Album Cover Hall of Fame’s News Update and Link Summary for August, 2022

Posted August 1, 2022 by Mike Goldstein, AlbumCoverHallofFame.com

Mid-Summer greetings to you all. Since we last spoke, many of you have experienced extremes in several aspects of our lives – temperature, drought, economic uncertainty, politics, etc. – and so I hope that you’ve all managed to keep your heads above water (assuming that you have water) and your focus on what’s going well in your lives. I’ve been trying hard to keep a positive mindset, but I have to admit it’s been an effort aided by my discovery of some delicious new gins and other mixers (drop me a note if you’d like some recommendations). In any case, let’s get back to the matters at hand.

This past month’s research into all things album cover-related has uncovered a lot to read about and look into – some items being continuations of ongoing serials and other stories providing us with some new and exciting things: exhibitions, items for sale or auction, deeper dives into artists’ portfolios and several articles that uncover new and never-before-divulged details about some of our favorite covers. Overall, the frequency and quality of these news bites continues unabated. The fact that this news comes from sources all over the world certainly adds to the notion that the interest in great album cover art (and in the people that make it) knows no boundaries.

An ACHOF conversation with Frank Harkins and Dave Bett from Sony Music Entertainment

Frank Harkins, Mike Goldstein and Dave Bett, clockwise from upper left.

Published July 23, 2021 by Mike Goldstein, AlbumCoverHallofFame.com

The packaging of retail (i.e., physical) recorded music products is an expression of the relationship – often, a delicate balance – between a musical act, his/her/their record label, the creative/production teams commissioned for the projects and, of course, the music-buying public. Each brings a certain set of expectations to every project and expects those desires to be appreciated and respected if the resulting products are to ultimately please each constituency:

• the musicians want to make sure that their new musical efforts aren’t reduced to secondary importance or that their fans aren’t left wondering “what the #%!* were they thinking?”
• label execs will want to know that their investments in packaging and related marketing will eventually pay off via increased product sales.
• the design and pre-production personnel working on the project (whether in-house and/or freelance talent), along with the printing/manufacturing companies tasked to bring designs to life as finished products, all want to deliver work they can be proud of and that makes their various client(s) happy and
• consumers of recorded music products want to feel that their purchases are moneys well-spent and, as a benefit, are left feeling that their favorite musical acts have delivered “something special” to them as their loyal fans.

Album Cover Hall of Fame News Update and Summary – September/October, 2019

Album Cover Hall of Fame News Update and Summary – End of September/October, 2019

By Mike Goldstein, AlbumCoverHallofFame.com

Dear Readers – This month’s summary will be perhaps my most-truncated effort ever, and for that I must apologize. Sometimes Life really gets in the way of doing what you love, and when you’re caring for a relative with profound dementia, it can be a bit overwhelming, as it is today.

With that as my excuse for this month’s abbreviated summary, let’s take a look at my digest of what’s happening/happened lately in the world of album cover art and the people that make it: