Tag Archives: Jim Marshall

ACHOF Exhibition Tour – Bill Graham and the Rock & Roll Revolution

Album Cover Hall of Fame Exhibition Tour – Bill Graham and the Rock & Roll Revolution (July 16 thru November 12, 2017 at the Illinois Holocaust Museum & Education Center in Skokie, IL)

By Mike Goldstein, AlbumCoverHallofFame.com

Now that I live in a city that has a long history of design innovation, it’s a challenge not to be pulled in a million different directions when I hear about exhibitions being staged at the various venues found here. To manage that, I have several alerts set that inform me of anything album art-related that might be on display, but I have to admit that I came to learn about the local staging of a travelling show that’s been drawing crowds for the past two years a bit late (i.e., just a few days before its launch) and it was only due to the attentiveness of the venue’s media person that I was able to learn more and then tour the show right after its launch late last month. People before computers, I always say…

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Album Cover Art and Artist News Summary for the Month of February, 2017

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ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF FEBRUary, 2017

by Mike Goldstein, AlbumCoverHallofFame.com

Greetings from Chicagoland. It’s “awards season”, what with the Grammy Awards, BAFTAs, Writer’s Guild and Independent Spirit Awards and, to end the month with a bang,  the Oscars (followed, in a few months, by another flurry including the Billboard, Tony and BET Awards shows). I don’t know about you, but I’m growing a bit overwhelmed by the sheer number of these shows and am somewhat confused as regards their relevance beyond the steady stream of production-related income enjoyed by the folks that stage them…Of course, people should be proud of what they do and want to praise the best examples of work within their respective fields of artistic endeavor, but I find it somewhat sad that some of the most-talented people – those working behinds the scenes, with their credits listed well-down from the top (you know, the part that’s sped through at an impossible-to-read pace during on-screen credit rolls) – are only mentioned in passing or, as we saw during the Oscar telecast, relegated to their own sparsely-attended and covered award ceremonies. Trust me, I understand why this is the case. I mean, who wouldn’t rather see a popular musician’s acceptance speech than hear from the recording engineer or the music video director (or the team that created the group’s logo and album cover), so that’s what sponsors and fans expect to see during an award show telecast. I guess that we fans of cover art can only take solace in the fact that you’ll probably see many more people wearing Dark Side of the Moon t-shirts than clothing emblazoned with a photo of Katy Perry thanking her fans, the label, her manager and her accountant for their support…

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Album Cover News Recap for May, 2016

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ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF MAY, 2016

It’s the first day of June, 2016 and perhaps you’re just noticing and saying to yourself  “you know, it’s been a while since I’ve seen a monthly summary on the Album Cover Hall of Fame site”. Well, in truth, it has been a while – yours truly was away from the office for a period of a couple of weeks in late April/early May and, unbelievably for an American, I chose NOT to work through my trip and, instead, chose to relax (“how dare you!”). At the same time, I decided to modify both the form and frequency of my album cover news summaries, the result of which you’ve seen the past few weeks and hope that you’ve enjoyed. Rather than daily missives, you’re getting a summary once a week (on Fridays, with the occasional timely updates inserted as needed), with each week’s news broken into several categories (the human mind loves to categorize, so I’m just giving you a head start in that effort). With this month’s summary, I am going to introduce a format chance that more closely follows the weekly updates, with news stories divided up into those same categories, making it easier for you to focus on the topics that might be more interesting to you than others. I am hoping that these changes increase your enjoyment of the monthly summaries – of course, if you have any concerns or suggestions, I do hope that you’ll contact me (curator@albumcoverhalloffame.com) and let me know how I might better deliver the ongoing supply of album art/artist-related content I’m dedicated to providing you on an ongoing basis.

So much has happened since we last chatted – even with the media circus that dominates our daily news feeds (#1 – “It hurts when I watch this.” #2 – “So don’t watch this!”), the people that make our favorite album imagery continue to draw interest from fans and the press, so there’s been an ongoing stream of articles, interviews and the like on a wide range of related topics:

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Album Cover News Recap – April, 2015

Album Cover Hall of Fame’s Album Cover News Recap – April 2015

By Mike Goldstein – Curator/Editor, AlbumCoverHallofFame.com

With Spring finally coming to our readers who’ve suffered through a most-impressive Winter, album art fans are slowly-but-surely emerging from their various states of hibernation and joining like-minded individuals from all over the U.S., U.K. and elsewhere on the globe in search of the latest news about album art and the artists that create it. To that end, I’m sure that you’ll agree that there were a number of interesting headlines we at the ACHOF posted throughout the month of April and that the sheer number of interviews, features and gallery/museum show items found in our news feed (several of which I’ll highlight now with the rest, in greater detail, following the intro paragraphs) continues to amaze and impress.

In the area of interviews, fans had the chance to get into the heads and hearts of talented cover image producers and promoters including  UAE-based DJ and vinyl retailer Shadi Megallaa, designers Carin Goldberg and Steve Keene, photographer Henry Diltz and illustrator Dave McKean,  along with my own interview with this year’s Grammy-winning designer (in the box/special-edition category) Susan Archie and a special Record Store Day interview with this year’s “special ambassador”, Foo Fighter Dave Grohl.

In the ever-expanding fine art book category, publishers were busy promoting their new releases, with monographs featuring art and photos related to musical acts including Pink Floyd, Rush and, for fans of the fantastic art often found gracing the covers of heavy metal music records, Ramon “Oscuro” Martos’s newest book titled And Justice for Art: Stories About Heavy Metal Album Covers . For those of us who spent hours custom-packaging our favorite music on cassettes, there’s also a new book on the subject of “mixtape artwork” titled Damn Son Where Did You Find This?: A Book About U.S. Hip-Hop Mixtape Cover Art by authors Tobias Hansson and Michael Thorsby.

It was an exceptionally-busy month for exhibitions and shows built around rock-related imagery, with curators and gallery owners displaying collections that included the works of Raymond Pettibon, Frank Frazetta and photographers Joel Brodsky, Jim Marshall, Jimmy Steinfeldt, Anton Corbijn, Neal Preston, Michael Halsband, Brian Duffy and a group show in NYC featuring several well-known shooters that covered the early rap/hip-hop scene.

Other stories included features on the role of logo art in music marketing, using Google Maps to locate and view the current state of the places where famous album cover photos were taken and one artist/musician (Natalie Sharp) and her ongoing efforts to re-create the cover art of albums she likes on her face using paints and make-up.  News continued with  the announcement of the judging for this year’s D&AD Awards for album cover art/packaging, the premiere of a line of music t-shirts with built-in music downloads as well as several more “best ofs”, “Most Fashionable” and other such “Top 10” lists. The excitement continued with a story about the auction and sale of a cardboard garden gnome that was one of the characters included in the cover collage on The Beatles’ Sgt. Pepper’s LP and another on one artist’s work to re-imagine a number of well-known covers with key characters replaced with comic book super-heroes.  I was also happy to provide an update on Kevin Hosmann’s ongoing efforts to finish up production on his new documentary film that will feature interviews with 50 album cover art producers, record label execs and others who’ve contributed to the growth of the medium (and who will share their opinions on the past and future role that this art has/will play in the marketing of music products. Finally, there was info on how the sale of album art prints can serve to raise money in support of scholarships for the next generation of album cover creative/production talent.

As always, I’m hoping that you were able to take a look at the new interview articles, along with the many new biographies posted on the ACHOF site during the month. I’m still on a quest to update those already there with new information and to add another 50 or so new ones before taking a break to work on a book-related project (more to come on this later). In the meantime, here’s your chance to catch up on news you may have missed while you were forced to do what’s needed to live/work/enjoy yourselves but, as I’ve said many times (almost every month!), regardless of how hectic your lives may be, there’s no reason that you should go without getting yourselves up-to-date info on one of your favorite topics, so you can be sure that we’ll continue to work (nearly) every day (even when it’s beautiful outside and I REALLY want to play hooky) to prove to you that there’s always something new to see and learn in the world of album cover art, and you know that you’ll find it all here on the ACHOF site (keep your eye on our News Feed for the latest updates).

August 30th – 1) A reminder to our friends in the LA area – don’t miss the opportunity to take part in the opening night festivities for the new “A Lad Insane by Brian Duffy” photo exhibition at the recently-relocated Mr. Musichead gallery in Hollywood. The reception takes place Friday, May 1, and begins at 7pm. According to the gallery, there “will be photos from Brian Duffy’s five different photographic shoots with David Bowie. These groundbreaking sessions not only documented Bowie’s career and pioneering reinvention, but illustrate Duffy’s special relationship with him.

(The late photographer’s son) Chris Duffy will be present to talk about his father’s working relationship with David Bowie.  Copies of his book  ‘Duffy Bowie : Five Sessions’  will be available for purchase and signing on the evening. The evening’s co-hosts will be Martin and Mary Samuel. An award-winning hair stylist, Martin worked with Bowie on the set of “The Man Who Fell to Earth”.

For more info, visit the gallery’s site at http://mrmusichead.com/?p=13357

2) The UK’s National Portrait Gallery has just added another album cover image to their collection – Dav Stewart’s photograph for Tempest’s album Everybody Down – and will be including it in an exhibition called “Picture The Poet” that will begin its tour of exhibition spaces on Friday, May 1, at The Collection Museum of Art & Archaeology in Lincolnshire. The Portrait Gallery’s collection also includes Mischa Richter’s photo portrait of Amy Winehouse used on the cover for her 2006 record Back to Black and the Mario Testino shot used on Madonna’s 1998 album Ray of Light. The Guardian (UK) gives us the details in this recent article on their site –

http://www.theguardian.com/stage/2015/apr/27/kate-tempest-album-cover-added-to-national-portrait-gallery-collection

3) As part of the prestigious design publication D&AD‘s annual Judging Week prior to the awarding of their coveted D&AD Awards, the President of the professional group behind the awards – Mark Bonner – has posted an article that gives us the details on several of his personal favorites. Included in the list is an album package for New Zealand alt-rock band Shihad’s latest record, titled FVEY (with artwork done by the Alt Group) which features a VERY cool skull sculpture. The record is available in several different packages, including several limited-edition versions that include a poster of the skull image, and Mr. Bonner is hoping that someone will take the hint and create a collectible version of that skull (watch out, Damien Hirst!). More about this on the Campaign web site – http://www.campaignlive.co.uk/news/1343547/

April 29th – 1) Several years ago, I interviewed several people involved with creating logos for their musical clients and, in nearly every case, these “works for hire” (i.e., projects where they were paid a flat fee, or where they received limited licensing credits) went on to earn their clients millions of dollars via their uses on album covers, merchandise and other related money-makers. While they are just part of an act’s overall identity, great band and label logos can stand alone and, as you’ll see in the linked article written by Tom Hutchins for the Noisey Music By Vice site, have done great things in building tighter relationships between acts/labels and their fans. You’ll also see examples of where things didn’t work out quite as their owners expected… http://noisey.vice.com/blog/the-art-of-the-record-label-logo

2) Blogger Bruce Jenkins – the super-fan that runs the popular Vinyl Connection  site from his base “down under” – has just celebrated the 2nd anniversary of his site’s launch and, as part of the festivities, has introduced a new take on a cover-vs-cover competition that he’s calling the “Cover Art Portrait Playoff”. He’s organized 16 pairs of album covers and is asking fans to pipe in with their “whose better” selections beginning next week. To get folks in the mood today, he’s just posted a nice article on a selection of covers that followed very similar approaches to their covers – in this case, covers that look like they are “ripped from the headlines” – take a look and be sure to check back to cast your votes soon – http://vinylconnection.com.au/2015/04/28/who-wants-yesterdays-papers/

