Tag Archives: Heaven 17

ACHOF Breaking News Update for April 23, 2021

Looking for a good way to invest your latest stimulus check besides NFTs, crypto-currencies or short-squeezing stocks?

Consider these items:

1) The original painting by commercial artist/designer Gary Norman that graced the cover of Boston’s 1978 smash hit album Don’t Look Back is one of the featured items in an upcoming “Illustration Art Signature Auction” to be staged by Heritage Auctions and scheduled for next Friday, April 30th.

After receiving the original painting (done with airbrush and acrylics on a 25” x 46” board) back from the label (surprise!), Gary hung it in a spare bedroom, where it’s sat for the past 40 years. According to the article on the Art Daily site – https://artdaily.cc/news/135040/Original-artwork-for-Boston-s–Don-t-Look-Back–heads-to-Heritage-Auctions#.YILvnpBKg7M – he just thought that it was time to find it a new home. Based on the fact that bidding so far has blown through the original $5-7,000 pre-auction estimate (bidding stands at over $15K at the time of this writing), it will be finding itself in a very nice new home sometime soon.

To see the item and consider a bid yourself, head on over to the Heritage Auction site – https://fineart.ha.com/itm/pulp-pulp-like-digests-and-paperback-art/gary-norman-american-20th-century-boston-don-t-look-back-album-cover-1978acrylic-and-airbrush-o/a/8030-71060.s Don’t look back post-auction and, instead of feeling satisfied, you find that you’ve become the man you’ll never be – it’s easy to bid and, if you win, party!

2) Several album cover-related lots are featured in an upcoming Bonham’s auction in London – https://www.bonhams.com/auctions/26708/?#/aa1=1&MR1_length=48&w1=list&q1=album%2520cover&m1=1

Many of the items in the grouping that will be auctioned off on May 5th come from the personal collection of famed UK music producer Harvey Goldsmith, perhaps best-known to fans in the US as the promoter for such famed events as Live Aid, the several live tours of Pink Floyd’s The Wall  and the Prince’s Trust charity concerts. As a pre-auction bonus, the team at Bonham’s has organized a Zoom conference-based interview with Mr. Goldsmith on Thursday, April 29th at 6PM London time during which, according to pre-show publicity, he’ll be “joined by Journalist and Broadcaster John Wilson to reflect on his pop culture-defining career, share music industry insider knowledge, and discuss highlights from Goldsmith’s personal collection going under the hammer in our Entertainment Memorabilia auction at Bonhams”.

In addition to the host of items from Mr. Goldsmith’s collection, several lots that devotees of album cover imagery will appreciate include:

a) a concept drawing of the art Ray Lowry was working on for one of the best-known album covers of all time, that being London Calling by The Clash. Photographer Pennie Smith’s slightly-blurred B&W photo of a frustrated Paul Simonon smashing his bass on a stage is burned into our collective minds, but it was designer/artist Ray Lowry’s layout and text (inspired by an early Elvis Presley record cover) that delivered the completed image to us. What’s more, Heaven 17 fans will also have the chance to bid on three of artist Ray Smith’s original cover paintings for the band’s Penthouse & Pavement, The Luxury Gap and How Men Are albums;

b) Beatles fans can bid to own one of three lots from the estate of the late photographer Iain Macmillan, including two art prints of his famous “The Beatles On Abbey Road” image (pre-auction estimates from $21-28,000) plus a mock-up and set of seven photo prints from the photo session for Paul McCartney’s 1993 Paul Is Live record during which the pair reprised the stroll over the crosswalk located in front of the Abbey Road/EMI studios.

c) Another item that should draw keen interest from both art and music memorabilia collectors is a print of Sir Peter Blake’s cover image for The Who’s 1981 release Face Dances that’s been signed by Sir Peter, four members of the band and eight of the artists whose works were included in Blake’s design (including Clive Barker!). The print was owned by Jim Callaghan, who provided security for the band while on tour from 1975-83 and who got the art (and the signatures) at the record’s launch party. With a pre-auction estimate of $1100 – $1700 – https://www.bonhams.com/auctions/26708/lot/124/ – this should also go for a multiple of that. There are nearly 300 other items of note in the auction, so please go take a look, and here’s wishing Claire Tole-Moir and her team good luck in her efforts.