Interview with Lawrence Azerrad about his Grammy Award-winning vinyl package for Wilco’s Ode To Joy

Wilco’s Ode To Joy Special-Edition Vinyl Package

By Mike Goldstein, Album Cover Hall of Fame.com

Posted May 28, 2021 – It’s called “Album Cover Art”, so what I take from that name is that it is something created by artists (artisans?) who create the products we see by hand, using their innate talents and abilities to deliver something unique and appealing (and, in the case of product packaging, something that sells and makes the people that buy these products happy with their purchases). In the case of box sets and limited-edition “special” packages, it’s all the more important that the artists/artisans working on those products “get it right”, as the products are typically more expensive, as collectibles are expected to be, so the value proposition (OMG – I’m back in Marketing!) has to appeal to fans who are being asked to spend (often, many) hundreds of dollars on a product that there may only be a few hundred copies made. Additionally, the designers of these products have to be sure that their client(s) is/are ultimately happy, since the packages are typically the latest/best expressions of their music or, even more often lately, career retrospectives that are attempting to put the totality of the featured musical acts’ musical and lyrical (and, in most cases, visual) output out in a comprehensive package. To do that well, there must be an effective collaboration between the design teams and their clients, with the best examples of those successful collaborations garnering positive critical/fan reviews and, in special cases, special recognition from their industry peers, such as the Grammy Awards that were handed out earlier this year to musician Jeff Tweedy and designer/art director Lawrence Azerrad for Wilco’s Ode To Joy limited-edition set that they produced and released in late 2019 on the dBpm label.

ACHOF Breaking News Update for April 23, 2021

Looking for a good way to invest your latest stimulus check besides NFTs, crypto-currencies or short-squeezing stocks?

Consider these items:

1) The original painting by commercial artist/designer Gary Norman that graced the cover of Boston’s 1978 smash hit album Don’t Look Back is one of the featured items in an upcoming “Illustration Art Signature Auction” to be staged by Heritage Auctions and scheduled for next Friday, April 30th.

After receiving the original painting (done with airbrush and acrylics on a 25” x 46” board) back from the label (surprise!), Gary hung it in a spare bedroom, where it’s sat for the past 40 years. According to the article on the Art Daily site – https://artdaily.cc/news/135040/Original-artwork-for-Boston-s–Don-t-Look-Back–heads-to-Heritage-Auctions#.YILvnpBKg7M – he just thought that it was time to find it a new home. Based on the fact that bidding so far has blown through the original $5-7,000 pre-auction estimate (bidding stands at over $15K at the time of this writing), it will be finding itself in a very nice new home sometime soon.

To see the item and consider a bid yourself, head on over to the Heritage Auction site – https://fineart.ha.com/itm/pulp-pulp-like-digests-and-paperback-art/gary-norman-american-20th-century-boston-don-t-look-back-album-cover-1978acrylic-and-airbrush-o/a/8030-71060.s Don’t look back post-auction and, instead of feeling satisfied, you find that you’ve become the man you’ll never be – it’s easy to bid and, if you win, party!

2) Several album cover-related lots are featured in an upcoming Bonham’s auction in London – https://www.bonhams.com/auctions/26708/?#/aa1=1&MR1_length=48&w1=list&q1=album%2520cover&m1=1

Many of the items in the grouping that will be auctioned off on May 5^th come from the personal collection of famed UK music producer Harvey Goldsmith, perhaps best-known to fans in the US as the promoter for such famed events as Live Aid, the several live tours of Pink Floyd’s The Wall  and the Prince’s Trust charity concerts. As a pre-auction bonus, the team at Bonham’s has organized a Zoom conference-based interview with Mr. Goldsmith on Thursday, April 29^th at 6PM London time during which, according to pre-show publicity, he’ll be “joined by Journalist and Broadcaster John Wilson to reflect on his pop culture-defining career, share music industry insider knowledge, and discuss highlights from Goldsmith’s personal collection going under the hammer in our Entertainment Memorabilia auction at Bonhams”.

In addition to the host of items from Mr. Goldsmith’s collection, several lots that devotees of album cover imagery will appreciate include:

a) a concept drawing of the art Ray Lowry was working on for one of the best-known album covers of all time, that being London Calling by The Clash. Photographer Pennie Smith’s slightly-blurred B&W photo of a frustrated Paul Simonon smashing his bass on a stage is burned into our collective minds, but it was designer/artist Ray Lowry’s layout and text (inspired by an early Elvis Presley record cover) that delivered the completed image to us. What’s more, Heaven 17 fans will also have the chance to bid on three of artist Ray Smith’s original cover paintings for the band’s Penthouse & Pavement, The Luxury Gap and How Men Are albums;

b) Beatles fans can bid to own one of three lots from the estate of the late photographer Iain Macmillan, including two art prints of his famous “The Beatles On Abbey Road” image (pre-auction estimates from $21-28,000) plus a mock-up and set of seven photo prints from the photo session for Paul McCartney’s 1993 Paul Is Live record during which the pair reprised the stroll over the crosswalk located in front of the Abbey Road/EMI studios.

c) Another item that should draw keen interest from both art and music memorabilia collectors is a print of Sir Peter Blake’s cover image for The Who’s 1981 release Face Dances that’s been signed by Sir Peter, four members of the band and eight of the artists whose works were included in Blake’s design (including Clive Barker!). The print was owned by Jim Callaghan, who provided security for the band while on tour from 1975-83 and who got the art (and the signatures) at the record’s launch party. With a pre-auction estimate of $1100 – $1700 – https://www.bonhams.com/auctions/26708/lot/124/ – this should also go for a multiple of that. There are nearly 300 other items of note in the auction, so please go take a look, and here’s wishing Claire Tole-Moir and her team good luck in her efforts.

Album Cover Hall of Fame News Update and Link Summary for February 2021

 

 

 

 

 

 

Album Cover Hall of Fame’s News Update and Link Summary for February, 2021

Posted January 29, 2021 by Mike Goldstein, AlbumCoverHallofFame.com

This past month, I think we’ll all agree, was one that made all the world stop and wonder what the future might hold for us in so many aspects of our lives. Will democracy survive? Will justice be served? When will I be able to get a shot of the vaccine? Why won’t some of my neighbors – for their benefit and mine – wear a f#%king mask? With so many important questions to consider, it makes me wonder why it is that I remain committed to delivering a steady stream of news about what’s happening in the world of album cover art, design and photography…Perhaps its merely a way to distract both myself and my readers from spending 100% of our time wondering whether sane and qualified people will quickly step up to deliver us all from the clutches of this now-year-old pandemic or, maybe more so, simply my way of pointing out that, with the proper attention and resources paid, the arts – and the people involved in them – can do wonders to keep us all sane and paying attention to what’s important beyond what’s being delivered to us – at 130db and in bright red 50-point type – via the many places we source our news and entertainment.

ACHOF Breaking News Update for January 22, 2021

 

 

 

 

 

 

By Mike Goldstein, AlbumCoverHallofFame.com

With most of us finding ourselves stuck indoors while we fight off the pandemic we’re all suffering under, I found a couple of things that might occupy some of your time and one time-sensitive print sale that you might want to look at if print-giving is something you’d like to do this coming Valentine’s Day:

ACHOF Interview with Stephen Paley on Sly Stone’s There’s A Riot Goin’ On

Interview with designer/photographer Stephen Paley about his work on the album cover for Sly and the Family Stone’s There’s A Riot Goin’ On

 

 

 

 

 

 

 

Posted 1/15/2021 by Mike Goldstein, Album Cover Hall of Fame.com

Sly and the Family Stone’s follow-up to their hit record Stand debuted at the top of both the Pop and Soul album charts when it was released on Epic Records in November, 1971, and its lead single (“Family Affair”) soon took the crown on the Pop singles charts as well. It’s title is intended as a detailed response to a question Marvin Gaye had posed (i.e., “What’s Going On?”), with the record’s ominous (but funky) mood and red, white and black flag cover (with suns substituting for stars, and with no identifying text) both standing to illustrate Sly’s mood at that point in his (and the nation’s) life. As Stone cleverly put it – “there are too many stars already in this world”.

