Album Cover Hall of Fame News Update and Summary – September, 2020
Posted September 1st, 2020 by Mike Goldstein, AlbumCoverHallofFame.com
We’re entering the final stages of Summer 2020 – a summer unlike any I can remember – and now that we’ve heard the arguments from both sides regarding either the re-election of the current administration or its replacement with a new one, I know that the next couple of months will be full of messaging, news and theater but, while you might think that there’d be little news coming from the world of album cover artists and their art, in fact, there’s been a lot to look at, read and learn about. Visual artists have always played an important part in politics and have made some quite-memorable statements about society with their works (think of album covers released over the past 5-6 decades from musical acts such as Pink Floyd, Rage Against The Machine, The Roots and many, many others), so you won’t be surprised to find examples of such work included amongst the articles included this month’s news summary.
Posted in Album Cover News Recaps
Tagged ACHOF, album cover, album cover art, Album Cover Hall of Fame, album cover news, Album Covers, Andy Warhol, Bill Wyman, Black Sabbath, CD cover, COVID-19, Daniel Prakopcyk, Danny Clinch, Design Museum, DETOUR, Dio, Electronic, Eric Orr, exhibition, Faheem Majeed, Far Out Magazine, Gary Lichtenstein, Godsmack, Grammy, Happy Media, Hugh Syme, interview, Jann Haworth, Jimi Hendrix, Josh Agile, Juliens, Keith Haring, Mike Goldstein, MIZE Gallery, Mr. Musichead, MusiCares, photographer, record sleeve, Rolling Stones, Rush, Rushfest, Secret 7", SHAG, Storm Thorgerson, The Beatles, Vinyl Nation
Album Cover Hall of Fame’s Breaking News Update
posted January 11th, 2019 by Mike Goldstein, AlbumCoverHallofFame.com
For your weekend reading pleasure – here are a few timely links to articles or events I thought you should know about….
– Noted British artist/musician/illustrator Rodney Matthews is kicking off 2019 with a return to his English roots and a two-day-only album cover show in a city – Birmingham – often considered the birthplace of “heavy metal” music. With album cover clients (including Amon Duul, Asia, Hawkwind, Magnum, Nazareth and many others) who’ve relied on Matthews for just the right fantasy imagery to keep their fans happy, it’s no wonder that Rodney has been kept busy (over 140 covers and counting!) for over 50 years.
The show’s titled “Electric Rock” and will be staged the weekend of January 19th and 20th at Highbury Hall in Birmingham (4 Yew Tree Road, B13 8QG) and Matthews’ entire portfolio of album cover art will be on display, including many never-been-shown original artworks and related memorabilia. Fans of the Stormbringer book and the Shadow Master video game, as well as collectors of fantasy artwork and Big O posters will find much to see (and to buy to display proudly at home). More on the show – as well as details of special VIP admission packages – can be found on the artist’s site at – https://www.rodneymatthewsstudios.com/pages/electric-rock
I’ve also been hording links to the many recent “making of” articles that have been published over the past 4-8 weeks, and so without further delay:
– Revolver Magazine’s J. Bennet shares the details behind the collaboration of two talented visual artists (designer P.R. Brown and painter/musician Marilyn Manson) that resulted in the the making of the cover for Mr. Manson’s 1996 record (produced by Trent Reznor) Antichrist Superstar – https://www.revolvermag.com/culture/marilyn-mansons-antichrist-superstar-story-behind-album-cover-art
Juxtapoz Magazine’s “Sound & Vision” series of album cover art-related articles continues in fine form with the following:
– While photographer Karl Ferris and guitar legend Jimi Hendrix shared a mutual admiration for one another’s talents (with Hendrix once telling Karl that “You‘re doing with photography what I’m doing with music – going far out beyond the limits”), there were times when Hendrix and his bandmates were less-than-happy with the covers that the record companies produced for their retail products. Here’s the story behind one of those times – the Hindu-inspired psychedelic cover for the Experience’s Axis: Bold As Love LP – https://www.juxtapoz.com/news/illustration/sound-and-vision-the-jimi-hendrix-experience-vibrant-axis-bold-as-love/
– An existing shot – a stark, red and black photo from designer/photographer Sean McCabe’s portfolio -seems like the perfect image to illustrate the cover of the 2002 debut record – titled Turn On The Bright Lights – from NYC-based rockers Interpol – https://www.juxtapoz.com/news/design/sound-and-vision-interpol-s-2002-debut-turn-on-the-bright-lights/
– Is it cute, weird or just a little bit dirty…influential designer/artist Mark Kelley was asked by his chum, Sonic Youth’s Kim Gordon, to come up with the cover image for their second major-label release (1992’s Dirty), and whether you get it or not, it certainly became something that stuck in our collective memories – https://www.juxtapoz.com/news/music/sound-and-vision-sonic-youth-dirty-album-cover-art-by-mike-kelley/
That’s all for now – back to you sometime soon with more on our favorite people working on our favorite album packages.
Unless otherwise noted, all text and images included in this article are Copyright 2019 Mike Goldstein and AlbumCoverHallofFame.com – All Rights Reserved. All of trade names mentioned in these summaries are the properties of their respective owners and are used for reference only.
Posted in Album Cover News Recaps
Tagged ACHOF, album cover, album cover art, Album Cover Hall of Fame, album cover news, article, designer, exhibition, Interpol, Jimi Hendrix, Karl Ferris, Marilyn Manson, Mike Goldstein, photographer, record sleeve, Revolver, Rodney Matthews, Sean McCabe, Sonic Youth
ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF MAY, 2018, WITH PREVIEWS FOR JUNE.
BY MIKE GOLDSTEIN, ALBUMCOVERHALLOFFAME.COM
The past month of May was an emotional one for me in that two things happened – one, a bit depressing and another that gave me some hope for the future – that showed me that the life of a researcher and writer will often be one that can be both rewarding for the work itself (e.g., the pleasure felt for completing a task as best as it could have been done) and one that will serve as a reminder that not all the rewards will be easily or rightfully measurable. Of course, I’m speaking about the campaign I ran to raise start-up funds to produce a collector-oriented, special-edition version of the book I’ve written (tentatively titled Unsung Heroes of the Music Business) that ended in early may after raising less than 10% of the money required to produce the book. The project ran on the popular Kickstarter site for 33 days and, if it had been successful, would have provided me with everything needed to get the new book designed, printed and shipped (along with any special rewards that were available to sponsors at higher dollar levels). And while I do greatly appreciate the support I did receive, both in terms of the words of encouragement from fans/readers all over the world and the pledges I did receive, I do wish that I’d somehow been able to better-convince you to back me in this effort.
Well, all is not lost, as I do have encouraging news as a follow-up – I have been talking with a boutique publisher in the UK to produce a retail version of the book sometime soon and, with any luck, I’ll be able to get those who are interested in the book and all its wonders a copy (or two) sometime soon. More news to come as it’s made available and, of course, will be posted on the ACHOF site.
May was another month in which a goodly number of news releases and articles were made available on the exhibitions, interviews, artist profiles, book/print publications and other album cover art/artist-related topics and, in the summaries I’ve written and via the links provided, you’ll get the details from sources from around the world, including a) information on album art shows in the U.S. (Los Angeles, Brooklyn and NYC) and the U.K. (Liverpool and London); b) profiles (including two obituaries) on album art-makers including photographers working in the hip-hop and punk music areas; c) a new U.S. postage stamp featuring John Lennon and a limited-edition poster series showcasing Pink Floyd guitarist David Gilmour; and, as always, d) a nice selection of articles on a wide range of topics including news about several different artists fighting for just and fair compensation for the use of their works, an opportunity to meet one of the world’s most-respected commercial photographers (and have your own portfolio reviewed by him), Kanye West’s most-recent attempt to shock and confuse most everyone and much, much more. So much, in fact, that I might be forced to post some today and the balance ASAP…
Posted in Album Cover News Recaps
Tagged ACHOF, album cover, album cover art, Album Cover Hall of Fame, album cover news, Album Covers, article, Bill Gold, Bob Gruen, Brian Griffin, Bruce Springsteen, BWAC, CD cover, David Rose, exhibition, Flood Gallery, Garl Glover, Grammy Award, interview, Jimi Hendrix, John Lennon, Kanye West, Karl Ferris, lenticular, Linda McCartney, Liverpool, Mike Goldstein, Morrison Hotel, Neal Ashby, packaging, Paul McCartney, Paul Smith, photographer, photography, Pusha T, record sleeve, Robert Indiana, Secret 7", Spencer Drate, stamp, summary, The Beatles, Tom Hingston, USPS, Whitney Houston, Yoko Ono
In today’s Featured Fan Collection, we’re going to take a look at selections from the personal collection of Ed Boyd, CEO of Tymphany, maker of high-quality loudspeaker components and systems and long-time admirer and collector of album cover/rock music art. Ed’s been in the consumer electronics business for 25 years, helping clients including Beats, Bowers and Wilkens (AKA to audiophiles as “B&W”) and Bang & Olufsen make beautiful music via their use of his company’s components and audio design expertise. Tymphany has been a designer and manufacturer of high end audio products for over 10 years, “supporting companies globally to offer consumers the best in premium audio products”.
I met Ed via my (now-closed) RockPoP Gallery site and, I have to say, I was impressed with his desire to build a great collection of his favorite images and his willingness to search all over the world to find the galleries and self-publishing artists who might sell the prints he was interested in. While many folks in the music arena will decorate their offices and studios with gold record presentations and photos of themselves with other musical luminaries, Ed truly seemed interested in the art of the album cover, both from the standpoints of the creativity of the designs and the quality of the productions and the impact the image had on his own love of all things music. Remembering this, I knew that I had to try and convince him to share some of his collection with us and, as you’ll see, he’s been kind enough to share photos of some of his favorites along with the reasons why they mean so much to him. And so, let’s let Ed take us on a personal tour…
Posted in Exhibitions/Cover Fan Collections
Tagged ACHOF, album art, album cover, album cover art, Album Cover Hall of Fame, Album Covers, collection, collector, Ed Boyd, fan, fine art prints, interview, Jimi Hendrix, packaging, Tymphany