ALBUM COVER HALL OF FAME’S ALBUM COVER NEWS RECAP FOR THE MONTH OF NOVEMBER, 2016
By Mike Goldstein, Curator/Editor, AlbumCoverHallofFame.com
It’s early December, 2016, and WOW! has a lot happened since we last communicated. Of course, the results of the U.S. elections early in the month have either demoralized or energized half the population here, with only the news of the Chicago Cubs breaking their 108-year World Series drought bringing everyone together in peace and harmony, if only for a short while…With all of the uncertainty remaining as to what’s in store for us here, you’d think that there’d have been a brief slow-down in the output of news relating to the art and music scenes but, no, creative people continue to do what comes naturally and, therefore, other people with related businesses and interests (galleries, publishers, collectors, etc.) continue to do what they do to share what they do with the rest of us. As you’ll find in this most-recent summary of news from the world of album cover artists and the wonderful products they’re creating for us fans and collectors of the genre, I believe that we’ll all find enough inspiration to see us through whatever comes our way.
This month’s summary, which includes the results of both our own activities here at the ACHOF and those of other experts in the world of music-related design, art and photography, will still provide you with sufficient proof that the people that make our favorite album imagery are working hard to contribute quite regularly to the news cycle, adding items of interest and fascination to the ongoing stream of articles, interviews, museum and gallery show information and the like on a wide range of related topics. Enjoy the read and let me know if you have any questions or comments:
Special Note – In case you missed the mid-November announcement of the people who were inducted into the Album Cover Hall of Fame’s Class of 2016, you can click on over to the special intro page on the ACHOF site where you’ll find the details. This year’s list of inductees in each of the six major categories will impress you with their range of talents and depth and breadth of their respective portfolios, so why not take a moment to review the details at https://albumcoverhalloffame.wordpress.com/achof-class-of-2016-inductee-intro-page/
Very exciting to see names such as Roberta Bayley, Brian Griffin, Dave McKean, Stan Evenson, Paul Whitehead, Laura Lipuma-Nash, Jeri & John Heiden, Vaughan Oliver and Roland Young included in this year’s list, but each inductee’s impressive list of accomplishments has served to entertain and impress us all, so let’s give them all a hand and kudos for jobs well done.
Please share this info with everyone you know who might be a fan of great album cover art and, of course, your comments and feedback are quite welcome.
Once again, congratulations to all of this year’s inductees, and thanks for the contributions you’ve made to the careers of many of the music industry’s best-known and admired musical acts (and their fans, too).
1) Upcoming, recently-launched, CURRENTLY-RUNNING and just-closed show/exhibitions –
a) Not exactly sure if this counts as an “exhibition” in the normal sense of the word…no, I have to say that it is not “normal”, but it will certainly be an exhibition, and a very punk one at that. On Saturday, November 26th, Joseph Corre, the son of two punk-era icons – designer Vivienne Westwood and Malcolm McLaren, the creator/manager of the Sex Pistols and himself the man behind the Agent Provocateur lingerie line – celebrated the 40th anniversary of the release of the Pistol’s record “Anarchy In The U.K.” by setting fire to a collection of punk-era memorabilia worth an estimated £5 million ($6.2 million) somewhere in Camden, U.K. and invites other like-minded individuals to add their trinkets to the bonfire.
Corre believes that this was the best way to draw attention to the degree that Britain has commercialized what was supposed to be the most anti-commercial movement, particularly as the country has spent all of 2016 staging some very commercial (and government-sponsored) celebrations of “the birth of punk’s” 40th anniversary. Whether you agree or disagree with the degree and style being put on display by this protest, you must admit that it serves as a wake-up call to those of us overtaken by complacency lately. As you’ll read in Hili Perlson’s article on the Artnet.com site – https://news.artnet.com/people/punk-memorabilia-to-burn-450458?
Joseph believes that “the most dangerous thing is that they have stopped fighting for what they believe in. They have given up the chase. We need to explode all the shit once more.”
UPDATE – To bring new meaning to the Holiday tradition of roasting things on open fires, punk scion/fashion industry heavyweight Joe Corre kept true to his word and, this past Saturday, set ablaze a valuable collection of punk memorabilia to protest the over-commercialization of all things and punk things in particular (“Come celebrate Punk’s 40th Anniversary”, the headlines read). In this just-posted BBC video of the event (held, quite appropriately, on a barge in the Thames River, ala a stunt staged by the Sex Pistols 40 years ago), you’ll watch as Corre briefly introduces the stunt and then uses a flaming torch to set ablaze items including clothing, posters, etc.. “Punk was never meant to be nostalgic”, he stated. No punks were harmed in the making of this video.
b) The Albany Institute of History & Art recently launched an exhibition featuring the work of rock photographer Patrick Harbron that will be of great interest to fans of classic rock imagery. The show, titled “Rock & Roll Icons: Photographs by Patrick Harbron” (and runs through February12, 2017) is built around the portfolio of the photo-journalist and portrait artist who has contributed his talents to album packages for acts including Black Sabbath, George Carlin, Bruce Cockburn, The Nylons, Rush, Triumph and everyone’s favorite Canadian talk show hosts, Bob & Doug McKenzie (The Great White North– “Take Off, You Hosers!”). In addition to a fine selection of photos, the show adds other items from Harbron’s personal memorabilia collection, including posters, magazines and tour souvenirs.
Read more about the show and the talent behind it via Michael Hallisey’s recent article on the topic on the web site of local (Albany, NY-area) news service “The Spotlight” – http://www.spotlightnews.com/thespot/2016/11/10/harbron-photos-of-rock-icons-at-the-albany-institute-of-history-art/ and then on the Gallery’s own site – http://www.albanyinstitute.org/rock-and-roll-icons.html
c) In November, the Tulla Booth Gallery in Sag Harbor (Long Island), NY gave its customers a chance to see photographer Eric Meola’s display of a collection of previously-unseen photos taken during the June, 1975 shoot for one of Bruce Springsteen’s best-known album cover images – that for his mega-hit record Born To Run. Meola, who went on to become one of the world’s busiest shooters, has spent his time more-recently travelling around the country to photograph tornados (I guess that standing next to the late Clarence Clemons while he played his sax wasn’t loud enough for him!) and other scenes off the beaten path, but it was his photos of the emerging superstar taken to help package his then Magnum Opus that established the Long Island, NY resident as one of rock’s go-to photographers.
The Gallery in Sag Harbor was not too far from the place where Eric and his family have called their home for many years. An intro article about the show and the man whose photos are featured in this exhibition can be found on the Dan’s Papers site – http://www.danspapers.com/2016/11/eric-meolas-born-to-run-shares-unseen-bruce-springsteen-photographs/
More info about the show and the gallery can be found on their site at http://www.tullaboothgallery.com/index.shtml
d) Blondie founder/photographer Chris Stein’s photo show at the Gallerie Agnes MonPlaisir in Paris (“Me, Blondie and the Advent of Punk”) closed after the weekend of November 13th, but if you’re in the area and are a fan of Stein’s band, his band mates (inc. singer Debbie Harry) and his amazing photos of other mega-stars of the era – Joan Jett, Iggy Pop, the Ramones, Andy Warhol and others, shot in classic venues including CBGBs and Warhol’s Factory in NYC or the Beverly Hills Hotel out West, be sure take a look a pix from the event on the gallery’s site – http://www.agnesmonplaisir.com/en/9-cs.html
e) In support of a new show now on display at the Society of Illustrators’ Gallery in NYC called “Drawn To The Music” – in which a slate of illustrators have created unique works of art based on lines from their favorite songs – the gallery held an Opening Reception during which visitors had the chance to see these wonderful examples of the way “music influences art influences music”. Illustrators have always played an important part in the world of music product packaging and promotion – from mega-works such as Klaus Voorman’s cover for Revolverfor The Beatles, Lee Conklin’s trick-of-the-eye “Lion” pen drawing found on Santana’s debut record and Al Hirschfeld’s one-of-a-kind portraits found on Aerosmith’s Draw The Lineto the lettering and background images found on countless other albums – so it’s fascinating to see how today’s illustrators use their talents to visualize famous song lyrics…Society of Illustrators “Drawn To The Music” show – https://www.societyillustrators.org/exhibits/drawn-music
f) Ron English “Popaganda” pop-up art show at The Wood Shoppe ” (a “‘bodega’ of cannabis-themed pop art and images”) was on display in NYC through November 8th – see interview in Section 2, below, to read more about this influential and prolific artist…
2) Artist interviews/profile articles –
a) Rarely do you get a chance to see an album cover as it is being made and, in this amazing example of having a video camera on hand in the right place at the right time, fans of the band Radiohead can actually watch long-time band album artist Stanley Donwood paint the cover while the band is recording the record in the studio next door! Clicking on over to Gil Kaufman’s recent article on the comsite, you’ll be able to launch a video, taken late last year, where you can act as a “fly on the wall” in Donwood’s studio (in France) as he works while you hear singer Thom Yorke recording vocals to a track on their most-recent record – A Moon Shaped Pool– in the background.
I often ask album artists if they’re given the chance to hear the music before they begin work on a project (usually “yes”, often “no”) but here, in this case, inspiration comes right through the walls!
b) 36 years ago (1980), U2 released their first record, simply titled Boy. In Europe, the record featured the photo of a very young, shirtless boy on the cover and, although the boy in question turned out to be the young son of one of Bono’s friends, record distributors in more-puritanical countries (yes, that means the U.S.) were “unhappy” with the image and demanded an alternative, which was put together by photographer/designer Sandy Porter and used up until 2008, when re-issues were able to use the original photo.
In this recent article by U2Songs.com contributors Aaron J. Sams and Don Morgan, you’ll read an interview they did with Porter about that project and how he created the new image as one of the first projects he worked on after his 1979 graduation from London’s Royal College of Art (rather an auspicious start to a career, wouldn’t you say?). Working with little time, no budget and not much in terms of source materials (sounds familiar, doesn’t it, fellow producers?), Porter and Island Records designer Bruno Tiley collaborated on what would turn out to be an important early image for a band set on super-stardom. What you’ll like about this article is that Porter dug into his archives to provide several fascinating images of works-in-progress and some of the alternative designs that were proposed prior to the final one being selected – fascinating, I think you’ll agree – http://www.u2songs.com/news/coverboy
c) New to the Modern Vinyl site and podcast is a feature built around album cover artist interviews conducted by artist Michael Paul Escanuelas titled “Missing Artwork”. The first interview posted is with artist Dewey Saunders about the very psychedelic cover image he created for Oxnard, CA-based recording artist Anderson.Paak’s 2016 release titled Malibu. Saunders has created several other trippy collages for other Paak records and has produced nice work for clients such as Traffic Skateboards and the Red Bull Music Academy, so this interview provides fans of album art/illustration a unique peek behind the scenes of an artist hard at work for his clients and their fans – http://modern-vinyl.com/2016/11/01/missing-artwork-s01e01-dewey-saunders-anderson-paak/
Interviewer Escanuelas’ own site shows a nice music packaging portfolio as well – http://cargocollective.com/michaelpaul
d) Boy, does this man know his pixels! Artist David Larkham, long an icon to fans of album cover artwork due to his memorable work for Elton John, Three Dog Night, Leo Sayer, Ambrosia and many others, continues to impress us with his newer works, such as the fine art portraits he’s created using a fascinating pixel-based technique he’s perfected. David just sent me a link to a video he’s created that shows him producing his latest work, a portrait that introduces us to the winner of the recent presidential election in the U.S. (well, at least in a parallel universe, thus giving us the title for the 3-minute “making of” film he’s produced that features the music of Late Show with Steven Colbert‘s house band, Jon Batiste & Stay Human).
Thanks, David, for sharing this and for your continued great work – https://youtu.be/F98rYAaUZ9A
e) When he’s not conducting and performing as part of the ensemble that provides the music for the Broadway production of the Disney musical “Aladdin“, Andy Grobengieser uses his artistic talents in a rather unusual -yet-impressive fashion – he creates Lego versions of some of his favorite album covers, musical acts, classic rock instrumentation and other Broadway productions. He’s rightly proud of his work and, as you’ll read in Stan Polanski’s article for the Effingham (IL) Daily Newsservice, he’s hoping that large numbers (at least 10,000) of people like his work enough to vote on the Lego site so that the company will consider adding Andy’s creations to their line of available project kits.
You’ll get a kick out of his cover recreations for bands including Boston, ELO and Journey (I was particularly fond of his Jeff Lynne Lego figure) along with his takes on electronic instruments (including the Moog synthesizer) and everyone’s favorite album art prism image. Read the EDN article first at http://www.effinghamdailynews.com/news/local_news/altamont-native-proves-legos-aren-t-just-for-kids/article_5010419f-e163-5df1-ba37-2fa78a3a2cc1.html and then click on over to Andy’s site at http://www.grobiebrix.com/ to see his full line of creations.
f) Over on the Thump/Vice site, writer Ali Gitlow treats us to profiles of ten graphic designers who have excelled at creating visuals for many of today’s most-successful electronic music artists – people who are often not well-represented in the mainstream music press but who have legions of fans in clubs all over the world. While early electronic musicians – Kraftwerk, Vangelis, Synergy and others – used album cover imagery to raise the visibility of their recorded music products in the days before the Internet, today’s designers are tasked with creating graphics for their clients’ many touch points with their fans – set designs, web sites, merchandise, videos and more – and so to learn more about these talented (young) creatives and see their work is quite the treat.