3) Last-minute album art panel discussion announcement as a bonus item related to the ongoing “Pick Me Up” event now running at the Somerset House in London, the folks that run the “Cover Club” series there announced a show Thursday night (April 30) at “The Studio” space featuring graphic designer Ian Anderson, one of the founders of the renowned Designers Republic studio (Warp Records fans know/love his work). Joining Ian on the panel is Kevin King, the music marketing exec that launched the “Secret 7” music/art campaign that has raised lots of money for charities in the U.K. via the sale of specially-produced record cover artwork created by many of the world’s better-known designers. More info on this event is available via the link at https://www.somersethouse.org.uk/visual-arts/pick-me-up-2015/platform

April 28th –  1) There’s a new entry in the “Sgt. Pepper’s album cover tribute” category, and this one is a doozy! You’ll never guess who did it – that’s right, Who did it (sorry, couldn’t resist)! The cover for the new record titled Doctor Who Symphonic Spectacular (a tour playing in several cities in the U.K. and featuring a host of BBC musicians playing music familiar to the TV series’ fans) takes on the familiar collage motif found in Sir Peter Blake’s original design for The Beatles, with this version featuring a collection of characters seen in the show – Daleks, Cybermen and Weeping Angels included! Not sure who is responsible for the art, but hope to find out. In the meantime, you can take a look at the work reporter Marcus for the Doctor Who News fan-site gives up a look at the image via the link – http://www.doctorwhonews.net/2015/04/symphonic-spectacular-homage-album-over.html

2) The folks at the Mass Appeal web site have taken inspiration from several other sites (including The Guardian) to use the handy Google Maps application to seek out and display the locations where a number of well-known hip-hop album cover photos were taken. I’m quite appreciative of the fact that they also provided readers with a bit more information (and proper credits) on each of the featured images (yes, working people actually did create the original images, thank you!). If you’ve always wanted to see where the covers of albums including Ice Cube’s Ameriikkka’s Most Wanted, Jurassic 5’s Quality Control, MC Lyte’s Eyes On This and Beastie Boys’ Check Your Head (along with another 10 or so) were first photographed, click on over to the article via the link – http://massappeal.com/iconic-hip-hop-albums-in-google-street-view/section/nas—illmatic

3) Vinyl records have always held a special place in the hearts of music fans, but it is rare to find such love and commitment in societies that, under most circumstances, work to keep such examples of Western decadence away from the local populace. In this article on The National‘s site (an English-language publication headquartered in Abu Dhabi), you’ll meet Shadi Megallaa, a DJ, record label and soon-to-be record retailer in the UAE and learn more about his plans to turn his personal collection into a record store that he hopes will appeal to the audio purists he knows in his home town. After moving recently from New York City to Abu Dhabi, this entrepreneur is working hard to make sure that this effort – which will be called “Flipside” (which I love, as it was the name of a popular record chain in the Midwest that I spent many hours in as a youth) – succeeds in spite of both industry forces and the social mores that exist in that part of the world. Let’s all wish him luck – http://www.thenational.ae/arts-lifestyle/music/a-look-at-the-growing-vinyl-record-scene-in-the-uae#full

April 27th – Special Fashion Edition…

1) Whether you believe that album cover art reflects the styles/fashions of the day or, in many cases, helps set those standards, you must admit that there have been many album cover images that are “stylin'”, featuring musical acts such as Grace Jones, Joni Mitchell, Madonna and others who, in addition to being reviewed as musicians, were also always in the headlines for their sense of fashion (good or bad). In this recent article by writer Austen Rosenfeld for the Style.com site, you’ll find 14 examples of memorable record covers that the author considers to be “the most fashionable of all time”. If, after looking at the list, you care to comment or add some examples of your own, I/we would love to see what you think…I’ll start – conspicuous in its absence is the cover for Saturday Night Fever…your turn…
http://www.style.com/culture/entertainment/2015/fashionable-album-covers

2) Just prior to becoming a fashion icon herself (i.e., before Like A Virgin and the film Desperately Seeking Susan), young Madonna Ciccone was another in a long line of struggling musicians/performers trying to make a name for herself in the music business, so when Warner Bros. Records hired freelance designer Carin Goldberg to work with their new one-name act, her first thought was “God, it’s going to be one of those” but, as time would tell, this turned out to be the start of something big. Ms. Goldberg would go on to do covers for a number of other pop/jazz/classical acts, and the photographer, Gary Heery, would shoot covers for acts including Roy Orbison, Paul Simon, Joe Cocker and others, but as you’ll read in this interview by NYMag.com’s Erica Schwiegershausen, this one cover portrait will continue to cement this team’s place in classic album cover history. http://nymag.com/thecut/2015/04/making-of-madonnas-first-album-cover.html

April 24th – 1) The folks on Public Radio’s “here & Now” show have posted a multi-media extravaganza (i.e., an audio interview with a series of photos you’ll reference while you listen to the interview) featuring host Robin Young’s recent conversation with album cover photo great Henry Diltz. The eleven-minute interview includes Mr. Diltz’s recollections about a number of his earlier works, including his escapades with Crosby, Stills & Nash, Joni Mitchell, Neil Young, Paul & Linda McCartney, Richard Pryor, The Doors and several other legendary performers. Henry went on to launch one of the best-known galleries dedicated to rock photography – the Morrison Hotel outposts – and has always impressed me with the detailed memories he has of his time spent with early rock royalty, so I hope you’ll take a break from your weekend to listen to this (and the nice soundtrack that accompanies it) – http://hereandnow.wbur.org/2015/04/23/henry-diltz-music-photography

2) New works by artist Raymond Pettibon, well-known for his covers and illustrations for early punk/alt rock pioneers such as Black Flag, Minutemen and Sonic Youth, are the subject of a new exhibition at the Regen Projects gallery in West Los Angeles running now until May 30th. Titled “From my bumbling attempt to write a disastrous musical, these illustrations muyst suffice”, the new show, according to the gallery’s PR, puts on display “a broad spectrum of influences ranging from Southern California surf culture, punk rock aesthetics, baseball, and film noir to popular culture, world history and politics.” Included art works of pen and ink on paper, gouaches and several collages, all done with the artist’s unique perspective on pop culture gloriously on display. I just want a print of the cover he did for Sonic Youth’s Goo but, hey, that’s just the collector in me talking…More on this on the ArtDaily.com web site – http://artdaily.com/news/78110/Exhibition-of-new-work-by-Raymond-Pettibon-opens-at-Regen-Projects-in-Los-Angeles

3) The estate of the late photographer Jim Marshall has teamed with UC-Berkeley’s Graduate School of Journalism to spearhead and help endow a new fellowship program for students of the craft which, quite rightly, will be called the “Jim Marshall Fellowships In Photography”. There’s an exhibition currently running on campus through the end of May called “The Haight: Love, Rock and Revolution” (accompanied by a photo book by the same name) that includes Marshall’s imagery from that San Francisco neighborhood featuring the stars of that time (late 1960s) and place including The Grateful Dead, Janis Joplin, Jimi Hendrix and others (read more about this show on the school’s info page at http://newscenter.berkeley.edu/2015/01/29/love-rock-revolution-exhibit-features-work-of-legendary-music-photographer-jim-marshall/ ), with more of the details about the Fellowship, its funding and ways you can donate to it, available via the link – http://journalism.berkeley.edu/news/2015/feb/02/jim-marshalls-the-haight/

April 23rd –  1) Rock & Roll fine art and photography can do a world of good for more than just the collectors and fans of the art-form…As you’ll read in this recent article on the ETNow web site, proceeds from the sale of art prints featured in photographer Neal Prestons recent exhibition at the Musikmesse industry event (in Frankfurt, Germany) were totaled up and a check for $50,000 was given to the “Behind The Scenes” charity, a group that provides disabled or injured industry professionals with grants to help them better-manage their day-to-day living expense. Preston’s show, titled In the Eye of the Rock ‘n’ Roll Hurricane, was done with the support of Lightpower, the German-based distributor of lighting products and put over 60 of his best-known photos of rock royalty (Led Zeppelin, Queen, Bruce Springsteen and many others) up for viewing in a series of super-sized prints.
Read more about this donation at http://www.etnow.com/news/2015/4/lightpower-donates-50-000-to-behind-the-scenes-from-the-neal-preston-rock-n-roll-photo-exhibition
and, to see more of the exhibition, click on over to the Musikmesse site at http://musik.messefrankfurt.com/frankfurt/en/besucher/events/neal-preston.html

2) In Ramon Marcos Garcia’s (AKA Oscuro) recent posting on the Metal Underground site, the author presents a number of album covers that have been based on classic/historical imagery. Fans of art history have long-admired the works of artists from centuries past such as Hieronymus Bosch (the 15th Century Dutch painter best-known for the fantastic “Garden of Earthly Delights”), Jean Delville (the Belgian “Idealist” from the late 1800 – early 1900s) and John Martin (the 19th Century British painter who helped us visualize “Paradise Lost”), so it is fascinating to see works from these and other artists both inspiring today’s album cover illustrators and, in cases like those featured in this article, being “borrowed from” quite freely. You’ll find covers from bands including Morbid Angel, Celtic Frost, Candlemass and others featured in this article, along with the stories about how these historical images found new life on the covers of some of today’s most-progressive musical acts. http://www.metalunderground.com/news/details.cfm?newsid=112500

3) I was browsing through the aisles of the Portland book-selling institution Powell’s when I came across a book that I hadn’t seen previously and, in my ongoing effort to provide album cover art fans with as many resources as possible of information that might help them better-understand the scope of the talent that has produced memorable album art over the years, I wanted to bring this book to your attention.

Published in 1977 by Collier Books and written by the team of Brad Benedict and Linda Barton (both of whom now have credits for scores of books on the arts), Phonographics: Contemporary Album Cover Art & Design is a nice collection of works (over 150 included) of album art produced during the late 60s – early-mid 70s, a period that finds the industry in its “Golden Years”, with regards to the innovations being employed and the importance the recording industry attributed (at the time) to the overall success of recorded music products.

The book’s introduction, though, serves as a painful reminder that, back then, the visuals brought to the packaging of music products were integral parts of their labels’ production/marketing plans, only to have been reduced in importance over the years since this book’s publication – much to the detriment of fans and the talent that worked so hard to deliver such great art and imagery. To those still working on these works today – keep up the good work!

April 22nd –  1) Had a very nice catch-up conversation a few days ago with designer-now-user-experience guru Kevin Hosmann about the status of his labor-of-love project – a documentary film about album cover designers titled “The Album“. Kevin has been working diligently to capture the stories of 50 people who’ve worked in various capacities within the album packaging world – designers, art directors, photographers and other printing/production experts active from 1965 thru today – to chronicle their efforts and. at the same time, the evolution of the music industry.

As a former record cover designer himself, with credits for designs for musical acts including MC Hammer, the Beastie Boys, N.W.A., Tupac, Stone Temple Pilots and others, Kevin is hoping to share his and his former cohorts’ experiences as creatives in an industry that has undergone many changes over the past 20 years, with many of those changes making it difficult for design/visual talent to earn a respectable living (“I need an album cover by tomorrow – here’s $100”). He’s posing a number of questions to his subjects about how they’ve adjusted their approaches to their album art projects and will craft his film from their responses and anecdotes about the people and projects they’ve worked on.