Album Cover Hall of Fame News Update and Link Summary for January 2021

 

 

 

Posted January 1, 2021 by Mike Goldstein, AlbumCoverHallofFame.com

We’ve reached the end of what has to have been one of the saddest and most-frustrating years most of us have ever lived through and yet, for those of us who have survived, I have to think that we’re all feeling somewhat grateful for having done so and are looking forward to seeing the end of this pandemic and, with any luck, a move towards a sense of “normalcy” in many aspects of our lives.

It’s the beginning of Winter here in the Chicago area and, just last night, we saw our first significant snowstorm. The weather, plus the threat of COVID, will keep me and my wife inside most of the time (except for our weekly trips to the grocery stores) and trying to support our local restaurants, who now can’t offer anything but take-out. I hope that we’re all doing what we can to keep these local vendors alive, and I’d like to add that we should all do more to support the local service organizations that are working miracles to keep those less fortunate than us sheltered, fed and in good health and spirits.

In the spirit of keeping things in perspective and understanding that you all have a lot on your plates these days, this month’s summary will be as brief and to the point as I can make it. Much work is still being done in the world of music industry-related visual design and production and so it’s my honor and pleasure to continue to report on – and promote – this work and the people who do it. So, let’s go…

ACHOF Interview with artist Jann Haworth

Album Cover Hall of Fame’s Interview with artist Jann Haworth

Jann Haworth/SLC Pepper – photo by Chad Kirkland

Posted December 7th, 2020 by Mike Goldstein, AlbumCoverHallofFame.com

As a key member of the troupe that created what many consider to be the most-memorable (and, certainly, the most-parodied!) record package of the past 60 years – and winning a Grammy Award for her work on the cover image for The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band which, if I’m not mistaken, looks to be one of just two “official” album cover credits – it’s been a goal of mine to be able to interview artist Jann Haworth and share the results of that effort with my readers. I’ve been including bits of info about her career for several years now, including an item in my September summary about her newest (and Pepper-related) project in Salt Lake City, UT, but it wasn’t until late that month that collector/curator/friend of the ACHOF Richard Forrest was able to make an introduction on my behalf and that I was then able to ask her a few questions about that project (thanks again, Richard!).

Album Cover Hall of Fame Special News Update for December 4th, 2020

 

 

 

 

 

 

Album Cover Hall of Fame News Update and Link Summary Special Update for December 4th, 2020

For your weekend reading pleasure – I find myself having to apologize for having left out some details about stories I published earlier this week and, in one case, having forgotten to include one story altogether. No excuses – just an honest admission of my occasional bubble-headedness and the only way I know of of making up for this affliction. Without further delay, here ya go….

Album Cover Hall of Fame News Update and Summary for October, 2020

 

 

 

 

Album Cover Hall of Fame News Update and Summary – October, 2020

 

Posted October 1st, 2020 by Mike Goldstein, AlbumCoverHallofFame.com

Well, while I can’t say that I know how you’re all feeling these days, I’m quite certain that some of you are in the same shape I’m in – mentally exhausted, greatly disappointed by the greed, hate and hypocrisy put on display by many of our leaders (and the people that support them) and, frankly, wondering what our short-and-long-term futures might be. Try as I might to distract myself from the daily news cycle (and, how about that first Presidential debate?), it’s nearly impossible to avoid learning about the biggest stories (R.I.P. RBG) and then trying to keep myself focused on providing my readers the information they’ve (i.e., you’ve) come to rely on me for, so I must apologize for the somewhat-truncated list of things to read and enjoy that I’m presenting you today. I will reward you a bit later (either late this week or early next) with my long-promised interview with talented artist Faheem Majeed and, with any luck, I’m also going to launch the nominating/voting process for this year’s class of nominees and inductees (our 9^th!) into the Album Cover Hall of Fame. My attention span seems just sufficient enough to have been able to gather basic info on nearly 100 more possible nominees, so the voting panel will have a heaping helping of new names to consider in this year’s effort.

Album Cover Hall of Fame News Summary Bonus Update for September 2, 2020

 

 

 

 

 

ACHOF BONUS NEWS CONTENT –
UPDATED September 2, 2020

By Mike Goldstein, AlbumCoverHallofFame.com

Just as I was hitting the “publish” button on my site – the one that sent my September 1 update out into the EtherWebs – several new alerts arrived that were timely enough that I thought it important to share them with you (as if I didn’t give you enough to read and ponder on Tuesday!). So, here ya go: