Tag Archives: Ramon Garcia

Album Cover News Summary For August, 2016

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ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF August, 2016

It’s the beginning of September, 2016, with Labor Day upon us, marking the “official” end of this year’s Summer season. If you’re done packing your kids off to school and find yourself with a little extra “me-time” during the day, I’d like to propose that you spend a little time catching up on your album cover art/artist-related news which, as you all know by now, you’ll find nicely-summarized in my weekly and monthly recaps.

In this month’s summary – continuing on in the much-appreciated “less talk, more info” format I launched several months back – the people that make our favorite album imagery continue to make news with their ongoing contributions to the field of album art/packaging, contributing to the ongoing stream of articles, interviews, info on museum and gallery shows and the like on a wide range of related topics. Enjoy the read and let me know if you have any questions or comments:

1) Upcoming, recently-launched and just-closed show/exhibitions –

a) Launching September 1st at the San Pedro (CA) First Thursday Art Walk is an exhibition at the huZ Gallery featuring a selection of the photo portraits taken over the past 40+ years by photographer Peter Figen, a man who has produced stunning promo images of top talent including George Harrison, Bonnie Raitt, Doc Watson, Townes Van Zandt along with album package photos for David Grisman, Robert Earl Keen, Chris Hillman, Carl Verheyen and many others. With a career that was jump-started while shooting at an early 1970s Hot Rise show in California and being spotted by the art director for Frets Magazine, who asked him to submit his shots after the show, Figen has used his passion for folk/roots music to create confidence in his abilities as a photographer in his well-known subjects, with the results now on display during this gallery show. Writer Kathy Leonardo posted this profile on the artist recently on the Huffington Post site – http://www.huffingtonpost.com/kathy-leonardo-/music-and-photography-sha_b_11298832.html – while those interested in seeing and learning more about this new print collection can click on over to the gallery’s site at http://www.huzgalleries.com/ . The gallery has also teased visitors with the fact that they’ll also be unveiling several new photo prints of a ready-to-be-discovered young musician named Elvis Presley taken by an Air Force photographer during a performance in Lubbock, TX in 1955…

b) Running now through September 10th at the Gabba Gallery on Beverly Boulevard in West Hollywood is a show featuring over 80 real and not-so-real album cover works created by a whole host of well-known and soon-to-be-well-known artists that’s called Cratedigger: The Lost Art of Album Cover Art. According to the gallery’s press, the exhibition “celebrates one of the twentieth century’s most influential art forms – the record sleeve cover. Curated by (gallery owner and accomplished artist in his own right) Jason Ostro, the exhibition showcases the work of 85 local and international artists. Each artist has imagined a cover design for a real or fictional album. Just like classic record covers, every piece in the show is 12” x 12”…

The gallery also shows music-related works by artists including Joey Feldman, Jules Muck and photographer Jeff Kravitz, so there will surely be a lot to take in during your visit. More info on the album art show is available on the gallery’s site – http://www.gabbagallery.com/cratedigger

c) Photographer Gerald Fearnley cemented his place in rock and roll album art history with the shot he provided for the cover of David Bowie’s debut record, but the folks at the Snap Gallery in London didn’t stop with just that image when they organized a show built around a recently-unearth cache of ’66 – ’67-era photos of the soon-to-be-recognized creative force that was Mr. Bowie. Fearnley was introduced early on to Bowie through his brother, bassist Derek Fearnley, who played in Bowie’s early backing band The Buzz, and used that access to arrange for a series of photo shoots that produced what looks to be a fascinating collection for fans of the era’s music and fashion. You can read an intro on the show – which runs through September 24th – via Tom Pinnock’s quicky posting on the Uncut site – http://www.uncut.co.uk/news/david-bowie-exhibition-feature-unpublished-photographs-86903 and get further details directly from the Gallery via this link – https://www.snapgalleries.com/exhibitions/bowie-photographs-by-gerald-fearnley/

d) The Buddy Holly Center in Lubbock, TX is where you’ll find a major collection of photos of rock’s best-known female stars taken by shooter (that takes on a new meaning in TX, no?) Anastasia Pantsios, an artist who’s been busy taking great photos for rock music clients including AC/DC, Journey, Eric Clapton, Michael Stanley and many others over the past 40+ years. Titled ” “Girls on Film, 40 Years of Women in Rock”, the show was originally organized several years ago and has been updated to include both some of Pantsios’s earliest works (e.g., Grace Slick with Jefferson Airplane in 1969, Deborah Harry in Blondie and mid-70s Patti Smith) and later examples including Gwen Stefani, Nelly Furtado and Shirley Manson of Garbage. While no longer working with clients in the music business (what, you want to get PAID to do your work?), Anastasia can look back proudly on her contributions to several Cleveland, OH-area publications including The Plain Dealer (where she also contributed as a writer) and alt weeklies including The Free Times and Cleveland Scene. More info on this show, running now through September 11th, via this article on the LubbockOnline.com site – http://lubbockonline.com/filed-online/2016-07-30/kerns-buddy-holly-center-displays-photo-exhibit-influential-women-rock#

e) What a combination – a prime collection of wonderful paintings and prints of worlds beyond our own put on display in a museum located on a mystical island! From now until the 19th of November, visitors to the Manx Museum – a National Heritage organization on the U.K.’s Isle of Man – can tour a collection of works by the impressively-talented Roger Dean, best-known to album cover art fans for his contributions to the visuals for bands including YES, Uriah Heep, Asia, Osibisa and many others.

With a portfolio that includes not only album cover imagery but (both alone and working with his talented brother Martyn) stage designs, architecture, calendars and a wide variety of merchandise, Dean’s work continues to impress and astound fans with its ability to take you to the farthest reaches of your imagination. You’ll find works in many media, including several models of designs he’s done for living spaces you can only dream you’d be able to live in. An article on the Isle of Man web site provides an intro – http://www.isleofman.com/News/details/80357/islands-and-bridges-the-art-of-roger-dean  while additional details are available on the museum’s site – http://www.manxnationalheritage.im/whats-on/detail/islands-and-bridges-the-art-of-roger-dean/

f) Since the time of the Woodstock Festival at the end of the 1960s, the exhibition of fine art with music has gone hand in hand, with everyone from poster/merch designers, painters, fabric artists and many other disciplines plying their wares and providing the visual backdrop for attendees at these festivals. One of the latest examples of this was on display recently during the Panorama festival held on Randall’s Island in New York City (as seen via the AFP-penned article that appeared on the ArtDaily.com site – http://artdaily.com/news/88984/For-New-York-s-new-festival–an-immersion-in-art).