In the meantime, fans can take a look at his rough footage on a Vimeo site he’s set up (https://vimeo.com/user9960212) and, for more info and a nice collection of “back in the day” photos, you can bop on over to his Facebook page – https://www.facebook.com/pages/The-Album/1514923212059261
I hope to keep in touch with him as time goes on and eagerly await the time he’s ready to share the film with fans (like me!) of album cover art and artistry.

2) Once again, some brave (or foolish – you decide) soul has published a “Top 10 Best” list of album covers but, in this case, the author (Josh Pellis, writing for the FDRMX.com site) works to provide enough detail to help substantiate his rankings of the “Top 10 Most Artistic Album Covers of All Time” so, whether you agree with him or not, at least you can give him credit for a somewhat-scientific approach to the topic.

The list does include records released over a time period that takes into account many changes in the music world, beginning in the mid-1960s with albums by The Beatles and Hendrix, proceeding thru the 70s, 80s and 90s with records by Pink Floyd, Korn, Dr. Dre and others and including more-recent records by Red Hot Chili Peppers and Calle 13. To read the writer’s complete rundown, click on the link at http://fdrmx.com/top-10-most-artistic-album-covers-of-all-time/ and then let me know what you think…

April 21st –  1) Just finished reading a nicely-done interview with illustrator Dave McKean, a talented guy with many credits in both the book and record cover worlds and the artist behind one of my own personal favorite album covers, that being Fear Factory’s Demanufacture – a classic “man vs. machine” (or is it “man as machine”?) image. McKean has done work for many other metal/hard rock bands as well as supplying covers for books by authors such as Grant Morrison and Neil Gaiman and has always shown how today’s digital imaging tools can be put to good (i.e., artistic) use when assignments call for something “other-worldly”. Read Dan Franklin’s in-depth article on The Quietus web site – http://thequietus.com/articles/17626-dave-mckean-interview

2) In Phil Miller’s recent interview article on The Herald (Scotland) site, artist and writer John Byrne talks about returning to the album cover art world recently to take on an assignment for the 25th anniversary recording for Scottish band Shooglenifty. While he’s mostly spent his time lately writing and taking on the occasional art commission, it’s been a while since he’s done record covers. His past work for The Beatles, Stockholm Syndrome and Gerry Rafferty garned him much praise, so it’s nice to see him at work again in this area –
http://www.heraldscotland.com/news/home-news/byrne-designs-album-cover-for-folk-band.122978964

3) Next week, seminal rock band Journey will be releasing a new record and, in addition to the new music from this best-selling group, fans will be given the opportunity to purchase a limited-edition, 9-color 36″ x 12″ screen print – signed and numbered by the artist, Mark Englert, for only $60. The band has long been a supporter of great album art, beginning early on with works by Stanley Mouse and Alton Kelley and with several other talented artists following those esteemed names, so it is no wonder that they’re continuing the tradition of offering fine art along with their fine music – click on the link to see the new cover art – pre-orders were to be accepted beginning April 23 – http://store.iam8bit.com/collections/journey/products/journey-limited-edition-print-by-mark-englert

April 20th – Record Store Day follow-up items:

1) Looks as though this year’s RSD was very well-attended world-wide, with over 3,000 indie stores participating, offering specially-produced packages and lots of in-store appearances by musical acts of all types and degrees of popularity. RSD is one of those times where big-name acts come down from their heavenly mounts and mingle with their fans, so you’ll get to see and hear them in some very intimate settings. Quite the treat!

As reported by Shaun Tandon on the ArtDaily web site, the popularity of vinyl continues to grow, brought about by the hand-crafted nature of many of the unique, limited-edition products being offered (you might call them “artisanally-produced music products”) and the depth of information that typically accompanies these packages. Of course, based on the fact that the most-popular vinyl record being sold these days – Abbey Road by The Beatles – you can perhaps correlate it’s sales with the always-in-the-Top-5 rating of its album cover…just sayin’..
http://artdaily.com/news/77984/3-000-independent-stores-have-big-turnout-on-Record-Store-Day-shows-rebirth-of-vinyl

2) About a year ago, I reported on the Record Store Day-related antics of musician Natalie Sharp – AKA “The Lone Taxidermist” – when she released a series of photos of herself sporting face make-up that re-created several well-known album covers (Joy Division, Kraftwerk and others). This year, she’s worked to expand her portfolio of cover-based facepaint, adding covers from Nirvana, Talk Talk, Aphex Twin, Bjork and others (even Mike Oldfield’s classic Tubular Bells!). You can learn a bit more about her ongoing exploits in this Ann Lee-penned article on the MetroUK web site – http://metro.co.uk/2015/04/18/musician-paints-face-to-resemble-famous-album-covers-and-she-looks-awesome-5156220/

April 17th – 1) Every day, I learn a little bit more about the various ways that talented people work to add visuals to their music…In this article by New York Times writer Jon Caramanica about a new book on the subject of mixtape artwork (titled Damn Son Where Did You Find This?: A Book About U.S. Hip-Hop Mixtape Cover Art by authors Tobias Hansson and Michael Thorsby) that features in-depth interview with five graphic artists that have specialized in the field, you’ll learn more about their approaches to the projects they work on and what they do to differentiate their work from what’s typically found on these products. Knowing that they must compete with mainstream products (and the mainstream mindset of many of their clients), they all strive to bring their unique backgrounds and talents to bear when creating some very impressive imagery – http://www.nytimes.com/2015/04/16/arts/music/celebrating-the-fast-moving-bug-eyed-wily-world-of-hip-hop-mixtape-covers.html?_r=0

2) Writing for Esquire Magazine, Dan Hyman has posted an interview with artist Steve Keene, the guy responsible for some memorable covers for musical acts such as Apples In Stereo, Silver Jews and, most-notably, Pavement, with this particular article focused on his cover for Pavement’s 1995 record Wowee Zowee (which is celebrating the 20th anniversary of its release). For an artist well-known for his enormous output, the interview provides some keen insight into how he approached projects that required a bit more attention in order to please his indie icon clients.

http://www.esquire.com/entertainment/music/a34283/steve-keene-pavement-interview/

3) Over the past many years, Todd Rundgren has shown us his many talents as a musician and producer, but with the release of his new record titled Global (and to help promote his world tour in support of his record), Mr. Runt shows off his chops as a visual artist by both creating the cover image for his new album and by sponsoring a contest in which some lucky fans will win their portraits painted by the man himself. To enter the contest, you must show off your own creativity by submitting some evidence – a video, a collection of ticket stubs, pix of your Nazz memorabilia, etc. – that proves that you’re the “Ultimate Todd Rundgren Fan”. You can find all of the details on how to enter in this posting on the GOLDMINE site – http://www.goldminemag.com/features/win-signed-portrait-created-todd-rundgren Good luck!

Bonus Record Store Day posting!

1) My chum Terry at our town’s most-significant temple to all things recorded – Music Millennium – was kind enough to share some info with me about some of the amazing limited-edition special releases that were available starting April 18th, and so I wanted to forward that info on to you with the hopes that you’ll find some time tomorrow to go and see what’s new and exciting and, if so motivated, support your local record retailers at the same time with a purchase or two.

Here’s a link to a handy listing of many of the unique items that are be available (over 500 of them, at this point), with many of them sporting custom covers, colored vinyl and/or bonus items, including posters, art prints, beer cozies, and more!
http://www.recordstoreday.com/SpecialReleases

A quick scan of the list shows me some very cool items including a David Bowie “Changes” picture disc, a Miles Davis 10″ vinyl box set, a vinyl re-release of The Doors’ Strange Days that features a cardboard sleeve/insert made at the same factory that printed the original in 1967 and, to plug a local recording, Blitzen Trapper’s live recording (recorded at the Doug Fir Lounge here in PDX) of their take on Neil Young’s Harvest LP which sports a smartly-done remake of the original cover image as well. I also saw that, at Terry’s store, anyone who buys a copy of the new Best of the Grateful Dead 2-CD set will also take home a limited-edition print of the Skeleton & Roses cover art – just one of the many examples that should motivate us all to make a beeline to the record store this weekend.

2) Foo Fighters front man Dave Grohl is this year’s ambassador for Record Store Day, and he’s pitching in with a special edition 4-song 10″ vinyl record called Songs From The Laundry RoomUSA Today reporter Patrick Ryan has posted an interview with Mr. Grohl in which he spouts off about his love for all things vinyl, sharing info on the first record he ever purchased, time that he spent at record stores growing up and why he thinks that today’s youth has become enamored with vinyl (hint – besides the music, it has something to do with ALBUM COVERS!). Enjoy the entire interview via the link – http://www.usatoday.com/story/life/music/2015/04/15/dave-grohl-foo-fighters-record-store-day-2015/25749947/

April 16th – For those fans of album art from the “heavier” side of the aisle…

1) The fantastic art of Frank Frazetta is featured in a new exhibition that opened April 17 at the Metropolis Gallery in NYC. This is the first such showing of the late artist’s work in the area and is the centerpiece of the gallery’s grand opening activities. Comic book fans have long-known about the gallery’s parent company – Metropolis Collectibles – as the largest vintage comic dealer/auctioneer, so with the opening of this retail gallery and the showing of Frazetta’s work, fans of comics, fantasy fiction and album covers will all have something great to see. The show is in good hands as the gallery’s curator is Rob Pistella, who was Frazetta’s business manager until the artist’s death five years ago. One of the paintings on display will be his iconic “Death Dealer“, an image best-known by classic rock fans for its use on the cover of Molly Hatchet’s 1978 debut album. More details on this show are available on the PR Underground site – http://www.prunderground.com/frazetta-exhibit-at-metropolis-gallery-in-new-york/0056240/

2) Billboard’s Christa Titus gives us a nice overview of the new book by Tampa, FL-based writer Ramon “Oscuro” Martos (well-regarded for his ongoing MetalUnderground.com series about the album art featured on heavy metal music recordings) titled And Justice for Art: Stories About Heavy Metal Album Covers, just released by publisher Dark Canvas/Handshake Inc.. The book includes the stories behind over 50 memorable metal covers and explores the wide range of styles and subject material featured in these images. While blood, fire and decay are prominently featured, there have been some beautifully-disturbing covers as well, so it is nice to be able to better-understand – in the words of the people who produced these works – their underpinnings and back stories. Whatever you might think of the subject material, there’s no denying the artistry often on display…

http://www.billboard.com/articles/columns/rock/6524434/and-justice-for-art-book-metal-albums

April 15th – A pretty interesting day in album cover news, I think…

1) German illustrator Uwe De Witt has two passions – comic book art and music – and it was with great pleasure that I discovered this article on his recent efforts to re-imagine classic album covers, this time substituting comic book heroes and villains for the characters found on the original covers. I think that he’s done a fantastic job in both selecting the covers he wanted to do and then producing the remakes in an entirely believable fashion. In Ben Kaye’s article on the Consequence of Sound (COS) site, you’ll see examples of records for Aerosmith, Gorillaz, Lou Reed, Nikki Minaj and others. I was particularly impressed with his take on the cover for the West Side Story soundtrack, originally by Saul Bass, but now featuring Daredevil! See the rest at http://consequenceofsound.net/2015/04/artist-reimagines-classic-album-covers-with-comic-book-heroes-and-villains/

2) In another story where an artist has been motivated by dual passions (this time, hip-hop music and professional basketball), you’ll find the details of Jesse Nunez’s recent efforts to re-do well-known rap/hip-hop album covers, replacing the original people featured on the cover with images of NBA stars including James Harden, Russell Westbrook, Carmelo Anthony, Derrick Rose and others. Laker fans will either love or hate what he’s done with putting the (nearly-expired – sorry, Mark) Kobe Bryant on the cover of a memorable Notorious B.I.G. album…see the rest of Nunez’s work on his Behance site – https://www.behance.net/gallery/25007927/Album-Art-Recreated

3) The annual Florida Music Festival in and around Orlando was enhanced by a new exhibition of the work of photographer Jim Leatherman that launched on Thursday, April 16 at the City Arts Factory, running through May 15th. Leatherman’s photos have been featured in many articles, books and several album covers, with a lot of his best-known work chronicling the 1980s indie-rock scene (Sonic Youth, Red Hot Chili Peppers, Archers of Loaf and others), and it was the support from his many fans (via a recent GoFundMe campaign) that provided the incentive for the staging of this show. Ashley Berlanger’s article in the Orlando Weekly gives you the details – http://www.orlandoweekly.com/Blogs/archives/2015/03/06/gritty-stunning-underground-rock-photographer-jim-leatherman-finally-gets-a-gallery-exhibit

April 14th –  1) With all of the attention the media has been giving to Hillary C. lately, it is also important to note the role that women have played in the making of famous album covers and, with the help of Mike McPadden and the crew at VH-1, they’ve made that easier to do by publishing an article titled “True Stories of Women On Classic Album Covers”. The article tells us the stories about some of the women that have been featured on records by a wide range of musical acts, from Bob Dylan to Black Sabbath, Blink-182 to Roxy Music and many others. You’ll find photos and illustrations of girlfriends, models, porn stars, etc. but, surprisingly, not one politician! Learn more about the ladies that have been featured in some of the most-memorable covers in rock ‘n’ roll history via the link – http://www.vh1.com/music/tuner/2015-04-06/women-on-classic-rock-album-covers-true-stories/

2) The Trocadero Art Space in Sydney, Australia hosted a show that ran through April 25th in their  Galleries 1&2 (guest-curated by photographer Brendan Lee) called “Turn Up Your Radio” that featured artworks created by musicians. As you know, many musical performers have also displayed their chops as visual artists, and this collection of images – which is accompanied by a playlist also created by the participants – gives visitors a chance to see how 15 of the country’s most-talented (i.e., multi-talented) artists have chosen to express their feelings visually about pop/contemporary culture today. More info is available at http://www.trocaderoartspace.com.au/uncategorized/gallery-12-apr-11-24-turn-up-your-radio-by-guest-curator-brendan-lee/

3) For his 60th birthday, photographer Anton Corbijn received a fine gift – that of an exhibition of his photos of U2, Nirvana, the Rolling Stones and many others that is featured in not one but two museums in The Hague, in Corbijn’s native country of Holland. The retrospectives – titled “Hollands Deep” and “1-2-3-4” – run until June 21 at The Hague Museum of Photography and Gemeentemuseum. While the 1-2-3-4 show is a more-traditional showing of his celebrity photography, Holland’s Deep is unique in that it features photos of Corbijn himself – dressed as some of his favorite musicians, including Elvis, Hendrix, Cobain and others – all taken in his home town of Strijen. You can read more about both shows in this recent ArtDaily article – http://artdaily.com/news/77713/Dutch-master-lensman-Anton-Corbijn-toasts-60-with-new-expos-at-the-Gemeente-Museum-in-The-Hague

April 13th – 1) The works of three well-known photographers who documented the emergence of the rap/hip-hop scene in NYC are featured in a new exhibition now running at the Museum of the City of New York. Titled Hip-Hop Revolution: Photographs by Janette Beckman, Joe Conzo, and Martha Cooper and curated by Sean Corcoran, who produced the exhibition as Curator of Prints & Photographs for the Museum, the show (which runs through September 13th) includes over 80 photos taken between 1977 and 1990 and features images of many of the people that led the way for hip-hop’s birth and ultimate adoption as an integral part of Pop Culture. You’ll find photos of “Afrika Bambaata, Kool Herc, and Cold Crush Brothers, breakers like Rock Steady Crew, and breakout acts such as Run DMC and the Beastie Boys”, among many others. Beckman was also responsible for memorable cover images for The Police, Squeeze and other New Wave artists before “crossing the Pond” to cover the excitement in late 1970s New York City – more about this in this ArtDaily article –
http://artdaily.com/news/77613/Exhibition-presents-historic-early-days-of-hip-hop-culture-and-music

2) Read a fascinating article on the PopMatters site by Elodie A. Roy titled “The Curious Art of Wrapping Music” that takes us through an early history of music product packaging before taking us on a tour of modern approaches to the subject including – which was new to me – a DIY Album Art scene that grew in the U.S. and Europe after the days of punk. The author believes that there’s a section of modern music buyers that will respond very positively to the availability of physical products, particularly those that are packaged attractively. With the rise in popularity of both vinyl records and hand-published “zines” (with some being packaged with CDs of music that accompanies and/or complements the editorial), she presents a compelling argument, don’t you think? http://www.popmatters.com/column/191453-the-curious-art-of-wrapping-music/

3) Finally, in a nice example of an album art creator’s willingness to do just about anything to work with a music industry client to produce a memorable cover image, here’s a link to Ryan Middleton’s story on the Music Times site about photographer Sandy Kim and her recent efforts to work with rapper Young Thug on a cover image for his new release titled Carter 6. He had ideas, she had ideas; she wanted him naked on the cover – guess what he wanted? Follow this through to it’s interesting end via the link at

http://www.musictimes.com/articles/34932/20150408/young-thug-carter-6-cover-photographer-naked.htm

April 10th – 1) Designer/artist James Marsh, well-known for the beautiful and beguiling illustrations for Talk Talk, Steeleye Span and others, has just released a collection of new (and affordable) limited-edition prints in a series that he calls, smartly, “Small Edition Prints”. There are 15 new images in the series, with designs that run the gamut from geometrics and Vasarely-like forms along with Marsh’s well-regarded blends of fantasy and realism. In signed/numbered editions of 10 8″ x 8.5″ prints of each design, collectors can own these for less than $100 each (£62), including postage. To see these new items, along with his other collections, hop on over to his site at http://www.jamesmarsh.com/fine-art/small-edition-prints/

2) If you were anywhere near the Meadowlands Expo Center in New Jersey on Saturday, April 12 at 4pm EST, you had the chance to meet and hear a presentation by one of rock music’s most-respected designers – John Van Hamersveld. Mr. Van Hamersveld – the designer responsible for the covers for Magical Mystery Tour by The Beatles, Eat To The Beat by Blondie and Exile On Main Street for the Rolling Stones (among others) was at the East Coast ComicCon and was interviewed by Cliff Galbraith in a session titled “John Van Hamersveld : Album Covers and Posters That Rocked The World”. John’s contributions to rock & roll imagery are truly notable, as is his perhaps best-known “Endless Summer” poster, a must-have for any fan of surfing..Get the details on the convention’s site at http://eastcoastcomicon.com/panels

3) To follow-up an earlier post about upcoming auctions that feature rock music imagery, I would be remiss to leave out one that took place April 18 in Los Angeles that featured an image well-known to Beatles fans – yes, for the right price, you could have become the new owner of the cardboard garden gnome that is standing next to George Harrison on the cover of the Sgt. Pepper’s album! A possession of one of photographer Michael Cooper’s assistants, the Sir Peter Blake-designed gnome stands about 20″ tall and has been signed by all four Beatles. You’ll find this item amongst the many being offered in the ’ Entertainment and Music Memorabilia Signature® Auction hosted by Heritage Auctions in Beverly Hills. Pre-auction online bidding was at around $14,000 at the time I posted this news (with a pre-auction estimate of $25,000), so it was interesting to see what fans were willing to cough up to own the very unique bit of album cover history (see results in the update, below). More on this in writer Jamie Bowmans article on the Liverpool Echo site – http://www.liverpoolecho.co.uk/news/showbiz-news/cardboard-garden-gnome-signed-beatles-9013670

Beatles Sgt. Pepper’s Album Cover Garden Gnome auction update – some lucky (and, luckily, wealthy) Beatle fan was the winner of a recent auction for this rare bit of Fab Four memorabilia, with the final price paid going well over the pre-auction estimate of approx $16,000 (£11,000). The final price paid – $43,000 (£29,000) – and for that money, the new owner gets a group-signed item designed by leading British Pop artist Sir Peter Blake. I’m hoping that the cardboard cut-out of Edgar Allen Poe comes up for sale at some point but, until then, I’ll just congratulate Mr. or Ms. Anonymous Auction Bidder. Read the rest of the details in Callum Paton’s article on the Daily Mail online site – http://www.dailymail.co.uk/news/article-3049171/Garden-gnome-featured-Beatles-iconic-Sergeant-Pepper-s-album-cover-sells-29-000.html

April 9th –  1) An album cover “newbie” is responsible for the artwork for The Prodigy’s latest release titled The Day Is My Enemy. When frontman Liam Howlett saw a book by designer Nick McFarlane while touring an art gallery, one look was all it took and Howlett contacted McFarlane at the Auckland, NZ ad agency he works at to ask him to collaborate on the album’s cover image. 166 comps later (!!), the final design was agreed upon and, since its introduction, it’s been getting a lot of attention. The image of a fox looking for shelter in an urban wasteland was so strong that the band staged an event in early April where they projected the cover image on another well-known album cover icon – i.e., the Battersea Power Station in London (featured on Pink Floyd’s Animals) at a promo event there. You can read an interview with the designer in this article on the New Zealand Herald‘s web site – http://www.nzherald.co.nz/entertainment/news/article.cfm?c_id=1501119&objectid=11426537 and see images of the cover projection event on the NME site via this link – http://www.nme.com/news/the-prodigy/84194

2) Over the weekend  of April 11 & 12, fans of art and music had a unique opportunity to add one of over 700 Grateful Dead-related items to their personal collections from the selections being offered at Donley Auction Service’s “Grateful Dead Family Jubilee Auctions, Parts 1 & 2”. Album and poster art fans were particularly happy to see a number of items offered featuring the works of artists including Stanley Mouse, Alton Kelley, Phil Garris and Rick Griffin. With so many items to sell, the auction was divided into two collections, with each day’s catalog packed with items such as:

Saturday, Part 1 – Rick Griffin’s preliminary artwork for the image he created for the band’s 1981 album Reckoning (opening bid $4500 – sold for $4500); a Stanley Mouse oil painting titled “Whiskey Skeleton & Guitar” for a project that was never published (pre-event estimate $25,000 – sold for the bargain price of only $4500) and Phil Garris Blues For Allah and Play Dead prints ($400 opening bid for the pair, which was also the final sale price), plus others…

Sunday, Part 2 – Two Mouse watercolors of the artwork for Workingman’s Dead – one large, one small – with online bids currently at $1100 and $500 (ultimately selling for $1900 and $1200 respectively) and two Griffin AOXOMOXOA prints, including a very rare 1st edition which had an opening bid of $3750, a pre-auction estimate of $8-10,000 and, unfortunately, was left unsold).

Pop on over to the auction’s Proxibid site to see the results of both days worth of fascinating Dead memorabilia – Day 1 – https://www.proxibid.com/asp/Catalog.asp?aid=91369 and Day 2 – https://www.proxibid.com/asp/Catalog.asp?aid=93716

3) Bringing me back to the days of Windows 3.0 (with multi-media extensions) and CD-ROM-based entertainment, there’s a new “interactive video” up to help promote the release of the re-mastered Led Zeppelin catalog that features a clickable Physical Graffiti cover image and the music from an updated version of “Trampled Under Foot” called “Brandy & Coke”. Clicking on each of the windows unveils a media clip – images, animations, videos, etc.. Now, if they only let you walk down the building’s hallways in very slow 3-D fashion, they might have the makings of a new-style “Myst For Boomers” 😉 More on this on Fast Company‘s design site at http://www.fastcodesign.com/3044616/interactive-led-zeppelin-ice-medusa-azealia-banks-the-weeks-best-music-videos

April 8th –  Three for the rock photography fans in the audience:

1) A 30-year retrospective showing (titled “Rock ‘N’ Roll Lens”) of the work of photographer Jimmy Steinfeldt  opened Thursday, April 9th at 7PM with an artist’s reception at the Mr. Musichead gallery in Los Angeles. Steinfeldt’s credits include shots for the album packages for a long list of noted musical acts, including The Replacements, Kim Wilson, Dee Dee Ramone, Vince Neil, LA Guns, Bob Mould and a host of others. His live-action and editorial work has been seen in Rolling Stone, SPIN and other publications, so if you’re in the area and want to see more of the work by one of rock’s better-known shooters, bop on over to this Hollywood institution – more details at http://mrmusichead.com/?p=13384

2) The growing music scene in Manchester, England in the mid-1980s was dominated by the presence of several hot bands including The Fall, New Order and Mr. Morrissey’s band The Smiths, and with the addition of new clubs and a concerted effort to establish the local cultural scene, some folks felt that the city’s uniqueness was being threatened. With a new album – to be titled The Queen Is Dead – ready for release, the band hooked up with photographer Stephen “Steve” Wright in an effort to come up with some imagery that would show “the real Manchester” and, as a result, one of rock’s most-enduring photos was created. Writing for The Quietus site, Mick Middles talks to Mr. Wright about the inspiration and effort behind the making of this well-regarded image – http://thequietus.com/articles/17532-salford-lads-club-the-smiths-photo

3) The career of photographer Michael Halsband, perhaps best-known for his photo of Andy Warhol and Jean-Michel Basquiat looking as though they were ready for some serious boxing, is the subject of a new show that was on display until April 25th at the National Arts Club gallery in NYC. Born, raised and trained in New York, since the 1970s Halsband has been commissioned by publications such as GQ, Interview, Rolling Stone, Vogue and others to provide memorable portraits of celebrities in the worlds of entertainment, politics and fashion, with album cover credits in his portfolio for artists including INXS, Iggy Pop, Klaus Nomi and Northern State. Read more about the artist and the show in this article on the Art Daily site – http://artdaily.com/news/77611/Survey-of-portraiture-by-American-photographer-Michael-Halsband-on-view-at-The-National-Arts-Club

April 7th – 1) Just received updated news on a new album cover art-related product line I reported on last year. Designer Astrella and her husband Jason have released the first group of “Musical T’s” – i.e., deluxe t-shirts featuring licensed designs of your favorite covers that come with an ingenious new bonus – embedded technology called “Activation Tech” that gives buyers exclusive access to related digital downloads! The shirts will first hit the shelves at selected Bloomingdale’s stores in the U.S. in May and, according to an email I received from Jason, the initial releases will include:
Queen – News of the World
The Who – A Quick One
Elton John –The Diving Board
The Spencer Davis Group – Funky
Slightly Stoopid – Best Of
The Vandals – Peace Through Vandalism
Drake Bell – Ready Steady Go
Miles Davis – Blue Moods
John Coltrane – Lush Life
John Lee Hooker – The Country Blues
Thelonious Monk – The Unique Thelonious Monk
If you’d like to learn more about this new line and the people behind it, Matt Hamblins recent article on the ComputerWorld site provides a nice intro – http://www.computerworld.com/article/2905301/musical-ts-combine-album-art-with-a-one-time-download.html
Jason also forwarded a link to an ABC news story about the product from Fashion Week –
http://www.kesq.com/all-star-band-performs-at-fashion-week-el-paseo/31988608
With celebrities from all across the music spectrum – including Matt Sorum, Carmen Rizzo, Tommy Flanagan and NSYNC’s Lance Bass – modeling the shirts, these are bound to find themselves into a lot of rock and roll wardrobes, don’t you think?

2) The nice people from the U.K.’s “Cover Club” asked me to announce that their third installment in their album cover designer interview event series took place at 8pm on Thursday, April 9th at the Ace Hotel in London’s Shoreditch area. The featured guest speaker was designer Lewis Heriz, best-known for his role in (according to their release) “forging the reputation of Soundway Records as one of the most forward-thinking re-issue labels in the world.” A DJ will be on-hand at this free event and will be playing selections from albums that feature Mr. Heriz’s handiwork, including tracks from Drum Talk’s latest.
http://blog.lewisheriz.com/post/113447620077/cover-club9th-april-8pm-ace-hotel-100-shoreditch
Cover Club’s producers also announced that cover designer Ian Anderson – founder of the Designer’s Republic studio and one of the people responsible for the visual aspects of the Warp Records catalog (Cabaret Voltaire, Pop Will Eat Itself, etc.) – would be the featured speaker at a special-edition Cover Club event that took place in late April (as late as May 1) at the Pick Me Up design and illustration festival at London’s famed Somerset House arts & culture center. More info on this as it is made available…

April 6th – 1) Just got a newsletter from the talented team at Storm Studios in which they were promoting a new edition of a book that features more info on the work that the late Mr. Thorgerson and Company had done for one of their best-known clients – Pink Floyd – so I thought that I’d share the details with you. The newest edition of Mind Over Matter: The Images of Pink Floyd is a nearly 300-page book that gives you a very-detailed (and beautifully-illustrated) look behind the scenes of the making of the album covers we all know and love – I’m also impressed with the new cover image they created for the book, featuring FIVE of the famous DSOTM prisms! Published by Omnibus Press, it’s available through all of the major book-sellers – http://www.omnibuspress.com/Product.aspx?ProductId=1105659

2) Almost as well-known to album cover aficionados is the work that artist Hugh Syme has done for Canadian rockers Rush, and so it is with much excitement that I’m pleased to be able to let you know that you can now pre-order your copy of a soon-to-be-released, 272-page coffee table book (with text and interviews by journalist Stephen Humphries) titled The Art of Rush. Working together for 40 years, the band and Mr. Syme have created many a memorable album image, with much of the pre-Photoshop imagery leaving fans amazed and impressed (and other designers asking “how the heck did he do that?”). The reporters at Blabbermouth.net give us a preview on this much-anticipated tome – http://www.blabbermouth.net/news/the-art-of-rush-book-coming-soon/

3) Growing up in Chicago, my radio was pinned to WXRT, so it was with great pleasure that I read a recent article by one of the young staffers “stoking the flames” of classic rock there (Molly Olsem) titled “10 Of The Most Iconic Album Covers & Their Back Stories”. Molly has put together a nice selection of covers old (The Beatles’ Rubber Soul and Warhol’s famous “banana cover” for The Velvets & Nico, for example) and newer (covers for Radiohead, Beck and Wilco are included) and gives us a bit of info about each was made, so let’s support Molly’s efforts to keep her audience in the know about classic cover imagery by clicking on over to her story on the station’s web site at http://wxrt.cbslocal.com/2015/03/26/10-of-the-most-iconic-album-covers-and-their-backstories/

April 3rd – 1) Fans of rock photography had a chance to see (and own) a display of examples of some of the best-known photo images in rock and roll history at the Joel Brodsky exhibition at the Morrison Hotel Gallery in NYC that was on display until April 14th. Although Brodsky passed away in 2007, his widow Valerie has worked hard to produce a series of art prints of some of his best-known works, including what is perhaps his best-known photo – that of The Doors’ lead singer Jim Morrison in what has become known as the “American Poet” pose that was included on the cover for the band’s debut album in 1967. With over 400 album cover images to his name, it is no wonder that writer Chris Sommerfeldt (in an article written recently for the Resource Online site) was impressed when he found himself surrounded by some of the most amazing examples of rock photography ever put on display – http://resourcemagonline.com/2015/03/fire-lower-east-side-joel-brodsky/50200/

2) Designer Paula Scher’s portfolio of well-known album cover images is truly impressive but, with hundreds of covers to her credit, even she admits that there were some projects that were better-done than others. It is surprising to find out, though, that one of rock music’s best-known cover images – that being the fleet of flying guitar-shaped ships found on the illustration Ms. Scher and Roger Huyssen developed for Boston’s debut LP – is, in her opinion, “a mediocre piece of work” (!!). Writing for The Atlantic‘s web site, art/music historian Steven Heller gives us the story about how this work was created and, regardless of its creator’s feelings about it, continues to be (39 years later) an important icon of the band and the era they launched their careers in – http://www.theatlantic.com/entertainment/archive/2015/03/the-immortality-of-the-more-than-a-feeling-cover/388739/

3) While we in the Western World are typically free to view – and then respond to – the works of art featured on our favorite music recordings, that is not the case in some countries around the world and, in James Gordon’s recent piece written for the U.K.’s Daily Mail site, we’re given a chance to see how the covers for recent releases by some of the most-popular musical acts in the world have been made “more palatable” for consumers in the Middle East and parts of Asia. You’ll find examples of before/after artwork for Christina Aguilera, Mariah Carey, Lady Gaga, Madonna, Kylie Minogue and Katy Perry and learn about the efforts by local censors to save the sensitive eyeballs of their local constituents from burning in wherever they go locally to burn – http://www.dailymail.co.uk/femail/article-3011459/Record-companies-censor-sexy-album-covers-sold-Middle-East-not-offend-religious-beliefs.html

April 2nd – Happy to (finally!) be announcing the publication of my newest interview featuring Susan Archie, one of this year’s Grammy winners in the packaging categories. If you haven’t yet seen the product package that Susan and her fellow team members produced for The Rise & Fall Of Paramount Records, Volume One (1917-27), released by Third Man Records/Revenant Records, “you ain’t seen nothing yet!” This was most-certainly a labor of love for everyone that participated in the project – how else can you explain the amazing details and information you get in the set (which comes packaged in a hand-tooled walnut case!)?

I’d like to thank Susan for her time and patience as we worked together to provide music packaging/cover art fans with a most-compelling tale about an effort to bring collectors a box set unlike any you’ve ever seen – enjoy the story and, if you feel like sharing, please do…

https://albumcoverhalloffame.wordpress.com/2015/04/02/interview-with-susan-archie-2015-grammy-award-winning-designer/

That’s all for now – look for updates every week day on our news feed – https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back next month with another summary for you.

 

Album Cover News Recap – October, 2014

Album Cover News Recap – October, 2014

by Mike Goldstein, Curator/Editor – AlbumCoverHallofFame.com

While the endless onslaught of mid-term election-centric items has certainly over-flowed most of our respective inboxes, the number of album cover-related news stories continues to impress and enthrall lovers of album imagery.

The news featured details of a number of new exhibitions, including shows at the Rock & Roll Hall of Fame (Paul Simon), galleries in Brooklyn (NY), Los Angeles, Madison (WI) and elsewhere. Many new books featuring design/photography collections were released (just in time for the Holiday buying season, no doubt), including tomes by Norman Seeff, Danny Clinch, Guy Webster and two members of Fleetwood Mac – Stevie Nicks and Mick Fleetwood. The Australian and New Zealand recording industry groups handed out awards for album art excellence, and there were not one but two fascinating efforts revealed where artists worked to bring some of our favorite album covers to life via some impressive animation work (album art continues to inspire creatives world-wide to show us their best work). Along a similar track, one UK-based design firm showed us some very imaginative re-interpretations of classic album art, working to show us “the rest of the story” (see the October 27 entry for more details). Other worthy items include a passel of interviews and your Curator’s personal review of a nice bottle of Pink Floyd-inspired cabernet.