You’ll meet designers based in the U.S., Mexico, the U.K., Europe and Russia, each with their own unique take on how best to create just the right imagery for their popular clientele – https://thump.vice.com/en_us/article/graphic-designers-electronic-music-list
g) I had the opportunity last year to see a small gallery show that featured photographer Jerry Uelsmann’s fascinating (and, sometimes, disturbing) photo-montages, so when I saw this recent article on the Music Universe site about the composition that rocker Bon Jovi has included on the cover of their most-recent record – This House Is Not For Sale– I knew that I had to share it with you. Considered one of the pioneers in digital photo manipulation, Uelsmann was a professor at the University of Florida and has displayed his works in exhibitions and galleries all over the world. In addition, over 20 books have been published that include his work, so it is with particular pride that Floridian and Music Universewriter Buddy Iahn lauds the artist’s latest commission – http://themusicuniverse.com/bon-jovi-album-cover-is-work-of-florida-artist/
To see what Uelsmann is doing these days – and to see many more examples of his work (for which he won a Lucie Award For Achievement in Fine Art Photography in 2015) – I’d invite you to visit his web site at http://www.uelsmann.net/
h) The writing staff at teamrock.com recently posted an article on their site in which they talk to noted cover designer Aubrey Powell (of Hipgnosis fame) about “the making of” one of Pink Floyd’s best-known cover images – that for the band’s 1975 release titled Wish You Were Here, an image which showcased a handshake between two nicely-dressed men, one of whom happened to be on fire. According to the article, executives at the group’s label at the time (Harvest/Columbia) didn’t appreciate the liberal use of symbolism (no one likes “getting burned” by their partners), and so it’s interesting to hear from Powell about how the team managed to include a number of unusual elements in the record’s packaging, including their use of a black plastic wrapping which concealed the provocative cover…
i) World-renowned pop artist Ron English – who has a very nice portfolio of album cover images to his name, including work for The Dandy Warhols, Slash and Korn, among others – has used his talents to help illustrate just how crass, manipulative (but, ultimately, influential) ads for consumer products can be at times, so with his unique eye and mind set brought to task, we now have a chance to see how he thinks the world might look one year after the world has decriminalized cannabis products in a new show now on display in NYC. Writer Ben Adams, in a recent article for Merry Jane magazine, shares an interview he did recently with English about the new show during which he shares his take on the world of advertising, consumerism, info on some of his newer works and how album covers and posters can still be valuable additions to the arsenal of products that musical acts can enable to engage and communicate with their fans – https://www.merryjane.com/culture/ron-english-popaganda-popaganja-art-show-interview
j) Photography has always been an important part of how rap and hip-hop artists have both shared their creative visions with us and used those images to project whatever aspects of their personalities and life styles – whether real or imagined – the so chose to share, but the identities of many of the photographers who’ve been there to document these personalities and participate in their projects remain somewhat hidden. Artsy writer Demie Kim helps lift that veil of secrecy a bit with a new article featuring profiles on a dozen of the most-prolific shooters working in that genre since its earliest days, including Chi Modu, Michael Miller, Lisa Leone, Ricky Flores and Jonathan Mannion, among others – https://www.artsy.net/article/artsy-editorial-12-photographers-who-captured-hip-hop-from-old-school-to-the-90s
k) Jonathan Mannion shows up again in another recent posting on Hip-Hop album cover photography, this time in an article on the Bella Naija info/entertainment portal about a new show of his photos of artists including Jay-Z, Nikki Minaj, Drake and others in Lagos, Nigeria organized as part of Cognac-maker Hennessy’s art and music series called “Hennessy Artistry”. Learn more about the show, titled “Beyond The Music” with Jonathan Mannion – via the link at https://www.bellanaija.com/2016/10/hennessy-nigeria-presents-jonathan-mannion-the-legend-behind-hip-hop-album-covers/
3) Sales/Auctions –
a) Now with all the ads for “Pre-Holiday Black Friday Extravaganza Super Sales” bombarding us, it’s nice to find an opportunity to find a unique product (or several) on offer from one of today’s better-known rock photographers. Ami Barwell’s portfolio of projects for acts including Motorhead, Foo Fighters, Iggy Pop, R.E.M., Paul Weller and The White Stripes (among many others) has given us fans many great portraits of our favorite musicians, so it’s great to see that she’s now going to offer several of her better-known images on a line of t-shirts that are available via her Etsy site – https://www.etsy.com/uk/shop/ByAmiBarwell
Barwell’s photos have also graced the covers of music released by Black Rebel Motorcycle Club, Interpol, Bang Bang and The Cribs, so now you have a chance to add works by an accomplished shooter to your collection for a song (they make great gifts, too).