Organized by the same team that puts on the popular Coachella festival (i.e., Goldenvoice), the festival features an area called The Lab which, according to the promoters, is an “interactive experience which features installations that combine technology, artistry, and design, created exclusively by New York-based artists for display only at PANORAMA.” Inside The Lab is “The Dome”, which is a huge dome that accommodates up to 400 people at a time and provides a 3D Virtual Reality display using music, animation and other forms of “immersive media”. The works of 11 studios combined to make this experience a fun and fascinating one, providing festival-goers with a place to take a break from the performances by acts including the Alabama Shakes, Arcade Fire, Kendrick Lamar, LCD Soundsystem and the act which has produced a number of very interesting album covers the past couple of years, FKA Twigs.

g) Friend of ACHOF Emily Smeaton of the UK’s Hypergallery was kind enough to share the details of an upcoming event that should be of great interest to anyone interested in both seeing a superb collection of album art prints and hearing from two of the most-respected designers in the field. Beginning on September 26th in lovely Henly-On-Thames outside of London, our chums at Hypergallery will host a pop-up exhibition called “The Art of the Album Cover” that will feature ” prints by Literary Festival speakers, from the days when all music was vinyl, and album covers became an art form of their own.” On the last day of the event – Sunday, October 2nd, at 5pm local time, in the Town Hall venue – two of rock music’s design greats – Aubrey (Po) Powell, the co-founder of the celebrated design studio Hipgnosis (best known for their covers for Pink Floyd, Led Zeppelin, Black Sabbath, Peter Gabriel/Genesis and many others, and author of a book on his studio’s work titled Hipgnosis Portraits) will be joined by Richard Evans (who, in addition to his many well-known album art credits both with the team at Hipgnosis and on his own, was author of The Art of the Album Cover book) where, according to Emily’s note, “the two artists will be sharing anecdotes from the time they spent at the epicenter of the rock and roll tornado of the late 1960s and 1970s.” After the event, Hypergallery will host a book signing and exhibition of the authors’ design work in their print room, just across from the Town Hall. You’ll be able to meet the authors, have a drink or two and view the great collection of works that will be on hand.

Advanced tickets for the event are now on sale via the link – http://tiny.cc/hlf_artofthealbum  and you can visit the gallery’s site at https://www.hypergallery.com/event_hlf/  for more details. Of course, I will work to get hold of any photos, transcripts or videos that emerge from this event, so stay tuned. I am, of course, immediately jealous of anyone who’ll be able to attend this event…

h) Having just celebrated his 75th birthday (Happy Birthday, John!), graphic design superstar John Van Hamersveld marked the occasion with the launch of a new exhibition (running now thru October 16th, at the Manhattan Beach Art Center in Manhattan Beach, CA) titled Contemporary Post Future! The Dichotomy of Design and Art – John Van Hamersveld which, according to the gallery’s PR, ” presents past and present artworks where John Van Hamersveld explores the connection between art, design and commerce.” The centerpiece of the display is a 47-panel modular black and creme-colored collage/mural JVH created that surrounds the building with his talents. Inside, two galleries showcase a number of examples of both his commercial design work and his striking and imaginative fine art designs, so if you’re in the area or need a destination for an art-filled excursion, I’d suggest a trip on over to see this show, with details available via the link at http://www.citymb.info/city-officials/parks-and-recreation/cultural-arts/exhibition/creative-arts-center-exhibitions#ad-image-1

i) Just as a tease, the folks at the V&A Museum in the U.K. just announced that they’re going to stage a new exhibition beginning in May 13th, 2017 built around the imagery of one of Britain’s most-valuable exports – that being the rock band Pink Floyd. According to the press (as exemplified in this BBC Entertainment & Arts section article recently published – http://www.bbc.com/news/entertainment-arts-372284960 ) the show – to be titled “The Pink Floyd Exhibition: Their Mortal Remains” – promises to offer “an immersive, multi-sensory and theatrical journey through Pink Floyd’s extraordinary world which will chronicle the music, iconic visuals and staging of the band, from the underground psychedelic scene in 1960s London to the present day”. With over 350 examples of Floyd-related visual imagery, including a whole host of album cover artwork created over the years by Storm, Po and the team at Hipgnosis, there will certainly be a lot to take in. Advance tickets are now on sale on the Museum’s website at https://www.vam.ac.uk/exhibitions/pink-floyd

2) Artist interviews/profile articles –

a) When a long-time fan of a musical act – in this case, South Carolina-based artist Dave Beard – has the opportunity to provide design services for that act – in this case, the Beach Boys – great joy ensues, as is evidenced by this recent article by Andrew Stark for the Fort Mill Times (as shared with the HeraldOnline.com site). The article tracks Beard’s path from fan to fanzine editor/designer to Dean Torrence (of Jan & Dean fame) design cohort to a 2014 commission by the Beach Boys to create what Beach Boy Mike Love called “In the 54 years of touring and (a) multitude of concerts and concert programs, the new Beach Boys’ 2015 Official Tour Program is far and away the best I’ve ever seen.”

Wouldn’t it be nice to learn more about this story? Don’t worry, baby – here’s the link – http://www.heraldonline.com/news/local/community/fort-mill-times/article91728932.html

b) Fine artist Filipe Molina has been showing his works in top-notch galleries throughout his career, but when he was contacted by the folks at Capitol Records in 2014 to come up with artwork for the Counting Crow’s then-upcoming record titled Going Under Wonderland, he saw it as an opportunity to be able to share his work with potentially millions of the band’s fans and proposed that he create a unique work for each song on the album, greatly multiplying the “collection” each record’s owner would acquire. He then went on to create a really nicely-done multi-media light show that the band used during their 2015 World Tour. As I’m working on adding Molina’s bio to the ACHOF site, Felipe shared a link to a 25 minute video on YouTube that gives you an overview to the artist and the wonderful images he created for this record package – https://www.youtube.com/watch?v=xz-Gj33Kg0g

To see more of the artist’s works, you can also visit his website at http://www.molinaart.com. Once there, you’ll find more about some of his other projects, including a “Wine Art Music” project (inc. custom labels for proprietary blends released by Standing Sun Winery) and The Outlaw Roadshows (indie rock music festival staged in Nashville and NYC) where Felipe both exhibits his artwork and is one of the event’s five producers.

c) Fascinating article by writer Anna Buksowicz for the British Journal of Photography on art director Samuel Burgess-Johnson that focuses on his most-recent work for the latest record by The 1975, with neon signs placed in unusual locations that are used to illustrate each of the album’s 10 song titles. It’s certainly a testament to the value of a proper budget for stunning album cover work, but I wonder if they paid whoever was hired to come up with the record’s title by the word – I Like It When You Sleep, For You Are So Beautiful Yet So Unaware Of It.

Burgess-Johnson also spends a fair amount of time sharing his feelings about what makes for a good album cover and why it’s still an important part of any new record release, so if you’d like to read more of the insights of one of the busier art directors working in the music business these days, click on over to http://www.bjp-online.com/2016/08/how-samuel-burgess-johnson-snapshots-music-through-art-direction/

d) I’ve written previously about the mega-exhibition (“Exhibitionism“) currently in London featuring a heaping helping of Rolling Stones art, photography, music and memorabilia, but fans of notable album cover imagery are in for a treat if you bop on over to this interview article posted on the Clash Music site featuring the wonderfully-talented photographer Gered Mankowitz, someone with several shots included in the show, including his cover photo for Between The Buttons and a portrait of the band’s metronome, drummer Charlie Watts.

While the interview provides an in-depth look at Gered’s relationship with the band, their management/record label and then touches on his other well-known subjects, including Jimi Hendrix (the iconic “Smoking” shot) and newer acts such as Oasis, Mankowitz does go on record with the lament that the first album package image he took of the band – the artsy alleyway shot used on their Out of Our Heads record back in 1965 – was NOT included in the show. “This will be the last time” (or, based on the total control the band has over its image, maybe not)….  http://www.clashmusic.com/features/gered-mankowitz-shooting-the-stones

e) While most album artist profile articles are cobbled together by writers (such as yours truly) asking the subject questions about themselves and their work, today I’d like to point you to one that presents an artist profile that’s been provided by one of the (late) artist’s better-known clients, by whom I mean guitarist Steve Miller, sharing his recollections of working with the famed art director/photographer Storm Thorgerson. One of Storm’s last record cover commissions was for Miller’s 2010 release titled Bingo, with the photo impressing Austin Chronicle writer Raoul Hernandez so greatly that he tracked down Mr. Miller to get his take on the collaboration with Thorgerson that produced such a memorable image.

Armed with a list of what he needed (logo, cover and a new take on a “Space Cowboy” image) and a rather nice budget for these elements, Miller got all he wanted and more and was left with what I’m sure you’ll agree was a long-lasting impression of what it was like to work with a talent such as Storm, even late in his career and having faced a stroke and cancer as obstacles. Really quite the talent…

http://www.austinchronicle.com/daily/music/2016-07-29/adult-play-storm-thorgerson-by-steve-miller/

3) Sales/Auctions –

a) The folks at the WA-based Visual Gallery have announced a sale on a select grouping of limited-edition album art prints that I thought you might want to check out. You’ll find promo pricing on prints including Cream’s Disraeli Gears (a Martin Sharp masterpiece), Sgt. Pepper’s Lonely Hearts Club Band by The Beatles, a Charlie Watts-signed Bridges To Babylon print and others. They’re also offering some nice deals on posters by Ioannis, Bob Masse and others, so click on over to see what’s on sale before it’s too late – http://www.visualgallery.com/

b) Works by the late artist Frank Frazetta have fed the fantasies of many a young science fiction/adventure fan as well as musical acts including Molly Hatchett, Nazareth, Yngwie Malmsteen and Wolfmother (who chose to use Frazetta paintings on the covers of several of their record albums), so it was interesting and exciting to see that one of the artist’s best-known paintings – titled At The Earth’s Core and used on the cover of the 1978 paperback release for famed writer Edgar Rice Burrough’s first Pellucidar novel – sell for over a million dollars during a recent Heritage Auction event in Dallas, TX (the actual selling price was $1.075 million, the most ever paid for a Frazetta work). You can click on over to this recent article on the Fine Books & Collections Magazine site in which the details are shared about both this impressive purchase, along with other big-ticket illustration art items that found new homes post-auction – https://www.finebooksmagazine.com/press/2016/08/world-record-for-frank-frazettas-painting-used-as-paperback-cover-art.phtml

c) Kanye West‘s design company – DONDA Design – pulled out all of the stops when they created an animatronic sculpture featuring 12 of the era’s most-recognized celebrities lying naked in a large bed, a prop then used in one of the musician’s latest music videos. Now, Mr. West has entrusted the Los Angeles-based gallery Blum & Poe to find a collector who’d be willing to spend $4 million to take the sculpture – complete with platform bed, bed linens and batteries – home for their very own. Made from silicon (a substance most-widely used for other purposes in today’s entertainment business), the work shows life-like models of Pop Culture icons such as Taylor Swift, Anna Wintour, Donald Trump, George W. Bush, Bill Cosby and others all asleep, lying alongside West and two of his family members – wife Kim and Caitlyn Jenner. The gallery held a brief showing recently and is actively seeking a buyer among its contact list of well-heeled collectors and museums, so we’ll keep an eye out to see if/when/where it lands. For more details on the work, you can read NY Times writer Adam Popescu’s late-breaking story via the link – http://www.nytimes.com/2016/09/01/arts/design/gallery-hopes-to-sell-kanye-wests-famous-sculpture-for-4-million.html? or see more on the gallery’s site at http://www.blumandpoe.com/exhibitions/kanye-west

4) New Print/Book Publishing –

a) If you were impressed with the 50+ “variant covers” that Marvel produced last year which were creatively-reworked versions of well-known examples of hip-hop album cover art, you’ll be happy to read the details of a new series scheduled for this year, with the details provided to us in an article by Fuse‘s Zach Dione. Characters who’ll be featured in the first of this new series include Black Panther, Doctor Strange and Mosaic, built around designs originally found on records by King Mez, Infinite Mind War and Earl Sweatshirt. Keep ’em coming, folks!

http://www.fuse.tv/2016/07/marvel-hip-hop-variant-comic-book-covers-second-wave

b) While I’ve been working hard gathering and organizing the materials for my own book, I look on with great envy as author Ramon Martos Garcia shares the details of his latest release – a thoroughly-revised edition of his critically-acclaimed book on Heavy Metal album art/artists that’s titled And Justice For Art: Stories About Heavy Metal Album Covers (Vol.2). The book, in a signed, limited-edition release (only 270 copies will be produced), is now available for pre-order ($39.99 plus shipping), with shipping set to commence next week.

According to the author, ” This new revised edition has many, many changes—some of them more significant than others, but equally important. Although the new book has the same number of pages (264) and a similar layout, I added a few new images that weren’t available at the time I published the first edition and exchanged some artworks for similar ones with much better quality.

Some parts of the text have also changed, in some cases dramatically. It’s not something you will notice at first sight, but once you go deeper, there are things that are unequivocally different. There are also new comments or interviews with bands and artists I interviewed after the first edition came out. Also, the color reproduction is richer and closer to how the original artworks look like. It took a lot of time and effort.”

If you, like me, are a fan of the many styles of art found on your favorite metal music recordings and you haven’t seen this book before, I’d suggest visiting the publisher’s site now to see more and order your own copy. Here is the pre-order link – http://andjusticeforart.bigcartel.com/product/and-justice-for-art-stories-about-heavy-metal-album-covers

c) The folks at UK print publisher The Flood Gallery recently emailed with some info and imagery about the latest in their series of releases featuring album cover fine art prints of designer/photographer Carl Glover‘s cover images for Marillion’s 2006 LP titled Marbles. In addition to the provocative cover shot, prints of the equally mind-bending graphics that were featured on the record label, CD and inner sleeve are also being offered, with collectors able to preview and purchase any/all of these memorable works via the link – http://www.thefloodgallery.com/search?q=marillion Fans can also check out the prints available for two more Glover-produced Marillion covers – Somewhere Else and Radiation – the latter image being a crafty combination of two photos taken 14 years apart!

5) Other articles of interest –

a) Writing for the DJ Booth site, writer Yoh has put together an interesting look at album cover designs that don’t show the musical acts on the cover. Its an interesting thing to see young writers looking at this as if it were something unusual, considering the number of covers that have been produced over the years that didn’t show the acts or, as evidenced very early on, were hesitant to show the acts for a variety of reasons (e.g., not showing black artists for fear of losing sales to predominantly white audiences or, in the case of some early American acts looking to hop on the British Rock invasion, adopting English names and clothing styles).

In the hip-hop world, where it tends to be important to look tough/rich/street-smart/etc., fans will typically find their favorite musical acts pictured prominently on the cover, so it seems that usually only the well-establish artists (Kanye, Jay-Z, etc.) are the ones willing to take a chance and show off their graphic design inspirations. Here’s hoping for more…  http://djbooth.net/news/entry/2016-07-22-album-covers-no-face

b) For an article posted recently on the Austin Chronicle‘s web site titled “Adult Audio Coloring Book Sampler”, several of the publication’s writers were asked to pick their favorite illustrated album covers and album cover artists and let readers know why they feel these examples were stand-outs in their field. The people and images selected represent a very broad range of talent, including artists such as Roger Dean (YES, Uriah Heep, Asia, etc.), H.R. Giger (best-known for ELP’s Brain Salad Surgery, Debbie Harry’s cheek-pierced Koo Koo and the monsters in the Alien films) and Daniel Johnston, among others with works created for musical acts including Pink Floyd, Ramones, Miles Davis, The Beatles and Chance The Rapper. Whether you’re a fan of the hyper-realistic artwork of Mati Klarwein or the trippy, comic-inspired R. Crumb cover created for Big Brother & The Holding Company’s Cheap Thrills, you’ll find a hand-drawn example you’re sure to appreciate.

http://www.austinchronicle.com/music/2016-07-29/adult-audio-coloring-book-sampler/

c) Washington Post columnist John Kelly recently posted a profile of Ken Orth, a retired urban planner/Beatles fan extraordinaire who travels the Beatles-related gatherings circuit putting on display selections from his 2000+ item collection of spoofs of Beatles record covers. Orth has been collecting these works of art since the early 1980s, and included in his collection are examples of well-known parody covers such as Frank Zappa & The Mothers’ We’re Only In It For The Money (a satirical take on the collage found on the Sgt Pepper’s LP) alongside lesser-known items such as Floyd Domino’s take on the Abbey Road street crossing scene, re-staged using four toddlers in diapers.

The entire parody sub-set of album art collecting is an interesting one, with a number of collectors doing a great amount of researching and Ebay purchasing in order to find prime examples of imagery inspired by classic album art. Ken’s working on gathering the nitty-gritty information on every original Beatles album cover so, with any luck, I hope to be able to share some of that with you when its made available. In the meantime, click on over to https://www.washingtonpost.com/local/beatles-album-parody-art-he-loves-it-yeah-yeah-yeah-yeah-/2016/08/09/b90e66fc-5dcb-11e6-8e45-477372e89d78_story.html  to read more about Ken and his most-interesting of album art collections.

Related content – if you’re really wanting to see a broad selection of parody covers – including hundreds of examples of “re-imagined” covers inspired by designs for the packages of records from the soundtrack for The Sound of Music to The Who’s Live At Leeds, you must pick up a copy of the 2011 book compiled and written by Jan Bellekens and ACHOF chum Simon Robinson titled Covered. The gall of some musical acts is truly mind-blowing (and, most-often, quite hilarious) – https://www.amazon.com/gp/product/095614392X/ref=as_li_ss_tl?

d) Leave it to the writing team on the Ultimate Classic Rock site to treat us to album art-related stories with a twist (or, in this case, with a piss). Author Nick Deriso recounts the story told by photographer Ethan Russell about “the making of” the cover image for one of The Who’s best-remembered records – 1971’s Who’s Next – which, you’ll recall, features a shot of the band having seemingly just relieving themselves on a concrete tower found along the motorway in Sheffield. In fact, only one of the stains resulted from a much-needed pit stop, with the others craftily created by the photographer, so if you’d like to get to the bottom of this story, click on over and the truth will be revealed – http://ultimateclassicrock.com/whos-next-album-cover/

That’s all for now – look for updates every week (usually, on Friday) on our news feed –https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back early next month with another summary for you.

All text Copyright 2016 Mike Goldstein and AlbumCoverHallofFame.com – All Rights Reserved.

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Album Cover News Recap – November, 2014

Album Cover News Recap – November, 2014

by Mike Goldstein, Curator/Editor – AlbumCoverHallofFame.com

November was another busy album cover news-related month, with our focus of course on the announcement in late November of the newest inductees into the Album Cover Hall of Fame. The Class of 2014 included talent that began their album cover-related careers after 1990, with the winners in each category providing wonderful imagery for clients in every genre of popular music. You can find the list of this year’s inductees on the ACHOF web site, so we hope you’ll take the time to review each individual inductee’s portfolio – you’ll most-certainly be impressed and on the lookout for new works by all of them.

The news featured information on  a number of new exhibitions and gallery shows, including a grand-opening presentation at John Van Hamersveld’s new gallery in San Pedro, CA, a new show featuring works by Mark Mothersbaugh (of DEVO fame) at the Museum of Contemporary Art in Denver, CO and a huge music/design show at the Museum of Modern Art in NYC. There were several significant auctions both here in the U.S. and in Europe, with several album cover-related items selling for multiple times their pre-auction estimates and serving to illustrate the importance and desirability (to fans and collectors) of record cover art. Continuing the momentum from the previous month, there were many new books released featuring design/photographic works (perfect for Holiday gift-giving), including tomes for fans of heavy metal album art, punk rock imagery and album cover illustration. Several interviews were featured, including one with a talented young South American artist who has drawn a lot of attention to his blog featuring animated versions of popular album covers, and the news showed its often-bizarre side with articles on album cover artists whose works have served as evidence in a murder trial, motivated others to risk their lives and, in the case of photographer Jean-Paul Goude, nearly “broken the internet” with his hugely-viral shot of someone named “Kim”, who bared her impressive butt on the cover of Paper Magazine.

In the meantime, here’s your chance to catch up on stories you might have missed due to the distractions of the beginning of the Holiday season and/or everyday life (after all, even though you’re all busy, this doesn’t mean you have to go without those things most-important to you, right?). We’ll continue to work (nearly) every day to continue our efforts to prove to you that there’s always something new to see and learn in the world of album cover art, and you know that you’ll find it all here on the ACHOF site.

November 28th – 1) Famed album artist John Van Hamersveld and his team have just opened a new So. CA. studio/gallery located in downtown San Pedro and are ready for visitors! Taking over and renovating the 80-year-old Williams Book Store space, JVH will be offering customers prints, posters and an artist-curated selection of books – “and every one of them deserves to be read. Artist monographs, art history, biographies, photography, typography, poetry, music and the stories of our culture with an emphasis on the 1940’s though the 1970’s”, according to the man responsible for classic covers for The Beatles, Blondie, Grateful Dead, KISS and many others. 443 W. 6th Street, San Pedro, with more info available on the artist’s site at http://post-future.com/ Good luck, John & Alida – very cool!