Voting has started on this year’s class for the Album Cover Hall of Fame, with nominations posted on October 20th. In preparation for this year’s ACHOF voting efforts, many new biographies have been added to the site this past month to both aid the efforts of  our voting panel and expand the knowledge of our fans.  This year’s nominees in the seven categories began their careers sometime during the period from 1990 – present, with the list of inductees published on November 24th, so stay tuned for further developments.

In the meantime, here’s your chance to catch up on stories you might have missed due to the distractions of everyday life (after all, even though you’re all busy, this doesn’t mean you have to go without those things most-important to you, right?). We’re working every day to continue our efforts to prove to you that there’s always something new to see and learn in the world of album cover art, and you know that you’ll find it all here on the ACHOF site.

October 31 – 1) A must-view for fans of album cover art and Adobe After-Effects software, a new video by director Vanya Heymann brings a number of your favorite record covers to life in a truly astounding fashion. Some of you will recall Heymann’s previous work, taking Bob Dylan’s “Like A Rolling Stone” track and delivering it in a multi-channel, synch’d fashion, with every “channel” on his TV showing various people, in various settings, singing the song. In today’s example, you’ll find an interesting troupe of musicians – from Lou Reed to Madonna to Prince and ABBA (among many others) – beat-boxing to a musical track by artist Roy Kafri. I’m set to interview Vanya about this effort – I really just want to know how he managed to get Carole King’s cat to jump off that window sill! Watch this – you’ll be glad you did –http://petapixel.com/2014/10/25/famous-album-cover-photos-come-life-creative-music-video/

2) The daughter of “Sunshine Superman” Donovan has entered the fashion world with a line of high-quality t-shirts featuring album artwork from a variety of popular musical acts. Astrella’s “Musical T’s” collection features both original album cover art along with “re-interpretations” of some better-known works by artists including Miguel Paredes. You’ll find designs from acts including Elton John, Ray Charles, Cyndi Lauper, the Neon Trees, Ravi Shankar and many others, and there’s an exciting “extra” included with your purchase – a download of music by the act featured on your new T-shirt! There are new designs coming out this Fall, so click on over to the site and see if there’s something there to help you stand out in a crowd – http://astrellainc.com/

3) Album art fans in the Pittsburgh, PA area should head on over to the Most-Wanted Fine Art Gallery sometime before the 30th of November to browse through a new exhibition there featuring the talents of area native Mozelle Thompson, who art directed and illustrated album packages for an impressive line-up of talent in musical genres including jazz, country, stage, film, folk and early rock. Working as a freelance illustrator, according to the article by Nick Keppler in the Pittsburgh City Paper, “From 1953 to 1969, Thompson designed book covers, children’s books, posters of Broadway shows and at least 100 album covers, for discs by artists including Lightnin’ Hopkins, Cab Calloway, Hank Williams, Ella Fitzgerald and Elvis Presley.” The exhibition is built around the collection of local DJ J.Malls, who sought out records featuring this “forgotten” artist’s work after discovering a drawing of Thompson’s on an album of speeches by the late Dr. Martin Luther King.
http://www.pghcitypaper.com/pittsburgh/an-exhibit-showcases-classic-album-covers-by-a-forgotten-local-artist/Content?oid=1787449

October 30 – 1) There’s a new exhibit on display at the Rock & Roll Hall of Fame in Cleveland that will be of great interest to fans of Paul Simon. Titled “Paul Simon: Words & Music”, the display includes a large cache of Simon-related memorabilia, including (of course) a number of examples of his album cover imagery (great photography, progressive graphics). What’s cool about the exhibit is that there are a number of aspects of it that are narrated by Paul Simon himself (culled from a number of interviews about the subjects at hand). Among the dozens of historical items are hand-written lyrics, photographs, cover images from classic Simon and Simon & Garfunkel LPs including Bookends, Graceland, Bridge Over Troubled Water, etc., as well as personal correspondence between Paul and Art G. (including a letter from one to the other written at “sleep-away camp”!). The displays are in the Hall’s Ahmet Ertegun Main Exhibition Space – more info at https://rockhall.com/exhibits/paul-simon-words-and-music-exhibit-rock-hall/

2) As part of a promotion for their new release titled Run The Jewels 2, Mass Appeal recording artists Run The Jewels (El-P and Killer Mike) have also launched a world-wide “street art initiative” where they’ve invited artists from many different countries to put up their own interpretations of the group’s album imagery (based on designs by artist Nicholas Gazin). The response has been strong, with over 30 artists riffing on the basic design elements – two opposing hands, with one pointing like a gun and the other holding chains – on walls from Melbourne, Australia to Berlin, Germany to Bejing, China. The variations on the theme are quite impressive – take a look for yourself on the Tumblr built in support of this effort –
http://tagthejewels.tumblr.com/about

October 29 – 1) To add some additional info to one of the stories posted yesterday (the one about the Pink Floyd DSOTM-related wine), writer Anna Horan just posted an interview with one of the principal designers for that memorable album cover – Aubrey Powell – on the Noisey web site. Promoting the recently-published (and soon to be released in the U.S.) book on the impressive output by the Hipgnosis design firm (titled Hipgnosis Portraits), Powell talks about “the salad days” of album cover design, when great art and experimentation – along with building an instantly-recognizable design ID for their clients – was the motivating factor behind all of their work. Their portfolio of images for Led Zeppelin, 10cc, The Doors, T. Rex, Peter Gabriel and many others is recognized by designers and fans as one of the most-influential of the entire rock art era, so why not take a read and learn more about “Po” and his mates via the link – http://noisey.vice.com/blog/a-chat-with-aubrey-po-powell-one-of-the-guys-behind-the-dark-side-of-the-moon-cover-design

PS – I tried the Dark Side of the Moon Cabernet last night with a spaghetti, peppers and sweet Italian chicken sausage dinner, and it proved to be quite good!

2) With all of the Halloween-related activities on everyone’s docket these days, it only makes sense to inform you about a recent article by writer Andrea Shea’s (on WBUR’s “The Artery” site) about Cambridge (MA)-area author Peter Bebergal’s new book titled “Season of the Witch: How the Occult Saved Rock and Roll.” Some of the research for his book involved pouring over classic rock music for themes, lyrics and, as you might have noticed yourselves at some point during your youth, album images that might have indicated some either obvious or perceived connections between the music and the supernatural. According to Shea, “that ‘occult imagination’ conjures everything from Ouiji boards to Christian and Jewish symbolism to LSD trips to alternative spiritual practices. Bebergal says it ultimately helped rock bands like Led Zeppelin, Pink Floyd and Black Sabbath save rock from sounding too poppy, sappy and mainstream.” So, this Halloween, why not turn down the lights, fire up some candles, open a bottle of Dark Side of the Moon wine (!!) and dig deep into the imagery found on your favorite albums – you know that something spooky has got to be buried in that artwork, right?
http://artery.wbur.org/2014/10/24/occult-saved-rock-and-roll-peter-bebergal

October 28 – 1) Nice article on the ArtSlant site titled “10 Iconic Punk Record Sleeves”, written by Thomas Howells. While punk art was easily dismissed by the traditional art world, several artists and photographers whose work was featured on significant records in this musical genre have since achieved a greater degree of fame, so it is good to see examples of work by artists who lovers of great album art will know on sight, but might not know any details about. While the article doesn’t delve into who produced the work on display (rather, they’re referenced by their impact on fans of punk music/culture), I’m happy to see examples by talented artists including Mad Marc Rude (Misfits, The Offspring, L.A. Guns and others) and another “featured player” – i.e., the cartoon nerd found on many Descendents covers – done by Jeff Atkinson. See the whole selection via the link at http://www.artslant.com/la/articles/show/41165

2) So, I was shopping at World Market this morning and came across a display of wines by the Ukiah, California-based producer named Wines That Rock Vineyards and, like the hopeless collector I am, found myself taking home a bottle of their 2012 “The Dark Side of the Moon” Cabernet Sauvignon (see photos, below). When a label tells you that “Pink Floyd’s Epic Masterpiece was the inspiration for this Cabernet…” and that purchasers should “fill your glass, turn up the volume, and enjoy the taste of The Dark Side of The Moon“, who am I not to give it a try. Of course, the bottle features both the front and back-cover images, created by the talented team at Hipgnosis, and for those of you looking for a complete DSOTM wine experience, you can purchase a special “#1 Fan Gift Pack” that consists of two bottles of wine, a Wines That Rock cork puller, bottle stopper and DSOTM baseball cap. Other wines in the series have been inspired by The Police, Grateful Dead and Rolling Stones, but I’ll let you know more about the wine after dinner tonight…To read a summary about the classic Floyd record on the Wines That Rock site, click on the link – http://www.winesthatrock.com/Sound-And-Vision/Dark-Side-of-the-Moon

October 27 – 1) I always knew that we weren’t getting to see “the bigger picture” when it came to our favorite album cover images, but the fine folks at the Aptitude design firm in the U.K. are looking to fix all that via the work they now have on display on their web site. If you always wanted to know why that Nirvana baby was swimming so fast or where exactly Michael Jackson was standing on his Off The Wall cover, Gary and his team are happy to oblige by showing us the whole scene. There’s a bit of a write up on this in Johnny Firecloud’s article on the Crave Online site –http://www.craveonline.com/music/articles/779191-the-bigger-picture-behind-iconic-album-covers – or you can go to Aptitude’s site to see the latest in the series – http://www.aptitude.co.uk/blog/album-covers/ I always felt that there was something behind Adele’s unprecedented success – now I know what she had to sell to achieve it!

2) Writing for the U.K.’s Independent, author Norman Rosenthal’s interview with the uber-successful pop artist Jeff Koons does provide me with a bit more insight into his work done for Lady Gaga’s last album cover (the one before Tony Bennett), but it does little to explain to me why his works continue to command such incredible prices (how many Picassos can you buy for $25M?). And now he tells me that I shouldn’t laugh when I see his work? I’m not laughing at him – I’m impressed with the quality of construction of his pieces – rather, I’m laughing at the thought that folks have placed such a high value on it. The highest-priced album art originals (I think that you can buy Roger Dean’s original painting for YESSONGS for $500K at the San Francisco Art Exchange) sell for 98% less than a balloon dog by Mr. Koons – is that right? Read this article and let me know if I’m just a jealous guy – http://www.independent.co.uk/arts-entertainment/art/features/jeff-koons-interview-artist-on-making-lady-gagas-album-cover-and-the-empowerment-of-art-9816034.html

October 24 – 1) There’s a new Color of Sound show launching today at the Bishop Gallery in Brooklyn (916 Bedford Ave.) featuring jazz, hip-hop and martial arts-inspired artwork, brought to you by the folks at Shaolin Jazz. Shaolin Jazz shows are built around the paintings, photographs, posters and other items of a visual nature that have been part of the group’s numerous events, competitions andeducational efforts. Always lots of talent on display and well worth your time to visit – more details on their site at
http://gmoney77.wordpress.com/2014/09/30/color-of-sound/

2) There was a show worth viewing at the Morrison Hotel Gallery at the Sunset Marquis Hotel in Los Angeles between October 24th and November 7th – the photo show that accompanies the release of photographer Danny Clinch’s new book titled Still Moving. There was a great selection of shots that feature subjects including Bruce Springsteen (who Clinch first met while working as an assistant for another esteemed photographer, Annie Leibovitz), Neil Young, Tupac Shakur and many others. The stories behind these photos make the book even more compelling – more on this in this recent article on the LAist web site – http://laist.com/2014/10/22/danny_clinchs_still_moving.php

3) Speaking of Neil Young – to help draw attention to his new album , titled Storytone, that will be released in early November, and a newly-published book titled Special Deluxe: A Memoir of Life & Cars, Mr. Young will be exhibiting creations of a visual kind in a show of his prints and watercolors that will be staged at the Robert Berman Gallery in Los Angeles beginning November 3rd. The show is titled “Special Deluxe” and will include the painting that is featured on the album cover of his new record, along with other watercolors and prints he’s done. The exhibit will kick off with a reception on Nov. 3rd, with the artist in attendance, and the show will be up until the end of the month. To learn more, visit the gallery’s site at –http://www.robertbermangallery.com/exhibitions/neil-young-special-deluxe#2

October 23 – 1) Those of you with keen scientific minds will get a kick out of my correspondence with the editor of the American Mensa Society’s newsletter about their ongoing “bracket challenge” to determine the Best Album Cover Art. I want to thank Chip Taulbee for his detailed response, giving us a look behind the curtain as to how really intelligent people approach the analysis of purely subjective topics. Please share with your album art-loving friends, and be sure to add your votes to this year’s challenge (final results will be published in January – https://albumcoverhalloffame.wordpress.com/2014/10/22/a-scientific-approach-to-determining-the-best-in-album-cover-art/

2) Considered one of Ireland’s modern Renaissance men, designer/musician Steve Averil’s career has produced an impressive amount of fine art and music. Music fans will know and appreciate his work as one of the Radiators From Space, while album art fans will recognize his work as an art director for clients including Elvis Costello and U2 (who he’s guided on ALL of their records, set designs and merchandise). In this article (and video) produced by Tony Clayton-Lea for the Irish Times site, Averil provides fans with a lot of insight into his 40+ year career in the music business, including the time he realized that forgoing the music side of his career to focus 100% on design would be “quite liberating”…
http://www.irishtimes.com/…/steve-averill-s-life-in-irish-r…

3) Finally – RIP photographer Alfred Wertheimer, best-known for his early portraits of the up-and-coming star Elvis Presley, who died this past Sunday in his NYC home at the age of 85. Always loved the intimacy of Wertheimer’s work – more on his legacy in this article on the Huffington Post site by the AP’s Linda Deutch – http://www.huffingtonpost.com/…/alfred-wertheimer-dead_n_60…

October 22 – Two bits of info for fans of classic prog album art:

1) The folks at Storm Studios – the studio formerly helmed by the late Storm Thorgerson, responsible for many iconic album covers including Dark Side of the Moon, Peter Gabriel’s “melty” cover Led Zep’s Houses of the Holy and now run by several of his former design mates – are stretching their creativity in new directions, taking some of their works and bringing them into the 3rd dimension! According to their latest press release – “We are working with Coriander and Prof. Martin Richardson at De Montfort University, to create an eye-popping ‘3D’ lenticular print..our first lenticular image is a rendering of the cover we made for Steve Miller’s ‘Bingo!'” This lenticular (ala the cool covers done in the past for Captain Beyond and “Satanic Majesty’s..” for the Rolling Stones), along with two super-large-format (50″ x 60″!!) prints, were on display last week as part of the Multiplied Art Fair hosted by Christie’s in the Brompton Road, which ran concurrently with the Frieze art fair. More on this and other Storm Studios “Big Prints” via the link – http://www.stormsight.co.uk/bigbingo.html

2) On a related topic – While my art world spies usually keep me on top of all things album cover-related, this one slipped by, so I’m sorry for the lateness of the reporting. Prog Magazine/Team Rock – organizers of the prestigious Prog music awards show – this year added a special award named in honor of the late, great Storm Thorgeson, aptly called the Storm Thorgerson Grand Design Award and given to the designer/team responsible for the best album packaging in the genre. This year’s recipient is designer Mark Wilkinson, the designer of the package for A Feast of Consequences by Fish. In the linked video of the ceremonies held in late September, Fish and Mark W. accept the award together, with the musician giving great kudos to both the designer and the entire notion of how important the visuals are in marketing music today. Congratulations to Mr. Wilkinson on his award for a job very well-done. http://www.teamrock.com/videos/2014-09-24/watch-fish-picking-up-the-grand-design-award

October 21 – 1) Of course, when you’re born with a name like Mick Rock, it seems certain that your career path is pre-ordained (I knew a guy who’s last name was Doctor, and I’m pretty certain he went on to be one). With a recent show in NYC in support of his new book (titled “Exposed“) just ending, writer Matthew Kassel of the New York Observer caught up with the renowned photographer (creator of album covers for Queen, Lou Reed and the Ramones, among others) to ask him about some of the relationships he’s developed over the past 40+ years in the business and, unfortunately, joining the long list of journalists who’ve asked Mick “what’s your favorite photo?” (his least-favorite question). Read more via the link at http://observer.com/2014/10/mick-rock-looks-back-on-five-decades-of-music-photography/

2) Christopher Krovatin, writing for Vice’s “Noisey” music site, makes a strong argument to music producers about the importance of their investment in good album cover art. Responding to another blogger’s reaction to the album art featured on one band’s latest release – in which he said that, due to the “fact” that album art has been miniaturized to the point where it has no impact – Christopher goes on to remind that blogger and his readers that a musical act’s visuals are still greatly important for several well-considered reasons. I’m certainly happy to read such an argument coming from a contributor to a “trendy” music site as it serves to show that, even these days, the most-successful musical acts understand that it takes more than just a hit single to build and maintain a long-term relationship with fans (and that one of the most-important ways is via art, photography and video content). Nice job, Christopher! http://noisey.vice.com/blog/we-should-all-be-able-to-judge-an-album-by-its-cover

October 20 – Very pleased to announce the nominees for this year’s class of inductees into the Album Cover Hall of Fame. Based on the preliminary voting done by our panel of experts from around the world, you’ll find that each of the nominees in the seven categories that are voted upon brings an extensive portfolio of great work and are certainly worth consideration. The focus of this year’s voting is on people whose first credits for album cover work began after 1990.

Click here to visit the Nominee Info page on the ACHOF site – https://albumcoverhalloffame.wordpress.com/achof-nominee-intro-page/achof-class-of-2014-nominee-intro-page/

Voting began in early November to select this year’s inductees, with the winners announced on November 25. More to come, so stay tuned.

October 16 – more interesting info on album cover photographers:

1) Former Annie Leibovitz intern – and now photo industry heavyweight – Danny Clinch is releasing a new book of his work that looks like it will be a must for fans of rock ‘n’ roll imagery. Titled Still Moving – and featuring a intro by Clinch fan Bruce Springsteen, the book provides an insightful look into Danny’s career and the relationships he’s built throughout the years he’s been active with a wide range of musical acts including the Beastie Boys, Pearl Jam, Afghan Whigs, Bjork, Tupac Shakur and many others. Writing for the PopMatters site, author Sachyn Mital’s article about Clinch provides fans with an up-close-and-personal interview with one of today’s most-prolific shooters (photos, videos, etc.) in the pop music genre – http://www.popmatters.com/feature/186417-an-interview-with-danny-clinch-still-moving/

2) Having just produced the cover shot for Carrie Underwood‘s new record, you’d think that Nashville-based photographer Jeremy Cowart would be able to rest his laurels on his country music clientele – but you’d be wrong! His talents have exposed him to music producers all over the country, so he’s been able to extend his client base to include acts including Sting, Rob Thomas and Britney Spears. His rapid rise to industry prominence is truly an interesting one, so it is good to have been able to read this recent article on him posted by writer Lauren Drell on the Mashable site – http://mashable.com/2014/10/12/jeremy-cowart-okdothis/

3) Pleased to report the results for the winner in the Best Album Cover category in this year’s Vodaphone New Zealand Music Awards. The honor went to designer Anna Taylor for her work on Liam Finn’s record titled The Nihilist. Other nominees included Henrietta Harris (for Grayson Gilmour’s Infinite Life!) and Robert Wallace (for LADI6’s Automatic). The Vodafone New Zealand Music Awards events are produced annually by Recorded Music New Zealand Limited, the organization responsible for music industry representation, advocacy and licensing for recording artists and their labels in New Zealand.
Congratulations to the nominees and to the winner for a job well-done – more info at
http://www.nzmusicawards.co.nz/award-category/best-album-cover-2014/

October 15 – 1) The world’s smartest people choose the world’s best album covers! Each year, the Mensa Society organizes a “bracket challenge”, inviting members and other interested parties to select “best ofs” in various areas of interest (past challenges have included heroes, inventions and toys). This year, the group decided to throw their focus to determining, in a totally subjective, slightly-scientific and non-definitive way, which modern-era album cover is “the best”. I contacted the organization to find out more about their methodology and will send out a follow-up posting once I get back the info I asked for but, in the meantime, if you’d like to see the 64 record covers – organized into “Madness-style” brackets of 16 in each of four categories – and add your vote, please visit their site at http://us.mensa.org/play/bracket-challenge/ Voting began this week and will advance one round each week, with the final tallies and winner announced in the group’s January 2015 newsletter. May the “best” cover win!!

2) The Flaming Lips released their re-make of the classic Beatles album Sgt. Peppers Lonely Hearts Club Band (featuring a supporting cast including My Morning Jacket, Moby, Miley Cyrus and many others) at the end of October and the album cover for the record features the psychedelic stylings of artist Oliver Hibert. Originally from Seattle, Hibert went on to become a sensation as a young artist, with his first gallery show at the age of 16 and subsequent commissions from the likes of MTV, Disney, Nike and the BBC (he did the colorful cover for the 2013 release by Wooden Shjips titled “Back To Land” as well). Looking at the cover art, I see influences from The Fool design collective, famous for their work on covers for The Hollies, Incredible String Band and, coincidentally, created the original designs for the Sgt. Peppers record, which were later rejected by the band, replacing them with the now-famous collage by Peter Blake. More on this record and the updated groovy cover design in Dean Van Nguyen’s article on the NME’s news site – http://www.nme.com/news/the-flaming-lips/80325

October 14 – Three stories for fans of fine rock ‘n’ roll photography:

1) The estate of the late famed rock photographer Jim Marshall announced the release of a new book – titled The Haight: Love, Rock, and Revolution – featuring over 200 never-before-seen shots from his archives. The production team dug through over 100K (!!) images to select the ones that they thought would best-represent the man and his ongoing impact on the world of photo-journalism. In addition to shots of well-known rock music icons, you’ll find many photos that provide you with insights into what was happening in the world – protests against the war, civil rights marches, etc. – as they put it, not only will you see photos of Hendrix, but you’ll also see images of the world he lived in. You can read more about it in Freda Kahen-Kashi’s article on the ABC News site and the folks at the San Francisco Art Exchange hosted a gallery show to coincide with the books release October 18th, with the mayor of SF launching the festivities by naming that day “Jim Marshall Day”.
http://abcnews.go.com/News/famed-rock-and-roll-photographer-jim-marshalls-newly-released-photos/blogEntry?id=26172130
or
http://www.sfae.com/index.php?pg=400109