b) The Gotta Have Rock and Roll auction house’s soon-to-end Rock & Roll Pop Culture Auction and, for fans of album art, there are several items you might want to take a look at. There are photos – both for the actual album covers and alt takes shot during the same sessions – as well as artwork, printer’s proofs and other related production items for albums by The Doors, Fleetwood Mac, Little Feat, Lita Ford, Journey, Stevie Nicks, Prince, Bruce Springsteen and Steven Van Zant. Of course, memorabilia collectors will also find 800+ items including costumes, instruments used on stage, lyric sheets, posters, gold record awards and much more, so hop on over to the company’s site to take a look and get ready for the final auction action that takes place December 2nd.
Take a look and, if you’re lucky, bring home a new addition to your collection this holiday season.
All album cover-related items – http://www.gottahaverockandroll.com/catalog.aspx
Original Artwork – http://www.gottahaverockandroll.com/Category/Artwork-206.html
c) Some pretty impressive sales results were posted during Heritage Auction’s Entertainment & Music Memorabilia Signature Auction (as described in detail in earlier postings) which took place Saturday, November 12th in Dallas, TX both online and in person at their facilities. Examples of the items sold include:
– a “first state” mono Beatles “Butcher Cover” (the recalled cover to the band’s Yesterday & Today record) sold for $42,500, while a stereo version realized $8,125;
– a set of 12 color photos (including the negatives) taken on the set of The Beatles’ in performance for the film Hard Days Night was snapped up for $9,000;
– a promo stand-up for the Rolling Stones’ Sticky Fingers LP – featuring Mick Jagger – was sold for $3, 000;
– a 1976 EMI promo poster for the Sex Pistols’ “Anarchy In The UK” was picked up by some lucky collector for $1,875
There were loads of other interesting items that found new homes, so if you’d like to scour through the listings, feel free to click on over to – http://www.ha.com/7154
d) Remember that auction at Sotheby’s in London I told you about recently that was built around portions of the late David Bowie’s personal art collection? Well, they held the first segment (one of two) yesterday (Nov. 10th) and – well, let’s put it this way…rich people still have money to spend! For the 49 lots offered for sale – which included works by Warhol, Basquiat, Duchamp and others – the auction house raised over $30 million, well over twice the pre-auction estimates. Then on Friday the 11th, they held the auction for the remaining lots (with a focus on a collection of works of the “eccentric” Italian designer Ettore Sottsass and the Milan-based Memphis group) which, until now, looked to bring in another $3-5 million to the estate’s coffers. I had thought that it’d go a bit beyond that (wouldn’t you agree) but, in reality, the entire collection raised just under 1.4 million GB pounds, or approx. $1.75 million You can read more about that night’s details on the comsite in reporter Colin Gleadell’s summary of events, via the link – https://news.artnet.com/market/744056-744056? Two key items from the collection – Bowie’s Giacomo/Castiglioni record player and a lipstick-red “Valentine” typewriter – sold for big money, with the stereo going for £257,000 and the typewriter fetching £47,500.
There had been opportunities to look through examples of the items that were put up for auction during shows that have been staged in venues in Los Angeles, Hong Kong, New York and London over the past year, but collectors at the London event had the unique opportunity to preview the entirety of what was be put up for sale (over 400 items!) at the Sotheby’s location in London, with an overview to this display provided to us by Artsy‘s Lorena Munoz-Alonso in this recent posting on their site – https://news.artnet.com/market/memphis-bowie-collector-sale-sothebys-london-730169?
4) New Print/Book Publishing –
a) Photographer Michael Zagaris has taken some of the best-known photo portraits of rock’s royalty – the Rolling Stones, Lou Reed & The Velvet Underground, Eric Clapton, Blondie, The Clash and so many others who found their way to the San Francisco Bay area in the 1970’s – and since he approached his subjects as a fan (rather than a paid shooter) most of the time, he was able to capture them in ways that more formal photo sessions would not have been able to. It also produced a large archive of unused photos which, until now, have mostly remained unseen, but Zagaris and the folks at Reel Art Press have worked hard to rectify that situation and recently released an anthology of his work called TOTAL EXCESS: PHOTOGRAPHS BY MICHAEL ZAGARIS.