2) Beginning Monday, December 1, Megadeth fans will have the chance to bid on a wide range of memorabilia at Backstage Auction’s upcoming auction, but what caught my attention was a collection of twelve large-scale acoustic display panels – featuring a dozen different album cover designs, beginning with 1985’s Killing Is My Business up thru 2009’s Endgame – that were used in guitarist Dave Mustaine’s personal studio, known to fans as “Vic’s Garage”. About 41″ square (framed), many of them are also signed by Dave M and/or band members, making them even more collectible. Bidding begins at $100 for unsigned items and $150 for signed prints, so these seem to be an affordable way to add something truly unique to your art collection. More on these on the Backstage site at http://www.backstageauctions.com/catalog/miscellaneous/at/0/63/

November 26th – Just had a chance to look at some of the items that will be up for sale in Heritage’s Entertainment & Music auction on December 6th and there are several impressive album cover-related items included in the collection:

1) Fans of rap artist Snoop Dogg will want to take a look at the original painting used for the album cover for his debut record, 1993’s “Doggystyle“, considered one of the most-important early rap recordings (and, certainly one of the most-popular, having sold over 5 million copies!). The “Snoopy-influenced” cartoon artwork is by artist Darryl Daniels – AKA “Joe Cool” – with airbrushing added by artist Christopher Burch. Bidding on this item starts at $10K – quite a bit of bling, but truly a unique and important work of art – http://entertainment.ha.com/itm/entertainment-and-music/snoop-dogg-doggystyle-original-album-cover-art-by-joe-cool-1993/a/7096-89543.s?

2) Artist Lee Conklin’s instantly-recognizable pen and ink work was featured on dozens of posters for concerts in the San Francisco Bay area in the “Psychedelic Sixties”, but he’s probably best-known for his visually-morphing image of a lion that was used on the debut record by Santana. The design for the record was actually the second iteration of the idea, the first being used on a poster to promote a late-August 1968 concert at the Fillmore West featuring Steppenwolf, the Grateful Dead and their opening act, Santana. Carlos S. liked the poster image so much that he asked Conklin to come up with something similar for the cover of his band’s album. Now, fans can bid on a first-printing copy of the Fillmore poster featuring this image (high bid at this moment is $500), with a pre-auction estimate of at least $1,000. More on this item at http://entertainment.ha.com/itm/entertainment-and-music/steppenwolf-santana-grateful-dead-fillmore-west-concert-poster-bg-134-bill-graham-1968-/a/7096-89615.s

3) I also saw a selection of original art by Rick Griffin – http://entertainment.ha.com/itm/entertainment-and-music/rick-griffin-original-album-artwork-1980s-total-5-items-/a/7096-89586.s Not familiar with the musical acts featured but, as always, they’re really nice-looking images.

November 25th – 1) It was with much joy and fanfare that we announced the posting of the names of the Inductees into the Class of 2014 of the Album Cover Hall of Fame. You can view the list of honorees on our site at the following address:

https://albumcoverhalloffame.wordpress.com/achof-nominee-inductee-menu-page/achof-class-of-2014-inductee-info-page/

This year’s class includes talent that received their first album cover credits anytime after 1990. Next year’s Class will be the first “open” voting, allowing nominees in all seven categories to have credits back to 1960, and we’ll also be opening up several of our categories to a public vote as well.

I’d like to thank our voting panel for their hard work and commitment to this effort – without you (and our loyal fans, “friends” and readers), our efforts to highlight the works of the music industry’s most-talented designers, photographers, illustrators, art directors (and the musicians and labels that support them) would not have the same impact and relevance.

Congratulations to all the winners on jobs well done!

2) On Wednesday, November 26th in London, you had the chance to bid on a large number (99) of photo prints from photographer Brian Griffin’s catalog. Brian’s work has been featured on covers for Elvis Costello, Iggy Pop, Depeche Mode, Echo & The Bunnymen and many others (inc. one of my personal favorites – his cover for Joe Jackson’s “Look Sharp!” album), so it was exciting to be given an opportunity to bid on selections from his impressive portfolio.

You can peruse his online catalog at http://issuu.com/briangriffinphotographer/docs/briangriffin-auction-aw/1

November 24th – British designer Sir Peter Blake – best known to album art fans for his work on the Sgt. Pepper’s album cover for The Beatles and his collage used as the cover for the “Do They Know It’s Christmas?” single back in the 80s – has created something new and exciting on behalf of small businesses across the U.K.. On December 6th, shop-keepers across the country will take part in a promotion (sponsored by American Express) called “Small Business Saturday”, and Sir Peter has created a promotional poster done in a style similar to Sgt. Pepper’s, but featuring images of 40 business owners from all walks of life. Titled “High Street Heroes”, the photo collage is the artist’s way of highlighting the importance of supporting local vendors who are often over-shadowed during the Holiday season by the higher-profile promotional efforts of larger retailers. Blake worked in a butcher shop when he was a youngster and feels that the importance of the ongoing success of local shops serves to maintain the character of the many small towns and villages that have been central to British character. Read more about this effort and see this new art piece in Claire Carter’s recent article on the Daily Mail site – http://www.dailymail.co.uk/news/article-2842325/Beatles-album-cover-artist-reveals-High-Street-Heroes-collage-style-iconic-Sgt-Pepper-s-design.html

November 21st – 1) There have been several artists who’ve made their names in other areas and then been asked to create album covers (Jeff Koons, many fashion photographers, etc.), but few have been as involved in as many aspects of Pop Culture as artist Stephan Martiniere, the guy responsible for the other-worldly set designs for The Hunger Games and Guardians of the Galaxy movies, as well as classic franchises including Where’s Waldo, Madeline and Myst. His latest creation -and first album cover – is the cover for the Foo Fighters’ Sonic Highways record, featuring a composite of symbolic architecture from all over the U.S.. In this recent interview with Rolling Stone writer Nick Murray, Stephan gives us a look into his creative process and how he was able to bring his hyper-realistic design sensibilities to the table for this compelling music industry project. http://www.rollingstone.com/music/features/foo-fighters-sonic-highways-cover-20141119

2) A complete set of photographs taken during the album cover session for The Beatles’ Abbey Road record was auctioned off today for an impressive £180,000 (approx. $282,000) today in the sale of Photographs & Photobooks at Bloomsbury Auctions in London. The set of seven photos – six out-takes and the actual cover shot – was taken by the late photographer Iain Macmillan, with Beatle bassist Paul McCartney making the final selection for which image would ultimately grace the cover. The set was sold to “an overseas buyer” that made the winning bid over the phone. More details via the auction house’s web site at http://www.dreweatts.com/cms/pages/press-2014-11-21-2

November 20th – 1) An album cover image being used as evidence in a murder trial? Wowee. California-based rapper Tiny Doo is on trial for allegedly being part of a gang of people that went on a shooting spree, with the group being accused of nine area shootings in the last 18 months. As evidence in the trial, the prosecutor is pointing to the cover of Mr. Doo’s most-recent CD – titled “No Safety” – saying that the image (of a gun and bullets) supports their contention that he’s part of a gang and has benefited from his affiliation. His attorney thinks that this is a case of guilt-by-association. I believe that there are several rap albums that feature guns on the cover, so it will be interesting to see how the jury responds to this bit of “evidence”. More on this item in Greg Moscovitch’s article on the ToneDeaf web site – https://www.tonedeaf.com.au/426139/rapper-facing-lifetime-prison-sentence-releasing-album.htm

2) Album art fans might want to take a look at the details of the latest auction hosted by the Gotta Have Rock And Roll auction house…included in the mix are a couple of interesting photos – an out-take photo taken by Annie Leibovitz during the cover shoot for Bruce Springsteen’s Born In The U.S.A and another out-take from the cover shoot for Blondie’s 1978 record Plastic Letters. Phillip Dixon was the photographer for that session, so I’m assuming it’s his work.