2) The Morrison Hotel Galleries in SOHO/NYC and at the Sunset Marquis Hotel in West Hollywood, CA are currently showing a selection limited-edition prints of of self-portrait photos taken by rock goddess Stevie Nicks. Titled “The Self Portrait Collection”, the show includes 24 different images, including one titled “24 Karat Gold” which is used on the cover of Stevie’s 2014 record of the same name. The large format prints (30″ x 35″ up to 60″ x 70″) are all hand-signed by the artist and are priced from $2,500 to $10,000. The shows were on display at the CA gallery until 10/21 and at the NYC gallery until 10/31. For more info on the prints, visit the gallery’s site at https://www.morrisonhotelgallery.com/photographer/default.aspx?photographerID=164

3) Lastly but not leastly (!!), fans of photographer Norman Seeff, the talent responsible for hundreds of your favorite album covers for musical acts ranging from Joni Mitchell and Rickie Lee Jones to Ray Charles and KISS should book a flight to the Madison, WI area to visit a new exhibition featuring Seeff’s work that is on display at the art gallery at Promega’s BioPharmaceutical Technology Center in Fitchburg, on display until Jan. 2, 2015 there. Working with a collector/consultant by the name of Daniel Swadener, who became enamored with Seeff’s work after purchasing a print at a Tempe, AZ estate sale (and who, incidentally, curates four art shows per year at Promega’s gallery), the display – part of a show called “The Power and the Passion to Create,” includes 30 works from Seeff’s impressive archives. You can read more about this in Doug Moe’s column on the Wisconsin State Journal site at http://host.madison.com/news/local/columnists/doug-moe/doug-moe-norman-seeff-s-power-and-passion/article_5143556f-800e-5cea-8f3f-23d687969888.html

October 13 – I read with great interest the recent article in the LA Times about a new music release – titled You Are What You Listen To,  released on 10/14 on Atlantic Records – by friend of ACHOF Gary Calamar and, as I’m always curious as to what inspires the images found on record covers, I sent Gary an email to get a bit more detail about this work. If you’re not familiar with Gary’s name, you’ve definitely heard his work – here’s a bit of background…Gary is a DJ at KCRW and a five-time Grammy Nominated TV/Film Music Supervisor who has produced the memorable soundtracks for a number of popular shows including Dexter, Entourage, House, Six Feet Under, True Blood and Weeds. He’s also the co-author of the critically-acclaimed book about record store culture – past and present – titled Record Store Days. In addition, he has a very impressive collection of music-related art and memorabilia, which is how I first made his acquaintance…

To give ACHOF readers an inside scoop, I asked Gary to give me a little info about “the making of” the cover image for his new EP, and here’s what he told me: “Hi Mike, good to hear from you. Yes, this is all very exciting! There actually is a bit of a story on the EP cover. It is an homage to an ad campaign for John Lennon’s Walls and Bridges album. I always loved this campaign for its “listen to” slogan and the graphic design. My designer, John Girgus, put my cover together. The photo of me is by Stephanie Hernstadt, taken in the KCRW Music Library.”

Lennon’s original Walls And Bridges record, released in 1974, featured design/art direction by Roy Kohara and, in addition to a number of hand-drawn elements done by John himself, it featured photographs by Bob Gruen. The promo photos that inspired Gary’s designs were also featured prominently in the picture book that accompanied the recording in which the photos were “sliced and diced” and re-arranged into several interesting (if not a bit silly) collages.

If you’d like to learn more about Gary, his work and his music (and to listen to some samples of music from his new release), please click on over to his site at http://garycalamar.com/ To read August Brown’s article on the subject in the LA Times, here’s the link – http://www.latimes.com/entertainment/music/la-et-ms-gary-calamar-20141010-story.html

October 10 – 1) In the first of two mosaic-related stories, the Latin Grammy folks released the artwork for this year’s program and related items and it features the impressive work of Roy Feinson, an artist who has worked hard to create this intricate mosaic from photos taken at previous Latin Grammy events. You may recall Roy’s previous work for the Recording Academy, who selected him to create the artwork for the group’s 50th Anniversary several years ago. Since then, he’s improved his software to be able to trim photos to the precise sizes needed to create the proper color/shading effects needed for his finished pieces, so this new work is one you’ll need to look carefully at in order to fully-appreciate what he’s done. There’s an interview (by Bruce Britt) with the artist up now on the up on the Latin Grammy site where he goes into detail about his process – well worth the read – http://www.latingrammy.com/en/news/roy-feinson-lights-a-cultural-fuse-with-15th-latin-grammy-art

2) Rocker Melissa Etheridge was on Good Morning America this week, happy to share the story of the making of the mosaic for the cover for her new record, simply titled This Is M.E., which was based on images sent to her by her fans. She’s also featured on the cover of this month’s AARP Magazine (along with Sheryl Crow, in an article about “Boomers That Rock”), so there’s plenty for ME fans to be happy about this month – you can watch the video on the Brightshop Marketing site at http://brightshopmarketing.com/melissa-etheridge-discusses-her-mosaic-album-cover-on-gma/

3) While fellow Fleetwood Mac member John McVie has been the better-known fine artist in the group (he shot the photo used on the cover of the band’s Bare Trees record back in the early 70s), drummer Mick Fleetwood has been developing his own photographic style – hand-embellishing photos he has taken during his world travels to create unique works of art – and now he’s putting them on display in a gallery show at the Liss Gallery in Yorkville (Toronto), Canada. He was on hand for a private reception there on October 17 in advance of the close of the show at the end of that month. To find out more about this show and Fleetwood’s feelings about both his art and his music, read Laura Kane’s article on the Calgary Herald‘s web site at http://www.calgaryherald.com/entertainment/story.html?id=10267261

October 9 – 1) While the “resurgence” in the sales of vinyl records hasn’t exactly brought the revenues for the recorded music industry back to its pre-digital heights, it certainly has given album cover artists the larger-format canvas that they most-liked to work on. In an article by journalist John Meagher in Ireland’s Independent, he muses about a number of album images that, for him, represented “best-ofs” in their various categories – best merger of art & music, best depiction of glam rock, best mix of fashion and heartache, and several others. Read the rest of his list of “the best album artwork of all time” via the link – http://www.independent.ie/entertainment/music/the-list-the-best-album-artwork-of-all-time-30627489.html

2) In an article posted by Ocsuro on the Metal Underground site, the writer has given readers a list of album covers that, whether intentional or not, have strikingly-similar designs. Titled “Look-Alike Metal Album Covers (Part 2)”, the author works to provide a bit of background for both the original image and the “copycat”, showing that all art tends to rely on influences from the past. For example, the covers for both Savatage’s Fight For The Rock and Status Quo’s In The Army Now (both from 1986), as well as earlier records by Uriah Heep and Electric Flag, were the artists’ takes on the famous raising the flag at Iwo Jima photo from WW2. More on this and other examples can be found via the link at http://www.metalunderground.com/news/details.cfm?newsid=106763

October 8 – 1) While I don’t quite get the motivations of a site dedicated to items of a “green” nature (helping folks save the planet), it seems clear that there are album art lovers of all stripes who are happy to share their appreciation of the art form by crafting articles like the following one – “15 Awesome Album Covers Starring Animals”, posted by Jaimi Dolmage on the One Green Planet site. Included are classics such as Pink Floyd’s Atom Heart Mother, The Fat Of The Land by Prodigy and Weezer’s Raditude along with a dozen others from musical acts across the industry spectrum. Can you think of others that belong on this list? I’ll start with a couple – Zappa’s Ruben & The Jets and Tales From Topographic Oceans by YES…Your turn – http://www.onegreenplanet.org/news/awesome-album-covers-starring-animals/

2) Writer Scott Sterling has posted an article on the Radio.com site in which he’s documented “10 Album Covers You Can Actually Visit”, carrying on the tradition of sites that have identified the actual places depicted on album cover designs. While the Led Zeppelin Physical Graffiti (NYC) and Pink Floyd Animals (Battlesea Power Station) examples have been seen before, there were a number of examples shown that haven’t received as much publicity, so it makes for an interesting read for those wanting to either learn more about scenes they’ve seen-but-never-identified or, with a little time and money applied, plan a world tour to visit each of the places featured. Pack your bags, grab a camera and help add to the list – http://radio.com/2014/10/03/10-album-covers-real-life-pink-floyd-blake-shelton-eminem/

October 7 – 1) The Australian Recording Industry Association has announced the nominees for this years ARIA Award for Best Cover Art –http://www.ariaawards.com.au/nominees/2014/Artisan-Awards/Best-Cover-Art– and the folks at the Faster/Louder site are asking out loud – “Are these really the best album covers of 2014?” While I might agree that a couple of the nominees feature designs that are pretty mundane, there are a few that show some imagination and technical prowess. Take a look, cast your mental votes, and then check back here in late November for the announcement of the big winner…http://m.fasterlouder.com.au/news/40748/Are-these-really-the-best-album-covers-of-2014

2) Leave it to our chums at Music Times to come up with another interesting album cover list – in today’s feature, they present to you “14 Album Covers Featuring Just The Lead Singer”. Included in the list are acts such as Black Sabbath, Public Image Ltd. (always happy to see Mr. Lydon’s smiling face) and The Cure, as well as some bands I’m a little less-familiar with (Tennis, anyone?). I’m a little confused about how records were selected – for example, Iggy Pop and Marilyn Manson, while they are in front of bands, the bands are mostly about them, right? Why not include Bowie, Gary Numan, Morrissey, Rod Stewart, Elton John, etc.? In any case, I’d like to see them add The Doors and Iron Maiden to the list (what do you mean – Eddie’s NOT the lead singer?)….
http://www.musictimes.com/articles/11029/20140929/14-album-covers-with-just-the-lead-singer-the-cure-black-sabbath-and-more.htm

October 4 – 1) I’d seen this artist’s work a few months back and forgot (!!) to report about it, but after getting a link to the site from my chums at ToneDeaf.com about a slide show they just ran of samples of this art, I must do the right thing and share it with all of you. While I’m trying to get hold of this person to learn more about him/her and what the motivation was behind these animations, I think that you’ll enjoy seeing a number of your favorite record covers brought to life. And man, this person works fast – there’s already an animation for the upcoming Pink Floyd record’s cover, which is due out in several weeks! There are over 25 examples up on “JBETCOM’s” Tumblr, which you can reach via the link – http://jbetcom.tumblr.com/

2) The folks at Courvoisier have, for some reason, put together an article bringing you a selection of notable album art and information about “the making of” the covers included in the series. The artist/musician collaborations on display run the gamut from the obvious (Sgt. Pepper’s, Dark Side of the Moon, Purple Rain, etc.) to several lesser-known-but-still-impressive images, including covers from acts including The Prodigy, Bjork, The Arctic Monkeys and many others. While I’m still scratching my head about why a cognac company has invested in this article (maybe a larger-than-normal number of “Ladies Men” have said that they were interested in the topic?), I can only say that I’m glad that they have given us such a nicely-done article to read while sipping. More at the following link –
http://courvoisier.com/our-journey/artists-stories-behind-favorite-album-covers/?

3) Finally, album cover photographer Guy Webster has just published a new book of his portraits of many of our favorite screen and music stars titled Big Shots: Rock Legends and Hollywood Icons, and the editors at PARADE magazine were given a preview of some of the images included from which they assembled a nice slide show – http://parade.condenast.com/326707/iraphael/8-stunning-portraits-of-rock-icons-and-hollywood-legends/ You’ll remember Guy’s work for artists such as The Mamas & The Papas, Simon & Garfunkel, The Turtles and others – enjoy this sampling of some of his other well-known subjects.

That’s all for now – look for updates every week day on our news feed – https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back next month with another summary for you.