Posted onJanuary 21, 2022|Comments Off on Album Cover Hall of Fame Breaking News for January 21st, 2022
Album Cover Hall of Fame Breaking News for January 21st, 2022 –
Posted 1/21/22 by Mike Goldstein, AlbumCoverHallofFame.com
Some things just can’t wait….
a) The accomplished and acclaimed album cover designer Ioannis is scheduled to participate in a series of two appearances in the Cape Cod area during which he’ll put on display the original art he created for two projects – one for Boston and one for the Allman Brothers Band – and will be sharing the stories behind these images with all those in attendance. Kicking the series off on Friday, January 28th at The Music Room gallery and wine bar, Ioannis will show off the production artwork that was originally intended to be featured on the band’s third album (Third Stage) and which, after the powers that be decided to go with another artist’s imagery (with the album’s progress delayed a number of years due to personnel disputes and a lawsuit by the group’s label), this artwork was lost only to be found later by a fan, so this will be the first time that it’ll be on public display. Also on stage this first night will be the original Boston guitarist Barry Goudreau and his latest band – how’s that for a great tie-in?
ACHOF Interview with designer and illustrator John Kehe
posted July 29, 2020 by Mike Goldstein, AlbumCoverHallofFame.com
Back in the early 1970s, several members of the popular British band The Move – drummer Bev Bevan and singer/songwriters/instrumentalists Roy Wood and Jeff Lynne – were motivated to concentrate their efforts on a side-gig designed to test their concept that rock music would be made a bit more interesting with the addition of the instruments traditionally found in classical “light orchestras”, such as strings, horns and woodwinds. Calling themselves the “Electric Light Orchestra”, the group released several singles and one LP in the U.K. on the Harvest label, including a Top-10 hit “10538 Overture” in 1971 (on the Electric Light Orchestra album, released in December), “Roll Over Beethoven” in 1972 and “Showdown” and “Ma-Ma-Ma Belle” in 1973.
Now that I live in a city that has a long history of design innovation, it’s a challenge not to be pulled in a million different directions when I hear about exhibitions being staged at the various venues found here. To manage that, I have several alerts set that inform me of anything album art-related that might be on display, but I have to admit that I came to learn about the local staging of a travelling show that’s been drawing crowds for the past two years a bit late (i.e., just a few days before its launch) and it was only due to the attentiveness of the venue’s media person that I was able to learn more and then tour the show right after its launch late last month. People before computers, I always say…