The books 272 pages include hundreds of shots of stars in performance, behind the scenes and just mugging for the camera, capturing many of them early on in their careers. Fans of the ever-changing popular music scenes of the 70s and 80s will find a lot to love here. Zagaris, who started his career as a law student working for Robert Kennedy, took up photography to help him recover from the shock of Kennedy’s assassination in 1968 and soon after began covering the awe-inspiring local music/cultural scenes, which The Guardian‘s Charlotte DeFazio provides more details about in her recent profile on the man behind the camera – https://www.theguardian.com/music/2016/nov/07/rock-photographer-michael-zagaris-the-who-rolling-stones
Read more about the book on the publisher’s web site at http://www.reelartpress.com/catalog/edition/91/total-excess-photographs-by-michael-zagaris
b) While the late Swiss artist H.R. Giger may perhaps be better-known to the art world for his contributions to the movie business – after all, he did come up with the Oscar-winning surreal designs for James Cameron’s 1979 and 1986 sci-fi classics Alienand Aliens(who can forget the uber-scary Xenomorph creature and the doomed cargo ship?) – music fans have always been most-impressed with Giger’s fantastic cover images for classic rock records including Emerson Lake & Palmer’s Brain Salad Surgery and Debbie Harry’s solo effort titled Koo Koo.
To honor the painter/sculptor/set designer’s amazing portfolio of work, the folks at Taschen Books have just released a new book for collectors (simply titled H.R. Giger) that includes 400 “SUMO-sized” (15″ x 20″) pages that detail his paintings, sculptures, record covers and designs for films, the stage and his own unique take on architecture and design. The limited-release tome has been produced in an edition of only 1000 copies and includes scholarly essays, a number of multi-page spreads, examples of the artist’s own writings and much more. Priced at $900 per copy, the book is available now via Taschen’s web site – https://www.taschen.com/pages/en/catalogue/art/all/06390/facts.hr_giger.htm where you will also find details on the two additional “Art Editions” of the book that are also available – a $2000 edition of 100 pieces that is signed by Carmen Giger (the artist’s second wife and director of the Giger Museum in Gruyeres, Switzerland) and is packaged with Untitled, “a ready-to-hang relief cast from an original polyester sculpture created by Giger in 1964” and a 100-piece package priced at $3000 which adds a copy of a 1965 photogravure titled Gebärmaschine (Second state).
Make this book your lucky star…”You…lucky, lucky, lucky, lucky, lucky…”
c) Publisher United Editions has released a new limited edition compendium of designs made for punk and post-punk record releases called Action Time Vision: Punk & Post-Punk 7″ Record Sleeves which, according to the publisher, “is a celebration of DIY graphics… all have an urgency and an exhilarating disregard for design conventions that makes them exceptional. They are all clarion calls for independence and freedom from pop industry norms.” Examples of these works were in the collections of Unit Edition’s founder Tony Brook and scholar Russ Bestley, and the book also includes interviews with luminaries and experts in the field, an example of which is designer Malcolm Garrett, whose covers for the Buzzcocks, Simple Minds, Duran Duran and others helped usher in the use of computers and other DIY tools to create memorable images for music industry clients going forward. Creative Reviewwriter Mark Sinclair caught up with Garrett to discuss both his role in the development of this still-impactful aesthetic and, in particular, how his collaborations with the Buzzcocks moved him along the path to a new visual language for the punk era – https://www.creativereview.co.uk/action-time-vision-malcolm-garrett-buzzcocks/
You can take a closer look at the book on the publisher’s web site at https://uniteditions.com/
d) Wilfred Limonious might not be well-known to rock music fans here in the U.S., but to fans of album art – particularly to fans of Jamaican dancehall music – his illustrations are legendary and continue to influence many in the world’s design community. To document his work, author and Edmonton (AB, Canada) library technician Christopher Bateman undertook a lengthy world-wide search (including multiple trips to Jamaica) to collect hundreds of examples of work and the details behind them, ultimately publishing the results in a new 272 page hardcover book (published by One Love Books) titledIn Fine Style: The Dancehall Art of Wilfred Limonious. Edmonton Journal reporter Fish Griwkowsky talked to Bateman just prior to his book launch event this week and shared the details in an article – http://edmontonjournal.com/entertainment/books/edmonton-author-pays-tribute-to-legendary-jamaican-artist-limonious
e) Continuing on my reporting of new punk-era-themed books coming to market (you’ll recall my earlier report on United Editions’ new book on punk/post-punk 7″ single sleeves), I found a recent report on the Creative Review(U.K.) site about publisher Phaidon’s recent book built around the archives of collector/punk era historian (and one of the designers who founded the London-based artist collective called the Grey Organisation) Toby Mott called Oh So Pretty – Punk in Print 1976-80 that I want to point you to. With a collection of over 1000 items to select from (posters, flyers, ‘zines, album covers, etc.), the book’s 512 pages include over 500 photos/illustrations that, according to the publisher, reflect “a DIY spirit and instantly recognizable aesthetic that was as raw and strident and irrepressible as the music. As disposable as the items in this book once were, together they tell a story about music, history, class, and art, and document a seismic shift in society and visual culture.”
Read more about the book in Mark Sinclair’s article at Punk book – https://www.creativereview.co.uk/oh-pretty-punk-print-1976-80/
and you’ll find additional details on the Phaidon site at http://www.phaidon.com/store/fashion-culture/oh-so-pretty-punk-in-print-1976-1980-9780714872759/
5) Other articles of interest –
a) Voting has begun for this year’s “Best Art Vinyl” competition, staged by frame-maker and lover of all records packaged in 12″ square sleeves, the U.K.’s Art Vinyl. Visitors to the site (http://www.artvinyl.com/LP-records-displayed-as-artwork-prize/) can view the 50 nominated album cover images and then select three to put your support behind during the voting period which lasts from now until early January, with the results being posted on January 5th.
Fans in Italy and the U.K. also can look at the covers in person at two exhibits currently on display – one at the Semm Music Store in Bologna, Italy and the other at London’s Vinyl Cafe (Kings Cross), with the winners being announced in an event at the Hari Hotel in the Belgravia section of London on January 5th.
The team at the Creative Review site have put together a nice overview of the competition for your perusal prior to voting – https://www.creativereview.co.uk/art-vinyls-record-sleeves-year-2016/
and then, when you’re ready, you can head on over to the voting page to add your input – http://www.artvinyl.com/best-record-cover-design-competition/
May the best designs win – stay tuned for more details.
b) Film-maker Adam McDaniel has launched his fund-raising campaign on the IndieGogo site for the film he’s working on about the career of the late great illustrator Richard Amsel.
One perk available to supporters provides a double-dose of album art talent – Art Director Mike Salisbury, who worked with Amsel on promo art/materials for films such as Raiders of the Lost Ark and The Dark Crystal (and who, like Amsel, also created an impressive collection of album cover images), has donated two signed copies of his now-out-of-print book An Art Director Confesses: I Sold Sex, Drugs and Rock & Roll to the campaign, each available to collectors in return for a $150 donation.
c) Boulder, Colorado-based specialty vinyl publisher/record club Vinyl Me Please has impressed collectors with their dedication to special packaging, delivering music by both established (Beck, Black Sabbath, Fugees, Weezer and others) and “emerging” (The Books, Nils Frahm, Glass Animals, etc.) in packages that include colored vinyl, unique album imagery, posters, stickers, etc. – a much more-fulfilling retail packages for fans of the acts featured each month.
Another Vice-related site called The Creator’s Project recently posted an article written by Beckett Mufson about how VMP artists have reworked ten classic album images to create something new and exciting for the club’s subscribers. The new covers for Sabbath’s Paranoid and Beck’s Odelay certainly are eye-catching, but it’s up to you to decide which ones best-represent the music packaged inside…
d) The Beatles’ Sgt. Pepper’s record features what is perhaps (if you believe the polls – is that a wise thing to do these days?) the best-known and loved album cover image in rock music history. The assemblage created by Sir Peter Blake, Jann Haworth, Michael Cooper and art director Robert Fraser featured life-size cardboard cut-outs, wax figures and other props, with the band and many famous/infamous people included in the mix. Over the years, this image has been spoofed, recreated and bastardized for a variety of different purposes, so it is not surprising to see another like the one featured in this ITV News article. However, this one – created by Twitter user christhebarker – is particularly poignant as it includes images of the many celebrities – including musicians such as David Bowie, Prince and Leonard Cohen (talk about up-to-the-minute) and others well-known around the world (it even includes a bright red “Make America Great Again” cap in the foreground).
To see the larger version posted on the artist’s site, follow this link – http://www2.b3ta.com/host/creative/4270/1478856455/2016lc.jpg
Bonus content – If you’re like me, you thought that 2016 was a pretty horrible year overall (for a variety of reasons). If you’d like to tell the year to “Kiss Off” in a slightly more vulgar fashion, here’s a link to a video that comedian/social commentator John Oliver created that features appropriate send-offs supplied by celebrities and us “normal” (i.e., depressed) people, too – https://www.youtube.com/watch?v=PQ6WPo-oW5Q
e) I’m very excited to be able to share some preliminary details with you regarding designer Lawrence Azerrad’s newest project with the American Institute of Graphic Arts (AIGA) that, based on my first read, should be of interest to anyone actively involved in the design community (either as an artist/illustrator, branding/marketing executive, packaging designer, etc.) and, in particular, those who focus on the intersection of the worlds of art/design and music.
Boing Boing‘s David Peskovitz recently posted an intro article on the project –https://boingboing.net/2016/11/04/design-and-the-future-of-the-m.html in which Azerrad relates why he believes that, in today’s much-more-passive music world, people are missing out on many of the aspects – particularly the visual ones – that used to draw fans closer to the musical acts they admired, so he hopes that, with this initiative, designers can work to re-establish these ties. This also has the nice side-effect of keeping more of those working in the visual communications field employed and busy with music industry-related projects… Read more about the project in an aptly-titled article (“The Design + Music Industries are BFFs—They Just Don’t Know it Yet”) you’ll find on the AIGA site – https://eyeondesign.aiga.org/the-vital-links-between-the-design-music-industries-how-can-they-enhance-one-another/
I’ll be sure to share more as I learn more about this exciting new initiative.
f) You’ve seen examples of “sleeve-facing” before here in our news summary, but this is the first time I’ve seen one brought to life and, in this case, it was done in support of the efforts of a classic rock radio station, so it’s all the more appealing (at least to me). If you click on over to this article by David Kiefaber on AdWeek’s “Adfreak” feature page, you’ll find more info and a link to a video created by Vancouver (Canada) ad group Spring for their client, local classic rock station Rock 101to promote it’s morning oldies show where staffers lip-synch to song clips from the Rolling Stones, Bowie, Loverboy and others all while having a portion of their faces/bodies covered by a classic album cover image.
Nicely done, and proving, once again, the long-lasting connection between time-honored music and the sleeves they’re packaged in – http://www.adweek.com/adfreak/radio-station-made-fun-clever-use-album-covers-ad-its-morning-show-174094
g) While singer/actor Jarrod Spector has garnered a good reputation for his own musicality via his featured roles in the Broadway musical hits Jersey Boys and Beautiful: The Carole King Musical, if given the opportunity to star in a new musical featuring the songs of his own favorite musical act, without hesitation he’d star in one – if it existed – that was based on the music of Bruce Springsteen. Raised in the Philadelphia, PA area, Spector has been a fan of The Boss and his music for as long as he can remember, and so when Playbill Magazine photographer Monica Simoes approached him to work on re-creating several of Springsteen’s best-known album covers, he was only too happy to oblige (in fact, he includes his own version of “Born To Run” in his cabaret act). Playbill writer Mark Ezovski talks to Jarrod about his career and Bruce fandom in this article – complete with photos and performance video – for the Playbill web site – http://www.playbill.com/article/exclusive-jarrod-spector-covers-bruce-springsteen-and-recreates-iconic-album-covers
R.I.P. I’d like to note the passing of Al Brodax this past week at the age of 90. For those of us growing up in the 1960’s, Mr. Brodax delivered a couple of examples of what would turn out to be very-influential cartoon animation while at King Features Syndicate – the Saturday Morning Cartoon Beatles series (beginning in 1965) and then, in 1968, working with a meager budget and very little help from the band, produced a psychedelic film (directed by George Dunning, art-directed by Hanz Edelmann and featuring art/animation by a large crew that included Ron Campbell, Paul Driessen, Dianne Jackson and Heavy Metal director Gerald Potterton, among others) for the ages – Yellow Submarine. You can read Brodax’s William Grimes-penned obit in the NY Times via the link – http://www.nytimes.com/2016/11/29/movies/al-brodax-who-steered-the-beatles-yellow-submarine-to-the-screen-dies-at-90.html?
He’s a REAL Nowhere Man, now, but will forever hold a place in this young (now old) Beatles fan’s heart.
That’s all for now – look for updates every week (typically, on a Friday) on our news feed –https://www.facebook.com/AlbumCoverHallOfFame – we’ll be back early next month with another summary for you.
All text Copyright 2016 Mike Goldstein and AlbumCoverHallofFame.com – All Rights Reserved. All of trade names mentioned in these summaries are the properties of their respective owners and are used for reference only.