Motown fans will get a kick out of the opportunity to buy the original artwork for the Phillies Record November, 1963 release “A Christmas Gift For You” which, in 2003, was included on Rolling Stone Magazine’s “500 Greatest Albums of All Time” list (#142). Musical acts on the record include Darlene Love, The Ronettes and The Crystals (this being Phil Spector’s record label). Finally, well-heeled Motown fans might choose to bid on a custom-made 2pc. pants-suit work by the late Michael Jackson on the cover of the Jackson 5’s 1973 record “G.I.T.:Get It Together“. Opening bid is $50,000, with a pre-auction estimate of $60-80K. Just in time for the Holidays!

The auction began on November 26th and runs through December 5th – details via the link – https://www.gottahaverockandroll.com/catalog.aspx

November 19th – 1) Here’s another great example of “album art as fashion” (beyond your favorite t-shirt) – writing for the MTV web site, Marissa G. Muller talks to Reggie Thomas, founder of Kinship, who has released a line of bomber jackets that feature carefully-curated hip-hop album graphics. Thomas, who has managed hip-hop stars including Missy Elliott and Busta Rhymes, has always felt that music and fashion went hand in hand, leading him to design these jackets – including one “for the ladies” that features 35 well-known album images of top female rap/hip-hop stars. You can appreciate the details when you see photos of these products – some performers sure have, wearing examples of these products in their music videos. More viewable via the link at http://www.mtv.com/news/1996440/kinship-interview/

2) Author Richard Balls has a new book out on the famed Stiff record label titled Be Stiff: The Stiff Records Story and, in this recent interview for The Quietus web site, he gives fans the details on both his “10 Favorite Stiff Records” (inc. albums by Elvis Costello, The Damned, Ian Dury & The Blockheads and many others) and the photo session that produced the hilarious cover for the Damned Damned Damned album (featuring the work of the team of designer Barney Bubbles and photographer Peter Gravelle). Certainly, the antithesis of “Whipped Cream & Other Delights” – http://thequietus.com/articles/16610-be-stiff-the-stiff-records-story-book-extract

November 18th – 1) To note the release of Bryan Ferry’s latest solo release (titled Avonmore), NY Times writer Matt Diehl added a nice article to the Times blog/magazine about the memorable album cover art created for Ferry and Roxy Music. A graduate of the University of Newcastle (UK) and a student of noted designer Richard Hamilton (of Beatles “White Album” fame), Ferry spent the first part of his career as an art teacher, so it only made sense for him to take a hands-on approach to the art direction for many of his record-related projects. There were several other “regulars” involved in Ferry/Roxy Music projects, including Ferry’s former classmate, designer Nick deVille, photographer Karl Stoecker (who shot the covers for the first three Roxy Music albums) and photographer Eric Boman, who took the photo for the cover of what is perhaps the most-recognizable Roxy Music LP, 1974’s Country Life. You can read Diehl’s article at http://tmagazine.blogs.nytimes.com/2014/11/05/bryan-ferry-avonmore/?_r=0 . On a related note, if you’d like to read more about the surprising number of accomplished musicians that also got their start as art school students, you can click on over to the ACHOF site to read an article I wrote a while back on the subject – https://albumcoverhalloffame.wordpress.com/2013/03/15/musicians-that-also-design-album-covers-a-list-for-fans-of-music-and-art/

2) With all of the press Kim Kardashian has received regarding her most-recent attempt to crash the Internet with traffic flooding to see pictures of her quite-sizable butt, I just wanted to remind folks that the photograph in question was an update of a 1976 image shot by photographer Jean Paul Goude, the man responsible for the many wonderful photos of model/musician Grace Jones used on the covers of her albums, including Warm Leatherette, Nightclubbing, Living My Life, Slave To The Rhythm and others. Writer Cedar Pasori provides us with a bit of background – along with some of the original imagery – in this recent article on the Complex.com web site – http://www.complex.com/style/2014/11/jean-paul-goode-paper-magazine-original-images While Kim K might not win any awards for originality, at least she works with the cream of the crop of the world’s photographers…

November 17th – New interview alert! He’s been getting so much press for his work, I just had to find out more about this nice man. Available for viewing now on the ACHOF site, my interview with animated album cover maven Juan Betancourt, live from his studio in Buenos Aires, Argentina. In this article, you’ll learn more about the artist, his techniques and what, for him, makes for an ideal candidate for an animated album cover. We also talk a bit about what he likes/dislikes about album art today and whether he thinks that animated album covers will be something that musical acts actually start to produce for themselves. We’ve included several examples from his archives, as well, so please click on over to this interview at https://albumcoverhalloffame.wordpress.com/2014/11/17/interview-with-juan-betancourt-animated-album-covers/ when you get a chance. Please share with your friends and loved ones, too. Enjoy – Mike G

November 14th – 1) Opening this weekend at the Museum of Modern Art in NYC – “Making Music Modern: Design For Eye & Ear”, a year-long show digs into the museum’s extensive collections to help illustrate the ever-present connections between music and art (and the artists and musicians that collaborate to present their works to art/music fans). Curated by Juliet Kinchin and Luke Baker from the museum’s Dept. of Architecture and Design, the show includes many different items that demonstrate how great design has been used to promote, package and deliver music – posters, sheet music, theater design, music videos, musical instruments, consumer electronics and, of course, album cover and concert imagery. Included are works by photographer Richard Avedon, designers Saul Bass and Charles Rennie Mackintosh, architect Daniel Libeskind and many others. The show runs thru next November, so if anyone has the chance to walk through it, please send me your comments…more on this on the MOMA web site – http://www.moma.org/visit/calendar/exhibitions/1523

2) Over on the West Coast, the folks at the Mr. Musichead Gallery in Los Angeles hosted a fund-raising auction on Saturday evening, November 15th, on behalf of the Silverlake Conservatory of Music that included rare photographs by Bob Gruen, Dezo Hoffman, Mike McCartney, Allan Tannenbaum, Michael Ward and Robert Whitaker as well as signed prints, posters and vinyl records. In addition, famed illustrator Alan Aldridge – best known for his illustrations for The Beatles – was on hand for a “meet & greet”. You’ll be able to take a look at – and participate in – new auctions by this gallery when they’re posted online at the gallery’s Ebay site – www.ebay.com/usr/mrmusichead7

3) From Los Angeles, drive east on the 10 to Palm Springs and stop at artist Josh Agle’s gallery to be one of the first to see the collection of fine art prints produced by a collaboration between the late designer Richard Duardo, Germizm and the multi-talented musician/artist Boy George. Timed with the start of the latest Culture Club U.S. reunion tour, the “Boy George Pop Art Remix” series includes a number of limited-edition prints and related merchandise. Agle – also known to modern art collectors as “SHAG” – will be hosting this exhibition now through December 14th at his Shag, The Store gallery on Palm Canyon Drive, with more information available on his site at http://www.shagthestore.com/location.html

November 13th – There’s a new book out titled 50 Years of Illustration, written by Laurence Zeegen, who is dean of the School of Design at the London College of Communications. Beginning with those that began their careers in the 1960s, the book features the work of over 225 artists from all over the world and touches on their impact on advertising, promotion, marketing and Pop Culture in general. Of course, there are a number of people included in the book that were made famous for their work on well-known album packages, including Milton Glaser (Bob Dylan), Klaus Voorman (The Beatles), Shepard Fairey (Led Zeppelin), Martin Sharp (Cream), Gerald Scarfe (Pink Floyd), Mick Haggerty (Supertramp), Roger Dean (YES) and many others, so it will be interesting to see how the work of these and other talented individuals who’ve contributed greatly to the field of album art are put into perspective in Mr. Zeegen’s new publication. CNN writer Allyssia Alleyne provides some insight on the topic, along with a nice slideshow of examples from the book, in her recent article on the CNN World web site – http://www.cnn.com/2014/11/10/world/gallery/the-power-of-illustration/

November 12th – 1) I can’t say that I’ve ever had to report on an album cover-related story that involved a serious injury but, as they say, “never say never”…there was a report yesterday in the UK’s Daily Mail about the posting of a video of someone getting hit by a car in the pedestrian crossing made famous on the cover of The Beatles’ Abbey Road record. Thousands (millions?) of people have traversed that crossing safely (including yours truly), but on July 3, 2012, a solo visitor decided to make her way across in the middle of what seems to be regularly-moving traffic, leading to a rather-nasty result (both photos and a web cam video are available for viewing). Police pay particular attention to this stretch of road, as it seems that many visitors pay little heed for their own safety while trying to recreate the famous foursome’s trek across the zebra stripes. They also noted that, last year, someone lost control of a motorcycle zooming down the path as well. Not much is known about the injured pedestrian, other than she survived. More on this ultimate fan sacrifice in Corey Charlton’s article on the Daily Mail site – http://www.dailymail.co.uk/news/article-2829888/Caught-CCTV-Horrifying-moment-woman-hit-car-Abbey-Road-zebra-crossing-famous-Beatles-album-cover.html

2) To follow up on last weekend’s music memorabilia auction by Julien’s, as reported here originally on November 5th…There were some bargains had on some items, while others sold for much more than their pre-auction estimates – here are some examples:

  1. Alton Kelley’s painting for Journey’s Departure LP, which had a pre-auction estimate of $2-4K, sold for $12,500 (plus auction fees);
  2. Kelley’s mixed media work used on the cover of Mickey Hart’s Rolling Thunder LP, with an estimated value of $8-10K, sold for a paltry $3,750 – someone got a bargain, it seems!;
  3. Three early photos of Madonna, taken by Edo Bertoglio and used on the cover of her first record, sold together for approx. $2,200, or about half the pre-auction estimates. On the flip side, a number of Madonna photos by Herb Ritts sold for 2-3X their estimates;
  4. An ensemble worn by Heart’s Ann Wilson on the cover of the band’s Greatest Hits Live record sold for $5,000 about 2.5X the auction estimate.
  5. The Diana Dors wax sculpture used on the cover of The Beatles’ Sgt. Peppers record, expected to sell at a price between $50-70K, did not meet its auction estimate and was withdrawn.

The highest-priced item sold that night was a customized jacket worn by Madonna in the movie “Desperately Seeking Susan“. With a pre-auction estimate of $30-50K, the item was purchased for an astounding $257,000 (plus fees). Someone’s a big Madonna fan, that’s for sure. You can find the auction results on the Julien’s web site at http://www.juliensauctions.com/auctions/2014/icons-and-idols-rock/results.html

November 11th – 1) Mark Mothersbaugh of DEVO fame has always been a trend-setter when it comes to design and Pop Culture, but fewer people are aware of his talents as a fine artist, designer and sculptor. A new exhibition – titled “Mark Mothersbaugh:Myopia” – at the Museum of Contemporary Art in Denver, CO has launched that will provide fans with a great opportunity (between now and April, 2015) to see some great examples of his newest art pieces, along with select items from his portfolio. The works done by the Akron, OH-born musician/man of many talents have shown a number of influences, from 50s pop imagery, travel postcards (he’s created 30,000 designs of his own), 60’s underground comix and fun-house mirrors, while his sculptures are strange contraptions made from a wide range of objects (his “Mutatum” sculpture from 2012 was crafted to look like two rear ends from a Scion automobile, each going in the opposite direction!).

There’s a new book out by the same title that chronicles the artist’s 40+ year career in the arts, with more information on the show available on the MCA-Denver’s site at http://mcadenver.org/markmothersbaugh.php

2) Gallery 98 in New York’s Bowery district has just launched a new show and sale of a fascinating collection of hand-cut photographs that were crafted by artist/animator M. Henry Jones for a pre-music video animated film he produced for NYC-area based garage rockers The Fleshtones. Done for their song “Soul City”, the film was made in the late 1970s, before the advent of music television, computer-aided graphics, etc., so this art film served as an influence to those creative types just entering the world of digital production. There are 1700 item for sale, each a unique work of art. More information on the artist and his work is available on the Gallery 98 web site – http://gallery.98bowery.com/exhibition/soul-city-animation-hand-cut-photos/

November 10th – 1) The folks at Omega Auctions in the U.K. have put together a pretty interesting catalog of items for their upcoming “Music Entertainment Memorabilia and Vinyl Records auctions in the U.K. and Utrecht (part of the Utrecht Record & Memorabilia Fair that takes place this coming weekend). Included in the offerings are several items that might be of interest to album art fans, including:

  1. A selection of original drawings by Gerald Scarfe, done for the album cover/film for Pink Floyd’s “The Wall” (including “Copulating Flowers”, a very memorable sequence from the film);
  2. an original mixed-media work by artist/musician John Squire, done for the cover of his band’s (Stone Roses) 2004 release titled “Ten From Ten“;
  3. an original sketch of the Paul McCartney character from The Beatles’ “Yellow Submarine” film, crafted on the first day of production by illustrator Heinz Edelman, which features a coffee stain caused by the artist spilling some of his morning brew on the paper after a surprise visit by Paul M. and John L., and many more interesting lots (over 350) including posters, photographs, and other items of interest.

Bidding began Friday, November 14th. To see more on this auction – including links to the online catalogs and auction results data,  please visit the Omega Auction site – http://www.omegaauctions.co.uk/vinylrecords_music_entertainment_memorabilia_auctions.php

November 7th – 1) Writer Ramon Martos Garcia of the nicely-done blog about album covers from the metal music world (“And Justice For Art“) just published an article/interview that focused on the sometimes-satiric nature of metal album covers. He shows us examples of how a band like Stormtroopers of Death borrowed liberally from Iron Maiden’s “The Number of the Beast” to create the cover for their “Bigger Than The Devil” release, and how the band Lich King took the notion of a “homage” to extremes when they came up with the cover for their “Do-Over” record by recreating, with minor modifications, D.R.I.’s cover for “Crossover” (which, I’m told, was not well-received by D.R.I. and it’s fan base). Ramon tracked down Tom Martin to ask him about why he and the band chose to follow this path in this article just published on the Metal Underground site – http://www.metalunderground.com/interviews/details.cfm?newsid=107787

2) Talented cartoonist/illustrator Wayno has just announced that he’ll be launching a new Web comic on the GoComics site and, along with this new online series, he’ll be participating in an art show (along with artist Dave Klug) that will take place in early December at the Panza Gallery in Pittsburgh, PA. I met Wayno after seeing his artwork featured in the great box set by Rhino titled “Weird Tales of the Ramones“, along with his work for The Karl Hendricks Trio, Ralph Carney and the irreverent cover for “Jesus Christ Surferstar” (he’s also done work for Nickelodeon, National Geographic and cartoon portraits of major entertainment icons such as Johnny Cash, Grateful Dead and, my favorite, DEVO. The webcomic will launch in early December at http://gocomics.com/waynovision but, while you’re waiting, I hope you’ll check out Wayno’s site at http://www.wayno.com/index.html

November 6th – 1) Not sure what to make of this, but I’m sure that the results will be well-publicized….Artist Jeff Koons interviewed Led Zep guitarist Jimmy Page at NYC’s 92nd St. Y and, after the panel was over, the two huddled and then shook hands on a deal that would have Koons create the cover art for a new JP record, slated for delivery sometime in 2015. Turns out that Mr. Koons is a huge Zep fan, so this is his chance to do something spectacular for his favorite guitarist. Koons’ most-recent album cover project was for Lady Gaga’s most-recent record, but I’m praying that he doesn’t do a sculpture of Mr. Page in the nude…More on this in Stephanie Green’s article on the HuffPo site – http://www.huffingtonpost.com/stephanie-green/jimmy-page-and-jeff-koons_b_6101488.html?

2) While the ACHOF’s focus is on rock & roll album cover imagery, we must honor the talents of the people that pioneered album cover packaging and design, and one of the record labels that produced some of the most-influential covers – Blue Note Records, featuring the talents of Reid Miles, Frank Wolff and Paul Bacon, among others. Universal Music Group’s jazz consultant – Richard Havers – has just written a book on the subject titled Uncompromising Expression, and it is the first fully-illustrated tome published that covers the full-breadth of the label’s cover imagery. Released by UK publishing house Thames and Hudson, you’ll find ample evidence of the label’s holistic approach to its “brand” and its compelling combination of great talent, great music and superb cover design and photography. Universal will also be releasing a box set of records under the same title. Definitely worth a look, I’d think – more on this in writer Tom Banks’ article in DesignWeekhttp://www.designweek.co.uk/we-like/blue-note-records-uncompromising-expression/3039333.article

November 5th – 1) The careers of many well-known album cover designers got their starts at the UK’s Royal College of Arts, so it is exciting to see the school stage an exhibition highlighting the work of so many of their graduates who’ve gone on to greater fame in many aspects of the design/art world. Called GraphicsRCA: 50 Years & Beyond (on display in London from now until December 22nd), the show includes examples of the output of such luminaries as John Pasche (Rolling Stones and The Stranglers), Jonathan Barnbrook (David Bowie), Margaret Calvert (many UK road signs), Daniel Eatock (Big Brother logos) and many others. Along with students from Cal Arts, NYC’s School of Visual Arts and several others, it is fascinating to see the concentration of talent that has emerged from a select few schools that have produced a disproportionate amount of noted designers from amongst their graduates. Keep up the great work! More on this show in Joseph Charlton’s recent article in The Independent – http://www.independent.co.uk/arts-entertainment/art/features/david-bowie-album-covers-big-brother-and-rolling-stones-logos-50-years-of-rca-design-9836743.html

2) This weekend, Julien’s auction house in Los Angeles will be conducting a auction sale of a large cache of fascinating rock & roll related items, including several lots that feature original album cover art and photography. Featured in the auction are several photographs by Edo Bertoglio taken for Madonna’s first record cover (originally to be titled Lucky Star, released simply as Madonna in 1983); a selection of original paintings by Alton Kelly, including his covers for Journey’s Departure and Mickey Hart’s Rolling Thunder; an artist’s proof print of the front/back covers for John Lennon’s Imagine LP; a selection of clothing items worn by Ann and Nancy Wilson on the covers for several Heart records; and – most notably – one of the original wax busts used on the cover of the Beatles’ Sgt. Pepper’s LP – one of sex symbol Diana Dors, who you’ll find standing next to George Harrison on the famous cover (auction estimate – $50K – $70K). To go directly to a pre-sorted list of album art-related items featuring in the auction (bidding began at 10AM PST on Friday, November 7th), click on this link – http://www.julienslive.com/view-auctions/catalog/id/134/?page=1&key=%22album+cover%22&cat&xclosed=no&items=50

To see several videos shot by LA’s KTLA news crews that show many of the other items that will be put up for sale, follow the link to the KTLA web site – http://ktla.com/2014/11/03/juliens-auctions-icons-idols-rock-n-roll/

November 3rd – Here’s some info on a new book and photography exhibition that should be of interest to album cover fans:

1) Soul Jazz Books has just released a 400-page, LP-sized book titled DISCO: AN ENCYCLOPEDIC GUIDE TO THE COVER ART OF DISCO (presented by DISCO PATRICK and PATRICK VOGT) that contains thousands of images of disco album designs (covering a period from the mid-70s to the mid-90s) as well as interviews with a number of disco impresarios of the day. According to the publisher, among the many musical acts featured are Bohannon, James Brown, Jocelyn Brown, Cerrone, Dennis Coffey, Donna Summer, Chic, Fatback Band, Gino Soccio, Giorgio Moroder, Gloria Gaynor, Grace Jones, Isaac Hayes, Kool and the Gang, DC LaRue, Loleatta Holloway, MFSB, Ohio Players, Salsoul Orchestra and The Trammps. While I’m told that there’s not much info on the artists that created these memorable images (sigh…), the book should be quite the trip down memory lane for Boomers with fond memories of bell bottoms and Qiana shirts (unbuttoned to the navel, of course). http://www.souljazzrecords.co.uk/releases/?id=39773

2) Punk-era photographer extraordinaire Edward Colver has just launched a new exhibition of his photos titled Idle Worship: The Photography of Edward Colver, on display now at the Lethal Amounts store/gallery in Downtown Los Angeles. In addition to the cover images he shot for Bad Religion, Circle Jerks and Black Flag, Colver’s collection includes many shots used in books, films and other publications that documented the many famous and infamous players who made the scene so compelling (and bothersome to those who didn’t quite “get it”). There’s a selection of prints available for purchase, as well as copies of Colver’s book Blight At The End Of The Funnel, so if you’re in the area, be sure to take in the show. A writer for the Punknews.org site recently paid a visit to the exhibition and met the photographer as well – here’s a link to the author’s review of the experience – http://www.punknews.org/review/12970/edward-colver-idle-worship-the-photography-of-edward-colver-exhibit

That’s all for now – look for updates every week day on our news feed – https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back next month with another summary for you.