoyment well before the availability of the photo-manipulation tools used most-frequently by photographers and art directors today. Getting these answers was one of the main reasons I began contacting the people responsible for a number of these images to ask for these details directly, resulting in the nearly 100 interviews I’ve done and shared with you over the past 7-8 years.

While I know that many of you have shared the same thoughts and fascinations about “the making of” many of your favorite covers, I have never before seen a case where someone who displayed the same interest in album cover-making as I have embarking on a project where, using her talents as a designer and photographer, she worked to “get inside” both the production processes and the minds of the people who’d taken many of her own favorite covers. Using her professional relationships with photographers including Anton Corbijn, Chris Gabrin, Gered Mankowitz, Terry O’Neill and others, U.K.-based photographer Emilie Sandy collaborated with these talented people several years back to have them re-create (to the best of their ability) and/or re-interpret some of their best-known album covers. The resulting series of images was called “Deja Vu” and, I think you’ll agree, they certainly work to shed a light on the subjects, their approaches towards making memorable album cover images and how they have ultimately influenced a young photographer’s career and her own approach to shooting photos that will endure. Continue reading