Tag Archives: Fritz Klaetke

ACHOF Resources – Box Sets and Special/Limited-Edition Packages – An Overview (cont’d)

posted March 27th, 2022 by Mike Goldstein, AlbumCoverHallofFame.com

3 Selections from the author’s personal collection – The Beatles (White Album), Voyager Box Set and Let It Bleed by the Rolling Stones

Part 4 – The biggest, best-selling, most-expensive, most-valuable box/limited-edition sets.

Now that you’ve been given a proper introduction to the history and ongoing development of these collectible record packages in the previous posting, I was thinking that it might be fun and interesting to see the extremes that musical acts and record labels might be willing to go to deliver anthologies to record buyers and fans. To do this, I set out to discover what are the biggest sets ever produced, simply measured by the number of discs included in each package, and then produce a by-no-means-definitive reference that will most certainly be added to in impressive fashion over time. Keeping my focus on albums (vinyl and CDs) and avoiding going off on a tangent that would include sets of 45RPM and CD singles(!), I’ve assembled a list that touches on a number of genres, led by classical music producers, with rock, jazz and pop represented was well. Note that, in many cases, the total number of discs included in a set might consist of a combination of different media, such as audio CDs, Blu-Ray audio CDs and DVDs. For example, King Crimson’s 1969 (Court of the Crimson King) is a 26-disc set consisting of 20 CDs, 4 Blu-Ray audio discs and 2 DVDs:

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Announcing the 2021 Inductees into the Album Cover Hall of Fame

posted November 26, 2021 by Mike Goldstein, AlbumCoverHallofFame.com

Announcing the 2021 Inductees into the Album Cover Hall of Fame

Chicago, IL-based organization celebrates its 10th Anniversary with the announcement of its latest class of honorees in the 6 major categories – as voted on by a world-wide panel of music, art and marketing experts in the area of album cover art & packaging – which represents a “who’s who” of creative and production talent, including many recognized names of craftspeople working in the worlds of
fine art, graphic design and photography.

Since officially launching the site in 2012, we’ve previously enshrined nine classes of Inductees based on the results from the group’s yearly surveys, with the voting panel considering the creative output of all producers active any time since 1960. Dozens of additional biographies were added for consideration by the esteemed panel of writers, curators of galleries (retail and online) that focus on album cover imagery, art/design museum curators and music marketing experts.

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Interview with Grammy-winning designer Fritz Klaetke on his work for Woody At 100

Interview with Fritz Klaetke on his Grammy-winning (for Best Boxed Or Special Limited Edition Package) work for Woody At 100: The Woody Guthrie Centennial Collection.

Posted April 2, 2013 by Mike Goldstein, curator, Albumcoverhalloffame.com

woody guthrie, woody at 100, smithsonian

To be an artist of any sort in Depression-era America required both talent and commitment. For an artist like Woody Guthrie, inspiration for his song-writing came initially from his experiences living in the Oklahoma Dust Bowl (if you call that “living”) and meeting some of the many migrant workers who, like he, were looking for something – work, charity, companionship – to help them make it through the day. He learned a lot from absorbing the traditional music these migrants played and sang while they worked – or commiserated about their lack of work – ultimately creating the portfolio of songs that would earn him a place at the top of the list of “most-influential American songwriters” of the 20th Century.

While his legend has been built around his musical talents, many are surprised to find out that it was Guthrie’s capabilities as a sign painter, illustrator and cartoonist that kept him fed as he journeyed to California early on in his career. Fans of his music were first given a look at his artistic talents when they saw the cover sketch used on his 1943 autobiography titled Bound For Glory, but most have remained unaware of his prodigious output in this area, not knowing that he also produced a number of images used to illustrate his record albums, sheet music, tour posters, articles he’d written on a variety of subjects and, in many cases, drawn to help him better-visualize the inspirations for his music.

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