Album Cover Hall of Fame News Update and Link Summary for May, 2022

Album Cover Hall of Fame’s News Update and Link Summary for May, 2022

Posted May 1, 2022 by Mike Goldstein, AlbumCoverHallofFame.com

Wow, what a month. Busy with so many things, and “the hits keep on coming”. You’d have thought that everyone’s attention would be focused on truly important things happening in and to our world – war, a refugee crisis, the world economy zig-zagging with every bit of news and several people who think that it is more important to legislate to remove vague references about some of the sad truths about U.S./World history than to address the ongoing issues head on – and yet those in the visual and musical arts continue to produce works that inspire us and make us think and smile. This month’s summary is my valiant attempt to share coverage of those efforts with all of you, so I do hope that you’ll spend a little time digging through the sections and sharing things you find interesting with others as well. We all need to learn how to share better, no?

ACHOF Resources – Box Sets and Special/Limited-Edition Packages – An Overview (cont’d)

posted March 27th, 2022 by Mike Goldstein, AlbumCoverHallofFame.com

3 Selections from the author’s personal collection – The Beatles (White Album), Voyager Box Set and Let It Bleed by the Rolling Stones

Part 4 – The biggest, best-selling, most-expensive, most-valuable box/limited-edition sets.

Now that you’ve been given a proper introduction to the history and ongoing development of these collectible record packages in the previous posting, I was thinking that it might be fun and interesting to see the extremes that musical acts and record labels might be willing to go to deliver anthologies to record buyers and fans. To do this, I set out to discover what are the biggest sets ever produced, simply measured by the number of discs included in each package, and then produce a by-no-means-definitive reference that will most certainly be added to in impressive fashion over time. Keeping my focus on albums (vinyl and CDs) and avoiding going off on a tangent that would include sets of 45RPM and CD singles(!), I’ve assembled a list that touches on a number of genres, led by classical music producers, with rock, jazz and pop represented was well. Note that, in many cases, the total number of discs included in a set might consist of a combination of different media, such as audio CDs, Blu-Ray audio CDs and DVDs. For example, King Crimson’s 1969 (Court of the Crimson King) is a 26-disc set consisting of 20 CDs, 4 Blu-Ray audio discs and 2 DVDs:

ACHOF’s Interview with 2020 Grammy Award-Winning Art Director Masaki Koike

Interview with 2020 Grammy Winner Masaki Koike on his 62^nd Annual Grammy-winning (for “Best Boxed Or Special Limited Edition Package”) work for Rhino Records on the now-sold-out Woodstock – Back To The Garden: The Definitive 50th Anniversary Archive.

 

 

 

 

 

 

Posted March 9, 2020 By Mike Goldstein, Album Cover Hall of Fame.com

I was only 13 years old when the Woodstock festival was staged. I’d already collected several rock and roll recordings, mostly coming from my grandfather, who worked at a newsstand in the building that housed WLS Radio in Chicago and was tight with several of the DJs there (I was the only kid on the block who had albums stamped “Demo Copy: Not For Sale”!). My tastes at the time ran to music by The Turtles, Gary Puckett & The Union Gap, Iron Butterfly and the Moody Blues, but I’d read that there were some great new bands who’d wowed the crowd and so I was eager to learn more. The newspapers and magazines at the time made a big deal about the performances given by acts like Santana, Crosby Stills Nash & Young, Joe Cocker, Ten Years After, Sha-Na-Na and many others (two of my favorite bands – Iron Butterfly and the Moody Blues – were originally supposed to play at the concert but, for various reasons, didn’t make it) but, since I lived hundreds of miles away and couldn’t convince my parents to take me (something about “having to work”), I had to be satisfied with whatever was shown on TV (mostly aerial shots of the crowds) and then, a couple of years later, getting to revel in what I got to see when the concert film was shown in a local theater.