Posted onSeptember 1, 2021|Comments Off on Album Cover Hall of Fame News Update and Link Summary for September, 2021
Album Cover Hall of Fame News Update and Link Summary for September, 2021
Posted September 1, 2021 (and updated September 6th) by Mike Goldstein, AlbumCoverHallofFame.com
As we approach the Labor Day weekend and the “official” end of the Summer season (our hottest on record, and I have the A/C bills to prove it!), I’m working hard on improving my overall attitude towards life these days by throwing myself into prepping for this year’s ACHOF voting efforts – adding/updating artist bios and looking around the planet for new examples of great work. After watching all six episodes of the ICON music photography series on PBS, it also brought to my attention that there are several gaping holes in this site’s bio section that must be filled immediately if I want this year’s nominating process to reflect who is left of the “best of the best” that might be nominated for inclusion in this year’s class of inductees, so I’ve put a few research projects on “hold” until this bone-headed oversight on my part can be corrected.
With that said, this month’s edition of the ACHOF News Update and Summary is still rather chock-full includes the album cover artist/art news and updates you’ve come to expect in these monthly summaries. What follows below is a summary of these articles, posts and announcements I’ve gathered recently regarding all things regarding album cover artists and the art they produce. Their work continues and so should our interest and excitement about that work and so, without further delay, let’s dive into this month’s summary.
Frank Harkins, Mike Goldstein and Dave Bett, clockwise from upper left.
Published July 23, 2021 by Mike Goldstein, AlbumCoverHallofFame.com
The packaging of retail (i.e., physical) recorded music products is an expression of the relationship – often, a delicate balance – between a musical act, his/her/their record label, the creative/production teams commissioned for the projects and, of course, the music-buying public. Each brings a certain set of expectations to every project and expects those desires to be appreciated and respected if the resulting products are to ultimately please each constituency:
the musicians want to make sure that their new musical efforts aren’t reduced to secondary importance or that their fans aren’t left wondering “what the #%!* were they thinking?”
label execs will want to know that their investments in packaging and related marketing will eventually pay off via increased product sales.
the design and pre-production personnel working on the project (whether in-house and/or freelance talent), along with the printing/manufacturing companies tasked to bring designs to life as finished products, all want to deliver work they can be proud of and that makes their various client(s) happy and
consumers of recorded music products want to feel that their purchases are moneys well-spent and, as a benefit, are left feeling that their favorite musical acts have delivered “something special” to them as their loyal fans.